MUSIC DIRECTION
If you wish to reduce the orchestra size, the string parts may be eliminated by adding a Keyboard 4 player (for the string reduction) as a substitute. This reduced configuration requires 12 players, plus conductor (if needed), as follows.
REDUCED (OPTION B) • Reed 1 (Piccolo, Flute, Alto Flute, Clarinet) • Reed 2 (Oboe, English Horn) • Reed 3 (Clarinet, Bass Clarinet, Soprano Saxophone, Alto Saxophone) • Horn • Trumpet (Flugelhorn) • Drums • Percussion • Keyboard 1 (alternatively may be covered by a Piano-Conductor, if necessary) • Keyboard 2 • Keyboard 3 • Keyboard 4 (string reduction) • Bass (Acoustic, Electric)
USING THE ACCOMPANIMENT & GUIDE VOCAL CDS If you decide to use the performance tracks provided on the Accompaniment CD, remember to approach the music as if the singer is leading the orchestra rather than following a recording. There are also several helpful cues in the orchestration pointing to when a singer should enter. As always, allow ample rehearsal time with the tracks so actors are completely comfortable with them by opening night. In rehearsals, utilize the Guide Vocal CD a few times with your cast to get a sense of tempo and tone. Then, once notes and rhythms have been taught, move toward using the Accompaniment CD so your cast can begin creating their own approach to the characters. Both CDs are available from Music Theatre International.
TRANSITIONAL MUSIC Many cues were included in the score to accompany onstage transitions for the Broadway and subsequent Disney stage productions. You may find that you have more music than needed for your physical production. If there are specific moments you’d like to address, you can contact your MTI representatives for suggestions on approved cuts. Avoid extending transitional cues beyond what is written in the score. The show is designed to flow smoothly from location to location – extended scene changes can bog down the pacing of the performance.
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Disney’s The Little Mermaid Production Handbook