Portfolio Mrinal Jain
MRINAL JAIN
I THINK
ABOUT ME
Currently studying at Faculty of Architecture , MIT , Manipal Academy of Higher Education , Manipal, Karnataka , India (BATCH 2014-19)
Motivated, helpful, versatile and open minded, curious .I have tried to explore the different aspects of architecture design throughout my college days. I took the learning out come from all these experiences and tried incorporate them further. Out of all those exposure, AA Autumn semester has changed my perspective for architecture a lot. It gave new dimension of urban sustainability, design principles and narratives. I on my part have strived to incorporate both these, keeping logic rules in mind ,in my design and intent to work on them in future .
I believe in contextual approach and emphasizing on design principles as core of design solution, to be followed from the start to till end. I try to find out the balance between new technology and basic old school approach. There should be balance of hand sketching and software tools during the design process to get the optimum results.As they “great work requires great time and patience” , so I try to dedicate myself sincerely to the design project.
SOFTWARE SKILLS
WORSHOPS //EXPERIENCE: 2014 2015 2016
2016 2016 NOV-DEC
2017 2017
CADD CENTER// Master’s Diploma in Architecture Design: the course involved tutorials for softwares on Auto-cad, Revit, 3DS Max,Stadd Pro and MS Project.
SWS CEPT // The Everyday City: The work
of my group was focused on understanding the the religious and economic zones around the Bhadra temple plaza of old fortified city , the final drawings were produced included mapping showing the development of urban space throughout the time,survey interviews and sketches.
Autocad
Sketchup
Rhino
Grasshopper
Revit
Lumion
AAVS // Biomorph//Bamboo: The first exercise involed group work to exploring Glass Sponge and understanding its geometric and
structural logics which were translated in modules on local, regional, global level using bamboo as material in second exercise.There was also hands on tutorial to use bamboo as building materials and 1:1 scale bamboo pavillion was made based on biometics principles by entire team.
Vray-Rhino Karamba
GIAN-IITR // Interior Architecture Design and Craft, Focus on Inter-Disciplinarity:the worshop had individual exercises which involved two modules first to create mood board on pictorial, color ink , black ink ,fabric and 3d surface board and second module was module was to give a design intervention for a local craft of India to save the craftmen community of that craft.
Volunteer Trainee Morph_Lab,Mumbai Throughout the training period I worked on the resreach work on Brick for AAVS got chance to make physical models of parametric facade of different buildings projects.
2017.I also
rat[LAB]EDU Summer School 2017
It was workshop on parametric design in which tutorials for rhino and grasshopper where there followed by a group project to presented by the end of workshop using the principles and undertanding of parametric design through grasshopper.
Photoshop
Illustrator
Indesign
MS Office
Processing
Maya
3Ds Max
Stadd Pro
AAVS // Biomorph// Brick
The first exercise involed group work to exploring Lobester claw and understanding its geometric and structural logics which were translated in modules on local, regional, global level using brick tiles as material in second exercise.There was alos hands on tutorial to use brick tiles as building materials and 1:1 scale guastavino vault was made based on biometics principles by entire team.
AA AUTUMN SEMESTER PROGRAMME//2017
TALKS ATTENDED
AA eXchange The Architectural Association Visiting School Semester Programme The semester was covered by an urban design studio and two media studies.
CONTACT DETAILS
mrinal161996@gmail.com
MS Project
+917022131954
Z-Axis //5 July 2016 361o //25-24 Feb 2017
A-3/4/5, SURYA ENCLAVE, NEAR RAILWAY STATION , RUDRAPUR, UDHAM SINGH NAGAR, UTTARAKHAND ,INDIA.POST CODE-263153
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Content Planetarium Complex
Diagrid glass fascade gives a futuristic look and a feel as if you are in space in a space ship
AA Autumn Semester //2017//Almeria Seaport
Solar panels
Observatory
Lo Planetarium
15-16 3 1
oute r
3 env elop
e
1 mark inn etspa ce er e nvel + ope
cub io mass d ope n spa ce
cub io mass d
3
mark inn etspa ce er e nvel + ope
OR RR
MI
4
1
oute r
env elop
3 e
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5
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e1 cor
Institute for Indian Classical Arts
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e2 cor
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Studios Hostels Main circulation Inner circulation Public spaces
e3 cor
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1-Auditorium 2-Amphitheater 3-Workshop 4-Resturant
e4 cor
2 1 3 4
3-14 Morph_lab Mumbai Training
hor izon tcal
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Workshops
AA Media Studies
17-18 Architect’s Office
rhy thm
24-25
21-23 t ver
ica
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m yth l rh
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AA eXchange The Architectural Association Visiting School Autumn Semester Programme 2017 -Almeria Seaport
As part of an initial exercise was the study of London’s iconic residential projects; Brunswick Centre, a grade Il listed building opened in 1972. This exercise introduced conceptual thinking and 2d-3d drawings as they interpreted the sites through given topic ‘Scale and Rhythm’.
rhythm in window details and columns
out e env r elop
e
mar inn ketspa c er e nve e+ lop e
OR RR
MI
offset of floorplates in a scale with rhythm
cub i mas od s
ope n spa ce
cub i mas od s mar inn ketspa c er e nve e+ lop e
out e env r elop
e
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Design exploration began by looking at the topic of “Scale and Rhythm”.Initially the meaning of rhythm by looking at the Brunswick Centre in London was explored, for which an interesting way of framing and capturing the architectural rhythms from the building’s key viewpoints was proposed.
facade being bold and rhythm in same scale creates focus
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e1 cor
e2 cor
e3 cor
e4 cor
monumental scale of pillars in rhythm with an double heighted opening that gives an essence of grand enterance
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brunswick center
open space
shops
Horizontal rhythm by offset of floors
Diagonal scale by offset of floors
VERTCAL RHYTHM BY OFFSET OF FLOORS
shops
MIRROR
Horizontal rhythm by offset of pillars and tower
VISUAL OPENESS CREATE IN INNER ENVELOPE VISUAL CLOSE CREATE IN OUTER ENVELOPE
Section showing horizontal and vertical rhythm in Brunswick Center
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The exercise concluded with a physical model translating the urban and architectural conditions that were captured in the drawings.
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oute env r elop e
mar inn ketspa c er e nve e+ lop e
cub io mas d s ope n spa ce
1
cub io mar mass d inn ketspa c er e nve e+ lop e
OR IRR
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oute r
env elop e
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e1 cor
e2 cor
e3 cor
e4 cor
vertical rhythm
M
hor i rhy zontcal thm
al tic ver thm rhy
horizontcal rhythm vertical and horizontal rhythm extacted by the architectural element and futher highlighted in elevation
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Conjunto Monumental de la Alcazaba de Almeria
Cable Ingles
Catedral de Almeria
Plaza de las Velas
Control tower
Port Authority Almeria
Watch tower
Train Station Almeria
Central Market Almeria
HEIGHT
FOOTPRINT
Study on Almeria from City scale perspective from urban to architectural-in order to explore the concept of scale and rhythm by indentifying inconic buildings which are huge in scale in terms of height and footprint.
The brief for the AA Autumn Semester Programme 2017 design studio was to explore the concept of scale and rhythm in city port in Almeria, Spain. The přoject aimed to study the existing relationship between the water edge and the city in order to develop proposals promoting the use and activation of the waterfront.
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Sections were made throughout the edge to explore the concept of scale and rhythm within the constraints of a logistic and commercial port to find the potential for leisure and cultural opportunities alongside the waterfront
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further more sections were created on the site with 3scope 1
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Active and non-active areas were indentified in the sections 2 6 3
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urbanity maintained by green patch along the edge
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building on the edge are bigger in scale than rear to form a prominent skyline.
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NONACTIVE
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scope of ubanity in unbuilt area
NONACTIVE
ACTIVE
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urbanity maintained by beach along the edge
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6 built
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NONACTIVE
main avenue
ACTIVE
unbuilt footpath road green ocean
commercial port ferry port
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Section to study the landuse to futher study how urbanity is maintained
Futher the unbuilt non active area was selected as site which was visually and physically connected to main avenue ,commercial port and ferry port
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ACTIV
Subsequently, a similar method of framing and capturing the architectural rhythms from the building’s key viewpoints of framing and capturing the architectural rhythms from the building’s key viewpoints to orchestrate the series of experiential journeys leadingfrom the city of Almeria to its waterfront was applied. The core of the proposal became a new outdoor theatre in the centre of the harbour with three main routes leading towards It.The new paths allowed the observer to improve his interaction with the architectural heritage of the Cable Inglese, a key visual attractions of the historic centre of Almeria Each path had several architectural elements, each of them framing a particular view towards the waterfront and created its own rhythm of the events.
PROGRAMME
amphitheater contour
tower
green patch soft scape
ramp and seating
resturant and and museum
pathways hard scape
route1
route2
route3
Understanding of the existing context of Almeria contributed to the definition of design brief. The proposal constituted of a series of three journeys with three stops each linking different parts of the city to the waterfront and taking the observer through different visual experiences.
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RAILWAY TRACK 1-EXHIBHITION HALL 2-MEZANINE EXHIBITION 3-RECEPTION 4- TOILET 5-BAR LOUNGE 6- RESTURANT SEATING 7- KITCHEN
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rhythmic increase in scale of floor plates
alternative scale of towers
rhythm in scale of archs to create diiferent frames
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3
EXPLODED
4 7 3 2
4 1 ay ery all lkw ng o i it hib ex et k r ma
wa
circulation
walkway exhibition market
exhibition
n tio son xhibi ice i v t r se chen ecep e kit lets,r ter toi rcoun ba
reception bar reception resturant exhibition
lounge bar seating resturant exhibition
nt ura t s re ting e s ea ng + r lou ba
1 op sh 1 te ga
2 te ga
3 te ga 2 op sh
3 op sh
5 te ga 4 op sh e4 at
5 op sh
g
The aim was to produce creative analysis and a clear conceptual story to support the design decisions. The project explored the question of Rhythm and Scale and how both factors may affect the user behavior within a public space. The proposal was a unique way of designing a public space following the rhythm of the urban events and visual attractions.
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Design-development Process
Design Elements
foldable cover ramp and seating
ramp and upper seating
r rro
mi vertical and horizontal rhythm of arches
vertical rhythm
different views towards the city
horizontal rhythm contour raise,rhythm with water channels,access
loft contour surface
r rro
mi
Access from city
Access from commercial terminal
rhythm from high contours rhythm from water channels
points positions
r rro
mi
Access from ferry terminal
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VISUAL CONNECTIVITY visual conectivity from icon to design intervention
amphitheater
resturant and market control tower (icon)
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Three journeys though three different routs creating three differnt views and vistas to attract public to site and make it active.
S1
S3
S2
S2 amphitheater contour
S3
green patch soft scape
tower
ramp and seating
resturant and and museum
pathways hard scape
route1
route2
route3
ROUTE 2
ROUTE 1
STOP 1
STOP 2
STOP 3
STOP 1
STOP 2
FRAME 1
FRAME 2
FRAME 3
FRAME 1
FRAME 2
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S1 S3 S2
amphitheater contour
tower
green patch soft scape
ramp and seating
resturant and and museum
pathways hard scape
route1
route2
route3
amphitheater contour
tower
S1
green patch soft scape
ramp and seating
resturant and and museum
pathways hard scape
route1
route2
route3
ROUTE 3
STOP 3
STOP 1
STOP 2
STOP 3
FRAME 3
FRAME 1
FRAME 2
FRAME 3
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Planetarium Complex Observatory
Main block which depicts that the user is in space or sattelite Resturant , planetarium , toilets library , office , toilet
Glass bridge symbolises travelling into space
Experience Space
Space Station Planetarium+ Observatory
Transition
Outer Space
Gate
Transition
Earth
Gate Glass bridge
Museum
Central core gallery with model of solar system
Ramp as info gallery with exhibition of various space researchers and discoveries in the field, which gives feeling of space travel.
ABOUT THE PROJECT
The project brief requires a planetarium with space museum , keep steel construction system as a focus. The design concept is to develop a structure using diagrid system and dry cladding ,and glass bridge taking a biomorphic inspiration from organis Glass sponge . Project was to develop a climate responsive and considering th context. Location : Pune Area : 8000 sq m
Diagrid glass fascade gives a futuristic look and a feel as if you are in space in a space ship
Solar panels
Creating an experience of travelling from earth to space by the sequence and transit of space and materiality
Dry cladding of brick to a feel as if you are starting your journey from earth
to give an experience of earth by earhtly elements lighta and air ventilator
Observatory
skylight
glass wall
louvers
Lobby Planetarium Solar System Gallery
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SPACES 1-Solar System Gallery 2-Exhibition Gallery 3-Glass Bridge 4-Resturant 5-Planetarium 6-Toilets 7- Admin. Office 8-Library 9-Observatory
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v1-View inside the museum
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4 5 6
v3 3
v2
v2-View on the glass bridge
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v1
horizontal circulation vertical circulation
1 Circulation Diagram
v3-View inside the resturant in platarium building
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Institute for Indian Classical Arts
view of the institute from the lake
ABOUT THE PROJECT The project brief requires a Institute for Indian Classical Arts(dance, drama, music), keeping prefabrication technique as a focus. the design concept is hexagon geometry which is derived from traditional seating layout of class for these arts and for modular design Dharwad is a district /town in north Karnataka situated 4km off national highway and this town is believed to be as old as 900 years ,evidence of which can be found in relics and engravings at the historical site, temples and is also known forits heritage in classical music. site area is 5 acres. no of users are 300
Studios Hostels Main circulation Inner circulation Public spaces 1-Auditorium 2-Amphitheater 3-Workshop 4-Resturant
view towards the lake
ON SITE LEVEL ,ALL THE BUIDING BLOCKS ARE PARALLEL HEXAGONAL GRID
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private spaces of hostels with orientation to maximize view of lake
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studios in a semi private zone works as a seperate institution ,interlocked in such away to mazimize view towards lake, with pathways and skylights to create microclimate space
4 space for public use arrange in such away create privacy for rest of the spaces
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VOIDS ABOVE THE ROOFS OF PATHWAYS BETWEEN STUDIO MODULES ACT AS SKYLIGHTS LIGHTS
Circulation Diagram-Housing
DIAGRAM SHOWING INTERLOCKING OF MODULES ON BLOCK LEVEL
housing unit for students
housing unit for teachers
Roof Profile
Girls’ hostel
Class room
Teachers’ Quarters Flooring Vertical access circulation Studio
VISUAL INTRPRETATION
Boys’ hostel
GEOMETRUC INTERPRETATION
APPLICATION OF HEXAGON CONCEPT AT LOCAL MODULE LEVEL
Main circulation circulation within block circulation within module building block module wind circulation
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Architect’s Office ACCESS TO CHIEF ARCHITECT’S FLOOR
Circulation Diagram
2 1
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5 6 4
ACCESS TO INTERNS A NAD ASSISTANT ARCHITECT’S FLOOR
ROAD THROUGH HOUSING BLOCK ACT AS ELEMENT OF SUSPENSE AND GIVES A FEELING OF GRAND ENTERANCE AND DUE TO ITS ORIENTATION GIVES DIFFERENT SHADOW PATTERNS THROUGH OUT THE DAY
ABOUT THE PROJECT
The Project which was designing an Arhitect’s office in FLW’S style using locally available material at a site located near end point, Manipal, Karnataka ,India. The site area is 2 acres . Climate -Hot and Humid
Design Principles
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SITE PLANNING STRATEGIES
1-Natural lighting and ventilaton. 2- Access as per hierarchy of working class 3-Grand enterance 4- Shadow patterns through out the day by orientation of building
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1-bathroom with stream and sauna 2-bedroom
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3-chief architect’s office 4-conference room 5-reception 6-toilet 7-store 8-waiting room
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9-parking 14-engineer’s 10-model making room room 15-sample 11-seminar hall room 12-drafting room 16-foyer 13-accounts room 20-recreation room 21-assistant architect’s room 22-intern’s space 23-library 24-gents toilet 25-ladies toilet 26-terrace 27-standing cafe 28-store 29-kitchen 30-cafeteria
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sun pattern formed by the building through out the day due to its orientation
Section showing passive design techniques of day lighting and stack effect
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1-bathroom with stream and sauna 2-bedroom 3-chief architect’s office 4-conference room 5-reception 6-toilet 7-store 8-waiting room 9-parking 10-model making room 11-seminar hall 12-drafting room 13-accounts room 14-engineer’s room 15-sample room 16-foyer 17-atria
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20-recreation room 21-assistant architect’s room 22-intern’s space 23-library 24-gents toilet 25-ladies toilet 26-terrace 27-standing cafe 28-store 29-kitchen 30-cafeteria stair case spaces circulation on same floor circulation on same enterance vertical circulation
Morph_lab Mumbai Training
Assitant for Brick research for AAVS Pune 2017
Modelling and facade development
Brick
MODEL OF FACADE DEVELOPMENT OF MUMBAI CRUISE TERMINAL
Experiments
FLYASH BRICKS BURNT CLAY BRICKS CLAY TILE BRICKS COMPONENTS TYPES PROPERTIES ADVANTAGE -DISADVANTAGES
Information
Geometry
COMPARTIVE PRECEDENCES ANALYSIS WORLD BOTTLE (WOBO) BYFUSION BRICK DIMENSIONS UNITED BOTTLE PRICE WATER BRICK FIRE FIGHTING PAPERTILE BRICK WEIGHT UBUNTU BRICKS COMPRESSIVE GREEN LEAF BRICKS STRENGTH BLOOD BRICK COLOUR MUSHROOM BRICK DURABILITY MYCOFORM BRICKS ECO BLACK BRICKS’ FLYASH BRICKS SIPOREX BRICKS ECOLOGICAL BRICKS OF GARBAGE DUM PLASTIC CONCRETE OLZWEG BROTHER NUT GREEN CAKE BRICK
MARKET STUDY DIMENSIONS PRICE FIRE FIGHTING WEIGHT COMPRESSIVE STRENGTH COLOUR
FORMWORK TECHNIQUE
AAT INFORMATION MATERIAL AND METHODS PROCESSING COMPARISION
BURNING COMPRESSION LIQUID MOULDING
DURABILITY
ORGANIC MOULDING
MODEL OF FACADE DEVELOPMENTOF MAHISHBATHAN,KOLKATA WORLD BOTTLE (WOBO)
SIPOREX BLOCKS
WORLD BOTTLE (WOBO)
1.Hoffmann Kiln BURNT CLAY BRICKS
COMPONENTS
Silica (sand) – 50% to 60% by weight Alumina (clay) – 20% to 30% by weight Lime – 2 to 5% by weight Iron oxide – ≤ 7% by weight Magnesia – less than 1% by weight
Soil water sand
BYFUSION BRICKS
MYCOFORM BRICKS
Byproduct UBUNTU BLOCKS
BLOOD BRICK
80 mm X 60mm X 140 or 220 mm.
TYPES
TYPES ACCORDING TO SHAPE
4”, 6”, 8”, 10” and 12” thicknesses, 12” x 12” or 12” x 8” face dimensions
PROPERTIES
WATERBRICK
MUSHROOM BRICKS
50-60 Rs./
bottle
FIRE-FIGHTING NO. GREEN LEAF BRICKS
BROTHER NUT
PROPERTIES Density : 16001750 kg/m3 Compressive strength : 30-35 kg/cm2 Absorption : 15-25% Dimensional stability : Very low tolerance
ADVANTAGES OF BRICKS Economical (Raw material is easily available) Hard and durable Compressive strength is good enough for ordinary construction Different orientations and sizes give different surface textures Very low maintenance cost is required Reusable and Recyclable Highly fire resistant Produces less environmental pollution during manufacturing process DISADVANTAGES OF BRICKS Time consuming construction Cannot be used in high seismic zones Since bricks absorb water easily, therefore, it causes fluorescence when not exposed to air Very Less tensile strength Cleaning brick surfaces is a hard job Color of low quality brick changes when exposed to sun for a long period of time
WEIGHT
Solvant
COMPRESSIVE STRENTH
CSEB
Ecological Bricks of Garbage Dump
3.VSBK Kiln (Vertical Shaft Brick Kiln)
220 or 330 g.
Curing
ADVANTAGES /DISADVANTAGES.
Bulls Trench Kiln)
PRICE
5 COMMON BRICKS TYPES • building tile • structural terra cotta • hollow tile, •clay block,. •structural glazed facing tiles (SGFT)
MODEL OF FACADE DEVELOPMENT OF HARDINGE HOUSE, MUMBAI
2.FCBTK Kiln (Fixed chimney
DIMENSIONS
COLOUR
Green DURABILITY
4.HDK Kiln (The High Draught or GLASS BRICKS
ECO-BLACK BRICKS
OLZWEG
FLY-ASH BRICKS
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Zig-Zag Kiln)
Final product
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Workshops
HOW DOES RELIGION INFLUENCE EVERYDAY SPACE?
CEPT SWS 2014
THIS PROJECT AIMS TO STUDY THE REATIONSHIP BETWEEN A RELIGIOUS INSTITUTION AND THE NEGOTIATION OF SPACE AROUND IT. THE BHADRA PALZA IS SITUATED IN THE HEART OF AHMEDABAD OUTSIDE THE BHADRAKALI TEMPLE. THE PLAZA IS INFLUENCED BY THE TEMPLE,WHICH RESULTS IN INFORMAL VENDORS PLACING THEM SELVES IN AN AXIS IN FRONT OF THE TEMPLE. THE VENDORS ARE ECOMONIC ZONE . THIS INVESTIGATION LOOKS AT THE EVERYDAY ROUTINE OF THE TEMPLE THAT IS CREATED WITHIN ITS BUILT AND UNBUILT SPACES HOW THIS IS CONNECTED TO THE INFORMAL VENDORS AT THE BHADRA PLAZA.
DEVELOPMENT OF THE OCCUPATION OF SPACE THROUGHOUT TIME
2002
View of Bhadra Plaza
Plan of Bhadra Plaza and market infront of it AHMEDABAD
2006
BHADRA PLAZA 2001 THE CONTEXT OF THE STUDY WITHIN THIS 3KM RADIUS AROUND THE BHADRA FORT. THIS 3KM ARE THE MAXIMUM DISTANCE TRAVELLED BY THE VENDORS OF THE BHADRA PLAZA
THIS MAP SHOWS THE DEVELOPMENT OF THE SPATIAL ARRANGEMENT WITHIN TH MARKET FROM 2001
2008
2011
BHADRA PLAZA 2015 AREA OF STUDY BHADRA PLAZA THIS IS AN OVERVIEW OF BHADRA PLAZA AND IT SHOWS THE AREA CHOSEN FOR OUR FIELDWORK.
THE FOLLOWING DIAGRAM SHOW HOW THE VENDORS ARRANGE THEM SELVES DUE TO SPATIAL CHANGES IN THE BUILT ENVIRONMENT AND HOW AXIS BECOMES CLEARER AS THE TIMES GOES BY.
2014.2
2015.1
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View from Bhadra Palace
Sketch of street view
As a result of the study in Bhadra Plaza, we have concluded that the temple has a strong influence in the way spaces is negotiated, organized and circulated. We found that certain “zones� as we classified them in order to study them. Where the majority of the vendors served a particular purpose. These we classified in 3 categories: - Religious: Vendors who sell items that serve only a religious purpose. - Religious + economic: Items that served both a economic and religious purposes. This zone features mainly fruit vendors which are both sold economically and religiously. - Economic: These Items are sold solely for economic gain. When surveying these vendors, important insights where drawn from their responses:
NARRATIVE MAP OF VENDORS OF BHADRA PLAZA
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AAVS // Biomorph// Lobester Claw//2017
AAVS // Biomorph// Glass Sponge//2016
THE AIM OF A SPECICIC MATERIAL EXPLORATIONS , INFORMED BY BIOMIMETIC METHODS, IS TO CREATE A NEW BASE OF KNOLEDGE FOR THE POTENTIAL OF LOCALLY AVAILABLE MATERIAS AND NEW CONSTRUCTION TECHNIQUES . THE PAVALLION WAS DESIGNED USING BAMBOO AS MATERIAL.
THE AIM OF A SPECICIC MATERIAL EXPLORATIONS , INFORMED BY BIOMIMETIC METHODS, IS TO CREATE A NEW BASE OF KNOWLEDGE FOR THE POTENTIAL OF LOCALLY AVAILABLE MATERIAS AND NEW CONSTRUCTION TECHNIQUES . THE PAVALLION WAS DESIGNED USING BAMBOO AS MATERIAL.
GIAN-IITR // Interior Architecture Design and Craft, Focus on Inter-Disciplinarity
rat[LAB]EDU Summer School 2017 RUBBER CAP
SHAFT
SUPPORT STRUCTURE STATIONERY GEAR
INTERIOR TEXTURES IT CAN BE USED ON ROOF TOMAKE IT SAFE FROM SNOW DUE TO SLIPPERY SURFACE
ROTATION
6V DC MOTOR
SUPPORT STRUCTURE
COPPER BRUSH CONDUCTING ELECTRICITY VIACOPER WIRE
COLOUR HUMAN INTERACTION
SANWICHED BETWEEN WALL PANELS WITH GLASS WOOL FOR INSILLATION
COMPRESSED PANELS CAN BE USED AS AN ALTERNATIVE OF WOOD
Intervention by pine cone
EXTRUSION
LOCAL LEVEL
Interactive wall
ROTATION
COLOUR
EXTRUSION
fabric surface board
3d surface board
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AA MEDIA STUDIES FOREST FORENSICS//2017 This course stages a forensic dialogue between Hooke Park and Bedford Square, the former as landscape of fabricated truth, the latter as a lab for the analysis and production of its evidence. Using 3D Lidar and photogrammetric scanning, mesh/NURBS modelling, digital fabrication and parametric simulation/animation, it reads natural geometry as a projection plane for meaning by designing and fabricating sub-millimetre accurate surgical incisions into its found fabric. Based on hyper-precise digital captures of Hooke Park, students invent, simulate and re-enact scenes and produce physical artefacts, which, once planted and documented in the landscape, form the evidence of their undisputable truth.
Reconstructed model Workflow: continuous translations from digital to analogue, from sketches to sub-millimetre precision, from digitization to materialisation with the concept of bridge and atoms
Hooke Park Sessions: Onsite insertion of inverted miniatures.
Introducing the logics of Miniatures, Landscapes & Inversions - parametric simulations taking a point in 3d scanned model of hooke park
Hybrid Images
stimulation ,model on cura and printing the mode
rescanning the model reinverting the in the same point and to recreate in the environment.documentation throughfilm,photography and drawing.
Video link: https://youtu.be/u-FdLkUHLGc 24
AA MEDIA STUDIES DATASCAPE//2017 Contemporary spaces extend beyond physical reality through layers of virtual relations. Data interpretation is one of the most contemporary challenges within many fields and requires the capability of revealing patterns inside complex data. Designing through data allows to read understand and shape the new information driven society. Starting from the fundamentals of programming, the students will develop digital installations in Processing alongside using digital platforms such as Rhino and Grasshopper. Students will use their creativity to design a digital artwork that represents their interpretation of a data set, that can be related to their unit studies or their own specific interest, related to human behavior, architecture and environment. The workflow will engage students with the use of computational tools to express their ideas, understanding, interpreting, designing and visualizing patterns inside data.No previous experience in Processing is required. https://dataidedesign.com
The main aim of this study is to study circulation in airport by the time taken to travel to gates using data based on density of passengers,layout of airports, velocity of passengers.The coefficient of building for travelling by Airoplane is decided by time needed to reach gates and the visual relationship. The study focus on former one. Aim To study and analyse the circulation in airports is based on time taken to reach gates. Objective To study circulation paths and nodes at airport. To study how passenger travelon those paths and take time to travel. To study densiy of passengers in traffic affects circulation. To study how traffic is diverted in differeny layout at different juctions. To study the time taken to travel a distance at a constant velocity. Traffic circulation study Analysing the result on the basis of input of data. AIRPORT_ BARCELONA EL PRATPELHOF
POINTS EXPORT FROM RHINO STRING
AGENT
PATHS
PLAN
Processing
FRAME1
FRAME2
FUNCTION
PARTICLES DISPLAY
AGENT FOLLOW PATH ACCLERATION
VELOCITY
(x,y,z)
DISPLAY AGENT FOLLOW STRAND AGE
TIME COLOUR
UPDATE
OUTPUT
Software used;
Processing
Video link: https://www.youtube.com/watch?v=CpCOIh6jefE&feature=youtu.be
FRAME3
START
TIME COLOR =1000
FRAME4 APPROACH STRAND AGE =800
END
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SCALE//RHYTHM THANK YOU
36.8340° N, 2.4637° W