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THE MEN’S MAJORS HAVE THROWN UP A HAT-TRICK OF STORYBOOK VICTORS IN 2021. CAN THERE BE A BRITISH FAIRYTALE TO TOP THEM ALL AT CELEBRATED ROYAL ST GEORGE’S?

BY KENT GRAY

OUT OF WESTFIELD?

HE NAMES ON THE Open Championship honours board in the stately clubrooms at Royal St George’s are as legendary and, certainly more recently, as unpredictable as the storied 19th-century links itself. ▶ By claiming the 34th Open at ‘Sandwich’ in 1894, notably the fi rst held outside of Scotland, J.H. (John Henry) Taylor sits atop the list of 12 men whose feats span 14 championships and 127 colourful years. The Devon professional’s 326 aggregate, comprising rounds of 84-80-81-81, remains the highest winning score in Open history - there were just two scores in the 70s that blustery year – and hints at a level of diffi cultly that endures today.

▶ royal majesty The par-4 1st hole at St. George’s.

It was nonetheless the first of Taylor’s five triumphs in golf’s oldest championship and spearheaded the fabled run of the ‘Great Triumvirate’ – the trio of Taylor, Harry Vardon and James Braid combined to win 16 of the 21 Opens between 1894 and 1914.

Vardon – you may well play with the over-lapping grip made famous by the Channel Islander – won at RSG himself in 1899 and 1911. In between the third and fifth of Vardon’s record six Open victories, the Scotsman Jack White captured the 1904 edition with a sublime closing 69 at Sandwich, a winning final round score that wouldn’t be bettered at RSG until Greg Norman 89 years hence. In 1922, Walter Hagen became the first American to win the “British” Open and returned to the Kent coast layout six years later to repeat the feat. Hagen also won the Claret Jug at Royal Liverpool (1924) and Muirfield (1929) in a career tally of 11 professional majors, third only to Jack Nicklaus’ 18 and Tiger Woods’ 15.

T.H (Henry) Cotton had the European Tour’s Rookie of the Year honour named after him for feats including his victory at RSG in 1934 where he become just the fourth (of seven) players to win wire-towire (with no ties in any round).

In 1949, it was the turn of the revered South African Bobby Locke who secured the first of his four Open championships in a 36-hole playoff - by 12 strokes - from Irishman Harry Bradshaw.

NORMAN CONQUEST T he 1981 Open at RSG was notable for an opening round of 83 by Nicklaus who was caught out by the quirk of the draw and a mid-afternoon gale for what was, at the time, the American’s worst round as a professional. Texan Bill Rogers opened with a far less traumatic 72 and went to claim the title by four strokes from Bernhard Langer - one of Roger’s astonishing seven victories that year to establish himself as the world No.1.

Sandy Lyle ventured across the border from Scotland in 1985 to finally underline his quality with a one-stroke victory over Payne Stewart before Norman’s final round heroics in 1993 allowed the Australian to claim the Claret Jug for a second time, seven years after his equally emotional triumph at Turnberry.

The Great White Shark returned four rounds in the 60s, including the then lowest final round to clinch the Open, for a 267 total. That 13-under score remains the lowest at RSG and could have been lower. Legend has it that Norman missed a 35cm putt on the penultimate hole in his closing 64 as tears welled at the thought of impending victory. Nick Faldo, who finished runner-up by two strokes, showed his class in defeat by ordering a celebratory supper of fish and chips for Norman and some of the gathered media corp.

No victory at RSG was more of a surprise than Ben Curtis’ one-stroke triumph over Thomas Bjørn and Vijay Singh in 2003. Incredibly, it was the American’s first appearance in a major championship, making him the first player since Francis Ouimet at the 1913 U.S. Open to win on major championship debut (Keegan Bradley later achieved the feat at the 2011 PGA Championship). Not bad on a trip he had treated as a working holiday with his girlfriend.

The most recent victory in an Open at RSG belongs to Darren Clarke. The Northern Irishman, then 42, didn’t arrive with a great record in the Open – notwithstanding a share of second in 1997 at Royal Troon – but used all his linksland experience to eke out a three stroke victory over Dustin Johnson and Phil Mickelson.

LEVEL PLAYING FIELD W hich brings us to 2021 and the vexed question of who might win the 149th (15th at RSG) Open? There are no guarantees in golf, of course, but if The Open follows the pattern of 2021, don’t dismiss a fairytale finish to the year’s majors.

Fifty-year-old Mickelson proved at Kiawah Island that middle age is no longer a barrier to major championship glory and links golf, by its very nature, brings more players into contention. While it has been stretched to 7,189 yards, RSG further negates some of the advantage of today’s long bombers – the exacting par-70 layout features but two par 5s.

European Tour winner Eddie Pepperell describes it as quirky, understandable given the number of blind shots on a layout where no two tees lead in the same direction. When the wind whips up from where the violent North Sea and Channel meet, good luck.

It goes without saying then that proven pedigree typically triumphs at RSG. All of which will give the likes of Lee Westwood, despite missing the cut in his two Open appearances at RSG, hope of snaring a thus-far elusive major title.

The 48-year-old Englishman has gone close in the Open before – he was second to Louis Oosthuizen at St Andrews in 2010 and ranks eight top-5s and 19 cuts made amongst his 25 successive appearances – and will no doubt be inspired by Clarke circa 2011 and Mickelson as recently as May. And Hideki Matsuyama’s Masters moment. And Jon Rahm’s comeback from COVID-19 at The PGA last month. Remember, Westwood was T-4 last time out at Royal Portrush too.

So do you genuinely think you can still win The Open? “Yeah, yeah I do,” Westwood told The Open Podcasts. “Every time I tee it up I feel like I can win. I’ve always said I’ll pack it in when I don’t feel competitive anymore. Right now, I’m still competitive and I can still win tournaments so keep working hard and keep playing in them.”

Having the English crowds riding his bag can’t hurt either.

“Oh, absolutely yeah. You know, for me bring British, it being the Open Championship, growing up playing links courses, it’s the greatest championship in the world and they always give their home players a little bit extra applause.”

Trying to predict the winners of golf tournaments, much less majors, is an exercise in folly. But if Westy does win, remember you heard the hot tip here first. If not, well, it will be epic anyway.

What is undeniable is that the 149th Open’s 12-month, COVID-19 enforced delay makes the return to RSG much anticipated. Absence indeed makes the heart grow fonder for the grandest championship of them all. Let battle – between the world’s best but mostly between golfer, Kent linksland and England’s notoriously fickle summer weather, commence.

Greg Norman

Darren Clarke won the last Open at Royal St George’s in 2011

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BY JOHN BARTON FROM ROYAL ST. GEORGE’S WITH LOVE LIKE HIS JAMES BOND CHARACTER, WRITER IAN FLEMING HAD AN AFFINITY FOR GOLF, AND THE SITE OF THIS YEAR’S OPEN CHAMPIONSHIP IS WHERE HE FELT MOST AT HOME

The club was founded in 1887 and has hosted 13 Open Championships—the 14th is scheduled for July 15-18. Yet the most famous encounter on these hard, fast fairways is a work of fiction. The 1959 novel Goldfinger is the seventh in the series of 14 Bond books by English port, Bond is approached by a wealthy author Ian Fleming. Fifty pages are de- American, Junius Du Pont, part owner voted to the epic battle between the two of a swanky beach resort nearby. The men, and the golf segment in the movie two had met years earlier at a casino in adaptation still stands out as one of the France. Du Pont asks Bond to help him best cinematic celebrations of the game. with a problem: He’d been losing badly

Royal St. George’s, named for Eng- at two-handed canasta for four days land’s patron saint but rechristened Roy- straight to one of the guests at his hotel, al St. Marks for the purposes of fiction, Goldfinger. Bond rumbles the ruse—in is where Bond as a teenager would often Goldfinger’s suite the next day he discovplay 36 a day. The match with Goldfinger ers a semi-clad young woman who sees is his first return in 20 years. The old pro Du Pont’s cards through powerful binremembers him: “A bit of practice, Mr. oculars and relays them to her boss via James, and you’d be scratch,” he says. a transmitter in Goldfinger’s ear. Bond We first meet Goldfinger in Florida. gets Goldfinger to pay up, makes love all During a flight delay at the Miami air- night with Goldfinger’s now unclad binocular woman on a sleeper train to New York, then flies home. Back in London, by an amazing coincidence, Bond learns that Goldfinger

JAMES BOND STROLLS DOWN THE FIRST FAIRWAY AT ROYAL ST. GEORGE’S, RELISHING THE PROSPECT OF A HIGH-STAKES MATCH WITH HIS NEMESIS, AURIC GOLDFINGER “ON A BEAUTIFUL DAY IN MAY WITH THE LARKS SINGING OVER THE GREATEST SEASIDE COURSE IN THE WORLD.” has attracted the attention of the intelligence services and the Bank of England; Bond is asked to investigate. Goldfinger is a Russian émigré to the United Kingdom who has set up a chain of pawnbrokers and jewelry stores as a cover for a gold-smuggling operation that made him the richest man in England and a suspected chief underwriter of Russian counterintelligence operations. Goldfinger lives in Reculver, on the “melancholy, forsaken reaches of the Thames,” just along the coast from “St. Marks,” where he plays most afternoons. After his humiliating unmasking as a cheat in Miami, Goldfinger sends a message to Bond, challenging him to a game. ▶ two of a kind Ian Fleming in 1958 The golf match thus takes on a great (previous pages); original Bond Sean Connery significance as a Cold War duel of good (right) on the set of Goldfinger. versus evil, and readers of the novel are left in no doubt as to which is which. Goldfinger is short, barely five feet tall, and “it was the short men who caused all the trouble in the world.” On top of his “thick body and blunt, peasant legs, was set, almost directly into the shoulders, a huge and it seemed exactly round head. It was as if Goldfinger had been put together with bits of other people’s bodies.” Bond plays in a battered old pair of spikes and a faded black windcheater; his opponent, by contrast, is unforgivably ostentatious. He arrives at the club in a chauffeur-driven armor-plated yellow Rolls-Royce. “Everything about the man had grated on Bond’s teeth from the first moment he had seen him.” Goldfinger, of course, has a new set of clubs in a big leather bag. He “made an attempt to look smart at golf, and that is the only way of dressing that is incongruous on a links. Everything matched in a blaze of rust-colored tweed from the buttoned ‘golfer’s cap’ centreed on the

huge, flaming red hair, to the brilliantly polished almost orange shoes.”

They are quite different players, too. Nine-handicappers both, Goldfinger plays a mechanical, efficient, uninspiring game; Bond is more powerful, attacking, daring. Goldfinger plays the percentages; Bond beats the odds.

The pro had warned Bond of Goldfinger’s reputation as a cheat, and sure enough he frequently improves his lie by stepping behind the ball or “accidentally” drops his club or jangles change in his pocket when Bond is in full swing.

The 15th is perhaps St. George’s toughest par 4, only reachable in two for the longest of hitters. Bond goes for it with that most exacting of shots, a driver off the fairway. He takes the club back, but Goldfinger is on the move again, using the low-evening sun to cast a passing shadow over Bond’s ball. Bond is able to stop, step away, regroup and try again. Here Bond shows his mettle: The shot is perfect. Says his caddie, Hawker, who was modeled on one of Fleming’s real-life caddies: “That’s one of the finest shots I’ve seen in 30 years.”

Goldfinger’s most blatant cheat comes at the 17th. With the match all square, he pushes his drive into deep rough. Just before the five-minute search limit has elapsed, Goldfinger’s caddie shouts that he has found his master’s ball. It’s in a perfect lie and farther along than where the rest of the group had been looking.

“It wasn’t his ball, sir,” Hawker tells Bond.

“Do you swear to that? How can you be sure?”

Then with a “half ashamed, lopsided grin,” Hawker says: “Because his ball was lying under my bag of clubs, sir.”

Bond, amazed by Hawker’s ingenuity and Goldfinger’s temerity, comes up with a plan. He gives Hawker a Dunlop 65 number seven that he found in the rough and instructs him to switch it with Goldfinger’s ball after the two combatants have putted out on the 17th green. Goldfinger plays a Dunlop 65 number one. Bond plays a Penfold Hearts.

The two men are all square with one hole left to play. Goldfinger wins, but Bond plays his trump card. He confronts Goldfinger about playing the wrong ball, and thus claims the hole and the match. St. George has slayed a dragon.

Special Agent 007 lives a cartoonish, schoolboy fantasy life of adventure, taking on the evil in the world for Queen and country, with smarts, derring-do

▶ ancient links Royal St. George’s was the site of England’s first Open Championship, in 1894. Above, the par-4 eighth.

and a license to kill. His work brings him notoriety, exotic locales and a steady stream of beautiful alpha females who inevitably fall for Bond’s animal charms—even Goldfinger’s pilot, the lesbian cat-burglar Pussy Galore, succumbs. The women are used, then discarded. Bond travels light. He’s never at home and always at home, whether wearing a tuxedo or just a towel.

Set against a backdrop of post-war drear and a rapidly disappearing empire, the Bond novels were thrilling, colorful, heroic. The villains and their megalomaniacal plots to take over the world were no match for Bond. He restored pride to Englishmen of a certain disposition, giving the impression that behind the scenes, Britannia still ruled the waves. It’s Bond who saves Fort Knox from Goldfinger’s devilish plan. It’s Bond who is apparently single-handedly winning the Cold War. Bond’s opposite number in Washington, D.C., Felix Leiter, is a lightweight. English novelist Kingsley Amis writes, “The point of Felix Leiter, such a nonentity as a piece of characterisation, is that he, the American, takes orders from Bond, the Britisher.”

Fleming created in Bond a kind of extrapolation of himself. Fleming was born in Mayfair, London, in 1908. His grandfather made a fortune investing in American railways; he founded the Robert Fleming merchant bank (Chase Manhattan bought the company in 2000 for $7 billion). Robert’s son Valentine—Ian’s father—was a British Member of Parliament. It was a familiar story of privilege and brutality. Fleming, one of four boys—the “difficult” one—was bullied at school. His father left in 1914 to fight in World War I. Eight days before Ian’s ninth birthday, Valentine was killed on the Western front. Winston Churchill wrote an obituary in The Times.

Fleming was sent to boarding school, the hottest of hothouses for overprivileged boys, Eton College, where he excelled at sports, edited the student newspaper and, later, got into trouble for his keen, extra-curricular interest in cars and women. After stints abroad learning languages and skiing in fashionable European resorts, he enrolled at the Royal Military Academy at Sandhurst. He left after less than a year with no commission and a bad case of gonorrhea.

He dabbled in the city and in journalism, which can be a passport to adventure and travel at someone else’s expense. Covering a trial in Moscow in 1933, he requested an interview with Joseph Stalin and was astonished to receive an apologetic handwritten note back from the Soviet premier, declining the request. Fleming cultivated an epicurean social network in London of scions and scoundrels and drinking and golf partners. In 1934, such friends and “wives and concubines” traveled by chartered train to the new resort at Gleneagles in Scotland—there was a carriage for dancing, another for gambling. Across the English Channel, the golf courses and gambling dens of Le Touquet and Deauville were popular weekend retreats.

Fleming took up golf in school, and as an adult, wherever he found himself in the world, he was up for a game. One golf pal described his short, flat, fast swing as “like a housemaid sweeping the floor,” but he was a useful player. In the 1957 Bowmaker pro-am at the Berkshire outside London, Fleming partnered with Peter Thomson, who had won the previous three Open Championships and would go on to win two more. To prepare, Fleming re-read his favourite golf book, Tommy Armour’s How to Play Your Best Golf All the Time, which makes an appearance in Diamonds Are Forever.

Playing off 9—like Bond and Goldfinger—with a champion golfer and in front of large crowds, Fleming performed creditably. He wrote up the experience in a humorous newspaper story entitled “Nightmare Among the Mighty.”

In World War II, Fleming became assistant to the director of naval intelligence and devised and executed a number of special operations at home and abroad that brought him face to face with the political and military top brass, agents and counteragents, the establishment and the enemy. Fleming had a lively imagination. His wartime plotting inspired the outlandish fictional plotlines that would become such an integral part of the James Bond formula.

After the war, Fleming returned to journalism, bought an expensive goldplated Royal Quiet Deluxe typewriter and started writing. Bond was introduced to the world in 1953 with Fleming’s first novel, Casino Royale. Fleming moved to Kent, the “Garden of England”—with a house in Jamaica for the winter—and joined Royal St. George’s, where he remained a regular for the rest of his life. At the time of his death, he was the club’s captain-elect. Fleming was a lifelong bon viveur, carouser, seducer. He had always had a complicated love life, but after he impregnated Ann Charteris, the wife of press baron Viscount Rothermere, who as a result divorced her, Fleming married her. He didn’t exactly settle down. But he slowed down enough to write.

The books were hugely successful, as were the movie adaptations. Filming for “Goldfinger” started in January 1964 at the Fontainebleau Hotel in Miami. Sean Connery was again cast in the lead role, having stolen the show in the first two Bond films, “Dr. No” and “From Russia With Love.” But Fleming was initially not a fan of Connery. He had suggested

FLEMING CREATED IN BOND A KIND OF EXTRAPOLATION OF HIMSELF. . . . AN ENGLISHMAN, PRIVILEGED, REFINED.

▶ jetsetter Fleming at an airfield in January 1964, seven months before his death and less than a year before “Goldfinger” was released.

David Niven—he saw Bond as a version of himself: an Englishman, privileged, refined. Connery was rough, raw, working class and very Scottish.

German actor Gert Fröbe took the role of Goldfinger—a controversial choice given he had been a member of the Nazi Party during World War II. Goldfinger’s Korean manservant, the mute, bowlerhat-wielding, golf-ball-crushing Oddjob, was played by American Olympic silver medalist weightlifter Harold Sakata.

The golf scenes were filmed not on the links of St. George’s but at Stoke Poges (now Stoke Park), one of the many fine courses just beyond the western fringes of London. This was likely more a matter of expedience than aesthetics: Stoke is just 10 minutes from Pinewood Studios, where the bulk of the filming took place. In the movie, it’s Bond, not his caddie, who pulls off the sleight of hand—and foot—that tricks Goldfinger out of the game. Connery’s Bond takes great delight in beating the cheater at his own game, the end justifying the means.

Fleming visited the set at Pinewood but was in poor health. A heavy smoker and drinker, Fleming had lunch at St. George’s on Aug. 11, 1964, dined nearby with friends at the now-defunct Guilford Hotel where he was staying and then suffered a heart attack. He died in Kent and Canterbury Hospital in the small hours of the morning. He was 56. His friend and onetime neighbor, playwright Noel Coward, said he died “because life failed to come up to the dream he had of it.”

His last words supposedly were to the ambulance drivers: “I’m sorry to trouble you chaps. I don’t know how you get along so fast with the traffic on the roads these days.”

After filming for “Goldfinger” wrapped, Connery flew to Rome to be with his wife, Diane Cilento, who was making a movie there with Rex Harrison. Connery and Harrison were playing golf when news reached them of Fleming’s death. They played an extra 18 holes in his honor, with Connery using a Penfold Hearts ball.

Fleming died on the 12th birthday of his son. The bedtime stories he used to tell little Caspar—who he called “003½”—about a flying car became a posthumous best-selling children’s book and cinema hit, Chitty-Chitty-BangBang. Caspar, like his fatherless father, would be sent to Eton, where he developed an unhealthy interest in drugs and guns, later dropped out of Oxford University and, at 23, took his life.

“Goldfinger” premiered on Sept. 17, 1964, in London’s Leicester Square. Connery attended the French premiere in Paris the next February, driving the length of the Champs-Élysées in an Aston Martin DB5. The movie earned $46 million—it was the then-fastestgrossing film of all time. The franchise barrels on apace: The 27th Bond film, “No Time To Die,” will be released at the end of the year. The Bond books today have sold in excess of 100 million copies.

Bond seen from the vantage point of today looks like a dinosaur, especially in his early screen iterations: pathologically egotistical, sexist, racist, homophobic. No wonder he’s a loner. He’s basically a psychopath, a character for whom the phrase “toxic masculinity” might have been invented, someone who cannot love, only win. Perhaps that goes for Bond’s creator, too. The English critic Christopher Hitchens described Fleming as “quite a heavy sadist and narcissist and all-around repressed pervert.”

In his biography, Andrew Lycett concludes that Fleming “encapsulates both the tragedy and the triumph of his time. Despite his personal advantages, he ended his short life in misery.”

The fifth hole at Royal St. George’s, on the southern end of the course, is a roller-coaster ride through tall sand dunes and out toward the sea. The second shot is Bond’s favourite on the course. In the match with Goldfinger, Bond “stood on the tee, perched high up in the sand-hills, and paused before the shot while he gazed at the glittering distant sea and at the faraway crescent of white cliffs beyond Pegwell Bay.”

Fleming was an Englishman of the world, but a restless soul, torn between lovers, lives, locations, never quite at ease, never satisfied. Perhaps it is here, on this windswept edge, that he felt closest to home.

THE GOLF SCENE IN GOLDFINGER STANDS OUT AS ONE OF THE BEST CINEMATIC CELEBRATIONS OF THE GAME.

▶ island getaway Fleming and his wife, Ann, at GoldenEye, their villa in Jamaica where Fleming worked on his Bond novels.

A QUICK NINE ON THE TRAIL OF IAN FLEMING

(1) DUKES HOTEL BAR, St James’ Place, London

In a quiet Mayfair courtyard behind the Ritz sits the effortlessly stylish Dukes Hotel, where the bar was one of Fleming’s regular hangouts. The most famous tipple here is the martini—it was in this watering hole, according to legend, that Fleming decided the martini would be Bond’s beverage of choice, a cocktail that had to be, of course, “Shaken, not stirred.” Today you can sample one of the Fleming-themed cocktails or learn how it’s made by attending one of the hotel’s martini masterclasses. dukeshotel.com

(2) JAMES BOND BUS TOUR OF LONDON

This four-hour tour around the capital by mini-coach is designed to give an inside view of how the Bond films have been made and how real-life spying works today. The tour covers classic scenes from the James Bond films. Walking tours and tours customised to your needs are also available. britmovietours.com

(3) PINEWOOD STUDIOS, Iver Heath, Bucks

Just outside London, eight miles from Heathrow Airport, the legendary Pinewood Studios opened in 1935 with the intention of becoming a kind of British Hollywood. Since then, many movies have been created here, including “Goldfinger” and the other James Bond films, as well as other franchises like “Superman” and “Star Wars,” and the studios played a major role in the careers of such film legends as Laurence Olivier, Gregory Peck, Marilyn Monroe, Jean Simmons, Sophia Loren, Michael Caine, Elizabeth Taylor, Alfred Hitchcock, Francis Ford Coppola and Stanley Kubrick. Pinewood is generally not open to the public, but preauthorised visitors and tours are sometimes permitted. A cinema on-site is open to the public, and Pinewood records TV shows with a live studio audience. pinewoodgroup.com

(4) STOKE PARK GOLF COURSE, Stoke Poges, Bucks

Five miles down the road from Pinewood is the course where the epic “Goldfinger” duel took place, Stoke Park, a classic 1908 Harry Colt parkland course, one of the finest in the land. With partners Hugh Alison and Alister MacKenzie, Colt created an astonishing number of quality courses, including Rye, Sunningdale, Royal Portrush and Pine Valley. MacKenzie copied Colt’s seventh hole at Stoke Park in creating the 12th at Augusta National, perhaps the most famous par 3 in the world. Here you can play the original. The course is the hub of a luxurious resort that includes a hotel, three restaurants, spa, swimming pool and lots of elegant corners in which to quaff a dry martini or two. stokepark.com

(5) THE BERKSHIRE GOLF CLUB, Ascot, Berks

Half an hour away is a cluster of some of the best inland courses in the world, including Sunningdale, Wentworth and the two magnificent Herbert Fowler courses at the Berkshire. It was here that 9-handicapper Fleming put his golf on display by playing in the Bowmaker Tournament, a pro-am by invitation event, in June 1957, partnering with one of the most famous golfers of the day, Peter Thomson, who had won the previous three year’s Open Championships and would go on to win two more. Fleming recounted his experience in a newspaper article, “Nightmare Among the Mighty,” that ran the following weekend. “Every sport has its own nightmare,” he wrote. “The dropped baton, the goal scored against your own side, running out your captain when he has scored 99; and, in your dreams they all have the same ghastly background— the packed stands, the serried ranks of spectators, the incredulous hush and then the deep condemnatory groan. “In golf the two-foot putt missed on the 18th green is quickly over, and you are at once awake, sweating and whimpering. This terror must be common to even the greatest in the game, but for the weekend golfer there is a far longer, more horrible nightmare—partnership with a world champion over a course black with crowds. “Last weekend I endured this nightmare, 36 holes of it and I live, but only just, to tell the tale.” theberkshire.co.uk

Fleming and wife Ann hosted legendary parties in a cottage at the White Cliffs of Dover.

The Berkshire Golf Club, where Fleming once partnered with Peter Thomson.

(6) CHARTWELL, Westerham, Kent

Winston Churchill was one of Fleming’s heroes. Churchill and Fleming’s father, Valentine, were brothers in arms in World War I. When Valentine was killed on the Western Front, Churchill wrote a eulogy for his fallen friend in The Times. Ian Fleming framed it and hung it on the wall in his home. Fleming would have had many dealings with Churchill as a key figure in the Naval Intelligence Division during World War II. Fleming admired Churchill for his fortitude and courage in defeating Hitler and for his years of service to their country. Churchill makes an appearance in some of the Bond novels. Churchill’s family home from 1922 until his death in 1965 was the beautiful retreat of Chartwell, 40 miles around the London ring road, the M25. It is now owned by the National Trust and is open to the public. nationaltrust.org.uk/chartwell

(7) ROYAL ST. GEORGE’S GOLF CLUB, Sandwich, Kent

The venue for this year’s Open was perhaps where Fleming felt most at home. Thinly disguised in the book as Royal St. Marks, Britain’s jewel of the South was a fitting venue for Bond’s match with Goldfinger—a battle of wits as much as of golf. This will be the 14th Open at the legendary links. The club allows some visitor play, as do nearby Prince’s, which hosted the 1932 Open, won by Gene Sarazen, and Royal Cinque Ports, just down the road at Deal, which was the Open venue in 1909 and 1920. But St. George’s is the main attraction. Fleming was captainelect at the time of his death. He lunched at the club on his last day on Earth. royalstgeorges.com

(8) WHITE CLIFFS, St. Margaret’s Bay, Kent

In October 1945, the flamboyant English writer, actor and singer Noel Coward moved into one of the five whitewashed cottages that stand at the foot of the famous White Cliffs of Dover in the seaside town of St. Margaret’s Bay. Fleming took over the lease of one of the cottages in 1951, and he and his wife would host lavish parties. This is part of a glorious stretch of coastline. It is possible to walk along the cliffs from Dover to Royal Cinque Ports Golf Club, a bracing perambulation of about 15 miles that takes in St. Margaret’s Bay, Walmer and Kingsdown, where in “Moonraker” the evil Hugo Drax has his nuclear rocket hidden inside the cliffs but trained on London, and the seaside town of Deal. whitecliffscountry.org.uk

(9) THE DUCK, Pett Bottom, Kent

This is a beautiful, rustic pub in the wilds of the Kentish countryside, dating back to 1623 but with a thoroughly modern menu. The Duck was (and is) a far cry from the swanky Dukes Hotel bar in Mayfair, but it was one of Fleming’s most-beloved watering holes, perhaps because it is so remote and almost impossible to find. He had a preferred seat in the garden, where he would write—supposedly he penned much of his 13th book, You Only Live Twice, here. This would have been a good place to find Fleming in the day, and it’s a good place to end our tour. theduckpettbottom.com

TOO HARD TO HIT? NOT ANYMORE

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▶ The challenge with designing fairway woods and hybrids is balancing the need for driver-like speed and forgiveness with the ability to cut through turf and land shots on the green as easily as 7-irons. An impossible set of engineering goals, right? Consider that the latest metalwoods are plenty hot up front. With their use of heat-treated steels (even titanium) and elements that replace heavier materials with lighter ones (and vice versa), these clubs produce shots that launch faster and with less spin for more efficient trajectories. Down in the undercarriage, soles use angled shapes, rails and smoother recessed curves to reduce contact points with the ground. A cleaner ride gets the club to the ball faster so that the hotter face can do its work. Even better, fairway woods and hybrids continue to take cues from advancements in driver technology. Just as drivers are moving away from the idea of one-size-fits-all, many of our top picks here include multiple versions, adjustable hosels or a vast lineup of lofts. Whether you are looking for a backup driver or ditching a long iron, these new fairway woods and hybrids have the answers. ▶

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