THE STUDY COLLECTION OF JAMES L. KOCHAN
June of this year marked the close of 25 years as a full-time specialist dealer in 18th and early 19th century military and naval material culture—not just antique arms and “militaria”, but also the manuscripts, imprints, ephemera and above all, the artwork associated with this time frame. It also was the month in which I finalized my decision to formally retire from that second career, or more appropriately—avocation. Some of you will laugh, as I originally announced my intention to do so five years earlier, but for a variety of reasons I had to postpone such until the present. I turned 66 in March and my primary focus from this point forward is on completing a number of long-languishing book projects, some of which are the raison d’etre that this study collection first began. That, and working with the state of Maine through the Mars & Neptune Trust board to preserve and interpret Fort Edgecomb, the most intact 2nd System fortification in the USA (with no post-1815 modifications). With luck, we hope to establish a small museum on the site focused on the Maine District during the War of 1812 and that is the focus of my current and future collecting.
If you read nothing further, I do want to emphasize two important points. First, this is a sale of my study collection, which reflects my research interests: of the 458 lots in this sale, less than 40 have been offered for sale since acquisition over the past 30 years; the bottom of the estimate is usually less than what I paid for the respective lot. Second, a significant portion of any net proceeds have been allocated to the following museums and non-profit institutions: The Society of the Cincinnati’s Museum and Research Library, The William L. Clements Library, The Fort Ligonier Association, The National Museum of the Royal Navy, and The Mars & Neptune Trust. Fort Ligonier was my first major museum client and if you have ever visited its museum, I am proud to state that nearly 2/3rds of the artifacts on exhibition were either acquired from or through me acting as its agent. I am equally honored to have assisted the Society of the Cincinnati in building their important manuscript, rare book, and artifact collections dealing with the Revolutionary epoch over the years. The National Museum of the Royal Navy will be opening their Royal Marines Museum at Portsmouth Navy Yard in 2025; my study collection of Georgian-era Marine arms, equipment and artwork was acquired by them in 2019 and will form the core of the gallery dealing with that early period of Royal Marines history.
When I left the museum field and became a dealer, I always restricted myself to both collecting and dealing in the time frame and material culture that tied with my research interests and personally excited me. My reasoning was two-fold: I am not by personality or inclination a salesperson and my philosophy was that I should never buy anything that I would not be proud to have in my own study collection. The French & Indian War/Revolutionary War era collecting fraternity was, when I began dealing--and still is to a marked degree--focused on firearms, swords and powder horns. I never wanted the reputation of being the collectordealer who kept the best pieces for himself and only sold his “seconds”, so especially regarding arms, I largely restricted my personal collecting to narrower or different niches from mainstream. For example, most Revolutionary War collectors were on the hunt for British, French and American muskets and few understood or even cared about carbine-bore arms (even though far rarer), so I personally collected the latter and sold every Long and Short Land or French musket acquired. Thus, most of the muskets and swords offered today are pieces acquired since I since 2019, when I first thought of leaving the business. My primary personal collecting passion has always been focused on uniforms and accoutrements and I have sold but few of these over the past 30 years, hence the strength of my study collection in these areas. Regarding the former, original uniforms and headgear are so scarce for the 1750-1815 period that I largely collected it by artistic representation, such as original portraits or uniform prints. Ordnance has always been another strong interest, but I never collected original pieces of field artillery until the past five years but have managed to acquire some extremely important pieces during that short span, as you will see in this catalog.
James Kochan and David Geiger discuss an 18th century musket at the 2020 Las Vegas Arms Show.
Kochan accepting the MACA Maryland Arms Show’s 1st Place Award for Educational Exhibit in 2023.
My deepest thanks are extended to all members of the Morphy team, both those named and unnamed—all essential to a well-organized and managed sale. First, to my good friend David Geiger, who I first met when he was still in his early teens, attending the PAGCA shows at Pottstown in the late 90s. I have enjoyed my collaboration with him on past Early Arms and Militaria sales at Morphy Auctions, beginning with the O’Connor Sale in 2018. Despite my longstanding relationship with this house, it was not a given that my collection would come here. It wasn’t just a matter of contract terms, but ultimately a case of trust in them for proper stewardship, presentation and management of such a sale. Dan Morphy came through with everything that he promised and then some…. The contract was signed in early August and the collection was not fully in hand in Pennsylvania until mid-September. It was there that I actually saw my collection in its entirety for the first time, as most of it always remained packed up and in storage due to lack of display space. While cataloging onsite in Denver, I worked with an extraordinarily talented and considerate team and want to single out at least a few of the many: my compadre Dana Hipszer, as well as Elle Allen and Mary Beth Nocera in Photography; the equally talented Graphics team under Tasha Lopez, especially Becky Stellmach; in Arms and Militaria, Eric Wagner and David G. for helping me out with cataloging as things got into final crunch phase, Hillary Boettcher for inventory control, and finally--last but not least--Scot Kaufmann, managerial wunderkind
Any errors or omissions are my responsibility. Finally, to my lovely and ever-patient partner, Kim Dolce, for her tremendous support and understanding through this entire period.
James L. Kochan Wiscasset, Maine
October 18, 2024
Prior to forming James L. Kochan Fine Art & Antiques in 1998, James was the director of museum collections at Mount Vernon. During his tenure there, he organized the blockbuster traveling exhibition “George Washington Revealed: Treasures from Mount Vernon.” He spent nearly two decades as a museum director and curator, principally with the U.S. Army Museum System and the National Park Service, which included eight years as supervisory curator at Morristown National Historical Park. He is the recipient of numerous honors and awards for his curatorial and historical work, including Historic New England’s Collecting Works on Paper Award, the Anne Brown Military Fellowship at Brown University, the Award of Merit from the American Association for State and Local History, a British Council Museum Fellowship and most recently, the 2024 Tyree-Lamb Research Fellowship of the Society of the Cincinnati. James has written or co-authored nine books, as well as numerous monographs and articles relating to early American history and material culture, with particular focus on military, maritime or historical dress subjects. He is a consultant to numerous museums and historic sites and was the historical/technical advisor for costume, props and set dressing on Peter Weir’s film adaptation of the Patrick O’Brien novels Master and Commander: The Far Side of the World and documentaries such as A&E Network’s The American Revolution. He has also participated as an expert appraiser on PBS Television’s The Antiques Roadshow.
Jim with Don and Donna Troiani, Penny Stillinger and Bill Guthman while on vacation together in Antigua, 2002.
Jim and Don Troiani before Don’s The Battle of Bunker Hill painting--one of their many collaborations--at the opening of the Liberty! exhibition at The Museum of the American Revolution, October 2021.
1001 - SPANISH M1752 AND M1789 BAYONETS. LOT OF 2
A pair of hard-to-find, early Spanish socket bayonet patterns. The first, a M1752, follows French styling in design with bottom flutes, but has a flat blade on top with a rear shoulder dropping sharply. It has an issue number engraved on the flat: “993” and the overall length is 17 - 3/4”, with 13” blade. The Model 1789 bayonet is more squared in form at the shank and thus measures 17 - 1/2” in length, with traces of an issue mark on its blade: “19[?]. PROVENANCE: 1) Lot 73 at Skinner 25 FEB 2022 sale; and 2) purchased from Shawn Gibson, March 2015. CONDITION: 1) pewter grey patina with salt and pepper finish; and 2) cleaned with moderate to heavy pitting overall. 400 - 800
1002 - LOT OF 3: EARLY TO MID-18TH CENTURY FRENCH BAYONETS.
Lot consists of: (A) Unmarked French 1730 contract socket bayonet with 13” blade. 17 - 1/2” overall. CONDITION: Cleaned relic with some damage along the edges of the blade and socket. Overall textured appearance. (B) French 1716 contract socket bayonet with 13 - 3/4” fullered blade marked at the base with 3 stamps. Socket has been shortened. 17 - 1/4” overall. CONDITION: Exhibits a pleasant light gray patina with some freckling and delamination. (C) French M1754 officer’s fusil socket bayonet with unmarked 8 - 1/4” fullered blade. 11 - 1/4’ overall. CONDITION: Overall light gray patina with cleaned pinprick oxidation spots throughout. 800 - 1,600
1003 -
LOT OF 3: MID-18TH CENTURY FRENCH BAYONETS.
Lot consists of (A) French Model 1774 bayonet with a deeply impressed “7” at base of the blade and a lighter “M” underneath, denoting Maryland use. Measures 14” down the blade, 17 - 1/2” to end of socket. CONDITION: Very good with even peppering throughout, essentially gunmetal grey, with some scattered darkness. (B) French 1771 bayonet with rotating collar. Blade with three deeply impressed characters at base, one appears to be “7”. Measures 13 - 3/4” down the blade and 17 - 1/4” to end of socket. CONDITION: Very good, cleaned in the European style over some scattered darkness. Some minor discoloration and delamination to socket. (C) French 1763 socket bayonet with “A” and “7” at base of blade, makers mark on bridge between blade and socket, indistinct. Socket with an illegible numbering, appears to start with a “2” but balance obfuscated. Measures 133/4” down the blade, and 17 - 1/2” to end of socket. CONDITION: With a deep, rich chocolate patina throughout. Legends still visible, but somewhat softened. Socket possibly reduced. 800 - 1,600
1004 - FRENCH MODEL 1767 “LAFAYETTE” EPEE D’OFFICER.
This smallsword form or pattern is that officially authorized in 1767 by the French King to be worn by all infantry officers in the French royal army and thus, known as the 1767 Epee d’Officier. They shared a standard hilt form of gilded brass, with a double-clamshell guard, D-shaped knuckle-bow, and fluted, ovoid pommel, with a straight, blade--although officers were granted some leeway in quality, decoration and form (triangular, diamond and wedge cross-profiles blades blades are all known). During his return visit to France in mid-1779 on leave from the Continental Army, Major General the Marquis de Lafayette purchased swords of this pattern, along with epaulettes and plumes. When he returned to America the following year, he presented such to all of the officers in the Continental Light Infantry Division, as noted by an artillery officer attached to Lafayette’s command, who wrote that the “Marquis has gave fresh instance of his munificence by presenting each Officer in his Division with a neat gold gilt small Sword.” Three swords known to have been presented to American officers in Lafayette’s Light Division survive in museum collections today. This fine example of a 1767 epee has its original gilt, twisted wire-wrapped grips finished with silver ferrules at each end cast in the form of a turk’s head knots. It features a double-edged blade of flattened, diamond-profile blade, handsomely inscribed “VIVE LE ROY” on each face and etched with martial motifs, still housed in its original leather scabbard with gilded brass throat and chape or drag. Length: 34 1/8 in.; Blade: 27 1/2 x 1 in. W (at ricasso). CONDITION: Very good, some light wear to blade etching from cleaning over time. 2,000 - 3,000
1005 - FRENCH INFANTRY SWORD, FRENCH & INDIAN WAR ERA.
An outstanding example of the “epee de fusilier” carried by French infantrymen of “fusiliers” of line companies during the 1740s-1760s. 34 inches long overall, with a 28 in. L, double-edged blade of diamond profile, 1 1/8 in. W at ricasso. The brass-mounted hilt features a D-knucklebow with outer guard in the form of a half-heart, with a globular, urn shaped pommel with raised capstan. There are brass ferrules with incised lines at both ends of its fruitwood grip. Parts of this pattern sword have been found in numerous French-occupied military sites in North America, as well during the underwater excavation of “Le Machault”, sunk in 1760. CONDITION: very good overall, blade is pewter-grey. PROVENANCE: the collection of the late Andrew Mowbray, noted author and sword collector and bearing his catalog number in white lettering at ricasso: F-1S-114. 2,000 - 3,000
1006 - MODEL 1750 FRENCH DRAGOON SABER, WITH ETCHED BLADE.
40 3/4 inches long, this saber has a 30 in. L, slightly curved blade with a wide fuller that runs for nearly the full length of the blade, with a second smaller fuller in the middle half of the blade. Engraved in the fuller near ricasso is “DRAGOONS DE FRANCE” on right side and “VIVE LE ROY” on left. Brass-mounted hilt with heart-shaped counterguard and a single offset branch or side bar, urn-shaped pommel with capstan proud. CONDITION: Blade with a smooth chocolate patina and areas of oxidation throughout, with bottom quarter or so cleaner than balance; quillon filed off; brass with a smooth dark untouched patina. 700 - 1,200
1007 - FRENCH GRENADIER OFFICER’S CARTRIDGE POUCH AND BELT, 1720-1750. Extremely rare cartridge pouch or “giberne” of a grenadier officer in the French infantry, 1720-1750. Made entirely of whitened buff leather, consisting of the central body or pouch (approximately 8 3/8 in. L x 5 in. H), with interior flap with scalloped edge and two slits, that correspond with two leather closure buttons on the pouch, all covered by a flap (approximately 7 in. H x 8 in. W) that bears a silverembroidered flaming bomb or grenade, framed by a garland of laurel leaves embroidered in green. The pouch is attached to a belt with a 17 in. L short branch with buckle, and a long branch of 42 in., both approximately 1 3/4 inches wide. The flap and the belt have two rows of round-closed stitching along the edges and there is a cross-strap sewn between the long and short branches of the shoulder-belt, just above the pouch, with a small frog for retaining the fusil bayonet’s scabbard. This is the only complete French cartridge pouch with belt for this early part of the 18th century that I have seen outside of European museums. CONDITION: Very good, the leather rather stiff, some minor scuffing and discoloration to sections of pouch and belt. 4,000 - 8,000
1008 - FRENCH CARTRIDGE BOX OR “GIBERNE” LATER TAKEN INTO SWISS SERVICE. 1740-1760.
A mid-18th century French infantry cartridge box sold out of service and subsequently refurbished and used by a Swiss canton militia regiment. The box is of the standard form and method of construction as produced for French infantry and heavy dragoons for the period 1740-1760s, until replaced by new patterns beginning c. 1767. It consists of a front and back panel, with a long, 2-inch wide strip of leather, rounded at each end, that composed the sides and bottom of the box; the assembled body measuring 9 1/2 Lx 6 x 2 1/4 inches and made of thick, tanned cowhide leather box with rounded corners at bottom. Sewn to the top of the back panel is the flap covering the open top and front of the box, slightly broader to protect the cartridges. As with most French boxes of this period, the leather is reddish brown and was originally furnished with buckles and other fittings on the bottom of the box, now missing. The vacant holes for the buckles and the extant cross-traps on each side (one largely missing) prove that the box was originally attached to a shoulder belt that was slung to each side, rather than behind. When later reutilized by the Swiss in the 1770s, the box was converted for waistbelt attachment, by two straps sewn the the back of the box. At the same time, an embossed flap was sewn over the original one, the new one bearing the name of the unit to which it was issued, “REGIMENT DE GRUYERE”, over the coat of arms of Gruyere, flanked by panoplies of martial motifs. Inked on the inside of the original flap is “1790/bp/RP”, probably relating to an issue to an individual within the Gruyere regiment. Another one of this Gruyere-altered boxes is in the Musee de la Armee in Paris and a third at Fort Ligonier. CONDITION: very good and complete as described, as converted in the 18th century, although missing its interior cartridge block or tin. 1,500 - 2,500
1009 - BRITISH PRE-LAND PATTERN MUSKET LOCK BY THOS. GREEN C. 1715.
The banana lockplate measures 7” overall and 1 - 3/8” height behind the rounded unbridled pan. Engraved with double-line borders and engraved “T / GREEN” in the center. CONDITION: Polished bright with some light scattered pitting. Cock and frizzen are period replacements. Mainspring absent. A rare early ordnance lock. 400 - 600
1010 - REVOLUTIONARY WAR “NEW CONSTRUCTED CARTRIDGE BOX” W/ WEB SLING
An extremely rare example of a cartridge box of “New Construction” first produced as the standard Continental Army pattern beginning in 1778, but stockpiled until 1779, when most of Washington’s main army were first supplied with them during the winter cantonment at Middlebrook, New Jersey. Copied from a captured British cartridge “pouch”, the primary features of this pattern include a large, wooden block usually drilled to hold 29 cartridges (note this box has a block for 23, which appears to be a variant pattern or period replacement), a tray underneath accessed by a pull-down flap in the front (a slit at top center allowing it to be secured to a brass stud affixed to the front of the block) which held 12 additional rounds, spare flints and cleaning supplies--a feature found on the “double” boxes only. “Single” boxes were also produced for the Continental Army, which only had the 29-hole block, but no tray below. The “New Constructed” boxes were marked improvements over the common American boxes used earlier in the war, which typically had 15- to 23-round blocks housed in thin leather, “bag” bodies, with smaller and lighter flaps. Many of these flaps of these boxes were secured by a brass hook riveted to the inside of the flap centered a few inches from bottom which would then be secured in a triangular, openwork “clasp of heavy sheet brass, riveted to the bottom of the box. This example was furnished with such when first made, as evidenced by vacant holes in the leather, but they apparently either fell-away or were purposely removed in service and a leather tab with slit was sewn on inside of flap in same location as the former hook and a leather button once attached the rear bottom of the box but now separated. The original shoulder belt for this box survives, which is a 52-inch length of hemp or linen drilling, the selvedge edge remaining and the cut edge of the fabric felled and overcast-stitched on the inside, forming a 2 1/4 inch-wide strap. The ends of the belt are folded inwards and stitched down for approximately four inches, to form a strap 7/8-1 inch-wide--narrow enough to buckle into the iron harness buckles sewn to the bottom of the box. A superb example of a rare form that I first identified and presented in an exhibit “Washington’s Secret Weapon” and public lectures in 1985, based on extant manuscript records describing this box, archaeologically-recovered fittings from Continental encampments, and actual boxes in various private and museum collections. At that time, less than a dozen were known; today, nearly 40 years later, the count stands at approximately three dozen. In 28 years of collecting accoutrements, I have owned four New-Constructed boxes: one is now in the Society of the Cincinnati collections, another in the Nittolo collection at Fort Ticonderoga, another in a private collection and finally, this fine specimen (found in upstate New York, 2014). CONDITION: The strap with some fraying, snag holes and spots of staining, with evidence of period field repairs; the block with some chipping to edges of a few holes; the tin tray missing (removed during the period), and the thin leather gussets of the pull-down flap torn and partly missing; the leather of the pouch in very good condition for age. JLK 6,000 - 12,000
1011 - REVOLUTIONARY WAR “RAWLE PATENT” POUCH WITH REVERSIBLE BLOCK.
A rare British pouch with reversible wooden block drilled with 14 holes for cartridges on both top and bottom. When the upper cartridges were expended, a soldier could remove the block while pulling on the inner flap of roan that secured the cartridges below from falling out pulling on both it and block, flip it over and access the remaining 14 of 28 rounds. This style of box is commonly called the “Rawle Patent” pouch by collectors; William Rawle was a noted English accoutrement maker and although he probably produced many thousands of pouches with reversible blocks, he did not invent the block, but rather incorporated this already-known form into his 1777 patent application in which he made additional improvements in methods of flap closure and other fastenings. The reversible block technique is known to have been used by some British regiments as early as the French & Indian War, modifying their boxes in the field to allow them to double the capacity of ammunition available in combat. Body dimensions approximately 8 in. L x 5 1/2 in. H x 2 in. D, with a flap 1/2 inch wider than pouch body, extending about 1 1/2 inches below bottom of pouch when closed. PROVENANCE: Purchased from Mike Kramer in 2002. CONDITION: Very good overall, the leather stiffened over time and the block tightly set in pouch (NOTE: future removal of pouch not advised, for risk of damaging seam stitching of pouch body); the inner flap of roan partly torn-off before acquisition, probably during period use. 4,000 - 8,000
1012 - AMERICAN REVOLUTIONARY WAR BAYONET FROG WITH ASSOC. CARBINE BAYONET.
Lot consists of an American Revolutionary War leather bayonet scabbard and frog with buff belt fragment. Scabbard is accompanied by an associated British carbine socket bayonet with 13 - 3/4” long blade marked with a small star proof at the base. Bayonet measures 18 - 1/4” overall. CONDITION: Leather remains in very good condition, showing expected age. Blade has a pleasant dark gray a patina with some cleaned pinprick oxidation and some socket damage. 600 - 900
1013 - CONTINENTAL ARMY DOUBLE-FROG SHOULDER BELT OF BUFF LEATHER.
An extraordinarily rare and exceptionally well-preserved shoulder belt with double-frog for sword (or tomahawk) and bayonet, which were originally produced and used in quantity by Continental and state troops from at least Pennsylvania, Maryland and Delaware during early-to mid-war. The buff shoulder belt is approximately 2 1/4 inches wide and the long and short branches of it are buckled together with a brass buckle of D-shape 2 3/16 x 1 5/8 inches-commonly found on Continental Army cantonment and encampment sites. This was acquired by Don Berkebile in the Carlisle, PA area some decades ago and may have actually been made by the leatherworkers in the Continental Artillery Artificers company stationed there, who were producing accoutrements for the army at Carlisle Barracks during the war. Following his untimely death in 2008, all of his arms and related militaria were sold on behalf of the estate by dealer David Condon, from whom this was acquired in March 2009. CONDITION: Very good to excellent; the outside of belt and frog with pipeclay residue and rig showing some light usage; the leather still supple. 3,000 - 6,000
SEE WEBSITE FOR ADDITIONAL PHOTOS
1014 - AN BRITISH LAND PATTERN CARBINE BAYONET WITH SCABBARD, 1730-1740S
A fine and early Land Pattern type bayonet of carbine bore, the blade 12-5/8 in. long blade, the shank affixed to the socket with “pointed shield” type platform. It is contained in its original, undecorated scabbard of blackened leather, the flat of the bayonet corresponding to the seamed side of the scabbard, on which the brass hook is affixed to the left of seam and with its original brass finial still attached at the tip. A hard-to-find carbine or fusil bayonet within an equally-rare scabbard. CONDITION: The bayonet very good, with a pleasing pewter tone overall; the scabbard near excellent. 800 - 1,200
1015 - BRITISH SILVERHILT SMALLSWORD WITH SCABBARD, 1724.
32 - 5/8” blade of classic colichemarde form with silver guard and hilt, with wire wrapped grip. Scabbard with silver throat and drag with original body of black leather. British silver hallmarks, including the .925 sterling lion, crowned leopard, and a third touchmark, indistinct. Hilt with another sterling lion and a date mark for 1724. There is another touchmark on frog, but it is indistinct.
CONDITION: Bright finished blade with some scattered darkness and some scattered oxidation that does not detract. Silver excellent with some tarnishing to recesses. Mounts very good with some scuffs and handling marks. Wire a touch loose, but intact and fits well to handle. 2,500 - 3,500
1016 - RARE BRITISH MILITARY HANGER BY THOMAS HOLLIER, 1720S-1740S
For another example of this exact form, see plate 12.S on page 65 of “Swords and Blades of the American Revolution” by George C. Neumann. The curved, single-edged blade on this military hanger is 27 1/8 inches long by 1 ¼ inches wide at the ricasso and swells out near its tip. It has a wide, single fuller which terminates near the beginning of the 6 inch-long, false edge. The left face on the blade is deeply stamped with the maker’s touchmark at the ricasso and consists of a cartouche bearing ‘T / HOLLIER’ within. Thomas Hollier (c. 1680-1754) was a Kentish cutler who held major contracts with the Board of Ordnance for edged weapons, including Sea Service swords (cutlasses) and hangers—most of which were produced on facilities he leased at the Board’s Armoury Mills at Lewisham, London. Blades of this form are also found on the doghead-hilted cutlasses or Sea Service swords that Hollier also produced for the Board of Ordnance during this period. The brass hilt of this hanger consists of a heart-shaped crossguard with reinforced borders, flattened globular quillon and a curved knuckle-guard joined on both sides by scrolled side branches emanating from the crossguard. The hollow, brass grip was cast in two pieces and is grooved or channeled, terminating in an integral, ball-shaped pommel. A near identical example of this scarce pattern is in the Royal Collection at Windsor Castle. CONDITION: Blade retains a grey patina with scattered pitting, marking good, tip slightly rounded. Hilt retains a pleasing dark mustard patina. Hilt tight to blade. 2,000 - 3,000
1017 - BRITISH PATTERN 1756 LIGHT DRAGOON SABER WITH SCABBARD.
Light dragoons were established in the British Army in 1756, when a troop was authorized to be raised in each dragoon regiment, with entire regiments being converted or raised as light dragoons beginning in 1759. These light horsemen were to be armed with “a straight cutting sword, 34 in. in the blade, with a light hilt, without a basket” per the original 1756 warrant, but from period iconography of light dragoons from c.1759-1763, it can be established that most were furnished with slotted D-guards and both straight or curved blades. This fine example features the latter form, double-fullered and with a heavy, cast-brass slotted hilt with channeled wooden grip covered with shagreen and twisted wire wraps. It has “B/30” issue marks engraved on the outer face of the knuckle-bow, indicating that it was the 30th sword issued to the B or 2nd troop in a light dragoon regiment. Still surviving with its original leather scabbard with brass throat and drag, it was formerly in the Warren Moore collection and is illustrated as figure E5 on p. 132 in his book, “Weapons of the American Revolution” (1967). Approximately 1 inch of the tip was then broken off and was subsequently restored. JLK 5,000 - 10,000
1018 - BRITISH P1759 LIGHT DRAGOON SABER AND SCABBARD BY JEFFERYS.
With the formation of the new light dragoon regiments in 1759 came the introduction of various hilt and blade forms, as these arms (unlike the firearms, which were issued direct from the Tower Armoury) were privately procured by the colonels of regiments and who purchased as dictated by pocketbook and personal taste, while adhering to the basic guidelines as dictated by the Crown. By the Revolutionary War, the blades had lengthened and there was much variation also in pattern of hilt, although Thomas Hinde (who served in the 21st Light Dragoons or Royal Foresters during the 7 Years’ War), described the typical saber as “about 37 inches long in the blade, either crooked or straight according to the regulations of the Regiment” in his book, “The Discipline of the Light Horse” (1778). This rare example with original scabbard by noted sword cutler Nathaniel Jefferys of London features a nearly-straight, single-edged, unfullered blade 36.5 inches in length by 1 5/8 wide at ricasso and is stamped on both faces near the hilt with a “[crown]/GR/IEF/RIS”. Measuring 43 78 inches long overall, it has a massive, japanned-iron, slotted hilt with shagreen over wood grip, its channels wrapped with silver ribbon and twisted wire--suggesting issue to a non-commissioned officer rather than a trooper. The leather scabbard has iron mounts consisting of a throat with chape and a drag. 6,000 - 12,000
1019 - SABER WITH MAGNIFICENT BLADE BY PRAHL, LAST QUARTER OF 18TH CENTURY.
Overall length: 35 5/8 in. 4 1/4 in. L grip Blade: 31.25” Two fuller blade, 8 in. false edge, 1.5” wide, stamped “PRAHL” lengthwise at ricasso, brass stirrup hilt, carved ebony grip. Louis Prahl of Philadelphia produced light dragoon sabers for The Continental Army and later for Wayne’s Legion. He also produced the five pattern sabers sent to contractors for the 1798 US sabers. All Prahl swords are rare and few examples are known of several patterns. The double-fullered blade would appear to be one of his earliest. CONDITION: very good to fine overall, blade has smooth gray iron patina, grip has several small chips & hairline cracks. (02-19212/JS). $2,000-3,000. PROVENANCE: purchased as lot 3405 at Poulin Auctions, 15 May 2023. 3,000 - 6,000
1020 - FRENCH & INDIAN WAR PERIOD ROYAL ARTILLERY HANGER, EX. GOLDSTEIN.
A mid-18th century, brass-hilted British hanger contracted by the Board of Ordnance; 31 in. L overall, with a 25 3/8 in L blade, 1 1/16 W at ricasso, single-edged and a narrow fuller. Its blade is marked on right side at ricasso with an Ordnance inspector’s touchmark “[crown] / 4”. The brass hilt has a semi-urn pommel, ringed-grip, and D-guard with dished heart-shape counterguard. This sword is believed to be the pattern issued to the enlisted matrosses of the Royal Regiment of Artillery during the 1740s-1760s and it can be observed on such troops depicted in the David Morier painting of “The Royal Artillery in the Lowlands”, 1748, now in the collections of the National Army Museum in London. PROVENANCE: Tom Wnuck Collection until 2002; Erik Goldstein Collection; purchased as lot 69 of the Goldstein Collection at Bruneau Auctions, APR 2022. CONDITION: brass hilt pleasing dull-tone, blade with dark pewter patina with some light freckling; in overall good to very good condition. 700 - 1,200
SEE WEBSITE FOR ADDITIONAL PHOTOS
1021 - BRITISH WIDE-BLADE BAYONET, CROWN/6 WITH SCABBARD C. 1740.
A superior example of a 1740s Land Pattern bayonet with original scabbard, 21.5 inches long overall, with triangular blade 17 in. L x 1 5/16 Wide. The flat or inward face of the blade bears a “[crown]/6” inspection stamp just above the elbow join, with a large heart stamped above that--presumably a yet unidentified maker’s mark. The 3 7/8 in. L socket has two sets of issue marks, the first is at the stepped mortise and is an engraved “58”, while “1/46” is engraved on the side aligned with the flat of the blade. The leather scabbard has a brass locket set on the widest face, with a “[crown]/GR” stamp 2 inches below it and crosshatched tooling further down the scabbard. Approximately two inches of the scabbard tip and its brass finial are now missing and the bayonet has been buffed bright. 500 - 1,000
1022 - LOT OF 3: BRITISH LAND PATTERN MUSKET BAYONETS CIRCA 1755-1781.
Three British bayonets of the French & Indian War to Revolutionary War period production dates: 1) one with heavy, nearly isosceles-form triangular blade and bearing a crown and M on the flat; 2) a very nice example with maker’s mark “S. DAWES” and ‘87’ engraved on socket; and 3) obscured mark on blade, with moderate pitting throughout and bridge missing from socket. 500 - 1,000
1023 - A BRITISH P1750 ARTILLERY BAYONET AND A P1758 LIGHT INFANTRY BAYONET. A LOT OF 2.
These are rare examples of Land Pattern carbine bayonets of the mid-18th century, being a Pattern 1750 Royal Artillery carbine bayonet and the other, that introduced in 1758 for the P1758 Highland and Light Infantry carbines. They both have near-identical, triangular blade forms, being 17 inches long and 1 1/8 in. wide on the flat at the bridge. However, the P1750 bayonet has a socket only 3 3/8 in. long and an overall length of 21 in., while the P1758’s socket is 4 in. long and its overall length is 21 1/4 in. There are no discernable markings noted on either bayonet. 600 - 1,200
1024 - LOT OF 3: CP BAYONET AND TWO OTHER EARLY AMERICAN BAYONETS.
Lot consists of: (A) Early American Bayonet with a 13 - 3/4” bayonet with an impressed “K” at base of blade. Measures 17” to end of socket. CONDITION: With a smooth chocolate patina throughout, some silvering to high edges, and a delamination crack at socket. Visible braze on rear of socket. (B) American bayonet that measures 14” down blade, 17 - 1/4” to end of socket. Deep proof at base of the blade is obfuscated by patina but appears to be a shield. CONDITION: With a smooth chocolate patina throughout, some silvering to high edges, and some areas of dark gunmetal grey. Some delamination to socket. (C) A Commonwealth of Pennsylvania 1797 Contract bayonet with 13 - 3/4” blade and 17” to end of socket. Deeply impressed “A” at base of blade, socket with state ownership mark “CP” perpendicular to an issue number “374”. CONDITION: Metal a smooth chocolate patina throughout. Approximately the last 5” of the blade are bent, but no stress cracks are visible. 600 - 900
1025 - 3 MARYLAND-MARKED SOCKET BAYONETS, WAR OF 1812 ERA.
Lot consists of: (A) American M1795 bayonet with 3” socket and fullered 14 - 1/4” blade impressed at the base with “US / M” property marks, signifying that this this bayonet was part of an annual allotment of arms to the state from the Federal government per the Militia Act; 17 - 3/4” overall. CONDITION: Cleaned salt and pepper patina with older oxidation spotting. (B) M1798 contract bayonet with fullered 14” blade impressed at the base with “M” Maryland property mark. 18 - 1/8” overall. CONDITION: Displays a pleasant chocolate patina with oxidation spots throughout. (C) M1798 contract bayonet with fullered 13 - 3/4” blade impressed at the base with “M” Maryland property mark. 17 - 1/2”. CONDITION: Rich dark brown patina with oxidation spotting throughout. A slight bend present at the tip. 800 - 1,200
1026 - REVOLUTIONARY WAR SOAPSTONE MOLD FOR WALL GUN.
This 3-part ball or bullet mold is made from shale, as opposed to soapstone as more commonly found on Revolutionary War sites of the Continental Army. With a cavity of one-inch diameter, this mold was almost certainly made for balls used in a wall gun, rampart musket or “amusette”, as they were sometimes referred to during the period. These were flintlock arms in the form of an oversized musket in terms of barrel diameter and length, intended to fire an extremely large lead ball longer distances. The British wall guns of the 18th century were much larger and heavier than their French rampart muskets. Allowing for up to 1% shrinkage rate when casting soft lead, that still leaves a ball that would be too large for a British Pattern 1738 wall gun, which had a 0.92 caliber barrel. However, this ball is admirably suited for the rifled wall guns being produced by James Hunter’s Rappahannock forge, some of which had 1.10 caliber barrels--approximately a 4 bore arm--especially when one bears in mind that patching would be ideally required when loading and firing such a rifled arm. All three pieces of the mold were stacked together and two holes were drilled, one on each side of the cavity. Posts or rods, also carved and filed from shale, were sent into the largest or base piece, allowing the 3 pieces to align properly when casting. Overall dimensions when stacked, approximately 4x4x2 inches. PROVENANCE: acquired from David Gates in 2013. CONDITION: Very good to excellent and complete. 200 - 400
1027 - EARLY 18TH CENTURY BRITISH DRAGOON BROADSWORD FROM SHIRBURN CASTLE.
The sword is marked “SHIRBURN CASTLE” in white letters on the front of the left side of clamshell guard as well at “III”. Blade marked in white towards top “B-117-165”, the collection mark of Erik Goldstein. This British dragoon broadsword or saber features a tapered, straight, convex-faced double edged blade with short fullers in centers at top on both sides. Fuller engraved with “I N I N” on one side with a kris maker’s mark and “I N I V I” on the other side with same maker’s mark below. Brass double clamshell guard with forward turned quillon. two scroll-shaped bars support the knucklebow. Large ball-shaped pommel with integral capstan. Wood grip wrapped with twisted brass wire, Turk’s head ferrules at both ends. The sword was one of 20 acquired by Joseph Gage for a troop of dragoons he raised during the Scottish Uprising of 1715--all part of 20 stands of arms purchased for said troop. It bears an issue or rack mark of 3 upon it, shows that it was originally part of the same stand as the bayoneted carbine and pistol by London gunmaker Henry Delany that follow in consecutive lots after this sword. The arms were photographed together in the castle armory early in the 20th century. Much of the contents of the castle were sold between 2004 and 2006, including these swords, carbines and pistols. CONDITION: Blade very good and retaining a light grey patina, tight to hilt. Brass retains a pleasing dark mustard patina. Some losses to grip wrap. A rare opportunity to acquire a complete stand of dragoon arms from Gage troop of dragoons, all formerly part of the Shirburn Castle armoury. 2,000 - 4,000
Carbine with matching bayonet, 1690-1715. The former with bright three-stage, sighted 35 ½-long barrel of 15-bore with bayonet lug, rounded lock signed in capitals, “grain-painted” stock configured to resemble burled wood, with carved, raised apron around the barrel tang, plain brass mounts including flat scroll side-plate, border engraved drop-shaped escutcheon engraved with the crest of a Gage above ‘3’ and ‘T.G’, turned baluster ramrod-pipes, brass fore-end cap, and original brass-capped wooden ramrod; together with its socket bayonet numbered ‘3’ to correspond to the carbine, London proof marks and Delany’s touchmark near the breech of barrel. Provenance: One of 20 similar stands purchased by Thomas Gage (d. 1754) from noted London gunmaker Henry Delany just prior to the Jacobite Rebellion of 1715.
Thomas was the eldest son and heir of Joseph Gage of Shirburn Castle, Oxfordshire and the arms bear his family crest and initials. Gage was a notable Whig MP for Minehead between 1717 and 1721, and later for Tewkesbury between 1721 and 1754. In 1720 he was created Baron Gage of Castlebar, County Mayo and Viscount Gage of Castle Island, County Kerry. In 1744, on the death of his cousin Sir William Gage (1695-1744) 7th Baronet of Firle Park, Sussex he succeeded to the title of 8th Baronet and inherited the Firle Park estates. These 20 stands later formed part of a display of arms and armour in the armoury hall at Shirburn Castle, the seat of the Earls of Macclesfield since 1716 and had been in the castle since the time of the Gage families’ prior ownership, until the dispersal of the armoury in 2003; the firearms thence to the Penrose Collection of 18th century British arms until sold this year. 10,000 - 20,000
1028 - (A) GAGE FAMILY ASSOCIATED DELANY CARBINE WITH BAYONET, CIRCA 1715.
1029 - (A) DELANY HORSE PISTOL WITH GAGE FAMILY TIES.
The corresponding pistol to the carbine with bayonet in the previous lot, with bright two-stage barrel of 20-bore, rounded lock with engraved maker’s names signed in capitals, grained (artificially figured to look like burlwood) full stock, the fore-end with old minor spit forward of the ramrod channel, with carved and raised apron around the barrel tang, brass mounts comprising flat scroll side-plate, shaped vacant escutcheon, rounded pommel, trigger-guard, and turned baluster ramrod-pipe, and replacement brass-capped wooden ramrod, and London proof marks and Delany’s touchmark on the barrel near breech. Provenance: purchased by Thomas Gage (d. 1754) from Henry Delany to arm a troop of horse raised from among the local gentry around the time of the 1st Jacobite Rebellion of 1715. Thomas was the eldest son and heir of Joseph Gage of Shirburn Castle, Oxfordshire and the arms bear his family crest and initials. Gage was a notable Whig MP for Minehead between 1717 and 1721, and later for Tewkesbury between 1721 and 1754. In 1720 he was created Baron Gage of Castlebar, County Mayo and Viscount Gage of Castle Island, County Kerry. In 1744, on the death of his cousin Sir William Gage (1695-1744) 7th Baronet of Firle Park, Sussex he succeeded to the title of 8th Baronet and inherited the Firle Park estates. These 20 sets of dragoon firearms later formed part of a display in the Armoury Hall at Shirburn Castle (the seat of the Earls of Macclesfield since 1716 and previously owned by the Gage family), until the dispersal of the Armoury in 2003; the firearms thence to the Penrose Collection of 18th century British arms until sold earlier this year. 7,500 - 12,000
1030 - FRENCH & INDIAN WAR PORTRAIT OF LT. WILLIAM SNOW STEELE, CIRCA 1759.
ATTRIBUTED TO ALLAN RAMSAY (British, 1713-1784). “Portrait of Lieutenant William Snow Steele, circa 1759.” Oil on canvas, 29 x 24 inches, within later gilt composition frame. Outside of his military career, the life of William Snow Steele (also spelled “Steel”) remains largely a mystery. He was a gentleman-volunteer attached to a regiment in Wolfe’s army at the siege of Quebec and was appointed an ensign in the 2nd Battalion of the “Royal Americans” or Regiment of Foot on 24 AUG 1759, his commission due a casualty vacancy in the regiment. Steele was wounded in action during the decisive British victory on the Plains of Abraham, 18 SEP 1759. He fought with the 2nd Battalion in the defense of Quebec and subsequent campaign against Montreal the following year and was promoted to lieutenant on 23 June 1760. He transferred to Captain George Coventry’s New York Independent Company on 12 December 1762, transferring again on 25 June 1763, this time into the 55th Regiment of Foot (thereby avoiding a retirement on half-pay with the reduction of the army with the coming of peace). He married Elizabeth Long (1746-1797) at Trinity Church in New York City on 16 January 1765, the license listing his birth year as 1740 (while his military records indicate 1742). His regiment was reduced and ordered back in England that same month, Steele remaining in New York as a half-pay officer. He was also the recipient of a military land grant of 2000 acres in Cumberland County along the Connecticut River, which was patented in 1770. The following year, the Common Council of New York City admitted “William Snow Steele Gent[leman was] as a “freeman of this Corporation” on 16 March 1771. William must have died sometime in the following two years, as his wife Elizabeth was listed as a widow in city records. While Steele’s scarlet uniform has the blue facings given to all “Royal” regiments, it is not necessarily that of the 60th, whose officers (at least in some battalions) had silver lace and buttons. Rather, it appears to be that worn from c. 1759 by officers of the 42nd or Royal Highland Regiment, with blue facings, gold lace and buttons, a fall-down collar, and buff (rather than scarlet) waistcoat. This would indicate that Steele most likely served as a gentleman-volunteer in the 42nd during 1759 and as such, wore the same uniform as an officer but devoid of aiguillette on right shoulder. This is probably why the artist painted Steele in profile to the left, rather than right proper (or a frontal view). By this means, his portrait would still be “current” since the aiguillette would not be seen should he be so fortunate as to be promoted in his parent unit. The portrait was presented to the Tontine Coffee House by his widow or possibly following her death in 1797. It remained there until the House was closed and its property sold at public auction in the 1830s. CONDITION: Lined in the 19th century; conserved in 2011, at which time the painting was cleaned, old varnish removed and replaced with synthetic resin varnish; minor scattered inpainting. Conservation report accompanies portrait. 5,000 - 10,000
1031 - ARCHITECTURAL 1759 DATED NAUTICAL ENGRAVED POWDER HORN WITH MERMAID.
This large powder horn measures about 20 - 1/2” overall, including plugs. The curved three stage 18” body features a 6” long, tapered and faceted spout followed by a 2-1/4” section of convex relief carved scales. The main body of the horn measures about 11” and depicts a large folk art mermaid with exposed breasts and posed holding a flower. Separating the engraved panels are three relief ribs. The second section of decoration features floral engraving including a snake wrapped around a palmetto tree. A large date “1759” is engraved with integral flowers on each numeral. Large initials incorporating flowers and leaves “JF VN. (small) PF”, possibly a horn made to celebrate a wedding. The top of the scaled section has a U-shaped iron hook for a sling. The turned butt retains its original threaded turned wooden plug. The bone spout stopper is a contemporary replacement. CONDITION: Excellent. This horn retains a mellow honey patina and shows very little use. The butt retains a pleasing patina with probably all of the original finish. PROVENANCE: This beautiful folk art horn was purchased from the collection of Jim Dresslar. 4,000 - 8,000
1032 - 1776 DATED ENGRAVED REVOLUTIONARY WAR PISTOL POWDER HORN OF ARSHER BROWN, NEW JERSEY, EX . BILL GUTHMAN.
This small horn measures only 6 - 1/2” overall. The main body is finely engraved and has the date “1776” in a rectangular cartouche on the back. The front is inscribed “ARSHER / BROWN * HIS / HORN” on the front in a cartouche with tulips finely engraved on the top right of the cartouche. Asher Brown lived from 1743 until 1794 and lived in Union, New Jersey. He is listed as a private in the Essex Co. militia in 1776, posted at Fort Lee or Fort Washington, on the Hudson River. It is engraved with the outline of a star-shaped fort, 16 detailed houses, 3 ships (one a 12 cannon ship), several detailed fish, geese, and floral splays of tulips. The wooden plug is convex with a Rosemead nail in the center for strap attachment. There is a period copper band near the mouth to reinforce some hairline cracks. Complete with copy of receipt from William H. Guthman from 1995 (sold $3,200) with a description of the horn and history. Complete with copies of records and research pertaining to Arsher Brown. CONDITION: Horn retains a pleasing dark honey patina. 3,600 - 5,500
1033 - 1773 SILVER CARIB WAR MEDAL AND ENGRAVING OF THE TREATY CEREMONY..
This handsome medal was authorized by the Legislative Assembly of Saint Vincent in the British West Indies following a negotiated treaty signed on 27 February 1773 between Major-General William Dalrymple and the leaders of the Black Caribs, bringing an end the 1772-1773 uprising. Although proclaimed as a victory, it was actually a draw--the Black Caribs were never defeated in battle and were far more adept at bush-fighting tactics than the British regiments and local militia and volunteers that opposed them. However, the British troops learned much from this long campaign in hot and rugged terrain and this knowledge was put to good use during the Revolutionary War; most of the British units that participated in the Carib War later serving in one or more campaigns during the latter conflict, including troops from the 6th, 14th, 31st, 60th and 70th Regiments of Foot, along with artillery and Marine detachments. 8th regiments, along with 6 companies of the 2nd Battalion “Royal American” 60th Regiment and small detachments from the 70th Regiment, in addition to some Artillery and Marines. The Black Caribs were essentially given the northern half of the island as their territory and left alone. It has been stated that these silver medals were given to the British military officers and the locals who were in this Carib War, but it is also very likely that many of these medals were also presented to the leaders of the Black Caribs. The 55mm diameter medal’s obverse has the bust of George III with surmounted by”GEORGIVS. III. MB. REX” and the reverse has Britannia offering an olive branch to a Black Carib who has laid down his arms, with “PEACE AND PROSPERITY TO ST. VINCENTS / MDCCLXXIII”. With it is an 18th century copperplate engraving of the treaty ceremony, after the original painting of the event by Agostino Brunias (1730-1796). Brunias was an Italian artist in the employ of Sir William Young, working on the island during this period and commissioned to chronicle the event. The 10 1/4 x 8 1/4 print is taken from Edwards’s History of the West Indies (1793) and was deaccessioned by The Ogilby Museum Trust. CONDITION: The medal a very good, virtually unflawed example with bright finish and some dark patina along the lettered rim areas; the print with bearing the Trust’s stamp in the upper margin, not effecting the image, and two, flattened fold lines. 3,000 - 5,000
1034 - GREENE’S RHODE ISLANDERS TO RECEIVE MUSKET TOOLS, 1780
An extremely rare, wartime ALS by Colonel Christopher Greene, written from Providence on 22 SEP 1780 and addressed to Major Simeon Perkins, 1 page, docketed on verso. Greene was commander of the famous Rhode Island Regiment, composed largely of African-Americans, and was refitting for the forthcoming campaign season. In this note, Greene asks Perkins “to deliver Six hundred Brushes and priming wires...for the [muskets of the] Troops of my Regt.” The letter was subsequently used as a receipt, in which the sergeant dispatched by Greene, Amaziah Weatherhead, signs for “The Within Two hundred & Nine Brushes & Priming Wires” (gun tools always being in short supply in the Continental Army). Greene (1737-1781) had directed the spirited defense of Fort Mercer in the 1777 Battle of Red Bank and also distinguished himself as a temporary brigade commander during the 1778 Battle of Rhode Island. Congress voted to award him with a sword of honor for his valor in the earlier engagement, which was posthumously received by his family in 1786, he having been killed in a surprise attack on his headquarters by “Delancey’s Cowboys” (a corps of Loyalist irregulars) at Pine’s Bridge, Westchester County, New York on 14 MAY 1781. Greene, his major, and six black soldiers from his regiment were killed and another two mortally wounded in the brutal action. One account stated that Greene’s “body was found in the woods, about a mile distant from his tent, cut, and mangled in the most shocking way.” The regiment would avenge their deaths in subsequent actions, included the taking of Redoubt No. 10 during the Siege of Yorktown later that year, in which the Rhode Island light infantry company distinguished themselves. 800 - 1,600
1035 - PORTRAIT OF MAJOR GENERAL HUGH CARMICHAEL, C. 1809.
Attributed to John Eckstein. “Major-General Hugh Lyle Carmichael and Colonel, 2nd West India Regiment of Foot, c. 1809.” Oil on canvas, 30 x 25 inches, within a Georgian, gilt composition frame. Carmichael (1764-1813) was promoted to major general in 1808 and this painting commemorates his stellar service in forcing the surrender of French-held Santo Domingo in 1809, with map of the island in-hand, ships and land batteries bombarding the French works and the sword presented to him for his valor at his side. Earlier, Carmichael had commanded the 2nd West India Regiment and still remained its colonel-commandant; it was a crack corps largely composed of former slaves and also participated in the capture of the island. Carmichael was quick to recognize the great value of black troops in the West Indies campaigning, pointing out not only their military bearing, but stamina under grueling campaign conditions, noting that in the taking of Grenada his men carried British soldiers up the rocky slopes, when the latter could no longer deal with the heat and terrain. He also campaigned for slave soldiers to be able to give evidence at military courts; previously they had only been able to speak at slave courts. In 1812 Carmichael was appointed Governor of Demerara-Essequibo (now part of Guyana) and died there a year later. The artist John Eckstein (1765-1837) was the son of a noted sculptor of the same name and exhibited at the Royal Academy from 1787-1802 before accompanying Sir Samuel Hood’s naval expedition to the West Indies in 1803 as “combat artist”. A smaller, “bust” version of this portrait by the same hand is the collections of the National Army Museum in London. Eckstein remained in the West Indies, initially painting portraits of military men and planters, but settled in Barbados and became active with the island militia and seems to have ceased painting (at least as a profession) by 1817. The sword shown at his side was later in the collection of the late Jay Altmayer and featured in the V&A Museum’s publication: “Three Presentation Swords...”; whereabouts now unknown. CONDITION: good to very good color and condition, with random spots of inpainting, primarily restricted to the upper background; relined; frame very good. 4,000 - 8,000
1037 - WAR OF 1812 ROYAL MARINES BELT PLATE AND AN ANTI-SLAVERY PIPE. Die-struck, oval brass plate, 2 5/8 s 2 inches, with hook and two studs on reverse; bearing a fouled anchor device upon its face, within a banded border. Standard issue plate for the British Corps of Marines, later Royal Marines (1802) and in use from the early 1790s through the 1810s. This example was found on an encampment site of the 2nd Battalion of Royal Marines in North America, along with the bowl from a clay pipe, on which is impressed a praying slave on one side and the figure of Brittania on the other, both derived from an illustration on a British anti-slavery broadside of the era. A 3rd Battalion of Royal and Colonial (Black) Marines was established at Tangier Island in the Chesapeake Bay during the 1814 campaign, consisting of three companies drawn from the 2nd Battalion and three new companies formed of runaway slaves from Virginia and Maryland, and commanded by former Royal Marine sergeants, now promoted to commissioned officer grade. PROVENANCE: Purchased from Mark Fraterrigo in 2005. CONDITION: The belt plate with a very nice, blue-green patina, but part of its hook broken off (but still with the plate); the pipe bowl very good, as found. 2,500 - 3,500
1036 - 2ND WEST INDIA REGIMENT BELGIC CAP PLATE, 1812-1815.
The only intact example of a Belgic cap plate of the crack 2nd West India Regiment extant, a pattern first worn by this unit when detachments drawn from it were serving on the Atlantic coast during the War of 1812. In March 1815, the light company of the 2nd West India Regiment spearheaded an attack that also included Royal and Colonial (Black) Marines on the American battery on Point Point that guarded St. Mary’s, Georgia. The 2nd engaged elements of Massias’s company of the 1st U. S. Rifle Regiment in bush fighting and forced a retreat and the battery was taken, followed by the town. Made of die-struck brass, the plate is 5 1/4 in. H x 2 1/2 in. W. PROVENANCE: Purchased from Bob French, 2014. CONDITION: Very good with a uniform brownish patina; one small pressure crack near the upper right edge. 2,000 - 3,000
SEE WEBSITE FOR ADDITIONAL PHOTOS
1038 - RARE FRENCH 1732 ARTILLERY REGULATIONS WITH PLANS OF CANNON AND MORTARS. Ordonnance du Roy portant règlement pour la fonte et l’épreuve des pièces de canons, mortiers et pierriers dessinées pour le service de l’Artillerie de terre. Du 7 octobre 1732, de par le Roy. An extremely rare copy of the official French 1732 regulations for casting and proving artillery of the new Valliere System, with a complete set of plates containing scaled plans of each caliber of cannon and mortar included in that system. Only a handful of these printed 1732 regulations exist today, as they were only issued to Royal Foundries, Artillery Schools and senior officers. This particular volume belonged to François-Marie d’Aboville, a career French artillery officer who entered service as a cadet in 1744, fought in the War for Austrian Succession and the Seven Years’ War, coming out of the latter with the rank of captain and named a Knight of Saint Louis. From that until the beginning of the American War of Independence, d’Aboville worked as an assistant to Gribeauval in implementing improvements in the artillery and smallarms of the French army. He was assigned to the regiment of La Fère and he obtained the rank of lieutenant colonel in 1778. In 1779 he became lieutenant colonel of the Besançon Artillery Regiment and in 1780 he was sent with Rochambeau’s expedition to America. Promoted to colonel, d’Abboville served as Rochambeau’s chief of artillery at the Siege of Yorktown in 1781. The 1732 Regulations and their importance: In 1726, Jean-Florent de Vallière (1667-1759) was appointed Director-General of the Battalions and Schools of the Artillery. Through the “Royal Ordonnance of 7 October 1732”, Vallière reorganized and standardized the French artillery. Whereas numerous calibers and designs had been in place, Vallière fixed the sizes in guns by allowing only the production of 24-, 16-, 12-, 8- and 4-pounder guns (the weight of the respective cannonballs), mortars of 12- and 8- and 15-“pouces” or French inches. The Vallière system used solid founding of bronze tubes, followed by core drilling of the bore, a method developed at that time by Jean Maritz, which allowed for precision of the bore shape and surface and therefore greater accuracy in firing. The Valliere guns were highly decorative and had numerous inscriptions, but most of these also had purpose as can be seen when viewing the plates in this volume. For example, a scroll near the muzzle of the gun contained the individual name the founder gave to a cannon, serving in lieu of an ID or issue number. The breech of the gun to cascabel was decorated with an animal face showing the rating of the gun, which allowed for easy recognition of a gun’s caliber upon sight: a 4-pounder would have a “Face in a sunburst”, an 8-pounder a “Monkey head”, a 12-pounder a “Rooster head”, a 16-pounder a “Medusa head”, and a 24-pounder a “Bacchus head” or a “Lion head”. The location, date of manufacture and gun founder were inscribed, for example: “Strasbourg, 1745, Fondu par Jean Maritz, Commissaire des Fontes”. During 1777-1778, nearly all of the Valliere system 4 pounders of the French Army, other field and siege artillery pieces, now outdated by the Gribeauval system, were deemed surplus and transferred to the Continental Congress or sold to agents of the various states, including Virginia, which acquired an entire train in 1778. The Continental Artillery employed these guns to great effect throughout the Revolutionary War. 4,000 - 8,000
1039 - ARTILLERY MANUSCRIPT OF ROCHAMBEAU’S ARTILLERY COMMANDER, C. 1768.
[MANUSCRIPT ON FRENCH 18TH CENTURY ARTILLERY] Large quarto, ¼ bound in vellum with marbled boards, inscribed on spine :”Mémoires sur l’artillerie, l’analise du charbon fossile, la fabrication des canons de soldates”. A collection of handwritten artillery memorandums and reports assembled by d’Abboville while working as an assistant to Gribeauval prior to the Revolutionary War, including: [1] Report by Mr Moore for the alloy suitable for casting Artillery. 19 pp., illustrated with 7 folding plates captioned in ink. [2] Memorandum on a new gun carriage proposed by Count de Rostaing for the defense of the coasts and ports of Spain. 3 pp. [3] Memorandum on the need for reform and reorganization of the French royal artillery and its ordnance, 1765. 10 pp. [4] Journal of the tests made of gunpowder at Strasbourg. 1765. 6 pp. [5] Saint-Étienne Royal Manufactory of Small Arms. Comparison of the current with proposed arms for production [c. 1768]. 17 pp. [6] Details of the consumption of powder in proving musket barrels. 2 pp. [7]. Analysis of the coal of Saint-Étienne by Mr. Gavinet. 6 pp. [and 8] Royal regulations for the construction of firearms. 1766. 10 pp. PROVENANCE : General François-Marie d’Aboville and by descent in his family until 2024. CONDITION: Very good to excellent; internal contents bright, clean and highly legible, text in strong clerical hand and folding plates and diagrams well inked; covers with some edge wear and very light soiling. 8,000 - 16,000
1040 - MONGE. [DESCRIPTION OF THE ART OF MANUFACTURING CANNONS]. 1ST ED. 1794.
Gaspar Monge. “Description de l’art de fabriquer les canons, faite en exécution de l’arrêté du Comité de Salut public, du 18 pluviôse de l’an 2 de la République française, une et indivisible.” Paris, de l’Imprimerie du Comité de Salut Public, 2 ans. [1794]. Large quarto. With 4 folding letterpress tables and 60 folding engraved plates (partly on blue paper stock). In original binding, with calf spine and marbled boards, the label red and gilt. First edition of a sumptuously illustrated treatise on the production of artillery. Gaspar Monge, known as the father of differential geometry, was an ardent supporter of the Revolution. He held the office of the Minister of Marine and was requested by the Committee of Public Safety to assist in the service of the republic. “Between 1786 and 1788 Monge investigated with Berthollet and Vandermonde the principles of metallurgy and the composition of irons, cast metals, and steels. This research enabled them to unite previous, findings in these areas...and, to apply this knowledge to the improvement of various, techniques [in the casting and manufacture of artillery].” (DSB). CONDITION: Binding worn, corners bumped and chipped, edgewear to the boards, the spine separating from boards at bottom a few inches up on both sides. Very good and complete internally, the pages and plates clean. 800 - 1,400
1041 - MANUSCRIPT FRENCH ARTILLERY MANUAL WITH WATERCOLOR AND INK PLATES OF GRIBEAUVAL SYSTEM ARTILLERY, C. 1765. Table raisonnee d’Artillerie, servant a indiquer aux nouveaux Officiers du Corps Royal les Objets qui ils ont a apprende et a approfondir, pour devenir Officiers d’Artillerie. Large folio, nd., but probably c. 1765. 127 pp. with tables, charts and table of contents; housed in a pressboard folio case with ties, which also contains 1 large folding sheet with two inked tables on artillery and carriage furniture dimensions by gun size, as well as eight large folding plates rendered in ink or watercolor showing scaled plans for cannon of the new Gribeauval System of Artillery: Numbered plates I-III in ink being full-size details of a 12-pounder cannon “of new invention, showing trunnions, breech with vent in cross-section, muzzle, and dolphins; inked plate of Gribeauval “light artillery, with overhead and cross-section plans for 12-, 8-, and 4-pounder cannon; inked plate with cross-section plans for 6-, 8- and 12-inch mortars; watercolor plate of a 6-inch howitzer and carriage, watercolor plate of a 6-inch howitzer and its limber; (and) watercolor plate of an 8 inch howitzer on carriage. PROVENANCE : Acquired from a German rare book dealer in 2020. CONDITION: Very good to excellent; internal contents bright, clean and highly legible, text in strong clerical hand and folding plates and diagrams well inked and color fresh; covers with some edge wear and very light soiling.
10,000 - 20,000
1042 - MARESCHAL’S MAGNIFICENT 36-PLATE WORK ON FRENCH FIELD ARTILLERY, 1824. EXTREMELY RARE.
MARESCHAL, Armand-Adrien. “Collection de Dessins Lithographiés représentant les Principales Positions du Canonnier, dans les Manoeuvres de lArtillerie Française; Ouvrage exécuté par Ordre de Son Excellence le Maréchal Duc de Bellune, Ministre de la Guerre, par le Cher. Mareschal, Officier au Corps Royal de lArtillerie, ancien Elève de lEcole Polytechnique.” (Collection of lithographed drawings representing the main positions of the gunner in the maneuvers of the French artillery....).” Paris: Lithographie d’Engelmann, rue Lois-le-Grand, No. 27 (plates) and Firmin-Didot, 1824 (text sheets). In-folio, 12 sheets of plate explanations and 36 plates. Handsome modern binding of 1/4 leather and marbled boards with new endpapers, encompassing the entire original set within its publisher’s blue paper covers. Extremely rare and superb collection engraved by Engelman after the drawings of the talented artist-author Mareschal, a professional artillery officer and member of the École polytechnique. This handsome series on artillery drill and the guns and carriages was produced at the request of the Minister of War. It was originally started in 1820, with the first series released in 1823 but not completed and published in its entirety until 1824. We see intrepid mustachioed cannoneers handling artillery pieces with terrible coolness, in the midst of the smoke of the battlefields. (Colas 1982--copy cited by Colas contains only the first series of 20 lithographs; the complete collection as presented here, has all 36 litho. plates). CONDITION: very good to excellent overall; text pages and plates bright and clean the first few text pages with some marginal smudging; all plates in very good condition, with strong impressions; the final series of 4 plates and text very light toned. 4,000 - 8,000
1043 - AN 18TH C. ARSENAL MODEL OF A FRENCH LIMBER FOR A FIELD GUN.
A handsome and rare 18th century arsenal model with wonderful patina of a Gribeauval System limber for a field gun with wonderful patina, probably a 4-pounder cannon based on the wheel and axle proportions in relation to the harness pole, based on comparison of this model with original 18th century plans for the same. The Gribeauval system was introduced to the French royal artillery in 1765 and continued in usage through the Napoleonic Wars and into the early 1830s, with but little modification. Although a model of a French gun, it is believed that this is a model constructed for the Royal Laboratory and Artillery School at Woolwich or for some other British arsenal or military school, in the last quarter of the 18th century. Its method of construction, scale, and even paint closely match other arsenal models made for Woolwich and formerly exhibited in the Rotunda Museum there and later in the Firepower Museum, both now sadly closed. It was very common for rival powers to construct such arsenal models of each other’s ordnance, both for educating students but more important, for assessing strengths and weaknesses of one’s own arms and that of its enemies. Wood and iron body, painted with an olive drab oil paint, with hemp cording in imitation of rope. Overall dimensions (LxHxW): 31 x 8 ½ x 13 inches. CONDITION: complete and very good considering age of the piece, with edge wear to the parts; the iron strakes of the right wheel are lifting, probably due to the loss of a few of the miniaturized strake nails securing them to the felloes and shrinkage of the wood itself. 2,000 - 4,000
1044 - EARLY 19TH C. ARSENAL MODEL OF A MORTAR CARRIAGE OR “CHARIOT DE WAGON”
An early 19th century arsenal model of a wagon for transporting heavy ordnance from arsenals and depots, primarily used for heavy siege mortars. This model is nearly identical to another arsenal model of a “Chariot de Wagon” of the French Gribeauval System with a 13-inch siege mortar mounted on the framework between the front and rear wheels, in the collections of the Musee de Armee in Paris. Wood and iron construction. The front “chariot” of the wagon swivels 360 degrees. Overall dimensions (LxHxW): 29 1/4 x 5 1/4 x 7 1/4 inches. CONDITION: some edge wear to the wooden portions and light oxidation to some of the metal hardware, complete with the exception the iron band reinforcements of the front wheel hubs, long missing judging by the patina of the wood. 1,000 - 2,000
1045 - COUDER’S C. 1835 STUDY OF COMTE ROCHAMBEAU WITH YORKTOWN SIEGE PRINT/
Attributed to Auguste Couder. “Study of the Comte de Rochambeau for the Siege of Yorktown, c. 1835.” Watercolor and graphite on paper, 8 7/8 x 11 3/8 in., 10 1/4 x 8 3/8 in. (view), conservation matted within UV-glazed frame. Louis-Charles-Auguste Couder or Auguste Couder (1789-1873) was a French painter and student of Jean-Baptiste Regnault and Jacques-Louis David. He joined the Académie des beaux-arts in 1839 and was an officer of the Légion d’honneur. A study of the French commander-in-chief in America during the Revolutionary War for Couder’s monumental painting, “The Siege of Yorktown.” The painting was commissioned by Louis-Philippe for the Gallery of the Battles at Versailles. Painted in 1836, it was part of the July Monarchy’s desire to combine the glorious military heritage of the Ancien Régime with that of the Revolutionary epoch. [with] 2) Jean-Mathias Fontaine (French, 1791–1853) after Couder. “Siege de York-Town”.” Etching and engraving on paper, 13 7/8 x 15 3/4 in. (view) with 12 5/8 x 15 in. platemark; with blind stamp of Musee de Louvre’s Chalcographie, which began making limited edition impressions from original plates within its collection, starting in the 1810s and up to present, with some gaps., selling said prints to raise funds for acquisitions of prints; this is believed to be a later strike from the original Fontaine plate of c. 1838, probably ne in the late 19th or early 20th century. PROVENANCE: Watercolor, ex. coll., S. Weir Mitchell. CONDITION: Both very good, watercolor paper with light toning. 1,500 - 3,000
1046 - (A) EXTREMELY RARE, FRENCH BRONZE 4-POUNDER GRIBEAUVAL CANNON DATED 1765.
4-pounder bronze field gun of the Gribeauval System, one of only two known examples that survive in that caliber predating French Revolution, when most were melted and recast. The tube measures 62 1/4 inches from muzzle to cascabel. The diameter of the piece at the extreme swell of the muzzle is 7 1/4 in., while at the breech it is 8 7/8 in. The trunnion diameter is 3 1/4 inches (the diameter of which would have equaled its original bore, a practice followed when casting guns during this period). However, the bore is now 3 7/8 inches, as it was rebored as a 6 pounder during the 1790s and a gun sight fitted to the breech at the same time. The gun weighs approximately 650 pounds (as indicated by the French system of measure struck on the left trunnion face)/ Behind the muzzle on the top of the barrel is a scroll bearing the name of the cannon “LA SEDUISANTE” [“THE SEDUCER”]. On the breech band are the gunfounder’s marks: “DOUAY PAR [J. BEREN]GER. 12 OBRE 1765”; the Royal foundry at Douay was where the first 4 pounders of the new Gribeauval system were cast and this gun is part of that batch, being cast on 12 October 1765 under the supervision of Jean-Francois Berenger, the foundry’s master (his name now partly obscured on the breech markings when fitted for a breech gunsight later in the century). The large, inverted “L”s on top of the barrel forward of the breech is the Royal cipher of King Louis XVI. The Gribeauval system was introduced by Lieutenant General Jean Baptiste Vaquette de Gribeauval during the latter half of 18th century. It revolutionized French artillery, with a new production system that allowed lighter, more uniform guns without sacrificing range. France already possessed the only unified range of artillery in Europe. The Gribeauval system superseded the Vallière system beginning in 1765, when introduced
by royal decree on 15 October 1765 (Note that our 4 pounder predates the decree by two days!!). The first guns to be cast to the designs and standards of the Gribeauval system were that of the field artillery, primarily 4- , 8- and 12-pounder cannon. However, the new system was strenuously resisted by Vallière’s son, Joseph Florent de Vallière and other officers and due to their political power, Gribeauval fell out of favor for a few years and the Valliere system remained in place for the heavy and siege artillery. It was not until just prior to France’s entry in the American War that the entire system was fully realized. Thus, all of the field artillery in Rochambeau’s Army were of the new system, but much of the siege artillery was apparently still of the old Vallière system. Gribeauval’s reforms encompassed not only the cannons but also the gun carriages, limbers, ammunition chests, and the accompanying tools. The gun barrels were cast shorter and thinner, while gun carriages were built lighter and narrower. CONDITION: Very good; a few dings and light scars as expected on a piece of ordnance, especially one that has survived for nearly 260 years; beautiful greenish-bronze patina. A superb example of an extremely rare pattern--one of the first guns cast in the Gribeauval system and possibly part of Rochambeau’s field artillery in America during the Revolutionary War. NOTE: I originally intended to have a correct Gribeauval pattern carriage made for this cannon and, on request of purchaser, would be happy to provide copies of the original scaled plans and drawings for such gratis, including all gun tools and trail ammunition box. I already have quotes for reproduction of such from two experienced cannon carriage makers and would be happy to assist the new owner in arranging to complete such a project, which this handsome piece deserves. JLK
80,000 - 120,000
1047 - US ARSENAL STONE RELIEFS DEPICTING REVOLUTIONARY WAR ARTILLERY, C. 1800. LOT OF 2.
Carved, sandstone plaques, each approximately 43 3/4 x 16 3/4 x 5 inches. Found by the previous owner in eastern Pennsylvania, these handsome relief carvings of an 18th century fieldpiece and a siege mortar were likely set in the walls of key arsenal structures or in masonry walls, the most likely candidate being Schuylkill Arsenal (established 1800) although Frankford Arsenal (established 1816) is a possibility, both being located in Philadelphia. The Schuylkill Arsenal at Philadelphia was established in 1800 and situated on Schuylkill River at Grays Ferry Avenue, serving as the principal supply center for arms, accoutrements and uniforms for the US Army prior to and during the War of 1812 until the Civil War. During the Civil War, 10,000 outside seamstresses and tailors were hired to supply the Union Army with uniforms, blankets, tents, and bedding. The Arsenal, later renamed the Philadelphia Quartermaster Depot, provided the military with supplies through World War I, later transitioning into a Quartermaster School and storage facility and closing in 1957 and subsequently sold. Most of the building were razed in 1963 and these objects could have been salvaged at that time. They probably date to the period 1800-1820, judging by the style of carving. During this period, a number of important sculptors and stone carvers were working in Philadelphia, including John Eckstein (1735-1817) and William Rush (1756-1833), noted carver of figureheads for early US Navy warships. Further research is greatly warranted for these extremely important and rare examples of early American martial sculpture. 5,000 - 10,000
1048 - US ARSENAL STONE RELIEFS DEPICTING REVOLUTIONARY WAR ARTILLERY, C. 1800. LOT OF 2.
Carved, sandstone plaques, each approximately 43 3/4 x 16 3/4 x 5 inches. Found by the previous owner in eastern Pennsylvania, these handsome relief carvings of an 18th century fieldpiece and a siege mortar were likely set in the walls of key arsenal structures or in masonry walls, the most likely candidate being Schuylkill Arsenal (established 1800) although Frankford Arsenal (established 1816) is a possibility, both being located in Philadelphia. See lot above for further information. 5,000 - 10,000
1049 - BRITISH ARMY ‘BROAD ARROW’ FELLING AXE W/ HAFT 1770-1815.
Aarge British Felling Axe with original wooden haft, last half of the 18th century, identical in size and form to the felling axe shown to be supplied with Light 6 pounder cannon carriages of the Congreve Pattern (from notes taken off the original watercolor plan in the British Museum). Iron axe head with a British “broad arrow” ownership mark and the marker’s mark in an oblong cartouche: “HAWKE” with the complete original wooden haft. Head: 11 3/8; haft: 33 3/8 in., axe lg. 11 5/8 in. PROVENANCE: This axe was found years ago by a recreational diver near Fort Erie, built around 1760 and occupied during the Revolutionary War and the War of 1812. Purchased in 2021 from Beth Kruszka. CONDITION: Complete and very good, both head and haft were conserved and are stable. 1,000 - 1,500
1050 - BRITISH ARMY ‘BROAD ARROW’ CAMP TOOLS, 1770-1815 (4 PCS).
Four (4) British military tools said to have been recovered from a site along the Niagara River near Fort Erie, consisting of: 1) An iron spade with steel blade (Crown ownership “broad arrow” stamped on verso, with the remains of its wooden haft still between the socket leaves, 17 x 11 inches overall; 2) a hammer wedge 7 3/4 in. L x 3 3/4 in. W, with “broad arrow” mark; 3) A wedge, 5 1/2 x 2 1/4 in. with “broad arrow” mark. and 4) A shipbuilder’s or carpenter’s axe(?) marked “STONES / & ASH”, 9 in. L x 4 5/8 in. W. PROVENANCE: Purchased from Beth Kruszka in June 2021. CONDITION: Very good overall as found; salt and pepper surfaces, with some patches of light oxidation. 750 - 1,200
SEE WEBSITE FOR ADDITIONAL PHOTOS
1051 - BRITISH REVOLUTIONARY WAR 9-POUNDER CANNONBALL WITH BROAD ARROW.
A very nice example of an 18th or early 19th century solid-shot cannonball for a British 9-pounder, with broad arrow mark of the Board of Ordnance. Diameter: 4 inches; weight: 9 pounds and 1 ounce. Of unknown origin, purchased from a New Hampshire dealer at a show in 2021. CONDITION: very good; uniform, light freckling with superficial surface oxidation. 650 - 950
1052 - BRITISH KNAPSACK OF 97TH REGIMENT OF FOOT, LATE 18TH CENTURY.
This knapsack was worn by a member of the 97th Regiment of Foot or Inverness-shire Highlander, which was raised in 1794 by Sir James Grant and largely served as Marines aboard the Channel Fleet. They were later drafted into the 42nd Highlanders and the Marines in 1795 following a mutiny. Their knapsacks, accoutrements and other items purchased by the colonel remained his property and kept at Castle Grant until the 1960s, when the surviving pieces were divided up and given to various museums in Great Britain. The knapsack is important to Revolutionary War students, however, as it is the earliest known example of a British double-bag knapsack of painted linen extant--essentially of the same form and dimensions as those carried by British and Provincial (Loyalist) troops during that earlier conflict. The pack is 18 inches across and 13 inches deep as worn doubled, with straps of brown tanned leather, affixed to the pack with iron harness buckles. The outer flap and the back of the pack are waterproofed by yellow ochre paint, with the regimental number and title applied on the flap. Other examples of 97th Foot packs are in The National Army Museum (London), The Scottish War Museum, and at Fort George, Inverness. Deaccessioned from the Lewes Military Museum upon its closure and acquired in 2015. CONDITION: Very good as found in light of age; the leather strapping rather stiff; there is a split down a side seam of the flap/outer bag, not visible unless examined closely. An extremely rare example of a British military knapsack of the 18th century. 3,000 - 5,000
1053 - 18TH CENTURY BRITISH HORSE PISTOL HOLSTERS, AN UNMATCHED PAIR.
Two, 18th century horse pistol holsters of black, “jacked” leather, with one-piece bodies formed and sewn on wooden lasts, the inside face with round-closed seam, with circular pieces of leather round-closed to the body to form the bottom or cap. The larger example is 12 inches long with a 1 7/8 inch diameter at bottom, while the smaller is 10 1/4 in. H with 1 1/2 inch diameter at bottom. There are slits in the body near top of each to accepts straps to attach them to the saddle and the tops are edge-bound with strips of leather saddled-stitched to the body. PROVENANCE: Dunrobin Castle, Scotland, whence deaccessioned by current owners and sold. CONDITION: very good overall, with edge wear to the binding at top (light on shorter holster and moderate on longer). 400 - 800
1054 - 18TH CENTURY SWORD-HANGER, NECKSTOCK BUCKLE AND HAIR ROLLER.
Three indispensable items for officers and gentlemen in the 18th century: a steel sword-hanger, the body with wide waistband hook decorated with engraved stars and edging, the chains terminating in spring-mounted hooks or keepers; a neckstock buckle of paktong; and a clay roller for wig or hair (servant’s work, of course!). CONDITION: very good, the paktong buckle tarnished to a brass-gold tone. 400 - 800
1055 - A PAIR OF REVOLUTIONARY WAR SILVER EPAULETTES.
A pair of silver, strap-style epaulettes, each 9 inches long; the straps 6 3/4 in. L x 1 11/16 in. W, edged with silver twist wire and with crescents of silver embroidery, from which 2 1/8 in. L bullion fringe, with an under-fringe of fine, twisted silver wire the same length. The undersides with glazed, white linen lining on which is marked in iron-gall ink: “gdfr[?] 60 / [period symbol for shillings] 12 Ball” and with the fragmentary remains of an understrap for attachment to uniform, of blue cloth. PROVENANCE: Lot 136 of William Rose Collection Sale, Skinner Auctions, 25 FEB 2022. CONDITION: POverall very good, minor losses to edging on both; the remnants of embroidered 8-points stars on each, otherwise as described above. 6,000 - 10,000
1056 - REVOLUTIONARY WAR ERA CANTEEN WITH ‘OE’ BRANDED ON FACE, POSSIBLE CONNECTICUT ISSUE.
A canteen or rundlet constructed of 2 circular heads and 9 shaped staves, all of oak, and secured by by two, riveted iron bands; an ‘OE” is stamped on one face. The mouthpiece is 1 1/2 inches square. It is nearly identical in form and size to another canteen in the Don Troiani Collection, also bearing an “OE” stamp or brand and a large “SC” (state of Connecticut ownership mark) on the other face, with Saratoga provenance. In May 1775, it was recommended that “Six Thousand wooden quart Rundlets be provided” for the troops of Connecticut and in 1776, 6000 were again ordered. A quart is the approximate capacity for both this and the Troiani example. CONDITION: very good, the iron bands with a nice patina and the oak a pleasing dark tone. 800 - 1,600
CONVERTED TO SHOULDERBELT. An extremely rare, surviving example of a British infantry waistbelt of the Revolutionary War period, later altered during its working life into a shoulderbelt. This was achieved by cutting the front and rear branches of the bayonet frog away from waistbelt (which were originally sewn to its bottom edge of the left side) and instead, attaching them directly to the ends of the belt, lengthened further by a cut section from another belt. The belt sections are all stoated (sewn butted edge-to edge) together using a round-closing stitch, visible only on the underside of the belt. The front or “short branch” of the shoulder belt is approximately 19 inches long and composed of a 9 5/8-inch length from the original waistbelt sewn to a 5-inch piece added from another belt, then sewn to the front frog, while the “long” branch is a 35 1/2-inch length of the waistbelt is stoated to the rear branch of the frog. The vacant thread holes from the original attachment points of the frog when a waistbelt can be observed on the underside of the first section or top segment of the short branch. This practice is mentioned in British regimental orderly books and documents of the period, but such alterations were similarly done to captured British waistbelts by Continental Army leather workers at Philadelphia. Lancaster and Carlisle, Pennsylvania during the war. A good number of captured British waistbelts were still in store at West Point and Philadelphia in 1786 when the Superintendent of Military Stores ordered them to be converted into shoulder belts for the new-raised 1st American Regiment, then equipping for frontier service in the Ohio Valley. PROVENANCE: This particular shoulderbelt was purchased as lot 626 at Pook & Pook Auctions in Downingtown PA on 18 MAR 2014 and was a local consignment; a Federal era saber with scabbard attributed to Buell & Greenleaf was then attached to the belt but were later sold. It should be noted that the tip of the short branch is pierced with three evenly spaced holes, which indicates that the last plate, clasp or buckle used on this belt was fitted with three attachment studs on its reverse, probably when issued out the last time for use as a light dragoon during the Quasi-War period. CONDITION: overall very good and complete; the buff leather somewhat stiff, bearing extensive evidence of repeated pipeclaying during its lengthy military usage, with random spots of surface staining. 2,000 - 4,000
1058 - REVOLUTONARY WAR BRITISH “BELLY” BOX CONVERTED TO SHOULDER CARRIAGE.
The British Ordnance-issue cartridge box issued with a “stand of arms” from the Tower was a simple affair, unchanged in form since the early 18th century, being a curved block of black-painted poplar or beech drilled to hold 18 rounds of musket or carbine cartridges. Originally, a gilt-embossed royal cipher was stamped on the flap, but with increased production in the Revolutionary War, this nicety fell by the wayside. The flap was merely nailed to the back of the box and two leather belt loops similarly attached to its front for attaching it to a narrow belt of tanned leather with a sliding frog to hold a bayonet scabbard. However, in 1774 all British troops under Generals Gage and Howe were ordered to alter their cartridge boxes so that they could be slung over the shoulder by a narrow belt and this was accomplished by nailing two loops with harness buckles to the underside of the block, taking the belt loops off the front and affixing them horizontally at the top ends of the rear of the box, as seen with this altered box. The vacant holes from the loops can be seen on the front of the box. Purchased from Mike Kvietkauskas in 2016. Block dimensions: 8 5/8 x 3 1/4 x 2 inches. CONDITION: Good to very good, the flap leather slightly turned up at the bottom corners, one buckles missing from underside, as well as leather keeper button for flap originally attached to center bottom. 2,500 - 3,500
1059 - 18TH CENTURY AMERICAN LIGHT DRAGOON CARTRIDGE BOX.
A very nice example of an American light dragoon’s cartridge box that conforms to the specifications laid out by the Continental Board of War in 1778 which described a waist-mounted box of tanned leather, in which are affixed 12 tin tubes for containing cartridges. The use of tin tubes not only lightened the weight of such a box, but allowed for better flexibility of movement to mounted soldiers. The well-constructed example is far superior in construction to most militia examples from the late 18th and early 19th century, that it appears a likely candidate to be either one intended for a regular from the Continental Light Dragoons and the Federal period, when contracts were let for 12-round boxes with tinned iron tubes for the light dragoons of the U.S Legion. The body of the box is 10x 3 1/2 x 1 inches (length measured on curve); tubes are 3/4-inch diameter and the flap is 4 1/2 inches deep at center. Ex.collection, Robert Oswald. CONDITION: overall very good, the tins in excellent condition, but the blackened leather has stiffened and shrunk with the passage of time, especially the flap; belt loops missing. An old dealer’s tag conveys with the box. 500 - 1,000
1060 - BRITISH LIGHT DRAGOON CARTRIDGE BOX, REVOLUTIONARY WAR ERA.
The only example of a British light dragoon cartridge box of the regulation pattern, used from c. 1756 to 1802, currently known. It is constructed with a substantial flap and back panel of buff leather. A long strip of black, tanned calfskin or thin cowhide is sewn to the latter by a series of spaced, vertical lines of stitching, forming 12 raised loops, which house 2 5/8 inch-long by 3/4-inch diameter, cartridge tubes of tinned sheet iron. A small pouch of thin, “flesh-out” leather with a thong ties, is sewn over the four central tubes to contain spare flints. There are two loops of buff leather on the back of the box, the tops sewn to the rear of the front flap and with slits near the bottom, to which they are secured to brass studs of 1/2 inch diameter, forming belt loops to attach the box to waistbelt. The box is approximately 10 1/4 by 3 3/4 inches as viewed from its front. The flap was “blackballed” at some time during its period of use, whether during British or possible American service, one can only wonder. CONDITION: Very good overall, some of the half-circles of grain leather sewn to the bottom of the loops to contain the tubes missing or separating; the tin tubes with moderate oxidation; some period staining and surface wear to the exterior of the buff leather, as commensurate with use. 3,000 - 6,000
1061 - REVOLUTIONARY WAR 17-HOLE “SOFT POUCH” CARTRIDGE BOX, PROBABLY MASSACHUSETTS, C. 1775.
A Revolutionary War “soft” of bag-style cartridge box with a wooden block drilled with 17 holes of 3/4 in. diameter, set in two rows; the block 3 inches deep; body approximately 4 inches deep and fitted closely around the block at top and covered by a scalloped flap, approximately 11 in. wide by 8 1/2 long. This is a form of cartridge box commonly used by New England troops in the first half of the war and the 17-hole versions can be most closely identified with Massachusetts origin/use. The remains of a 1 5/8 in. W, black leather shoulder can be seen, sewn into the seam between flap and back panel of body ear each end. CONDITION: Good to very good, the leather crazed and stiffened with passage of time; light edge wear. 800 - 1,400
1062 - REVOLUTIONARY WAR AMERICAN 18-HOLE CARTRIDGE BOX.
An important and interesting example of an American Revolutionary War cartridge box of the pattern known to some collectors as the “Essex” box, due to a few identified examples either found in Essex County, Massachusetts or identified to Continental Army soldiers from Essex County. These boxes were copies of British light infantry/ Highland type cartridge pouches, which were fitted with 18-hole wooden cartridge blocks, with a tinned-iron tray underneath for additional round, spare flints and cleaning supplies. This well-constructed and substantial example with slightly scalloped flap with edge-tooling, is probably an early-war version copied from those taken from Highland transports captured off Boston in 1776, as it closely mirrors the British-made pouches than most other known examples in terms of form and size. However, it displays some unique American American innovation due to wartime supply shortages--most notably to offset the lack of harness buckles on the underside with which to secure the shoulder belt. Instead, a pair leather knots were set-in and stitched on each side at the bottom, two for each belt end, which would have had slits cut in to receive them in lieu of a buckle tab; there was also a leather button on the center of the bottom, for securing to the flap’s inner tab. All of the buttons are now missing, with only the remains of their thong ends visible. The pine cartridge block is 9 3/4 in. L x 3 in. H x 1 7/8 in., drilled with 2 3/4 in. deep holes of 13/16 in. diameter--capable of accepting cartridges made for larger-bore American, German and Dutch muskets, in addition to British and French arms; the tin of similar length and depth, but 2 inches H. CONDITION: Overall good; there is some from wear to back of the box on the left side directly below the cross-strap for retaining the shoulder belt; the implement pocket on the front of the box has some edge loss and being thin, is quite fragile. 800 - 1,600
1063 - REVOLUTIONARY WAR AMERICAN CANTEEN, STAVE CONSTRUCTION.
A very nice example of the Revolutionary War canteen of stave construction approximately 7 inches in diameter by 3 1/2 inches wide. The talented cooper who made this canteen used white cedar and the staves are wide, but so nicely worked and fitted that it took only 5 to completely encircle the two faces, which were then bound with interlocking hoops of hickory, making a water-tight container that was also light and less susceptible to rot, by the nature of the wood. During its period use, one of the original hoops was replaced with a band of forged iron. The canteen appears to have been painted, put which is rather worn and appears a dark greenish caste today. Carved on one face are two large sets of the letter “A H”, probably the initials of the soldier. On the opposite face is a somewhat indistinct set of numbers or figures: “IIVI /II”, which may be unit markings. PROVENANCE: Acquired from Bill Gavin in 1998 who found it along the NH-VT border in the 1950s. CONDITION: Very good as found and described above. 800 - 1,600
1064 - REVOLUTIONARY WAR AMERICAN STAVE CANTEEN, EX. GUTHMAN COLLECTION.
This cedar canteen of stave construction was lent by James A. Snow (1839-1905) to the Windham Historical Society of Ohio for a Centennial exhibition. It bears the Society’s tag with his name and the date of July 4, 1876 and on the reverse the following inscription: “This Canteen used in the Revolutionary War and many the quart of whiskey has been drunk from it to the unbounded pleasure of its possesor [sic].” The Snow family of Windham, Connecticut moved to Ohio following the Revolutionary War; it has not yet been determined which family member may have carried it during the war. The canteen is approximately 7 1/8 - 7 1/4 inches diameter and 3 inches wide. One face and its corresponding hoop are now missing and in place is a round piece of cardboard inserted by Bill Guthman to keep it intact. There is an indistinct brand on the remaining face, which may be “U.STATES” and above that is carved what appears to be intersecting letters “MM” or “NN.” PROVENANCE: As stated; acquired as lot 168 at Sothebys “To Arms! Guthman Sale”, 19 JAN 2003. CONDITION: Very good as found and previously noted; the wood with a nice, mellow tone. 1,000 - 2,000
1065 - BRITISH REVOLUTIONARY WAR 29-HOLE CARTRIDGE POUCH WITH BELT.
An exceptionally fine and complete example of a British 29-hole cartridge pouch of the Revolutionary War still surviving with its original buff leather strap. This was the pouch form copied by the Continental Army for its cartridge boxes of “New Construction.” The buff strap is 60 inches long (not including the narrow “billet” straps sewn at ends to attach the buckles on the bottom of the pouch) and was 2 1/2 inches wide originally, although the leather has stretched from wartime usage and in 2 3/8 broad at points. The buff leather has been blackened on its face rather than pipeclayed white and the pouch flap has four vacant slots cut into its face, indicating that it once had a plate or device mounted to it when in British use. These two factors suggest that this pouch was captured and reutilized by American troops. The positioning of these slots or holes fit only one particular British pouch form known to be used in America during the Revolutionary War period from the myriad we discussed and illustrated in “Insignia of Independence” (2012). That plate is a solid brass oval plate with a script “GR” on its face, with four studs on reverse (BGLP10a--see p. 155 in the referenced book). Some years ago, I brought this pouch to Don Troiani’s home and we found the lugs on his example of BGLP10a aligned perfectly with the slots on the pouch flap. These plates are found on 1776-1777 British military sites of the Northern campaign, notably Saratoga sites and it is most likely that this pouch and belt are relics from that campaign. CONDITION: very good overall, both the pouch leather and strap leather strong and supple, the tin tray still present under the block (which appears to be of elm or another hardwood), but cannot be accessed as the leather has shrunk too much around the block; the leather buttons set on each side of the pouch at bottom, which secured the flap by two tabs with slits sewn to its underside, are now missing, as is one of the tabs on underside of flap. A superb example of a scarce accoutrement. 4,000 - 8,000
1066 - BRITISH 26-HOLE POUCH WITH BUFF BELT, LAST QUARTER 18TH CENTURY.
Body: 5 ¾ H x 8 ½ L x 2 5/8 in. W. Rare and complete example of a British pouch from the late 18th century, a pattern of a form known to have been during the Revolutionary War (another example with an associated 38th Regiment of Foot waistbelt was lost or captured following Lexington and Concord expedition). This form of “pouch” or box, with wooden block drilled to accommodate 26 cartridges, was the most successful design of the four patterns then in use by British infantry regiments and eventually replaced the others, continuing in service into the early Napoleonic period. Beneath the wooden block is a tinned-iron tray, divided into two compartments for additional rounds and a leather implement pocket is sewn to the front of the pouch body. The thick, flap leather is flesh-side out, typical of British make, allowing it to be “stuffed” with a composition of beeswax, lampblack, tallow and turpentine that became known as “blackball” (from its being carried by soldiers in that form to renew such waterproofing, as needed). On the underside of the sewn body are two tinned-iron buckles for securing the shoulder belt to the pouch (one now separated) and the leather button closure for securing the flap. Centered below the belt keeper on the reverse of the pouch is a buff leather tab to secure the pouch to the hip button of the soldier’s uniform coat, thereby preventing the pouch from sliding forward while performing the manual exercise or firings. The pouch survives with its whitened, buff leather belt, approximately 2 1/4 inches wide.
2,000 - 4,000
1067 - REVOLUTIONARY WAR ERA UNIFORM COAT, UNKNOWN UNIT.
A rare uniform coat in cut and construction clearly dates to the period 1770-1785 that merits further research and study. Purchased from an antique dealer in New England. The coat is made of a relatively fine broadcloth, not quite superfine, with fall-down collar and “round” cuffs of the same, the breast of the coat, collar and cuffs edged with 3/8-inch-wide gold lace. The cuffs are 3 1/4 inches deep and the “fall” of the collar is 2 inches and rounded in front. There is another band of lace parallel to the edging on the cuff, set in approximately 1 inch. The skirts are trimmed with same lace as edges the coat, but with a loop at the top of each “false” side plait, with three branching lengths of lace, each approximately 9 in. L and ending in a fringe tassel 1 3/4 in. long. The skirts of the coat hook back in standard 18th century military manner with hooks and eyes at the ends. Inside, the coat is completely lined in linen dyed a pale orange shade and it has welted pockets with deep bags at the skirts. The coat was constructed without a single button or buttonhole!! One might argue that the coat is civilian, but the lack of buttons and holes and the military aspects of its construction tend to make me think otherwise. In more than 40 years of personal study of 18th century military and civilian coats, I have never seen a civilian coat with hooks and eyes set for turn-backed skirts. The lace arrangement on the false skirts mirrors that seen on British light dragoon jackets from c. 1778-1800 and are almost identical to what was prescribed by Henry Knox for US rifle coatees in 1787. The rows of lace set on the cuffs was often used as a rank distinction during this period in lieu of epaulettes or shoulder knots and we know that during both the French and Indian War & the Revolutionary War, the British Army sometimes removed the lapels from their coats to reduce both weight and keep soldiers cooler in hot weather campaigning. The coat is merely closed in front with two sets of hooks and eyes. One might also argue that this is some sort of livery uniform, but I have never seen one of this nature in collections or in period artwork. During the Revolutionary War and Federal periods, a number of American volunteer units were raised in which the men were only called on to wear a coats or jackets of same color, thereby a coat could have double use--both for civilian activities and military service, but still afford a degree of uniformity in a unit without great cost to the members. I believe that this coat might be such a garment. Moreover, in the collection of Don Troiani is an identified uniform coat of a Massachusetts colonel from 1774-177. CONDITION: Good to very good but would benefit from restoration; the coat shows a good deal of period wear, with sweat staining under the arms and stress at that point from activity (there is 3-inch rent below the armhole on the right side and the armhole seam is open for about 2 inches on the left). There is wear to the elbows and the left elbow has a neatly done, period patch approximately 1 x 1/2 in.; a few scattered, small insect nips, mostly on the upper back and torso area. 5,000 - 25,000
1068 - REVOLUTIONARY WAR ROYAL ARTILLERY REGIMENT PRIMING HORN.
Overall length: 7 1/2 in.; length of spout: 2 3/4 in.; diameter of butt cap: 1 3/15 in.; length of cap: 7/16 in. This style of artillery priming horn was used by gunners and bombardiers during the Revolutionary War and near-identical, engraved horns are found attached to 18th century Royal Artillery pouch belts in the collections of the National Army Museum, London and the Firepower Museum at Woolwich. The horn has a brass spout and cap, the former with simple spring-stopper, while the body is made from the tip of a bullock’s horn. The cap or base is embellished with scribed, concentric rings, and engraved “RRA/2B/691’, signifying that this horn was 691st issued to the 2nd Battalion of the Royal Regiment of Artillery. 800 - 1,400
SEE WEBSITE FOR ADDITIONAL PHOTOS
1069 - A REVOLUTIONARY WAR CAP PLATE AND AN MILITARY AXE HEAD. (2 PCS.)
1) A relic front-plate for a military cap or helmet, made of sheet brass or copper in a shield-shaped form, with edges turned, approximately a 1-1/2 inch square missing from the lower right corner. Excavated by Robert Curdy in 1970 at the Continental Barracks site at Fishkill, New York. This plate was probably painted, as with those worn by the New York Independent Companies (one of which survives as a Hessian souvenir in a German archive today) and may have had a device affixed to it as well, as the hole centered near the top suggests. PROVENANCE/LITERATURE: From the Robert Curdy Collection and comes with his storage box for the plate, on which he has annotated the notes related to its discovery. Illustrated (figure AMscPL1) and discussed in Troiani and Kochan, Insignia of Independence (2012), p. 256. CONDITION: the metal was found folded and unfolded by Curdy, who reinforced a crack from behind with cardstock glued to the reverse. WITH 2) A large felling axe made with ears and with an oblong cartouche stamped on the right face, which is either a maker’s or ownership mark. It was recovered by Dutchess County historian Robert Curdy from Camp Robinson Farm in 1961, per his typed notes affixed to storage container that conveys with it. In it, he notes that the blade stamp is marked “MASS.” to note that state’s ownership/issue and he had highlighted the lettering with white paint, which was subsequently removed by me to see if the marking could be better seen without--it ended up worse. CONDITION: good; the axe heavily used during the period, with steel wedge blade mostly worn-out; it was apparently utilized as a wedge at some time by the troops, based on the heavy hammer marks that have pushed in the back edge; moderate to heavy pitting to surface. Both items purchased at the Curdy Collection sale held by Absolute Auctions on 12 APR 2015. 200 - 400
1070 - AN EARLY AMERICAN ROSE BLANKET OF 8/4 SIZE,
1750-1820. Although wide-loomed, this blanket bears none of the trademark features of the commercially-produced rose blankets for the trade market and was most likely hand-loomed in America, as opposed to machine-loomed by water power as with most British commercial blanketing of the period. It is approximately 68 inches wide by 80 inches in length, and plain-wove with a finer yarn that the other example in this sale; it also shows little evidence of fulling, if any. There are roses worked in brown and buff-yellow yarn in the upper right and left corners, the other two corners plain, with an “E*R” worked in brown yarn just above the rose in the upper left corner. CONDITION: Overall good, with a random, light scattering of insect nips and one 3x13 inch stain along the lower edge (opposite the rose ends) at center. Each cut end is blanketstitched. 400 - 600
1071 - A FOLDING CAMP COT, LATE 18TH-EARLY 19TH CENTURY.
76 in. L x 40 in. W x 34 in. H. This folding camp bed or coat (in its original red paint) is a pattern that had widespread usage among American and British officers during the Revolutionary War through War of 1812 periods. One, said to have belonged to the Marquis de Lafayette, is in the Connecticut Historical Society. Other documented examples with Revolutionary War usage are in Canadian and American collections, including one with George Washington association in the New York Historical Society. This fine example still has its original sailcloth or canvas cover and the head and footboards remove to allow folding of the cot. Acquired in 2002 from Massachusetts dealer Colette Donovan. CONDITION: Very good, with some edge wear to the cot legs, some darkening of the paint on portions of the headboard; otherwise fine and essentially, in very good working order.
1,500 - 2,500
1072 - A SET OF 18TH OR EARLY 19TH CENTURY, NEW ENGLAND BED LINENS (3 PCS.).
Consisting of: 1) a bolster sack of blue-checked, plain-wove linen, 52 x 18 1/2 inches, open on one end; 2) a bedsack of blue-checked, plain-wove linen, 68 x 54 inches wide (flat or unfilled) with bottom lining or base of heavy off-white linen or hemp sheeting, 32 inches wide (centered) and closing at bottom with tape ties; and 3) an bed-tick or paillasse of medium-weight, unbleached, plain-wove linen, one side seamed and the other turned, the ends closed, but with four 12-inch long slits set approximately 12 inches in from each side, for filling with straw, flock or other materials to form a mattress. Made of two 40-inch widths of linen, seamed together at center top and bottom. CONDITION: 1) very good to excellent; 2) very good to excellent; and 3) fair to good--the linen with various period patches and darns, some small open holes, the ties of the slits now largely torn off. 300 - 600
1073 - AN ORIGINAL 18TH OR EARLY 19TH CENTURY ROSE BLANKET OF 9/4 SIZE.
Almost certainly of English mill manufacture, this style of blanket was heavily imported to North America during the period 1750-1820, both for domestic use and for the Indian and fur trades. It was also commonly issued out for military use to both Continental and opposing British, German and Loyalists troops during the Revolutionary War (as seen in numerous invoices and issue documents), as well used in great quantity by the United States Army during the War of 1812. Washington purchased numerous rose blankets for Mount Vernon in the 1790s. This rose blanket was plain- or “tabby” wove on a wide loom and well-fulled afterwards. It is 86 inches long by 80 inches wide, so would qualify as a “9/4 blanket” during the period, meaning it was 9 quarters of a yard (about 81”) wide. Called a rose blanket for the circular corner designs worked in variety of colors, this particular blanket has “roses” of 15-inch diameter. Running from selvedge to selvedge near each end is a narrow brown stripe--this helped guide the producer in the cutting of lengths. CONDITION: Overall very good, a few random, very small holes and a very light scattering of insect nips, not even noticeable unless scrutinized against light. 500 - 750
1074 - REVOLUTIONARY WAR ERA FIELD DRUM OF A BRUNSWICK INFANTRY REGIMENT
A rope-tension, field drum with snares for an infantry regiment of the Electorate of Brunswick-Lüneburg from the last quarter of the 18th century, approximately 16 3/4-17 inches high by 15 1/2 to 16 inches in diameter. It consists of a cylindrical body of heavy sheet brass, approximately 13 1/2 inches H, with a large, embossed crest, being the ducal coronet of that electorate over the “running horse” of Brunswick, the latter encircled by a band bearing the motto “NEC ASPERA TERRENT.” The body of the drum is affixed by hempen tension cords with leather adjusting tabs to sheepskin heads and wooden rims at top and bottom, each rim being 2 inches wide and painted in an alternating triangular pattern of blue and the units facing color red, white, yellow, etc.), in this case, white-- blue being the body color of Brunswick uniform coats. The better part of the Brunswick troops were hired to Britain and sent to North America as the Brunswick Corps during 1776, including the Regiment von Specht, which had blue coats with white facings. Most of the Brunswick Corps surrendered at Saratoga in 1777 and at least two captured drums from other Brunswick regiments are now in museum collections in the USA. The Brunswick Corps was reraised in America the following year from the troops still in service, augmented by large cadres of recruits from Germany, and also by a score of Brunswick soldiers who escaped captivity and made their way to New York. New arms, accoutrement and other equipage, including drums, were sent out by the Duke to replace those earlier captured and when the Corps returned to Europe at the close of 1783, this equipment did likewise. This drum, although of the right time period, correct color schema and form that was likely carried by the Regiment von Specht, cannot presently proven to be a drum of that unit, but few other Brunswick regiments had white facings. Provenance: deaccessioned from the collections of the Royal House of Hanover and sold by Sotheby’s, October 2005. 12,000 - 24,000
1075 - THE WENDELL LANG COLLECTION OF EXCAVATED REVOLUTIONARY WAR ARTIFACTS.
An important collection of Revolutionary War artifacts excavated from various 1777-1783 Continental Army cantonment or campsites in the Hudson River Valley by the Wendell W. Lang, Jr. (1942-1997) during the 1980s-1990s. I first met Wendell at a West Point Chapter meeting of the Company of Military Historians around 1988 when I was curator at Morristown National Historical Park. He brought a Riker mount full of artifacts to the meeting, seeking help in identifying them. There were sword parts, military buttons and gun and accoutrement parts, including a few that I recognized as coming from Continental Army-issue, “New Construction” cartridge boxes (and now in this collection). He kindly allowed me to photograph and measure many of the pieces and brought more for me to study at subsequent meetings. The sites--some bordering West Point, Newburgh and environs--according to what Wendell disclosed, were on private land already undergoing development for housing and other development projects in the 80s and many were fully destroyed by the 90s. Wendell passed away in 1997 and his collection of excavated artifacts went to his good friend and fellow digger, Dean Thomas. Dean kept the collection for a few years, but then decided to sell it. He called various individuals up and told them that he’d be bringing it to the April 1999 Chantilly Civil War Show. Three of us in the know (myself, Bill Henderson and George Juno) were crowded in front of his table as he began to pull Riker cases out of boxes and place them on his table. I was focused primarily on accoutrement and gun parts, soldier’s personal items and the like, while Juno was focused on buttons. We’d quickly scan mounts and grab the ones that interested us the most and pile them in stacks on the floor next to us until the collection was largely divided up. The 10 large and one small Riker mounts constitute my portion of the Lang artifacts purchased from Dean more than 20 years ago--still arranged in each Riker mount as acquired--less a small grouping sold to one friend shortly thereafter. There are hundreds of artifacts within the Lang Collection presented here, ranging from musket and sword parts, gun tools, artillery and architectural hardware from huts, cutlery, hatchet heads, shoe and accoutrement buckles, pipes, gaming devices, camp kettle bales and ears, padlocks, grapeshot and musket balls, buttons, scissors, and coins, to name just some of the more extensive categories. JLK 4,000 - 6,000
1076 -
RARE, REVOLUTIONARY WAR CONTINENTAL “USA” BUTTON MOLD.
According to “The Journal of the Company of Military Historians”, Vol. 19, from 1967, this “USA” button mold is one of only two known Continental Revolutionary War button molds in existence. The other known example is a bronze gang mold for five “USA” buttons and is the property of Independence National Historical Park in Philadelphia. Both are similar in construction to bullet molds of the period, with the addition of the bottom plate with the button cavities rather than bullets. Composed of bronze with iron rivets. The two upper portions contain the eye cavities and gates for pouring the metal. Both top portions have tangs where wooden handles could be attached. This mold casts two buttons of different sizes, one 11/16” and the other 13/16” in diameter, with the faces bearing a roped border with “USA” in a cipher of interlocked, block letters. Upper portions pivot on separate posts. This mold was dated between 1777 and 1781 by Duncan Campbell. It was acquired from a Carlisle, Pennsylvania area antique dealer by Don H. Berkebile, who was Curator of Transportation at the National Museum of American History. He owned it for over 50 years, until his death. Included is a detailed receipt that the mold was purchased by Walter O’Connor directly from the Estate of Don. Berkebile in 2009. According to Kochan and Troiani, Insignia of Independence (2012), Continental Army “USA” buttons have been found on nearly every Revolutionary War site from the New York frontier to Georgia. It was the most widely used, marked military button of the Continental Army. Several have been found at the Saratoga battlefield. In 1778, George Measam, the Assistant Clothier General of the Northern Army remarked in response to the “plain white buttons” found on French Lottery coats, “...it (should) be in the future marked U.S. to show the property of the United States in them...” In the clothing specifications of 1778, regulations stated “The buttons to be of block tin or brass and cast solid, with a strong eye or shank with the letters USA in Roman letters on each button.” Complete with copies of both cited articles pertaining to this mold and USA buttons. Very good condition, showing some use and with a dark patina. A very rare and important piece of Revolutionary War history 6,000 - 12,000
1077 - REVOLUTIONARY WAR UNIFORM BUTTONS, SWORDBELT TIPS AND STOCK CLASP.
Swordbelt tip in the shape of an arrow of silver-washed brass with two studs on reverse, 40x37mm; British heart-shaped tip of brass found at Savannah, 31x29mm; the “male” side of a brass neckstock clasp, with engraved design on face; and 16 American, British and French buttons from the conflict, both officer and enlisted patterns, most identified by the typology presented in Troiani and Kochan’s reference book, “Insignia of Independence: Military Buttons, Accoutrement Plates...of the American Revolution” (2012). 1) 10th Foot (B10b) 18mm; 2) fragile 15th Foot (B15h) 18mm; 3) 35th Foot fragment (B35j) 16mm; 4) 47th Foot officer’s silver repousse (B47a) 24.5 mm, said to have been found during construction of Bunker Hill Monument; 5) 55th Foot gilded-brass officer’s type with shank (B55b) 16mm, said to have been found on Antigua; 6) 60th Foot button (B60b) 17mm; found on Continental camp in Hudson Valley; 7) brass button with Scottish thistle within encircled wreath, said to have been found in context with 71st Highland Regiment buttons at South Carolina site; 8) Royal Provincials button (LRPk) 16mm; 9) 1st American/Queens Rangers (LQRd) 17mm; and 10) lead button formed by using a 176[?] British penny, 22mm; 11-12) two block USA (AUS) 18mm from Hudson Valley sites; 13) 2nd Connecticut Regiment officer’s silver repousse with bone back (A2CRa unexcavated) 26mm; 14) Continental Army 1777-78 “French contract” turret-backed” and plain face as illustrated on page 192 of Troiani & Kochan (2012)--in perfect condition, this was found by Troiani at West Hartford camp in the roots of a tree; 15) French cast-brass button, possibly worn by troops of Lauzun’s Legion (a previously unknown variant of FCN) and dug by a relic collector on Gloucester Neck, Virginia; and 16) a lead button cast from an impression of a 176[?] British penny. PROVENANCE: Buttons 1, 6, 10-12 from Wendell Lang Collection; 2-3 personally surface collected on St. Eustatius,which was captured by British in 1781 and garrisoned by these regiments; 4 ex. collection Al Benting; 5, 8-9 and 13 are ex. coll., William Y. Carman; 14 from Don Troiani; heart-shaped belt tip, ex. coll. Erik Goldstein. CONDITION: varies by each piece, as seen in images, from near-perfect and fragmentary relic. 19 items total in lot. 2,000 - 4,000
1078 - LOT OF 2: US SURCHARGED FRENCH M1763 LOCK AND P1756/95 CARBINE LOCK.
Lot consists of (A) Measures 6 - 3/8” with a 1 - 1/2” height behind pan. The tail is stamped with an early “US” surcharge. CONDITION: Missing some internal components and cock. Existing internals frozen. Frizzen spring contemporary. Dark pitted brown patina. (B) The convex lockplate measures 6 - 3/16” long with a 1 - 1/8” height behind pan. Tail stamped “TOWER”, partially obliterated crown visible in center. CONDITION: Spotted grey patina. Cock and mainspring absent. 400 - 800
1079 - AMERICAN REVOLUTIONARY WAR PERIOD SPIKE TOMAHAWK WITH ORIGINAL HAFT.
For a similar example, see plate 77 in “American Indian Tomahawks” by Harold Peterson, description on page 96. Another nearly identical example can be seen as plate 67.A on page 271 of Neumann’s “Swords and Blades of the American Revolution”. He dates it circa 1740-1780. This example has a head measuring 7 - 3/4” overall with a 3 - 1/2” blade and 3” faceted spike. The crescent cutting edge measures 2 - 3/8”. The both sides of the blade stamped “J.F.G.”, probably for a maker. The original haft has a 3 - 5/8” iron spike at the bottom, similar to polearms of the period. A screw and pewter have been added to the top of the round eye to hold it tighter to the head. CONDITION: Head retains a pleasing brown patina, markings excellent. Haft retains a smooth patina, one crack filled with lead or pewter. Spike at bottom retains a brown patina that matches the head. 1,500 - 3,000
1080 - SCARCE AMERICAN HALBERD BATTLE TOMAHAWK.
Large halberd for battle ax head of 8 - 1/8” overall with a crescent 5 - 1/4” cutting edge and a 5 - 1/8” blade. The trifid spike measures 2 - 1/8”. Early haft with 3 - 3/4” iron spike, as found on American Revolutionary War era polearms. CONDITION: Dark heavy brown patina on head and spike Haft retains a nice smooth patina. Lead inside eye to hold head tight to haft. 1,200 - 1,800
1081 - AN EARLY 18TH CENTURY CAVALRY CARTRIDGE BOX ON SLING.
A leather-covered wooden block with rounded sides and base, drilled with six 13/16 in. diameter holes, with body with thin leather with welted seams, the flap of two layers of the same, edged with welting; suspended from a narrow strap composed of two layers of leather sewn together at edges. A small flint pouch hanging from one side. Of unknown origin, American? European? Purchased at the New Hope Arms Fair in 2003. CONDITION: Fair to good overall, with moderate edge wear to the strap and box exterior; some flaking to the leather grain and separation of stitching along portions of the strap. 500 - 1,000
1082 - REVOLUTIONARY WAR AMERICAN 18-HOLE CARTRIDGE BOX.
Another example of an American Revolutionary War cartridge box copied from the 18-hole British “pouches” furnished to Highland, some British light infantry and also Provincial (Loyalist) troops during the war, which were fitted with 18-hole wooden cartridge blocks, with a tinned-iron tray underneath for additional round, spare flints and cleaning supplies. However, as with the other 18-hole American box in the Kochan collection, it exhibits various stop-gap innovations in construction due to wartime supply shortages, notably harness buckles, leather and tinned-iron. Rather than the somewhat elaborate system of leather tabs to secure the shoulder belt as on the other example, this one instead eschews a fitting system entirely. Instead, the 1 3/4 in. W shoulder belt of black, harness leather is instead sewn into the seam joining the flap with the back panel of the box, which at some later in the use history of this box, the belt was cut off 2 3/4 inches out from the same on each side, the remaining short lengths folded back and sewn to the back panel, thereby creating loops for attaching to a waistbelt. A brass stud is used in lieu of a leather button for securing the flap’s retention tab and a tray made of wood is utilized instead of one of tinned-iron. The box is slightly reduced in all proportions, beginning with a smaller pine block: 8 7/8 in. L x 2 5/8 in. H x 1 7/8 in. drilled with 18 holes of 3/4 in. diameter. There are three, original “platform” flints in the small flint pocket sewn to the top of the front panel. CONDITION: Overall very good for age and materials; edge wear and scuffing to the leather, the flap retention tab or strap’s slit has opened at the edge. 800 - 1,600 SEE WEBSITE FOR
1083 - 18TH CENTURY AMERICAN & BRITISH CARTRIDGE BOXES: LOT OF 4
1) the curved, elmwood block of a British 18-hole (“belly”) cartridge box of the form contracted by the Board of Ordnance and issued out for musketry use from at least 1740 and continuing in use in British infantry regiments into the 1780s and in the Royal Navy, well into the 1820s; 2) a 17-hole block of pinewood from an American cartridge box of the form used by Massachusetts and other New England troops during the early part of the Revolutionary War--with owner’s initials “TR” carved in front face; 3) an American “bag” or “soft-pouch” form of cartridge box of Revolutionary War form, with its original 19-hole, curved block, with a supplemental block drilled for 6 additional cartridges added, the box converted from shoulder to waist carriage and its flap now missing; and 4) an extremely early form of cartridge box, generally in use from late 17th to early 18th century, consisting of thin panels of wood to construct a hollow, open box and covered with leather (in this example, thin calf in the interior and goat or sheepskin on the exterior), with an adjustable bag with tasseled cord for storing flints, and of wide loop behind for attaching to a belt--possibly a European example, but found in the Pine Barrens of New Jersey. 400 - 800
1084 - PENNSYLVANIA REVOLUTIONARY WAR ERA HORSEMAN’S SABER WITH SCABBARD.
The slightly curved blade of this attractive American saber has two fullers that extend from the hilt to 6 - 1/2” inches from the blade’s tip. It still retains its red woolen washer at the guard. The decorative iron stirrup hilt guard has stylish filigree cutouts and a slightly convex pommel cap without a capstan. This style of pommel is seen on the early stirrup hilted swords. A steel backstrap with a brown leather grip has its original braided brass wrap and a steel ferrule at the base. The tooled black leather scabbard is decorated with lines and dots and a vine and leaf motif seen on Revolutionary War era scabbards. CONDITION: There is a section of mild pitting on the center of the blade due to the scabbard sticking. The rest of the blade is smooth with the usual dark spots from age and handling. The grip and wire wrap are completely intact. The hilt has a nicely aged dark brown, smooth, patina. Its scabbard is missing the last 4 - 1/2” and shows some crazing and losses to surface. 2,000 - 4,000
1085 - AMERICAN INFANTRY SABER.
This sword’s exact hilt is shown in George Neumann’s “Battle Weapons of the American Revolution” on page 361, no. 172.SS. The blade has a single narrow fuller. The Americans copied this British Pattern. This hanger’s distinctive hilt has two branches and a broadly dished iron counterguard that includes two outboard branches. It has a large pommel with a sturdy capstan. Its wooden grip is black leather covered with a spiraled copper band. CONDITION: Blade retains a grey patina, tip sightly rounded. The blade apparently began to separate due to delamination of the steel and has a brass reinforcement from the period of its use. Minor losses to leather grip and some crazing. Hilt retains a spotted brown patina, tight to blade. 1,500 - 3,000
1086 - AMERICAN REVOLUTIONARY WAR SPONTOON ATTRIBUTED TO PRAHL OF PHILADELPHIA WITH ORIGINAL PAINTED HAFT.
A Revolutionary War pike of American make, almost certainly Pennsylvania in origin. This American Revolutionary boarding pike or trench spear has an overall length of 74 inches, inclusive of the head and iron shoe. The head is 11 - 1/2” long inclusive of the langets or side-straps, while the blade portion is 6 - 7/8” long and 1 - 1/8” wide, with a diamond profile. It is well-forged, turned and file-finished--equal in quality of workmanship and nearly identical in form to the surviving “PRAHL”-marked examples of the 1000 ordered by Pennsylvania in 1776. The original wooden haft is painted with a salmon-red or “Spanish brown” paint, as are all of the surviving ones on Prahl pikes. The head is attached to it by its socket with integral side-straps, secured with three riveted pins down the side-straps. The conical butt-cap is 2 - 5/8” long and similarly secured with one iron pin. Almost certainly of Pennsylvania origin, it was likely made by one of a number of talented German-American smiths working in close proximity to Prahl in the Northern Liberties of Philadelphia. These arms appear to have been used by Pennsylvania’s military and naval forces, as trench spears among the former and as boarding pikes among the latter. CONDITION: Complete and very good overall; the forged metal with a handsome, dark grey metallic patina and haft with a few scrapes, scars and bruises and some rubbing and scattered loss to the paint. 2,000 - 4,000
1087 - A MAP OF AMERICA: THE SEAT OF WAR, 1756 AND FORT OSWEGO ENGRAVING..
A map of that part of America which was the principal seat of war in 1756. 9 1/2 x 14 inches, framed. Published in the “Gentleman’s Magazine” FEB 1757. [with] “A South View of Oswego, on the Shore of Lake Ontario in North America.” Published in the London Magazine. 1760. 7 1/2 x 10 1/2 inches, framed. CONDITION: Very good; cropped just outside the plate-marks, as commonly done when framed in the 18th century; light toning to paper. Not examined outside of the frame. 500 - 900
DRAGOONS, 1781: ORIGINAL COPELAND ARTWORK.
Peter Copeland. “3rd Regt. Continental Light Dragoons 1781.” Ink on illustration board, 22 x 16 in. in.; signed “Copeland/66” in lower left; conservation matted. An officer of this famous corps is seen adjusting his captured Potter dragoon saber, with Williamsburg’s Bruton Parish Church as a backdrop. Holst/Copeland historical notes on the figure from the print series attached to reverse. CONDITION: uniform light toning to the paper, with a few “white-out” spots done by the artist when composing the scene. Peter F. Copeland (1927-2007) lived a number of lives over 80 years: merchant seaman, combat artist, exhibits specialist at Museum of National History, bon vivant and historical illustrator and in the latter years of his life, as author-artist of an historical coloring book series. In the mid 1960s, he collaborated with Don Holst, another Smithsonian specialist, on a limited edition print series that they called “Brother Jonathan.” At that time, Pete was at the height of his power as an illustrator and the team had access to original arms and uniforms in the Smithsonian collections for reference and Holst even posed with such in hand for Pete’s photography and sketching. Pete had a great sense of humor and it shows in his illustration work, his portrayals of America’s fighting men of the Revolution are more akin to Bill Mauldin’s Willie & Joe than a uniform study by Detaille and his ilk--but with more attention to detail where it mattered, as in cut of clothing or arms features or in depicting campaign wear on garments, equipment and personage. In the 1960s, he was at the top of his abilities, but once I purchased the originals from Pete in 2006 (all but forgotten and rescued from his basement on my query), I also understood why these small 8 1/2 x 14 prints were so incredibly detailed: his pen and ink originals were nearly more than 2-3 times that size!! This work and the two that follow were among my favorite compositions in the series and also the ones that survived without any damage from damp, etc. 500 - 1,000
1089 - 5TH PENNSYLVANIA BATTALION 1776: ORIGINAL COPELAND ARTWORK.
Peter Copeland. “5th Pennsylvania Battalion 1776.” Ink on illustration board, 28 1/2 x 23 inches; signed “Copeland/61/67” in lower left; conservation matted. A soldier admires a rifled wall gun made by the Rappahannock Forge, most of the 5PB buttons still remaining on his tattered regimental coat, while a much better turned-out (and comely) camp follower looks on. Holst/Copeland historical notes on the figure from the print series attached to reverse. For information about the artist, please refer to the notes in the previous lot. CONDITION: scattered foxing on the artist’s board, with one spot of white-out work by the artist in the title. 500 - 1,000
1090 - THE WILLIAMSBURG BOYS’ COMPANY 1776: ORIGINAL COPELAND ARTWORK.
Peter Copeland. “The Boys’ Company 1775 Williamsburg, Virginia.” Ink on illustration board, 27 x 19 3/8 inches; signed “Copeland/66” on lower right; conservation matted. A young teen stands proudly before the Williamsburg Magazine wearing his new “LIBERTY OR DEATH” frock and holding one of the blue-painted trade guns issued to his company from the Virginia State Store. Holst/Copeland historical notes on the figure from the print series attached to reverse. For information about the artist, please refer to the notes in the lot two previous to this work. CONDITION: scattered foxing on the artist’s board, with a few spots of the artist’s “white out” masking work while drawing--one unfortunately on the boy’s face. 400 - 800
1091 - REVOLUTIONARY WAR ERA “JACK TARS” ASHORE AFTER BUNBURY, 1785.
“[Sailors Ashore] From a Sketch taken at Portsmouth by W. H. Bunbury Esqr.” London, published June 24th 1785 by J. R Smith. Rare first state of this hand-colored, mixed method engraving, 16 5/8 x 14 ½ inches (view), matted and framed. The Treaty of Paris in 1783 marked a cessation of hostilities in both America and Europe and the publication shortly thereafter of this popular Bunbury view is probably not coincidental. It shows Royal Navy sailors from the HMS “Edgar”, a guardship at Portsmouth Harbor, enjoying their liberty ashore but probably also contemplating their uncertain future employment in a reduced, peacetime Royal Navy. This view was later reissued as “Sailors Ashore” in 1802, during another short lull of peace between the French Revolutionary and subsequent Napoleonic Wars. Henry William Bunbury (1750-1811) began to draw caricatures and other comic subjects while studying at Cambridge, etching and publishing his first print of such in 1771. Although a gentleman of means and an “amateur”, Bunbury then quickly rose to become one of the greatest satirical artists of the day, his caricatures being as well-known as those of contemporaries Thomas Rowlandson and James Gillray. He was a popular character and the friend of most of the notables of his day, whom he never offended by attempting political satire; his easy circumstances and social position (he was colonel of the West Suffolk Militia and equerry to the Duke of York) allowed him leisure to practise his talents. He was a close friend of Thomas Rowlandson and John Raphael Smith, both of whom engraved many of Bunbury’s works, as with this notable and early print published by the latter. CONDITION: bright and clean, with strong original coloring; conservation-matted and framed under UV glazing. JLK 600 - 1,200
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1092 - THOMAS YATES. “A ROYAL BARGE SALUTED BY MEN O’ WAR, C. 1790.” Watercolor, ink and graphite on paper, 16 1/4 x 21 1/2 inches; inscribed ‘Yates’ on reverse in graphite, in later frame. This superb watercolor view, equal in quality to the best of those by rivals Dominic Serres and Nathaniel Pocock, was exhibited by Lieutenant Thomas Yates at the Royal Academy in 1790. It depicts the ships of a Royal Navy squadron saluting a barge conveying one or more members of the Royal Family ashore, as denoted by the royal standard mounted in the stern of the boat. Unfortunately, the identity of the Royal personage(s) cannot be discerned, the features of which are hidden beneath an umbrella that provides protection from the strong midday sun. Thomas Yates 1760-1796) passed for a lieutenant in the Royal Navy in 1782 but resigned his commission in the peacetime service to focus on a new career as a professional artist. He specialized in battle paintings and marine views of fine quality, exhibiting nine works at the Royal Academy between 1788 and 1794. A talented artist, his career was on the rise when his life was cut short on 29 August 1796 when he was murdered by another man in a domestic dispute. Works by Yates are extremely rare due to his short working life. 2,000 - 3,000
1093 - PORTRAIT OF CAPTAIN JOHN BARRY, “FATHER OF THE AMERICAN NAVY”,
C. 1776..
Attributed to Matthew Pratt (American, 1734-1805). “Portrait of Captain John Barry, Continental Navy, c. 1776.” Oil on canvas, 26 x 20 inches, laid-down on mahogany panel, within contemporary carved and gilded frame. John Barry (1745-1803) was an Irish-born American naval officer who served in the Continental Navy during the American Revolutionary War and in the United States Navy during the Quasi-War with France. He was the first officer, military or naval, to receive a commission from the Continental Congress, signed by John Hancock and dated 7 December 1775. Barry’s first command was the 14-gun “Lexington”, also the first ship to be commissioned in the Continental Navy, transferring to the brig “Delaware” in 1777. While commanding those two vessels, he enjoyed success in the capture of several Royal Navy and Loyalist vessels. In 1778, Barry assumed his third command, the Continental frigate “Raleigh” capturing three prizes before being run aground while fighting an action on September 27th. Before escaping, he and his crew attempted to scuttle the ship but were unsuccessful and she was later raised and taken into the Royal Navy. His final command in the Continental Navy was the frigate “Alliance” and he was seriously wounded in her while capturing two Royal Navy sloops on 29 May 1781. Barry and the “Alliance” won the final American naval victory in an action against the British frigate “Sybil” on 10 March 1783. That ship’s commander stated that “he had never seen a ship so ably fought as the Alliance” and that “every quality of a great commander was brought out with extraordinary brilliancy” by Barry in fighting his ship. In 1797, he became the first commissioned officer in the United States Navy with the rank of commodore, but his tenure as senior officer would be short-lived, cut short by an untimely death in 1803. This fine portrait of “The Father of the American Navy” was probably painted shortly after Barry received his commission. He is wearing a practical undress uniform for shipboard duty, being an all-blue coat trimmed with gilt-brass, “fouled anchor” buttons of a form adopted by American naval officers during the war, frequently found on sites associated with both the Continental Navy and Army. The portrait, long attributed to Philadelphia artist Charles Willson Peale, was exhibited in the Peale exhibition at the Pennsylvania Academy of Fine Arts in 1923. Recent research suggests that the work was more likely painted by Matthew Pratt, another Philadelphia artist who, like Peale, had earlier studied under Benjamin West in London; the influence of West can be seen in the work of both artists. PROVENANCE: Barry died without issue and this portrait, his sword, and his naval papers descended collaterally in the family until the 20th century. The sword was sold at auction by a family member during the Great Depression and is now in the John F. Kennedy Presidential Library. The portrait and papers descended to Barry Hayes Hepburn (1886-1966). Barry’s naval papers were given to the Independence Seaport Museum by the family after Mr. Hepburn’s death and the portrait privately sold by the family some years later; acquired from a Pennsylvania estate in 2022. CONDITION: The work was restored in 1937 by Mrs. Hannah Horner and probably was cleaned earlier in its history as well; leaving it perhaps with less vibrancy than when first painted nearly 250 years ago; lined; examination under UV light shows scattered inpainting. 20,000 - 40,000
1094 - NO. 1 BROADWAY, 1776 PRINT OF BRITISH HQ IN NYC DURING THE REVOLUTIONARY WAR.
After HENRY A. OGDEN. “No. 1 Broadway, 1776.” Photogravure printed on Chine-collé with original hand coloring, 20 1/16 x 15 ¾ inches (view), within glazed, gilt frame. Published by Manzi, Joyant & Co. Successors to Goupil & Co. Paris, London & New York, 1904. New Yorkers look on as General Sir William Howe and other senior British officers emerge from the Archibald Kennedy Mansion--their new headquarters--and formerly that of General George Washington prior to the American evacuation of New York City following the disastrous battle of Long Island. The British flag once flies again in the city—while in the background can be seen the Royal Navy fleet which enabled the successful British capture and occupation of Manhattan. A mounted detachment of the 16th or Queen’s Light Dragoons stand by to escort the British commander-in-chief, while two grenadiers from the Brigade of Guards detached stand at attention as he walks out. Built around 1760, the imposing home was converted to a hotel in the mid-19th century and later razed in 1881. Henry Alexander Ogden (1856-1936) was the leading historical illustrator and painter in the United States when this work was published and barring some minor elements, his detailing of costume and architecture remain accurate under current scrutiny. 350 - 700
1095 - 2 REVOLUTIONARY WAR PRINTS OF AMERICAN SOLDIERS AND HALF-PAY NAVAL OFFICERS.
1) [Two Revolutionary War American soldiers].
“Portrait & Uniform of An AMERICAN GENERAL.” [AND] “A real representation of the Dress of An AMERICAN RIFLE-MAN”, copperplate line engraving on laid paper, 9 x 13 in. (view), within later frame. This print was published as a double-plate in Barnard’s “New, Comprehensive and Complete History of England (London, 1783), but there is no fold line or indication of this coming from that book--rather, it appears to be a plate strike intended for individual sale. [with] 2) Attributed to Thomas Rowlandson. “HALF PAY OFFICERS. Published Jany. 1st. 1786 by S. Fores, at the Caracature Warehouse, No. 3, Picadilly.” Etching and aquatint on laid paper, 6 1/2 x 8 3/4 in. (view) with 4 x 6 5/8 in. platemark., within glazed, 19th century wooden frame. Following the 1783 Treaty of Paris that ended the American War, the Royal Navy and British Army were put on the peacetime establishment, with a serious reduction in commissioned vessels and regiments either disbanded or reduced in strength, placing many officers without employ and put on temporary or full retirement with “half pay.” A rare print with no prior auction records and only one other copy located at the Yale Center for British Art. From their catalog entry, the following is abstracted: “Attribution to Rowlandson from unverified data in local card catalog record. Not in the Catalogue of prints and drawings in the British Museum.” CONDITION: No. 1 Very good, with uniform light toning to paper, the engraving lines strong and crisp; not laid down; No. 2 very good, with very light toning, one foxing spot in left margin and partial bleed-throughs of red sealing wax in the lower corner marginal areas, not affecting image; not laid down. 400 - 800
1096 - TRUMBULL’S PRINT OF THE SIEGE OF GIBRALTAR DURING THE REVOLUTIONARY WAR.
After John Trumbull. “The Sortie Made by the Garrison of Gibraltar in the Storming of the 27th of November 1781.” Published by J. Trumbull and W. Sharpe, London, January 1st, 1799. Line engraving on paper, 22 x 30 1/2 inches. The print depicts the events of the night 26 November 1781, when the British Army garrison in Gibraltar made a sudden sortie against Spanish artillery batteries during the Great Siege. The death of Spanish Army officer José de Barboza is the focal point. He fell mortally wounded and died near his post, refusing assistance after having been abandoned by his troops. CONDITION: Not examined out of the frame; a good and clean print, cropped within the platemark with full image area retained; a few slight repairs in the margin, not affecting image. 600 - 1,200
1097 - GIBRALTAR SIEGE PRINT.
After James Jefferys. “The Scene before Gibraltar ... 14th of September 1782.” Line engraving on paper, 19 1/4 x 26 3/4 inches (view). “Published as the Act Directs, October 7th. 1789, by J. Emes, & E. Woollett, London, & by W. Jefferys, Maidstone, Kent.” A rare untitled proof state. This print records the defeat of the Spanish and French fleets following the Siege of Gibraltar, an unsuccessful attempt to capture the island from the British. The Governor of Gibraltar, General George Augustus Eliott, is seen directing British sailors and marines to rescue the defeated troops. They pull men from the sea while others pray for their safety. The floating battery burning in the background and firing a cannon was the secret weapon of the Spanish fleet. It consisted of a hull, which held a timber box, packed with layers of wet sand to protect it from fire. CONDITION: Not examined out of the frame; a good clean copy, apparently cropped just inside the platemark top and sides, perhaps in a little at bottom. 500 - 1,000
1098 - NAPOLEONIC ERA HAND-C0LORED PRINT OF CAPTAIN TROLLOPE IN HMS GLATTON, 1797.
James Daniell after Henry Singleton. “Capt. Trollope in the Glatton of 54 Carronades Engaging a French Squadron of 89 Ships of War.” Published by James Daniell, London, 1797. Hand-colored mezzotint, in a gilt molded frame, sight, 66cm wide, 53cm high (26in wide, 21 3/4in high). Highly detailed scene, showing Captain Trollope with his mortally wounded Marine Captain Henry Ludlow Strangeways on the quarterdeck near the conclusion of the action. 400 - 800
1099 - NAVAL BATTLE OFF GUADELOUPE, 1795: PRINT OF THE DEATH OF CAPTAIN FAULKNOR.
After Thomas Stothard. “The Death of Captain Faulknor.” Hand-colored etching and line engraving on paper, 26 x 18 inches (view), under UV glazing. London: published by R. Bowyer, 1801. C. Blackberd, engraver and Bromley, colorist. A view of the death of Captain Robert Faulknor on board the Blanche while engaged with the French ship Pique, off Point-à-Pitre, Guadeloupe, 5 January 1795. This long and hard-fought action took place during the early morning of 5 JAN 1795 for 4 1/2 hours, resulting in a British victory. Faulkner, with his right arm round the bowsprit of La Pique and his left knee on the capstan of La Blanche, is supported by one of his crew, having been shot at close range. British Marines in their leather “sea caps”, are repelling boarders. CONDITION: Not examined out of frame; good color and clean; two very small, mended tears in top margin, partly into image. 750 - 1,500
1100 - CARICATURE OF BRITISH TROOPS FORDING A BROOK AFTER COLLET, 1772. PRINT.
[Caricature]. “Troops Fording a Brook”. Line engraving after John Collet, published by J. Smith and R. Sayer, London, 1772. 13 7/8 x 10 inches, within later frame. A fine Collet caricature of a effete British officers, one quite stout, being carried across a brook by grenadiers of their regiment. CONDITION: Very good, light toning to the print. 300 - 600
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1101 - CAPTURE OF MAJOR JOHN ANDRE PAINTING BY C. A. JOHN.
Oil on canvas, laid-down on panel, 25 x 30 inches; signed ‘Chas. A. John’ on lower right corner. Charles Augustus John (American, fl. 1830-1850) was active and lived in New York and is primarily known for portrait and genre painting. John’s venture into history painting is demonstrated by this fine composition depicting the capture of Major Andre during the Revolutionary War. Major John André was Adjutant General of the British Army in America and in also in charge of its espionage operations.
Andre began negotiating with Major General Benedict Arnold who commanded the Continental Army fortress at West Point and had agreed to surrender it to the British for £20,000 and a general’s commission in the British Army—a move that would have enabled the British to cut off New England from the rest of the colonies. André met with Arnold in secrecy and they conferred until nearly dawn, after which they traveled to the Joshua Hett Smith House in West Haverstraw, New York. The ship that brought Andre up the Hudson was fired upon by American artillery and forced to retire downriver without him. To aid Andre’s escape through American lines, Arnold provided him with civilian clothes and a passport which allowed him to travel under the name John Anderson. He bore six papers hidden in his stocking, written in Arnold’s hand, that showed the British how to take West Point. André rode on in safety until stopped outside of Tarrytown on the morning of the 23rd, where militiamen John Paulding, Isaac Van Wart, and David Williams stopped him. Andre thought that they were Tories and stated, “Gentlemen, I hope you belong to our party.” “What party?” asked one of the men. “The lower party,” replied André, meaning the British. “We do,” was the answer. André then told them that he was a British officer who must not be detained, when, to his surprise, they said that they were Patriots and that he was their prisoner. They searched him and found Arnold’s papers in his boot. Andre offered them his horse and watch if they would let him go, but they did not accept the bribe. Paulding realized that he was a spy and took him to a Continental Army post. During his subsequent court martial, he was found guilty of being behind American lines “under a feigned name and in a disguised habit”. He appealed to George Washington to be executed by firing squad but by the rules of war, he was hanged as a spy on October 2nd. 2,500 - 5,000
1102 - LEMUEL FRANCIS ABBOTT. PORTRAIT OF LIEUTENANT GENERAL JAMES PATTISON OF THE ROYAL ARTILLERY, C. 1785. Oil on canvas, 30 x 25 in.; within giltwood and composition frame. The son of a London merchant, James Pattison (1723-1805) entered the Royal Artillery Regiment in 1740 as a gentleman-cadet, being one of the first officers professionally educated in that arm by the newly established Royal Military Academy at Woolwich. He served at Ghent in 1742 and at the close of the Seven Years War commanded companies of the Royal Artillery sent to serve in Portugal. In 1777, Pattison was appointed colonel commandant of the 4th Battalion, then serving in North America. Arriving in New York, he assumed command of all artillery troops in America, with the rank of brigadier general, effective 24 September 1777. During the 1779 expedition that took Kings Ferry, he commanded the forces which took the western bank citadel of Stony Point, whose defenses he subsequently improved. Pattison’s “judicious exertions” led to his appointment as “Commandant of the City and Garrison of New York” on July 5, 1779 by Sir Henry Clinton, a position he held concurrently with his role as artillery commander until 13 August 1780 with the rank of major general. Pattison excelled in his new civil-military responsibilities, until ill health forced him to return to England on 4 September 1780. This half-length portrait was probably commissioned shortly after Pattison was promoted to Lieutenant General and Commandant of the Royal Artillery Regiment in 1785. The artist, Lemuel “Francis” Abbott (1760-1802) was an English portrait painter, famous for his likeness of Admiral Horatio Nelson, other naval and military officers and literary figures of the 18th century. He was born Lemuel Abbott in Leicestershire and moved to London to become a pupil of Francis Hayman, but returned to his parents after his teacher’s death in 1776. There he continued to develop his artistic talents independently, although some authorities have suggested that he may also have studied with Joseph Wright of Derby. In 1780, he returned to London, where he exhibited frequently at the Royal Academy. Provenance: Provenance: with M. Bernard, London, 1961; anonymous sale, Sotheby’s, New York, 3 November 1983 (lot 184); private collection. 15,000 - 25,000
1103 - PORTRAIT OF A 45TH REGIMENT OF FOOT OFFICER AT GRENADA, 1786.
British School, 18th century (possibly Robert Chambers). “A Flank Company Officer of the 45th Foot at Grenada, 1786.” Oil on canvas, 30 x 22 inches, bearing inscription on verso, “Robert Chambers / Grenada 30th Novr. 1786”, within later frame. A portrait of a light infantry or grenadier officer in the 45th Regiment of Foot as denoted by the wings on his shoulder. Note the distinctive belt plate of the 45th, being silver with red ground. The 45th Foot fought with great merit during the Revolutionary War (from the battle of Long Island to Monmouth in North America, before being transferred to the West Indies, where they once again demonstrated that they were a crack corps during Sir James Grant’s Expedition against St. Lucia). The regiment returned to the West Indies in 1786 with their headquarters on the island of Grenada, where this unknown officer sat for his portrait later that year, place and date inscribed by the artist in raw umber paint on the verso. According to the conservator who treated this work in 1981 and examined the inscription, the name “Robert Chambers” above “appears to have been added at a later time as it is less sure and painted in a different color [black].” There never was an officer named Robert Chambers in the 45th Foot, but it may be the identification of the artist perhaps applied by the sitter or another party. If this proposition is correct, a possible candidate for artist is one “Master Chambers” who exhibited four portraits at the Society of Free Artists during 1782-1783 (“Master” signifying the youth of the artist) and who disappeared from the English scene thereafter. Could this be a young Robert Chambers bound for a more lucrative market in the West Indies, as did so many others during this period? Little is known about most of the artists working in the West Indies during the 18th century. Many died of fever or overdrink (as did their clientele) before establishing a trackable record and for which few works survive today due to a combination of disasters such as hurricane, fire or shipwreck, or which languish in island or British collections today==the artists unidentified and names of sitters also forgotten over time (as in this case). What is known with certainty is that this work was sold at the “Dalguise Sale”, c. 1881, as noted and sketched at the time by S. B. Milne, an important researcher on British uniforms and insignia. Between the years of 1871 and 1881, Dalguise House in Scotland began construction in 1714 and was not completed until 1753. Its later history included rental by the Potter family as a summer retreat from 1877-1881, where Beatrix Potter of “Peter Rabbit” fame probably daily walked by this portrait. Following the sale of the house and its collections in 1881, it served as a hospital during WW1 and is presently a youth center. I have not yet established a 45th Foot connection with the family that occupied the house during the 18th century. The brass nameplate on the later frame was probably added by a dealer or purchaser after the 1881 sale, not realizing that the inscription on verso was the artist’s dated signature, not sitter ID. CONDITION: Overall good, the work conserved in 1981, which included cleaning, scattered inpainting, and lining of the canvas (conservation report accompanies the work). 4,000 - 8,000
1104 - GENERAL DONALD MACDONALD, LOYALIST COMMANDER AT 1776 BATTLE OF MOORE’S CREEK.
Unknown 18th c. American or British Artist. “Lieutenant Colonel and Mrs. Donald McDonald, 1786.” (paired portraits). Pastel on paper, each 18 ¼ x 14 ¾ in. (oval), within gilt, carved and molded frames; inscribed in iron gall ink on laid paper labels on verso, respectively: “Colonel Donald Macdonald late of the Highland Emigrants done in 1786, in the 78th year of his age.” and “Mrs. Colonel Donald MacDonald nee Jane Aitkin done in 1786, in the 60th year of her age.” Born in 1708 or 1709, Donald McDonald (or “Macdonald”, although he signed his name “McDonald) became a lieutenant in Loudon’s Highlanders, on 8 June 1745 and served with it during the Jacobite Rebellion of 1745-46 and later in the Flanders campaign of 1747. When Loudon’s Highlanders disbanded in 1748, McDonald went on half pay and reentered active serve in the Corps of Marines on 10 February 1755. Promoted to captain on 12 December 1755, he served with the Marines through the entire Seven Years War. With the coming of peace, Captain McDonald (like many other Scottish soldiers) decided to settle in the American colonies. With the outbreak of civil war in America, he was appointed major of the 1st Battalion of the Royal Highland Emigrants, a Provincial or Loyalist corps authorized by General Thomas Gage on 12 June 1775, his commission bearing the same date. McDonald was sent from Boston to North Carolina to drum up recruits for the regiment from the numerous Highland settlers that had remained loyal to the Crown and thus, did not participate with his battalion in the successful defense of Quebec against Montgomery’s patriot army that winter. Meanwhile Josiah Martin, royal governor of North Carolina, had received Crown approval to suppress the rebellion in his colony. When McDonald arrived in early July, Martin appointed him commander of all Loyalist forces in North Carolina with the local rank of brigadier general. McDonald recruited an army of 1400 men (600 Highlanders and 800 other Loyalists and Regulators) during the early weeks of 1776. This activity caused rebel or Patriot authorities to mobilize an army of roughly 1,900 Continentals and militia to oppose them. By the time the armies fought at the battle of Moore’s Creek Bridge, desertions had reduced Loyalist numbers to 700 or 800 men, 600 of them McDonald’s trusty Highlanders. Prior to the battle, illness had incapacitated General McDonald and command during the battle fell to Lieutenant Colonel Donald McLeod. The Patriots captured McDonald and many of his men soon after the battle and he was eventually exchanged in December 1776, still gravely ill. Because General Howe had not authorized his promotion to brigadier, he reverted to the rank of major in the Royal Highland Emigrants. Recuperating from his illness, MacDonald remained in New York rather than joining the 1st Battalion in Canada and was named a brevet lieutenant colonel on August 29, 1777. He retired from the army on October 22, 1779. The old warrior sat for his 1786 portrait in a uniform that could be that of a brigadier general, in that it has a short standing collar with blue tabs and blue lapels with buttonholes set singly, which was appropriate for that rank. However, the holes are made of gold lace, rather than embroidered per regulation and the epaulettes are the Royal Highland Emigrant’s regimental pattern, with gold embroidery upon a blue ground that includes the ubiquitous thistle device of Highland regiments, so MacDonald could also be depicted wearing an officer’s frock coat of the Royal Highland Emigrants (which had a standing collar, versus the fall-down collar worn on the regimental coat), that regiment also having blue facings to their uniforms. 5,000 - 10,000
1105 - MEZZOTINT OF SERGEANT MAJOR GOULD, EDINBURGH REGIMENT, 1794.
John Young after George Watson. “Serjeant Major Patrick Gould, Royal Regt. of Edinr. Volunteers (Blue) 1794.” Mezzotint engraving by John Young, published by P. Garof, Edinburgh, Dec. 1810. 20 X 12 1/2 in. (view); 19 3/8 x 12 in. (platemark), within UV-glazed frame. The late sergeant major of the Royal Regiment of Edinburgh Volunteers (or “Blue Regiment” from the color of their uniforms) is shown pointing his sergeant’s cane or rattan towards his corps, which is drawn up before the city on his right, with Edinburgh Castle to his rear. CONDITION: very good to excellent, no visible flaws. 300 - 600
1106 - BRITISH CARICATURE PRINT OF “THE ARTILLERY DRIVER”, C. 1795.
Printed by Carrington Bowles, London. Hand-colored line engraving complete with humorous verse, 13 3/4 x 9 3/4 inches (view). CONDITION: Very good condition with slight mat burns and overall light toning commensurate with age. Framed under glass and a French mat to an overall size of 17 3/4 x 21 1/4 inches. Not examined outside the frame. 250 - 500
1107 - PORTRAIT OF A WARWICKSHIRE YEOMANRY OFFICER, 1796.
Unknown British Artist. “4th Troop Officer, Warwickshire Yeomanry, c. 1795-96.” Oil on canvas, 16 x 12 inches, within gilt frame. The Warwickshire Yeomanry was raised in 1794 as a cavalry regiment to defend the County of Warwick against the threatened invasion by France under Napoleon. Its first commanding officer was Heneage, 4th Earl of Aylesford and the Regiment comprised gentleman and yeoman of the County who gave their services voluntarily, furnishing their own uniforms, equipage and horses. Originally three troops strong, a fourth troop was added to the regiment the following year. The portrait is of a commissioned officer of the 4th Troop, painted in the original uniform of the troops, which consisted of a “hussar” jacket of French blue faced with green and trimmed with gold buttons and scale wings, buckskin breeches, and a bearskin-crested “Tarleton” helmet, with green turban and gilt plate bearing the troop’s name. He has a pouch slung over his left shoulder by a buff sling and the buff swordbelt buckled around his waist is all but hid by the crimson, silk sprangwork sash denoting his status as an officer. In his left arm, he holds the saber formally adopted by the British Army for all of its light dragoons and hussars in 1796, but already popular among yeomanry corps prior to that date, being a pattern copied from the Prussian dragoon saber. 2,500 - 4,500
1108 - PORTRAIT OF AN OFFICER OF THE “CENT-SUISSES” IN CAMPAIGN DRESS, 1774.
UNKNOWN ARTIST, FRENCH 18th CENTURY SCHOOL. “Officer of the Cent-Suisses in Campaign Uniform at Nancy, c. 1774.” Oil on canvas, 21 5/8 x 18 ¼ inches, within later giltwood frame. The Compagnie des Cent-Suisses (“Company of the Hundred Swiss”) were an elite infantry company of Swiss mercenaries that served the French kings from 1471 to 1792 and from 1814 to 1830. Created in 1471 by King Louis XI and originally composed of 100 halbadiers selected for their above-average height and strength, its ranks were divided between pikeman and arquebusiers with the advent of firearms. The unit was part of the Maison militaire du roi de France (military household of the king of France). The Cent-Suisses were dissolved by the Legislative Assembly on 12 May 1792 during the French Revolution, and thus survived (unlike the Swiss Guards) the storming of the Tuileries on 10 August 1792. Along with the rest of the royal household, it was reestablished in the spring of 1814 during the First Restoration, and again in 1815 under the Second Restoration. It resumed its historic function as a ceremonial palace guard, now at the Tuileries, until disbanded during the July Revolution in 1830. The Cent-Suisses were commanded by a captain, two lieutenants, and two ensigns, the first three of which had equivalent ranks as colonels in the army and the latter as lieutenant colonels. The non-commissioned officers all ranked as lieutenants in the French army. When in its ceremonial guard role, the Cent-Suisses during the 2nd half of the 18th century wore uniforms reminiscent of that worn by Swiss mercernaries during the Renaissance, consisting of laced doublets and wide breeches. However, they also had a “campaign uniform” that was worn on field service, consisting of the royal blue regimental coat faced red, red waistcoat and breeches. This painting of a lieutenant or ensign of the Cent-Suisses while in garrison at Nancy in 1774 and is the only known 18th century work illustrating such dress and provides additional details not reflected in the published regulations, such as that relating to headgear, insignia and arms. The unit apparently wore bearskin grenadier caps on campaign, as seen worn by this subaltern, who is armed with a fusil and bayonet, in addition to short saber. His waistbelt is worn slung over the shoulder and bears a gilt plate bearing the royal arms done in enamel work, while his cap bears a gilt frontplate also decorated with the royal arms. His rank is designated by a single gilt epaulette on the left shoulder, and by a second row of lace on the cuff, paralleling that edging the same. His lapels, waistcoat and pocket flaps are similarly edged with gold lace. This cut of this uniform is that worn by the corps from 1767 under circa 1775. In 1891, this work was in the Canstanie Collection, when a watercolor copy of was painted by A. Story and subsequently published by Albert Depreaux in the”Carnet de Sabertache” in 1936. CONDITION: the canvas has been lined and under UV light, scattered inpainting can be noted. 2,000 - 4,000
1109 - REVOLUTIONARY WAR PORTRAIT OF 3RD WALDECK REGIMENT OFFICER, C. 1776.
Unknown German[?] artist. “Portrait of an Officer of the 3rd Waldeck Regiment, c. 1776.” Oil on canvas, 16 1/2 x 13 inches, within carved, black-painted frame. The first portrait to come to light of an officer of the 3rd Waldeck Regiment, a German regiment raised in 1776 specifically for service in America and which served in America from the Long Island campaign of 1776 until its capture following the surrender of the British-held Pensacola, Florida to the Spanish army under Bernardo Galvez in 1781. The regiment’s uniform was distinctive, blue faced yellow with lapel buttons set on 1-2-3 and the officer’s buttons and epaulettes of silver, with white smallclothes His right hand holds his cocked hat with white plume, while tents from the regiment’s cantonment are seen in the background. CONDITION: Very good, recently conserved; during conservation, the wooden strainer was found to be infested with wood-boring beetles and it was removed and remounted to a new stretcher, the original canvas reinforced only with edge lining; only a few scattered spots of inpaint, with very minor loss pigment at the bottom left corner. 2,500 - 5,000
1110 - REVOLUTIONARY WAR BRITISH LIGHT INFANTRY OFFICER MINIATURE BY HILL, C. 1777.
John Hill, RA (fl. 1775-1791). “British Light Infantry Officer in American Campaign Uniform, Revolutionary War.” Watercolor on ivory, 1 ½ in. oval, signed ‘Hill’, inside original gilt, wrist locket with mother of pearl face on recto. This unidentified light infantry officer is probably a member of the 15th Regiment of Foot, based on his distinctive uniform, with yellow facings and silver-laced, paired buttonholes. He wears the narrow-brimmed “round hat” adopted for service by the 15th Foot and other corps while serving in America during the American campaigns, yet rarely depicted in period iconography. This is one of only two known British officer portraits from the Revolutionary War era showing this distinct headdress, the other being Thomas Dowdeswell of the 1st Guards, painted by Joseph Blackburn in 1778, now at Mount Vernon. Hill worked in London and exhibited at the Society of Artists, 1775 and the Royal Academy, 1777-1791. His miniatures are beautifully rendered and signed examples are scarce and this example, showing an officer wearing headgear, is extremely unusual and desirable.
PROVENANCE: James Kochan Collection to 2004; private Maryland collection until 2022, when reacquired. CONDITION: very good to excellent, the portrait still retaining good color. 3,000 - 4,000
1111 - PROFILE OF LIEUTENANT WILLIAM LIMBERLY, ROYAL NAVY, 1781.
Unknown artist, 18th c. British School. Watercolor on paper, 4 x 3 in. oval (view), within period 6 7/8 x 5 ¾ in. oval, carved and painted frame; inscribed on laid paper label on recto: “Wm. Limberly / Lieut. RN / 27th April / 1781 / For my Niece / Maria Rains / 1 May 74 / Sarah Rains”. Limberly was a seasoned mariner, having been a serving midshipman for four years (and may have been a warrant officer previously), passing his qualification examination in 1781 subsequently commissioned a lieutenant in the Royal Navy on 28 April 1781. He retired on half-pay in 1783, returned to service during the Napoleonic Wars and retired as a superannuated commander on 1 January 1816 (died 3 OCT 1840). This profile was taken to within weeks of his commission as lieutenant and he is wearing his midshipman’s uniform (with tab on collar), altered to that of a lieutenant with the addition of white lapels. CONDITION: very good, one small rub on the frame’s rim with retouching. 800 - 1,200
1112 - MINIATURE OF LIGHT INFANTRY OFFICER, 23RD ROYAL WELSH FUZILEERS. C. 1790.
UNKNOWN BRITISH ARTIST. “A Light Infantry Officer of the Royal Welsh Fuzileers or 23rd Regiment of Foot, c. 1790.” Watercolor on ivory, 2 x 1 5/8 in. oval, within gold-rimmed locket worked in floral design, the reverse with three, scrolled lockets of brown hair, with a few twists of gold wire on a white silk ground; the back of rim affixed with hinge pin and loop. The officer in a gold-trimmed, scarlet uniform--the facings of blue as worn only by “royal” corps; the gold plate on his sword belt bearing the “antient device” of the RWF, being the Prince of Wales feathers; and a hunting horn on the top of the wings on his shoulders denote his status as an officer in the light company of the regiment. CONDITION: very good, with good color and fine detailing to the miniature, the ivory very slightly warped. 850 - 1,350
1113 - PORTRAIT MINIATURE OF AN OFFICER IN THE 21ST LIGHT DRAGOONS, C. 1794
UNKNOWN BRITISH ARTIST. An Officer of the 21st Regiment of Light Dragoons, c. 1794.” Watercolor on ivory, 2 1/2 x 2 in. oval, within rose gold locket and hanging loop; on the reverse is a braided locket of brown hair set within an oval, framed in rose gold and within a blue enamel ground. The 21st Light Dragoons were raised in northern England in 1794 and judging by the cut and trimmings of the uniform and the style of the sitter’s hair, must have been painted in the first year of the unit’s existence. It participated in the Santo Domingo Expedition of 1795 and its survivors returned to England in 1798. The miniature accurately depicts the officer’s uniform in great detail, with scaled silver wings on the shoulders, the blue jacket trimmed with silver cord and buttons and the swordbelt bearing an oblong silver plate with a crown over GR, the latter flanked by 21 and D. CONDITION: there is a crack across the glazing of the reverse, running diagonally across at the bottom of the oval inset, stable and not too apparent being over the blue enamel ground; otherwise very good overall. 800 - 1,400
SEE WEBSITE FOR ADDITIONAL PHOTOS
1114 - (A) A RARE, FRENCH MODEL 1717 RAMPART “FUSIL” OR MUSKET
Longer and of heavier caliber or bore than infantry “fusils”, the French Royal Army had employed “rampart fusils” or muskets stocked to the muzzle (thus, incapable of mounting bayonets) for the defence of fortifications since the close of the 17th century. In February 1777, Silas Deane and Benjamin Franklin, the commissioners to France from the Continental Congress, were offered a considerable stock of arms by a French merchant, consisting of “a large Quantity of Fusees [“fusils”], swords, &c. at Nantes, part of which are good & part broken and damaged” which he proposed selling “for a trifle.” On 27 March 1777, the contract was concluded and the United States found itself in possession of a considerable “magazine” which included “7700 Rampart fusils good, 18,000 do. to be new mounted”, as well as 8200 loose barrels, some of which had corresponding locks and furniture. By January 1778, 1500 of the best rampart muskets were on their way to America, followed by subsequent shipments of complete or repaired ones over the next two years. This rare example of a French M1717 rampart musket is clearly one that has seen arsenal repairs at some time during its working life in the 18th century, but whether done in France or America is uncertain, pending wood testing. There is a small plug of replacement wood on the lower left face of the butt at plate, while approximately 20 inches of the walnut forestock is replaced in-kind, the technique of angled splicing and inletting or fitting of the wood on this forestock is that observed in 18th century repairs, but little-known or practiced by 21st century restorers of antique arms. Moreover, there was no attempt made to match either grain or wood color, clearly shows this to be an arsenal repair—function over aesthetics. The musket is 63 inches long overall, with a 46 5/8 inch-long, octagonal-to-round barrel of 0.78 bore. The lock and barrel are both stamped ‘IFC”, the mark of Jean Fournier, who supervised the Royal Arms Manufactory at Charleville during the first half of the 18th century, while the lock bears two royal “fleur de lys” stamps, a smaller one at the tail and a large one just before the cock before the IFC touchmark. The number ‘589’ is stamped on the upper corner of the left butt. The iron ramrod is probably a later replacement. Lock in original flint configuration and in very good working order. 6,000 - 12,000
1115 - (A) AMERICAN TIGER MAPLE STOCKED FRENCH MODEL 1728 FLINTLOCK MUSKET.
This attractive musket is American stocked in beautiful tiger maple. The barrel, lock, trigger guard, sideplate, two front bands, and altered buttplate are all from a rare French Model 1728 infantry musket. The two-stage barrel has a bayonet lug mounted on top, towards the muzzle. The flat lockplate has beveled edges and a molding at the tail. The tiger maple stock is of early Revolutionary War form and resembles the British style of stocking. Complete with a period iron American-made ramrod. CONDITION: Barrel retains a brown patina. Lock retains a brown patina, is in its original flintlock configuration and functions properly. All furniture retains a pleasing brown patina. Stock has an attractive orange maple hue. A very nice American Revolutionary War musket. 5,000 - 8,000
1116 - (A) LOT OF 2: PAIR OF FRENCH OFFICER PISTOLS BY BLACHON, CIRCA 1730S.
French Model 1733 Gardes du Corps du Roi type officer’s flintlock pistols, a matched pair by noted gunsmith Jean Louis Blachon of St. Etienne. Fine carved, walnut stocks with carved relief around the barrel tang, lock and sideplate. Lockplate engraved ‘J. Louis Blachon’. 8.75 inch octagonal to round barrels with gilt scrollwork of 0.58 caliber. Crown over B proofs on both side plates and one trigger guard. Carved stocks with decorated grips with silver inlays. Light wear and oxidation, with very good bores, the barrels possibly reblued. Locks in very good working order. One pistol has an approximate 2” L crack on right side of forestock near muzzle and old repaired crack (possibly same) on the opposite or left side. 3,500 - 7,000
1117 - (A) PRUSSIAN MODEL 1740 INFANTRY MUSKET AND BAYONET (INFANTERIEGEWEHR 1740)
This is a superb example of the Prussian infantry musket introduced in 1740 and which was the principal arm carried by the Prussian Army during its campaigns in the Seven Years War and beyond. At a time when the British Army was still using wooden ramrods, light and susceptible to warpage and breakage, one innovation of the Prussians was the introduction of a heavy, cylindrical ramrod of iron—much thicker in diameter than those used in other European armies, which was standardized in 1773. Although it made the musket slightly heavier, the improved ramrod ensured that a cartridge round could be seated home quickly with a minimum of ramming, thereby allowing Prussian infantry to load and fire their muskets at a rate nearly double of their opponents. Prussian firepower was famous and did much to contribute to victories on the battlefield. The lockplate is marked POTZDAM MAGAZ. For the famous Prussian arms manufactory at Potzdam and the brass thumbpiece on the small of the stock bears the FR monogram of Frederick II (“Frederick the Great”), the Prussian ruler. The musket is in fine condition, less a small splinter of wood missing from the molding just above the rear top of the lock, the latter of which is in excellent working order. Overall length is 57 5/8 in. with 41 ¼ in. L barrel of 0.77 caliber. The musket still retains its original socket bayonet, 18 ¼ in. long with 13 ¾ in. L x 1 3/16 in. W blade. 4,000 - 8,000
1118 - (A) AN EXTREMELY RARE, “FUSIL DE ST. ETIENNE DE 3 PIEDS 8 POUCES” FOR COLONIAL TROOPS IN NEW FRANCE, C. 1750.
This musket manufactured by Pierre Girard and Company is currently the sole-surviving, complete example in original flint configuration of the grenadier “fusil de St. Etienne de 3 pieds 8 pouces” contracted for the colonial troops of New France and paid for by the Crown during the mid-18th century. A French “royal pied” or foot of the 18th century is equivalent to 1.066 English feet and the pouce was 1/10 of a pied, so a “3 pied 8 pouce” barrel is 46.9 inches American or English measure. 4000 of these “grenadier’s muskets” (so-called because they were furnished with sling swivels--slings originally only being provided to grenadiers to allow them to secure their arms when throwing grenades) were ordered from three St. Etienne gunmaking firms: Robert, Girard, and the Carrier brothers, who were contracted to provide another 2000 of the 4000 ordered in October 1758 and which reached New France in spring 1759. Another royal contract for colonial arms, dated 1751, described this pattern in some detail: “grenadier muskets equipped with a bayonet will have a barrel measuring 3 pieds, 8 pouces in length, calibre of 16 [balls per pound], a square [flat-faced] lockplate, a panned bridle, fitted with cast brass furniture, grenadier swivels, and iron ramrod and ramrod pipes and flat bayonet....” [Glaydyz, “The French Trade Gun in America, 1662-1759” (2008), p. 68]. This rare grenadier musket of New France is missing the middle band that mounted the front swivel (the barrel secured at this point by a pin--probably a period alteration), while the front of the triggerguard is pierced to accommodate the rear swivel (now missing). This musket measures 61.5 in. overall and has an octagonal-to-round, barrel 46.5 in. L and of 0.74 or 10 bore, with touchmarks on the left side near breech and a top-mounted bayonet lug set 1 3/4 inches back from muzzle edge; vent with period rebushing in iron. Its beveled flat lock is 6 x 1 1/2 in. with gooseneck cock and bridled pan and is engraved “P. GIRARD & / COMPAGNIE” before cock. Brass mountings, including buttplate, triggerguard, sideplate, tailpipe and front band or nosecap (stamped on left face “I.S”), the buttplate, sideplate and triggerguard with period edge and decorative engraving. The middle pipe for the ramrod is of iron, as per the original contract above. Fullstock of European walnut, cutback 3.5 inches at muzzle to admit fixing of bayonet socket to barrel. Period repair/wood replacement to bottom of butt (2 in. up from bottom of buttplate and running horizontally 7 1/2 in., secured by two hand-forged, rose-head nails driven upwards from bottom of stock and by a small, iron pin driven through the bottom of buttplate; a later repair to a break in forestock at tailpipe in which a 1/8 in. fill of epoxy/wood can be found between that crack and the original forestock that extends intact to the nosecap. 10,000 - 20,000
1119 - (A) PATTERN 1742 LONG LAND MUSKET BY FARMER WITH A “SHIELD” BAYONET (LOT OF 2).
This is a handsome and complete example of the Pattern 1742 Long Land musket, an arm that is extremely rare today, although nearly 107,000 of them were produced between 1742 and 1751.
Approximately 1/3 of all those produced were shipped to the British colonies in North America between c. 1744 and 1763, most primarily used by both British regulars and American colonists in three conflicts: King George’s War, the French & Indian War and the Revolutionary War. As such, between loss and damage, and later alterations, few can be found today in their original flintlock configuration, with 46-inch barrels and wooden ramrods--this fine musket by James Farmer being one of the fortunate exceptions. The tapering, round barrel has centered Ordnance view and proof marks near the breech and partially-obscured marks to the left, consisting of a “[crown]/1” and “IF”, the latter bineg the touchmark for gunmaker James Farmer; there are also crown and crossed scepter strikes on the barrel tang. The classic P1740 lock, with “banana” shape, convex-profile plate is engraved behind its swan-neck cock “FARMER / 1745” and before with a “[crown] / GR” and struck with crowned broad arrow inspection mark beneath the bridled pan. All mountings are brass of Land Pattern form, the pipes for wood ramrod, the latter of which appears to be original to the gun. The walnut stock has had some minor restoration-fill of a crack on the left face of the butt running to the underside and has been lightly-sanded and varnished, but none of the original markings have been lost, including a deep storekeeper’s stamp of “[crown]/GR” on the right face of butt, inspection marks behind the triggerguard and setup marks in the ramrod channel. The associated, “shield” bayonet is 21 5/8 in. L and of the form typically observed during the 1730s-early 1740s, its 17 in. L, wide blade has a raised guard at the shank and the 1 1/2 in. wide face of the blade is slightly concave; the shank is joined to the socket with a rounded “shield” shaped apron and “120” is engraved along 3rd step of the mortise; there are 3 struck marks on the blade: a dot and what appears to be a “P” and a serifed “V”.
CONDITION: the lock is in good working order and the arm appears to be complete with all of its original components, the surface of both barrel and lock with a uniform, light freckling and a dark patina; the stock as noted previously, with minor dings and bruises expected after nearly a life of nearly 280 years. The bayonet excellent for its age, with a brownish patina on the socket transitioning to a somewhat bright blade, although a small pressure crack can be seen on the socket. 15,000 - 25,000
1120 - (A) A BRITISH MILITARY-TYPE MUSKETOON WITH BRASS BARREL, C. 1750
Tapering, round “cannon” barrel of brass with flared and turned, “bell-mouthed” muzzle, 19 7/8 inches long; the breech-plug and tang of iron; Birmingham private proofs on left side near breech. The lock is an unmarked, border-engraved, military style of rounded profile with gooseneck cock and unbridled pan. The gun’s brass mountings appear to have been salvaged from a Pattern 1756 Long Land musket, including rouned sideplate, triggerguard, ramrod pipes and buttplate, the latter engraved with rack marks: “E / No. 2”. Walnut full stock and wooden ramrod with brass tip. Overall length: 36 inches. Condition: lock in good working order, handsome and solid condition overall, with a triangular splinter of wood replaced along right edge of forestock, 1/4 in. at widest point (muzzle) and extending nearly 7 inches; similar, small triangular type repair running from barrel tang to breech; some light and scattered (filled) worming along forestock. 3,500 - 7,000
1121 - (A) SPANISH MODEL 1753 CAVALRY PISTOL.
A rare example in original flint of the Spanish regulation pistol that saw extensive service on both land and sea in the Seven Years’ War and American and French Revolutionary Wars. Overall length is 19 1/2 inches, with a pin-fastened, octagonal-to-round, tapering barrel of 11 13/16 inches and 0.69 cal. (0.75 bore). The flat, unbridled lock is 5 ½ x 1 inch, with beveled edges to the plate and a tail with contoured point. Its gooseneck cock has long, flattened upper and lower jaws and a ringed screw carried over from those found on traditional Spanish miquelet locks. The tail of the lock bears the touchmark of its maker, “PRV” in an oblong cartouche, while a poorly-struck crowned inspection mark is found under the pan. There are similar touchmarks struck into the stock on both sides near the barrel tang. The thumbpiece is in the form of a crown-topped shield and bears a script “R” engraved upon it, indicating “Real” or royal ownership. It and the other mounts are brass, including a butt-cap with long ribs or ears, a sideplate with alternating or zig-zag curves, a triggerguard and two ramrod pipes. Used heavily by the Spanish dragoons and Presidial light cavalry in the Americas, the M1753 was also used as a boarding pistol and not only by the Spanish: the remains of these pistols were found on the wreck of the HMS De Braak, which sunk off the Delaware Coast in 1798.
CONDITION: Both wood and metal show long and hard service, yet are surprisingly intact and complete with all original parts. The lock mechanism is soft, but holds both ½ and full cock. The metal has uniform light pitting and has been recently cleaned, while the wood has heavy bruising and dings and there is about 3/4 in. L sliver of wood missing just above the buttcap on the right side, with some minor edge loss around the lock and barrel. 2,500 - 5,000
1122 - (A) 21ST REGIMENT AMERICAN STOCKED 1756 LONG LAND PATTERN BROWN BESS FLINTLOCK MUSKET.
The 21st Regiment also known as the Royal North British Fusiliers surrendered with General John Burgoyne at the battle of Saratoga, New York in 1777. All of their weapons were also captured by the Continental Army or taken home by the New England or New York militia to replace their often worn and vintage longarms. It is recorded that many of the British troops tried to damage their muskets when grounding them surrendering. The top of the barrel has worn Tower view and proof marks at the breech. It is engraved “ROYL NB FUZILIERS” on the barrel just past the Tower inspection stamps. The 21st regiment of foot was one of only three Royal units to serve in the Revolutionary War. There is a bayonet stud at the muzzle. Unmarked convex American or British lock. All of the brass furniture is standard Pattern 1756. Inside the trigger guard, the bow is stamped with the inspectors crown, just forward of the trigger. The handsome walnut stock of British form is a very accurate copy of the original Brown Bess stock it was replacing. There is a relief-carved apron around the barrel tang. The iron ramrod appears to be of the period. CONDITION: The barrel has a smooth brown, original patina, markings are light and partially visible. The brass retains a pleasing mustard patina. Lock retains a brown patina and appears to be in its original flintlock configuration. The stock retains an attractive soft patina. There is a small piece replaced above the ramrod entry ferrule on both sides. A couple secured cracks at muzzle and scattered marks from use. 5,000 - 10,000
1123
- (A) BRITISH PATTERN 1756 LONG LAND BROWN BESS FLINTLOCK MUSKET.
The 1756 Pattern is considered scarce with between 200,000 and 250,000 made between 1756-1790, with many fewer in later years. Galton locks are known to be dated 1762 and 1764. Locks were not dated after 1764 and the names of contractors were no longer engraved. All were then engraved “TOWER”. The Pattern 1756 is the primary gun that armed British forces during the American Revolution. It exhibited a number of improvements, including the brass nose caps and a trumpeted top ferrule. It had the 1755 style lock plate with a much straighter profile than earlier patterns. The stock no longer has raised carving around the lock and side plate, and the bulge is smaller. This particular musket is very interesting as it is completely original. The barrel is marked with Tower proof and view marks at breech and “HB” for Harris Barker. The barrel tang has a small crown. The lock is marked “GALTON / 1762” at tail and engraved with large crown over “GR” in center, and a small crown over broad arrow British ordnance proof below pan. The inside of lock plate is marked “FG” for Farmer/Galton and Crown over “3” inspector proof. All brass furniture have crown or inspector marks. The entry ferrule is marked with a British-style script 21, which could be a regimental marking or rack number. The rammer channel has a VII. CONDITION: All as found and original, replaced top jaw with period replacement, post on cock has a period crack. Markings excellent throughout. In its original flintlock configuration and lock functions in both full and half cock. The iron parts all have a consistent dark brown patina and the brass is an uncleaned dark mustard color. Minor bend at muzzle face. The stock is complete with expected handing marks, a crack in right side of fore end and a small sliver absent along barrel channel and a small chip in front of lock tang. Period ramrod an American replacement. It would be difficult to find a better example with better markings of this important Revolutionary War longarm. 15,000 - 25,000
1124 - (A) PATTERN 1757 SEA SERVICE MUSKET WITH BAYONET.
An extremely rare Pattern 1757 Sea Service musket with bayonet. Round, tapered iron barrel bearing centered Ordnance view and proof marks before breech, 42 in. long overall and of .79 bore. Flat lock with faceted, unbridled pan with engraved edge lines and marked “VERNON / 1758” vertically on tail of lock, with “[crown] / GR” before flat, reinforced cock and crown/broad arrow inspection stamp under the pan. Original English walnut fullstock, with inspection marks behind trigger guard and setup markings within ramrod channel. Brass mounts include flat buttplate, flat side plate, characteristic Sea Service trigger guard, and 3 “barrel” pipes for the brass-capped, wooden ramrod. The musket has a 42-inch barrel, indicating that it was one of the “bright-finished” musket, the shorter, 37” barrel version being japanned or finished “black”. Standard arm issued out for Royal Navy ships for use by marksmen in sea battles and in fitting out boarding or landing parties. Sea Service muskets of this form were issued out to American provincial regiments in the French & Indian War and again in 1775, when 2,000 Sea Service muskets were shipped to Nova Scotia to arm the new-raised Provincial (Loyalist) corps and militia being and another 5,000 shipped to New York the following year for the same purpose. The associated bayonet is of proper 1750s-60s form and has the maker’s name stamped on the blade: “DAWES”, is well fitted to the musket, and of matching patina with “rack marks” on the socket, “F/5”, clearly indicating original issue to some military unit. CONDITION: The ironwork of barrel and lock now a dark gunmetal shade with uniform, light freckling to the barrel and lock and light to moderate pitting around vent and pan area; inspection of the barrel with bore scope reveals that it is in untouched, original flint configuration. The associated lock is in good working order, but is a skillfully executed and aged reconversion, with replaced cock, pan, frizzen and frizzen spring--the internal parts all original. The stock with the usual age dings and bruises, with a “pinwheel” star incised on the left face of the buttstock; some very minor wood restoration around lock mortise, when the replacement lock was mounted to the musket; the wooden ramrod of correct form, but later replacement. JLK Barrel Length: 42” Caliber/ Bore: .79 Smoothbore FFL Status: Antique Manufacturer: Vernon Model: 1757 Sea Service Musket Serial Number: NSN 2,500 - 5,000
1125 - (A) A TOWER PATTERN 1757 MARINE MILITIA MUSKET.
A Marine and Militia Pattern “Short” Musket of Pattern 1757 in its original configuration for brass-tipped, wooden ramrod (that now with the gun appears to be an early replacement of the original Ordnance issue type) and is 57 inches long overall, with 42-inch barrel of 0.75 bore, bearing centered Ordnance view and proof stamps near breech and ‘FG’ slight to their right, being the maker’s touchmark for barrel contractor Farmer & Grice. Rounded lock with swan neck cock of 1756 pattern as produced in 1759 for the Tower by contractor Robert Edge and thus engraved with vertical “EDGE/1759” behind cock and crown/GR before and bearing Ordnance inspection mark below pan. Walnut fullstock with regulation brass mounts, the buttplate tang crosswise engraved “ABD/3/23”, indicating that it was the 23rd arm issued to the 3rd Company of the Aberdeenshire Regiment. Musket in very good working order and with all other original components, including sling swivels. 8,000 - 12,000
SEE WEBSITE FOR ADDITIONAL PHOTOS
1126 - (A) TOWER P1757/1759 MARINE & MILITIA MUSKET OF THE GLAMORGAN REGIMENT.
A Marine and Militia Pattern “Short” Musket of Pattern 1757, with the 1759 improvements to allow for an iron ramrod, including a rear tailpipe with interior spring to secure the end of the rod, a long trumpet-headed forepipe, and the addition of a brass nosecap at the termination of the forestock. 57 inches long overall, with 42-inch barrel of 0.75 bore, bearing centered Ordnance view and proof stamps near breech, and regimentally-marked with engraved “M: GLAMORGAN” centered midway on the barrel. It has a rounded lock with swan neck cock, engraved with vertical “TOWER” (denoting production for the Tower Arsenal’s Small Arms Office) behind cock and crown/GR before and bearing Ordnance inspection mark below pan. Walnut fullstock with regulation brass mounts, the buttplate tang engraved “3/5” for 5th arm of 3rd Company. Musket in very good working order and with all original components. The Glamorgan (Welsh) Regiment was first raised in late 1759 and were issued “360 Short Muskets” with bayonets of this pattern (the Marine/Militia pattern being the first infantry arm produced with a barrel length reduced 4 inches from the 46-inch “Long Land Pattern then in standard use), this being a rare survivor today. It was deaccessioned from the collection of the Lewes Military Museum when that institution closed its doors. 8,000 - 12,000
1127 - (A) FLINTLOCK BRITISH P1758 HIGHLANDER & LIGHT INFANTRY CARBINE
At the opening of the French and Indian War, only one Highland Regiment, the 42nd Regiment of Foot or “Black Watch” existed in the standing British Army. Highland troops were esteemed for their stamina, martial prowess, and abilities as marksman. With the need for light infantry troops to effectively deal with Canadian irregulars and their Indian allies, the Crown soon decided to raise additional Highland Regiments for service in North America. The 1st and 2nd Highland Battalions, as they were first known, were raised at the opening of 1757 and soon renumbered the 77th (Montgomery’s) and 78th (Fraser’s) Regiments of Foot. Instead of the heavy Long Land Pattern muskets carried by most of the British infantry, including the Black Watch, it was decided instead to arm the new Highland corps, who were to function as light infantry, with shorter, lighter arms of 0.65 caliber, known as carbines. Initially, both regiments received P1744 horse carbines refitted for use as infantry. However, these arms were found to be inadequate, being too flimsily constructed and their short (37 in.) barrels were believed to be less accurate than longer barreled arms.Thus, by 1758 a new pattern Highland carbine was developed and approved for production and issue. The additional companies raised for the 77th and 78th were armed with these P1758 carbines in 1759, which had 42 inch barrels, improved locks, and more substantial stocks and mountings than the retrofitted cavalry carbines of the 1757 issue. The 42nd Foot or Black Watch was also rearmed with these carbines by 1760. Carbines of the 1758 pattern (which Bailey refers to as Pattern 1760—a modern appellation) were also issued to new Highland regiments and Light Infantry regiments then being raised for service in Europe, the Indies, and the Philippines. This pattern subsequently became known as the “Light Infantry” carbine, as all the troops so armed with them, including the Highlanders, were essentially light troops. In addition to the longer barrel, these carbines had lighter mountings, including a unique “thumbpiece” or escutcheon plate affixed to the small of the butt-stock, oval-shaped with an arrow-like protrusion at one end. These smaller mounts, including the thumbpiece, have been found at Fort Ligonier, which was occupied by troops from both the 77th and 42nd Highlanders between 1758-1764. Originally configured with wooden ramrods, the demand for iron ramrods by colonels of various Highland and light infantry corps who were to receive these specialty arms led to changes in setup orders and most of those completed during and after 1759 were fitted with iron ramrods. About 2/3ds of the surviving examples today are so configured with iron ramrods, as this superb example, which was assembled at the Small Arms Office of the Tower, using a Farmer & Grice contract barrel (their touchkmark is on the left of the barrel, near the breech and Ordnance view marks are centered on the barrel nearby), with the P1758 lock furnished by Vernon and dated 1759 at tail. There is a deep storekeeper’s stamp on the right face of the butt, with inspection marks behind the triggerguard and a stockmaker’s ‘T’ touchmark behind the sideplate; a number “2” is stamped on the tang of the buttplate. CONDITION: This carbine is in superb condition, the lock is in very good working order, with all original ironwork and brass mountings; the figured walnut fullstock bears setup marks in the channel, inspection marks behind the triggerguard, with a deep storekeeper’s stamp on the right of the buttstock. Metal is bright-finished and stock has bruises and dings expected of its age, but otherwise very good. 15,000 - 25,000
1128 - (A) A MID-18TH CENTURY OFFICER’S FUSIL OF THE ROYAL ARTILLERY REGIMENT
This fusil is the only known surviving example of the pattern procured by the Board of Ordnance for the use of Royal Artillery officers from 1750 until 1773, when longarms were laid aside and artillery officers only carried sidearms (swords or dirks) from that date forward. The Tower of London Small Arms Office began production in-house in May 1750, producing 38 “Fuzees” by the following month. Small batches continued in production for the following two decades, as required, to arm the commissioned officers of artillery. The fusils all had 37-inch barrels, key- or slide-fastened (rather than pin-fastened as with the other ranks’ or enlisted artillery carbines), with hook- or false breeches and engraved brass furniture. This particular fusil was issued to Joseph Cheney when he was promoted to “Lieutenant and Fireworker” on 20 January 1762, having first entered the Royal Artillery as a matross in February 1755. Cheney went on half-pay at the close of the war in Spring 1763, but returned to active duty in the 2nd Battalion in 1766, successively promoted to 2nd lieutenant on 1 January 1771 and 1st lieutenant, 27 March 1776. He removed to the Invalid Battalion in 1777, dying at Boston, Lincolnshire on 16 August 1811. The fusil has an overall length of 44 3/4 inches. Its key-fastened barrel’s length was reduced at some time in its history from 37 inches to its current 29 1/2-inch length and has a 0.67 bore. The steel tang of the hook-breech is engraved with floral motifs and a rear sight groove was filed into it sometime after issue. Traces of the Ordnance proof mark remains on the top of the barrel near the breech and a possible maker’s mark “B [?]” can be found on the left underside before breech. The rounded P1756 Land pattern carbine lock is engraved with a single edge-line, as is the gooseneck cock and hammer or frizzen. There are signs of purposeful filing before and behind the lock, which was likely done to remove the “crown/GR” and “TOWER” or maker’s name, respectively. The inside of the lock bears a “crown/2” inspection mark and the “WG” touchmark of William Grice, who produced carbine locks and barrels for the Tower during this period. The walnut stock is well finished, with shellwork carving around the barrel tang and high relief work around the lockplate, ending in a beavertail behind, with corresponding work on the recto around the sideplate. The wooden ramrod has a 1 3/8 inch-long, horn tip and was probably added at the same time that the barrel and forestock were cut-down to function as a sporting gun, stocked to the muzzle. The brass mountings include a sideplate with a panoply of arms symbolic of the Board of Ordnance and the Artillery Regiment, consisting of banners, cannon barrels, trumpets and a powder barrel, surrounding a tower or keep. The triggerguard has edge engraving and scroll and shell motifs, while the vacant thumbpiece has scroll and shell flourishes at its top and bottom. The buttplate tang has edge engraving and a centered, martial panoply consisting of drum, halberd, and crossed cannon and flags, while the butt proper has “LT: CHENEY / 1762” engraved in two lines perpendicular to the butt. PROVENANCE: Lot 252, Sothebys (London) 26 JUN 2003; Douglas Sirkin Coll. until 2014. CONDITION: The barrel bears traces of old browning and is lightly pitted from the same. The lock components all show wear and light pitting; the lock in working order. The brass fittings are mellow and with light toning in the engraved lines and inset castings. The walnut stock has scattered light dings, nicks and scratches, but otherwise very good. JLK 4,000 - 8,000
1129 - (A) EXTREMELY RARE DUBLIN CASTLE P1762 HORSE GUARDS PISTOL BY TRULOCK
Overall length of 16 inches, with a 10-inch long, .70 caliber, tapering round barrel with traces of proof marks on the top of the barrel near breech; a flat double bridled lock, 5 3/8 in. x 1 in., with double line border engraving, engraved on the pointed tail “TRULOCK / 1762” and below the faceted pan with crown over “GR” device and stamped with Irish inverted/crown broad arrow government ownership mark, reinforced hammer with double line engraving, steel spring with narrow pointed finial, the inside of the lock plate stamped with a large “T,” front of the internal bridle and tumbler have assembly numbers “XVII,” and both side nails also marked with assembly number “XVII”; walnut stock with carved apron around the barrel tang, the wrist or grip with two large “JE” branded marks; brass furniture including butt cap with long side ears cast as two pieces with brazed seam through the center, thumbpiece engraved “PB”, trigger guard with acorn finial, convex side plate with assembly number “XVII” on the inside surface, and two brass rammer pipes; wooden rammer; all visible assembly numbers match, stock and breech plug tang are stamped with Irish registration number “WM 1629”; likely dating to the late 19th or 20th century, overall length of 16 inches. With fear of a French invasion of Ireland, all six of the regiments of horse (heavy cavalry) in the standing British Army were transferred to the Irish Establishment during the Seven Years’ War, as the open terrain of much of that island made it ideal for mounted campaigning. With the transfer, the material needs of such troops—including arms and ammunition—became the responsibility of the Irish Board of Ordnance at Dublin Castle. On 21 August 1761, the Board was directed by the Lord Justices of Ireland to “lay before them an Estimate of the Expence of providing 132 Carbines and 132 Pairs of Pistols for the Second Regiment of Horse. Dublin gunmaker Thomas Trulock attended the meeting and exhibited “a Pattern Carbine & Pistol” and was ordered to give “an Estimate of the lowest Price he can afford them at.” However, it would not be until 12 January 1762 that the Board gave an order “for Thomas Trulock to make 132 Carbines & 132 pairs of Pistols for each of the Regiments of Horse in ye Kingdom.” The pistols were to be furnished at one pound and 13 shillings per pair. During spring-summer 1762, Trulock delivered the Horse smallarms to Dublin Castle and payment was authorized. Although no record has been found that describe the pistols he produced for the Horse regiments, they were the only pattern of pistols produced by Trulock for Dublin Castle in 1762 and it is largely by the date on the lock that we can ascribe this rare pistol as one of the Horse pattern. The brass hardware is nearly identical to that furnished by the Tower for the Land Pattern pistols with 12-inch barrels issued to horse and dragoon regiments on the English Establishment. However, Irish Horse pistols differed in that an Extra Flat Lock was used in lieu of the cheaper convex lock produced for the Tower and a 10-inch barrel previously used for P1756 Light Dragoon and Blues (Horse Guards) pistols. Literature: This pistol is illustrated and described in Robert Brooker, British Military Pistols and Associated Edged Weapons (Robert Brooker, 2016), pp. 106-7, in which the author incorrectly identifies this as an P1756 Irish Establishment Light Dragoon Pistol, which it resembles due to the flat lock and shorter barrel, but no such pistols were produced by Trulock in 1762. The new identification was made by James Kochan who in 2009 examined the extant, manuscript letterbooks and ledgers for the Dublin Castle Armoury covering the period 1750-1783. 7,000 - 12,000
1130 - (A) FRENCH M1766 FLINTLOCK MUSKET WITH MARYLAND MARKINGS AND DOCUMENTED WAR OF 1812 USE
One of the many foreign arms pressed into service during the Revolution, the French Model 1766 musket saw heavy service. This example is in standard 0.69 caliber model with a tapering, round, 44 3/4 in. barrel with bayonet lug mounted on the underside and a stamped “V” that is possibly part of a worn “M”, denoting Maryland ownership, at the breech. Lock has a flat plate with beveled edges and is marked in the center in script “Maubeuge / Manuf. Rle.” with an additional crown over “B” stamp. Full length hardwood stock bears an “SMP” brand for State of Maryland Property behind the sideplate, in addition to several “G.A.D.” inspector(?) stamps throughout. Standard iron mounts include 3 spring-retained barrel bands, triggerguard, buttplate and original ramrod. The name “DAVID MANTZ” is neatly carved into the right side of the butt, almost certainly during the War of 1812, when Captain Henry Steiner’s Frederick Artillery, a uniformed company of foot artillery, drew complete stands of arms and accoutrements out of the state arsenal at the “Old Hessian Barracks” in Frederick, prior to marching to the defense of Baltimore in 1813. David Mantz was listed as a corporal in that company during its Federal service on the lower Potomac River in 1813. He was promoted to sergeant in 1814, just prior to the company being called up again and marching in August to man the earthworks surrounding Baltimore harbor, being discharged on 27 September 1814. CONDITION: Iron components exhibit an attractive, even dark brown patina. Lock is in its original flintlock configuration. Touch hole was rebutted in the period. The stock shows a pleasing surface with handling wear and scattered marks from use, some chips in from of lockplate. Pin on end of middle barrel band spring is broken off, so band now slides. Bayonet shows pitting overall and opening to socket slightly bent and ring at opening is missing at slot. A very nice Maryland marked musket with identification that saw service in two conflicts. 5,000 - 10,000
1131
- SCARCE FRENCH MODEL
1766/73
ST. ETIENNE PISTOL DATED 1775 BARREL MARKED I.H.F NO. 51.
For an identical example, see plate 23.PP on p. 254 of “Battle Weapons of the American Revolution” by George C. Neumann. The principal firearm of the Continental Light Dragoons and other American light horse was the horse pistol (carbines being always in short supply and actually withdrawn from the Light Dragoons by 1779), each trooper being armed with at least one. From 1777, the predominant pistol carried by the Continental horse became the brass-mounted, French Model 1763/76 (the iron-mounted examples being of French Revolutionary manufacture), which were being imported to the infant United States in large quantities from 1777 through the close of the war. This is an example of the scarcer Type II version of the 1773 pistol, produced only at St. Etienne between 1773 and 1775. Its round barrel is engraved “1775” on the tang; the breech is stamped “75” and bears three other St. Etienne touchmarks. The top is deeply engraved with issue markings not yet deciphered: “I . H : R - No 51”. Flat lock with convex tail section and convex reinforced cock, center of lockplate inscribed “Manufactuer / de St. Etienne” and stamped with crown over “HR” government ownership mark. Standard brass furniture and walnut stock, stamped “S * E” and “SR” behind sideplate. CONDITION: Barrel retains a medium brown patina, markings very good. Lock is in its original flintlock configuration and functions well, markings excellent. Brass retains a mellow patina. Stock very good with some scattered marks from use and a minor age crack behind lock tail. Iron ramrod a marked original. A very clean example of a rare cavalry pistol model that was used in America during the Revolutionary War. 3,000 - 4,000
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1132 - (A) US SURCHARGED M1771 ST. ETIENNE MUSKET WITH IP AND IN BRANDS.
French Model 1771 muskets, infinitely superior to the M1766 in terms of robustness and quality of manufacture, were among the most modern pattern arms released by the King of France for use by American patriots during the Revolutionary War. After the French Royal Army had been issued sufficient quantities of the new M1777 muskets, the first two shipments of M1770-M1774 muskets were sent in 1780 as cargo aboard John Paul Jones’s “Alliance” and the French frigate “Hermione”, which also carried the Marquis de Lafayette back to America. It is no coincidence that the first Continental troops to be armed with these muskets were Lafayette’s Division of Continental Light Infantry--the parts from M1771 muskets have been found on archaeological sites associated with this command dating from 1780-1783; while more general distribution occurred among other units during late 1781-1783. This fine example of a M1771 is most notable for its impressive array of markings--tracing its history through manufacture, the Revolutionary War and postwar use. The 44 3/4 inch-long barrel of 0.70 bore has “M1771” engraved along the tang, with a large “US” stamped across the barrel at breech; near the breech on the left is stamped a mark that almost resembles a “71” (also found on the tang of the buttplate). The slightly convex lockplate has a large “US” stamped upside-down on the tail and before the reinforced cock it is engraved “B / Royale Manuf / de St. Etienne”. The butt of the walnut stock bears the distinctive “IP” stamp of Joseph Perkin (Superintendent of the Continental Armory in Philadelphia), while the left side is stamped with the arms of the St. Etienne Manufactory (which I have only observed on one other musket over the years) and directly behind that, the “IN” brand of John Nicholson (who was employed by the War Department through the 1790s in inspecting and refurbishing military arms); a large “V” with crossed scepters or an X superimposed above it is also found behind the sideplate. CONDITION: very good overall, with a nice brownish-grey patina and “salt & pepper” surface to all of the iron parts; there is moderate pitting around the vent/breech area of the barrel, partly obscuring the “U” of the “US” stamp; the top jaw and its screw of the cock are replaced--probably during period; the stock has the expected light bruising, dings or scars associated with long usage, but sound and with nice wood tone. Produced in limited numbers, examples of the M1771 are scarce today and this one, with exceptional Continental Army and arsenal markings, is particularly desirable. 8,000 - 12,000
1133 - (A) PRIVATE CONTRACT ROYAL FORESTER’S CARBINE BY MATHER.
A light dragoon carbine for a volunteer troop or horse or yeomanry, patterned after the Elliot carbine, with pin-fastened, 28 in. L barrel of 0.65 caliber bearing Tower private proof marks on top of barrel near breech. Flat lock with edge engraving of double lines, flat goose-neck cock with similar edging, frizzen with teardrop finial and early style pan of teaspoon shape; lock stamped before cock: ‘MATHER / NEWCASTLE’. Figured walnut stock with handrail butt, with brass mountings of Elliot form, including buttplate, triggerguard, 3 ramrod pipes, flat ‘S’ sideplate and nose-cap, with sideplate being the flat ‘S’ form found on the P1770 sergeant’s carbine. Iron “swollen” ramrod with notch ring in center of swell, which allows it to be secured in the channel when this groove reaches the projecting lip on the underside of the nose-cap. Sling side-bar and ring of iron, attached to stock at the rear screw of the sideplate and another forward of it. Mather is not a known British gunsmith, but more likely a merchant factor. On the inside of the lock is stamped the touchmark of its maker, ‘T.A’, probably Thomas Archer (fl. 1776-1807), a Birmingham gunmaker and sword cutler supplier, who also enjoyed gun contracts with the Board of Ordnance in the first decade of the 19th century. A superior gun in both construction and finish, in very good, near unused condition, with crisp lock mechanism. Provenance: purchased by former owner from the Soldier Shop, Inc. (NYC) 1980 catalog as item AM-1616 for $1750. 2,500 - 5,000
1134
- (A) AMERICAN STOCKED PATTERN SHORT LAND BROWN BESS FLINTLOCK MUSKET.
Round barrel stamped with “IG” cartouche on left side of breech. Convex lockplate engraved “TOWER” at the tail and with a crown over “GR” in the center. Marked with small crown over broad arrow below pan. Standard brass Short Land Pattern furniture. Professionally stocked in maple in the British form. Complete with a period iron American-made ramrod. CONDITION: Pleasing and homogenous patinas throughout. Barrel retains a brown patina. Lock retains a brown patina, is in its original flintlock configuration, and functions well. Brass retains a soak mustard patina, trumpeted pipe has a small area of loss at the mouth. Stock shows some staining, minor period age cracks and scattered marks from use. An honest Revolutionary War period musket. 2,500 - 4,500
1135 - (A) DUBLIN CASTLE SHORT LAND PATTERN BROWN BESS FLINTLOCK MUSKET.
Round barrel with crude Irish version of ordnance proofs on top, towards the breech. The convex lockplate is marked “DUBLIN / CASTLE” at the tail and engraved with a crown over “GR” in the center, small broad arrow and crown stamped below pan. Standard Short Land brass furniture. Walnut stock with relief apron carved around barrel tang. Iron is the proper style and appears to be original. CONDITION: Barrel and lock retain a dark brown patina with some pitting. Lock functions properly and appears to be in its original flintlock configuration. Brass retains a mustard patina. Stock has a coat of varnish and shows scattered minor chips, age cracks, minor repairs, and marks from use. 3,000 - 6,000
1136 - (A) FINE PAIR OF BRITISH SILVER MOUNTED FLINTLOCK OFFICER’S PISTOLS BY BARBER WITH BRASS LOCKS AND BARRELS..
This fine pair of circa 1760-1775 pistols feature brass two-stage barrels with swamped muzzles;, tops marked “BARBER LONDON”, with private London view and proof marks, crown over “IB” for James Baber, and engraved with scrolls on top three flats at breeches. Scrollengraved brass lockplate with brass pans, centers marked “BARBER” in a banner. Cocks engraved en suite. Fine solid silver furniture, including sideplates with panoplies of arms including cannons, flags, swords, and armor. Pommels have grotesque mask caps. Trigger guard finials feature armor and cannons in relief. Wrist escutcheons vacant with helmet, cannon, and flag designs. Dark walnut stocks with relief carved panels around locks and sideplates. Elaborate silver wire inlaid shells and floral designs around barrel tangs. Wooden ramrod. CONDITION: Barrels, locks, and furniture polished bright in the English fashion and shows some light wear. Touchholes have some green patina around them. Locks are in their original flintlock configuration and function well with strong springs. Stocks very good with professionally repaired crack to one wrist, wrist escutcheon has a hairline crack. Same pistol with a small piece of forend professionally restored at muzzle. Silver wire is all present. A beautiful pair of silver-mounted officer’s pistols. 5,000 - 8,000
1137 - (A) PAIR OF REVOLUTIONARY WAR AMERICAN FLINTLOCK OFFICER’S HORSEMAN OR OFFICER’S PISTOLS.
Iron barrel with swamped muzzles and tapered top flats, breeches stamped with a dagger marking. This same marking can be found on the famous Moravian “Lion and Lamb” rifle on the cover of the book “Moravian Gunmaking” by Leinemann and Hench. Flat unmarked lock plates with beveled edges. Engraved brass furniture including large triggerguards with acorn finials and engraved semi-stirrup pommel caps. Sideplates in the French taste. Stocks feature brass nose caps in the American taste. There are relief panels around locks and sideplate terminating in teardrops. Relief carved floral motifs carved around barrel tangs. Wooden ramrods. CONDITION: Barrels retain a grey patina. Locks retain a grey patina, are in their original flintlock configurations, and function well. Brass furniture retains a pleasing mustard patina. Stocks show scatted marks from use and age cracks. One pistol has a period American brass repair on top of the wrist that is decorated with folk art star engraving. A very nice Revolutionary War-period pair of pistols. 3,000 - 6,000
1138 - (A) IMPORTANT IDENTIFIED FLINTLOCK PENNSYLVANIA PISTOL OF REVOLUTIONARY WAR CAPT. DANIEL REIFF, BERKS COUNTY MILITIA.
The sideplate of this historic pistol is engraved: “REVOLUTIONARY WAR. 1776 CAPTAIN / DANIEL REIFF”. It was probably engraved for the Revolutionary War’s Centennial celebration by the family in the 1870s. Daniel Reiff was the Captain of the Seventh Company of the First Battalion, Berks County, Pennsylvania Militia in May, 1777. The 1st Battalion of the Berks County Militia fought in the 1st Pennsylvania Militia Brigade under General John Armstrong at the Battle of Brandywine and the Battle of Germantown. His circa 1770 homestead and several outbuildings, including his stone smithy, are shown in the book “Oley Valley Heritage; The Colonial Years: 1700-1775” by Phillip Pendleton. The octagon barrel has an inset brass sight at the muzzle end. Its 4 - 1/2” flat lock plate features a gooseneck cock with an engraved screw and a rounded pan. It has a decoratively curled trigger. All of the furniture is brass with the pommel cap terminating in a liberty cap design. The stock is of figured tiger maple with a cane grip and a wooden ramrod. CONDITION: Very good overall. Barrel and lock retain a pleasing brown patina. Lock is in its original flintlock configuration and functions well. Brass retains a pleasing dark mustard patina. Stock retains its original finish and shows some scattered marks from use. An important identified Berks County pistol. PROVENANCE: Renowned collector Walter O’Conner purchased this pistol directly from the Reiff family in Pasadena, California. 15,000 - 25,000
1139 - (A) A RARE 1813 CONTRACT PISTOL BY DERINGER WITH “MARYLAND” BRAND
10 inch-long, round barrel of 0.56 caliber with dovetailed front sight, “P” proof offset over breech; “M” proof for Maryland correctly not present as pistols with the full Maryland brand did not receive the “M” proof, and vice versa. Plain ramrod with worm at tail, retained by a single ferrule and feeding into a reinforced mouth with a pointed finial. “MARYLAND” brand stamped between reinforced mouth and trigger guard, oriented to be read with muzzle facing left. Flat lock with beveled edges, swan neck cock, bridled pan cover, and marked “H·DERINGER” under the pan. Interior of lock marked “K.H.” and “14”. Double lock bolts connected by a plain brass sideplate, with a “MII” stamp in a lozenge behind. Plain brass trigger guard and buttcap. Numerous parts numbered “14”, including a drawing indicating that many internal parts are also marked, however due to consideration for condition many of these are unverified such as removing barrel. For a nearly identical example, see “Historic Pistols: The American Martial Flintlock 1760-1845” by Smith and Bitter, pp. 290-291. 12,000 - 20,000
Capt. Daniel Reiff’s Homestead
1140 - (A) PATRIOT BENJAMIN HURD’S INSCRIBED FUSIL OF THE CHARLESTOWN MINUTEMEN, 1775. Benjamin Hurd, Jr. was born in 1749/1750 in Charlestown, Massachusetts, the son of Benjamin Hurd (1718/19-1808) and Grace Estabrook. Like his father, he pursued a career as a merchant and is sometimes mistaken for Benjamin Hurd of Boston, who was a “leather dresser” and bookbinder (d. 1818). Many of the records of Charlestown were lost when the town was burned and it has been sometimes stated that he was the town treasurer (1772-1776) and a selectman prior to the Revolutionary War, but this was more likely his father. Likewise, the record is unclear whether he or his father was chosen in 1773 to be a member of a sub-committee appointed by the town’s “Committee of Inspection” that oversaw the collecting and burning of all tea in the town on 31 December 1773, but he was most definitely a member of the Minute Company organized in Charlestown the following year. Originally an outgrowth of the three fire companies in the town, all of which agreed to meet separately to learn the manual exercise. A consolidated Minute Company composed of members of the three fire companies was to be commanded by Captain Joseph Hopkins, Lieutenant Nathaniel Frothingham and Ensign John Austin, the elected officers. Other “gentlemen” not members of the original fire or “engine” companies, where then invited to join on 2 December 1774. Hurd and this company were almost certainly involved in the defense of Charlestown Neck during the 17 June 1775 battle of Bunker Hill and during the burning of the town that day, the Hurd mansion of brick and its outbuildings were destroyed, a loss estimated at L 1,775 pounds, 19 shillings and 6 pence—the highest amount recorded among the collective property losses in the town. A Benjamin Hurd shows up on a company paylist for October 1775 under one “Poole”, but it is uncertain if this is our Benjamin. Hurd returned to Charlestown after the British evacuation of Boston in 1776 and became a leading merchant —specializing in West India goods—and also invested in real estate. He was inducted into Boston’s St. Andrews Lodge in 1777 and became a Master in 1794, serving as High Priest of the General Grand Order from 1806-1816. He died in 1821 and is buried in Phipp’s Street Burying Ground in Charlestown. Each man of the Charletown Minute Company was responsible for providing himself “with a good gun and bayonet, with a iron ramrod” or risk being fined three shillings. Hurd’s fusil or carbine certainly fills that specification. The fusil or carbine has an unmarked round three-stage barrel with bayonet lug mounted on top, near the muzzle. The lock is a commercial type of the period and unmarked. The American-manufactured brass furniture includes a shaped wrist escutcheon inscribed “Benja / Hurd jr /1775”, a Land Pattern-style buttplate with tang inscribed “Charlestown / No. 16”, a flat, pierced sideplate, and a cast triggerguard with simplified acorn finial and brass sling swivel. There are four fabricated brass ramrod ferrules, the foremost is trumpeted, and a brass band around the forend tip. The full-length stock appears to be cherry and has profile of British influence and there are relief-carved panels around the lock and sideplate. Complete with an iron ramrod that appears original to the piece. PROVENANCE: by descent in the Hurd Family until sold as lot 754 at Northeast Auctions, 22 AUG 2010 where purchased by James L. Kochan and later sold to Steve Hench; Hench Collection until sold at Morphy Auctions on 30 OCT 2019 as lot 1146, where reacquired for Kochan Collection until present, during which period the unrelated bayonet that now conveys with the fusil was acquired (fitting it extremely well and matching in patina).CONDITION: Dry, untouched and in “as found” condition. Barrel and lock retain a heavy brown patina and are in their original flintlock configuration. Brass furniture retains a dark unpolished patina, while stock has its original finish and a dark, dry surface. Shows some scattered marks from use, chipping around lock, and minor losses and cracking along fore-end. It would be hard to find a better military arm associated with critical events leading up and during the Siege of Boston. 30,000 - 50,000
1141 - 1789 AMERICAN SAILOR’S SEABAG AND 19TH C. DITTY BAG (LOT OF 2).
1) An extremely rare example of a common American sailor’s seabag from the late 18th century, found in Connecticut. It is constructed of heavy hempen sail cloth, which was typically loomed in narrow lengths of 18-24 inches, which is reflected in the bag’s construction: the joined short lengths of sailcloth then formed into a long tube and sewn together to form a tube, with a circular piece of sailcloth cut for the base, thus forming a tubular bag that has a 2 1/2 inch turnover of the cloth at top--forming a reinforcing band or hem on which are placed 8 equally spaced grommets hand-worked with hemp line or cord. The resulting sea bag is 31 3/4 inches high by 12 1/2 in diameter as finished and is hand inscribed in large figures “No. 2 / 1789 / J.L.” Sailors usually had at least one or two seabags in which to stow all of their clothing, personal items and gear, especially on ships that could not accept sea chests due to tight quarters. WITH 2) a sailor’s ditty bag constructed of cotton sailcloth or canvas, similar construction to the sea bag, but only 15 1/2 inches by 6 in diameter, with a handsomely worked lanyard of hemp cord featuring sliding turk’s head knot and braided handle. Both bags were exhibited in 2023 as part of an exhibition on Westport Island maritime history. CONDITION: the 1789 seabag is in very good-excellent condition for its age, with some surface soiling, mostly in the bottom and lower portion of the body; the original lanyard is missing and has been replaced by a reproduction one made of worked, hemp line; the ditty bag is complete, the body and lanyard in good-very good condition, with some fraying to the top loop of the latter and the body has scattered patches of rust, oil and paint stains, demonstrating its working use as the carry-all for a sailor tools and working gear. 750 - 1,500
1142 - BRITISH PATTERN 1796 INFANTRY SERGEANT’S SWORD WITH SCABBARD.
A cheaper and plainer version of the 1796 Infantry Officer’s Sword or Spadroon, this sword was the standard side arm for sergeants of infantry and other foot troops in the British Army throughout the Napoleonic and War of 1812 period. It had a brass hilt with a double-clamshell crossguard, D-shaped knucklebow, and a faceted, urn-pommel of brass. The grips were wooden and wrapped with twisted copper or brass wire. The sword has a 32 inch-long, single-edged blade with wide fuller and is 1 1/8 in. wide at ricasso. CONDITION: A very nice example, with warm, dark bronze appearance to the brass hilt and scabbard mounts but missing the wire wrap around the grip; the blade moderately bright and clean, with random dark spots; scabbard complete, the original scabbard leather very supple (requiring careful handling) with some crazing and light flaking in spots. It is extremely rare to find these sergeant’s swords intact with their original scabbard. 800 - 1,200
This handsome officer’s sword, 37 inches L overall, evidences the distinctive “Rhode Island” style of hilting. It features a solid silver lion’s head; braided wire and silver flat strip-wrapped grips; and a Sheffield-plate, “boat” or S-crossguard of sheet silver with border decoration. The slightly-curved blade, which is 31.5 inches long by1.25 inches in width at the ricasso, bears an incised medallion of an early Federal eagle and stars. Andrew Mowbray and other researchers have attributed swords of this form (featuring both lion and eagle pommels) as the product of the workshop of Seril Dodge (1765-1802), a Connecticut-born silversmith and sword cutler who established himself in Providence, Rhode Island by the early 1780s [ref: Mowbray “The American Eagle-Pommel Sword” (1988), p. 48]. 3,500 - 7,000
1143 - SILVER-HILT SABER WITH LION’S HEAD POMMEL ATTRIBUTED TO SERIL DODGE, 1780-1795.
1144 - NORTH SHORE MASSACHUSETTS SABER WITH SCABBARD, LAST QUARTER OF 18TH CENTURY.1780-1800
One of three sabers of near-identical form which have solid provenance to the North Shore (Essex County, Massachusetts), the first of one of which was observed 40 years ago in the Essex Institute; there are in addition three other sabers of this form now known in various US collections, all of which almost certainly came out of the same workshop of some highly-skilled and creative North Shore cutler, probably residing in or near either Salem or Newburyport—both of which boasted elite, volunteer dragoon units during and following the Revolutionary War. All examples have brass, stirrup hilts, each with a large hole pierced in the crossguard near the bend or turn of the knucklebow, either oval or circular in form (presumably for attaching a swordknot). This saber is the finest in quality and detailing of those that I have studied, with a superior quality blade of Solingen manufacture, triple-fullered as with all but one of the other North Shore sabers known, but also featuring etched motifs, including sun, moon, stars and cloud with lightning burst. The overall length of the saber is 37 ¼ inches, while the slightly-curved blade is 31 7/8 inches long and 1 ½ inches wide at ricasso; the original pad of scarlet broadcloth still present at the blade’s junction with guard. The most distinctive feature shared by all of these sabers is the form and decoration of the backstrap that terminates into a flat, pommel cap of circular cross-section, which features diagonal gadrooning in a pattern of a flute or groove separated by two lines, then repeat. This style of gadrooning is carried through in the same manner and angle on the carved, cherrywood grips, as well as the gilded-brass ferrule encircling the grip behind the crossguard. The original, leather scabbard has a throat of brass bearing a frog button or stud of oval shape, similarly gadrooned or fluted but, but horizontally rather than diagonally and a long brass chape or drag; these brass mounts are made of sheet brass and decorated with engraved pairs of lines, the chape with scalloped edge at the join to the leather and the sheet brass body soldered to a sold brass, round tip. CONDITION: The brass mountings of saber and scabbard were originally gilded, but perhaps only 20% still remains. When acquired, the saber’s knucklebow was pushed iand forward and the central portion of the blade was heavily oxidized, while the scabbard was broken in half, which most likely occurred as the result of attempting to pull the blade from the scabbard when the leather was “frozen” to the iron over a long period of time in saltwater air climate. Master swordsmith Jim Brown admirably restored the sword and scabbard to their original forms. The brass mounts are a warm yellow, with bright highlights from the gilding that remains; there are a few dings to the raised portion of the carved grip; the leather of the scabbard has some crazing and surface lost from flaking, but it is now fully stabilized; the blade is pewter grey in tone, with a uniform freckling of light pitting beginning about 6 inches above the tip and extending for 16 inches up the blade. PROVENANCE: the lifetime collection of the late Jack Weil of Marblehead, purchased as lot 276 at the John McInnis Auction of Weil’s lifetime collection of early North Shore Americana, held in Amesbury on 12 June 2021. The swordbelt and engraved belt plate that follows in the next lot, directly related to this saber and scabbard and acquired at the same sale. 5,000 - 10,000
1145 - NORTH SHORE SWORD BELT WITH ENGRAVED DRAGOON BELT PLATE, LATE 18TH CENTURY.
A well-made sword belt of buff leather, the straps 2 1/2 inches wide, consisting of a short branch of 18 5/8 inches attached to the front of the frog, butt-joined by round-closed stitching to the 29 1/4 inch long branch attached to rear of frog. The frog itself is approximately 7 inches deep by 6 inches wide and has a hole cut 2 inches down from the front top, to retain the button of the scabbard throat. Covering the join of the long and short branches of the belt is a handsome oval plate of brass, 4 3/8 inches long by 2 11/16 inches wide. Four pierced attachment lugs are set around the perimeter of the plate on verso, which align with 4 holes cut into the belting. On the face of the plate is engraved a light dragoon trooper on a rearing horse with upraised saber in his right arm. It is one of the most skillfully engraved 18th century American belt plates extant. The figure was copied from a 1760s copperplate engraving of a light dragoon that had been published in London. In the original British print, there is a GR placed on the helmet’s frontplate. However, on this plate the American engraver has substituted a star. During the Revolutionary War, the helmets made for Pulaski’s Legion all had a star affixed to them as early as 1778. It is not being stated that this belt and plate has provenance to a Legionnaire, but it etablished that star devices were already being used by American cavalry as early as 1778. Serendipitously, at the same time that I began to catalog my study collection for this sale, Fred Gaede (not even knowing I owned the North Shore saber, plate and belt) sent me a photocopy of this plate, which he had found in a letter sent by Harold Peterson in Jim Hutchins at the Smithsonian back in the 1970s--noting that this plate was on an 18th century sword belt with saber in the collection of Jack Weil of Marblehead!! PROVENANCE: From the lifetime collection of the late Jack Weil of Marblehead, purchased as lot 277 at the John McInnis Auction of Weil’s lifetime collection of early North Shore Americana, held in Amesbury, MA on 12 June 2021. The saber in the previous lot is clearly that which was housed in the frog of this belt and acquired at the same sale as lot 276.
CONDITION: Very good overall; the buff leather belt is still supple and stitches strong with some light wear and soiling; the belt plate in exceptionally fine condition but missing its original leather ties or wires that originally would have secured its lugs to the underside of the shoulder belt. 20,000 - 40,000
1146 - A NEW ENGLAND QUASI-WAGON WHEEL SABER, LAST QUARTER, 18TH CENTURY.
A massive example of 37 inches length, with slightly-curved, triple-fullered blade of 34.5 inches length by 1.5 inches width at ricasso. The brass hilt has a baluster turned pommel, while the guard features eight undulating spokes; the grip is cherry with brass ferrules and red homespun washers. Together with original leather scabbard with brass throat and chape. LITERATURE AND PROVENANCE: this particular sword is described and illustrated in the catalog of The William H Guthman Collection Sale, Part I. Bonhams and Butterfield, 12 OCT 2006 as lot 114. For further illustration and discussion of this sword, also see Figure IIA 5 in “Colonial Swords of New England Part III” by Guthman, published in Man At Arms magazine (SEP/OCT 1989), p. 28; it is also illustrated in “Swords and Blades of the American Revolution” (1973) by George Neumann as Item 325S on p. 170, then in the collection of F. Allen Thompson. 5,000 - 10,000
SEE WEBSITE FOR ADDITIONAL PHOTOS
1147 - A NEW ENGLAND, FULL WAGON WHEEL SABER, LAST QUARTER, 18TH CENTURY.
This is an impressive horseman’s sword from the collection of the late William Guthman, with pierced or open guard of brass featuring eight radiating spokes with intertwined semi-circles and a diamond-shaped quillon--a distinctly New England form that has become known to American collectors as the “full wagon wheel hilt” form. The prominent pommel is ovoid with capstan rivet and the one-piece maple grip is of tapering oval section with brass ferrules. It measures 37.5 inches in length and the slightly-curved and unfullered blade is 31 5/8 inches long by 1.5 inches wide at ricasso. LITERATURE AND PROVENANCE: This sword is discussed and illustrated as lot 113 on p. 62 of “The William H. Guthman Collection, Part I: Arms and Militaria” catalog of the Bonhams & Butterfield 12 OCT 2006 sale and in “Colonial Swords of New England/Part III: True Wagon Wheels, Quasi Wagon Wheels and Heart Motif Hilts” by Guthman, published in Man At Arms Magazine (SEP/OCT 1989), pp. 26-27. 4,000 - 8,000
1148 - (A) PENNSYLVANIA 1797 CONTRACT MUSKET BY JOHN AND SAMUEL KERLIN.
One of only 500 muskets produced by John and Samuel Kerlin under a 1797 contract made with the Commonwealth of Pennsylvania (CP). Kerlin 1797 CP muskets are extremely rare today, with no record found of one in sale at auction in the past 30 years, this one acquired in coastal Maine in 2017. It has a 44 in. L, smoothbore barrel of 0.71 bore, secured to walnut full-stock with three iron barrel bands. The state’s view and proof marks on left side of barrel near breech: “[Liberty cap]” / “P” with “(Liberty Cap)” proof, while the tail of the flat lock is stamped “CP” and stamped inside “I. KERLIN”. A large “A” is carved into the right face of the butt, while the left face bears an “IL” in prickwork, with a small stamped “10”. The musket is complete with all original parts, including sling swivels, and in true “attic” condition, with a crack in the small of stock just behind the lock/tang are, some chips and dings to the wood and the ironwork all a dark patina with moderate pitting around breech/vent. The finial of the top jaw screw is broken off, but otherwise with lock in good working order. 1,000 - 2,000
1149
- (A) A BRITISH PATTERN 1776 RIFLE BY MORRIS
An early volunteer’s rifle modeled on the British Pattern 1776 Rifle, with rear sight (one fixed and two hinged leaves), 28-inch, key-fastened, octagonal barrel of 0.68 caliber bore, key-fastened and with false- or hook-breech, with vacant holes near muzzle that once supported ramrod swivel, rifled with seven grooves, sighted fore-end, and tang bearing an engraved, stringed bugle horn, with Tower private proof marks near breech on left side. Flat beveled border, engraved lock with crowned GR before the cock and ‘MORRIS’ across the tail, flat, goose-neck cock with edging, double-fence (water-less), teaspoon-shaped pan, and feather-spring with roller. Figured walnut, full stock with brass mounts near-identical to those found on the Pattern 1776 rifle, including spur trigger-guard with acorn finial, three wide ramrod pipes (a steel ramrod spring between the fore-pipe and middle pipe), flat “tailed” sideplate, and nose-cap indented at top edges for missing swivel; and heavy, original iron ramrod pierced for swivel. The butt has a hinged patch-box cover similar to that found on the Pattern 1805 Baker. Overall length: 44 inches. Henry Morris was a Birmingham gunmaker who worked between 1802 and his death on 28 December 1809. 5,000 - 10,000
1150 - (A) A REVOLUTIONARY WAR PERIOD MILITARY RIFLE BY PROBIN
An early example of a rifle probably made for an unknown military unit, by Birmingham gunmaker John Probin, who is recorded working independently as early as 1769. In April 1776, Lord Guernsey recommended Probin to the Board of Ordnance for the making of rifle barrels, which would indicate that he was already setup for rifle-making. Bailey (2002) suggests that this rifle could have been made in the 1770s, based on both the form of the lock (popular among Ordnance contractors and similar to those found on the P1776 and Ferguson rifles) and that of the stock, which includes brass Land Pattern-type mounts and a carved apron around the tang. It clearly predates 1800, the year Probin died. The 30-inch L octagonal barrel is of 0.69 caliber with eight grooves and bears London Gunmakers’ Co. proofmarks, to the left near the breech, while the top flat bears an engraved issue number “8”. There is a single fixed upright leaf to the rear sight, while the front is a silver blade type on wedge, set into a cut on the upper barrel flat. Another number “27” is carved into the left cheek of the butt and there is a crown/9 inspection mark behind the triggerguard, suggesting that it was taken into government use at some time. The flat, beveled lock is engraved with a single border line, the maker’s name “J / PROBIN” across the tail, and a royal crown before the cock. There is no provision for a bayonet, the rifle being stocked to the muzzle with a brass nosecap and the ramrod channel and pipes are wide enough to accommodate a heavy, iron ramrod. The rifle is 45 ¾ inches long overall. 6,000 - 12,000
1151 - (A) A 1790S DUTCH JAEGER RIFLE WITH BRITISH MODIFICATIONS.
The first rifle corps serving with the British Army in the 1790s were raised from foreigners, such as Hompesch’s Chasseurs, although other corps were raised in Britain, the first being Ramsay’s York Rangers. They both served in the West Indies expedition, including the St. Domingo campaign and were later merged into the 60th Foot (“Royal American Regiment”). The arms for such troops were also obtained from foreign sources until the Baker rifle began production in 1800--principally captured jaeger rifles from the Batavian Republic (Netherlands). This example of a Batavian military jaeger rifle of the pre-1798 configuration and appears to have been refurbished in England following its capture. The original lock has been replaced with an Ordnance flat carbine pattern. The 28 ¾ inch, octagonal barrel of 0.56 bore has been re-proofed and bears Ordnance private view marks on the left near the breech, while there is a storekeeper’s stamp on the right cheek of the butt, signifying that it was taken into government use. There is light to moderate pitting to the barrel and lock overall and the arm shows sign of heavy usage during the period; the vent of the barrel has been rebushed and the original iron pan of the lock replaced with one of brass. However, examination of the barrel interior with a bore scope indicates no sign of reconversion, so it is most likely that these were done by a unit armorer to refurbish a heavily-used rifle that needed to be kept in service. A rifle of the same pattern, also modified with a British carbine lock, is illustrated and discussed in Dewitt Bailey’s “British Military Flintlock Rifles” (2002), p. 191. 2,500 - 5,000
1152 - (A) A BRITISH RIFLED CARBINE ATTRIBUTED TO THE HOMPESCH HUSSARS
This rifled carbine, 46 1/4 inches long overall, was clearly intended to arm some corps of mounted rifleman or chasseurs, as it furnished with a ringed sling bar and its ramrod has a notch cut around its swell to lock into a raised lip on the bottom of the brass nose-cap, copied from that then in use on Elliot light dragoon carbines, which would prevent the heavy ramrod from falling out of is channel when slung. It has a tapering, round barrel of 30 ¼ inches, key-fastened barrel and furnished with a hooked- or false-breech. It features a double-leaved, rear sight and a brass bladed front sight and bears private Tower proof marks just before the false breech. The barrel, originally browned, is clear of the forestock by 2 ¾ inches and a lug is affixed to the underside to accommodate a short-socketed bayonet. The convex lock is stamped “TOWER” across the tail and there is a crown/GR device before the cock. The brass mounts include a thumbpiece on which is engraved “H H” and the issue number “39” is engraved on the triggerguard bow. This arm has been traditionally attributed to the Hompesch Hussars, raised in 1794 by Baron Lowenstein from Germans for British service in the West Indies, along with other corps, including the Hompesch Chasseurs, a dismounted rifle corps. Both corps suffered heavy casualties on Hispaniola in 1796-97 and were later merged into other corps, the latter notably in the 5th BN, 60th Foot or Royal Americans, the first all rifle-armed, standing battalion in the British Army. It is a well-made arm, highly-suited for a regular corps of mounted riflemen. 2,500 - 5,000
1153 - (A) A RARE SERVICE PATTERN 1805 BAKER RIFLE AND BAYONET OF THE RIFLE BRIGADE
A Pattern 1805 Ordnance production Baker rifle in its original flintlock configuration and not altered back from the 1815 adaptation for socket bayonet, as with most that are found today. It features a leaf-sighted, hook-breeched, 30 ¼ in. L barrel of 0.625 caliber with bayonet-bar on the right side at the muzzle and rifled with seven grooves (rifling still strong), sighted fore-end, and Ordnance view and proof marks on left side of barrel near breech. Flat beveled, border-engraved lock with crowned GR and inspection mark before the cock and under pan, with ‘TOWER’ across the tail. Walnut full stock with cheekpiece, regulation brass mounts including spur trigger-guard, hinged patch-box cover, vacant brass escutcheon and stock maker’s marks behind brass sideplate, still retaining original sling swivels and pierced ramrod bearing “DAWES” maker’s mark and issue numbers “X/72” engraved just below the button-head. The tang of the brass butt-plate shows evidence of purposeful filing off of unit markings, but enough still remains to identify it as one of the rifles issued to the famed Rifle Brigade during the Napoleonic Wars: “[?] 2 {BN?] 95TH”. Its Type 2 issue sword bayonet has a single-edged, 23 in. L blade with 5 in. false edge towards the point, regulation brass hilt with side-guard, quillon and knuckle-guard all in one piece, and ribbed grip with sprung button-catch, crown/19 inspection mark on right face of blade, with maker’s name, ‘DAWES/BIRMM” stamped on the spine near ricasso. A very fine example of the service pattern Baker in original flint, although most of the original barrel browning has been lost and the stock in very good condition, barring the expected dings, scratches and bumps of minor nature. 15,000 - 25,000
1154 - REVOLUTIONARY WAR ERA BRITISH ORDNANCE LIGHT INFANTRY HORN.
A smaller version of the artillery priming horn, this pattern of horn was that issued to regular light infantrymen by the Board of Ordnance beginning with the reestablishment of light companies in British infantry regiments in 1771-1784. It was also the horn issued to British and Provincial (Loyalist) rifle troops raised during the American War, including Ferguson’s Corps of Riflemen, Emmerick’s Chasseurs, and other corps.Cow’s horn body closed by a turned oak, butt plug with threaded, oak stopper in the shape of a handle, for replenishing gunpowder supply. The tip of the horn fitted with a conical charger formed of sheet-brass, with a cast-brass lever and steel spring. The rear suspension loop affixed to a brass reinforcing band that appears to have been added during the period, probably by the regimental armourer (the standard Ordnance issue horns had the rear loop originally screwed direct into the horn, which frequently broke off in service). 13 1/4 L overall (not incl. stopper screw) x 2 3/4 in. diameter at plug. 450 - 750
1155 - REVOLUTIONARY WAR ERA BRITISH LIGHT INFANTRY POWDER HORN.
Many regimental commanders opted to provide superior-quality horns for their light infantry and rifle troops than the Ordnance-issue horn above, such as Lieutenant Colonel John Biddulph, who purchased horns with “brass chargers and ends” for the 3rd Foot’s light company in 1772, the “end” or cap of brass fitted with a brass screw for reloading with powder, less subject to cracking, splitting or swelling, as found with the wooden butts or caps. Also popular for use by the early volunteer light infantry and rifle troops raised with threat of French invasion of Britain beginning in 1778 and through the French Revolutionary Wars. 9 ½ in. L x 2 ½ in. diameter at brass end or base. 400 - 800
1156 - NAPOLEONIC & WAR OF 1812 ERA POWDER HORN FOR THE BAKER RIFLE.
Ordnance-Issue “Magazine Horn” for Rifle Troops, Type I, 1800-1815. Furnished by the government to all regular rifle troops armed with the Baker Rifle, this large horn carried enough powder for 40-60 rounds, each rifleman also being supplied with a ball bag furnished with the equivalent quantity of lead ball. Firing with loose powder and ball was generally reserved for measured, long-distance firing, the riflemen loading in close or fast action with fixed paper cartridges from their pouches, which carried 30-40 rounds, depending on pattern. Note that lack of a threaded stopper in the butt, the powder supply being replenished by unscrewing the spring-charger at the tip. 15 1/2 inches long by 2 3/4 diameter at butt. 600 - 1,200
1157 - PRE-BAKER TYPE NAPOLEONIC BRITISH RIFLEMAN’S POWDER HORN
A Rifleman’s Horn with Spring-Charger, 1790s-1810s. A more popular and successful technique for loading rifles with loose ball and powder was a horn furnished with a threaded charger or nozzle that could contain the exact amount of powder grains for the prescribed charge, which measure which could be regulated by the rifleman placing thumb over opening, pressing the spring to release powder into the charger, then releasing spring, allowing the rifle to be charged quickly and accurately. This example of rifleman’s horn has the brass butt-cap with threaded stopper for replenishing powder supply. 13 1/2 inches long by 3 inches diameter at butt. 600 - 1,200
1158 - A RIFLEMAN’S HORN OF THE PERCY TENANTRY VOLUNTEERS, 1798.
A Rifleman’s Horn with a “scoop” or “Irish stopper”, as issued to the Percy Tenantry Volunteers, 1798. Similar to the horn above, the spring-charger of the tip end of the horn is replaced with a stopper that also served as a powder-measure, allowing the rifleman to measure the exact grain load of powder for each round when firing with loose ball and powder. This horn was issued to one of three companies formed by Lord Percy that were initially armed with imported Prussian rifled muskets when first formed to oppose anticipated French invasion in 1798 and its large size reflects the powder capacity needed for a musket-bore rifle. 16 ¾ in L overall x 2 7/8 in. diameter at brass base. The brass base of the horn is engraved with the regimental device, being a ducal coronet over a crescent, while the stopper is engraved with the company letter and issue number: ‘H / 14’. 750 - 1,250
1159 - (A) A RARE NAPOLEONIC BRITISH RIFLED MUSKET BY DURS EGG
An extremely rare example of a military rifled-musket by Durs Egg, originally setup in the mid-1790s as a pattern for consideration by the Board of Ordnance for British light infantry troops. These soldiers needed a more accurate arm for irregular warfare, yet required a bayonet for close-quarters combat— as recommended by now-senior officers derived from their experience in the Revolutionary War and more recently, the campaigning then ongoing in the West Indies. Rifled musket prototypes were also delivered to the Board for consideration by Henry Nock and Joseph Grice, but only Durs Egg received a contract. In May 1796 the Board agreed to his “fair and just demand: of 3 pounds and 15 shillings for each “rifle musquet”, but how many, if any, of these Egg rifled muskets were actually purchased and received into the Tower is unknown. This Egg musket has a pin-fastened, 39 inch barrel like the India Pattern then in use, but rifled with nine deep grooves to a bore of 0.70. However, its stock is similar to the smoothbore pattern that Henry Nock had submitted for consideration as a replacement for the Short Land Pattern. It is fitted with a plain, fixed-blade rear sight, the front sight being a bayonet lug filed into blade form at top, so that it could function adequately in both capacities. Although no specific bayonet has been identified to this arm, the socket of a standard Land Pattern bayonet of this period would only require minor changes in cutting the 3-way mortise to fit this arm well. Because of the rifling, a more robust steel ramrod, with hole drilled crosswise through the swell for a push-bar (as with the Baker rifle) and the stock is slit from muzzle to triggerguard in the fashion of the Nock carbine and some Baker rifles. The barrel has “D. EGG LONDON” engraved on it, with London Company proofs to the left near the breech, while the border-edged, convex lock is engraved with D.EGG across the tail and a crown over GR before the gooseneck cock. PROVENANCE & LITERATURE: This specific gun is pictured and discussed in Blackmore’s “British Military Firearms” (1961), pp. 111 and 146, when it was then in the collection of noted historian and collector Jac Weller. 5,000 - 10,000
1160 - 2 RARE NAPOLEONIC TREATISES ON RIFLEMEN AND LIGHT INFANTRY IN THE FIELD.
Neil Campbell. “Instructions for Light Infantry and Riflemen.” London: T. Egerton, 1813. 19 neat copperplates. 112 pp. 12mo, Original blue printer’s boards with white label on spine, black lettering. No record of a copy at auction since 1977. Owner’s signature on front endpaper: “W. Ogilvy / 44th Regt.” Extremely rare and important work on use of light and rifle troops on campaign. [with] Campbell and Shawe. “Standing Orders...by the Late Maj. Genl. Robt. Craufurd for the Use of the Light Division.... 2nd ed. London: T. Egerton, 1831. vii, 84 pp. 12mo. Original brown calf, with gilt decorations, black label and gilt lettering on spine. Original owners signature on title page: “Colonel D[?]. Another rare work relating to the actual practices of the Light Division in the Peninsular War. CONDITION: Both very good, very light edge wear to covers; interior contents clean and bright. 800 - 1,600
1161 - AN OFFICER’S FOLDING CAP OF GREEN MOROCCO LEATHER, DATED 1795. A “folding” or collapsible cap, constructed of green morocco leather and bound with green silk tape of 1/4-inch width. The outer leaves are 12 inches long at bottom and 5 1/4 inches high and essentially an oval of leather folded in half and edge-bound together with tape. The crown is composed of three pieces of leather, two inner leaves similar to the outer (but not doubled), with inward-folding gusset of lozenge shape, 12 inches long by 5 1/4 inches wide at center, bound with silk tape; the inside of the gusset is inscribed “C. Lane / 1795” in black paint. This cap was almost certainly one worn by a British or American commissioned officer, or a gentleman-volunteer in some “silk-stocking” militia unit, while the green suggests that it was most likely a rifle or light infantry corps. It is very similar in form to the caps known to have worn by some British and American units as early as the Revolutionary War and into the 1810s, constructed either of leather or cloth--a handful of which survive in museum and private collections. In some units, the leather caps were the sole headgear of the unit, but in other corps--primarily “hat” corps, such caps were used as forage or undress caps. PROVENANCE: Purchased in 1999 from a collector selling it as a “Roger’s Rangers cap.” CONDITION: overall good-very good, considering the fragile materials with which constructed, with edge wear to the outer leaves including 50% of binding , the crown very good, but the binding lace split 1 1/2 inches up from bottom on one side, requiring great care when opening the cap to prevent further damage. 2,000 - 3,000
1162 -
GEORGE ATKINSON.
PROFILE OF A
BRITISH CAVALRYMAN, C. 1820. A bronze- and ink-painted silhouette on paper, 14 x 11 ¼ in. (view); signed “G. ATKINSON” at lower right, in carved and glazed frame. Prolific, versatile and initially an itinerant profilist, George Atkinson (c.1785-1851) is best known as a Brighton-based artist, working there between 1817-1828. Bronzed profiles such as this fine figure of a mounted light dragoon or hussar generally show considerable skill. Shreve, Crump & Low label attached to reverse, identifying the work to George Atkinson of Windsor, England, silhouette-cutter and “Profilist to His Majesty and the Royal family” in the early nineteenth century.
CONDITION: very good, with light toning to the paper. 500 - 900
1163
- A SUPER-SIZED JACKET OF BRITISH NAPOLEONIC RIFLE OFFICER.
Who says that they were all smaller back in the early 19th century?! This extremely rare example of the British rifle officer’s jacket is, by tailor’s measure, for a man approximately 6 feet tall with a size 44 chest and waist!! Not exactly a “light infantryman” of the day... The body is constructed of deep bottle green superfine and faced on collar and cuffs with black velvet. It is sumptuously trimmed with long, false buttonholes of 3/16 in. W, black, worsted soutache braid ending in crows-feet, with 3 rows of small, bullet-shaped “Dorset” buttons on the breast, 30 at center right breast, with corresponding working holes opposite. Similar edging and trim work can be found on the collar, sleeves and around seams behind. The body is lined with a very fine, glazed twill that appears to be a mixture of worsted and silk. There is a vertical, slashed pocket set inside on each side at mid-breast, inset where the cloth innerfacing meets the lining. CONDITION: When acquired, there was scattered holes and nips from insect browse; all of the larger holes were painstakingly filled and matched with cloth in-kind with minute stitching in the period manner of repair, done by Dr. Karin Bohleke, Director of the Fashion Archives and Museum of Shippensburg University--a project requiring many, many hours of patient and skillful sewing. The restoration work is exquisite, and the jacket has been restored to its former glory. Note: one of the breast buttons worked loose when mounting the jacket for photography and will require reattaching. 12,000 - 24,000
1164 - 2 IMPORTANT BRITISH NAPOLEONIC MANUALS ON MILITARY RIFLES AND MARKSMANSHIP.
A CORPORAL OF RIFLEMEN [CAPTAIN HENRY BEAUFOY]. “Scloppetaria: or Considerations on the Nature and Use of Rifled Barrel Guns, with Reference to their Forming the Basis of a Permanent System of National Defence, Agreeable to the Genius of the Country.” Printed by C. Roworth.for T. Egerton, T E Gerton, 1808. xxiv 251 + 6-page index, errata, engraved frontispiece of a military rifleman taking aim, 9 other plates (including illustrations of gun tools) and 3 target plates. Bound in a contemporary speckled calf, with raised bands, label and gilt on spine. The author gives details of the advantages of the rifled barrel, theory of spiral motion powder, construction of the rifle, the lock sights, the bullet etc., A scarce and important title in the development of rifles (Riling 350). CONDITION: an exceptionally good copy, with page and plates bright and clean; edge wear to the binding. [WITH] BAKER, Ezekiel. “Remarks On Rifle Guns. Being The Result Of Upwards Of Fifty Years Practice And Observations, With Specific Remarks On Fowling Pieces, the Percussion Lock, And Fire Arms In General. To Which Are Subjoined Descriptions Of A new Bullet Mould And Clipper, Various Improvements In Gun And Door Locks And Spring Bolts, A Description Of Fire-Armes Deposited In The Royal Arsenal At Woolwich, Including All The Improvements And Inventions For Which Three Silver Medals have Been Awarded By The Society Of Arts, Together With Tables Of Weights Of Balls, Descriptive Plates, Etc.”Joseph Mallett, 1829. viii, 251 pp., hand colored frontispiece of a rifleman presenting, 5 other hand colored plates, 3 of riflemen in firing positions, 2 of target plates and 1 engraved plate of bullet molds and tables for the weight and diameter of lead balls. Bound in original printer’s boards with modern 1/4 binding of black leather, gilt lettering and lines. First published in 1800, the first edition was only 18 pages with plates, subsequent editions were extended and enlarged. The 11th being the last in 1835 (Riling 329). The man who developed the Baker rifle, need we say more? CONDITION: moderate toning to the frontis. and title page, with some foxing, light toning to all pages; otherwise a clean and very good copy. 900 - 1,600
1165 - A NAPOLEONIC OR WAR OF 1812 BRASS BADGE FOR A RIFLE OR LIGHT INFANTRY CORPS.
A “stringed” hunting horn or bugle device for an unknown British rifle or light infantry corps, 1790-1815, probably for a pouch flap, but possible also for a military cap. Cast-brass, 3 3/4 x 2 3/4 inches, with two attachment lugs or studs on reverse. Provenance unknown, purchased at a show. CONDITION: In two pieces, broken at the strings in center; nice brownish patina overall. 300 - 500
SEE WEBSITE FOR ADDITIONAL PHOTOS
1166 - A RARE NAPOLEONIC RIFLEMAN’S BELT PLATE OF THE “ROYAL AMERICANS” 5th Battalion, 60th (or Royal American) Regiment of Foot Other Ranks Cross Belt Plate, a good excavated, oval cast-brass example, die stamped with a strung bugle horn enclosing ‘LX’, and around the top edge ‘RIFLE-MEN’ and around the lower edge ‘5TH BATTN’, complete with single hook and double stud fasteners, 2.75 x 2 inches. A rare pattern of the plate worn by this famous unit, the first one in the British regular establishment fully armed with rifles and a pattern previously unknown until its discovery in 2007 by a French relic collector, who found it on ground fought over at the foot of “col de Lessessa” pass during the Battle of the Pyrenees, 25 July-2 August 1813. PROVENANCE: As noted above; Irvin Mortenson Collection, 2008-2015; purchased lot 67 at DNW London (now Noonans) 25 MAR 2015 sale; with extensive documentation file. CONDITION: very good condition for age, with salt and pepper finish to plate surface. 3,000 - 5,000
1167 - PORTRAIT MINIATURE OF A “ROYAL AMERICANS” RIFLE OFFICER, C. 1803. CHARLES BUNCOMBE (fl. 1795-1815). “An Officer of the 5th Battalion of the ‘Royal Americans’ or 60th Regiment of Foot, c. 1803.” Watercolor on card, 2 3/4 x 2 1/4 inches (view) within gilded-brass, oval mat inside original, carved, oval frame (4 7/8 x 4 1/8 in. overall). Portrait of an unidentified officer of the elite 5th Battalion of the 60th or “Royal American” Regiment of Foot, circa 1803. He wears the distinctive dark green, faced red uniform of that elite, rifle-armed corps as it appeared when first arrived in Halifax, Nova Scotia in 1803. The 5th Battalion was formed on Barbados in 1797 from the remnants of foreign corps (mostly German riflemen and light infantry, including the Hompesch Chasseurs) that had earlier fought in the Santo Domingo Expedition. In 1808 they returned to Europe and fought with great distinction in the Peninsula during 1808-1814 and at Waterloo in 1815. Sir Arthur Wellesley, later the Duke of Wellington, recommended them to his subordinate generals, describing them as the “most useful, active and brave troops in the field”.Watercolor on card, 2 3/4 x 2 1/4 inches (view) within gilded brass mat inside original, carved, oval frame (4 7/8 x 4 1/8 in. overall). Portrait of an unidentified officer of the elite 5th Battalion of the 60th or “Royal American” Regiment of Foot, circa 1803. He wears the distinctive dark green, faced red uniform of that elite, rifle-armed corps as it appeared when first arrived in Halifax, Nova Scotia from the Isle of Wight in 1803. The 5th Battalion was formed on Barbados in 1797 from the remnants of foreign corps (mostly German riflemen and light infantry, including the Hompesch Chasseurs) that had earlier fought in the Santo Domingo Expedition. In 1808 they returned to Europe and fought with great distinction in the Peninsula during 1808-1814 and at Waterloo in 1815. Sir Arthur Wellesley, later the Duke of Wellington, recommended them to his subordinate generals, describing them as the “most useful, active and brave troops in the field”. Charles Buncombe was one of the most talented British profile artists of the late 18th century and was working on the Isle of Wight during the 1790s-early 1800s, where he painted numerous British military and naval officers then stationed there. His works are highly desired by collectors of both military uniforms and profiles alike. 900 - 1,500
1168 - SMALL ARCHIVE ON 5TH BATTN. 60TH RIFLES IN HALIFAX NS, 1805. A small, but fascinating archive relating to the discharge of a former sergeant of the 5th Battalion, 60th or Royal American Regiment consisting of three documents. The first is a partially-printed discharge for Corporal John Erkens, dated Halifax, Nova Scotia, 24 January 1804, noting that the soldier had served for six years and is signed and sealed by the unit commander, Lieutenant Colonel Francis de Rottenburg. The discharge further describes Sergeant Erkens as being 27, standing at 5 feet 8, with fair complexion, blue eyes, brown hair and “long Visage”, born in Dillenburg, Holland. The second document is written in German gothic script and indecipherable to this cataloger but dated 1805. The third document is essentially a blanket letter of reference for the discharged corporal, noting that he “he behaved well and with propriety in 6 Years Service” in the battalion. It is signed and dated Halifax, 12 March 1805 and bears a strong signature of von Rottenburg, as well as a very fine impression of the regimental seal in wax in the lower left corner of the document. Very few regiments during this period had such seals and fewer still survive on documents of this nature. The signatory is none other than future Major-General Sir Francis de Rottenburg, baron de Rottenburg (1757-1832), who spent most of his military career in British service, primarily in the West Indies and Canada through the War of 1812. He originally was an officer in Hompesch’s Hussars, but helped form and train Hompesch’s Light Infantry, which later became part of the 5th Battalion of the 60th Regiment of Foot. De Rottenburg rose to the rank of lieutenant-colonel in the unit and commanded it during the Irish Rebellion of 1798 and the capture of Surinam in 1799. De Rottenburg wrote a series of manuals which became the basis for the training of riflemen and light infantry under Sir John Moore. PROVENANCE: Acquired from Mike Kramer in 2002. CONDITION: Very good as conserved and presented; some of the flattened folds mended with Japanese tissue; the paper with light to moderate toning; the wax seal on the first document with heavy loss. An extremely rare set of papers relating to the discharge of a Dutch soldier in British service, who served in the West Indies and Canada as a NCO in a famous rifle corps, the first in the British Army. 750 - 1,500
1169 - HOMPESCH’S LIGHT INFANTRY CAP PLATE 1796-1802.
Die-struck brass, oval form, 4 13/16 x 3 3/4 inches. Hompesch’s Light Infantry, also called Chasseurs was a corps of light troops consisting of 450 “chasseurs” armed with military rifles and 690 musket-armed fusiliers raised in Germany for British service. They sailed for Martinique at the close of 1796, served at the taking of Trinidad, which they garrisoned afterwards and then were transferred to Antigua, where this plate was found. Much reduced by disease, the remaining men were transferred to the 60th Foot and many of them composed the original cadre of the 5th Battalion of the 60th Foot. Their uniforms of green, with red facings, were those adopted by the latter corps and it is likely that this cap plate was worn up to 1802 or later. PROVENANCE: Acquired from Chris Bryant in 2014. CONDITION: Very good, with a dark brownish-green patina. Finest and most complete example of this plate seen. 750 - 1,500
1170 - NAPOLEONIC ERA BELT PLATE OF THE 60TH FOOT OR “ROYAL AMERICANS.”
Cast-brass, oval plate, 3 1/8 x 2 1/2 inches, with integral hook and two studs, with “60” impressed on face. Purchased from Bob Shelton in 2003. CONDITION: Very good, with a fine, deep greenish-brown patina. A very handsome plate. 3,000 - 4,000
1171 - 2 BRITISH & FRENCH INFANTRY MANUALS: FRENCH & INDIAN WAR TO REVOLUTIONARY WAR. Bland, Humphrey Esq; Lieutenant General of His Majesty’s Forces. “A Treatise of Military Discipline: In which is Laid down and Explained The Duty of the Officer and Soldier, Through the several Branches of the Service. The Ninth Edition, Revised, Corrected, and Altered to the present Practice of the Army.” London: Printed for R. Baldwin, J. Richardson, T. Longman, S. Crowder and Co. and H. Woodgate, in Pater Noster-Row, W. Johnston in Ludgate-street, B. Law, in Avey-Mary Lane, and T. Caslon, in Stationers Court. 1762. [29], 400, [1] p., 7 folding plates, 5 ¼ x 8 3/8. Rebound in modern calf, with raised bands, gilt decorated spine with gilt title, signed on Preface page “Wm Patton Serjeant 57th Grenadier Company / Nottingham 4th December 1792.” This is the edition of Bland that George Washington recommended his officers read and which he had in his personal military library. CONDITION: Very good overall, a clean and fairly crisp copy; front end paper, title page and dedication page are toned and the latter with dampstaining. [WITH] “Ordonnance du roi, pour régler l’exercice de l’infanterie. Du premier janvier 1766.” Arras, Michel Nicolas, 1766. Octavo. 144 pp. in original paper wraps. The new infantry manual introduced following the experiences of the French & Indian War, as used by French troops in America under d’Estaing and Rochambeau in the following conflict in North America. CONDITION: Very good, clean copy, the paper covers showing edge on some surface wear, but clean. 500 - 1,000
1172 - SPANISH 1752 MUSKET DRAWINGS & INFANTRY DRILL MANUSCRIPT
Plans deren Maneuvres[,] Formacionen und Colocacionen deren Officiers und Sergenten wie es bey dem löblichen Schweizer-Regiment Baron De Reding geübt wird. [“Plans of the maneuvers, formations and positions of their officers and sergeants as practiced by the Honorable Swiss Regiment Baron De Reding]. Madrid, 1772. Oblong Imperial quarto (29.5 x 40 cm). Extensively illustrated manuscript on paper, written mostly in German in brown ink. With large armorial device on title-page, in colour, with the crowned impaled arms of Sicily (dexter) and Austria (sinister); a preliminary leaf with 2 rows of 6 colour pictures; and XVI numbered leaves with color plans of regimental formations and maneuvers, with 37 numbered marginal drawings in brown ink with grey and yellow washes on 7 of these leaves showing details of the Model 1757 Spanish musket, including parts of the lock, brass stock mountings, and gun tools; and some of the leaves with color drawings of landscapes with mountains, lakes, etc. Contemporary tanned sheepskin, decorated paper sides. [2], XVI ll. Beautifully drawn and colored complete manuscript on the officers’ positions under arms, regimental maneuvers and formation as introduced by the noted Swiss officer, Colonel Baron Aloys De Reding, when he served in the Spanish army. With the early owner’s inscription of Joannes Josephus Real. CONDITION: Very good overall, two leaves detached, but otherwise in good condition, with a few leaves tattered at the edges and an occasional smudge, spot or small marginal stain. The binding is rubbed, a few holes in the spine, which has come loose from the book block at the front hinge. 4,000 - 8,000
1173 - A RARE REVOLUTIONARY WAR MANUAL PUBLISHED IN PHILADELPHIA, 1776.
[Lambart, Richard, 6th Earl of Cavan]. “A New System of Military Discipline, Founded Upon Principle.” Philadelphia: Printed and Sold by R[obert]. Aitken, Printer and Bookseller, Opposite the London Coffee-House, Front- Street, MCCLXXVI [1776.] viii, 266 p. Original owner’s name inscribed on title page in ink: “Harman Davis”. A rare and important American imprint and scarce even in the English edition--probably the most difficult manual to find of all of those printed by Aitken prior to- and during the war. Richard Lambart was then a major general in the British Army and colonel-commandant of the 15th Regiment of Foot, a crack line regiment that served in the Revolutionary War with great merit, fighting in three campaigns in North America before spending the balance of the war campaigning in the West Indies. Cavan’s manual is one of the most practical and modern works, embracing less cumbersome tactics, recommending more practical clothing and equipage and a wealth of other details, based on his own military experience. CONDITION: original 18th century calf boards, but rebacked spine; pages with light toning; light dampstaining to lower right margin areas for the first few signatures. 3,000 - 6,000
SIR JOHN WILLIAMS (1700-1784). “A Draught for Building a Sloop of 14 Carriage Guns” [HMS Hornet]. Ink and pencil on laid paper (two heavy sheets joined), 13 ½ x 38 in.; inscribed in upper right: “Navy Office/ 13th Novr. 1775/A Draught for Building a Sloop of 14 Carriage Guns/By Messrs. Perry & Co. in pursuance of an Order/from the Right Honble. the Lords Commissioners of the Admiralty. 30th. Octr. 1775/ [with breakdown of ship dimensions...and signed] “Williams”; conservation-mounted in gilded, custom-made, reproduction frame. The HMS Hornet was one of 25 ship-sloops built between 1766 and 1780 of the form now known as the “Swan Class” (named after the first sloop launched in 1766) and designed by shipwright (later Sir) John Williams, who became Surveyor of the Navy in 1771. She was authorized to be built by Messrs. Perry and Company of Blackwall on 30 October 1775; the keel laid the following month and vessel launched on 19 March 1776. Her dimensions and tonnage were as follows: length of upper deck, 96 ft. 7 in.; length of keel, 78 ft. 10 in.; beam of 26 ft. 9 in.; and 300-ton displacement. Swan class sloops-of-war were armed with 14 (later 16) six-pounder cannon and 14 swivel guns and had a crew of 125 men and officers (full complement). Only three sloops of this class had been authorized prior to the outbreak of hostilities with the American colonies in 1775, the remainder were all of wartime construction and expediency. A successful design, these sloops fulfilled the Admiralty’s urgent wartime need for warships of relatively shallow draft, maneuverability and speed, capable of effectively dealing with the typical enemy cruisers and privateers encountered along the North American coast and in the West Indies. The HMS Hornet served on the West Indies station during her first commission, taking a number of American vessels, and later served on the North American and European stations. After a successful career of fifteen years, she was sold out of service in 1791. This draught of her lines and profile is the only surviving plan of the Hornet, although a few plans for other Swan class sloops can be found in the Admiralty Plans Collection at the National Maritime Museum, Greenwich. CONDITION: very good; stored rolled for 230 years with three vertical splits in paper resulting from rolling and unrolling, ranging from 3-6 inches--all mended by paper conservator when the draught was flattened and conservation framed. 3,500 - 7,000
1175 - 1796 CAVALRY SWORD & 1819 INFANTRY SWORD MANUALS (2 BOOKS).
[Le Marchant, John Gaspard]. “Rules and Regulations for the Sword Exercise of the Cavalry.” London, War Office, 1796. 8vo. XII, 98, (2) pp. With 29 folding engraved plates. Contemporary marbled boards. Official regulations manual of sword exercises for the cavalry, authorized by King George III for use throughout the Cavalry Corps, covering details from the basic sword stroke whilst on horseback to the most complicated maneuvers. CONDITION: New leather spine with label, gilt. Bright and clean copy, fine. [WITH] CALVERT, Harry [Adjutant-General]. “Regulations and Instructions, for the Infantry Sword Exercise.” Printed by William Clowes. By Authority. [1819].. pp. x, (ii), 13-63, (i) Imprint. Large folding plate before title, half-title discarded. In original printers board with paper spine label. SCARCE - no copy recorded by COPAC/ESTC but OCLC WORLD CAT. records a copy at the British Library. A very fine and complete copy of a scarce military manual on swordsmanship. 700 - 1,200
1176 - [WAR OF 1812]. HERRIE’S INSTRUCTIONS FOR VOLUNTEER TROOPS OF CAVALRY.
Abstract of Colonel Herries’s Instructions for Volunteer Corps of Cavalry, adapted to the Use of the Volunteer and Militia Cavalry of the United States. FIRST EDITION. Philadelphia, 1811. 25 plates of diagrams. 8vo, original printer’s board with leather-backed spine. CONDITION: covers soiled and front board warped inward; light toning to pages; title page with dampstaining and marginal dampstaining on the lower and outer margins of many leaves, not affecting text or plates. 200 - 400
1177 - STRATHSPEY, SEAFIELD AND GORDON (HIGHLAND) FENCIBLES, 1778-1799 (3 BKS).
1) H. B. Mackintosh. “The Inverness Shire Highlanders or 97th Regiment of Foot 1794-1796” (1926). Publisher’s green cloth binding with gilt titles on front panel and spine, top edge gilt. First edition. Frontispiece and 5 plates, 79 pp. Binding tight, contents clean. 2) H. B. Mackintosh. “The Northern or Gordon Fencibles 1778-1783” (1929). Privately Printed Limited Edition Of 250 Numbered Copies. Publisher’s red cloth binding with gilt titles on front panel and spine. Top edge gilt. First edition, limited to 250 copies of which this is number 132. 106pp., 2 color plates (including the frontispiece), 5 black and white plates and a tailpiece illustration to chapter 3. Binding tight. Contents clean. 3) H. B. Mackintosh. “The Grant, Strathspey or First Highland Fencible Regiment, 1793-1799” (1934). Publisher’s red cloth binding with gilt titles on front panel and spine, top edge gilt. First edition. Color frontispiece and 6 plates (1 color), 128 pp. CONDITION: Binding tight and contents clean on all titles, 2&3 bear the bookplates of the late Henry “Bud” I. Shaw, a noted collector & historian. 300 - 600
1178 - IMPORTANT AND SCARCE 1820 MANUAL FOR AMERICAN ARTILLERY. LALLEMAND, HENRI DOMINIQUE (1777-1826. “A Treatise on Artillery: to which is added, a Summary of Military Reconnoitring, of Fortification, of the Attack and Defence of Places, and of Castrametation.” Translated by James Renwick. 1st. edition. 2 vols. Published by C. S. Van Winkle, New York, 1820. Mismatched bindings. Vol. I: Modern green cloth binding [4], viii, [9]-391, 10 lg. folding plates; Vol. II: original printers’ boards with spine label, title page inscribed in ink: ‘Wm. McNeill’ [of 1st US Artillery]. 368 pp. w/ 8 lg. folding plates. Both 8vo (9 x 5 in.), pages untrimmed, some foxing and toning, but otherwise very good. Scarce work, only 4 copies listed in OCLC. Lallemand was a skilled Napoleonic officer who had significant influence on the development of artillery systems and practices in the United States, his adopted home after seeking exile following Napoleon’s 1815 defeat. After study at the Ecole Polytechnique, he became an artillery officer, distinguishing himself in combat in numerous campaigns: Egypt, Germany, Spain, Russia and ultimately, Waterloo. Henri did not accompany his fiery older brother, Baron Charles to establish “Champ d’Asile” on Galveston Island, but was keenly involved in planning and equipping the ill-fated expedition. His much younger wife Henriette was the niece of America’s richest man, Stephen Girard. From 1818, Henri occupied himself with writing his Treatise on Artillery, which War Secretary John C. Calhoun helped him publish in 1820. The following year the US army adopted the treatise as its standard manual and it remained so for more than a decade. When the Marquis de Lafayette visited the United States in 1824, he was surprised to see artillerists near Boston using French field artillery of the Gribeauval system and drilling in the French manner.
500 - 1,000
1179 - STEWART OF GARTH’S SKETCHES...OF THE HIGHLAND REGIMENTS (1822).
STEWART, Major General David. “Sketches of the Character, Manners and Present State of the Highlanders of Scotland: With Details of The Military Service of the Highland Regiments of Scotland.” Edinburgh: A. Constable, 1822. Second edition, 2 volumes, 8vo [iii-xv, iv, 522; viii, 455, ci], hand-colored engraved folding map of the Highland Clans and folding table of army regiments. Original 3/4 calf bindings with marbled boards, the spines with decorated bands, black labels and gilt titles. A very early and highly important study of Highland clans and more importantly, the Highland regiments of the British Army from the mid-18th century until the close of the Napoleonic Wars. The compiler was an officer in the 42nd Foot or Black Watch during the Napoleonic Wars and interviewed many Highland veterans from earlier conflicts, as well as having access to regimental records. One of his most invaluable correspondents in this compilation was Captain John Peebles, who had served in North America with the Black Watch during both the French & Indian War and Revolutionary War and contributed many firsthand observations concerning uniforms, arms and singular events and personalities. Invaluable and scarce work. CONDITION: Very good; edge wear to the leather bindings; one signature in the appendices is inserted upside down. 300 - 600
1180 - EXCEPTIONALLY RARE 18TH CENTURY TREATISE ON TELESCOPES BY PASSEMANT WITH PLATE. PASSEMANT, Claude Siméon. “Description et usage des télescopes, microscopes, ouvrages et inventions de Passemant, ingénieur du Roi.PASSEMANT, Claude Siméon.” (Paris, circa 1769). 116 pp. with folding plate, in original printer’s marbled paper covers. Last edition of this highly important description and user manual for microscopes and telescopes by Passemant, the most famous French optical instrument manufacturer of the eighteenth century. In addition to these instruments, there are barometers, physics instruments, pneumatic or electric machines, astronomical clocks, clocks, watches, etc. The first edition, around 1750, was only 29 pages long. This was revised and expanded “by his pupils and successors”, who were Ollivier and Nicolet. It is illustrated with a fold-out engraving representing a compound Cuff-type microscope to which two micrometers invented by Passemant have been added. At the end: “Table of prices of reflection telescopes, & of Passemant’s microscopes.” PROVENANCE: The 18th century library of General Francois-Marie d’Aboville and be descent to 2023. CONDITION: A very good and clean copy, with bright pages and plate, marred only by very light dampstaining to the upper 1/3rd of the first 24 pp. 2,500 - 4,500
1181 - GEODASIA, OR THE ART OF SURVEYING. 1786
LOVE, John. “Geodæsia: or, the Art of Surveying and Measuring Land made Easy. Shewing By plain and practical Rules, to Survey, Protract, Cast up, Reduce or Divide any Piece of Land whatsoever; with new Tables for the Ease of the Surveyor in Reducing the Measure of Land.” Published by London: J.F. and C. Rivington, 1786. Tenth edition, 8vo, (xx), 196, (16), 4, (36), 7, (1) pp. “Lyman Lane His Book: and “Lyman Lane’s Property” inscribed in iron-gall ink at the top of the title page. Diagrams and illustrations in the text plus 49 pages of distance and trigonometrical tables. Original calfskin binding, with black and gilt label on spine. CONDITION: Good to very good, clean, light toning to pages, with minimal foxing. 200 - 400
1182 - ARTILLERY OR GUNNER’S CALIPERS BY ADDISON SMITH OF LONDON, C. 1775
An exceptionally well-engraved set of gunner’s calipers by noted scientific instrument maker, Addison Smith (1737 - 1795), who had apprenticed under noted optician Francis Watkins, whose daughter he later married and formed a partnership with his father-in-law in 1763, but went out on his own before 1770, establishing his shop on the Strand. The caliper is 7 in. long when closed (the steel tips of each blade touching each other) and 2 3/4 in. wide at that end. It is beautifully engraved on both sides, the front upper blade bears “A Smith London” in beautiful “copperplate” engraved script and has an engraved tables for calculating powder quantities for used in brass Land and Sea mortars and howitzers, by the various sizes then used by the Royal Artillery. The reverse side has two similar tables engraved for powder required for cannon when either proving such arms or in “service” use (one leg bears that for brass guns and the other for ones cast from iron). The two flat blades are hinged so that they slide freely over each other, permitting the steel tips to point either inwards to take the diameters of shot or outwards to measure the bore of a gun. In this example, scales at the hinge give diameters in inches and the corresponding weight of iron shot. The scales for inches of the bore and for the pounder rating of the gun are engraved along the length of one of the limbs. CONDITION: very good and in good working order, a few dings along the outside and a few, scattered dark stain spots or divots, mostly on the outer ends of the front side of the blades; the engraving is crisp and strong throughout. 1,500 - 2,500
1183 - ROYAL ARTILLERY GUNNER’S PERPENDICULAR BY BERGE WITH CASE, C. 1800.
An exceptionally fine gunner’s perpendicular of the type used by Royal Artillerymen during the Napoleonic and War of 1812 era, bearing a stamped broad arrow ownership mark of the Board of Ordnance on the reverse and with maker’s name “Berge” engraved on the obverse. Matthew Berge of London was an important maker of scientific instruments whose working dates were c. 1800-1819. The brass instrument is 5 1/2 x 3 1/2 in. and housed in a slightly later, c. 1840, mahogany case with brass-hinged lid, 6 7/8 x 4 7/8 in. bearing stamped “[broad arrow] / WD” of the War Department. A perpendicular (sometimes called a level) enabled a gunner to establish the center line of an artillery piece and thus its direction of fire. The instrument was placed transversely on the gun’s barrel and, once leveled using the spirit level, the steel-tipped slide was depressed. Marks were made at the muzzle and breech of the gun and joined by a chalk line. Perpendiculars incorporating spirit levels were first purchased by the British Board of Ordnance in 1757 and replaced earlier versions in which the leveling was carried out with a plumb bob and line. CONDITION: both items in excellent condition and very good working order. 1,500 - 2,500
1184 - A WAR OF 1812 ERA ARTILLERY LEVEL AND SIGHT BY WILLIAM DAVENPORT, SURCHARGED ‘US’.
An early 19th century artillery level of unusual form by William Davenport (1778-1829), possibly an original invention or adaptation. Davenport is listed in Philadelphia directories as an instrument maker working and residing on 43 Front Street from at least 1802 until 1818 and later at 25 Front until his death from a “sudden illness” in 1829. However, he may have been working there even earlier, when the first property was still owned by his parents. The level combines the features of both a gunner’s level, sector and quadrant, yet also a gunner’s sight that apparently could also function like a surveyor’s plane table, so this invaluable instrument would be as useful to both artillerists and military engineers. It consists of a square shaft, beveled along a portion of one side and marked “WM. DAVENPORT. MAKER. PHILa., engraved on one end with a script “US”, and a table with heading for “MORt[ar]/HOWt[itzers]” and on the other side with a table for “GUNS/CALIbr/SHOT” size for guns ranging from 42- down to 3-pounder guns, while the bottom side has a rule of 12 inches. At the other end is a 3 3/4 inch diameter brass plate engraved for 360 degrees, with a level furnished with standing front and rear sight, each able to swivel down. Overall length is 17 1/8 inches. The only artillery-related instrument currently known by Davenport and clearly made for use by the U.S. Army, whether as early as the Quasi-War or as late as the War of 1812 is not yet determined. PROVENANCE: Collection of Peter F. Frazier and M. Prudence Fleck, c. 1950-2014; sold as lot 1 at Skinner, 3 May 2014, whence acquired. CONDITION: Overall very good; one of the adjusting screws for a sight is frozen; the brass a dull bronze color, with some scattered dark spots. 10,000 - 15,000
1185 - 2 CASED SETS OF 18TH CENTURY DRAWING AND MAPPING TOOLS.
Two 18th century hinged folding cases for carrying drawing and calculating instruments into the field, commonly called “pocket cases”, utilized by navigators, surveyors, engineers, artillerists and artists. The smaller of the two is 5 1/4 x 2 1/2 x 1 1/8 at its widest points when closed and made of wood covered with black shagreen. It contains a brass and steel “compass” or divider with one leg to accommodate various brass and steel points for drawing with ink, graphite or crayon, also housed within, as well as a smaller compass, a wooden sector with brass hinge and a small, scaled wooden rule. The larger case measures 9 5/16 x 3 13/16 x 1 inch when closed and is made of wood and covered with calf. The wood sides are carved out to fit the various individual tools and lined with a coarse, orange-colored baize. This set includes four dividers or compasses, three of brass and steel and one with an ivory handle. There are two wooden drawing edges, one triangular, a scaled ruler, a brass square, and three small cups of porcelain for watercolor or ink. Its components suggest that the primary use was for drawing in the field. PROVENANCE: ex. collection, William Guthman and acquired at the Bonhams (Portsmouth NH) 12 OCT 2006 sale of his collection as lots 351-352. CONDITION: very good; the small case with some light edge wear; the larger case with scuffing and edge wear and inside, missing a cross piece of baize lined with card that held the two rulers in place. 600 - 1,200
1186 - AN IMPORTANT WORK ON ARTILLERY AND RELATED SCIENTIFIC INSTRUMENTS,
1757.
A treatise of such mathematical instruments as are usually put into a portable case, containing their various uses in arithmetic, architecture, geometry, surveying, trigonometry, gunnery, &c. . . .To which is now added An Appendix Containing the Description and Use of the Gunner’s Callipers. London: Printed for T. Heath and J. Nourse in the Strand: J. Hodges on London-Bridge, and J. Fuller in Ave-mary-Lane, 1757. London: Printed for T. Heath and J. Nourse in the Strand: J. Hodges on London-Bridge, and J. Fuller in Ave-mary-Lane, 1757. 8vo. xx, 188 pp. With 1 large folding copper-engraved frontisp. of mathematical instruments, 8 copper engraved plates (including one specifically illustrating the gunner’s calipers. The second edition of this well-written and important scientific and mathematical instrument manual, incorporating a short history of 44 previous works on mathematical instruments spanning 200 years, with specific descriptions of particular instruments and their development. This work which is considered by Erwin Tomash to be “one of the most complete descriptions of a set of portable mathematical instruments extant,” and the second edition was expanded by over a third to detail the use of Gunners Calipers, not covered or illustrated in the first edition. Robertson (1716-1776) who is perhaps best remembered for his “Elements
of Navigation” considered one of the finest English-language navigation education manuals of the 18th century. CONDITION: Modern maroon cloth binding, otherwise a complete and very good copy. 700 - 1,200
1187 - NAVAL DOCUMENTS OF THE AMERICAN REVOLUTION. VOLUMES 1-4. William Bell Clark. “Naval Documents of the American Revolution.” Volumes I - IV. Washington, DC: GPO, 1964-1969. 1st Edition. Gilt lettering on blue cloth covered boards. 4to’s: 1494 pp. (1964); 1506 pp. (1966); 1518 pp. (1968); 1579 pp. (1969). Sold as periodicals, not subject to return. CONDITION: Good to very good; ex libris set with small shelf labels on spine; clean and bright pages. 200 - 300
1188 - THE NAVAL CHRONICLE, 1799-1818. A COMPLETE SET OF 40 VOLUMES.
The Naval Chronicle. London: Printed and Published by and for Joyce Gold, etc., 1799-1818. In 40 volumes. Tall octavo. A rare, full set of this important naval periodical of the Napoleonic epoch of 40 volumes, a set of 32, comprising volumes VI-XXIX; XXXI-XXXV; XXXVII, XXXVIII & XL, casebound in brown vetrex with gilt and the remaining 8 from another source in half-leather bindings with marbled boards, morocco labels and gilt.
“The Naval Chronicle” was a monthly magazine published in London in parts from January 1799 to 1818, during the period from the Napoleonic Wars through to the War of 1812. Each issue featured an extensive number of reports of naval battles, including lists of captured and wrecked vessels; news of promotions, retirements and deaths; biographical sketches of officers, and first-hand battle accounts; and more news and gossip generally related to the affairs of the Royal Navy. The engraved plates show portraits of naval officers, views of overseas ports and local scenes, charts of harbors and ship battles, plans relating to naval ordnance, ship architecture, technology, and science, including astronomy, and maps of various places. CONDITION: The 8 volumes in leather binding collated and complete, with clean and bright pages, some scuffing and minimal edgewear to binding; the 32 volumes in brown not fully collated, but text is complete, while checking of plates and maps against index lists indicate that some are missing from most volumes; otherwise, a fine set especially for reference use by naval historians; The Naval Chronicle has never been reprinted in its entirety, only a sampling of extracts in a 6-volume set of recent date. Sold as a periodical and not subject to return. 2,000 - 4,000
1189 - HOYT. TREATISE ON MILITARY ART (CAVALRY DISCIPLINE), 1798
Hoyt, Epaphras. “A Treatise on the Military Art: in Four Parts [N.B. only parts I & II were published in this first edition], Containing: I. A comprehensive system of Discipline for the Cavalry of the United States; adopted to the principles of Baron Steuben’s Regulations for the Infantry, and the latest Prussian and English Treatises on Cavalry. II. Regulations concerning the Duty of Cavalry in Camp in time of War.” Brattlesborough, MA: printed by Benjamin Smead, for the Author, Sold by him, and by Russell Ripley, Greenfield. 1798. v, 209 p. [4], plates. Original leather binding with maroon spine label. First edition of one of the earliest American treatises on cavalry discipline, published during the Quasi-War. 700 - 1,000
1190 - MASSACHUSETTS SOLDIERS & SAILORS OF THE AMERICAN REVOLUTION BOOKS, FULL SET.
Massachusetts Soldiers and Sailors of the American Revolution: A Compilation from the Archives.... 17 vols. Boston: Wright & Potter, 1896-1908. 1st ed. A massive compilation taken from muster rolls, troops returns and other Revolutionary War documents in the Massachusetts State Archives. Blue cloth bindings with gilt lettering. An invaluable reference work for researchers. CONDITION: Fair. Ex. Libris, New Jersey Historical Soc.; some boards loose, spines weak on others, but internal contents complete, pages clean with very slight toning. Sold as periodicals, not subject to return. 300 - 500
1191 - THE NORTH-AMERICAN & WEST-INDIAN GAZETTER. 1778
“THE NORTH-AMERICAN AND THE WEST-INDIAN GAZETTEER, Containing an Authentic Description of the Colonies and Islands in That Part of the Globe, Shewing Their Situation, Climate, Soil, Produce and Trade, With Their Former and Present Condition.” Second edition. London: G. Robinson, 1778. Octavo, period full calf, with red morocco spine label with gilt lettering. Complete with two folding maps of eastern North America and the West Indies. “This compact little book was a second time printing for the use of officers going over during the American War.” (Sabin 55537). CONDITION: binding lightly scuffed with edgewear; waterstaining on lrc of title page and preface. Copy generally clean and sound internally. 1,000 - 2,000
1192 - EXTREMELY RARE AMERICAN MANUAL: EXERCISE FOR GARRISON AND FIELD ORDNANCE. 1812
[Amos Stoddard]. “Exercise for Garrison and Field Ordnance, Together with the Manoeuvres of Horse Artillery, as Altered from the Manual of General Kosciusko and Adapted to the Service of the United States. By An Officer of the United States Artillerists.” 1st ed. New York: Pelsue and Gould, 1812. 128 pp. incl. plates and diagrams. Original calf binding with label and gilt on spine. Signature of owner inscribed on title page: “H. Burbeck.” Henry Burbeck (1754-1848) served as lieutenant of artillery during the Siege of Boston and continued in the Continental Artillery, serving with merit through the entire war and was honorably discharged in 1784 with the rank of captain. He was reappointed captain of artillery in 1786 and commanded the post at West Point during 1787-89. Promoted to major, he commanded the Battalion of Artillery and served as General Anthony Wayne’s Chief of Artillery in the Northwest,1792-94. From 1802 1812, Burbeck commanded the Regiment of Artillery and also served as Chief of Artillery and Ordnance in a staff capacity in Washington, DC, during which time he encouraged one of his subordinate officers, Major Amos Stoddard, to prepare the first manual for field, horse and garrison artillery for the use of the army, which was finally published in 1812. This work is extremely rare, with only one copy recorded in OCLC and only two copies known to this cataloger. PROVENANCE: Joseph Riling Collection until c. 1970, Richard Johnson Coll. until 2004, whence acquired. CONDITION: Very good to fine, pages clean and bright. An extremely important work owned by an influential officer, whose important military papers (once in my possession) are happily now in the collections of the William L Clements Library at Ann Arbor, MI. 5,000 - 10,000
1193 - ORIGINAL 1814 DRAWING OF RIFLE CORPS UNIFORM; DUANE’S MANUAL. [WAR OF 1812]. William Duane. “Hand Book for Infantry.” 5th ed. Philadelphia: Printed for the author, 1813. 8vo, original boards; With 12 leaves of plates, figures in text. (i)-vii, (viii-blank), (1)-112 pages, 12 plates. American Imprints 28364 (locating 1 copy); this edition not recorded in OCLC. The rare, privately-printed edition rendered highly desirable by the folksy drawings of the uniform worn by the Washington Rifle Company of Philadelphia in the War of 1812, including coat, hat and military cap with notes, all drawn with ink on the front “blue board” cover of the work. The title page is inscribed with the name of the probable artist, the unit’s commander: “Wm. Lippincot / Augt. 30. 1814 / First Indpt[?] / W R Company.” Very few drawings or details exist for American uniforms worn during the war that are contemporary to period. PROVENANCE: Purchased from Michael Kvietkauskas in APR 2012. CONDITION: Very good, some edge wear to the covers and spine; uniform toning to the pages. 900 - 1,500
1194 - AN IMPORTANT, UNPUBLISHED MANUSCRIPT ORDER BOOK FROM THE DEFENCE OF BALTIMORE, 1814 Manuscript Orderly Book kept by John J. McCulley, 1812-1814. Leather spine with marbled board, folio, approximately 70 leaves or 140 pp., nearly all completed with military orders, arms and equipment returns, forage reports, and muster and payrolls, as well as extracts from a military manual. Frederick men answered the call to duty in defense of their country during three campaigns during the War of 1812. The first was when a company of drafted militia from Frederick was ordered to Annapolis, along with another from Hagerstown. Under the respective commands of Captain Thomas C. Worthington (Frederick) and Captain Thomas Quantrill (Hagerstown), the two companies left Frederick together on August 25th, destined to garrison Forts Madison and Severn, the two forts defending state capitol from British attack. They served in this capacity until the close of the year, when they were relieved by regular troops. Returning to Frederick in early January 1813, Worthington’s Company was escorted into town by the Frederick Blues and the Frederick Artillery. “The men were in high health and spirits, and all in uniform”, recorded the Frederick Gazette’s correspondent, who noted that “Regular troops, in long training, could have not moved with more precision, nor evince a higher sense of discipline, than the above companies when marching through the town to the [Hessian] barracks.” John J. McCulley was 1st sergeant of Worthington’s company, was due much of the credit for their superb training and deportment, having been an NCO in the Frederick Blues previously. Among other duties, he was responsible for keeping this “orderly book” for the unit, in which all orders received were recorded and in which he also kept muster rolls and returns for the company. With a new British threat against Maryland in August 1814, detachments of Frederick militia were mobilized to respond and on 24th--while the battle of Bladensburg was raging and the Capitol in Washington subsequently burned, McCulley again marched out with a Frederick company called into Federal service, this time that under command of Captain George W. Ent. Just before leaving, they drew from “Mr. Jacob Metzger, armourer at Fredk. Town, ninety nine complete Stand of Arms” as recorded by McCulley in this orderly book. Marching to Baltimore, the company was sent to Hempstead Hill, on which they were detailed to help in the building of earthworks in anticipation of imminent attack. Witness to the bombardment of Fort McHenry and the “Star Spangled Banner”, they remained on military duty in the city until the close of October, when they marched home and were discharged, chronicled in the final pages of this book. One of the men serving with McCulley in this company was Peter Mantz, first cousin of David Mantz, who had also marched to Baltimore with another company and whose 1766 French musket is also in this sale. Entered between the various orders for both campaigns are muster rolls, arms, equipment and ration returns for company members, to which each soldier’s signature or mark is appended. 4,000 - 8,000
1195 - MARSHALL’S ROYAL NAVAL BIOGRAPHY. 8 VOLS. (1823-1831): A NEAR-MINT SET.
Marshall (John). “Royal Naval Biography; or, Memoirs of the Services of all the Flag-Officers, Superannuated Rear-Admirals, Retired Captains, Post Captains and Commanders, whose names appeared on the Admiralty List of Sea Officers at the Commencement of the present year.....” London, printed by W Pople for Longman, Hurst, Rees, Orme & Brown, 1823-31. three vols + supplements (8 bound titles in all). In original printers blue boards, with white paper labels on the gray spines. An important collection, containing detailed biographies of all of the officers of the Royal Navy that received rank above Commander during the Napoleonic epoch, with much autobiographical information interspersed.
CONDITION: A near mint set, as issued; covers virtually have no damage, internally bright, clean and crisp; slight amount of scattered foxing on some end papers in various volumes. 700 - 1,200
1196 - RARE BENJAMIN HUGER-TRANSLATED ARTILLERY TREATISE FOR THE U.S. ARTILLERY, 1828. Memoir on Artillery. Metz. Lithography of Dupy and Savernier. Rue Precheresses. 1828. In original blue board paper wraps, 81pp. and 2 folding plates. Inscribed on cover in ink “R. L. Baker” and “Memoir on Artillery / translated by / Lieut Huger / U.S. Artillery”; title page bearing the signature of “Major [Rufus L.] Baker / Ordnance.” An exceedingly important, early military treatise not listed in OCLC and probably the only surviving copy of an exceedingly small private printing. The text on the cover is in the hand of the translator and the entire text within the book is a lithographed copy of Huger’s handwritten translation of a French treatise on horse on light artillery. On the inside of the back cover is a handwritten formula for preparing “Algerine Cement.” The two folding plates are from the French manual, the first showing a new stock-trail fieldpiece and limber of the new French system and the same from the long-established Gribeauval system with split-trail carriages; the second plate contrasts the new limber with attached caisson against the long “wurst” type wagon of the former system. Benjamin Huger (1805-1877) was born into one of the leading families of the Charleston, SC society; of Huguenot descent, he was fluent in French. In 1821 he entered the U.S. Military Academy and graduated eighth out of 37 cadets four years later. On 1 JUL 1825 he was commissioned a brevet second lieutenant, then promoted to second lieutenant in the 3rd U.S. Artillery on that same date. He served as an “acting topographical engineer” until 1828 when he took a leave of absence from the Army to visit Europe from 1828 to 1830, almost certainly accompanying Lieutenant Daniel Tyler who had been sent in an official capacity to observe the French Gribeauval artillery system and sent back 300 lithographic copies of the official manuals governing field and heavy artillery. At the same, France had decided to discard the system and adopt stock-trail carriages based on the English system and Huger’s translation of a manual advocating the advantages of such a system was apparently presented by him to leading officers in the U.S. artillery and ordnance branches, among them then-Captain Rufus L. Baker –this sole-surviving Huger translation being his copy. PROVENANCE: LTC Rufus L. Baker and by descent in the Baker-Weir family until 20 May 2016, when acquired as lot 16 of Boyd Auction’s sale of the family collections. CONDITION: light soiling and scattered chipping to the covers, the internal contents very good, with light toning and foxing. 2,000 - 4,000
1197 - SYSTEM OF FIELD ARTILLERY 1829 [AND] IMPROVEMENT OF ARTILLERY 1841
A SYSTEM OF EXERCISE AND INSTRUCTION OF FIELD ARTILLERY, INCLUDING MANOEUVRES FOR LIGHT OR HORSE-ARTILLERY. Hilliard, Gray, Little and Wilkins, Boston, 1829. First edition. 78 pages, with 56 plates depicting maneuvers (collated complete). Modern binding with leather spine and marbled boards, with red morocco and gilt label on spine. “Published by the Department of War, under the authority of an act of Congress of the 2nd of March, 1829.” The committee which prepared this manual included Winfield Scott, William H. Sumner and Zachary Taylor. CONDITION: Very good, the binding very fine, pages and plates bright and clean. [WITH] “Documents Relating to the Improvement of the System of Artillery. March 2, 1841.” Washington DC: US Senate, 26th Congress, 2nd session, [document] 229, 1841. 111 pp. + Index. String-bound report on the results of a board of ordnance officers of the United States Army on their travels to European arsenals throughout Europe, examining methods of casting cannon, fabricating carriages, ammunition and small arms, with recommendation. The report also details arms and equipage, plans and drawings acquired overseas and shipped back to the United States both for study and for actual issue. Invaluable reference to historians and collectors of 19th century arms and accoutrements. CONDITION: Very good, a bright and clean copy. 350 - 700
1198 - THE LONG-LOST ORIGINAL MANUSCRIPT OF SIR JOHN MOORE’S MANUAL FOR THE 52ND LIGHT INFANTRY, C. 1803
[Manuscript]. “Peculiarities in the Drill of the 52nd Regt: Lt: Infy: as ordered by Sir John Moore K.B. &c &c.” 56 pp. A “blank booklet” of c. 1803, string-bound, 6 5/8 c 4 1/4 in. with period calf wrapped over the original blue paper and glued down. Approximately 2/3rds of the leaves are filled with ink text in a fine clerical hand, the remainder blank. The text appears to be the manuscript draft of a manual, possibly intended for publication or the master copy kept by the commanding officer or regimental adjutant. It covers the new modifications to British infantry drill first introduced into Sir John Moore’s 52nd Regiment of Foot when it was converted into a standing regiment of light infantry during the Napoleonic Wars. The modified manual of arms and maneuvers recorded herein were those first introduced at Moore’s famous Camp of Instruction at Shorncliffe in 1803, but previously unknown to scholars; no other copy or notice of such a work has been cited in all the leading books or studies published over the last two centuries to date on Sir John Moore’s system of light infantry training. Acquired from Paul Fortier in 2002. CONDITION: Very good, with pages bright and clean; cover separating from booklet and has edge wear and chipping to the fold, otherwise fine. 2,000 - 4,000
1199 - THE MADRAS GUNNER (LONDON: 1808): IMPORTANT NAPOLEONIC ARTILLERY MANUAL.
[Anonymous]. “Rules and Instructions for the Guidance of Officers and Non-commissioned Officers of Artillery, in the Field and on Other Occasions, respecting the Use and Management of Guns, &c. Under Their Charge; or which they may be attached. Particularly adapted to the Service in the East Indies.” (Short title: The Madras Gunner.) London: Printed for John Stockdale, Piccadilly. 1808. xi, 138 p., 4 folding plates, 25 folding tables, 3 ½ x 5 ½. Original ½ leather re-backed, marbled boards, gilt title on spine. Scarce. CONDITION: excellent, pages and plates clean and bright. 800 - 1,200
1200
- DOUGLAS, SIR HOWARD. “A TREATISE ON NAVAL GUNNERY.”
London: John Murray, 1829. Second Edition. Quarto, with several tables in the text, 5 folding engraved diagrams and 4 folding tables; Contemporary marbled boards, but quarter bound in modern cloth. A clean and complete, highly desirable copy of a classic work in its most important edition. Son of Rear-Admiral Sir Charles Douglas, Sir Howard Douglas (1776-1861) enjoyed a distinguished military career and developed a well-earned reputation for enquiry and innovation. By 1811 he had perfected and patented ‘Douglas’s reflecting circle’; in 1816 he published an important study of military bridges and in 1819 a treatise on Carnot’s system of fortification. He then turned his attention to naval matters and produced the first edition of his famous volume on naval gunnery in 1820. It is a comprehensive study covering theoretical, practical and tactical aspects and its impact was significant. Its success, both at home and in translation, led eventually to the establishment of ‘H.M.S. Excellent’ as a gunnery training school. Douglas consulted closely with Sir Philip Bowes Vere Broke of HMS Shannon vs. USS Chesapeake (1813) fame regarding the system of gunnery he developed and used aboard HMS Shannon during the Napoleonic Wars and War of 1812 and incorporated this information into the 2nd, revised edition--considered the most important to naval and ordnance historians focused on the Age of Fighting Sail. CONDITION: edge wear to the binding, notably the bottom of the boards; internally remarkably crisp, fresh, clean copy. 500 - 750
1201 - NAPOLEONIC TREATISE ON FORTIFICATIONS.
Noizet de Saint Paul, Gaspard. “Traite Complet De Fortification, Ouvrage Utile Aux Jeunes Militaires Et Mis a La Portee De Tout Le Monde.” Paris: Barrois l’aine, 1817. 502 pp.; ii, 280 pp. 8vo. 71 plates. Extremely rare 3rd Edition, “reviewed, corrected and enlarged.” Modern hardbound with leather and gilt spines and new endpapers, over the original publisher’s marbled paper covers, which have vols. 1 and 2 bound together, and the plates bound separately, which are listed as a 3 volume set in the modern binding. Original front endpaper inscribed in French: “From the library of Czar Alexandre Pavlovich” [Czar Alexander I (1777-1825)]. First published in 1792 and republished in 1806, this post-Waterloo third edition encompasses new techniques and practices developed and observed during Napoleon’s campaigns through Europe. CONDITION: Very good, the contents clean, bright and complete, with some scattered light pencil marks (mostly short lines to highlight passages) in the margins. 400 - 800
1202 - FRENCH NAPOLEONIC 2ND HUSSARS JACKET WITH LATER 19TH C. ALTERATIONS
A hussar dolman made in the fashion of the French 2nd Regiment of Hussars of the 1st Empire, of brown broadcloth with sky blue facings, heavily trimmed with white braid. Made of the correct materials and cut in the early 19th century manner, it might possibly be an original with later alteration, as it was cut-down to fit a smaller size. Whether early 19th century or a later, properly cut and tailored reproduction, in its present state it can be dated to 1880-1900 period based on its ball buttons, which are all back-marked “R F & Cie. 1711 Paris.” Historical artists such as Detaille and Meissonier are known to have used altered originals and quality reproductions as modeling props while working on their magnificent paintings of Napoleon’s Imperial Army. CONDITION: Very good, period alterations as noted; a few moth nips and some edgewear and light soiling to the lining. 1,000 - 2,000
1203 - NAPOLEONIC UNIFORM JACKET OF THE ROYAL MAYLOR CAVALRY, 1803-1815..
The body is constructed of deep indigo blue superfine and faced on collar and cuffs with scarlet. It is beautifully trimmed across breast with long, false buttonholes of 1/8 in. W, silver soutache braid, ending in crows-feet at the outer ends, with 3 rows of slightly-domed, 11/16 in. silver buttons bearing the Prince of Wales feathers flanked by R and M and surmounting a scroll bearing the motto “ICH DIEN” (I Serve) and backmarked “SPENCERS * EXTRA”. 19 buttons at breast closure and 20 in the outer rolls, there being an extra braid set towards the shoulder, not buttoning at the breast. Similar silver soutache edging and trim work can be found on the collar, sleeves and around seams behind. The body is innerfaced on breast and waist with a relatively fine, white shalloon, with a body and sleeve lining of off-white linen. There is a diagonally-set, slashed pocket on the inside of the left breast. A Welsh corps, the Royal Maylor Cavalry was formed in 1803 by Sir Richard Puleston in the 100 of Maylor which is a detached portion of the country of Flint in the year 1803. The Royal Maylor Cavalry were part of what was known as the Maylor Legion, which consisted of four Troops of Cavalry and several Rifle companies. The uniform buttons are R.M.C and not R.M.Y. That is because the Royal Maylor were then cavalry contingent of the Legion. When the Maylor Legion was dissolved, the Royal Maylor Cavalry were renamed the Royal Maylor Yeomanry, which then disbanded in 1828 but were reformed in 1830 and again disbanded in 1837. CONDITION: Overall very good, some staining to the lining near the neck; a few scattered insect nips, mostly in back and under-sleeve areas; some small areas of darning on the upper sleeves, that appear to be period mends.
3,000 - 5,000
1204 - NAPOLEONIC COLOUR SERGEANT’S BADGE OF THE 25TH FOOT.
The rank of “colour sergeant” was first established in British infantry regiments by royal warrant in 1813 to reward long-serving sergeants. A single colour sergeant was appointed to each company and served as the senior NCO and a handsome badge for colour sergeants was introduced at the same time, this being an extremely rare survivor from the Napoleonic War era and measures 5 1/2 x 3 7/8 inches. It consists of a scarlet cloth ground backed by linen, upon which is worked two crossed swords over the 1801 “Union” standard of Britain, surmounted by the crown of King George III. We know that this particular example was worn by a colour sergeant in the 25th Foot, a Lowland Scottish regiment, as it bears crossed sprays of Highland thistle at the bottom with “MINDEN” above, over the staff of the flag, both worked in silver embroidery. The thistle was the regiment’s traditional device and the 25th received a coveted battle honor and title awarded to it by the King, for breaking the French center during the battle of Minden in 1759. CONDITION: approximately 15% of the scarlet cloth ground has been lost to insect graze, exposing the original linen backing below, but the embroidery work is in very good condition for its age; not examined
1205 - NAPOLEONIC BRITISH UNIFORM PRINTS: 4 FRAMED PERIOD WORKS.
1) “Admiral.” Colored etching by J.A. Atkinson, pub. 1 January 1805 by Wm. Miller, London, 13 ¾ x 10 3/8 in. John A. Atkinson (1775-1861) specialized in military and genre subjects and his colored etchings of naval dress are among the most prized, as they are accurate depictions taken from life by a talented observer, rather than stereotypical caricatures of ‘Jack Tar’ as found in most of the popular prints and cartoons of the period. 2) [British Heavy Dragoon]. Colored etching by Atkinson, pub. Jan. 1813, 7 1/2 x 5 1/2 in. (view). 3) “...First Regiment of Life Guards...” Hand-colored line drawing, 9 x 6 3/4 in. (view), published in the Military Magazine, London, 1798. and 4) Dubourg after Denis Dighton. A Corporal of the 13th Dragoons Killing a French Colonel. Hand-colored aquatint, 8 x 12 in. (view). CONDITION: Print 1 is excellent, 2 very good, 3-4 with light toning and a few spots of foxing on 4. 300 - 500
1206 - NAPOLEONIC BRITISH SERGEANT’S JACKET, 1802.
An extremely early example of a British volunteers jacket, made at about the same time that the British Army issued new regulations changing over from long-skirted, lapeled coats to short skirted, single-breasted jackets. In cut, the coat still has the broader back of the late 18th century, but the tailor has adopted this cut to fit the new profile. These earlier British jackets were often extremely high-waisted, so that the waistcoat could still be seen below. The jacket is made of scarlet broadcloth, faced with yellow. It has a 3 1/4 in. H standing cape and 2 1/2 in. W cuffs. The jacket’s buttonholes and edging are made using 5/16 in. W, worsted, twill-wove tape. The use of narrow lace of this type and the scarlet color, as opposed to a brick red color and 1/2 inch lace, usually indicated a sergeant’s coat vs. enlisted--but with volunteer corps, one can never be certain. The functional pockets are set above the nominal pocket flap as with regular army uniforms and the half-turnbacks are cut from white broadcloth. An anonymous note from the late 19th or early 20th century that accompanies the jacket states that it was the “Coat worn by my Great Grandfather John Ling when he joined the [torn-out]rs for the Defence of England during the time that the Country was threatened by Napoleon Bonaparte in 1801-2-3-” CONDITION: The lining is missing from coat and looks as if it might have been removed during the period; the jacket has usage wear, including light soiling and staining; there is some loss to part of the lace and cloth on the left cuff and underside of the right, with a handful of scattered nips elsewhere; a period repair patch can be seen on the upper left breast near armhole. 2,000 - 4,000
1207 - [NAPOLEONIC COSTUME]. 1824 BOUILLY CARICATURE, “LES MOUSTACHES”.
Colored lithograph by Delpech after drawing by Boilly, published in Paris, 1824; 10 1/8 x 8 1/8 in. (view), conservation-matted with UV glazing within 18 ¼ x 16 ¼ in. frame (not examined outside of frame). Louis-Leopold Boilly (1761-1845) was a gifted French portrait and genre painter, who became famous with his expressive depictions of caricature. This hand-colored lithograph was part of the series “Recueil de grimaces” (A Collection of Grimaces) published between 1823 and 1828. The works began as studies of expression, but the artist soon expanded the series to parody the social types ranging from beggars to lawyers and art collectors. Boilly’s Grimaces were created and sold in separate sheets rather than bound or in portfolio and are usually not recorded in databases. While these prints were extremely popular, complete sets of the 96 prints are extremely rare with only two currently known in institutional collections. This view, “les Moustaches”, was one of the most popular of the series and features three mustachioed and uniformed veterans, all grenadiers and formerly of Napoleon’s Grand Army. One confronts and attempts to remove the “lip beard” from a young man who has also taken to growing facial hair, the newest rage among the fashionable set. The previous decade, mustaches were rarely sported by any but military men and by long tradition, was an unofficial emblem of the elite grenadiers. 200 - 400
1208 - SWEDISH MODEL 1801 PIKE.
The Swedish introduced innovations to their pikes during the Napoleonic period by adding a 4 in. diameter, sheet-iron, cup-guard to protect the hands from the slashing of opposing cutlasses and extremely long side ears, to prevent an opponent from cutting off the pike’s head in combat. Both the head, shaft and guard retain much of their original japanning. An identical example is known from the Gilkerson collection. Overall length: 87½ in.; head: 7 ½ in. (plus 23¾ in. straps). Purchased in Sweden, 2002. 500 - 1,000
1209 - FRENCH-MADE, OFFICER’S SABER OF THE WAR OF 1812 ERA.
This short saber is a French-made light infantry officer’s saber of the Consular and early Empire period (sometimes called the Model 1800 by collectors, which was roughly the date that this pattern hilt first was introduced)—a form that became popular among American naval and military officers as a practical fighting weapon during the War of 1812. Despite the Royal Navy blockade of the American coast, French imports, including fine swords and officer accoutrements, continued to be brought into American ports in the hulls of swift-sailing merchant vessels that had eluded British capture. Similar swords are depicted in the portraits of American naval heroes Commodore Oliver Hazard Perry (victor of the Battle of Lake Erie) and Samuel Chester Reid (captain of the famous American privateer, The General Armstrong), both painted by John Wesley Jarvis in 1815. The 27 - 3/4” gently curving blade with a wide central fuller that runs nearly the full length of the blade; bottom half of the blade about the ricasso decorated with fire bluing and gilt motifs including florals and stands of arms. D guard with langets, checkered grip of ebonized wood, and fluted pommel. Original throat but original scabbard and drag missing, the tooled leather scabbard is period, but clearly added at a later date. CONDITION: Blade very good, polished in the European manner over some scattered darkness. Retains approximately 75% of the fire bluing, with losses to spine and sharp edges; gilding very good, some motifs obscured by patina. Grip with some minor chips. Scabbard leather very good, but with crazing throughout. 1,000 - 2,000
Rare pattern cutlass of the French Revolution-Directory Period as would have also been encountered by American sailors in combat during the Quasi-War with France, 1797-1801. Hilt consists of a brass stirrup-guard with integral half-langets (each bearing illegible touch-marks) and a lozenge-shaped quillon; its brass pommel cap is flat and the blade tang secured to it with a diamond-shaped button; and leather-covered, wooden grip of squarish section, with two strands of double-twist, brass wire set in its spiraled groove channels. The slightly curved, wide-fullered blade is 23.5 inches long and 1 .75 inches wide at ricasso, terminating in a clipped point with a 5.5 inch false edge. The blade is etched It is engraved on the upper third of each face and spine, the left face with the letters “K F V” [?] and the right with “FL / C [?]within an armorial border surmounted by a moon and star. JLK 1,500 - 2,500
1211 - FRENCH CUTLASS OR “SABRE DE BORD” BY MANCEAUX, 1790S
An extremely rare French “sabre de bord” or naval cutlass of the Revolution-Directory Period (1789-1799) of the type known to have been encountered in shipboard actions during the Quasi-War and later reutilized by their American captors. This handsome and robust sidearm features a hilt that includes a cast-brass, stirrup guard with integral, rounded half-langets and a lozenge-shaped quillon. Deeply stamped at the junction of its crossguard and knucklebow on the right face is the maker’s mark, “MANCEAUX ET EUR” (for “Manceaux Entrepreneur”) and the rooster inspection mark of Klingenthal (employed between 1793-1799) is impressed on the outer face of the knucklebow, which is flat with faceted edges. The brass pommel cap is flat and the blade tang secured to it with a diamond-shaped button. The wooden grip has spiraled grooves and a squarish cross-section, covered in leather and with two strands of double-twist, brass wire set in its channel grooves. The long, wide-fullered blade is 23.5 inches long and 1 .75 inches wide at ricasso, terminating in a clipped point with a 7.5 inch false edge. The blade is decoratively stamped and engraved down its full length on both faces with floral sprays, the moon, stars and rising suns, while the spine is stamped with 8 pointed stars from guard to false edge. There are large patches of oxidation on the mid-section of the blade, probably due to “scabbard freeze.” JLK 1,500 - 2,500
1212 - FRENCH MODEL 1767 GRENADIER SABER OR “BRIQUET”.
The flat slightly curved blade is etched “GRENADIER” on the left side and with the royal cipher of King Louis XVI on the right, being 2 inverted “L”s; there is a touchmark near the right ricasso that denotes production in 1782, while the spine of blade engraved “M=ture R=le D’alsace” denoting the royal manufactory of edged weapons at Alsace. Standard cast-brass, two-piece hilt of standard form. CONDITION: Very good overall; blade retains a mostly polished surface with scattered areas of pitting and darker patina; hilt shows some light wear and scattered marks. 800 - 1,200
1213 - SHORT SABER OF THE FRENCH GARDE NATIONALE, 1790-1792.
The slightly curved blade has a thin narrow partial fuller along the spine on both sides and a wide shallow fuller below on both sides. The right side has a gilded square at the ricasso with a fleur-de-lys set in a gilded panel and a large, etched and gilded inscription “Garde Nationale”. The opposite side features gilded engraved arms motifs, foliate scrolls, and a corresponding gilt panel with fleur-de-lys at the ricasso en suite. The spine of the blade is inscribed “Klingenthal” on a gilded ground. The hilt is cast in 2 pieces, the first being a brass stirrup hilt guard has a pillow-shaped quillon and half-langets extending into the grip; the second being the brass lion pommel cast integral with the channeled grip. The Garde Nationale was established in 1790 with the Marquis de Lafayette serving as its first commander-in-chief and the existence of the royal “fleur-de-lys” on the blade proves that this arm was made no later than 1792, the year that the monarchy was abolished. CONDITION: Completely as found and untouched, blade retains a dark heavy patina with most of gilt decoration still remaining. Hilt retains a dark brown mustard patina and shows a series of small dents to the backstrap. Hilt is tight to blade and tang undisturbed. An attractive French 18th century sword. Ex. collection, William Myers.Blade Length: 26-1/4”Overall Length: 31-1/2” 900 - 1,500
1214 - (A) FLINTLOCK BRITISH NAPOLEONIC VOLUNTEER’S MUSKET
Napoleon’s planned invasion of the United Kingdom at the start of the War of the Third Coalition, although never carried out, was a major influence on British plans for homeland defense and led to the rebuilding and mobilization of militia units, as well as the formation of a multitude of volunteer corps of horse, foot and artillery naval strategy and the fortification of the coast of southeast England. Britain essentially remained an armed camp, except during brief intervals of peace in Europe, until 1815. The gentlemen who joined such “white glove” infantry corps wanted lighter arms than the heavy Land and India musket patterns furnished the militia and various patterns were produced by British gunmakers to supply the demand. This fine volunteer’s musket has a 39 in. L barrel of 0.78 caliber (unmarred) bore with double-struck Tower private proofs near breech, but the lock and brass mounts slighter and the walnut stock less robust than with an India musket. This musket is in VG condition, bright finished with some light surface rust to iron parts and a few handling marks in the wood. The edged, round lock is excellent working order, with a ‘crown/GR’ before the cock and a flat ‘S’ sideplate opposite it. 1,500 - 2,500
1215 - (A) INDIA PATTERN MUSKET OF THE 5TH LINE BN, KINGS GERMAN LEGION
In 1809, the “ring-neck” or reinforced cock was introduced to replace the earlier goose-neck form, along with a few other modifications, including a simplified trigger; these minor improvements to the India Pattern musket remained unchanged through the balance of its production period. This was the standard issue arm for most British Army foot soldiers and their Portuguese and German allies during the latter part of the Peninsular War. This example has had its metal parts brightened and stock refinished, but otherwise complete and in very good working order; associated bayonet of correct pattern, bearing Ordnance inspection mark and maker’s name ‘HILL’. On the triggerguard is original period engraving: “V L B C 2 No. 142”, denoting it was the 142nd musket issued to Company 2 of the 5th Line Battalion of the King’s German Legion (KGL). The KGL were composed of German troops from George III’s principality of Hanover, who had escaped the French after their homeland was overrun in 1805 and considered among the best troops that served the Crown. The 5th BN organized and trained in Ireland, then fought at Copenhagen, Portugal, Spain and France and was part of the occupying force in Belgium at the beginning of the Waterloo campaign. On 18 June 1815, during the Battle of Waterloo, the battalion was nearly wiped out during the fighting in the center of Wellington’s battle line, in the wake of the so-called ‘crisis’. Around 6 o’clock the Prince of Orange ordered 5th to attack the French infantry, who were pursuing the Allied troops retreating from La Haye Sainte. Its commander had noticed French cavalry nearby and protested the order, but he was told to obey and advanced on the French infantry, who retreated after they gave fire. However, charging through the gunsmoke came a regiment of French cuirassiers, who charged into the flank and rear of the 5th Line BN, who with unloaded muskets, were cut to pieces. 4,000 - 6,000
1216 - (A) A CAPTURED, ROYAL ARTILLERY MUSKET ISSUED TO THE MASS. MILITIA, WAR OF 1812
The India Pattern was a shortened and simplified musket first introduced into the British Army in 1793, which became the standard British infantry weapon from that point forward and through the entire first quarter of the 19th century. It was the workhorse arm of all foot troops in the British Army during the Napoleonic Wars and War of 1812. This particular example of the Type I or pre-1809 configuration with goose-neck cock, was originally issued to the 6th Battalion of the Royal Artillery Regiment and following its capture in battle or perhaps at sea, became part of the Federal arms supply. India Pattern muskets were used by most US Artillery units in preference to the US Model 1795 muskets, as well as the US Marine Corps. During the invasion of the Maine District in 1814, India Pattern muskets were also issued out to the Massachusetts militia during the resulting arms crisis. This fine example bears the original markings of the 6th Battalion, Royal Artillery Regiment engraved on top of the barrel, with ‘MS” stamps on barrel and stock to denote later state ownership (500 of these being transferred to Maine when that district became a state in 1820). A fine example in very good working order with an associated, original India Pattern bayonet fitted to the piece. 2 pieces. 6,000 - 9,000
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1217 - (A) BRITISH NEW LAND PATTERN MUSKET WITH 42-INCH BARREL.
Incorporating some of the improvements first introduced with the experimental Duke of Richmond muskets, the ‘New Land Pattern’ muskets were introduced following the Treaty of Amiens (1802) to supplant the India Pattern musket temporarily adopted as an expedient arm during the 1790s. However, production was just underway when conflict renewed and the New Land muskets were never produced in sufficient quantity to replace the India Pattern muskets army-wide, despite their obvious superiority. There were two versions: the “New Land Pattern Musket” and the ‘New Land Pattern Light Infantry Musket’. Both featured key-fastened, browned barrels, bayonets with springs, and discarded the handrail butt of earlier Tower muskets. The former (of which this is an example) had a 42-inch barrel, while the latter had one of 39 inches with rear sight. By 1808 sufficient quantities of the New Land Musket had been produced to rearm the entire Brigade of Guards and other elite corps. The New Land Pattern series saw only limited postwar production--just completion of wartime contracys--due to the massive stockpile of India Pattern muskets on hand; as a result, New Land muskets are rarely encountered in collections today. CONDITION: Two of the barrel keys are recent replacements, while the barrel is probably rebrowned. Original flint and in good working order. 3,000 - 6,000
1218 - (A) ID’D HONOURABLE ARTILLERY COMPANY FLINTLOCK MUSKET.
A fine volunteer’s musket of the Napoleonic period as carried by a member of the elite Honourable Artillery Company of London (HAC), which during this period consisted of an artillery company, called the “Matross Division”, plus a battalion of infantry consisting of eight line “divisions” or companies, one light infantry and one rifle company. This smoothbore, flintlock musket in its original configuration has a 39-inch long, tapering, round barrel of 0.77 bore, pin-fastened but with hooked breech. It bears “LONDON” engraved near the breech, as well as London Gunmaker’s Company view and proof marks to the left opposite the vent hole. The lockplate, 1 1/8 x 6 inches, is flat with beveled edges and has the maker’s name, “BECKWITH” stamped into the plate under the bridled pan. The maker is almost certainly William Andrew Beckwith, who was free of the Gunmaker’s Company in 1801 and contractor to Ordnance Board and the East India Company. Located at Skinner Street, Snow Hill from 1802, he was elected Master of the Gunmakers’ Company in 1808,1814,1825 and 1840 (the year before his death). The lock has a rollered frizzen spring and the gooseneck cock is furnished with a rather unique upper jaw configured to also serve has a flashguard to the pan. The brass mountings consist of a buttplate and triggerguard of Short Land form, with flat, triangular sideplate, a nosecap, and three ramrod pipes. The sling swivel and iron ramrod are original, the latter bearing issue markings: “N.W / 9”, signifying that this was musket issue 9 to the Northwest Division of the HAC infantry battalion. On the sideplate is engraved “W. H. Browning.” Correspondence with HAC Archivist Justine Taylor in NOV 2021 has revealed that this arm belonged to William Hardwicke Browning, who was 18 when admitted to the Company as a cadet on 16 June 1808 and elected sergeant in the 2nd Company the following year. The figured, walnut ¾ stock has the number “2” superimposed over “4” stamped on the underside behind the triggerguard (which may relate to Browning’s service with the 2nd Company, with the arm renumbered 4 for that unit; he remained a member with HAC until 1832). CONDITION: very good overall; lock in good working order; the lockplate and cock were originally blued, but no traces remain. The iron parts a pleasing gunmetal grey, with light freckling, while the stock with only a few, scattered, light dings or bruises. 3,000 - 6,000
The New Land Pattern Light Infantry Musket was in production by at least 1803 (not 1811 as earlier believed) and the first corps to be armed with it were the 52nd and 43rd Foot of the famed Light Brigade, then being retrained as light infantry regiments at Shorncliffe under Sir John Moore. It differed from the standard New Land Musket by having a 39-inch vs. 42-inch L barrel of 0.75 bore, a rear sight and a rifle grip on the triggerguard. The 85th Foot of Bladensburg fame was issued the same arms when it was converted to a light infantry regiment in 1809. Other British troops during the Napoleonic Wars known to have been armed with NLP Light Infantry muskets version include the Light Infantry Battalions of the King’s German Legion (KGL), the Cacadores (Portuguese Light Infantry), the Light Companies of the Brigade of Guards, the 71st Highland Light Infantry, the Glengarry Light Infantry (Canada 1812-15), the Independent Companies of Foreigners (Norfolk 1813), the Newfoundland Fencibles (Canada 1813-1815), and the 7th Battalion/60th Foot (Canada 1814-1815). The NLP Light Infantry Pattern musket saw only limited postwar production and most that remained in Ordnance stores were cutdown and altered into sergeant’s carbines, so complete originals are extremely rare today. The tang of the buttplate on this example is engraved ‘3” C. B. A. 33’, signifying that this is musket 33 issued to Company A of the 3rd Cacadores Battalion. The Cacadores (“hunters” in Portuguese) were the elite light infantry troops of the Portuguese troops that fought with Duke Wellington in the Peninsular War and became especially notable in the performance of marksmanship at long distances. The ‘Iron Duke’ referred them as the “fighting cocks” of his Anglo-Portuguese Army. This example is a nice specimen in good condition, with pleasing grey patina to the iron parts, the walnut stock in good condition less the usual bruises and dings, less a stable crack emanating from the termination of the ramrod channel and extending to just before the triggerguard on underside; the lock in good working order. Acquired by private sale in Europe in 2014. Overall Length: 54 3/8 in. 4,000 - 8,000
1219 - (A) NEW LAND PATTERN LIGHT INFANTRY MUSKET OF THE 3RD CACADORES BATTALION
1220 - (A) RARE BRITISH NAPOLEONIC PATTERN 1795 SERGEANT’S CARBINE.
This is an exceedingly fine example of the sergeant’s carbine introduced into the British Army shortly after the adoption of the P1793 India Pattern musket and it is essentially a shortened and lightened version the same, with similar hardware of reduced dimensions. Its relative rarity is due to the fact that it was only issued out the sergeants of light infantry and grenadier companies, those of the battalion companies having pikes instead of firearms. This particular arm was issued to a militia regiment at one point, as evidenced by the barrel marking “8TH NORTH BRITISH MILA” on center top. Breech stamped with crown and private Tower proofs on top. The convex lockplate is stamped “TOWER” at the tail and in the center with large crown over “GR”, small crown stamp below pan. Walnut stock of classic British form, crown over intertwined “GR / 1800” storekeeper’s stamp on right side of buttstock and crown stamps behind triggerguard tang. Standard brass Pattern 1795 carbine furniture, buttplate tang engraved G / I”. Complete with its original iron ramrod and sling swivels. CONDITION: Barrel retains a darkened coat of lacquer, barrel markings visible but worn. Lock bright with excellent markings. Original flintlock configuration and functions properly. Brass has a coat of old lacquer. Stock shows some scattered dents and marks from use, pleasing soft patina. A very nice crisp example of this pattern. 3,500 - 7,000
1221 - (A) A MODIFIED BRITISH 1778 CARBINE FOR HORSE WITH BAYONET (2 PCS.).
In December 1778, 1000 “Carbines with Long Sights” were drawn from the Tower Arsenal and loaded aboard ships of the “Georgia Fleet” bound to Savannah with ordnance, uniforms and other military stores. These carbines were intended for the use of Loyalist light horse being raised in the Southern provinces. The ships of the supply fleet were separated during a gale and some of the ships were captured by American and French privateers, their cargos sold at auction in Boston and Philadelphia. Many of the uniforms, horse equipage and approximately 500 of the carbines originally intended for Provincial light dragoons ended up instead in the hands of Patriot troops, including Lee’s Legion. Legion light infantrymen frequently rode into action mounted behind light dragoons, the infantryman dismounting before reaching the battlefield and forming up to fight on foot. As such, they required a shorter and lighter arm, but one which also mounted a bayonet. In late 1779, 50 “British carbines” were repaired and altered in Philadelphia for issue to the light infantry of Lee’s Partisan Legion, almost certainly drawn from the 500 carbines captured from the Georgia fleet. These carbines were originally “home-stocked” at the Tower; that is, stocked fully to the muzzle and incapable of mounting a bayonet, so the American alterations included removing the sling sidebar and long-bladed foresight of brass mounted near the muzzle, cutting back the forestock and brazing on an attachment stud for a bayonet, which also doubled as a foresight. This is one of two examples of the so-called “Carbine for Horse” that were setup during 1777-1779 by the Small Arms Office at the Tower utilizing the updated 1756/1776 carbine lock (the other, in its original configuration with wooden ramrod, is now in the Royal Armouries at Leeds). Its brass mounts are all of the 1747-1756 carbine form, with the exception of the the distinctive, long, composite “trumpet” forepipe of brass made to resemble two co-joined, short pipes and its tailpipe is lined with sheet-iron, which the Small Arms Office introduced when converting arms originally configured for wooden ramrods to iron ones. The 37 1/4 inch-long barrel is 0.68 bore, has centered Ordnance view and proof marks on the top near the breech, as well as the touchmark “MB” to the left. The lock has “TOWER” engraved behind the cock and before it, faint traces of the “crown/GR” cipher that appears to have been purposely obliterated (probably during its alteration for American use). On the inside of the lock are found an inspection stamp, “crown/1”, various numbers and a maker’s mark “H”--probably for John Hirst. A rear sling swivel is affixed to the front of the triggerguard by means of a short length of brass tubing brazed at that point, with a front swivel just before the middle ramrod pipe. The associated bayonet appears to be an earlier British form of the late 1740s or a well-made American copy, 21 1/4 in. L overall, with a blade 16 1/2 in. L x 1 3/16 in. W, slightly concave on the “flat”. CONDITION: The barrel in very good condition, with dark patina overall and light freckling around the vent area at breech, while the lock is in original flint configuration and in very good working order, although the cock is a period replacement and the original screw for the sear spring inside the lock is replaced with an expedient one of copper, which also appears to be period. The stock was sanded and refinished sometime in the past, but setup marks can be seen in the ramrod channel. A small splinter of wood of wood, approximately 5 x 1/8 inch, is missing on the left upper edge of the forestock from the nosecap backwards. The bayonet is in very good condition, less some period “hammer’ marks on end of socket and elbow, with a pleasing brown patina. 4,000 - 8,000
1222 - (A) NAPOLEONIC ERA SEA SERVICE MUSKETOON BY SHERWOOD.
A slightly smaller version of the Pattern 1802 Sea Service musketoon, this example was a private-purchase or commercial model typically sold to privateers and merchant ships. 37 3/4 inches long overall, it weighs 12 pounds and 9 ounces. It is fitted with a flared, iron barrel of 22 3/4 inches length, bearing the maker’s touchmark “JS” between London Company view and proof marks on the left of the barrel near breech. The lock is a commercial copy of the India Pattern military lock with the maker’s name “SHERWOOD” engraved before the gooseneck cock. The brass mountings are of Sea Service form and the walnut full-stock stops 1/2 inch from muzzle edge, with a stockmaker’s mark “B” behind the sideplate and setup marks in the ramrod channel, the ramrod itself being wood tipped with brass cap. The round crosspiece or pin of a swivel-yoke mount had been set into the stock at its swell, now cut-down to it just clears the wood on each side. CONDITION: the lock with a mottled grey patina and in good working order, the barrel brightened and stock sanded and varnished. 3,000 - 6,000
1223 - (A) TOWER PATTERN 1802 SEA SERVICE MUSKETOON (BLUNDERBUSS)
Heavy blunderbuss, referred to as “musketoon” in Ordnance Board records, as employed aboard Royal Navy ships and boats during the 18th-early 19th century. An remarkably intact and fine example of the rare Pattern 1802 Musketoon is 39 1/2 inches long, with a flared, 24 inch “iron” or steel barrel (brass barreled versions were also produced) and weighing nearly 14 pounds (most surviving examples with a swivel-mount, allowing for mounting and use as a rail gun). The barrel has centered Ordnance view marks above a “[crown[/7” and another inspection/ proof mark above the vent: “[crown]/4”. It is furnished with an India Pattern lock with gooseneck cock, with “TOWER” across the tail and a “[crown]/ GR” before the cock. The brass mounts are all of Sea Service form, consisting of triggerguard, flat sideplate and buttplate, and one large “barrel” pipe for the ramrod, which is of iron. The walnut full-stock terminates in front just 7/8th of an inch clear of the muzzle and bears inspection stamps behind the triggerguard, “XV” setup marks in the ramrod channel, and storekeeper’s stamp of “[crown]/GR/1806” on the right face of the butt. A later arsenal mark (1820s-1830s) is also found stamped on the right, “III.Class.R[eserve]”, with a corresponding “[broad arrow]/ BO” on the left, probably applied at the same time. CONDITION: in very good-excellent overall condition with all original components--possibly never issued out of stores, with lock in crisp, working order and stock with light dings and bruises. 8,000 - 12,000
1224 - (A) RARE BRASS BARRELED BRITISH FLINTLOCK COACH GUN BY HADLEY WITH UNIQUE MECHANISM.
This fine circa 1750 coach gun by renowned London maker Henry Hadley features a unique and barely noticeable mechanism. When the frizzen is closed, a button on the frizzen face can be pushed, and the frizzen can be opened while a steel cover is left in place over the pan, keeping the powder dry and the gun safe from accidental discharge. Once the frizzen is closed and the gun is fired, the cover opens and stays attached to the frizzen. The brass barrel has a flared muzzle with a solid silver teardrop front sight and a hooked breech. The top of the breech is engraved with acanthus leaf designs and has private London proof and view marks as well as “TH”. The top of the barrel has an engraved cartouche marked inside with “H HADLEY CHARING CROSS LONDON”. The convex lockplate is marked “H HADLEY” in the center in block letters. The brass furniture includes an s-shaped engraved sideplate with a face engraved behind the rear lock screw. The trigger guard bow is engraved with a flower and the front finial terminates in stylized fleur-de-lis. Vacant brass wrist escutcheon engraved with a shell at the top and a pendent on the bottom. The buttplate tang is elaborately engraved with florals and foliate designs. The fine walnut stock is of classic Georgian from and is engraved with a relief shell around the barrel tang and panels around the lock and sideplate terminating in teardrops. CONDITION: Very good overall. Barrel retains a pleasing mustard patina, markings very good, proofs show some wear. Lock retains a grey patina and functions well. Brass mounts have a matching mustard patina. Stock very good with scattered minor marks. An attractive coach gun by a prominent maker. 4,000 - 8,000
1225
- ENGRAVED HORN OF JOSEPH UNWIN, DRUM MAJOR OF THE 76TH FOOT IN CANADA, 1814
Cow horn with wooden butt plug, approximately 16 1/2 in. L x 2 3/4 in. diameter (at butt). The horn is a greenish caste and its spout is wrapped with a fine, leather cording, while the plug at base or butt is pine with a wire loop in center for hanging cord. It is engraved with two primary motifs and various other figures. The first scene is a figure of a mounted general officer, surrounded by the following phrase: “LORD WELLINGTON / CONQUERER [sic] OF FRANCE” and the other is the device of the “Hindoostan” or 76th Regiment of Foot, being an Indian elephant above the word “HINDOOSTAN”, surmounted by a crown and under this “JOSEPH UNWIN / DRUM MAJOR” engraved in an upturned arc; with “76 REGIMENT” nearby. Other figures include a cannon over a stack of cannonballs, the Sun and Moon (Old Man Moon face) and various Masonic symbols. After the fall of France in 1814, the 76th Foot was sent to Canada as reinforcements and fought in the Plattsburgh campaign that fall. Joseph Unwin was the drum major of the regiment through the Peninsular campaign and during its service in Canada in the War of 1812. When the regiment returned to Britain after the close of the war, Unwin chose to leave the service and settled in Ontario. Copies of Unwin’s service records convey with this horn. 3,000 - 4,000
1226 - ANNUAL BRITISH ARMY LISTS, 1755-1788. 28 VOLUMES.
“A List of the General and Field Officers, as They Rank in the Army. A List of the Officers…on the British and Irish Establishments….” London, J. Millan, 1756, 8vo, [bound in] Millan’s succession of colonels. London, 1755, 16 pages, later calf gilt, New Club Edinburgh gilt stamp on upper board, heavily rubbed at edges; 1757, 8vo, modern cloth gilt, some ink notes to text; 1758, 8vo, later speckled calf gilt, New Club Edinburgh gilt stamp on upper board, heavily rubbed; 1760, 8vo, modern red cloth gilt, sunned, bookplate; 1761 [later calf gilt, New Club gilt stamp, bookplate]; 1763 [modern red cloth gilt, sunned, bookplate]; 1765 [modern red cloth gilt, bookplate, contemporary ink inscription]; 1766 [modern red cloth gilt, bookplate]; 1767 [later calf gilt, New Club gilt stamp, contemporary ink inscription, bookplate]; 1768 [later calf gilt, New Club gilt stamp, bookplate]; 1770 [modern red cloth gilt, bookplate]; 1771 [contemporary red morocco gilt, New Club gilt stamp, rubbed at edges, bookplate]; 1772 [later calf gilt, New Club gilt stamp, corners repaired, edges splitting, bookplate]; 1774 [later calf gilt, worn, rebacked, bookplate, ink inscription]; 1775 [later calf gilt, rebacked, bookplate]; 1776 [contemporary red morocco gilt, New Club gilt stamp, heavily rubbed, some leaves loose, bookplate]; 1777 [contemporary red morocco gilt, New Club gilt stamp, bookplate]; 1778 [contemporary red morocco gilt, New Club stamp, rubbed, bookplate]; 1779 [modern cloth gilt, sunned, bookplate]; 1780, 8vo, contemporary red morocco gilt, New Club gilt stamp, backstrip split, heavily rubbed, bookplate; 1781 [contemporary red morocco gilt, New Club stamp, backstrip darkened and rubbed, bookplate]; 1782-1786 [modern red cloth gilt, New Club gilt stamp, faded, bookplates, [1785 volume foxed]; 1787 [contemporary tree calf, rebacked, New Club gilt stamp, bookplate]; 1788 [contemporary red morocco gilt, New Club stamp, backstrip darkened and rubbed, corners bumped, bookplate]. 28 volumes 2,500 - 5,000
1227 - ANNUAL BRITISH ARMY LISTS, 1789-1816. 28 VOLUMES.
“A List of the General and Field Officers, as They Rank in the Army. A List of the Officers…on the British and Irish Establishments….” London, J. Millan. 1789-1799 [modern red cloth gilt, New Club stamps, heavily faded, bookplates, some with ink library stamps to titles]; 1800, modern red cloth gilt, faded; 1801 [contemporary tree calf gilt, worn, upper board loose]; 1802-1803 [modern red cloth gilt, faded]; 1804 [contemporary red morocco gilt, boards loose]; 1805-1816 [modern cloth gilt, faded, 1815 copy lacks backstrip]. 28 volumes. 2,000 - 4,000
1228 - ANNUAL BRITISH ARMY LISTS, 1817-1849. 33 VOLUMES.
“A List of the General and Field Officers, as They Rank in the Army. A List of the Officers…on the British and Irish Establishments….” London. 1816-1831 [modern cloth gilt, faded]; 1832 [contemporary tree calf gilt, worn, boards loose]; 1833-1838 [modern cloth gilt, faded]; 1839 [half calf gilt, boards loose]; 1840 [modern cloth gilt, faded]; 1841 [contemporary tree calf gilt, boards loose]; 1842 [modern cloth gilt, faded]; 1843 [contemporary calf gilt, rebacked, worn]; 1844 [modern cloth gilt, faded]; 1845-1848/49 [contemporary calf gilt, worn, volumes 1845 & 1846 lacking backstrips, 1848 part of backstrip lacking]; and 2 volumes of Harts Army Lists 1848-1849, all volumes with New Club bookplate and gilt. 33 volumes. 1,000 - 2,000
1229 - NAPOLEONIC ERA “BUGBEARS” OF THE 63RD AND 35TH FOOT, WEST INDIES
The Caribbean equivalent to an engraved powder horn, as a soldier’s souvenir of service during the 18th and early 19th centuries. Commonly called “bugbears”, these are carved or engraved coconut shells that were typically used to contain liquor, although there is some indication they also served as flasks for gunpowder on some occasions. The mouthpiece usually has a face carved around it, with mother of pearl eyes sometimes inset, as on the 63rd Foot bugbear in this lot. This shell is 5 1/4 inches long, with a circumference of 12 inches. Carved around the shell is the soldier’s name “H. Woodgate” and regiment “LXIII”, along with depictions of a breadfruit plant, a warship, and a fort. There is a strung bugle device flanked by “63” and “LI”, indicating that the owner served in the Light Infantry Company of the 63rd Regiment of Foot. The 63rd served in the West Indies during most of the Napoleonic period, returning to Britain in 1816. Woodgate appears in the returns of the regiment for this entire period and information on his service accompanies the bugbear. [WITH] A bugbear belonging to a soldier in the 35th Regiment of Foot, 3 1/2 in. L x 7 in. circumference, dated “ANTIGUA 6 MAY 1822” in a circular band around the mouth. Other motifs found on this bugbear include “C HODGES / GRIII” / [regimental device, being an 8-point star with ‘35’ inside]”, the stern of a warship, a tower over the word “PEACE” and a drawing of a soldier above the word “PLENTY”. CONDITION: 63rd bugbear is very good, but the mother of pearl inset missing from one eye; the 35th bugbear has a small crack in it, otherwise very good. 500 - 1,000
SEE WEBSITE FOR ADDITIONAL PHOTOS
1230 - NAPOLEONIC BRITISH INFANTRY OFFICER’S “UNIVERSAL PATTERN” GORGET.
First adopted in 1796 and used through the Napoleonic epoch. Gilded-copper of standard form: a convex crescent with raised edge, the center engraved with crowned GR Cypher within a wreath of laurels, 4 1/4 x 3 7/16 inches. CONDITION: excellent, with nearly all gilding remaining, some very slight rubbing to the left lobe. 600 - 1,200
1231 - BRITISH NEW LAND PATTERN MUSKET BAYONET WITH 43RD REGT. SCABBARD.
While collectors rarely encounter a New Land Pattern musket in its original configuration, the bayonet produced for this arm is a true rarity, a combination of relatively limited manufacture coupled with the fact that a major portion of those produced were destroyed in the Great Fire at the Tower Armoury in 1841. I have only managed to acquire two NLP bayonets in the course of 30 years of searching, both of which are presented in this sale--this example being the superior in condition of these two, spring-mounted bayonets. The triangular blade is 16 7/8 in. L by 1 1/16 in. W at the bridge and the socket is 2 7/8 in. L; the bayonet’s overall length is 20 11/16 in. The only markings that can be discerned on the flat of the blade is the remains of the crown portion of an inspector’s stamp. It comes with an equally rare, associated leather scabbard of the early pattern first produced for New Land bayonets, complete with its original brass mounts of throat with frog button, and long chape and is engraved with unit issue markings for the 43rd Regiment of Light Infantry (one of the first two units to be equipped with NLP arms): “43d/A/2”. 600 - 1,200
1232 - BRITISH LAND PATTERN CARBINE BAYONETS, 1770-1815.
Lot consists of: (A) British Pattern 1773 carbine bayonet with 13 - 1/4” blade. Partially obscured “HADLEY” mark along with “SH” stamp believed to be that of Samuel Harvey, both of whom had contracts for bayonets with the Board of Ordnance during 1776-1783. CONDITION: Overall gunmetal gray patina with some cleaned oxidation spotting. (B) British India Pattern carbine bayonet with 14” blade marked “G-S” at the base. 18 - 1/8” overall. CONDITION: Blade is largely bright with a light patina starting to develop. Marking is crisp. 600 - 1,200
The tapered double-edged blade features a center fuller on both sides. The brass guard is of scarce anchor form with quillons on both sides. Reeded ebony grip with ferrule at base and faceted pommel cap with round capstan on top. The original black leather scabbard has tooled designs on the front and brass mounts. CONDITION: Blade retains a grey patina with some scattered pitting, tip slightly rounded. Brass retains a pleasing mellow patina. Grip has a few minor marks. Scabbard stud absent and leather shows a couple minor losses to surface. 500 - 800
1233 - BRITISH PILLOW POMMEL NAVAL DIRK WITH SCABBARD AND ANCHOR HILT. 1790-1815.
1234 - LIGHT DRAGOON SABER FOR PROVINCIAL HORSE, C. 1781.
Overall Length: 41 ¼ in.Blade: 35 5/8 in. L x 1 5/16 in. WIn late 1780, Loyalist Benjamin Thompson, then Under-Secretary of State to Lord North, received permission to procure and import 500 light dragoon sabers from Solingen, Germany to equip the newly-authorized Kings American Dragoons, of which he was to be the future commandant. Thompson argued that the German weapons were both less-expensive and better-made than those that were made by English cutlers for British light dragoon regiments and could also be procured in less time than in England. The Treasury and Ordnance Board both agreed, the former on basis of cost and timeliness and the latter on the stipulation that the swords must pass the same government proofing tests that the Tower employed on such arms that were English-made. The swords all passed with flying colors and it was determined in 1781, with increasing demands from America for horse equipage and arms to equip mounted Loyalist corps in the South, to procure an additional 2000 additional sabers from Solingen. The 2000 sabers were shipped to America in fall 1781 and while many were issued out and used in the subsequent year’s small actions fought on the outskirts of Charleston SC, Savannah GA, and New York City, still more remained in the Ordnance storehouses until those said cities were evacuated by the British, the arms eventually returning to England. Two examples of this pattern are known bearing blades etched with the appellation, “KING’S DRAGOONS”, which are believed to be those issued to Thompson’s regiment; the balance of known examples still in the Royal Armouries at Leeds are of the same pattern, but with unmarked blades, with the exception of Tower inspection/proof marks, which are the same on all: crown/1 (located on the obverse face or flat of the blade, near the hilt. All of the arms have brass, stirrup-hilts with shagreen-wrapped, channeled, wooden grips—not surprisingly very much like those used by Prussian hussar regiments, but the blades themselves, although of superior German steel, are in the typical form favored by British light horse: slightly curved (nearly straight), long blades with clipped points. Deaccessioned from the Tower of London, c. 1960. JLK 2,500 - 5,000
1235 - 1796 BRITISH FOOT OFFICER’S GALA SWORD WITH KNOT AND SCABBARD.
Officer’s spadroon following British 1796 regulations, with straight single-fullered blade with blued panel displaying gilded floral motifs and panoplies of arms, but of reduced proportions in both blade and hilt. Such “gala” swords were often carried by officers in lieu of their full-sized fighting swords, as they still fulfilled requirements to wear swords on duty or otherwise in uniform, yet were both lighter and less likely to get entangled, for example, on the dance floor at a public assembly, at court, or while on some staff assignment away from troops. Gilt brass hilt with folding counter guard on left side and twisted silver wire-wrapped grip. The sword’s original, tasseled swordknot survives in very good condition, being per 1796 specification of gold lace with centered crimson line. Complete with its original black leather scabbard with gilt brass mounts. Complete with original gilt sword knot. CONDITION: Blade retains about 60% original faded blue and gilt with some scattered frosting. Hilt retains about 75-85% original gilding with some high edge and handling wear. Grip wrap present and complete but slightly loose. Scabbard very good with some minor cracking to surface of leather; gilded brass mounts (throat, middle-band and chape) show generous traces of gilt finish. A very attractive example. Blade Length: 26 in; overall Length: 32 1/2 in. 1,200 - 2,400
1236 - 1796 BRITISH FOOT OFFICER’S SPADROON WITH SCABBARD.
In 1796, a standard pattern sword was introduced for all infantry officers and other foot officers in the British Army, including the foot artillery. It was to have a “brass guard, gilt with gold; with grip, or handle, of silver twisted wire. The blade was to be straight and made to cut and thrust....” Of questionable utility as a weapon of defense and long enough to entangle one’s legs on the march, General Cavalie Mercer recalled that “Nothing could be more useless or more ridiculous than the old Infantry regulation [sword]; it was good neither for cut nor thrust and was a perfect encumbrance. In the Foot Artillery, when away from headquarters, we generally wore dirks instead of it.” It continued in use until replaced by the pattern of 1822. This sword has the popular folding, inner guard and instead of a silver, twisted wire wrap on the wooden grip, has instead a tube of cast-silver over wood, the surface imitating that of twisted-wire--far more practical and durable for a campaign sword. The sword is 37 7/8 inches L, with a 31 1/4 in. L x 1 in. W, single-edged blade with wide fuller. CONDITION: An good example of the 1796 form, with approximately 80-85% of its gilt finish remaining on the hilt, the etching on the blade, including royal coat of arms and left side and crown over GR device on right, largely obscured from heavy cleaning over the years--the blade now a dullish grey. The scabbard leather and the drag of the scabbard are modern replacements. 1,200 - 2,400
SEE WEBSITE FOR ADDITIONAL PHOTOS
1237 - NAPOLEONIC ROYAL HORSE ARTILLERY OFFICER’S SABER WITH SCABBARD.
An extremely scarce saber produced for officers of the Royal Horse Artillery and Rocket Companies, the artillery foot company officers carrying spadroons. The curved blade has a wide shallow fuller on both sides. Both sides feature long blued panels with engraved and gilded designs. The right side features florals, a “WARRANTED” banner, an artilleryman posing with sword against a cannon and a large crown over intertwined “GR.” The opposite side features the coat of arms of the Royal Regiment of Artillery (being the royal crown over a shield bearing three cannon within), a panoply of arms and a banner that reads “REDDELL / & BATE / BIRMING.” Gilt-brass hilt with langets, reverse-P knucklebow and birds-head pommel. Fluted ivory grip. Complete with its original copper-alloy scabbard. CONDITION: Blade retains perhaps 70-80% original blue finish and about 70-80% gilt finish. The undecorated portion retains a light grey patina, some nicks to cutting edge. Hilt retains generous traces of gilt wash, Grip retains a pleasing honey patina, some chipping around pommel and a small chip on right side behind ferrule. Scabbard retains a dark patina and exhibits scattered denting. 2,500 - 4,500
1238 - PATTERN 1804 SEA SERVICE SWORD WITH BO-MARKED SCABBARD.
In 1804, Birmingham cutler Henry Osborn’s proposal to modify the pattern Sea Service Sword was accepted by the Board of Ordnance. Although the pattern specifications have not been located, it is clear from extant examples that the principal changes were an improved grip of cast, ribbed iron and the introduction of a wider, unfullered blade that was also both heavier and thicker--making it altogether a far more effective cleaving weapon. Tens of thousands of these were produced by various contractors between 1804-14, most of which were furnished with scabbards of leather (few of which survive today). This fine example still retains its original scabbard bearing the stamped ownership mark of the Board of Ordnance, being a “broad arrow” superimposed between the initials “BO”, the iron chape or suspension hook appears to be a period replacement. The cutlass is in very good condition, with original japanning largely intact on hilt. The straight, single-edged blade bears crown/GR stamps on each face and measures 28 3/4 x 1 ½ in.; overall length of cutlass is 33 1/4 in. 2,000 - 3,000
1239
- A
FINE GEORGIAN
HUNTING SWORD BY PROSSER, POSSIBLY FOR THE ROYAL FAMILY.
A handsome and unusual British hunting sword and scabbard made in a form resembling a Roman gladius, more typical of some quality Germanic pieces of the 18th century. The sword is 29 1/2 inches long overall, with a single-edged unfullered straight blade of 23 5/8 in. ending in a spear-point and with an 8 1/2 in. L false edge; it is 2 1/4 inches wide at the ricasso--the spine 1/4 inch wide at the same point. The heavy blade is handsomely etched halfway down its length, within a 11 1/2 in. L bordered panel. On the right face is a boar framed by crossed laurel branches, surmounting a stringed hunting horn and below that a panoply of hunting arms, including swords, spears, bow and quiver of arrows and curiously, below that a panoply of agricultural tools surrounding a sheaf of wheat, including scythe, hoe, axe and spade; just above the guard is a subpanel containing the maker’s details: “John Prosser / Manufacturer / to the / KING / Charing Cross”. On the left side or face, the same Prosser panel is at guard and working down the blade, floral sprays, followed by two panoplies of hunting arms, all surmounted by the Royal crown of England. There is no sign that the beautifully etched blade was ever blued and gilded. The hilt of the sword is in the form of a cruciform, with gilded-brass mounts and an ebony grip; the crossguard of elliptical cross-section, each arm tapering slightly inward where it joins the rounded center, which features an engraved boar’s head within a stringed horn on each side; the gilt pommel cap is oval in cross-section and shaped in the form of muffin-top or mushroom cap in profile with a raised capstan and is decorated around its lower band with acanthus leaves, surmounted by holly, grapes and other floral devices. The are three, gilded brass studs in the shape of flowers down each grip, at the apex of a chevron of 5 lines incised into the grip, pointing upwards towards the pommel cap. John Prosser (fl. 1797-1837) became sword maker to King George III in 1796 and was subsequently maker to his son-successor, George IV, who was known as an avid huntsman and collector of arms. The fact that this is a boar-related hunting sword and bears the Royal crown suggests possible ownership by a member of the Royal family or their entourage. The black leather scabbard has mounts of gilded-brass, a wide throat with frog button decorated with floral motifs, the reverse bearing an engraved panel for “Prosser / Charing Cross / London”, while the long chape or drag features an engraved boar’s head over crossed spears, inside a stringed hunting horn; each mount and incised, decorative border lines. CONDITION: very good overall; the blade is now a bright pewter finish with darker patches and the etchings are somewhat weaked from past polishings; the hilt is very good and the mounts retain near all of their gilding. The scabbard is also very good, the mounts well-gilded, with perhaps 50% loss on the lower portion of the drag, the leather strong and stable, but with some past crazing and flaking to the grain surface. 3,000 - 6,000
1240 - RUSSIAN COMMEMORATIVE SWORD WITH NAPOLEONIC BATTLE ETCHINGS.
Patterned after a Model 1798 foot officer’s sword, being a straight-bladed spadroon 39 7/8 inches in length, with a 34 inch-long, single-edged blade. Each face of the blade bears a 28-inch-long panel, etched and engraved with a total of 23 battle honors for 1812-1814 during the “Great Patriotic War” with France, including Moscow, Berezina, Dresden, Leipzig, Leon and Paris. Lower section with panoplies of arms on a beaded field and framed by palmettes. Spine marked for the Tula Arsenal and dated 1824. Gilt-brass hilt of standard pattern for this model, the interior sides of the bilobate guard inscribed twice in Cyrillic “For Bravery”, one side affixed with brass and red enamel badge of St. Anne, the other with the white and colored enamel badge of St. George. Gilt wire-wrapped grip; with silver bullion-tasseled swordknot, its silk webbing strap in an alternating pattern of orange and black stripes. Black leather-covered scabbard, the gilt-brass throat and drag molded with laurel branches. CONDITION: Blade fairly clean and bright, with etching still strong; gilt-brass hilt retains approximately 75% of its finish. Scabbard leather possibly replaced, the gilt-brass mounts retaining most of their gilt finish, with loss to raised edges. 2,000 - 20,000
1241 - BRITISH NAPOLEONIC ERA BOARDING PIKE.
Although the musket had superseded the pike in land warfare by the 18th century, pikes remained in use as shipboard arms throughout that century and well into the next. Approximately 7 to 8 feet-long as opposed to the 15-foot pikes once used by the massed infantry formations of an earlier era, they were known as “half-pikes” or “boarding pikes.” The latter term is somewhat a misnomer, as they were generally considered too unwieldy for boarding ships and were instead used to repel boarders. The iron “shoes” or butt caps tended to scar the wooden decks and were frequently cut off, but those made for the Royal Navy under contract during the Napoleonic and War of 1812 period began to be furnished with a unique shoe, 2 1/8 in. L, that was inlet with a 7/8 in. W hole at bottom, allowing 5/8 inch or so of the wooden shaft to protrude through, thereby protecting the decking from scarring, yet preventing any splitting of the shaft from impact on its base. This pike is 9l inches long overall, with a triangular profile, spike head, the each spike face is 4 5/8 in. L x 3/4 in. W and overall length of the head (including langets or side ears) is 14.75 inches. Below the head is mounted a diamond-shaped brass plate marked ‘10’. There is a repaired crack across the wooden shaft just below the langets, otherwise very good. 600 - 1,200
1242 - NAPOLEONIC ERA, SERGEANT’S SABER OF THE ROYAL MARINES.
This short saber, with slotted brass D-guard and urn-shaped pommel, has been variously called a “British Fighting Sword” or “American Naval Hanger” in nearly every work on naval edged weapons written over the past half-century. This is largely due to the fouled anchor device engraved on the pommel, usually on the outer or “proper” side or sometimes on top, plus the lack of visible maker marks on the wide, single-fullered blades. It is, in fact, neither, but actually a sergeant’s sword of the Royal Marines, with a British version of the alloy “paktong” in lieu of brass mounts. With the exception of stands of arms, pikes, drums and camp equipage, the Admiralty provided the accoutrements, sergeant’s swords and sashes and colors for the Royal Marines and all such bore the fouled anchor device of the Admiralty Board emblazoned upon them. The sergeants’ swords of this form were procured by Admiralty (later Navy Board) by contract with various Birmingham makers, beginning in the 1770s and continuing until 1820, although there were minor modifications to both the blade and hilt over time. Most are unmarked, but this example has the mark of the Reddell firm struck on the spine of the blade near the guard: “JOSH H. REDDELL & COY.”, a mark used by Birmingham cutler Joshua H. Reddell during the 1800s-1810s. Overall Length: 34 1/2 in. Blade: 29 ½ x 1 ½ in. CONDITION: the fouled anchor mark on the right face of the pommel worn and the grip missing the copper band wound in the grooves of the spiral-channeled, horn grip. 750 - 1,500
1243 - BRITISH NAPOLEONIC LIGHT INFANTRY OFFICERS SABER AND SCABBARD.
Classic saber used by British rifle and light infantry officers on campaign, c. 1805-1815. Curved flat sided blade with 7” false edge. Iron birds head reverse-P hilt with half-langets. Horn grip with fluting. Complete with its original steel scabbard. CONDITION: Blade retains its original bright polish, a few minor nicks to cutting edge, some minor dark spots. Blade tight to hilt. Hilt retains a mostly brown patina, grip shows some scattered chipping. Scabbard retains a spotted brown patina and was cleaned long ago. 800 - 1,200
1244 - NAPOLEONIC ERA BRITISH LIGHT DRAGOON HOLSTER & CARBINE BUCKET.
Both made of stout russet leather, oiled and waxed in service, so a warm light brown in tone. The 4 1/2 inch-long, tapering carbine boot has an attachment strap with buckle sewn around its mouth and a fixed loop sewn 2/3ds distance to base on one side. It is strung through a one-inch-wide belt with brass roller buckle, as found. The saddle holster (14 3/16 in. L) has a one piece body formed on a last, joined behind and butted together and finished with round-closed stitching. A leather cap sewn to the bottom and the mouth edged with a reinforcement strip of leather sewn over a cord. A classic example of an early 19th century British cavalry holster. CONDITION: very good, but one of the loops on the holster has separated and needs to be reattached. 200 - 400
1245 - PAIR OF BRITISH NAPOLEONIC NAVAL EPAULETTES FOR A COMMANDER.
A pair of epaulettes of the War of 1812 era with gold vellum straps, bordered with gold embroidery and with gold bullion fringe hanging from the crescent. Each bears a Napoleonic era Royal Navy button for a commissioned officer; they are apparently for a commander, as captains had crowns affixed to the strap as a rank distinction, while lieutenants only wore one during this period. They are housed in their original pressboard box covered with marbled paper. CONDITION: Fair to good; some fraying to the embroidered border at the button ends; the undersides or lining of the epaulettes were probably of yellow silk originally and after that wore out or was shattered, was restored with blue cloth at some time (probably post-service period); the box has moderate edge wear and some loss to rim of lid on one side. 400 - 600
1246 - NAPOLEONIC ROYAL ARTILLERY FOOT SWORD WITH SCABBARD.
Introduced into the foot companies of the Royal Artillery Regiment in the early 1800s, this, short, heavy-bladed short sword was inspired by those carried by the foot artillery of the Prussian Army and thus, was originally referred to the ‘Prussian sword’, but was also later referred to as the ‘Spanish pattern’ sword or hanger, presumably due to their widespread use for the first time during the Peninsula campaigns. As with its German counterpart, it was intended to serve both as a tool (in lieu of a fascine knife or hatchet) and a weapon of defense. The blade is 24.5 inches long with 1 .5 inches wide at ricasso; there is a “[crown] / 1” inspection mark on the right face of the blade and the maker’s name “DAWES” stamped on the spine near the guard. It has a brass, stirrup-hilt with a wooden grip with carved grooves or channels, covered in black leather. The scabbard is of thick leather (replaced) with original brass throat and drag, the former with frog button. CONDITION: some wear to the high points on the leather grip wrapping, the brass hilt mounts with the usual nicks and dings and warm, dull finish; the blade grey with a fairly uniform, moderate freckling. 500 - 1,000
1247 - VICTORIAN CUTLASS OR MACHETE WITH CROWN OVER VR ON BLADE.
The slightly curved machete blade is stamped on left side with a large crown over “VR”. Traces of three thin partial fullers visible on left side. Wood handle retained by three brass rivets. CONDITION: Blade heavily sanded. Handle very good. 200 - 400
1248 - EXCAVATED 18TH & EARLY 19TH C. BRITISH ARMY CAP AND ACCOUTREMENT PLATES.
A collection of relic cap and accoutrements plates purchased from various parties over 25 years, most originally found in the West Indies and some in North America. 1) British grenadier cap frontplate of stamped brass, pattern of 1802-1815, in 6 pieces--acquired in 2016 from Chris Bryant; 2) a cast-brass Paschal lamb pouch plate believed to be a pattern used by the 2nd or Queen’s Regiment of Foot, 1770s-1780s, 1 5/8 in. H x 2 1/2 in. W (the banner broken off the back, but the base of its staff seen between the forelegs), with two pierced attachment studs on reverse, --bought from a relic collector at a Civil War Show, 2006; 3) a stamped-brass “Universal pattern” cap plate of the Royal Regiment of Artillery, 1802-1812, appx. 4 3/4 in. H x 3 1/2 in. W, in 4 pieces--acquired from Chris Bryant in 2016; 4) an stamped-brass 1812 or Belgic pattern cap plate of the Royal York Rangers, 4 x 3 1/2 in., mounted to a piece of linen--acquired from Jim Sweeney in 2001; 5) a stamped-brass, cap plate of the Royal West Indian Rangers, 1 1/4 x 1 3/4 in., acquired from Don Troiani in 1998; and 6) an 1802 British grenadier cap frontplate, 4 5/8 x 6 1/2 in. acquired from Mark Fraterrigo--probably a reproduction, but displays well with the excavated original above. 750 - 1,500
1805-1815.
Three British major generals were killed in action at the head of their men during the War of 1812: Sir Isaac Brock (Queenstown Heights, 13 October 1812, at age 43), Sir Robert Ross (North Point, 12 September 1814, at age 48) and Sir Edward Pakenham (New Orleans, 8 January 1815, at age 38). All three officers sat for their portraits shortly before their deaths wearing their undress uniforms and at least Ross is known to have worn his undress coat into battle when mortally wounded (this uniform is now in the Canadian War Museum; it is likely that Pakenham and Ross were similarly attired when they met their fate0. The general officer’s undress coat was a practical alternative to the full- or half-dress coats (which featured gold embroidered or gold laced buttonholes, respectively). It was intended for everyday wear and was especially favored on campaign, being both less showy (rendering its wearer less noticeable to enemy sharpshooters) and less costly to replace or repair. It was to be made “of Scarlet Cloth, long skirts made to hook back, and lined with white kerseymere, Standing Collar of Scarlet Cloth [with a “patch” of blue facing the front on each side], with small Cuffs of Blue Cloth, Lappels of the same colour as the Cuffs, 3 Inches in breadth and made to Button over the Body down to the waist.” Those worn by major generals had the buttonholes “set on 2 and 2” or in pairs, on the lapels, skirts and sleeves. They were trimmed with gilt “General Officers’ Button[s]...nearly flat, ornamented with a Sword and Truncheon, encircled with a Wreath or Laurel.” In the case of the undress coat, the holes were worked with silk twist, rather than laced or embroidered as in the dress coats. This rare example of a major general’s undress coat is made to fit a man that stood approximately six feet tall, with a 38-39 inch chest measure and a 30-31 inch waist. Such a trim cut would suggest that it was worn by a relatively young (30s or mid-40s), tall, fit and athletic general officer--a man of action akin to Brock, Ross and Pakenham. Each shoulder has small eyelets or grommets worked in silk twist, through which the cords on the underside of epaulettes would pass, to fasten such to the coat, as with the extant Brock undress coat. On 1 July 1811, it was ordered that “All General Officers...are hereafter to wear One Aiguillette on the Right Shoulder instead of Epaulettes.” As such, this coat was made no later than some time in 1811 and judging by its cut, no earlier than c. 1805. It took many months before the 1811 order reached foreign stations and even longer before general officers were willing or able to replace existing coats; it is probable that this coat, as with Brock’s, was still in service during 1812 and beyond--but now worn with an aiguillette on the right shoulder, in lieu of epaulettes. CONDITION: Although in very good overall condition for its age, it does show evidence of heavy or extended use, as would be expected when worn on campaign: the outer edges of the cuffs are worn through in spots where they would rub against the hands; soiling and sweat staining is evident; the functional buttonholes are somewhat worn from repeated fastening and unfastening; and the superfine cloth coat has its nap worn off in the area where active movement would most stress the fabric (underside of arms, elbows, etc.). 5,000 - 10,000
1250 - FRENCH & BRITISH MILITARY & CIVIL SEALS AND STAMPS, 18TH-19TH. A small collection of seal stamps and wax seals, mostly late 18th through 19th century and primarily French and British. There are three rosewood-handled, wax seal stamps: 1) a French royal seal, late 18th or early 19th century (bearing 1087 stamped on the side of the rim); 2) a seal for a French municipality, 19th century; and 3)an judicial(?) seal with the scales of justice and bearing a charter date of 1830 with open book bearing 4 Latin inscriptions; and 4) an antler-handle for a seal, silver-mounted, but seal missing. Two cards with six red wax stamps; six loose wax stamps; an laid-paper cover with wax seal on recto, a cartouche with royal crown/LP and addressed to “A Sa Majeste / La Reine de la Grande Bretagne / Osborne House / Isle of Wight”; two wooden block stamps; two circular tins with wax seals (one in a cardboard case and the other one in a tin case). 300 - 500
1251 - LOT OF 2: LATE 18TH TO EARLY 19TH CENTURY FRENCH BAYONETS WITH SCABBARDS.
1) A French Model 1777 bayonet with scabbard;18 5/8 inches; with various inspection and maker marks on the flat, including crown / H[?], “V” and “L/2.”(with)2) A French Year IX bayonet, 20 1/8 inches long, with “I” on the flat near shank and with associated scabbard. CONDITION: 1) light freckling to bayonet overall, scabbard very good; 2) a few spots of oxidation on the blade, which shows sign of past cleaning and very light freckling to the socket, the scabbard has what appears to be a replaced throat and has been resewn on its seam, with 50% of the surface finish flaked off. 500 - 1,000
1252 - LOT OF 5: BRITISH LAND PATTERN MUSKET BAYONETS, 1790-1815.
Lot consists of five British Land Pattern bayonets with various unit markings. All measure 17” down the blade, except one that measures 16 - 3/4”. Overall lengths are 21 - 1/2”, with one measuring 22”. (A) with a “Crown / X”, “SG”, and “TB” proofs, with a “1” and traces of a maker mark under the “SH”, maker’s mark “[D]EAKIN”. Engraved “W / E8” at socket. (B)
With “(Crown) / 29”, “B”, and another marking that is heavily softened, with traces visible when rolled in the light. With some finish added. (C)
With “(Crown) / 6” and “HADLEY” on base of blade. CONDITION: Ane vent mixture of smooth dove grey and soft chocolate patina, with some flashes of darkness on blade, mostly on upper half. (D) With “(Crown) / 29” “78” and two additional proofs on base of blade that are illegible. CONDITION: With a smooth brown patina throughout, some some other areas with more recent patina, primarily to recesses. (E) With a crown over numeral proof, indistinct, but perhaps “31”? and two other proofs at base of blade, indistinct. Engraved “D/6” at socket. CONDITION:” Very good, essentially gunmetal grey throughout with some scattered darkness and oil staining discoloration. Some delamination to socket. 500 - 1,000
1253 - LOT OF 2: BRITISH LAND PATTERN BAYONETS W/ SCABBARDS.
Two musket bayonets of 1780s-1810s production, within original leather scabbards of 1780s-1790s form, with incised, sheet-brass throats bearing button frog mounts and similar chapes (that on second example now missing). 1) Bayonet marked on the flat of blade with [crown] / 19 inspector mark, “WHEELER / H” and two obscure touchmarks, dark patina to socket, blade relatively bright; and 2) somewhat bright/mottled appearance overall, with “OUGHTON” and obscured touchmark on flat of blade and “19” engraved on the socket. 500 - 1,000
1254 - LOT OF 3: BRITISH LAND AND NLP BAYONETS WITH SCABBARDS.
1) A Land Pattern bayonet of c. 1790s-1810 in excellent in very good-excellent condition in original scabbard, the with flat of blade bearing “[crown]/6” inspection mark and contractor’s name “MAKIN”--the leather scabbard of the 1780s-1790s form and also in excellent condition--with madder red cloth liner to sheet-brass throat with button-type locket and corresponding chape; 2) a rare spring bayonet for a New Land Pattern musket in early 19th century scabbard, the bayonet with uniform, moderate pitting throughout, the leather in very good condition, with brass throat, locket and chape; and 3) a Pattern 1838 bayonet configured for Hanoverian catch, the maker’s name “S, HILL” lightly stamped on the flat of the blade, the bayonet in very good condition and uniformly browned. 500 - 1,000
1255 - WAR OF 1812 “SNY” CANTEEN OF THE NEW YORK MILITIA.
White cedar canteen, 7 1/8 in. diameter x 3 in. W, bound with iron straps and painted a “lead colour” with state ownership markings “SNY” applied on one face. The carrying strap would have been retained by three retaining tabs of sheet iron wedged crosswise under the iron bands. A good example of the cedar canteens of stave construction contracted by the state of New York prior to- and during the War of 1812. CONDITION: Very good overall, the bottom slightly pushed in on one side--probably during the period of use, bending in the iron strap and one wooden stave at that point, but seemingly having no apparent effect on the tightness or serviceability of the canteen. Some edge wear and rubbing to the faces. 500 - 1,000
1256 - A NEW YORK-ISSUE “SNY” KNAPSACK OF THE WAR OF 1812.
A black-painted knapsack consisting of a linen bag approximately 15 in. L x 16 in. W, with a flap 20 in. L x 19 in. wide, with narrow black shoulderstraps with harness buckle attachments on the back and similar straps affixed inside top for holding a blanket in place. The flap has a script “SNY” device painted in white, indicating state of New York ownership and is the type procured for its militia between 1807-c. 1814, the so-called Type I that was replaced by a more sophisticated Type II design during the latter part of War of 1812. A more detailed article on these knapsacks convey with the original. This is the only Type I with “SNY” marked flap that I am aware of currently in private hands, although there are examples in the state collections and another in the USMA Museum at West Point. PROVENANCE: purchased from Larry Strayer in 2005. CONDITION: Very good and complete; both the painted portions of the linen and the leather strapping have lost much of their former flexibilithy with the passage of time. 2,000 - 4,000
1257 - BRITISH NAPOLEONIC TROOPS IN CAMP AND FIELD: TWO AQUATINTS BY PYNE, 1802. Two fine, framed sepia 1802 aquatint views (each 11 7/8 x 9 3/8 in.) of the British Army in the field during the Napoleonic epoch, both early strikes from Pyne’s “Microcosm:” The first, “Army. Plate I” was published on 1 March 1802 and is the first plate from a serialized series that ultimately totaled 121 prints; it consists of two views, the first “An army on the march, with baggage-wagon laden with the various camp equipage, and carrying tired soldiers, women and children”, with the second being a view of a wagon being loaded after a stop at “an ancient building converted into an alehouse…serving out beer and other liquors to the thirsty and fatigued soldiers…while a party of drum-boys and fifers were playing to amuse a cluster of rustics, drawn together by curiosity to view the novelties of the scene.” The second, “Army. Plate II” (published 1 April 1802) contains three views of field artillery, the first showing horse artillery advancing at full gallop, the second and third being a heavier piece of the foot artillery being transferred from horse-drawn status of a march to advancing across the battlefield, the gun now drawn by artillery matrosses with dragropes. William Henry Pyne (1769-1843) was an English artist and writer who first exhibited at the Royal Academy in 1790 and was a founding member of the Royal Watercolour Society (1804). He specialized in picturesque settings which included groups of “rustic” people (farmers, sailors, craftsmen, etc.) rendered in pen, ink and watercolor. His most important published work was “Microcosm: or a Picturesque Delineation of the Arts, Agriculture and Manufactures etc. of Great Britain in a Series of above a Thousand Groups of small Figures for the Embellishment of Landscape etc.”, published in serial installments in 1803 and later, as a book compilation in 1806 (later reprinted in two volumes by Ackerman in 1820-22). CONDITION: very good, not examined outside of frames.
200 - 400
1258 - [WAR OF 1812]. BROUGHTON PRINT OF DARTMOOR PRISON.
Dartmoor Prison, Drawn by Glover Broughton. 1815. Color lithograph by Glover Broughton, Published by Tappan and Bradford, Boston,1853. 18 x 24.25 inches (view) within matted, glazed frame (not examined outside of frame, but apparently not laid down). Good original coloring with light toning to the paper. Aerial schematic plan of the English naval prison with a central scene depicting the chaos of 6 April 1815 when militia guards fired upon a gathering of unarmed American sailors protesting their continued captivity after peace had been declared. The British commander had interpreted the protest as an attempted prison breakout and ordered his men to open fire, killing and wounding many of the sailors, leading the event to be remembered as the Dartmoor Massacre. Yankee mariner Glover Broughton of Marblehead, Massachusetts was an eyewitness to the event and later had this lithograph published from his original drawing.$1350.00 600 - 1,200
1259 - US REVENUE CUTTER ‘ALERT’ IN NEW YORK HARBOR, 1834. BY JAMES PRINGLE.
Oil on canvas, 24 1/2 x 29 1/4 inches, within carved and gilded frame. In 1800, James Pringle exhibited his first work at the Royal Academy: ‘View of a seventy four on the stocks, and the launch of a frigate. Little is known about his life or artistic output over the next ten years, although Pringle traveled to the United States sometime prior to the War of 1812 in the capacity of a sailor, possibly settling there. In 1811, the American merchant ship in which he was serving was stopped at sea by a Royal Navy frigate and Pringle, being English-born, was pressed into service. Pringle subsequently exhibited four additional marine works at the Royal Academy between 1812 and 1818, with Syndenham (his place of birth) listed as his address, although it is likely that he was still in Royal Navy service during part of this period. He seems to have been a wandering spirit and traveled extensively until 1828 (probably as a working mariner for at least part of this time span), when he arrived in New York and resumed active work as a marine painter, exhibiting frequently at the National Academy of Design between 1832 and 1844, as well as the Apollo Association and the Brooklyn Institute. Possibly self-taught, Pringle specialized in marine paintings, landscapes, and occasionally, portraiture. Pringle’s well-populated views of the early New York waterfront are an admixture of landscape and genre works, carefully delineated, yet charming in their naivety. In his day, Pringle was well-known and considered one of the best of the marine painters then working in the United States. This fine view of the Revenue Cutter ‘Alert’ was painted in 1834, when the 73-foot vessel (built 1829) was on the New York station. PROVENANCE: Donated to the Independence Maritime Museum in 1962 as a work by Philadelphia marine artist Thomas Birch (with fake signature applied over the original Pringle one on the flotsam in the foreground) and deaccessioned in 2015; acquired in April 2016 from Diana Bittel. CONDITION: some scattered inpainting in sky and on one sail, with spurious Birch signature on lower left on log. 12,000 - 16,000
Attributed to CHARLES SOULE (Maine/Ohio,1809-1869. “Portrait of Major Luther Giddings, 1st Ohio Vols., 1846.” Oil on canvas, 29-3/4 x 25 in.; within gilt wood and composition frame. Major Luther Giddings (1823-1877) was born in Cornwall, England and immigrated with his family to Baltimore, Maryland in 1829. He graduated St. Johns College at Annapolis in 1841 and studied law afterwards. He relocated to Dayton, Ohio in 1844m was admitted to the Ohio bar. In addition to practicing law, he joined the Dayton Dragoons and in time, became its captain. When war broke out with Mexico in 1846, he raised the Dayton Rifles which became part of the 1st Regiment of Ohio Volunteers. Promoted major, Giddings and the regiment joined General Taylor’s army on the Rio Grande in late summer. The 1st Ohio fought valorously at the battle of Monterey on 20 SEP 1846 and later, while escorting a large supply train of wagons and pack mules, a detachment under the command of Major Giddings successfully repelled a major cavalry attack at Ceravallo, Mexico on 7 MAR 1847. Their one-year term of service expired shortly thereafter, and they returned to Ohio in June, where the NCOs and privates presented Gidding with a fine sword “as a token of respect.” This portrait was painted by Charles Soule, then the leading portrait painter in Ohio, shortly before the regiment marched to Mexico. It is accompanied by an original framed, graphite sketch by an unknown hand, “Headquarters 1st Regt. Ohio at Camp near Monterrey / Nov 20th [18]46” (7 ¼ x 12 in.), an 1893 hand-colored, photogravure of the William Trego painting of the Action at Ceravallo, and his leather-bound scrapbook containing contemporary newspaper clippings relating to the 1st Ohio’s service in Mexico and Giddings’ 1853 book: “Sketches of the Campaign in Northern Mexico in 1846 and 47, By an Officer of the First Regiment of Ohio Volunteers”, which is considered one of the best first-hand accounts by a participant in the conflict. PROVENANCE: By descent in the Giddings family of Annapolis; Arundel House Antiques to Don Tharpe, 2003; acquired in 2015. CONDITION: The portrait is lined, has craquelure and scattered areas of inpainting, the frame with minor abrasions and loss, otherwise very good; the scrapbook with a fold; and the drawing with creases and light toning. 6,000 - 12,000
1261 - PORTRAIT OF A ROYAL NAVY LIEUTENANT WITH THE SULTAN’S MEDAL FOR EGYPT, 1801.
ANONYMOUS. “Portrait of a Royal Navy Lieutenant Wearing the Sultan’s Medal for Egypt, c. 1801.” Oil on canvas, 22 x 17 1/2 inches, in carved and gilded frame. This fine, half-length portrait of a Royal Navy lieutenant was probably done by an artist of the Italian School (Palermo or Naples) rather than English. The officer is shown in the full-dress uniform of his rank, wearing the gold Order of the Crescent, 3rd Class. The Sultan’s Medal for Egypt was awarded by Sultan Selim III of Turkey to British naval and military officers and warrant o or NCOs for their participation in the Turkish campaign against the French in Egypt in 1801. This medal was produced in five gold versions for award to different ranks for officers holding commissions from the King and in silver for those without. 2,000 - 3,000
1262 - LOUIS-PHILLIPE CREPIN. STUDY FOR THE ‘BATTLE OF THE BAYONNAISE AGAINST THE AMBUSCADE’, C. 1800
Pastel, charcoal and watercolor on laid paper, 28 3/4 x 21 3/4 inches, within frame. At dawn on December 14, 1798, the French 24-gun corvette Bayonnaise encountered a 32-gun Royal Navy frigate cruising off Oléron. HMS Ambuscade assumed the French ship was her expected consort, while the latter correctly identified the stranger as a superior British warship and fled, Ambuscade then giving chase. Around noon, she had closed to cannon range and the action commenced. Within an hour, the British had gained the upper hand and Bayonnaise attempted to escape, but the frigate gave chase again and caught up around 3 p.m. As Ambuscade was overtaking the corvette, sailing on a parallel course, Bayonnaise slacked her sails and turned hard to her port (left), ramming the Briton. The bowsprit of Bayonnaise brought down Ambuscade’s mizzen, wounding many on her poop and entangling the two ships. Both ships fired final broadsides, Bayonnaise losing many men and her captain, his arm. However, the French cleared the deck of the frigate by well-aimed grapeshot and musketry from her fighting tops and, using the bowsprit as a bridge, boarded the larger ship. After a bloody, 30-minute melee, purser William Beaumont Murray, last British officer still standing, surrendered Ambuscade. The hard-fought battle left the corvette a leaking and rudderless wreck, while Ambuscade, despite damage and the loss of her mizzenmast, was otherwise intact and towed Bayonnaise into Rochefort the following day. Casualties were high on both sides, with 15 killed and 39 wounded aboard Ambuscade and 25 killed and 30 wounded on Bayonnaise, her captain and lieutenant among the latter. The defeat of a British warship by an inferior French ship was a rare occurrence during the French Revolutionary War and this battle was celebrated with numerous painting commissions, the most famous being the large and magnificent work by Louis-Phillipe Crepin (1772-1851) titled “Combat de la Bayonnaise contre l’Ambuscade”(now prominently displayed in a main gallery of the Musée national de la Marine in Paris). This pastel on paper is one of the artist’s studies for that work, considered by many to be Crepin’s finest piece. It is a conceptual drawing for the dramatic, central element in the painting: the boarding of the larger British frigate from the bow of the smaller French vessel. In the completed oil painting, the scene is very much as rendered here, although the artist has removed the British ensign that dominates the upper portion of the drawing. Crepin studied under Regnault, Hubert Robert and Joseph Vernet and his paintings are very much in the romantic style of these French masters. He painted in oils, but also worked in watercolor and gouache and was also an accomplished aquatint engraver. He is considered one of the greatest of the French marine painters and the first such artist to receive the honorary title and appointment, in 1830, as Peintre de la Marine to the French government. 2,000 - 3,000
1263 - AFTER THOMAS BIRCH. “PERRY’S VICTORY ON LAKE ERIE.”
Painted by T. Birch. Engraved by A. Lawson. Printed by [blank]. Pub. By Wm. Smith, Print Seller, 702 South 3rd. St. Phila. [not dated, but probably 1814]. Hand-colored, line engraving, 20 ¼ x 27 inches (platemark), 23 ½ x 29 ½ inches (view); within carved frame. Unusual from all other contemporary prints of naval battles during the War of 1812 (which typically featured ship-to-ship actions from a distance), this fine and rare engraving after Birch’s original painting instead shows a closeup vignette of Commodore Oliver Hazard Perry at the turning point of the battle of Lake Erie, when he had himself rowed in a small launch from the battered hulk of his flagship Lawrence to the brig Niagara, where he again hoisted his battle flag and resumed the action until victory was achieved by the American squadron over that of the British. The original “DON’T GIVE UP THE SHIP” flag is now in the collections of the US Naval Academy Museum at Annapolis. Olds 247. Scarce. 1,200 - 2,400
- M. W. HOPKINS. COLONEL ROBERT WILSON OF LANCASTER, OHIO DRAGOONS 1812
Oil on canvas, 30 x 25 in.; within gilt, contemporary frame.Robert Wilson (1775-1844) of Lancaster, Ohio began military service during the War of 1812 as a sergeant of volunteer horse. A successful merchant and landowner, he continued to serve in the Ohio Militia, eventually reaching the rank of colonel. This circa 1838 portrait of the handsome officer shows him wearing what appears to be the uniform worn by his troop during and following the war, which was inspired by that adopted by the elite 1st City Troop of Philadelphia in 1810, whose smart dress was an inspiration to many aspiring militia cavalry units. His Federal era, steel- or silver-hilted, reversed-P guard saber with silver cord swordknot is an American copy of the P1796 light dragoon saber of the British Army.The artist, Milton William Hopkins (1775-1844), was a portrait, sign, and ornamental painter and teacher of drawing and painting, active in Ohio from about 1835 until his death in 1844. Born in Harwinton, Connecticut, August 1, 1789, he moved in 1823 to the canal town of Albion, New York, where for a dozen years he conducted a series of small businesses, including sign painting, chair making, and canal-boating. He was active in temperance, antislavery, and church activities, but little is known of his artistic career before 1828, when he paid an extended visit to Richmond, Virginia where he advertised a 36-hour course for ladies in “Poonah” or theorem painting. During the early 1830s, Hopkins was back in Albion, where he first began to advertise as a portrait painter under the name ‘M. W. Hopkins’, which professional name he used for the remainder of his life. With his wife and ten children he relocated to Ohio, working briefly in the Cleveland area, then purchasing a farm in Williamsburg, east of Cincinnati. He painted several portraits in Lancaster in 1838 and in 1839-1840 operated a “Portrait Gallery” in Columbus. In 1841, he traveled to the South and was engaged in Jackson, Mississippi on several commissions, when he was beset by a mob “ripe for blood”, having heard rumors of his antislavery activities. After a narrow escape, he returned to family in Ohio and was painting likenesses in Chillicothe in 1842 and Cincinnati the following year. He died of pneumonia on 24 April 1844, while on a visit to his Williamsburg farm. Hopkins’ portrait style relates closely to that of Ammi Phillips (1788-1865), with whom he may have been acquainted early in his career. Phillips and Hopkins, born one year apart, came from adjacent towns in Litchfield County, Connecticut and they both worked in nearby towns in upstate New York. Hopkins frequently painted his subjects with clearly defined facial features, prominent ears, highlighted pupils and square, blunt fingernails, against a muted brown background. 3,500 - 7,000
1265 - STRIKING FOLK PORTRAIT OF AN AMERICAN ARTILLERY OFFICER, WAR OF 1812
Oil on wood panel, 29.75 x 23.25 inches, within its original, early 19th c., carved and black-painted frame. This striking folk portrait was previously misidentified as Major Jonathan Cass (1753-1830) when sold by Avis and Rockwell Gardiner to Robert C. Gillie in 1984. It was subsequently purchased by my friend, the late Peter Tillou, a noted collector-dealer of Americana and I later acquired it when sold from his estate in 2022. However, the uniform worn by this tough- and flinty-appearing officer is that of a field grade officer of artillery--being a blue coat with scarlet facings and linings, trimmed with gilt buttons and lace; however, Cass served as an infantry officer from the Revolutionary War until his resignation from the US Army in 1799 (following injuries in service) and that branch’s officers wore uniforms with silver trimming and white linings. Moreover, the cut of the uniform coat is the form worn by regular US Army artillery and infantry officers from c. 1804-1812--long after Cass had retired from military service. Although the artist and sitter are both currently unidentified, it is an exceptional work and both painting and frame are in fine condition, the former only with a skillful conservation repair to a wood split in the upper part of the panel. In the left background can be seen American artillery firing on British red-coated troops, athough it is unclear from the lack of detail whether the event shown relates to the sitter’s service in the Revolutionary War or that in the War of 1812. 8,500 - 16,000
1266 - WATERCOLOR DRAWING/PLAN OF A BRITISH 18-POUNDER CANNON, CIRCA 1812. Elevation and Plan of an 18 Pounder. Watercolor and ink on paper, 17-3/4 x 21-1/2 in. (view), with signature of artist, “G. Lewis fecit”, in lower right corner. The details or plan of an iron 18-pounder cannon and its 4-wheeled, “truck carriage” are depicted in both side perspective and overhead, with an inked scale below. Color shading indicates components of wood and metal, the grey indicating iron and the buff indicating wood. The side view shows the wooden truck wheels with iron rims, as used for garrison artillery, while the overhead shows them all-wood, as used aboard warships. A handsomely executed work done in c. 1812 for the British Board of Ordnance by George Lewis, then on duty as a senior draughtsman in the Drawing Room at the Tower of London Armoury. Lewis had formerly been a cadet at the Royal Military Academy at Woolwich, where he studied and clearly excelled in drawing. Shortly after completing this work, Lewis obtained his commission as an officer in the Royal Artillery and served through the close of the Napoleonic Wars and beyond. PROVENANCE: purchased as lot 10, Bonhams Important Maritime Paintings, NYC, 30 JAN 2015. CONDITION: small dampstain along lower left edge, running 5 1/2 H x 3/8 in. L, not affecting image area, otherwise clean and 1,500 - 2,500
1267 - JOHN WESLEY JARVIS (1780-1840). LIEUTENANT RAYMOND PERRY, U.S. NAVY, C. 1813
Oil on canvas, 24 1/8 x 20 1/8 inches; within carved and gilded frame. Portrait of Lieutenant Raymond Henry Jones Perry (1789-1826) in the undress uniform of a Navy lieutenant, probably painted to celebrate his promotion to lieutenant in 1813. Raymond was the second son of Captain Christopher Perry and began his naval career in 1807 when he was appointed midshipman and assigned to Gunboat No. 42 in Newport, then commanded by his older brother Oliver Hazard Perry—the future victor of the Battle of Lake Erie. In January 1811, Raymond was assigned to the frigate President as master’s mate and appointed acting lieutenant that March, in which capacity he served until being commissioned as lieutenant in 1813. On 22 April 1814, he was assigned to the Lake Champlain squadron and appointed first lieutenant of Commodore Thomas Macdonough’s flagship, Saratoga. The Commodore’s official report of the decisive American naval victory at Plattsburgh on 11 September noted that “The absence and sickness of Lt. Raymond Perry left me without the services of that excellent Officer—much ought fairly to be attributed to him for his great care and attention in disciplining the Ships crew…. He commanded the USS Snark as part of Commodore Bainbridge’s squadron during the 1815 War with Algiers and later was involved in suppressing piracy in the West Indies during the 1820s. Returning with a broken constitution, he died on 12 March 1826. Provenance: by descent in the Perry family to William Francis Payson, Jr. (d. 2016). John Ferguson Weir (1841-1926) later painted a ¾ length portrait of this handsome young officer for his descendants, copying the head from this life portrait of Raymond by Jarvis, but utilizing the seated pose and lieutenant’s full dress uniform details from an 1808 portrait of his older brother Oliver Hazard. Provenance: by direct descent to Wiliam F. Payson, Sr., Rhode Island, New York, and New Hampshire. 4,000 - 8,000
1268 - PASTEL PORTRAIT OF A U.S. INFANTRY OFFICER, WAR OF 1812.
American School. “Portrait of a U.S. Infantry Lieutenant, c. 1813.” Pastel on paper, 18 1/2 x 15 1/2 inches, within original glazed, carved frame with black paint. A handsome portrait by a skilled hand. The young officer wears an 1813 regulation infantry officer’s uniform, with a white waistbelt with eagle device on plate over a sash. The single epaulette on his left shoulder signifies his rank. PROVENANCE: Sold as lot 1572 at Sotheby’s Important Americana (NYC) on 30 JAN 1988; acquired in 2013. CONDITION: Very good overall, some scattered and very light smudging to surface; the red pigment of the sash faded to pink and likewise the blush to face; edge wear to the frame. 3,000 - 5,000
1269 - PORTRAIT OF MAJOR GENERAL WINFIELD SCOTT BY THOMAS SULLY, C. 1817. Thomas Sully (1783-1877). “Brevet Major General Winfield Scott, c. 1817.” Oil on canvas, 43 1/4 x 33 1/4 inches, within custom, carved and gilded frame by Julius Lowey, c. 1950. Winfield Scott (1786-1866) attended William and Mary College briefly and studied law until obtaining a commission as captain in the Regiment of Light Artillery in 1808. With the onset of the War of 1812, he was promoted to lieutenant colonel, July 1812 and served on the Niagara frontier, where he was captured, paroled and later exchanged. He then participated in the taking of Fort George, where he was wounded, and at Uphold’s Creek; was promoted to brigadier general, March 1814 and as a brigade commander, was largely instrumental in American successes in the battles of Chippewa and Lundy’s Lane (where he was seriously wounded); for his valor, was brevetted major general on 25 July 1814. Due to the severity of his wounds, he remained on the East Coast on convalescence for the balance of the war. In 1815, he took a leave of absence to study French military systems, arriving after Waterloo. While there, he probably took the opportunity to have the full-dress uniform of a major general cut and embroidered for him (which he was entitled to wear with brevet rank), as Parisian embroiderers were considered the most skilled in Europe at the time; it is known that an embroidered swordbelt was also made for him in France at the same time. Returning to the United States in 1816, Scott was presented a sword from the state of New York, as originally approved by unanimous vote of its legislature in October 1814, recognizing his heroism and leadership during the Niagara campaign of that year. Its gilt-hilt was made by New York goldsmith John Targee and it was presented to him at New York’s City Hall on Evacuation Day (25 NOV 1816). The sword, with its distinctive eagle pommel and downturned counterguard can be seen belted on his left hip in the Sully portrait. Thus, this portrait and also the William Rush bust of him showing him dressed in an identical uniform--both previously assigned a circa date of 1814 by art historians--were almost certainly done in 1817 or shortly thereafter. In March 1817, Scott married Maria DeHart Mayo, daughter of John Mayo, a wealthy engineer and businessman from Virginia and this portrait may have been a commission paid by his new father-in-law to welcome Scott into the family. In the background can be seen the Falls of the Niagara at night, with a flame-lit sky overhead--symbolizing the famous night battle at Lundy’s Lane where Scott was gravely wounded yet earned his brevet commission and accolades from the American public. PROVENANCE: By descent in the Scott family; sold by his granddaughter in 1906; subsequently acquired by Jay Altmayer from Argosy Gallery some time prior to 1950. The work was restored and the impressive gilt composition frame made for it by Julius Lowey shortly thereafter. Sold as lot 87 in the Christie’s Jay P. Altmayer Family Collection sale of 19 January 2017, whence acquired. CONDITION: Lined; the painting was recently conserved, during which inpainting from c. 1950 was removed, notably in the sitter’s lower right waist area. The decision was made to not overpaint again and instead, to show what remains of the original artist’s work “as found.” The Lowey frame is in excellent condition, being recently cleaned, during which some small areas with losses to gesso or gilding were restored. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 20,000 - 40,000
1270 - CHARLES DELIN. “LIEUTENANT JOHN JOLIFFE YARNALL, U. S. NAVY, C. 1814”
Oil on canvas, 21 x 17 in., within original carved frame. John Joliffe Yarnall (1786–1815) was an officer in the United States Navy during the War of 1812 and the Second Barbary War. Born in Wheeling, Virginia (now West Virginia), Yarnall was appointed midshipman in the Navy on 11 January 1809 and can be considered the only US Navy officer to serve in the War of 1812 from the latter state. Between 1809 and 1812, Yarnall cruised the coastal waters of the United States in “Chesapeake” and “Revenge” enforcing the Embargo Act and protecting American vessels for seizure by French privateers and impressment by the Royal Navy. In 1813, he was transferred to Oliver Hazard Perry’s flotilla and became First Lieutenant on board Perry’s flagship, “Lawrence”. He fought in the decisive Battle of Lake Erie on 10 September 1813 and, though wounded, refused to leave his post during the engagement. When Perry shifted his flag to “Niagara” during the battle, LT Yarnall assumed command of “Lawrence”. After the battle, he took the squadron’s wounded on board and carried them back to Erie for medical attention. For his performance in the battle, Yarnall earned Perry’s commendation as well as a silver medal expressing the gratitude of Congress and the country. In the spring 1815, Yarnall sailed with Stephen Decatur in the frigate “Guerriere” during the Second Barbary War. On 17 June, off the Algerian coast, his ship encountered and captured Mashuda, the flagship of the Algerian Navy. During that engagement, Yarnall was wounded again and was subsequently selected to carry dispatches from Decatur to Washington, DC, embarking aboard the sloop “Epervier.” The warship was last seen on 14 July 1815 as she passed through the Strait of Gibraltar and into the Atlantic. Presumably, the ship was lost with all hands and passengers, Yarnall among them. and all others on board went down with her during the transatlantic voyage. Two Navy warships have been honored with his name since his loss at sea. The artist Charles Delin (1756-1818) painted many American sea captains over the course of his career, but the Yarnall portrait is the only known portrait by him of a US Navy officer. PROVENANCE: purchased by Sack, Inc. “from direct descendants of Lieutenant Yarnall”; Sack P4144; private collection from c. 1950; sold as lot 881 in Northeast Auctions Maritime Sale, 19 August 2012. EXHIBITED AND PUBLISHED: Peter Benes and Historical Society of Newburyport, “Charles Delin: Port Painter of Maastricht and Amsterdam”, 20 July-20 October 1985, catalog pp. 80-81 (No. 54); The Toledo Museum of Art, “The Battle of Lake Erie”, July-December 2013. CONDITION: scattered inpainting under UV light examination. 15,000 - 25,000
1271 - MASTER HUBARD SILHOUETTE OF AN 1820S US ARMY OFFICER.
William James Hubard. Silhouette of unknown US Army staff officer, c. 1827. Watercolor with gilt highlights on paper, 10 1/2 x 7 5/8 inches, under original glazing and in original carved, wood frame. This full-figure profile portrait is nearly identical to another by Hubard of Lieutenant Washington Hood (private collection) done in c. 1828 and it is likely that this officer and Hood may have visited Hubard’s Baltimore studio at the same time. Hood was then stationed in Washington DC on detached service to the Topographic Bureau pf the War Department. CONDITION: very good, with light toning to the paper. Edge wear to frame. 500 - 1,000
1272 - WILLIAM JAMES HUBARD (1807-1862). LIEUTENANT WILLIAM HINDMAN
CAMPBELL, USN, 1826.
Oil on mahogany panel (an early 19th century door panel), 24 x 18 1/2 in., within gilded, carved frame. Portrait of Baltimore native William Hindman Campbell (1795-1839) in his dress uniform as a lieutenant in the U.S. Navy, probably to celebrate his promotion to that rank in 1826. Campbell was appointed Midshipman May 30, 1816 and had a promising career ahead of him, which was cut short when he drowned at Moses Comfort and was buried in Brooklyn, New York. William James Hubard, a noted British-born artist, came to the United States as a young man, where he studied under Thomas Sully and Gilbert Stuart, before establishing himself in Baltimore, where he became one of the leading artists in that city. His portraits of Jackson, Calhoun, Clay, Marshall, John Carroll and others are known to survive in institutions and private collections. Another portrait of Lt. William Hindman Campbell by William James Hubard is in the Maryland Historical Society. Provenance: Harry D. Berry, Jr. Collection to 1970s; private collection. 1,500 - 3,000
1273 - HMS ORESTES CUTTING AWAY HER FOREMAST IN A GALE OFF BARCELONA, 1831.
Attributed to George Hathorn, RN (1803-1869). Watercolor on paper, 13 x 20 1/2 inches; conservation framed. HMS Orestes was an 18-gun, ship-rigged, sloop of war launched in 1824. During the Carlist War of 1831-32 (Portuguese Civil War), she was the flagship of Captain William Nugent Glascock, Royal Navy, who had charge of a small British naval squadron station on the River Douro to look after British national interests, as well as to protect British persons and property in that war-torn country. It depicts the crew of the wave- and wind-battered sloop cutting down her foremast to prevent her being blown from her moorings and cast up against the docks of Barcelona or into another vessel. This drastic measure allowed the warship and her crew to safely ride out the hurricane without any further undue damage or loss. This well-rendered drawing, found in a 19th century scrapbook relating to the naval career of Vice Admiral George Hathorn, RN, then serving as a lieutenant in Glasscock’s command. Drawing was a course of instruction at the Royal Naval College and many talented amateur watercolorists (some who later became professional artists, such as Yates and Strickland) could be found in naval ship wardrooms. Provenance: George Hathorn and by descent in the Hathorn family; J. Welles Henderson Collection to 2008; private collection to present. Literature : J. Welles Henderson and Rodney P. Carlisle. “Jack Tar: A Sailor’s Life, 17501910”(Woodbridge, Suffolk: The Antique Collector’s Club, 1999), 231. 1,000 - 2,000
1274 - JACOB MULL. THE UNITED STATES SLOOP CONCORD ENTERING PORTSMOUTH HARBOR, 1833
Watercolor, ink, and graphite on paper, 21 ½ x 29 inches (view), inscribed on the upper right in the artist’s hand, “U.S. Ship Concord Entering the Harbour of Portsmouth, N.H. From a three year’s cruise in the Mediterranean. By Jacob Mull Sailing Master General, U.S. Navy”The USS Concord was a three-masted, sloop-of-war of the United States Navy, launched on 24 September 1828 from the Portsmouth Naval Shipyard in Kittery, Maine. The Concord was commissioned on 7 May 1830 with a crew of 190 men and placed under the command of Commodore Matthew C. Perry. She saw service as part of the Mediterranean Squadron from 22 April 1830 to 10 December 1832. Under Perry’s command the Concord was used to transport the US envoy John Randolph of Roanoke, Virginia, to the Imperial Russian court at St. Petersburg in 1832. Sailing Master Mull’s folky, but accurate rendering depicts the Concord on her return to home port after this three-year, maiden voyage. Fort Constitution and Newcastle are seen in lower right corner with “Newcastle” written above. Depicting not only an event, the drawing also serves as a sail plan and draught of the ship as she then appeared with a scale below, running its full length. Jacob Mull was born in Baltimore in 1781 and from 1804 appears in city directories listed first as a sea captain and later, as a naval officer. He entered the US Navy as a Sailing Master in 1809, serving honorably and with merit in that capacity until he retired with a pension in 1849. He died in Boston on 29 January 1851 and is buried in Mount Auburn Cemetery, Cambridge. 2,000 - 3,000
1275 - RETURNING HOME AT THE CLOSE OF THE REVOLUTIONARY WAR. 2 PRINTS.
Francis Wheatly (1747-1801). “The Soldiers Return” [with] “The Sailors Return.” Hand-colored mezzotints, each 19 7/8 x 13 7/8 inches (view); both published in London by J.R. Smith, 14 June 1785 and intended to be sold individually or as a matched set. A British soldier, still dressed in his campaign uniform from the American War, returns home to elderly father and sweetheart, while the Jack Tar, flush with a bag of prize money, returns to his family and cottage. Sentimental scenes, but ones that portray details such as military and naval dress with great accuracy. CONDITION: Very good overall, not examined outside of the frame; the coloring still rather fresh in both; cropped within the platemark. 800 - 1,600
1276 - PAIR OF FRAMED, ROYAL NAVY 74-GUN SHIP PLANS. WAR OF 1812 ERA. A pair of copperplate engravings from George Glover’s “ShipBuilding.” London: Longman, Hurst, Rees and Brown, 1816. The work had 83 pp. and 20 plates, of which these are: Plate IV. “Profile of 74” (10 1/2 x 24 3/4 in.) and Plate VI. “Plan of Gun & Orlop Decks” (10 3/8 x 24 3/8 in.). Conservation-mounted under window mats and framed together under UV glazing. The 74-gun Ship of the Line or 5th Rater was the most popular and versatile of the heavier-gunned ships of the Napoleonic era Royal Navy and figured predominately in the blockade of the Atlantic coast of the United States during the War of 1812. CONDITION: Excellent. 400 - 800
1277 - THE “USS ERIE” BATTLING A WEST INDIES HURRICANE AS PAINTED BY A CREW MEMBER IN 1827.
CONSTANTINE SMITH (American, c. 1799-1835). “Representation of the United States ship ERIE in a Hurricane…” Watercolor and ink on paper, 22 x 18 ½ inches, within original glazed, carved frame. The USS Erie was a sloop-of-war designed and built by Thomas Kemp, a Baltimore shipwright celebrated for his fast topsail schooners that were employed in the privateering trade. Launched 3 November 1813 but unable to reach the open sea because of the British blockade, she remained in port until peace was declared in 1815. She sailed for the Algerian War in Commodore William Bainbridge’s squadron in May, arriving after peace had been concluded. Erie remained in the Mediterranean to protect American commerce for nearly 5 years, returning to New York in January 1820 and was laid up for repairs for 3 ½ years. Lengthened to 122 feet with 611 tonnage, she returned to the Med station for 3 years. From 1827 to 1832, she was based at Pensacola, Florida, returning north to New York or Norfolk, Virginia for necessary repairs. Captained by Daniel Turner, Erie patrolled the West Indies and the coast of Mexico, suppressing piracy and the slave trade. Placed in command of the Caledonia by Commodore Oliver Hazard Perry (friend, mentor and fellow Rhode Islander), Turner fought with valor during the decisive 1813 Battle of Lake Erie—the beginning of what would be a long and distinguished naval career. This watercolor was presented to Turner by its artist, Constantine Smith, while serving under him as the Erie’s lieutenant of Marines. It portrays the ship’s successful weathering of a West Indies hurricane during 3-7 September 1827. The Irish-born officer had previously attended the US Military Academy at West Point (resigning in 1819) and this watercolor may have benefited from his instruction in drawing while there. Lieutenant Smith, then serving in the 2nd US Artillery, was killed during Osceola’s surprise attack on Fort King on Christmas Day, 1835. PROVENANCE: Commodore Daniel Turner and thence by descent in the Turner family of Newport, Rhode Island until 2015. CONDITION: a few mended short tears along edge of legend below and toning to the same; edgewear to the frame. 2,000 - 4,000
1278 - THE ATTACK ON TRIPOLI... AN EXTREMELY RARE 1805 ENGRAVING BY GUERRAZZI.
The attack made on Tripoli on the 3d. August 1804, by the American Squadron under Commodore Edward Preble to whom this Plate is respectfully dedicated by his Obedient Servant, John B. Guerrazzi. Sold in Leghorn. Line engraving, 11 5/8 x 15 3/4 (plate) with narrow margins, matted and within glazed frame (not examined outside of frame. Second state (key to the American ships not in first state). Grolier 26. Olds 107. Robinson 42.One of the rarest and most desirable of early American naval prints, this print was drawn and engraved by Guerrazzi, probably using sketches provided by one of the U.S. Navy officers who participated in the action and printed and marketed to naval personnel and other Americans conducting business or visiting the Mediterranean during the Tripolitan War. The small gunboats flying American ensigns were leased from the Kingdom of Naples for close-in harbor operations against the Barbary Pirates. Lieutenant James Lawrence, then 1st of the USS Enterprise (who had earlier signalized himself as part of the party that destroyed the captured frigate Philadelphia), commanded Gunboat No. 6, but during this attack, returned to command the Enterprise in the absence of her captain and was cited by Commodore Preble in his official report of the battle.
Purchased from Stan Smullen in 2017. CONDITION: This example is in good condition, with light uniform toning and minor loss to the margin in lower left corner. 1,500 - 3,000
1279 - PORTRAIT MINIATURE OF OF A BRITISH GENERAL STAFF OFFICER, C. 1812.
UNKNOWN BRITISH ARTIST. “Portrait of a Napoleonic British Army General Staff Officer.” Watercolor on ivory, 3 3/4 x 2 7/8 inches (view), under gilded mat within 19th century brass frame with acanthus leave border. Well-executed portrait of an unknown officer by an accomplished miniaturist. CONDITION: Very good to excellent, no flaws noted; not examined out of the frame. 800 - 1,200
1280 - PORTRAIT MINIATURE OF WAR OF 1812 AMERICAN NAVAL HERO, CAPTAIN DAVID PORTER.
UNKNOWN AMERICAN ARTIST. “Captain David Porter, U.S. Navy, c. 1813.” Watercolor on ivory, 2 3/8 x 1 13/16 in. oval (view), within gilded mat inside hinged, pressboard case covered with red morocco leather. Porter (1780–1843) served in the United States Navy from 1798-1826, starting as a midshipman in the Quasi-War and ending as commodore of the West Indies Squadron. He is most famous for his War of 1812 service as captain of the US frigate Essex, in which he hoisted a white banner proclaiming “Free trade and sailors’ rights” flying from the foretopgallant mast. Captain Porter achieved fame by capturing the first British warship of the conflict, HMS Alert on 13 AUG 1812. In February 1813 he sailed Essex around Cape Horn and cruised the Pacific, waging war on British commerce, notably British whalers. Over the next year, Porter would capture 12 whaleships and 360 prisoners. The Admiralty dispatched a squadron of warships to track him down and on 28 MAR 1814, Porter was forced to surrender after being disabled in a running fight against HM Frigate Phoebe and HM Sloop Cherub. CONDITION: the miniature with good color, but a slight amount of direct inside the glass; a slight crack on back of case and scattered rubbing and edge wear, the hinge with loose play. 1,000 - 2,000
1281 - MINIATURE OF WAR OF 1812 NAVAL HERO, CAPTAIN WILLIAM HENRY ALLEN, C. 1813. UNKNOWN AMERICAN ARTIST. “Master Commandant William Henry Allen, c. 1813.” Watercolor on paper, within eglomise mat and papier mache frame; this is believed to be the origInal profile portrait of Allen, from which the posthumous stipple engraving by Edwin was made in late 1813 for the magazine “Portfolio.” Allen (1784-1813) entered the U.S. Navy as a Midshipman in April 1800. While holding that rank, he served in the armed ship George Washington and the frigate Philadelphia. Allen was promoted to Lieutenant in February 1807 and assigned to the frigate Chesapeake, which was preparing for a Mediterranean Sea deployment. He distinguished himself by firing the only shot his ship was able to get off when she was overwhelmed by HMS Leopard in June 1807. During the early months of the War of 1812 Lieutenant Allen served in the frigate United States, taking part in the capture of HMS Macedonian in October 1812 and commanding the prize crew that brought the latter to New York. In 1813 Allen, who received the rank of Commander in July of that year, captained the brig Argus during a commerce-raiding cruise into the waters near the British Isles. On 14 August 1813 she fought a losing engagement with HMS Pelican in the English Channel. Mortally wounded in this action, Allen died four days later. 1,000 - 2,000
1282 - PROFILE MINIATURE OF US ARMY GENERAL JOHN P. BOYD, US ARMY OF TIPPECANOE FAME UNKNOWN ARTIST. “GENERAL JOHN P. BOYD.” Watercolor on paper 2 5/8 x 2 1/8 inches (view) under eglomise inside original, carved and gilded frame. John Parker Boyd (1764-1830) was born in Newburyport, Massachusetts and began his military as an ensign in 1786 but with reduction of his regiment after the suppression of Shay’s Rebellion, his unit was disbanded and he was again a civilian. Determined to pursue a military career, Boyd employment as a soldier of fortune in India and by 1789, was in the service of the Nizam of Hyderabad. After two years, he accepted an appointment with the Nizam’s enemies, the Mahratha Confederation, which was allied with the East India Company. By 1793, Body was in command of a brigade of Indian regulars which later distinguished itself on the right of the line (position of honor) at the battle of Kharza in 1795. In June 1796 he accepted a position with the Peshwa of Mahratha as command of a corps, but left India by 1798. Returning to the United States, Boyd was commissioned a colonel in the US Army on 4 OCT 1808 and given command of the 4th US Infantry Regiment. The 4th was then being raised in the New England states and a preponderance of the men recruited into its ranks were unemployed sailors ashore, the a result of the ill-conceived Embargo Act then in place. Boyd’s military experience, coupled with men used the hard life and discipline aboard ship, soon turned the 4th Infantry into a crack regiment. In 1811, Boyd and his men were sent west in anticipation of conflict with Tecumseh’s Indian confederacy. Dring the campaign that ended with an American victory at Tippecanoe, Boyd served as a brigade commander and second-in-command to William Henry Harrison, with acting rank of brigadier general. Boyd returned to the East and was promoted to brigadier general a month after the outbreak of the War of 1812. He commanded a brigade at the battle of Fort George and then served as commander of that captured post. His command was part of the ill-fated Wilkinson campaign against Montreal in fall of 1813 and was later made Wilkinson’s scapegoat for the defeat at Chrysler’s Farm. He was then appointed commander of the Third Military District, headquartered in Boston and so no further active service. He left the army at the close of the war and pursued various business ventures until being appointed Naval Officer of the Port of Boston by President Jackson in 1829, dying there a year later. PROVENANCE: Boyd was unmarried and this profile (the only life portrait currently known of him), was in the hands of his friend, William Willis of Portland, Maine in the mid-19th century when visited by Benson Lossing, who sketched it and included it as an engraving on p. 194 of his “Pictorial Field-Book of the War of 1812” (1868); acquired in 2022. CONDITION: very good overall, the watercolor drawing still bright on lightly toned paper (not examined out of the frame, which still retains its original paper backing on the reverse); a 1 x 1/4 inch piece of gilded gesso is missing from the outer edge of the frame in the upper LH corner. 2,000 - 4,000
1283 - PROFILE OF LT. ROBERT YATES, 1ST US RIFLE REGT., 1813.
UNKNOWN AMERICAN ARTIST. “Lieutenant Robert N. Yates, US Rifle Regiment, 1814.” Mixed media (watercolor, fabric, ink and graphite) on paper, 3 3/4 x 2 7/8 inches oval (view), inscribed below image in ink: “Lieut. Robert N. Yates db / Died Augt. 20th. 1814 / Aged 24 Years, 8 Mons. & 9 Days”; under eglomise mat in glazed, carved and gilded frame. Towards the close of the siege of Fort Erie, General Gaines sent Lt. Yates out with a reconnoitering party of riflemen and infantry to “to look at the British lines.” It was ambushed by a party of Indians concealed in the woods and driven back with casualties, among which included Yates and a few of his men killed. Robert Yates (1789-1814) was from the Schenectady, NY area. This is one of a handful of known portraits of Rifle officers from the War of 1812. 600 - 1,200
1284 - EDWARD BRACKETT WHITE (1806-1882). PORTRAIT MINIATURE OF A US OFFICER, POSSIBLY
BENJAMIN HUGER, 1834.
Miniature on ivory, 2 1/8 X 1 3/8 in., under eglomise mat within original, carved wooden frame; signed “White / 1834” in lower RH corner. The artist was the son of Charleston artist and engraver John Blake White and friend of noted miniaturist Charles Fraser. Appointed to the US Military Academy at West Point in 1822, he also benefited from further artistic instruction by Thomas Gimbrede, Professor of Drawing. Graduating 9th in his class and commissioned as an artillery officer, he spent much of his military career serving as an acting engineer, supervising the construction of Fort Pulaski and the Potomac Bridge, before resigning his commission in 1836. The sitter wears the undress frock uniform first authorized in 1828 and his features closely resemble those of Captain Benjamin Huger of the Ordnance Department from a miniature by Frasier. Huger and White served together during this period and both were native Charlestonians. White subsequently enjoyed a successful career as a civil engineer and architect in South Carolina, his accomplishments ranging from railroads and public buildings (such as the Charleston Custom House) to many of the stately homes that still grace South of Broad today. During the Civil War, he organized and commanded the famous Palmetto Light Artillery and later signalized himself in the defense of Charleston. This is one of only two portrait miniatures by White currently known. CONDITION: the watercolor retains good coloring, but there are some tiny losses in the lower portion of the inner sleeves, the ivory with some warpage. 900 - 1,500
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1285 - A MAYWEG & NIPPES CONTRACT OR US MODEL 1814 CUTLASS.
This is the beefy cutlass adopted by the US Navy in 1814 to replace the slighter M1808 Starr Cutlass. The US M1814 was produced by Philadelphia cutlers Mayweg & Nippes, who received a contract for 2000 of such arms. This cutlass has a 26-inch-long blade and is 31 inches in length overall. The blade has the government “P” proof stamped on the left side near the ricasso, but does not feature the “US” stamp normally found on the outside of the lower disk of the double-disk guard. CONDITION: Blade exhibits a pleasing gray patina with light edge wear throughout that is most notable toward the tip. Guard and ribbed iron grip with a good amount of original japanning remaining and some traces of oxidation where it has been lost. 2,500 - 3,500
1286 - A RARE P1814 SEA SERVICE SWORD (CUTLASS).
A Pattern 1814 “Sea Service Sword” or cutlass, as more commonly called by Jack Tars. This pattern was introduced to replace the P1804 Cutlass when Royal Navy officers recommended a shorter, but broader curved blade example after encounters with American sailors armed with the Mayweg & Nippes US M1814 cutlasses. The blade is 25 in. L with an overall length of 29 1/2 in. The blade is stamped on each side with “GR” surmounted by the royal crown of Britain. Very few of this pattern were produced, as it ceased production with the coming of peace in 1815 and with huge stocks of P1804 cutlasses onhand for the peacetime navy’s use. CONDITION: Blade exhibits a dark gray patina with freckling throughout. There is one large area of heavy pitting above the guard on the reverse side with scattered areas of the same elsewhere. Guard exhibits a chocolate patina that intermixed with the black japanning. The iron grip is mostly intact with a large chip under the guard, which occasions a wobble when handled. 1,500 - 2,500
1287 - EXTREMELY RARE MODEL 1808 US CUTLASS BY STARR.
An extremely rare example of a Model 1808 cutlass by Nathan Starr, consisting of a straight 28 - 3/8” blade with a long narrow fuller; the blade is stamped at ricasso with “N. STARR” in a deep cartouche, eagle and “US”. The hilt consists of a cupped guard of sheet iron, with a rolled iron “quillon at top, and tapering along the knucklebow to the end of the grip, where the tang of the blade is peened to it in the usual manner. The grip itself is of maple, with a sheet iron ferrule at each end. The outer face of the guard bears a rack number “XVI” impressed into it. PROVENANCE: Ex. Coll., Robert F. Wheeler Baltimore MD; James L. Kochan to Lee Bull, 2004; reacquired in 2020. CONDITION: Metal with a smooth, chocolate patina throughout, with some pitting to tip and heavy pitting to front ferrule on the wooden grip, the rear one now missing; grip has later varnish applied. A number of cuts or chips on the upper half of the blade’s edge. 10,000 - 20,000
1288 - ROYAL NAVY “SEA SERVICE” SWORD BELT, C. 1750-1815.
Long in the collection of historical artist Don Troiani, I first studied and measured this belt in the late 1980s. We knew it was of British manufacture and likely a sword belt for a hanger, possibly made for issue to a British or Provincial corps in the French & Indian War or Revolutionary War, as the strap ends of a hanging frog were sewn and riveted in the exact manner as the British bayonet frogs excavated at Fort Ligonier and the buckle and brass slider found on it were identical to others excavated on sites associated with the two conflicts. It was not until artifacts from the 1798 wreck of the HMS DeBraak were conserved and studied by the Delaware State Museum that its use became certain, as a number were recovered from that ship: it was a waistbelt for the “Sea Service Sword” (cutlass). Another of these belts was recovered about 15 years ago by a Canadian diver from an 1812 context along the St. Lawrence River or Niagara River and fittings for others are among the 1812 excavated artifacts from Canada in another lot in this sale, so we now know that this belt pattern was in use well into the early 19th century. The frog was cut-down and reattached at some point in its history and based on its placement and short length, was probably readapted as a bayonet belt. The remains of a chain for brush and pick are attached to the bottom of the brass slider. The belt is 41 inches long and 1 3/4 inches wide. CONDITION: Much of the original grain face of the belting has worn away over time, but the leather remains supple. A highly important example, being the only known Royal Navy cutlass belt of this period NOT recovered from a water site and still with all brass mountings and original stitching. 1,500 - 3,000
1289 - WAR OF 1812 BRITISH ARTIFACTS FROM THE CANADIAN
BORDER: LOT OF 29
A collection of 29 artifacts found near a cantonment occupied during the War of 1812 by the 2nd Battalion of Royal Marines and Royal Navy personnel, as well as British Army detachments, based on my study of the component artifacts. These artifacts were water recoveries by a relic-collecting diver who sold them Mark Fraterrigo, from whom purchased in 2008. Said diver is said to have worked on military and naval sites associated with the war along the Niagara River corridor, as well as the Toronto and Kingston areas, so more exact provenance is currently elusive. It consists of two oval brass buckles and one brass slider of the form used on the waistbelts issued to carry Sea Service Swords (cutlasses), the only complete example of which is also in this sale. Associated with this are two, sheet-brass chapes or drags and a brass locket from Royal Navy cutlass scabbard. The smaller brass locket and two brass finials are from bayonet scabbards and a remarkably intact T-shaped guntool, with screwdriver, spike and napping hammer--the type issued to NCOs in the British military. Other military artifacts include the female half of a neckstock clasp, a fragment from a British cap plate, a gaiter button of the 41st Foot, 3 Royal Marine buttons and 2 small brass buttons with anchor devices--probably used on sailor’s jackets or possibly Marine gaiters. Personal objects include a cylindrical case of horn for needles and pins, a decanter stopper, a spoon and a lead whizzer. Nautical pieces include copper spikes. Acquired from Mark Fraterrigo, 2006. 500 - 1,000
1290 - A PHILADELPHIA EAGLE-POMMEL SABER WITH SCABBARD, 1800-1815.
Overall length: 35.5 inches; blade length 29.5 inches and a width of 1.25 inches at the ricasso. A fine, silver-hilted, mounted officer’s saber with eagle-head pommel in the Philadelphia style with stirrup-hilt guard, backstrap and eagle-head pommel of silver; grip of rosewood with silver ribbon wraps; and a slightly curved blade free of decoration. It retains its original, tooled leather scabbard with silver mounts, consisting of throat, middle-band and chape or drag. Provenance: Collection of William Guthman, Westport, Connecticut and previously, the Robert H. McCauley Collection and earlier, the Medicus Collection. Literature: Flayderman and Mowbray, “American Swords from the Medicus Collection” p. 246. 4,000 - 8,000
1291 - WAR OF 1812 US BOARDING PIKE WITH WASHINGTON NAVY YARD MARKINGS..
A complete and rare US Navy boarding pike with early spike head of the form variously classified by William Gilkerson as Type II or Type III bearing an extremely complete set of original markings. The pike measures 95 inches long overall and both head and shaft bear most of its original whitewash or white lead paint. The forged head is 16.75 inches long overall, inclusive of 7 3/8 inch-long langets and a four-sided spike blade of 6.75 inches length. The ball finial is 1.5 in. L x 1 5/8 in. diameter. One face of the spike blade is stamped “N.Y.W” for Washington Navy Yard, while another face bears a “U.S” surcharge, and a third face bears the inspectors stamp of Captain Joseph Tarbell, being his initials “J.T”. An identical head with Tarbell and Washington Navy Yard markings was recovered from the U.S.S. Niagara, flagship of Commodore Perry’s squadron during the 1813 battle of Lake Erie. As noted previously, Tarbell died in 1815, so this pike was certainly manufactured, inspected and accepted into U. S. Navy arms stores prior to- or during the War of 1812. Accession 14.56.1 purchased from Richard Drake, 1 NOV 2014. 2,500 - 4,500
1292 - PAINTED 1812 EAGLE MILITARY FIELD DRUM BY ABNER STEVENS
A fine example of a War of 1812 military drum by Abner Stevens, a noted Massachusetts drum maker whose establishment was originally in Hancock, but relocated to Pittsfield in 1809. This rope-tension field drum, approximately 15 1/2-16 in. H x 16 in. diameter, has a cylindrical shell or body formed of oak, with sheepskin heads and original, red-painted rims of hickory wood attached with hempen cord and adjusting tabs of leather (a few now missing). The face of the shell is painted with an American eagle with red/white/blue shield of the United States at its breast, above a scroll bearing the motto: “EPLURIBU UNUM” and below it, the date “1812” in white letters. Opposite this side of the drum is a vent hole surrounded by a painted, star shape in red/white/blue. If one views into the drum from this hole, the remnants of the original maker’s label by Stevens can be seen, which is the paper label he used only through 1813, thereby proving that this is indeed a war-dated drum, rather than a later drum for a unit originally raised at that time. Its dimensions and method of construction closely match the specifications given in a wartime contract between the US Army and Stevens. 6,000 - 10,000
1293 - WAR OF 1812 U.S. EAGLE CARTRIDGE BOX DEVICE.
A cast-brass plate or device, probably for a cartridge box flap, but possibly a military cap, 2 7/8 x 2 1/8 inches, with four attachment pins soldered to the reverse. The device is in the form of a spread-wing American eagle perched on a cloud, probably inspired by US military cockade eagles of the period. In size and overall form, it looks nearly identical to one seen on the flap of the cartridge box on the boarding belt worn by the daring privateer, Captain Samuel C. Reid, as viewed in his 1815 portrait by John Wesley Jarvis (now in Minneapolis Museum of Art). However, in the latter, the eagle’s head is facing left, not right. Purchased from Don Troiani in 2014. CONDITION: Very good, encrusted dirt or polishing compound in some recesses on front. 500 - 1,000
1294 - TARGET EYE EAGLEHEAD SILVERHILT SABER, CIRCA 1790.
This fine, early American short saber with “target eye” eagle pommel is a form that Harold Peterson, Andrew Mowbray and other experts date to c. 1780. 32 1/4 inches long overall, it has a 26 7/8 inch-long, slightly curved, American blade with single, narrow, unstopped fuller near spine and is 1 9/16 inches wide at ricasso. The hilt is silver-mounted with S-shaped guard with eagle-head quillons, the lower one’s beak holding the silver chain that connects in kind to the eagle-head pommel, the latter engraved with a “target eye” and simple neck feathers and bearing a turned capstan on top. The grip is of reeded bone, with a narrow, silver ferrule between it and crossguard; it bears a central, inlaid silver band bearing an engraved, early Federal eagle centered on the right side--almost identical in form to George Washington’s cockade eagle now at Mount Vernon. It is quite possible that the reeded grip with band was a 1790s updating of a sword made a decade earlier. This very example is discussed and pictured on pp. 42-43 in Mowbray’s seminal book, “The American Eagle Pommel Sword: The Early Years.” CONDITION: Blade retains a relatively bright surface with some scattered dark spots and a few nicks to the cutting edge; hilt very good and tight to blade; its silver mounts retain a pleasing, dullish bright surface showing some minor wear and marks from use; grip excellent with a few horizontal hairline age cracks and wonderful honey patina; a fine example in very good condition. PROVENANCE: Robert Harper Collection until at least 1988; from thence to the William Dupree Collection; acquired in 2022. 10,000 - 15,000
1295 - FEDERAL SILVERHILT SABER BY JACOB SHAFFER OF WASHINGTON,
PA., 1795-1805.
An early and rather unusual Federal era silver-hilted saber by Jacob Schaffer (fl. 1795-1830) of Washington, Pennsylvania, one of a near-matched pair that came out of a Washington estate some years back, along with a silver-mounted dirk. Outside of this pair, only two other Schaffer swords are known, both bearing his later War of 1812 era touchmark (former Latimer Collection and Hartzler collections). This short saber has stirrup-hilt of silver, with a carved, spiral-grooved grip of ebony. The pommel cap is domed and without capstan, while the counterguard is marked ‘J. SCHAFFER’ in a cartouch. What is most unique about both this saber and its former companion is that they both have what appear to be early examples of American-made, blued and gilded blades of rather unique form—the blades not being etched or engraved prior to application of the bluing and gilt decoration. The bluing runs 12 ½ in. down the blade from the ricasso, and while 95% of the bluing remains, the gilded devices, which include a frog-legged eagle, panoplies of arms, wreath, shield, 8-pointed star and ‘E PLURIBUS UNUM’, are now faintly discernable unless viewed under raking light, as the gilded designs were applied sans etching and thus, more easily rubbed away over time. The blade itself is single-edged, with a narrow fuller and 30 1/4 in. L x 1 1/4 in. W at ricasso. The leather scabbard has silver mounts, consisting of ringed throat and middle-band, plus drag; the mounts are beautifully engraved in a distinct, Pennsylvania-German style, with floral and stars motifs reminiscent of designs seen in fraktur work, as well as a Federal shield over crossed laurels at the top of the throat. 8,000 - 12,000
1296 - SILVER-HILT SABER CARRIED BY MAJOR WM. WATTS, PENNSYLVANIA RIFLE REGT. IN WAR OF 1812.MAJOR WILLIAM WATTS, PA RIFLE CORPS 1812 IDENTIFIED SILVERHILT SABER.
Short saber for a foot officer with an overall length of 33 3/8 inches, bearing a slightly-curved, single-edged blade with clipped point and a wide shallow fuller on both sides; 1 1/2 in. W at ricasso. Silver reversed-P hilt with chased eagle head quillon and scalloped guard. Bird’s head pommel with chased designs on top and silver backstrap. Ivory grip with relief carved spirals, silver ferrule with bands of decoration at base. Outside face of knucklebow inscribed “Major Wm. Watts”. Complete with its original leather scabbard with scallopededge, silver mounts that consist of throat, middle-band and chape or drag. Major William Watts (1765-1838) of Bucks County, Pennsylvania carried this handsome saber during the War of 1812 while serving as a field officer of Humphrey’s Rifle Regiment. This unit was composed of rifle-armed, volunteer militia companies from Bucks, Northampton and Lancaster counties that was mobilized in August 1814 and responded to the British attack on Baltimore, mustering out of service in early 1815. CONDITION: Blade is bright with two minor nicks to cutting edge; silver mounts bright, with one small pressure crack running 2/3ds the width of the ferrule on left side; ivory grip very good with a pleasing patina and a couple dark hairline age cracks; scabbard mounts bright and leather showing some pasts flaking to surface, minor cracks and crazing, but is overall very stable. A beautiful identified American silver hilt with its original scabbard. PROVENANCE: William Watts to his nephew, Brigadier General William Watts Hart Davis and remaining in family until sold to Medicus. The saber is illustrated and described on plate 129 in Flayderman and Mowbray (1999); Flayderman to Dr. William Dupree of Lewisburg, PA, in whose collection it remained until 2022. 6,000 - 9,000
NEW YORK.
Overall length: 37 1/2 in; blade length: 33 in. x 1 3/8 W at ricasso. Blade has a wide, single fuller and a 6 1/2 in. L false edge and features a blued ground on the upper 15 inches of the blade, bearing gilt-heightened, etched martial and floral devices, the right side bearing a large “US / of / A” in center, surmounted by an American flag over of segmented device in the form of the crown (the left side encompassing a shamrock and the right being a world globe). For many years, these blades were presumed to be exports from Birmingham, but recent scholarship suggests that they were made, etched and blued in the United States, probably New York City. The silver hilt has a “reversed-P” guard with scrolled quillon and a plain backstrap terminating in a bird’s head pommel. There is a silver ferrule set behind the crossguard in front of the diagonal-channeled, ivory grip with a double-strand of twisted, silver wire set in the grooves. The maker’s touchmark is stamped on the outer face of the crossguard below the blade in an oblong cartouche: “C. GIFFING”. The 34 inch-long, leather scabbard has silver mounts with scalloped edges, consisting of throat, middle band, and chape or drag, all edge-bordered with fluted pairs of lines; the throat has both suspension ring and frog button, while the middle band also has a suspension ring. Christopher Giffing (1789-1866) worked as a silversmith in New York City in the 1810s and was listed at 40 Chapel Street, 1814-1815, at 64 Partition in 1816, and back at 40 Chapel from 1817 until 1834. This is a superb example of the earlier pattern swords produced by Giffing during the War of 1812 era, the hilt produced in his workshop and American-made blade from a cutler still to be identified. CONDITION: unblued portion of the blade shows a pewter finish with some dark patches, while approximately 50-60% of the blueing and gilding remains, with scattered spots of light oxidation; a few minor edge nicks. The hilt is in very good-excellent condition, less a small chip on the underside of the ivory grip, just before the pommel, virtually unnoticeable from the sides. The scabbard is very good, leather strong and stable, with some past crazing and flaking of surface grain, the silver mounts bright with some dark patches. 4,000 - 8,000
1297 - WAR OF 1812, P-GUARD SILVERHILT SABER BY CHRISTOPHER GIFFING OF
1298 - WAR OF 1812 U.S. ARMY OFFICER’S DIRK SCABBARD WITH PATRIOTIC ENGRAVING
Massachusetts-born William C. Lyman was appointed 1st lieutenant and assistant deputy commissary of ordnance on 19 April 1813. After the war, he was retained in the 1815 peacetime establishment of United States Army, later resigning his commission in 1819. Although most often associated with naval officers, U.S. Army officers frequently wore dirks in lieu of swords, especially when off-duty or for undress occasions (this longstanding practice was officially prohibited in 1813). Although the dirk that once belonged with this scabbard is now lost, it must have been a fine piece, judging by the form and quality of its companion scabbard. The gilded copper scabbard has various patriotic motifs engraved upon it relating to Lyman’s branch of service, including an eagle straddling two cannons. On the throat of the scabbard is one of the earliest depictions known of a US ordnance device, while on the recto of the same is the owner’s name, “W. C. Lyman.” Length: 13 ½ inches; width (at throat): 1 3/8 inches.
PROVENANCE: Sold in 2004; William Gimmel Coll. until 2017, when reacquired. CONDITION: 80% of the gilding is worn away, but the masterful engraving work remains strong. 500 - 750
1299 - AMERICAN FROG-LEGGED EAGLE
DIRK, CIRCA 1790.
An American fighting dirk of a form popular both with naval and military officers, 18 7/8 inches long overall, with a straight, 14 inch-long, double-edged blade with spearpoint tip and one inch wide at ricasso. The blade is etched with various motifs, including sun, moon and floral scrolls and emblazoned with an early Federal, “frog-legged eagle” with a surround of 13 stars, within an oval border. The hilt is iron-mounted, with open S-crossguard terminating with teardrop quillons, with ribbed bone grip set between ferrule and flat pommel cap (with paired, bordering lines incised along each edge) and button capstan. CONDITION. one small chip is the bone grip at ferrule and two short cracks (less than inch), with some dirt in grooves and a patch of discoloration; the metal of the blade of mottled grey, with scattered patches of light pitting. Provenance: purchased from Stan Smullen in 2017. 750 - 1,500
1300 - US NAVAL OFFICER’S SPADROON, 1812-1820S.
Overall length: 37 3/8 in. with a blade 32 3/8 in. long by 13/16 in. W at ricasso. The overall form of this sword is directly copied from a French spadroon popular among French naval and military staff officers during the 1st Empire, with Imperial motifs replaced by those reflecting the republican United States. French-made swords gained great popularity with the outbreak of the War of 1812 and it is likely that this sword pattern was introduced by 1812, although in remained popular with US naval officer until the early 1820s. The blade has a single wide fuller and is decorated with gold highlighted etching on a blued field over the first 10 1/2 inches of the blade, including military panoplies and mystical and foliate motifs. This sword, almost certainly made in France for the American market, has an extremely handsome, gilded-brass hilt consisting of downturned half-clamshell guard with eagle quillon; a spread-wing American eagle with US shield on breast--its head surrounded by 17 stars--is superimposed over an anchor, with the flukes seen below; under each wing is a wreath of laurel encircling a “W”--almost certainly a tribute the George Washington; the bottom of crossguard is united with the scrolled end of the knucklebow, embellished with various classical motifs and the ovoid lozenge-shaped pommel features an American eagle on one side with 17 stars above and a shell & flourish motif on the other, its base and that of the ferrule behind the guard bearing surrounds of acanthus leaves; the four-faceted, ebonized wood grip is finely cross-hatched on the right and left face. CONDITION: blade has a bright finish with some random, dark spots of former oxidation, the etched portion retains vibrancy to the blueing and gilding, with some oxidation near the hilt. The hilt retains nearly all of its original gilded finish and details have remained exceptionally sharp, while there is light edge wear to the grip. 1,000 - 2,000
1301 - RARE MODEL 1834 US ARMY MEDICAL OFFICERS SWORD BY AMES.
This is an exceptionally rare smallsword for the medical staff of the US Army, first selected for this branch in 1832, but not officially approved and acquired by government contract with Ames two years later; in use until superseded by a new pattern in 1840. Overall length 37 1/2 in.; blade: 30 1/8 in. L x 3/4 in. at ricasso. Blade is elliptical in cross-section and etched over 2/3 of its length with various patriotic & foliate motifs, including American eagles with liberty banners and a central spray of arms with “US” in shield. Maker’s name, “N.P. Ames / Cutler / Springfield” is found within an arrow-shaped panel near the guard. Hilt retains 99% of its gilded-brass finish and consists of a flat, half-clamshell guard, D-knuclebow with 16 orbs or strung pearls within an indented panel, urn pommel with similar, “strung-pearl” decoration draped from the pronounced capstan, and 4-sided grip with similar strung pearl or orbs cast in the corners. Gilded-brass scabbard with foliate engraving and raised bands with suspension rings. CONDITION: blade has a pleasing light gray patina; hilt retains nearly all of its original gilded finish; scabbard with a few, tiny dents and retaining most of its original finish. 3,000 - 6,000
1302 - ROSE U.S. CONTRACT SABER OF 1807.
The Rose family of Philadelphia’s Northern Liberties had a history of supplying edged weapons to the United States dating back to the Revolutionary War. Following the wake of Chesapeake-Leopard Incident of 1807, the Federal government let new contracts for arms to fill its depleted arsenals in anticipation of future wartime needs and contracted with William Rose & Sons for 2,000 cavalry sabers with scabbards at the price of $5 apiece. These iron-mounted sabers had stirrup-shaped hilts with leather grips and were inspired by those carried by British, Prussian and French hussars. The scabbards were made of leather, with iron mountings, consisting of throat, middle band and drag connected by aa rather elaborate “skeleton’ framework or edge reinforcements of sheet iron in the fashion of German hussar sabers. They were intended to be slung from waistbelts with suspension slings, to which they were affixed by two iron rings secured to the throat and middle band on each scabbard. In 1808, 592 of these sabers were furnished to the Regiment of Light Dragoons, with the balance largely kept in store until 1812, when issued out to arm volunteer troops raising for active service against the British on the Ohio and New York frontiers. the saber has an overall length of 40 3/8 in., its single-fullered blade is 35 in. L x 1 3/8 in. W; stamped “W. ROSE & SONS” on spine of blade near guard. A very good and complete example retaining 100% of the original leather and twisted wire wrap to the grip, with twisted wire in the grooves and with its original leather scabbard with iron “skeleton” framework mounts. Condition: a nice chocolate tone of patina to the iron mounts of hilt and scabbard, with some light patches of surface oxidation to the hilt; blade very good with unpolished “bright” surface some light scattered freckling with dark spots, markings excellent; some crazing to the surface of the scabbard leather, but otherwise complete and stable. PROVENANCE: ex. collection, George M. Rapport; acquired in 2019. 4,000 - 8,000
1303 - US MODEL 1812/1813 STARR CONTRACT SABER WITH SCABBARD
A nice example of one of the 10,000 mounted or cavalry sabers with iron scabbards produced in the modified contract of 1812 between the United States and Connecticut cutler Nathan Starr, delivered between 1813-1817. Sabers of this pattern were used by both the 1st and 2nd US. Light Dragoons and were also issued out of Federal arsenals to arm the volunteer troops of horse of the states’ militia that went on Federal service during the War of 1812. This saber has a wide, unfullered blade with a clipped point, well-stamped at the ricasso of the obverse face with the inspection and maker’s initials: ‘P (proved) / HHP’ (Henry Perkins, US inspector) / N.STARR (maker) and a iron scabbard.CONDITION: Blade polished with some scabbard marks and areas of light pitting, markings excellent. Hilt retains a dark brown patina. Grip very good with minor scuffing. Scabbard retains much of its original japanning. 500 - 1,000
1304 - GILT-MOUNTED SPADROON BY DAVIS & BROWN OF BOSTON, CIRCA 1806.
American officer’s spadroon marketed by Davis and Brown of Boston. Overall length: 39in.; blade length: 32 1/2 in. The gilt-brass hilt has a knuckleguard with three loops with standing flowers at the joints on either side, terminating at the with four-sided urn pommel--each faced with an inset panel of bellflowers--and pronounced capstan, with a ribbed grip of white bone. The blade with 14-1/2 in. blued panels on each side, the obverse bears a small, illegible blade stamp at base of blade, with “Davis and Brown” in scroll over oval with “Warranted” and “Boston” above the ricasso on a leaf background. American eagle with 15 stars overhead above and foliate scroll. Reverse with ‘G’ stamp for Gill as blade maker, with three floral and one panoply of arms, drypoint-etched and gilt-washed; good edge and point; bright metal mixed with some grey mottling above the blue and minor spots of same within the blueing. Davis and Brown were active in the military goods business in Boston from about 1802-1820 and this fine sword was likely a pre-War of 1812 import, judging by both its form and components. CONDITION: A fine sword retaining more than 90% of the original finish to the gilt-brass mounts (rubbing loss at the high points, notably the pommel) and most of the blueing and gilding to blade; the grip has lengthwise narrow crack on reverse, but is otherwise fine and stable. Black leather scabbard has a repaired break approximately 8 in. above the chape or drag; the latter matches the form of the throat and middle-band (which are of gilt-brass with approximately 70% of the gilding remaining), yet shows no trace of gilding on the brass--suggesting that it is a replacement. PROVENANCE: ex. collection, George M. Rapport. 2,500 - 4,500
1305 - SILVER, PILLOW-POMMEL SWORD FOR US INFANTRY OFFICERS, WAR OF 1812 ERA.
A classic example of a British-made, military sword for the American market prior to the outbreak of the War of 1812. It is a straight-bladed spadroon with classic, faceted pillow-pommel hilt with 5 balls decorating the knucklebow, as commonly used by British foot officers beginning in 1788 until a new pattern was adopted in 1796. This form was popular with American officers starting in the early 1790s and it fully complies with the specifications given for US Infantry officers’ swords with its silver or “white” mounts and straight, “cut-and-thrust” blade, prescribed for that branch since 1798. 38 in. L overall, it has a single-edged, wide-fullered blade that is 32 1/4 in. L and 1 3/16 in. W at ricasso. The blade was etched and blued for 50% of its length, the etched motifs consisting of various martial motifs with some floral framing. Centered on the right side is a scroll with “AMERICAN INFANTRY” is surmounted by the figure of a woman (representing Liberty or America) and holding a palm; opposite it on the left is a spread-wing American eagle between two scrolls bearing the words “UNITED” and “STATES”, an arms panoply between it and another scroll bearing the makers’ names: “WOOLEY, DEAKIN & Co.” The partnership of James Woolley and Thomas Deakin, sword cutlers of Birmingham, is discussed in Lankester, P., ‘New light on the partnership of James Woolley and Thomas Deakin’, Arms & Armour, Vol. I, pp. 159-164 (Leeds, 2004). The partnership existed from 1790, with Deakin as the junior partner - whose name as such appeared in Birmingham trade directories after 1800; in 1809, the two partners were joined by two others and the name changed, which allows us to provide an approximate date range of c. 1800-1810 for this particular sword. CONDITION: The blade a dark pewter grey with approximately 30-35% of the bluing and gilding remaining, with scattered light patches of oxidation; the silver mounts moderately bright with dark patches and evidence of an open side branch to crossguard, probably purposely removed during the period; the ribbed ivory grip is bright and clean, with a 1-inch age crack behind the silver ferrule at top.
1306 - ROSE 1812 NON-COMMISSIONED OFFICER OR MUSICIANS SWORD.
Collectors have long called this sword form the “Rose Model 1812 NCO Sword”, but there is actually no evidence for any a pattern NCO sword being established. However, both William and Joseph Rose received contracts for 1000 “non-commissioned officers’ swords in 1812, so this is perhaps better described as a Rose 1812 Contract NCO Sword”. There is some evidence that the Rose cutlers of Philadelphia provided similar swords to the government prior to the war by contract in smaller increments, which may account for the rather archaic style of the hilt, which is reminiscent of late 18th century hangers. From Federal issue records, it is clear that these swords were also issued out to musicians, for which there was no established pattern. 30 1/2 inches long with a straight, 25 1/4 inch, single-edged blade with 18 inch-long, narrow fuller, ending in a spear-point; the spine of the blade is stamped “W. Rose”; the blade is 1 1/8 in. W at ricasso and is stamped on the right face “V/W”, which is believed to be the US government view mark of Marine T. Wickham, a Federal arms inspector during the 1810s. Brass stirrup hilt with single outboard branch and large, ovoid pommel with spirally grooved, ebony grip sited between brass ferrules, still retaining the original, twisted brass wire wrap in the channel. Condition: Blade a greyish, metallic tone with patches of light to moderate pitting; hilt with dark, unpolished patina. 1,500 - 2,500
1307 - ROSE LIGHT ARTILLERY SABER WITH SCABBARD, WAR OF 1812 ERA.
Stirrup-hilted, hilted saber form copied from a popular British style (earlier derived from German hilts), heavily used during the 1810s and 1820s by American militia artillery due to the brass mountings, but also used by other troops. 33 1/2 in. overall, with a 29 in. L, slightly curved blade 1 1/4 in. W at ricasso and stamped “ROSE” on the spine. With tooled leather scabbard with brass mounts, consisting of throat and chape; middle band missing. CONDITION: very good overall, channeled grip retains most of its original leather; mottled pewter-toned blade with a few spots of light oxidation; scabbard is sound w/ seam opening on reverse. 800 - 1,600
1308 - WAR OF 1812 SADDLEBAGS ATTRIBUTED TO BRIGADIER GENERAL JAMES MILLER, USA.
Of substantial brown, tanned leather, approximately 17 x 13 3/4 (when doubled). Two large bags with flaps, each held down by strap and tinned-iron, harness buckle; the bags connected by a broad band of leather. With old tag reading “Saddle Bags / Gen. Miller / 1812.” Although it cannot be substantively proven whether these bags belonged to Brigadier General James Milller of battle of Chippewa fame, they are almost exact matched to another pair in the collection of Don Troiani that are identified to a company officer in the 25th US Infantry, which served with Miller as part of Scott’s Brigade of Gray Jackets during the 1814 Niagara campaign. PROVENANCE: Purchased as lot 53, Saco Auctions, 11 JAN 2013. CONDITION: leather rather stiff; old tears across the broad connecting strap, one from right edge coming in diagonally for 5 inches and another from the left edge, just over an inch. 400 - 800
PHOTOS
1309 - SCARCE EXAMPLE OF STARR MODEL 1813 NCO SWORD WITH ORIGINAL SCABBARD.
The straight single-edged blade has a narrow partial fuller along the top on both sides. Right side stamped “N. STARR” near ricasso, just below fuller. Opposite side stamped “V / CW / US”; “CW” is the touchmark of US Arms Inspector Charles Williams, who inspected and inspected 520 of these arms on 14 AUG 1813, establishing it as one of the first produced of this pattern. Only 700 of these arms were delivered in 1813, the other 180 accepted by Henry Perkins on 2 JUN 1813. Standard iron hilt with counter guard on right side and stirrup knucklebow. Plain wood grip. Complete with its original japanned steel scabbard. CONDITION: Blade markings excellent, mostly polished with light pitting throughout, tip slightly rounded. Hilt tight to blade and retains a matching surface to that of the blade. Grip shows scattered bruising and marks from use. Scabbard shows a shallow dent on right side, towards tip and most of the black japanning remains. 2,500 - 3,500 SEE WEBSITE FOR
1310 - WAR OF 1812 MESS CHEST OF MAJOR
CHRISTOPHER VAN DEVENTER.
War of 1812 campaign or mess chest with most of original contents, belonging to Major Christopher Van Deventer (1788-1738). Black leather box with decorative bass tack decoration, iron braced edges, handles on the sides, and original latch, lock, and key. 14” H x 20 1/2” W x 11 5/8” D. The interior of box remains mostly intact with original wall paper and wool linings, removable tray, and dividers. Included in the chest is 1 pewter creamer with decorative beaded edge; 1 pewter coffee pot with removable handle and decorative beaded rim on bun feet; 1 small hinged tin box with compartments; 1 small hinged tin box
with interior lid; 1 tin spice container with four glass containers; 1 tin round tea pot with lid; 1 tall narrow container with screw cap; 1 tall narrow hinged container; 2 tin platters; 3 tin plates; 2 large hinged containers; 1 large square container with rounded edges, handles, and lid; 1 large oval container with handles and removable lid. Other small objects include 1 wire rack; 1 knife; and 1 small black pressed cardboard container. Largest Item: Platter 11 1/8” H x 7 7/8” W. Smallest Item: Black pressed cardboard container 5” H x 1 5/8” W x 1 1/4” D. Deventer was born in 1788 in New York. He attended Williams College and was the 46th graduate of West Point. He served in the U.S. Army from 1809-1816. During the War of 1812, Van Deventer served at Fort Columbus and the New York Harbor. He was captured during the Battle of Stony Creek and sent to Quebec as a prisoner of war. While there he attemped to escape, but was recaptured. Eventually, Van Deventer was released and became the Aide de camp of Brigadier General Joseph G. Swift. He resigned from the Military in 1816. In 1817, he was appointed chief clerk of the United States War Department under John C. Calhoun, serving until 1827. Major Van Deventer’s papers are housed in the William L Clements Library at the University of Michigan. PROVENANCE: Major Van Deventer and by descent in the family until 2011, whence acquired. CONDITION: Exterior of the case retains most of its original fittings with the exception of one missing handle. Hinges are broken. The leather survives mostly intact in a fragile, weathered, dried state. There is some tearing and missing leather. 5,000 - 10,000
1311 - WILLIAM DUNLAP. “PORTRAIT OF MAJOR CHRISTOPHER VAN DEVENTER, U.S. ARMY, 1813.”
Oil on panel, 27 x 21 ¾ inches, within original, gilt composition frame. Christopher Van Deventer (1788-1838) was son of a successful New York merchant and speculator. He attended Williams College and was the 46th graduate of the United States Military Academy at West Point. He received a commission as lieutenant of artillery on 9 January 1809, serving in that capacity at the New York harbor defenses, including Fort Columbus, until 1812. Appointed Major and Deputy Quartermaster General on 26 March 1813, he was captured while attempting to man a cannon during the British surprise attack on the American advance column at Stoney Creek on 6 June 1813. Sent into captivity at Quebec, he escaped in December but was later recaptured and put into solitary confinement until the end of the war. After his release he became Assistant Adjutant General and also aide de camp to Brigadier General Joseph Gardner Swift. Van Deventer resigned from the army on 30 August 1816 to become Chief Clerk of the War Department under Secretary John C. Calhoun. Van Deventer died in Georgetown, Washington, D.C., on April 22, 1838. His extensive papers are now at the William L. Clements Library at the University of Michigan, Ann Arbor. William Dunlap, the noted artist and playwright, painted this portrait of Major Van Deventer (a close friend) just before he departed New York City for the Niagara frontier in 1813. Dunlap did another portrait (whereabouts unknown) of him after he became Chief Clerk of the War Department, while visiting him in Washington, DC in the 1820s. PROVENANCE: by descent in the Van Deventer family until 2011, whence acquired. CONDITION: Very good condition, both painting and its original frame; the wood panel has a crack running down approximately 11 inches from top in upper right, which has been stabilized in conservation; examination under UV light reveal moderate retouching in area of crack and a few scattered, small spots in the background. The 2006 conservation report accompanies the painting. 6,000 - 9,000
This is the only surviving example in private hands of an 1832 pattern enlisted man’s coat of the U. S. Army and there are only a handful of others known, all in the Quartermaster Collection now in the National Museum of American History. This rare example is the pattern made for a sergeant of infantry, so the cloth is of slightly better quality than those of private soldiers, and it is further distinguished from theirs by having “three buttons and loops and the slash sleeve”--the private soldiers and corporals having but two. The 1832 infantry and foot artillery uniforms were close approximations of what was then being worn by their counterparts in the British Army, changing red to American blue, and with national distinctions (such as on buttons) of the United States. The pattern was smart-looking and was worn from 1832, through the Mexican War and into the early 1850s, when replaced by French-styled uniforms introduced in the 1850 regulations of the Army. During this period, all uniforms were cut by Army tailors at the Schuylkill Clothing Establishment, the components sent out in bundles to be sewn into the finished garments, then returned for inspection. This coat bears the Schuylkill inspection and size mark for an Army size no. 2 coat, being two filled circles stamped in the lining of the of the right sleeve-cap. A size no. 2 coat would fit a man standing 5 foot 6 inches. With the coat is an associated pair of white worsted epaulettes, of the correct form as worn by sergeants with this uniform, but not regular army--being a pair with incorrect buttons. PROVENANCE: Found in a home in CT and sold as lot 92 Bruneau Auctions 20 NOV 2021, whence acquired. CONDITION: Very good, as conserved and presented; the coat when acquired in 2021 was in a fair and incomplete state--only 2 original buttons remained on the coat, many of the seams were open, lining loose and torn and areas of damage from insect browse. The coat was conserved during 2022-2023 by Dr. Karin Bohleke, Director of the Fashion Archives and Museum of Shippensburg U., which involved painstaking labor and extensive manhours, reversing said damage and replacing any loss “in kind” with matching materials. All missing buttons were replaced with pewter reproductions of the originals, cast directly from “mint” originals. 10,000 - 20,000
1313 - AMERICAN LANCE OR PIKE, CIRCA 1845
Overall length inclusive of haft and head is 96 ¼ inches; the head is 10 7/8 x 2 inches and consists of an elliptical blade emanating from a conical socket base. One flat of the blade is stamped “L H WATTS NEW YORK”. An interesting example that, by its form, may have begun life as a blubber knife and was later reforged as a whaling lance or perhaps boarding pike—probably by a ship’s blacksmith. Lewis H. Watts was a tool maker working in New York City from c. 1843-1855, based on city directories. 200 - 400
1314 - WAR OF 1812 ITEMS FROM WILLIAM GUTHMAN COLLECTION: LOT OF 2
1) A relic cartridge box, being a Revolutionary War soft pouch updated for service during the 1807 Chesapeake-Leopard Controversey, with flap embossed “1807”; with 2) an early 19th century document box, with the upper 1/3rd of a brass, US Artillery cap plate of 1812 pattern bearing the words: “U.S./ARTILLERY”, applied below the lock as a reinforcement; the box lined with a New York newspaper dated 1832. Both sold at Bonhams “The William H. Guthman Sale”, held on 12 OCT 2006 at Portsmouth, NH. 300 - 500
1315 - (A) A WAR OF 1812 U.S. IRON 6-POUNDER CANNON ON LATER TRUCK CARRIAGE.
Iron 6-pounder barrel of early 19th century form, the “short” six-pounder forms cast by a handful of foundries in the United States, including Foxall’s Columbia Foundry, prior-to and during the War of 1812. The tube measures 58 1/2 inches in length from cascabel to muzzle face. The trunnions are 3 1/2 inches in diameter and the distance across the trunnions, from face to face, is 15 1/2 inches. There appears to be a “[No.] 5” marked on the left trunnion face and there is a “U.S.” on top of the barrel between the two trunnions. No other marks are presently discernable, if they exist(ed). One of the earliest 6-pounder cannon that can definitively be shown to be produced for the War Department of the United States, as seen by the Federal ownership mark “U.S.” on the barrel. The 6-pounder is mounted on a “truck” type carriage with four, cast-iron, spoke wheels of 24-inch diameter. The 6-pounder cannon and this carriage have been on display on the grounds of the Varnum Armory Museum for many decades and the date that the carriage was fabricated has not been determined, although the truck wheels are possibly much earlier. The tube has been mounted on the original 1828 Washington Arsenal carriage offered in this sale and it fits the carriage perfectly. PROVENANCE: Long in the collections of the Varnum Armory Museum and displayed on the grounds in front of the General James Varnum House (1772) in East Greenwich, Rhode Island. The cannon and carriage were deaccessioned in 2023 as no longer fitting within the mission and collections policy of the museum and sold to The Union Drummer Boy of Gettysburg, PA, whence subsequently purchased on 19 March 2023. CONDITION: The cannon barrel exhibits moderate pitting overall, with some areas (such as muzzle face, even heavier; the bore also exhibits moderate to heavy pitting and there appears to be a small amount of concrete set near breech, to prevent firing at present (which could be removed during restoration of the piece). The cannon has been painted repeatedly over time and it is hoped that if the paint is removed, further markings may be discerned providing further clues as to its maker and history of use. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 15,000 - 30,000
1316 - AN EXTREMELY RARE U.S. ARMY 6 POUNDER CANNON CARRIAGE, DATED 1828.
An American-built field carriage of the late Gribeauval System fabricated at the U.S. Washington Arsenal in 1828, as stamped on its right trunnion plate: “No. 18 / U.S. Arsenal / Washington / 1828.” Surviving examples of American field gun carriages, prior to the familiar “stock trail” carriages of 1836-1865, are almost unknown. Engineering drawings of them have never been found and the few known survivors are usually missing their original axles and none have original wheels. The specimen offered here is unique. It has 100% original wood, although quite fragile in the lunette area. The wheels are not original, but are typical Civil War No. 1 wheels in excellent condition, believed to have been acquired from Bannerman inventory, about 1900. The wheels fit the original 1828 axle, with .100” of clearance. The metal hardware of surviving Washington Arsenal carriages is distinctly different from that of surviving Watervliet carriages in the same time period and conforms to French Gribeauval specifications in most respects. Although a key feature of French Gribeauval field gun carriages was use of solid wrought iron axles without a wood cover, the few surviving American carriages of the post-1800 period suggest an American preference for wood axles with light iron axle trees, with only a small number of carriages having all iron axles. In all cases the linch pins are rectangular in cross section; carriage #18 retains both original linch pins. An interesting variation in the 1828-32 dated survivors is the use of long trail handles, as on this carriage, which facilitated the maneuver of attaching the gun carriage to its limber by its crew. The elevation screw bar is an early replacement, modified from a Civil War screw, when the carriage was adapted to mount a bronze tube of 1845 date, probably by Bannerman. The elevation screw box is original to 1828 as are the fittings for it, but the original wood indicates that the elevation system was moved about 2” to the rear, to accommodate an 1840’s 6 pdr. bronze tube. The other known surviving carriages all mount iron 6 pdr. tubes which are attached to their elevating screws by an iron yoke which bolts through the knob of the gun tube. Washington Arsenal carriage No.18 is the most complete and original and earliest-dated American field gun carriage known to this cataloger. PROVENANCE: Donated from a New England state arsenal to a museum in the late 19th century; it was deaccessioned for not fitting the institution’s mission and scope of collecting statement and sold in 2023. CONDITION: At the present time, only three other Washington Arsenal carriages in this period are known with dates from 1830-32 and all have total replacement wood. The wood in No.18 offered here is intact and all hardware is in good condition, with old heavy paint. Recent removal of the paint on the front trunnion plate surfaces revealed the markings, which have been freshly painted and the lettering highlighted in white. The axle tree on No.18 has a very old break and an apparent old repair with a large and unusual bolt and washer located between the cheeks . A recent documentation of its condition included an x-ray of the axle to determine its condition and internal details and can be provided. Matt Switlik.Note: Matt Switlik is a retired museum director and author of “The Complete Cannoneer” and a recognized authority on American artillery. I acquired this carriage when Matt was already in the final stages of a long-term research project on U.S. Army field carriages of the 1816-1840 period—soon to be published—which will include detailed information on this carriage. We are grateful for his insights and generosity in sharing his knowledge. JLKThis is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 15,000 - 30,000
1317 - (A) NEW YORK STATE BRONZE 6-POUNDER CANNON WITH CARRIAGE.
This fine, bronze 6-pounder is 57 ½ inches long from muzzle face to cascabel, with a 3 7/8” bore of 45 inch depth. The trunnions are 3 3/8 in. in diameter and extend approximately 3 ½ ” long from the barrel proper; the left is unmarked while the right trunnion is struck with “TTS/PP/ [a circle with vertical, bisecting line]”; there are no rim base numbers. The first chase has astragals and fillets at each end and an incise-chiseled “6” surrounded by a beaded border. The reinforce has a chiseled-in-relief Seal of the State of New York; behind that is a neatly engraved and chiseled script “SNY”, also with a beaded border. Behind the State of New York engraving at the breech, we find the a “No. 11” and the quarter-weight system for the barrel’s weight stamped in: “5-3-2”, signifying a weight of approximately 646 pounds. There is a small groove in the breech reinforce, with no other markings on the breech proper; the area around the touchhole shows evidence of having been drilled for a later-period lock. This is one of the 6-pounder guns believed to have been cast in 1797 at the Springfield foundry of James Byers and closely mirrors in form and decoration those cast by him for the Continental Army, the “USA” devices of the former replaced by an “SNY” motif. These guns were part of an order for 6-pounder field guns placed by the state of New York at the opening of the Quasi-War. At least four cannon of this pattern are known, all sharing comparable dimensions and weight, as well as decoration, with the exception of the New York coat of arms, which is found only on this gun. The cascabel was drilled out laterally, indicating that at one time in its history, it had been mounted on an 1820s-type
US carriage of late Gribeauval form made at either the Washington or Watervliet Arsenals, which employed an elevating screw that attached to the cascabel by this means. Based on this physical evidence it was decided to mount it on a reproduction carriage of this form, rather than the Congreve or early Gribeauval carriage likely made for it when first produced, which utilized different elevation screw systems. The carriage was built by Dave Seedenberg of Seed Cannon using seasoned solid planks of seasoned white oak and a combination of hand-forged and investmentcast reproduction, iron hardware, the latter taken from an 1832 Washington Arsenal carriage in the collection of Matt Switlik. The wheels are ring tires with 14 radial nails in the spoke areas, as Switlik’s research indicated was the correct form for these guns; the carriage is literally an exact copy of Switlik’s restored, 1832 original, including the unique elevation screw. A final touch was the trail ammunition box; the entire carriage is a highly functional machine, yet also a work of art. Thanks are due to Dave Seed and Matt Switlik for the appropriate mounting of this stellar bronze tube to the proper carriage form on which is what once mounted in its past history. PROVENANCE: From a Massachusetts collection; 6-pounder tube purchased as lot 303 in the Amoskeag Auction sale of 26 MAR 2022. CONDITION: The exterior of the barrel is a mix of goldenrod and a deep ocher patina, with the remains of what appears to be an old varnish or lacquer applied to it, which should be able to be easily removed by a metal conservator; the unmarked face of the muzzle shows a mix of light and some moderate dings; the bore is bore is lightly pitted its full length.This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 50,000 - 70,000
1318 - EXTREMELY RARE US NAVY OFFICER’S BUFF UNIFORM BREECHES, 1797-1802
This fine pair of buff kerseymere breeches is the earliest-known, extant component of the United States Navy commissioned officer. “Kerseymere”, or cassimere as it became known, was a fine-twilled woolen cloth of worsted warp and woolen weft in a diagonal twill weave and particularly favored during the late 18th and early 19th century for genteel waistcoats and breeches, as well as facings and turnbacks for officers’ uniforms. Although its original wearer is not presently known, from its dimensions we know that he probably had a 30-inch waist and stood at 5 foot 10. The breeches are fully in accord for the first published set of uniform regulations of the U.S. Navy, published in 1797 and in force until superceded in 1802, when the officers’ buff smallclothes were changed to white. As they would not be seen under the waistcoat, the waistband, fall suspender buttons are made of bone or wooden “moulds”, covered with kerseymere. The knee buttons are the first pattern of US Navy button, being 5/8-inch, flat, gilt-brass and bearing an eagle with an oval shield on his breast, in which is a fouled anchor--all encircled by 16 stars representing the states of the union (Tennessee being admitted in 1796). The waistband and fall are lined with fine linen. CONDITION: Very good overall, with a few scattered, tiny insect nips, and some period darning repairs to small holes in the rear and lower, with a few spots of light soiling and one larger stain on the right rear panel; only 5 of the original 8 knee buttons still survive, with 90% of the gilding intact. 4,000 - 8,000
1319 - BRITISH STOVEPIPE CAP PLATE, 1797-1802--WEST INDIES SERVICE. Die-struck brass, 4 x 3 inches. A generic type of “GR” cap plate adopted for the new shakos and tall hats worn by many British corps in the West Indies during 1797-1802. Found on Antigua. These continued in use until replaced by the 1802 “Universal” cap plate, probabaly not reaching the West Indies until 1803 or later. Acquired from Chris Bryant, 2014. CONDITION: Very good as found, with a deep brownish green patina. 600 - 1,200
1320 - EARLY US NAVY OR ARMY OFFICER’S COCKED HAT, 1802-1808
By the beginning of the 19th century, military cocked hats had evolved from the tricornered shape of the mid-18th century to a bicorne form. The cocked hat would eventually culminate in the “chapeau de bras”, a flat, collapsible form used by officers in the US Army as early as 1808, although not officially described until 1812. This superb, early 19th century American bicorne is very similar in form and dimensions to the cocked hat prescribed for the Regiment of Artillerists in 1804. In materials and trimmings it is very clearly of officer quality, probably artillery, general staff, or even US Navy, as it is trimmed with “yellow” (gold) looping and with gilded-brass cockade eagle and button. The cockade is of silk, and the hat is finished with hatter’s plush, most likely also of silk. Silk hats were a new form just coming into vogue but would ultimately replace the more expensive beaver felt hat of the genteel by the latter half of the century. They were made by stretching a napped, silk or fur plush fabric or sometimes oiled silk over a body frame made from cheaper felt or stiffened muslin. “You may also buy some pasteboard and make a cocked hat”, wrote a British officer to his brother, which would be covered with “oil-silk” and trimmed with “some broad ribbon for a cockade, and some broad stuff for binding. This particular military hat is the finest American example known to me and was long in the Don Troiani Collection, until acquired five years ago. It is discussed and illustrated on p. 87 of our first book collaboration, “Don Troiani’s Soldiers in America, 1754-1865.”(1998). The center of the back leaf is 7 7/8 in. H, while the front is 6 1/2 in., the sides 4 3/4 in. From side point to point, the bicorne measures 15 inches. The gold lace of the cockade loop is 9/16 in. wide and the gilt-brass button the same in diameter, the cockade eagle 15/16 L x 13/16 H. It remains with its lining completely intact, consisting of a glazed linen crown lining, with a leather sweat 2 1/4 inches wide encircling the interior crown at bottom. There is no evidence that this cocked hat was ever bound on its edges. CONDITION: Overall very good; some scattered, slight wear to brim edges, a few broken stitches on the leather sweat, and some edge wear to the outer body of the hat, particularly in direct front and rear. 6,000 - 9,000
1321 - BRITISH NAPOLEONIC “UNIVERSAL PATTERN” CAP PLATE, 1802-1812.
A truly exceptional example of an unexcavated, other ranks’ cap plate of “Universal Pattern”, first approved for the British Army in 1802 and worn on the “stovepipe” caps of infantrymen and other foot troops from that date until replaced by a cap plate of new form (and upon a new cap style) beginning in 1811 (although this plate continued in wear among many units--especially those on foreign stations--until c. 1813). Die-struck on plate brass, 6 1/8 x 4 inches, with pairs of attachment holes set around the rim edge for wire attachment to the cap. PROVENANCE: Purchased as lot 12 at Wallis & Wallis sale of 5 MAR 2007. CONDITION: Very good, with a few minor dings and dents to the face. 1,500 - 2,000
1322 - AN EARLY 19TH CENTURY, AMERICAN, TALL-CROWNED “BEAVER” HAT
A classic “round hat” or citizen’s hat made of fine drab-colored, fur felt, either beaver, coney or some mix thereof, that has a 7 1/8 in. tall crown, the top of which has been blocked in a circular form and is 8 1/8 in. diameter and at the bottom, now of an oval form 8 1/8 in. L from front to rear and 7 1/8 in. across. There is a 3/8 inch-wide, silk hatband encircling the base of the crown at the brim with a “tie” on one side and the same silk tape that composed the band is used to bind the edges of the brim, which is uniformly 2 inches wide around. This hat is of a form popular from the 1810s through the 1840s, being gradually replaced in the ‘30s and ‘40s and ‘50s with hats made on a formed oval, vs. circular block as earlier. The drab color is perhaps the most popular in use during this time period, after the traditional black. A hat that could have been seen on the head of a militia volunteer from the War of 1812, the Black Hawk War or the Texas Revolution. Ex. collection, William Dykes. CONDITION: overall good-very good; the crown has some slight folds or bends on one side near the top, but almost unnoticeable without close scrutiny. Some of the silk binding and hatband lace is shattered, with a few tiny splits in the felt in the slight turnup extending around the brim; no sweat or lining in the interior. 600 - 900
1323 - WAR OF 1812 AMERICAN MILITIA ARTILLERY COAT.
Blue broadcloth coat with lapels, collar, cuffs and and skirt linings of scarlet broadcloth, the cloth all domesticallyproduced. Standing collar 3 1/4 inches high, trimmed on each side with two false buttonholes 6 in. long of buff-colored “twist”, with 7/8 in. diameter, flat “coin” buttons set at the ends; 3 1/2 in. deep cuffs, similarly trimmed with 4 false holes and buttons. Squared breast closed with hooks & eyes, with false lapels 6 1/2 in. broad at top angle and 4 in. at waist, with 8 buttons and false holes on each lapel. Blue shoulderstraps with red edging. Skirts approximately 19 in. L, with false turnbacks and blue diamonds at tips. Cross pockets edged with red, with 4 buttons and false holes. Unlined upper body with coarse lining sleeve linings and pockets set in interior skirts. A very fine example of an almost atypical form of American artillery coat for the period 1805-1817, fitting uniform regulations for nearly every state and territory then in the USA. Acquired from Don Troiani in 2016. CONDITION: Overall very good; some areas of light soiling--primarily at back of collar, edges of cuffs and bottom of skirts; a small hole repaired under left arm; two of the original hooks missing from breast, but all three eyes remain. 6,000 - 12,000
1324 - IDENTIFIED WAR OF 1812 UNIFORM GROUPING OF A ROYAL NAVY OFFICER.
An exceedingly rare collection of uniform articles, all worn during the War of 1812 by Commander James Crichton of the Royal Navy, consisting of: 1) a “cocked hat” of the chapeau bras form, measuring 18 inches across, with the front fan standing 6 1/2 in. H, the rear fan an inch taller. It is trimmed with a silk cockade with gold vellum loop and small naval button and bullion tassels set at the corners. The lining remains inside, on which is pasted the label of its maker: “H. WILKES / 64 High Street / PORTSMOUTH / HATTER” (Hester Wilkes worked at this address from 1811-1817). 2) his 1812-1815 commander’s epaulettes of gold vellum lace and bullion fringe, with underside and pad covered in yellow silk with attachment ties. 3) 28 gilt-brass Royal Navy commissioned officer buttons of the 1812 pattern survive from his uniform coat, all 7/8 in. diameter and back-marked “HAMMOND, TURNER & DICKINSON”; and 4) the tassel of his sword knot. All of these uniform components are seen in an original c. 1816 portrait of Crichton (formerly in my collection), a color photograph of which accompanies the lot. In addition: 5) an 1834 letter from his son George in Halifax, NS; 6) an 1820s naval button mounted as a lapel or shirt pin for wear in civilian dress (with its case), and 7) a 19th century prayer book with family inscriptions. The career of Royal Navy officer James Augustus Seymour Crichton (1770-1834) typified that of most of his peers. Competent and intelligent, he lacked the patronage and perhaps more important, that essential “luck” that ensured one promotion to post-captain and thence, to flag rank. Born in Tayside, Scotland, he went to sea at an early age and was made a lieutenant in 1799. While serving on the Atlantic station aboard the frigate MELAMPUS in 1807, he met Mary Creighton of Halifax, Nova Scotia, marrying her the following year. Crichton spent most of the War of 1812 on the North American station. Appointed to the rank of commander on 12 August 1812, he was given the temporary command of the frigate AEOLUS (32 guns) on 10 August 1813, then appointed to command the BUSTARD on 3 September 1813 and finally, to the sloop-of-war RINGDOVE on 15 November 1814. During Pellew’s naval attack on Algiers in 1816, he commanded a bomb vessel with great distinction. This last action of Crichton’s career is commemorated in the background of his aforementioned portrait, in which he wears the full-dress uniform of a “Master and Commander”, the same as worn by a Post Captain but without crowns on the epaulettes. He retired on half-pay in 1816 and after the death of his wife in 1819, left Nova Scotia and returned to Scotland, dying in 1834. PROVENANCE: by descent in family to Oliver W. Crichton of Wilmington, Delaware (d. 2012); acquired in 2013. CONDITION: The hat very good, some light edge wear; epaulettes, very good with some minor soiling/damage to the silk undersides; buttons excellent, retaining nearly 100 % of the gilt finish, shank missing on one button; sword knot fair, with light tarnish and surface wear and missing its suspension cord. 4,000 - 8,000
1325 - 1808 BAYONET BELT PLATE
Cast-brass, oval plate, 3 7/16 x 2 7/16 inches with integral hook and two studs for attachment to 1808 bayonet belt. CONDITION: Good to very good--the tip of the brass hook on verso broken; good patina. 350 - 550
1327 - 1802-1812 BELT PLATE OF THE U.S. 1ST ARTILLERY REGIMENT.
Cast-brass, oval plate, 3 3/8 x 2 1/2 inches, the reverse having integral hook and two flat washers peened on to studs. Excavated at Sacketts Harbor, this is the only known known example of this pattern, which was probably only made in small quantities for the use of the NCOs of the U.S. 1st Regiment of Artillery, 1802-1812. Illustrated and discussed in Campbell & O’Donnell. “American Military Belt Plates” (rev. ed., 2000) [hereafter Campbell & O’Donnell (2000)], p. 30. PROVENANCE: J. Duncan Campbell Coll. until 2009; Al Scipio Coll. until 2005; purc hased from Dan Griffin in June 2015. CONDITION: Very good and complete, with uniform dark patina, the face of the plate showing extensive wear to the raised device from repeated polishings during period of use. Extremely rare, this being the only example currently known of this pattern. 3,000 - 6,000
1326 - LEATHER COCKADE OF THE U.S. 1ST ARTILLERY REGIMENT, 1802-12
5 in. H x 4 1/4 in. W black leather cockade with impressed device on upper fan that is similar to that on the 1802 U.S. Regiment of Artillery button. Worn on that regiment’s cocked hats until 1812 and from that date, possibly on the chapea bras adopted for that regiment and worn through 1813. PROVENANCE: J. Duncan Campbell Collection; purchased as lot 3495 at Bonhams, 2 June 2009. CONDITION: Very good; some slight chipping to a few pointed ends of the fan. Extremely rare, only one other example currently known. 2,000 - 4,000
1328 - 1808 CAP LETTERS THE US LIGHT ARTILLERY REGIMENT: SET OF 4. Leather caps were approved for the newly-raised Regiment of Light Artillery in 1808, which had a vertical front-plate of stiff leather, edged with a strip of bearskin, and a collapsible skull or body of soft calfskin, copied from the light infantry and forage caps used by some British troops in the late 18th and early 19th century. The front-plate was decorated with cast-brass letters: ‘U S / L A’. These letters were to be made with “good pliable brass tongues to bend and clinch” on the reverse, by which they were mounted to the cap fronts. Cast in brass and ranging from 1 1/2 to 1 5/8 inches high, the USLA letters continued to be worn on the regiment’s caps during the first year of the War of 1812, although they and the caps themselves were replaced by new patterns beginning in late 1812. PROVENANCE: Duncan Campbell Coll. until 2009; Al Scipio Collection until 2015, whence acquired via Dan Griffin. 1,000 - 2,000
1329 - A COMPLETE “USRR” SET OF CAP LETTER FOR THE U.S. RIFLE REGIMENT, 1808.
Four cast-brass individual letters, each 1 1/2 inches high, first contracted in 1808 with George Green, a brass founder in Philadelphia. They were mounted on the front-plates of the leather caps of the Rifle Regiment in two rows: “US/RR” and these caps were still in use in the first year or more of the War of 1812 by many of its companies, although officially superceded by felt caps with brass plates. PROVENANCE: Al Scipio Collection until 2015, when acquired from Dan Griffin. CONDITION: very good to excellent, slight bend to one letter as seen. 1,000 - 2,000
1331 - WAR OF 1812 AMERICAN BELT PLATE.
Oblong plate of heavy sheet brass, 2 x 2 5/8 inches, with hook and two studs on verso. Found at Sacketts Harbor in the early 1960s by Jim Hart. Similar in construction to the oval 1808 bayonet plate used by the U.S. Army, this plate could have been used as either a waistbelt or a shoulder plate and may have been worn by a soldier of the regular U.S. Army or a militiaman. It does match the waistbelt plate worn by an artillery NCO in an 1816 watercolor. PROVENANCE: James A. Hart Collection; private collection; purchased from The Picket Post in 2024. 400 - 800
1330 - 1812 ARTILLERY PLATE ALTERED W/ 1812 GA RELICS
A group of artifacts recovered from an 1814 Jackson campaign site in Georgia, excavated by Jim Baldwin, from whom acquired in 2001. The lot includes a trade ring, table knife, sheet lead whirligig, button and most important, a modified Pattern 1812 Artillery cap plate. This plate was purposely altered from the original oblong form, by cutting it down into a “football” or pointed ellipse form, 3 1/4 inches wide, encompassing the stacked cannonballs portion of the original plate. This may represent a purposeful cut-down for reutilization on a fatigue cap or hat, once new cap plates were issued out to a unit. Described and illustrated in Campbell & O’Donnell (2004), p. 44. CONDITION: Good to very good, as found; the cap plate has a piece that has separated, as seen. 400 - 800
1332 - 1812 CAP PLATE “REGIMENT INFTY” PLATE
Die-struck, tinned iron, 4 1/8 x 2 3/8 inches, with “U.S.” struck on upper half and “INFY” on lower half. This cap appears to be one of the earlier attempts at cap plates in 1812 contracted by Tench Coxe, Purveyor of Public Supplies, the intent probably for different regimental numbers to be struck into the center of the plate, as required. This example, recovered at Sacketts Harbor, is the only one of this form currently known. Discussed and illustrated in Campbell & O’Donnell, “American Military Headgear Insignia” (2004), [hereafter “Campbell & O’Donnell (2004)”] p. 41. PROVENANCE: James A. Hart Coll.; Al Scipio Coll. until 2015; acquired from Dan Griffin in June 2015. CONDITION: Fair to good, as excavated and restored, which included aluminum support backing to the fragile tinned iron; light oxidation to some areas. 800 - 1,200
1333 - 1812 PLATE OF THE US LIGHT ARTILLERY REGIMENT, DG5686.
Die-struck brass, 5 3/4 in. H x 4 1/4 in. W, pairs of pierced holes on peripherary for wire attachment to the “yeoman-crowned” cap of the regiment. The largest cap plate struck during the War of 1812 for any of the Army’s units is illustrated and discussed in Campbell & O’Donnell (2004), p. 40. PROVENANCE: J. Duncan Campbell Collection until 2009; Al Scipio Collection until 2015; purchased from Dan Griffin (cat. 5686) in June 2015. CONDITION: Dark brownish, uniform patina, with long fold line where the cap was once bent and a few smaller minor dents and dings. Quite rare. 2,500 - 3,500
1334 - PATTERN 1812 U.S. ARTILLERY CAP PLATE.
Die-struck brass, 4 7/8 x 3 3/8 inches, bearing device: “Arty. / U. [stack of cannonballs] S. / Regt.” This plate, like the Pattern 1812 Infantry Cap Plate, was a simple expedient produced in Fall 1812 to provide cap plates to the 2nd and 3rd Artillery Regiments (the 1st Artillery still wearing chapeau bras). The supply situation for troops on the frontier was so desperate that often plates were sent out without the regimental number struck into it, as with this example. When applied, Roman numerals were used rather than Arabic. Description and image of this plate published in Campbell & O’Donnell (2004), p. 44. PROVENANCE: Excavated at Sacketts Harbor, NY; James A. Hart Collection; Al Scipio Collection until 2015; purchased from Dan Griffin (cat. 5654) in June 2015. CONDITION: Very good as found; dark brownish bronze patina. 2,000 - 3,000
SEE WEBSITE FOR ADDITIONAL PHOTOS
1335 - UNITED VOLUNTEERS 6TH REGT GILT SHOULDER BELT PLATE, 1796-1803..
An oblong, gilded-brass plate with clipped corners, 3 x 2 1/2 inches, with engraved face featuring the figure of Liberty or America holding a Liberty pole with her right hand and a 16-star American standard with her left, with “UNITED VOLUNTEERS” in an arc above and “6TH REGT” below. Illustrated and described on in O’Donnell & Campbell (200 0), p. 43. PROVENANCE: Said to have been found in Savannah, Georgia; H. Paul Blatner Coll. until at least 2000; purchased from Richard Ferry in 2021. CONDITION: Although clearly an excavated specimen, this plate still retains approximately 70% of its gilding on the face, with dark patina and some patches of verdigris showing where gilding has chipped off; there are some slight bends or dents to the plate; worthy of restoration by a skilled metals conservator. A fine example of early American engraving work, probably done for a an elite and wheel-heeled volunteer company raised during the Quasi-War in the Charleston or Savannah vicinities. 3,500 - 4,500
1336 - 1812 “U.S.I.” CAP PLATE OF TINNED IRON.
5 5/8 x 4 1/8 inches. Believed to be the first cap plate contracted by Purveyor of Public Supplies for the new infantry caps being made in 1812. Made of dipped tin and struck with letter “U. S. / I.”, it quickly fell out of favor. Only example of this pattern currently known. Described and illustrated in Campbell and O’Donnell (2004), p. 38.
PROVENANCE: Excavated in early 1960s at Sacketts Harbor, NY; J. Duncan Campbell Coll. until 2009; Al Scipio Collection until 2015; purchased from Dan Griffin (cat. 5670) in June 2015. CONDITION: Good as found; unfolded and restored by Campbell, when backed with aluminum to stabilize. 1,000 - 2,000
1338 - PATTERN 1812 CAP PLATE OF THE 6TH US INFANTRY REGIMENT.
Die-struck, dipped tin plate, oblong with generous clipped corners, 4 3/4 x 3 1/4 inches. In SEP-OCT 1812, 10,000 cap plates of this form were produced by George Richardson under contract, probably with the “U.S. / INFANTRY” struck in all of them initially, with the individual unit numbers struck in as ordered later. In NOV 1812, cap plates of this pattern were forwarded to the 6th U.S. Infantry, one of the few regiments to receive unit specific cap plates in 1812. Description and image published in Campbell & O’Donnell (2004), p. 47. PROVENANCE: Excavated at Sacketts Harbor, NY; J. Duncan Campbell Coll. until 2009; Al Scipio Collection until 2015; purchased from Dan Griffin (cat. 5694) in June 2015. CONDITION: Very good as found. 2,500 - 3,000
1337 - RARE PATTERN 1812 CAP PLATE OF THE U.S. RIFLE REGIMENT.
Tall, cylindrical felt caps furnished with yellow metal (brass) cap plates were authorized in February 1812 to replace the leather caps and caps worn by the U.S. Rifle Regiment since 1808. Both cap plates and buttons bearing an “RR” device were contracted for later that year and began issue by fall 1812. This diamond-shaped, Pattern 1812 Rifle Regiment cap plate of die-struck brass bearing “R.R.” is the better of the two surviving examples currently known, both excavated at Sacketts Harbor, New York. Illustrated and described in numerous reference works, including Campell and Howell (1963), p. 20 and Campbell and O’Donnell (2004), p. 39 and Kochan (2--as “Figure 43 in currently known. PROVENANCE: J. Duncan Campbell Collection until 2009; Al Scipio Collection until 2015; purchased from Dan Griffin, June 2015. CONDITION: Good, with dark bronze patina, with a metal support backing of aluminum applied when restored, but three small fragments missing from upper and lower edge areas. 2,500 - 4,500
1339 - PATTERN 1812 CAP PLATE OF THE 15TH US INFANTRY.
Die-struck, dipped tin plate, oblong with generous clipped corners, 4 3/4 x 3 1/4 inches. Zebulon Pike’s 15th U.S. Infantry received plates of the Richardson pattern in early 1813. Description and image of this plate published in Campbell & O’Donnell (2004), p. 42. PROVENANCE: Excavated at Sacketts Harbor, NY; J. Duncan Campbell Coll. until 2009; Al Scipio Collection until 2015; purchased from Dan Griffin (cat. 5694) in June 2015. CONDITION: Very good as found; restored and backed with aluminum for support by Campbell. 2,500 - 3,000
1340 - 1812 SILVER CAP PLATE OF THE 15TH US INFANTRY, WORN BY CPT ZACHARIAH ROSSELL. Plate of engraved sheet silver, 5 ¾ x 3 ¾ in., convex in profile, with four attachment points on recto, one intact, with soldered wire loop still in place (but bent inwards) and the other 3 with soldered bases, but now missing wire loops. A beautifully engraved officer’s cap plate first worn by Zachariah Rossell during his service as captain of the 15th US Infantry during its campaigns on the Canadian border during 1812-1813. The 15th Infantry was raised and commanded by Colonel Zebulon Pike, already famous from his exploration of the Southwest frontier during 1805-1806. Pike was an innovator and introduced numerous changes to his various commands, in terms of uniforms, arms, tactics and drill. The 15th always formed in a 3- vs the usual 2-rank formation, the rear rank furnished with 12-foot pikes and cut-down, slung muskets. Rossell’s officer’s plate is probably a regimental pattern approved by Pike, as well. The style and method of engraving is similar to a number of early 19th century, New York and New Jersey militia cap and belt plates. Both the officers and men of the 15th were, in large, from these two states and it stands to reason that the officers’ plates were made by some talented New York area silversmith. This oblong plate with clipped, curved corners, features an eagle with ‘Pro Patria’ streamer in beak superimposed over a panoply of arms, including drum, shield, standards, and muskets, below which is found the officer’s initials in monogram; in this case, ‘ZR’ for Zachariah Rossell. Underneath the sunburst is a scroll or ribbon bearing ‘15TH. REGT. INFY.’ The plate is edged all around with four, stipple-engraved lines, the two outer lare straight and the other two are wavy. Plate is convex in profile when viewed from top or bottom, as it was fitted to the front of a tall cap or shako. There are 2 small holes punched in the lower left corner of the plate, probably a expedient mode of reattachment in the field after the soldered eyelet in that corner broke off. There is a small separation in plate along the deeply-engraved line defining the left standard pole, but it does not detract. Zachariah Rossell was from a prominent New Jersey family and was first commissioned in the 15th on 12 March 1812. He was promoted to major in the 25th Infantry on 31 December 1813, but returned to the 15th on 27 April 1814. While in the 15th, he led his troops in numerous actions, including the attack on Fort York in 1813, during which Colonel Pike and many soldiers from the 15th were killed by the explosion of a magazine following the American capture of the fort. He was honorably discharged following the close of the war on 15 June 1815. He was subsequently appointed brigadier general and adjutant general in the New Jersey militia on 1 May 1816, resigning on 13 July 1842. The plate is currently untouched as found, with a dark patina-tarnish and some brightened areas in its center; a digitally enhanced photograph is placed alongside the other, to allow for a clearer understanding of the engraved devices on its face and original appearance. An object worthy of being a centerpiece in any museum or private collection, whether of important early American insignia or as an object of beauty. Provenance: purchased by from a Long Island estate by Robert Bottie and consigned to the Mars & Neptune Trust Benefit Sale at Nadeau, 19 OCT 2019 as lot 7580, from whence purchased. 8,000 - 16,000
1341 - 1813 CAP PLATE OF THE 16TH US INFANTRY.
Die-struck pewter, 4 13/16 x 3 1/8 inches. This is the finest example known of an 1812 Pattern Infantry cap plate; unexcavated, it was found in an antique shop in Camden, New Jersey by Duncan Campbell in the 1950s. The 16th Infantry was raised and headquartered right across the Delaware River in Philadelphia, until they marched to the Niagara frontier. It was Duncan’s favorite cap plate from the War of 1812 (mine too!). Discussed and illustrated in: Campbell and O’Donnell (2004), p, 52. PROVENANCE: J. Duncan Campbell Collection until 2009; purchased as lot 3504 at Bonhams, 2 JUN 2009. CONDITION: Very good; complete, a bright pewter grey tone. 7,500 - 15,000
1342 - 1813 CAP PLATE OF THE 21ST INFANTRY
Die-struck tinned iron plate, 4 1/4 x 3 1/4 inches. Discussed and illustrated in Campbell and O’Donnell (2004), p. 55. Provenance: Duncan Campbell Coll. until 2009; Al Scipio Coll. until 2015; acquired from Dan Griffin in June 2015. CONDITION: Good and complete. Traces of tin plate missing for high points, some light oxidation spots. 1,500 - 3,000
1343 - 1813 PATTERN PLATE OF THE 22ND INFANTRY AND AN 1815 PATTERN PLATE.
Excavated examples of two infantry plates: the lower half of a die-stamped, pewter plate for a Pattern 1813 plate of the 22nd U.S. Infantry; 3” x 3 1/2” lower portion has crossed American flags, drums, a cartridge box and “22 REGT.” The identical type plate, marked “12 REGT”, is pictured and discussed in Campbell & O’Donnell (2004), p. 49. An intact example of this plate, also marked to the 22nd, is known to be in a northern New York collection. Purchased as lot 82 at Mohawk Arms, 29 JUN 2019. Rare. [with] a Pattern 1815 plate of die-struck copper, two portions of the plate to which the attachment wire were soldered are missing, clearly lost when the plate was pulled off the front of a soldier’s cap. Found in West Florida by Jim Baldwin. Both in excavated condition. 400 - 800
1344 - PATTERN 1813 U.S. ARTILLERY CAP PLATE FOR THE 3RD REGIMENT.
Die-struck brass, 4 3/8 x 3 3/16 inches, with paired attachment holes in corners. The second and more handsome version of cap plate for artillery regiments, this pattern seem to have only been used by the 3rd Artillery and was found at Sacketts Harbor, where a large element of the regiment was stationed during 1813. This is the most complete specimen of that plate pattern known. Described and illustrated in Campbell & O’Donnell (2004), p. 45. PROVENANCE: Duncan Campbell Coll. until 2009; Al Scipio Coll. until 2015; acquired from Dan Griffin, June 2015. CONDITION: Very good, although incomplete in lower left, as found; plate stabilized by Campbell with a backing of aluminum. 1,250 - 2,500
1345 - COLLECTION OF RELIC US INFANTRY CAP PLATES, WAR OF 1812.
A collection of cap plate fragments, most bearing portions of regimental designations or eagle devices, excavated by Jim Hart (in company with Duncan Campbell) at Sacketts Harbor, NY during the 1950s and early 1960s. While some of the cap patterns are recognizable and can be associated with known forms (some of which are complete in other lots in this sale), other fragments are from heretofore unknown and unpublished patterns, including an eagle cap plate of tinned iron of rather extraordinary size. PROVENANCE: Collection of James A. Hart; private collection; purchased in MAR 2024 from The Picket Post. CONDITION: Very good as found, excavated examples with patina, some light oxidation on the tinned iron examples. 350 - 700
1346 - PATTERN 1814 CAP PLATE OF THE U.S. CORPS OF ARTILLERY.
Die-struck brass, oblong plate with clipped corners, 3 3/8 x 2 1/2 inches, with the device of an American eagle perched on a fieldpiece, with a blank oval above and below. Described and illustrated in Campbell & O’Donnell (2004), p. 62. PROVENANCE: Duncan Campbell Collection until 2009; purchased as lot 3490 at Bonhams sale of Campbell Coll., 2 JUN 2009. CONDITION: Very good to excellent. 1,500 - 3,000
1347 - PATTERN 1814/1815 CAP PLATE OF THE U.S. RIFLE REGIMENT.
Die-struck brass, 3 1/4 inches diameter, with two iron wire loop fasteners on verso. With the close of the War of 1812 and the reduction of the U.S. Army to its peacetime establishment, only the senior rifle regiment was retained in service. The same type of plate as first authorized in 1814 for rifle troops was retained, but the ‘1” was removed from the device on all new plates struck for the regiment. The Rifle Regiment wore this plate until 1817 or slightly later, after a new device was approved in 1817. Illustrated and discussed: Campbell and Howell (1963), p. 20-21 and Campbell and O’Donnell (2004), p. 64. PROVENANCE: Presented by Fort Atkinson’s director for consulting services in the early 1960s, this plate remained in J. Duncan Campbell’s collection until 2009; Al Scipio Collection until 2015; purchased from Dan Griffin (cat. 5671) in June of that year. CONDITION: Very good to excellent, with some minor dings to surface and 2 holes pierced near edge at top during the period for attachments and a very short edge crack at 1:30 on edge. 2,500 - 4,500
1348 - PATTERN 1814 CAP PLATE OF THE 1ST RIFLE REGIMENT. Die-struck brass, 3 1/4 inches diameter, with two iron wire loop fasteners on verso. In 1814, the Rifle Regiment was augmented by three additional regiments in the U.S. Army and retitled the “1st Rifle Regiment.” A new plate was designed for the regiments, all to have the same device as their buttons, which “shall exhibit a bugle surrounded by stars with the number of the regiment within the curve of the bugle.” The round plates in the form of a starburst were produced in 1814 by George Armitage, with 336 delivered to the Military Storekeeper in Philadelphia on 6 AUG 1814. Illustrated and discussed: Campbell and O’Donnell (2004), p. 64. PROVENANCE: Al Scipio Collection until 2015; purchased from Dan Griffin (cat. 5670) in June 2015. CONDITION: Very good, with some minor dings to surface and pleasing patina. 3,000 - 4,000
1349 - PATTERN 1814 OVAL US INFANTRY CAP PLATE, WAR OF 1812. Die-struck pewter, 3 1/2 x 2 1/2 inches, with four pair of pierced attachment holes just inside the raised rim of the perimeter. This exact plate was found by a Canadian collector just before Campbell & O’Donnell (2004) went to press and it is pictured and discussed on page 59. Until then, this pattern was completely unknown and it is presume that at least one of the 1815 type plates were those worn in 1814. These plates were first struck in January 1814 and the first production run of them were rushed up to the Niagara frontier and issued out to BG Winfield Scott’s Brigade, along with their now-famous gray jackets and a new set of 1813 leather caps upon which to place them. Since 2004, at least one other example of this plate has been found nearly ful-intact, like this one. PROVENANCE: J. Duncan Campbell Coll. to 2009; Al Scipio Coll. until 2915; purchased from Dan Griffin in June 2015. CONDITION: Excavated condition, salt and pepper surface, some edge loss as seen. 3,000 - 5,000
1350 - PATTERN 1815 US INFANTRY CAP PLATE.
The oval infantry cap pattern fell out of favor in 1815 and the tin-plating rejected at the same time for infantry plates in future, supplanted by one that was struck in brass, oblong with clipped corners, but bearing the same eagle device in its center; the new pattern remained in use until 1821. This example was excavated by James Hart and Duncan Campbell near Sacketts Harbor, NY in the late 1950s. Provenance: James Hart Collection to c. 2000; Dr. Albert Scipio Collection to 2015. 3 5/8 x 2 5/8 inches. 1,000 - 2,000
1352 - 1812-1818 US OBLONG WAISTBELT PLATE ENGRAVED 7TH INFANTRY
Cast-brass, oblong plate with slightly clipped corners, 2 x 2 3/4 inches, with integral hook and two studs on verso. This most interesting example was scratch-engraved with the name of a soldier, “JNo[?]: Edgar / 7th Infy” and is said to have been found at Sacketts Harbor, NY. PROVENANCE: Al Scipio Collection until 2015; acquired from Dan Griffin, June 2015. CONDITION: Very good, with brownish patina 500 - 1,000
1351 - VARIANT PATTERN 1815 U.S. INFANTRY CAP PLATE.
Die-struck pewter plate of diamond form, 5 1/4 x 3 7/8 inches, bearing an American eagle over a panoply of arms within an oval. An unexcavated plate of a form found in the Armitage drawings submitted to the War Department, but for which no definitive evidence of U.S. Army currently exists, although it shows on 1815-1820 drawings of volunteer militia. PROVENANCE: William Guthman Collection until 2006; purchased as lot 283 at the Bonhams sale of the Guthman Coll., 12 OCT 2006. CONDITION: Very good, bright pewter finish, with a slight bend in the lower third that was straightened. 1,500 - 2,500
1353 - PATTERN 1819 “US” BAYONET BELT PLATE.
Die-stamped brass, 2 7/8 x 2 1/8 inches with a relief “thin” “US” on face and tinned iron back. Two drilled perforations at top and bottom to serve as attachments in lieu of hooks lost during period of use. With some of the original tinned finish to the reverse. Rolled edge perimeter. PROVENANCE: Purchased as lot 84 at Mohawk Arms, 29 JUN 2019. CONDITION; Plate dark toned, with soldered belt hook missing from verso and light oxidation on the same. 500 - 1,000
1354 - PATTERN 1817 CAP PLATE OF THE U.S. RIFLE REGIMENT.
Die-struck brass, 2 3/4 inches H x 3 3/8 in. L, with iron fastener wires soldered on reverse. In 1817, COL Talbot Chambers of the Rifle Regiment recommended a new uniform and cap plate for the regiment, which was approved on 4 AUG 1817. In later correspondence, Commissary General Callender Irvine described “The present rifle cap plate is an eagle with bugle horn suspended from its claws, its length very appropriate and neat.” A few of these plates have been excavated, in part or whole; found at Fort Atkinson and other Western cantonments garrisoned by detachments of the Rifle Regiment, 1817-1821 (the unit was disbanded in 1821 and personnel transferred to the 6th Infantry, who continued to garrison such posts). Illustrated and discussed: Campbell and Howell (1963), p. 20-21 and Campbell and O’Donnell (2004), p. 65. PROVENANCE: J. Duncan Campbell Collection until 2009; Al Scipio Collection until 2015; acquired from Dan Griffin (cat. 5672) in June 2015. CONDITION: Excellent, with nice dark bronze patina. 2,500 - 4,500
1356 - BRITISH NAPOLEONIC OFFICER’S GILT “BELGIC” CAP PLATE, 1811-1815.
An excellent example of the cap plate introduced in 1811 to replace the plate of “Universal Pattern” in use since 1802. This is a fine officer’s example of die-stamped, gilt-brass and is 5 1/4 x 3 3/8 inches in dimension, with wire loops attachments on verso. Purchased as lot 14 at Wallis & Wallis sale of 5 MAR 2007. CONDITION: Excellent; nearly 100% of the gilding extant. 1,000 - 1,500
1355 - A PAIR OF LIGHT DRAGOON STOCK CLASPS, WAR OF 1812.
A pair of brass stock clasps, the male portion 1 3/4 X 1 1/8, with an engraved, script “LD” on its face and the back with a 3-stud arrangement and attachment clasp or hook at the other end; the female clasp of the same dimension, with 3 studs and three slots for hook or clasp. PROVENANCE: Al Scipio Collection until 2015; purchased from Dan Griffin, June 2015. CONDITION: Nice brownish patina, one stud on the reverse of the male part missing and the edge bar of the female piece broken off. 400 - 600
1357 - KINGS GERMAN LEGION BELT PLATE AND BUTTON
Cast-brass oval plate, with integral hook and two studs, 2 3/4 x 2 inches, with die-stuck face containing the device of the KGL--the hard-fighting Hanoverian troops of Wellington’s Army. Found at a Peninsular War site in Spain. Purchased from Eric Johnson, 2022. CONDITION: Good, as excavated. An indentation or minor gouge on the edge of plate as found. 750 - 1,500
1358 - OTHER RANKS’ BELT PLATE OF THE STRATHSPEY FENCIBLE HIGHLANDERS, 1793-1799. BELT PLATE.
Cast-brass with die-struck face, 2 7/8 x 2 1/8 inches. Undug. PROVENANCE: From Castle Grant Collection; purchased as lot 1363 at Wallis & Wallis, 10 MAR 2010. CONDITION: Very good with deep brown-green patina. Strong details to plate. 300 - 500
1359 - 1820S EAGLE ON SHIELD CAP PLATE.
U.S. circa 1825 “tar bucket” brass shield-shaped helmet plate. Finely detailed relief eagle perched on an American shield, a star pattern of smaller stars on the cantons of the flags, neatly stacked cannon balls and detailed weapons. 6 1/4” x 5”. Reverse has two wire loop fasteners and a plume holder. (See Fig. 124, p. 65 in “American Military Insignia 1800 - 1851” by J. Duncan Campbell and Edgar M. Howell). CONDITION: very good, with minor wear to edges and highlights. 400 - 600
1360 - WAR OF 1812 ERA BOARDING BELT OF LT WILLIAM HUNTER, U.S. NAVY. The earliest example of a naval officer’s boarding belt presently known and definitely the earliest with regard to the United States Navy. William Hunter (1793-1849) entered the Navy in 1809 and was made lieutenant on 24 JUL 1813, serving on the “Constitution” and other notable vessels during the War of 1812. Promoted to commander in 1826 and captain in 1837 and held commodore’s temporary rank for the latter part of his career, dying in service. The belt is 3 1/2 inches wide and made of blackened calf, with edge-tooling down its 36-inch length. The closure system is that found on numerous American sword belts of the 1810s-1820s, a lap-over style of closure using narrow straps that attach to small frame buckles with hand-made “rollers.” The loops to hold boarding pistols are sewn-on, approximately 9 inches apart on each side from the belt ends. A small pouch with rounded flap 6 1/4 in. W x 4 in. H and closed by a leather button (button-head now missing) is set on the left side of the pouch, which probably contained a block or tin for cartridges (the pouch body is too large to hold percussion caps, nor could its construction allow such to be easily held without loss). Hunter’s service history as a junior officer or officer commanding warship involved in boarding operations would suggest that this belt would have been made and used during the 1810s-1820s, certainly no later than the 1830s. PROVENANCE: By descent from William Hunter through family until 1984, when this belt, uniforms, portrait and other objects relating to his naval career were sold at Sothebys Americana (NYC) on 30 JUN 1984; Welles Henderson Collection until 2008, whence acquired. CONDITION: The leather has stiffened somewhat over the passage of time and is crazed and also shows signs of active period use, including salt-staining on the grain-face; one of the closure buckles now missing; the pouch body has separated from the belt for approx. 1 1/2 inches down the left side. A truly rare and important example of a fighting officer’s gear during the War of 1812 era. 4,000 - 6,000
1361 - US BLACK EMBROIDERED SWORDBELT WITH EAGLE PLATE 1813-25.
A 37 1/2 inch-long belt of black morocco-finish leather, 1 7/8 inches wide and with edge embroidery of silver, 1 7/8 inch-wide and with a hanging frog of black, similarly edge-trimmed in silver embroidery. It is mounted with a silvered-copper plate 2 inches wide by 2 7/8 inches long. Both the plate and the belt are almost certainly of French manufacture and closely mirror ones used by officers of the First Empire, although with the Imperial eagle replaced by an American spread-wing eagle with Federal shield surmounted by 12 stars. Collectors have long called this a militia plate of the 1820-40 period and while it may have had such use that late, the form and motifs clearly date it to the 1810s. In fact, if the belt was of white leather, it would be completely in accordance of what was prescribed for U.S. Infantry officers in the 1813 regulations. PROVENANCE: Acquired from Don Troiani in 2023. CONDITION: Very good, some edge and surface wear to the leather and nearly all of the silvering worn off the copper on the plate. 1,000 - 2,000
1362
- WAR OF 1812 SWORDBELT OF MARCUS HALL.
A swordbelt of red morocco leather 3 inches wide, with a frog for sword on the left side and with lap-over closure in front using narrow straps and small buckles, common to the 1810s-1820s. Both belt and attached frog are decorated with gilt-embossed decorations, including small Federal eagles surmounted by stars. The waistbelt had a very old cardstock tag attached to it by a linen cord (now detached, but still present) stating that it was “used in the War of 1812 by Marcus Hall.” Marcus Hall who served in the “2nd Connecticut Cavalry” or Staples’s Battalion in 1812. This corps was apparently later converted to artillery, although whether foot or “flying” horse artillery is unknown at present. It should be noted that this same Marcus Hall advertised in a Hartford paper in 1812 that he could supply gold leaf in any quantities, so he may have been a professional bookbinder or leather worker and may have actually made this belt. Purchased from Doug Heiser in 2001. CONDITION: Good, with edge wear and some fading to the leather. 800 - 1,200
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1363 - AN EARLY AMERICAN
1) An early 19th century American swordbelt of red morocco leather, 2 7/8 inches wide, with two strap hangers for the sword or saber and a narrow crossbelt to support the weight of such, to run across the right shoulder (Sam Browne belt style); with gilt-embossed patterns and motifs decorating all components. [WITH] 2) A late Georgian or early Victorian waistbelt of buff leather, 1 1/8 inches wide, with gilt-brass mounts, consisting of lionshead clasp and rings. PROVENANCE: The first acquired from Doug Heiser in 2001, the latter purchased as lot 1201 at the Bosleys sale of 14 SEP 2001. CONDITION: American belt in fair condition, with surface and edge wear; British belt in very good condition, with leather supple and most of gilding still intact on mounts.
700 - 1,200
RED MOROCCO SWORDBELT & BRIT YEOMANRY WAISTBELT.
1364 - EARLY AMERICAN EMBROIDERED SWORDBELT 1810-1820.
An extremely rare swordbelt for full dress with integral frog for belt, apparently unissued/unused, the ends showing no past attachment of a plate or belt. This belt consists of a pattern of silver-embroidered laurel leaves upon a black velvet ground, which has a plain-weave backing of stiffened linen. On the frog near the slot for a sword keeper, is embroidered “CC” in Gothic script. Whether the initials of the intended wearer or those of some unit (Corps of Cadets?) is currently unknown, but in form, it closely resembles those used by staff and engineer officers in the U.S. Army during the War of 1812 period and into the 1820s. CONDITION: Overall very good; the pile is coming away from the ground of the silk velvet, showing the weave of the fabric in spots. 500 - 900
1365 - PRE-1808 US ARMY BAYONET BELT.
Before a standardized pattern was adopted for the U.S. Army in 1808, which included an oval brass plate closure, the U.S. Army contracted for bayonet belts of blackened harness leather roughly of the same configuration in terms of form, but with an iron frame buckle in lieu of a belt plate. There are at least three examples known to this writer. The belting on this example is approximately 1 7/8 inches wide, but shows signs of significant stretching/shrinkage over time and was originally probably 2 inches width or more. The frog is 3 1/4 inches deep and it has the remains of a bayonet scabbard in it that has the same hook as found on 1808 contract bayonet scabbards and on archaeological sites of the War of 1812. PROVENANCE: acquired from Don Troiani in 2002. CONDITION: Fair overall; there is a repaired tear at the rear of the frog and there is also a diagonal tear across the shoulder strap; the blackened grain of much of the strapping has flaked off. An extremely rare example of an early US Army bayonet in use before the War of 1812. 700 - 1,200
1366
A most handsome pair of epaulettes of French manufacture for the American market, this pattern is almost certainly one intended for an artillery or ordnance officer, in that the strap is done in gold embroidery upon a scarlet cloth ground, the metal and facing colors worn by such officers during the 1812 era. The original epaulette box survives; made of pressboard covered with marbled paper, its lid has a white label affixed to it bearing an inked name: “A. McArthur’s”; there was no McArthur with a first name starting with “A” serving in the U.S. Army during this period, so the wearer was almost certainly a volunteer or militia officer of field grade or above. The undersides or lining of the epaulette straps are yellow silk. CONDITION: The gold embroidery and bullion fringe are bright and in very good condition; there is some minor loss to the scarlet edging, which could be restored; the lining is soiled and there are a few small holes in it. 800 - 1,200
- PAIR OF AMERICAN ARTILLERY EPAULETTES WITH ORIGINAL BOX, WAR OF 1812 ERA..
1367 - WAR OF 1812 AMERICAN YEOMAN- CROWNED CAP OR “SHAKO”.
A rare example of an American-made, leather shako or military cap of the War of 1812 era, with a one-piece crown sewn together in front, with plume socket of leather covering the join line, with a circular crown piece of 7 1/2 inch diameter. The leather visor is two inches broad or wide at center. Two slits on the front of the cap confirm that there was once a cap plate attached, unit unknown. A small wire loop is set at the top of the cap on the right side, to which a cap cord probably was hung running down diagonally across the front (and possibly) rear of the cap and secured on the left side bottom. Although differing slightly in dimensions, this is a close approximation in form of the “yeoman-crowned (wider at top than bottom), felt cap worn by the US Regiment of Light Artillery earlier in the War (as still generally called by Americans during the 1812 period).
Provenance: ex. collection of the late George A. Snook, MD; Dr. Snook wrote an article about this cap in the “Military Collector & Historian” some years back, a copy of which accompanies the cap. CONDITION: overall good-very good; the lining or sweatband on interior no longer present, the stitching of visor to cap loosening on one side (but not detached); when acquired, the plume socket had partly come away at top (as seen in the photos in the Snook article), but this was recently restored. 2,500 - 5,000
1368 - RARE US MODEL 1813 RIFLEMAN AND ARTILLERY CAP.
Although somewhat battered in its period of service and perhaps later life, this is a rare example of the Model 1813 cap for U. S. rifle and artillery regiments, constructed in the same fashion as the so-called “Tombstone” cap of the infantry, but with a flat, circular crown. The leather of the cap is fairly stiff and evidences some shrinkage, but its rough measures are in accord with the contract specs and the other known examples of this cap in various museum and private collections, being 5 3/8 inches high behind and 7 3/8 diameter at crown, its cupped visor (green-painted on underside) 2 5/16 inches wide at center. The cap still retains its interior sweatband of leather, but the linen liner is now missing. It has two slits cut in front, to receive the loops of a ca plate, with leather socket plume on the left side at the seam 3 3/4 in H x 1 in. W and at its base is attac hed a 2 3/8 in. diameter cockade. PROVENANCE: Purchased from Jack Buchert in 2006. CONDITION: Good as described; the leather now dry and form slightly misshapen, with crazing to the black surface, but remarkably intact. 2,500 - 5,000
1369 - US MODEL 1813 INFANTRY CAP.
One of the finest extant examples of the pattern adopted for the US Infantry in 1813 and later, by all foot troops of the US Army in 1816. Collectors refer to this cap as the “tombstone” shako, as its raised front (extending 2 1/1 inches above the top of crown proper), resembles a headstone when viewed from the front. The crown itself is 6 inches H and the visor is 2 1/2 wide at center and painted green on the underside. It bears a later 19th century label glued down to the crown: “Hats were found / in a brick stable in ‘ Philadelphia after the / evacuation of it by the / Hessians during the War / of Independence”. CONDITION: The cap is in very good condition, the leather and stitching strong, some crazing to the surface of the leather, mostly in front and the visor reattached. 4,000 - 6,000
1370 - 1812 GOLD EPAULETTE OF CPT SIMEON STRONG, NEW YORK DRAGOONS.
Epaulette strap of gold, vellum lace with buttonhole on one end and embroidered crescent at the other, from which 3 in. L x 1/4 in. dia. fringe is suspended, with two under rows of finer fringe, the first of twisted, gold wire and the last of buff twist. The original scarlet cloth underside of the strap is missing, but a small trace remains at its junction with the wool crescent pad, which is covered with a buff silk, heavily shattered, but upon which the original sales price of the epaulette is inscribed, “CM/ $4.[?]8”; the pasteboard support for the strap is inscribed “Captain / Simeon P. Strong.” S. P. Strong (1774-1841) is recorded commanding a troop of horse in Tompkins County as early as 1807 and is buried in Athens, NY. NY Dragoons generally wore red coats with red facings and “yellow” (gold or brass) trimmings during this period. With the epaulette is a note “Capt. Simeon Prime Strong / my father’s Maternal / Grandfather / [signed] Florence Fox Harrop” (1880-1966). Purchased from J. Craig Nannos in 2014. 800 - 1,200
1371 - US MODEL 1808 CARTRIDGE BOX WITH ORIGINAL BLACK SHOULDER BELT.
A scarce example of a Model 1808 cartridge box that still retains its original shoulder belt and fits the specifications for those manufactured prior to- and during the War of 1812 under Federal contracts. It is approximately 8 1/2 x 5 in. with the cover flap 9 1/2 x 6 in. The closure strap on flap underside is intact but its corresponding leather button on the bottom of the box is missing. The body contains a wooden block drilled with 26 holes to accommodate .69 caliber cartridges over a tin tray divided into three sections: two for cartridges and the center one for spare flints, gun tools and cleaning supplies. The pull-down flap or “pocket” with gussets to access the tray remains flexible with intact stitching. The rear face of the box has “A/B” very lightly incise-carved into its surface. The shoulder belt ranges from 1 7/8 to 2 in. wide, secured to box by a cross-strap on reverse and buckled into harness buckles sewn to the bottom of the box. CONDITION: Overall very good and complete; The leather remains supple overall with light flaking to the grain surfaced on the flex points of the flap and along the bottom edge; there is similar flaking loss to much of the original grain face of the shoulder strap, which is otherwise quite stable and flexible.
1,200 - 2,400
1372 - GAMBER US CONTRACT CANTEEN, WAR OF 1812 ERA.
A very fine example of the U.S. Army contract canteen from the War of 1812 era or possibly even as early as the 1790s. It is a stave-style canteen made of cedar and approximately 7-7 1/8 inches in diameter and 3 1/4 inches wide. The interlocking hoops are probably of hickory wood and there were originally three leather tabs or keepers for the strap tacked across the canteen from hoop to hoop, one set on each side approximately 2 1/4 inches from the spot and one at bottom--the vacant holes readily visible. One face is stamped with the cooper’s mark “I:GAMBER” and “RAB” is carved into the opposite face, certainly a soldier’s initials. The entire canteen is painted Spanish brown and the wooden stopper is possibly period, but a replacement. CONDITION: Very good to excellent, less missing leather tabs as noted. 1,000 - 2,000
1373 - COLUMBIAN PRESS 1813 EAGLE COUNTERWEIGHT
Spread-wing, full relief figure of eagle in cast-iron with traces of later paint, its talons grasping the thunderbolts of war, the olive branch of peace and the cornucopia of plenty, with original forged steel mounting post, with two separate display pedestals (one of wood and the other, a yellow-painted, concrete block set with mounting pipe). The eagle, not inclusive of its own original rod mount, is 20 x 16 1/2 inches. The Columbian iron hand press was invented in 1813 by Philadelphia mechanic George Clymer (1754-1834). Clymer made several dozen presses before leaving Philadelphia in 1818 to manufacture presses in England by Ritchie & Co. The eagle counterweight balanced on the counterpoise lever on the top of the press. The eagle counterweight design appears to be directly copied from the eagle device found in various insignia of the War of 1812 era, including cockade eagles and cap plates, the dies of which were sculpted by Moritz Furst of the U.S. Mint in Philadelphia. Literature: An engraving of the press is pictured in The American Eagle by Phillip M. Isaacon, (Little Brown & Co., 1977), p. 50, taken from the Cyclopaedia (Philadelphia, 1813). 2,500 - 3,500
1374 - RARE ‘ROSE’ BAYONET WITH REPRODUCTION FEDERAL ERA, US SCABBARD.
Blacksmith and cutler William Rose (1754-1810) was mobilized for active service with the Pennsylvania militia during the 1777 campaign, but spent much of the war making edged weapons, primarily bayonets, for the Pennsylvania Committee of Safety and the Continental Board of War. He had postwar contracts for the same with Federal government and in 1797 with Commonwealth of Pennsylvania (CP) to provide such for the 1797 CP muskets. In 1782, his shop was located in Blockley Township, apparently on structures and land previously (or still) owned by gunsmith and cutler Ludwig (Lewis) Prahl, who had similar contracts for muskets, swords and bayonets. It is believed that Rose originally worked for Prahl and then became a subcontractor to him after going out on his own and later forming William Rose & Sons, after relocating to Philadelphia in 1784. This bayonet, with the early “ROSE” touchmark on the flat of the blade, was made to fit a French M1766 musket or an American copy thereof. Although similar in overall form known examples from his 1792-1794 Federal contracts and his 1797 CP bayonets, experts seem divided in opinion whether this is a Revolutionary War or Federal era bayonet. It is 17 1/2 inches long, with a 2 7/8 in. L socket and 13 3/8 in. L triangular blade, the flat or inward face being unfullered. There is notable dings and hammering marks noted on the end of the socket, while the mortise for bayonet lug has been cut and crudely filed, probably to fit another musket from that intended. A fine reproduction of a US bayonet scabbard of the form used from c. 1790s-1820s conveys with the bayonet. 400 - 800
1375 - 1 AUSTRIAN M1767 BAYONET AND 3 U.S. BAYONETS, 1790S-1820S (LOT OF 4).
Lot consists of: (A) American socket bayonet with a 15 - 1/2” blade marked “US / SM” at the base. Overall 18 - 3/4” long. Accompanied by brass tipped leather scabbard. CONDITION: Blade has a mottled bright patina, the socket drifting to chocolate brown. Leather shows age and is flaking along the edges. (B) American socket bayonet with a 16 - 1/4” blade marked “US / HB” at the base. Overall 18 - 3/8”. CONDITION: Displays a pleasant dark brown patina with oxidation spotting. (C) American socket bayonet with a 15 - 5/8” blade marked “US / [?]A” at the base. 181/4” overall. CONDITION: Even brown patina with deeper oxidation spotting. Blade has a slight bend towards the tip. Socket also shows damage. (D) Austrian Model 1767 socket bayonet with 13 - 1/2” blade marked “X” at the base. 17 - 7/8” overall. CONDITION: Dark, cleaned patina with evidence of older oxidation. 600 - 900
1376 - AN INDIA PATTERN, SERGEANT’S CARBINE BAYONET OF THE COLDSTREAM GUARDS
When the light infantry regiments of the British Army and the Guards Regiments were issued New Land Pattern muskets, their NCOs received India pattern carbines--no pattern having been approved or procured of New Land Pattern carbines. However, the carbine bayonets for many of these units were altered to the New Land configuration by the addition of steel springs nearly identical in form to those on the NLP musket bayonets. This rare example was issued to an NCO in the No. 2 Company of the 2nd or Coldstream Regiment of Foot Guards and is engraved on the socket: “2/5 CM”; there is a partial (crown only) portion of an inspection mark on the blade, along with an unidentified touchmark. 16 1/4 in. L overall; socket: 3 3/16 in. L; blade: 12 1/4 in. L x 1 in. W. It is still housed in its original leather scabbard with brass throat with frog button and chape. Both bayonet and scabbard are in very good and complete condition. 600 - 1,200
1377 - NEW LAND PATTERN FLINTLOCK MUSKET LOCK.
The flat lockplate has beveled edges and measures 6 - 3/4” long and 1 - 3/8” tall behind the pan. The tail is stamped “TOWER” and center with large crown over “GR” as well as small crown over brass arrow ordnance proof beneath pan. CONDITION: Lock is in its original flintlock configuration and has a strong mechanism. Retains a dark pewter grey patina, markings excellent. 500 - 1,000
1378 - BRITISH LAND PATTERN MUSKET LOCKS.
Lot comprised of: (A) India Pattern lock with reinforced cock, tail marked “TOWER”, crown over “GR” in center and small ordnance proof below pan. CONDITION: Cleaned, functions well. markings worn and some attempt to deface crown. (B) Another Land Pattern lock with stamped markings, no “GR” beneath engraved crown, “TOWER” at tail and small “I G” mark above frizzen spring finial. CONDITION: Cleaned, a reconversion, mainspring out of place. Cock a reproduction. (C) Lot also includes an India Pattern reinforced cock. 200 - 400
1379 - LOT OF BRITISH SEA SERVICE AND LAND PATTERN PISTOL LOCKS & PARTS.
Sea service lockplate: CONDITION: Re-engraved face, reconverted with frizzen, pan and spring, back heavily pitted. Sea service lockplate. CONDITION: Heavy brown pitted service. Land Pattern lock. CONDITION: Complete and functions properly. Two cocks, two top jaws, a frizzen and a frizzen spring. CONDITION: All retain grey patina.
300 - 500
1380 - FRENCH AND GERMAN EPAULETTE COLLECTION, 19TH C. (21 PCS.).
A large collection of 21 epaulettes ranging the entire span of the 19th century, including 8 matched pairs and 5 individuals epaulettes. Most of the epaulettes are French and are primarily mid-19th century, although there are a number from the Napoleonic era. There are about 4 epaulettes that appear to be German or Austrian and date from the last quarter of the century. Most of the epaulettes are of gold or silver lace/bullion composition for commissioned officers, but two pair are French enlisted patterns of red worsted. CONDITION: Fair to very good, the Napoleonic ones with some damage to the bullion and wear to the straps, but still worthwhile study pieces. 500 - 1,000
1381 - A GEORGIAN 7TH ROYAL FUSILIERS OFFICER’S GILT & ENAMEL DEVICE.
3 x 1-11/16 inches. A gilded brass plate with a raised Tudor rose in the center with the crown of Great Britain superimposed over it, encircled by a band inset with blue enamelwork and bearing the regimental motto of the 7th Regiment of Foot or “Royal Fusiliers, “HONI SOIT MAL PENSE” (“Evil Be To Him Who Evil Thinks”); on the reverse are two attachment loops. The 7th Royal Fusiliers, fresh from its Peninsula victories, was sent to America in latre 1814 as a part of Pakenham’s British Expeditionary Force to Louisiana and fought bravely, but futilely, in the battle of New Orleans. CONDITION: Very good, nearly 100 % of gilding remains; slight dent to the left rim at center. 1,500 - 3,000
1382 - A PAIR OF 18TH C. BRASS STIRRUP “IRONS” AND A HORSE COLLAR
1) A pair of cast-brass stirrup “irons” of 18th century English form for hunting or light horse saddle, each 5 x 4 3/8 inches, showing fairly coarse finishing work and filing. They were acquired from the Robert Curdy Collection sale in 2005 and have a paper tag with his handwriting in pencil: “18th c brass Stirrups from Northern Berkshire Co. Mass.”; WITH 2) a late 18th or early 19th century horse collar composed of four large panels of heavy, tanned hide, the two front ones sewn together, as with the back pair, then stuffed with straw to form an elongated “donut” of crescent form and closed on the sides by overcast lacing through slits cut parallel to the edges, using doubled leather laces. The two ends have a leather strap and a smaller strap bearing an iron harness buckle of the type and size found on British cartridge pouches and some American accoutrements of the 18th and early 19th century, without roller buckle. Overall: 21 1/2 x 145 inches, not including closure straps. Acquired from a Maine “picker” in 2016. CONDITION: stirrups very good to excellent, the horse collar very good considering materials and age, the leather has stiffened and there is light surface dirt and soiling set-in to the leather from period use. 300 - 600
An early 19th century manufacturer’s or salesman’s sample “board” for saddlery hardware, made of a sheet of laid paper with green, marbled border, 12 in. L x 8 1/2 in. H. It is mounted with 6 harness buckles of various sizes and forms--the three largest inlet, and four with iron tongues attached, each one’s tip silver-dipped.; the oblong buckles range in size from 5/8 to 2 inches in width. Ten circular or oval rosettes of various sizes and decorative motifs on, all die-struck and Sheffieldplated and ranging in size from 1/2 to 1 3/16 inches in diameter or width. There are vacant spaces where 5 additional rosettes and two buckles were once mounted. These appear to be English-made goods, probably Birmingham, likely for the American market. Each piece has a stock or catalog number below in ink, with pricing per gross or dozen superimposed above using pounds, shillings and pence. Acquired from Steve Henry in 2005. CONDITION: very good overall, paper with light toning and some surface dirt and long-vacant display holes as noted, the harness hardware in superb “new” condition, light toning or tarnish to the Sheffield plate and light oxidation to the buckle tangs. 200 - 400
1383 - AN EARLY 19TH C. MERCHANT’S SAMPLE SET OF HARNESS BUCKLES AND ROSETTES.
1384 - 19TH C. OFFICER’S SHABRAQUE OR SADDLE HOUSING FOR A WELSH UNIT.
An officer’s shabraque or saddle housing, late Georgian or Victorian, for an unknown Welsh regiment, as evidenced by a pair of silvered-brass Prince of Wales feather devices, 4 1/2 x 3 1/2 inches, one set in the rear pointed corners on each side. This device in size and form is nearly identical to a c. Napoleonic cap device for the Royal Carmarthenshire Fuzileers (1804-1815). The ground is a very deep blue, almost black, broadcloth (which may support a Fuzileers associaton), with an edging stripe made from a strip of scarlet superfine, which once had 1/2 inch-wide, silver(?) lace centered along its length, as evidenced by the broken stitching. The underside is lined with a heavy, twilled lining of brown. The sharbraque is completely hand-sewn and workmanship suggest a date range of 1800-1850. CONDITION: body and lining cloth, as well as metal devices in very good condition, but the scarlet stripe has separated from the rear edge and is nearly severed in half at one point, due to the crude manner in which the lace was torn off of it at some time. Worthy of restoration. strong, brown twillbut now missing.piece of silver(?) lace sewn m eiliers formerly in the Lewes Military Museum. 200 - 400
1385 - 1812 BRITISH 6 POUNDER CANNON DRAWING & 1788 FRENCH 18 POUNDER PRINT.
1) “Light 6 Pounder brass length 5 ft. weight 6 cwt”, original measured drawing, dated “RMA 1st Academy Novr. 1812” in llc and signed “R. Wilson” in lrc. Richard Goodwin Bowen Wilson made this 1812 copy from the original Revolutionary War era plan deposited in the Royal Artillery Laboratory as part of his drawing curriculum while a cadet at the Royal Military Academy at Woolwich in 1812, just prior to being commissioned as a lieutenant in the Royal Artillery later that year. He served in the campaigns in Holland, Belgium and France, and was present at Quatre Bras and Waterloo in 1815. He was near General Picton when the latter was killed and was the last survivor of Rogers’ Waterloo Battery, dying as a Major-General (ret.) on 24 October 1876. CONDITION: Conserved and backed with Japanese tissue; repairs consist of mended tears in the title area and some infilling of paper loss (appx. 2 x 1 in.) in upper right margin. WITH 2) “CANON DE 36”; engraved by Pelit and published in Paris in 1788; 19 1/2 x 26 1/2 inches (sheet) 18 x 24 in. (platemark). This is a rare plate engraved from the official drawings and watercolors of the French Ministry of the Marine for their new system of iron naval ordnance adopted in 1788. This handsome and large plan of a French 36 pounder (nearly equivalent in size and weight to a British 42 pounder of the period). French 36 pounders were mounted in the water batteries below Fort McHenry during the British bombardment in September 1814 and it was the destructive fire from these guns that allowed for the successful defense and ultimately, the impetus for the penning of “The Star Spangled Banner.” CONDITION: paper clean and bright, with some scattered, small folds and tears along edges of margins, not plate or image area; engraving strong and crisp, a light dampstain in upper LH corner, extending 1 1/2 inches into plate. 700 - 1,400
1386 - NAPOLEONIC ERA BRITISH ARMY D-SHAPED MESS TIN.
An early 19th century British Army mess tin of the type adopted by some British regiments by 1812 and which had almost universal army usage by the 1820s and used through the mid-19th century, with only small changes in construction and fitting. Made of tinned sheet iron, the kit consisted of three D-shaped components. The D-shaped body served as a camp kettle for the soldier and has a bale or handle of brass wire, attached to the body by pewter ears riveted to each side. The lid served as a plate or trencher, while a stewing pan with folding handle made of heavy iron wire was stored nested between the two. Overall dimensions of set when nested together (not including bale/ears) 6 3/8 x 4 1/2 x4 3/8 inches (LxHxW). PROVENANCE: ex. collection of the late William Carman, former Deputy Director of the National Army Museum (London) and noted author-historian; acquired in 2008. CONDITION: Good to very good, with period use-wear to all components, some of the tin-plate worn away and patches of light surface oxidation; the brass bale separated at the right ear. 500 - 750
1387 - BRITISH LIGHT DRAGOON BUFF SWORDBELT, 1784-1820.
An extremely rare example of the swordbelt for a British Army light dragoon trooper, of a pattern first approved in 1784 and which continued in use to c. 1820. This particular example probably dates to the Napoleonic War period, based on the hardware and form of oblong “clasp” or belt plate. The belts and its hangers are made from strapping of buff leather, cut 1 1/4 inches wide, although there is signficant stretch to the hangers from use and in points, they are as narrow as one inch. All of the mounts are of cast-brass, including clasp, inlet buckles, hook and rings.
CONDITION: Very good to excellent for its age, and complete with all components intacte and in good order--the brass dull and the buff leather showing some use and wear staining, but supple and complete. 1,500 - 2,500
1388 - NAPOLEONIC BRITISH BUFF SHOULDER SWORDBELT WITH GILT “GR” PLATE. Classic shoulder belt of the form used to carry the Pattern 1796 Infantry sword in battalion companies of infantry regiments. Buff leather belt with an oblong, gilt-brass plate in front, with engraved “[crown] / GR on face and hood and two studs on reverse. CONDITION: Overall very good, 70% of the gilding still intact on plate. 750 - 1,500
1389 - 19TH C. BRITISH SWORD OR DIRK WAISTBELT WITH SILVER MOUNTS.
A 19th century sword or dirk waistbelt of the type used by both military and naval officers, constructed of 3/4 inch-wide, silk webbing, with silver mounts and polished steel sling-swivels. The double-clasp in front consists of two lionhead, with a double-head snake S-hook. The adjusting buckles on the hangers have smaller lionhead plates soldered to each end, as does the ring of the shorter, or front, hanger or suspension strap, the rear one open. The maroon shade of the webbing suggest military use is more likely, as most naval ones encountered blue ones, when webbing is used rather than leather. CONDITION: good to very good, the silk webbing fraying and partially separating in some spots, but no breaks, while the silver is dark with bright highlights. 250 - 500
1390 - LATE GEORGIAN OR EARLY VICTORIAN BRITISH CAVALRY OFFICER’S POUCH BY HAWKES.
A very good example of a cartridge pouch and belt for an officer of an unknown unit, presumably a yeomanry corps but possibly a regular unit. The pouch of black leather and mounted on the flap is a Sheffield plated crown. The flap is edged with two line of silver bullion. Complete with white japanned leather pouch belt. The box pouch retains its original wooden insert block for cartridges and has an original paper label for “Hawkes, Moseley and S[ons]”, an important accoutrementmaking firm since the 18th century. CONDITION: Very good to excellent.
500 - 1,000
1391 - TWO BRITISH NAPOLEONIC ERA RIFLE POUCHES.
Two British rifle pouches from the Napoleonic era, probably for volunteer corps. The first is a reduced version based on a typical British pouch for musketry during the period, with a heavily-blackballed, “flesh-out” flap, implement pocket sewn to the front of the body, and with keeper strap on back and buckles below the body for attaching the pouch to a shoulder strap. The tinned iron box inside has a center divider, allowing it to contain two packets of fixed cartridges. It could equally serve as a sergeant’s pouch, for such carrying carbines rather than pikes. There is a closure strap sewn on the flap interior and a corresponding brass button or stud on bottom of box to receive it. The second pouch or cartridge box has a curved wooden block inside, drilled to contain 16 cartridges of rifle or carbine bore, and two wide, rounded slots at each end. It was originally made to be attached to a shoulder belt, with keeper strap and buckle arrangement as pouch 1 above. However, the buckles were removed and portions of the keeper strap are torn away and it appears to have been used on a waistbelt at some later point. Pouches of this form were once thought to be sergeant’s pouches, the large slots at each end used to contain tools and an oil bottle. However, this is a pattern known to have been used by rifle-armed corps such as the Wallsend Volunteers, so the slots at each end more likely were used to contain linen or thin leather patches of loose loading of rifle balls. Condition: Pouch 1 in excellent, unissued condition; pouch 2 in fair condition, with pieces missing as noted and edge wear. 750 - 1,500
1392 - A NAPOLEONIC BRITISH WATER BOTTLE MARKED TO 7TH REGIMENT.
Prior to 1810, a British artisan-inventory had developed a system of machinery by which he could cut and form all of the component pieces of wood, as well as assemble them into finished canteens, thereby cutting the time and expense of hand-coopering, as such had previously been made. The mass-produced water bottles were made with oak faces or sides, with flat staves cut and inlet with grooves, allowing them to function similarly to the shaped staves made by traditional coopering, all held together by iron bands. This new methodology was a boon to the Quartermaster General, who needed to acquire tens of thousands of water bottles on an annual basis to equip British and allied troops in the field. This British water bottle is painted black and regimentally marked in white paint: “VII / G / 38.” PROVENANCE: Purchased from a British collector in 2006. CONDITION: Very good overall, one face slightly warped inwards. 750 - 1,500
1393 - FEDERAL ERA SWORDBELT WITH SILVER “BLD” MOUNTS, 1790-1812
Officer’s quality swordbelt or shoulder carriage for saber with 2 3/8 inch-wide belt made of two layers of leather, brown calf covered with red morocco leather and stitched together along both edges. A frame buckle of silver bearing 2 tines on its center bar at the end of the short branch allows it to buckle to the long branch, which has a 3/8 inch-wide, silver slide and a shield-shaped silver tip 2 5/8 inches long by 2 3/8 inches wide. A script “BLD” cipher is engraved on the center of the tip, almost certainly a unit ID (Baltimore Light Dragoons? Boston Light Dragoons?), while a script “A” is engraved on the face of the slide, perhaps the Troop letter or an owner’s initial. The belt tip is illustrated and discussed in O’Donnell & Campbell (2000), p. 16. PROVENANCE: Don Troiani Collection until 2023, whence acquired. CONDITION: Overall very good, the red morocco has faded slightly and the seam joining the frog to the long branch of the belt on the underside was originally were butt-joined or stoated and round-closed, but most of the threads have broken. 2,000 - 3,000
1394 - PAIR OF US NAVY 1830 LIEUTENANT’S EPAULETTES.
A scarce pair of lieutenant’s epaulettes that conform to the 1830 uniform regulations of the United States Navy, the straps and crescents of gold lace, both edged with gold embroidery work, with heavy, gold bullion fringe hanging from crescent end, with short gold fringing set underneath on a pressboard pad crescent, the undersides of the strap and crescent covered with blue velvet or plush cloth. There are 5/8 inch diameter flat, gilt-brass US Navy buttons fixed on the strap buttons, with rope bordered oval, with eagle on anchor, head facing right, encircled by stars; backmarks: “B&B. / SUPERFINE”. Purchased from Jim Frasca in 2015. CONDITION: the straps and fringe tarnished, the buttons bright with 100% of gilding intact; blue undersides with some edge wear; otherwise fine. 350 - 700
1395 - WAR OF 1812 U.S. GENERAL OFFICER OR STAFF OFFICER’S UNIFORM COAT.
The body of deep indigo blue superfine cloth, with facings and skirt turnbacks of buff kerseymere. The facings and pockets edged or framed with 1/4-inch-wide, gold vellum lace, and buttonholes on cuffs, lapels and collar trimmed with the same. Buttons are flat, gilded-brass “coin” buttons throughout, back-marked with a crown/ “TREBLE GILT.” Standing collar 3 7/8 inches high, trimmed on each side with two false buttonholes of lace 4 1/2 inches long; Squared breast closed with 8 hooks & eyes, with functional lapels 6 in. broad at top angle and 4 in. at waist, with 8 buttons with laced holes on each lapel. The sleeves are “slashed” with a centered, 7 1/2 inch slit up the lower sleeve, framed with lace, with two buttonholes set on 3 1/4 in. deep cuffs, and two above--all set crosswise with four buttons set at their junction of the slash. Three, joined diamonds of lace, the outermost framing the hip buttons and the inner one centered over the back vent. Four buttons below each scalloped pocket flap and two set on each plait. Skirts approximately 21 in. L, with false turnbacks of buff with laced diamonds at each tip. Unlined upper body, with the exception of a broad breast innerfacing approximately 7 inches wide at mid-breast, with one horizontal pocket set at that point on the left side; glazed linen sleeve linings. This coat is nearly identical to one in the Peabody-Essex Museum worn by John W. Fenno while serving as an aide-de-camp to General Hovey and quite close (less the form of cuffs) to one worn by Brigadier Peter Gansevoort of the US Army. CONDITION: Overall good to very good. When acquired, all of the lapel buttons were missing and have been replaced with reproductions (all other buttons are original). There had been scattered areas of insect browse, primarily in the back and under sleeves--all of which have been carefully and meticulously restored using matching cloth by Dr. Karin Bohleke, Director of Costume and Textiles Study at Shippensburg State U.; light soiling in a few areas, principally the edges of collar and cuffs and in the skirt linings, with a few small stains (one on lower right lapel of 1/4-inch diameter. 6,000 - 12,000
1396 - 2 PAIRS OF FRENCH NAPOLEONIC EPAULETTES AND A 19TH C. MAKER’S CASE.
1) A very nice pair of First Empire origin as worn by infantry subalterns and rather scarce today, consisting of a silver fringed epaulette and a contra-epaulette, the bodies made in the same fashion and form, being a short and broad strap, with crescent edging of braided silver wire edging. The fine silver fringe is 2 3/8 inches long and 1/16 inch-diameter. Dimensions of body: 6 1/4 in. L x 4 3/8 in. W at crescent and 2 5/16 in. W at strap. CONDITION: Very good and complete, but the silver tarnished and with a little edge wear at the points of the strap; the blue cloth underside with scattered, very light insect browse.
2) A pair of green worsted epaulettes, also First Empire, as worn by enlisted men of Chasseurs (“hunters” or light infantry). It is highly unusual to find pairs of enlisted epaulettes for the period, especially for chasseurs. Strap bodies including crescent: 5 1/2 L x 2 1/8 at strap; worsted fringe: 2 1/2 in. L x 1/16 inch diameter. CONDITION: Minor loss to the twisted fringing, but heavy wear and some loss to the woven straps and their green cloth and baize undersides. AND 3) A portfolio or carrying case for a metallic lace and embroidery used for epaulettes and uniform trim, of one Hippolyte Liegard of Paris (not traced to date), date unknown but likely early- to mid-19th century. The sides are of wood and channeled inside for dividers (now missing), with front, bottom, back and flaps of red morocco leather with stamped gilt edging and lettering: “HTE. LIEGRAND / FABRIQUE DE GALONS FACON REPS BREVETES / PARIS”. The interior lined with blue paper. Dimensions: 12 x 7 1/2 x 3 3/4 inches. CONDITION: 1-2 inches of separation to each side of flap at front fold, a good amount of edge wear, surface scuffing and light scarring. 750 - 1,500
1397 -
FRENCH PATTERN 1779 SHOULDERBELT FOR FLANK COMPANIES & NCOS.
A scarce example of a French Royal Army crossbelt with double-frog for “briquet” (hanger or short saber) and bayonet used by grenadiers, “chasseurs” (light infantrymen) and sergeants as officially introduced in 1779 (although there is some evidence to suggest it was already in use with certain corps at an earlier date). It was intended to replace the waistbelt with double-frog previously in use; at the same time, a cross- or shoulder belt with a single frog was introduced for enlisted men in fusilier companies, whose bayonet scabbard were attached to the front of the cartridge box belt. The buff belt is 54 inches long by 2 3/8 inches wide and its tip buckles into a wide brass buckle with two tines sewn to the top rear of the front frog (for the sword). The double frog is approximately 5 across at top and 5 1/2 inches long at the front edge. Each frog has a centered 1-inch slit cut 1/2 inch down from the top edge or mouth of the frog, which accommodated the brass stud or “button” on the scabbard throat. In 1791 this pattern of crossbelt was modified by the addition of a buckle sewn to each frog in lieu of the slit, which accepted small straps attached to the throat of the sword and bayonets scabbards instead of the traditional button. The front of the belt bears traces of pipeclay, while on the back can be found indecipherable unit markings, apparently purposely rubbed or scraped out, with later issue numbers stenciled over them: “2/9/39” and “149”. CONDITION: overall good and complete, with a mended 2 1/4 in. slit down the front of the sword frog. 600 - 1,200
1398 - FRENCH INFANTRY OFFICER’S WAIST BELT, LAST QUARTER OF 18TH CENTURY.
A very fine example of the narrow, buff leather belt closed with a “snake” or “S-clasp” as worn by French infantry officers, beginning c. 1780 and into the early 19th century (Petard). The clasp is silvered-brass and the belt is of whitened buff leather, 1 1/2 inches wide, with frog for sword sewn at the bottom on the left side. Purchased from John Bourne in 1999. CONDITION: Very good, the leather still supple, some of the silver finish has worn from the fittings, notably on one side. 1,000 - 2,000
1399 - FRENCH NAPOLEONIC FOOT SOLDIER’S BUFF CROSSBELT FOR SWORD
A fine example of a French Army crossbelt for hanger or “briquet” from the Napoleonic or First Empire period, with 58-inch-long belt of buff leather by 2 7/8 inches wide, that buckles to a wide brass buckle with two tines sewn to the top rear of a tapering frog, 3 inches wide at its mount and 6 inches long on its outer edge. The frog has a small brass buckle sewn to its front center, by which means the sword’s scabbard was secured by a corresponding, small leather strap affixed to the throat of the scabbard. The front of the belt is pipeclayed white. CONDITION: Very good to excellent, the leather strong, but pliant; two small areas of oxidation staining on the reverse, one midway up belt and the other at the frog. 400 - 800
1400 - ROYAL MARINES OFFICER’S GORGET WITH ORIGINAL ROSETTE TIES
This pattern of gorget was adopted in 1802 when the Crown designated the Marine to be a “royal” corps, its facings change from white to royal blue and the officer’s metal from silver to gold. In form, it is similar to the Universal Pattern worn by the British Army since 1796, a gilded-copper, convex, crescent-shaped form with turned edge, 4 1/4 x 3 1/2 in. It is engraved on the face with a fouled anchor within a shield inside crossed laurel branches (the device of the Royal Marines, also painted on drums and colours at this time), underneath the royal coat of arms. It retains its original blue, suspension rosettes and “ties” of silk ribbon. CONDITION: very good, although 90-95% of the gilding is rubbed away from overcleaning during- and post-period; the rare rose knots and ribbons are in very good condition. A scarce and desirable gorget today. 1,250 - 2,500
1401 - OUDINOT INK DRAWING OF THE PORT OF BARCELONA, 1825.
Attributed to Nicolas Charles Oudinot (French, 1767-1847), “Muraille de Mer [Sea Wall].”; pen and ink on paper, 6 ¾ x 9 inches (view) within glazed and matted frame; signed on lower left “Oudinot…Barc.[elo]na 1825.” Fine view of the harbor of Barcelona as viewed from the great sea wall, with carriage and mounted lancers in the foreground. Nicolas Charles Oudinot was a career French officer of distinction, serving with great merit in the French Revolutionary and Napoleonic Wars. A soldier’s soldier, he is known to have been wounded 34 times in battle at the head of his troops. In 1808 he was made governor of Erfurt and Count of the French Empire and a year later, following the battle of Wagram, appointed a “Marshal of France” by Napoleon. From 1810 to 1812 Oudinot administered the government of the former Kingdom of Holland, and commanded the II Corps of La Grande Armée in the Russian campaign. He held important commands at the Battle of Leipzig and in the campaign of 1814. On Napoleon’s abdication, he rallied to the new government, and was made a Peer of France by the Bourbon Restoration King Louis XVIII. Unlike many of his old comrades, he did not desert to his former master during Bonaparte’s 1815 return. His last active service was in the French invasion of Spain in 1823, in which he commanded a corps and was for a time governor of Madrid. He died as Governor of the Parisian veterans institution Les Invalides (now the French Army Museum and site of Napeleon’s tomb). Condition: near fine, paper bright and clean; conservationmounted. 300 - 600
1402 - PAIR OF OFFICER’S “HESSIAN” OR HUSSAR BOOTS, 19TH OR EARLY 20TH CENTURY.
A fine pair of military officer’s “Hessian” or hussar boots, with the classic scalloped front, of such iconic footwear and probably dating to the second half of the 19th century or early 20th century. Completely handsewn of fine quality, black leather and with pegged heels, the boots stand 18 inches high and are approximately a size 10. The boots consist of uppers or legs with side seams, with welts in the seams, the iconic scalloped tops of which are trimmed with silver, interlocked chain and a rose at the scallop juncture in front, of silver embroidery on a yellow silk twist ground. The soles are stamped “ZEINER” at the instep, whether for maker or wearer is unknown, but suggesting that these are likely Prussian or Austrian in origin, or perhaps some other German principality. A pair of associated, 3-piece, wooden boot forms come with the boots. CONDITION: very good overall, with a few light scuffs and scars to the uppers and light wear to the heels and soles; the thread securing the silver chain trim of the right boot has broken for about three inches along in the inner leg and will need resewing at this point. 400 - 700
1403 - CUSTOM MODEL OF A NAPOLEONIC BRITISH 9-POUNDER FIELDPIECE.
A handsome model of a 9-pounder bronze cannon on stock-trail carriage--the workhorse of the Royal Horse Artillery during the Napoleonic Wars. The stock-trail carriage revolutionized the speed and efficiency of horse and light artillery and was later adopted with changes by the French and later, US Artillery (1840 system), in lieu of the traditional split-trail carriage. The model is constructed in much the same scale and manner as a period arsenal model, of large scale of wood and metal and with functioning parts, including elevating screw and removable side boxes. The cannon is complete with leather water bucket and ramrod; the cannon barrel is cast-brass, while the carriage is made of wood, steel, brass and pewter components. Probably made in the late 19th or early 20th century. CONDITION: The carriage is a bit dusty and would benefit from careful cleaning; there are a few spots of very light oxidation on the wheel rims; the trunnion capsquares appear to be later replacements and painted black to match the other hardware and one of the capsquare keys is missing. 750 - 1,500
1404 - AN ARSENAL MODEL OF A CIRCA 1776, BRITISH LIGHT 6-POUNDER CANNON
The opening of hostilities with the American colonists in 1775 led to increased production of cannon for the Board of Ordnance, specifically light field artillery, in anticipation of campaigning within the heavily wooded, hilly terrain of North America. During the French & Indian War, it had been realized that the field artillery taken on campaign against both Forts Duquesne (1755) and Fort Ticonderoga (1758 and 1759) were too heavy and unmanageable for the rigorous service and difficult terrain encountered. Experiments were conducted following the Peace of 1762 by officers of the Royal Regiment of Artillery and a new, lighter version of the light 6-pounder was introduced to replace that used in the late war. In 1775-1776, Captain William Congreve invented a new carriage for this cannon, which was modified by Lord George Townshend and rushed into production. The first of these new-invented carriages with the light 6-pounders, accompanied by their inventor, were sent to Sir William Howe just as he was evacuating Boston in early 1776, but were put into use with great success during the 1776 New York campaign. Burgoyne’s expeditionary force to Canada were similarly equipped with guns and carriage of this new design. This appears to be an 18th or 19th century arsenal model for the Light 6-Pounder; it is rendered in meticulous detail and assembled as were the originals, from wheel cooperage and carriage mortising, down to the harness buckle of an implement strap. It may have been originally made for one of the French arsenals or military schools, as its construction details closely mirror style many arsenal models now in the Musee de la Armee in Par is--surviving pieces from the old French Artillery Museum first established in the 18th century. The latter was sacked by the Allies in 1815 following Waterloo and it is possible that this model may have originated from that source. A number of ordnance models from Paris ended up in the Rotunda Artillery Museum at Woolwich, including both French and British patterns from this period. The side boxes are loaded with fixed cartridges of solid shot and canister, along with powder bags and wads. Tools include a leather water bucket, gunner’s priming horn (of real horn) with sling, linstock, fork, and trailspike. Overall dimensions (LxHxW): 14 x 6 1/2 x 9 ½ inches; cast-brass barrel: 7 ½ in. L. CONDITION: very good to excellent overall, some scattered spots of oxidation to iron parts; edge wear to the wood carriage, slight warpage to one of the side boxes; the leather implement straps separated, and a few accessory tools missing (rammer, worm, etc.). 2,500 - 3,500
SEE WEBSITE FOR ADDITIONAL PHOTOS
Two pieces of trade silver: 1) a ring brooch with a touchmark on verso, being an “HR” within an oblong cartouche; 2) a ring brooch or pin, with a touchmark H&NP on verso; [WITH] a brass medal or device, 3/4 in. diameter, with the head of Louis XIV on the face and a clinch soldered to the verso. PROVENANCE: Ex. Collection, William Guthman, acquired at the Northeast Auction Guthman Collection Sale, 2006. CONDITION: All very good, a pleasing dark patina to no. 3. 200 - 400
1405 - 2 TRADE SILVER BROOCHES AND A LOUIS XIV MEDAL FROM GUTHMAN COLL.
1406 - FORT NIAGARA AND THE FALLS AT NIAGARA: 2 FRENCH & INDIAN WAR PRINTS.
A VIEW of NIAGARA FORT, taken by Sir William Johnson, on the 25th of July 1759. Drawn on the Spot in 1758. Published in “The Royal Magazine.” SEP 1759. Line engraving, 7 x 9 inches (view). [with] After Peter Kalm. “A View of the Fall of Niagara.” From “The Gentleman’s Magazine.” London, February 1751. Line engraving, 4 x 7 1/4 inches (view).
CONDITION: Very good; light toning to paper (not examined outside of the frame). 400 - 600
1407 - UNIFORM OF CADET SYLVESTER WILSON, ROYAL MILITARY ACADEMY, 1843-1845.
Sylvester Frederick William Moor Wilson (1827-1907) entered the Royal Military Academy at Woolwich as a “legacy” in 1843—being that his father, Richard Goodwin Bowen Wilson, a serving officer in the British Army, had earlier attended the RMA or “The Shop”, 1810-1812. The Academy was originally established in the 18th century for the training of artillery and engineer officers, which still remained its primary focus in the 1840s, as reflected in both curriculum and in the dress of its gentleman-cadets. From 1830, the uniform of the Company of Cadets consisted of a double-breasted coat of blue superfine, faced scarlet and with convex, gilt buttons bearing the device of the Royal Artillery. With it was worn a military cap and blue-grey trousers with red stripes, changed to dark blue in 1845. Epaulettes were worn with the coat on full-dress occasions only and in 1840, good conduct badges were ordered to be worn on the sleeve, the first chevron of gold lace being authorized after one year’s honorable service and the others for every six months, to cadets with no entries in the company defaulter book during those periods. Cadet Wilson’s coat has three such chevrons, suggesting that he toed-the-line closely during most of his time at the Academy. “S Wilson” is inscribed in ink on the linen lining of the left sleeve cap. One of the earliest surviving examples of an RMA Cadet coat currently known, which descended in the family along with original drawings and plans prepared by both Wilsons while attending the Academy. 1,500 - 3,000
1408 - CUSTOM MODEL OF US 32 POUNDER CANNON ON SEACOAST CARRIAGE, C. 1812..
Handsome, custom model of a French Seacoast carriage as modified and used by the US Army during the period 1800-1820s for mounting heavy ordnance (primarily 24, 32, 36 and 42 pounders) in coastal forts along the Atlantic Seaboard, including Forts Mifflin and McHenry. The cannon is mounted on a truck carriage nearly identical to those used in naval warships of the period, but the lower carriage has a track system that allows for control of the recoil and easy reloading, while the pintle mount in front and the rear wheel, allow the gun to be easily swiveled from side-to-side, eliminating the need for handspikes and larger crews to manhandle the gun in position. This model was built by my friend, the late Emmanuel Ray Lewis (1928-2014), the longest-serving Librarian of the US House of Representives and expert on early American coastal fortifications and heavy ordnance. Ray’s pioneering book, “Seacoast Fortifications of the United States” (19 ) is a classic in the field and has been reprinted numerous times. The model is almost entirely crafted from wood, with but a few small pieces of metal hardware. Overall dimensions (LxHxW): 15 3/4 x 6 x 5 inches. Condition: excellent. 400 - 800
1409 - MENZEL PLATES OF FREDERICK THE GREAT’S PRUSSIAN ARMY
DURING THE SEVEN YEARS’ WAR.
Adolph Menzel. “Die Armee Friedrichs Des Grosen In Ihrer Uniformierung.” (The Uniforms of Frederick the Great’s Army). Verlag Von Martin Oldenbourg, Berlin, [1904]. 66 of the 100 color plates after the original watercolor studies by the great military artist, Adolph Menzel, published in the second edition (the first in the 1850s) of hi monumental work on the uniforms of the Prussian Army during the period of the Seven Years’ War. The quality of image reproduction in the first edition was inferior to the prints in the 1904 edition, which is why this 1904 edition is more desirable to students of military dress today. Each print is 14 x 10 inches and all are housed under acetate or clear plastic sleeves in two large ring binders. Purchased in 2003 from the late COL Brooke Nihart, former Chief of History, USMC. CONDITION: very good, colors strong and paper clean. 400 - 800
1410 - LAST NAVAL BATTLE OF THE WAR OF 1812--USS PRESIDENT VS. HMS ENDYMION 1815.
JOHN HILL AFTER ‘AN OFFICER OF H.M.R.N.’ “To The Captain, Officers and Brave Crew of His Majesty’s Frigate Endymion as a Humble Record of British Skill and Valour, This Representation of the Gallant Action on the 15th day of January with the United States Ship President commanded by Commodore Decatur is Respectfully Inscribed by .... Thomas Rickards.” Published by Rickards, London, 1 May 1815. Hand-colored aquatint, 17 3/8 x 22 in. (view), with narrow margins, within carved, giltwood frame. Old Print Shop, NYC label on reverse. Light toning to paper. Not examined out of frame. 500 - 1,000
1411 - WAR OF 1812 ERA PORTRAIT OF MIDSHIPMAN ORBELL OAKES, ROYAL NAVY. UNKNOWN ARTIST, BRITISH SCHOOL. “Midshipman Orbell Oakes, circa 1815.” Oil on canvas, 12 x 9 ½ inches, within carved and gilded frame. Orbell Oakes was born in 1800, the second son of the Orbell Ray Oakes, Esquire and Elizabeth Francis Plampin Oakes of Nowton Court, Suffolk. He entered the Royal Navy on 6 August 1813 as a Volunteer First Class and served aboard a ship commanded by his uncle, Captain Robert Plampin. On the second anniversary of his entry into naval service, he was appointed midshipman and, judging by the cut and pattern of the uniform and its wearer’s confident expression seen in this this portrait, it was probably painted in celebration of his rise from volunteer to midshipman in 1815. He received his lieutenant’s commission on 14 Oct. 1820 and was advanced to commander on 19 May 1828.
1,000 - 2,000
1412 - US NAVY IN QUASI-WAR AND BARBARY WARS--2 COMPLETE SETS. 1797-1805.
Naval Documents related to the Quasi-War Between the United States and France. Claude A. Swanson, ed. 1st edition. 7 vols. Washington, DC: GPO, 1935-1938, complete set covering the 1797-1801. CONDITION: Very good and clean in original black cloth binding, with light edgewear to the binding. WITH: Naval Documents Related to the United States Wars With the Barbary Powers. Dudley Knox, ed. 1st edition. 4 vols. Washington, DC: GPO, 1939-1942. An ex-library set all in very good condition in maroon cloth binding with gilt. Covers the period 1785-1804. CONDITION: Library call numbers in white ink on spines, with library plates inside front cover and withdrawn stamps on top and bottoms, otherwise an clean and find set, with minimal edgewear to binding. Sold as a periodical and not subject to return. 400 - 800
1413 - PORTRAIT OF LIEUTENANT JAMES HANNA SPOTTS, US NAVY, CIRCA 1852. SOUTHERN SCHOOL, 1st HALF 19TH CENTURY. “Lieutenant (later Rear Admiral) James Hanna Spotts, USN, c. 1852.” Oil on canvas, 14 x 11 inches, within original gilt, compo frame; the original strainer bearing old typescript label ID on center back. Born at Fort Johnson, Wilmington Harbour, North Carolina on 11 March 1822, James Hanna was the son of Brevet Major Samuel Spotts (1788-1833), a US Army officer who had earlier gained fame while commanding the artillery under General Andrew Jackson in the battle of New Orleans in 1815. Through his father’s connections, James gained an appointment as a midshipman in the US Navy, and initially served at sea with the East Indies Squadron during the punitive expeditions to Sumatra, then attended the Naval School at Philadelphia in 1842-43. As an acting lieutenant in the Mexican War, he served on the Pacific coast and participated in the engagements that resulted in the conquest of California and at the capture of the Mexican ports of Guaymas, San Blas, and La Paz. Promoted to master in 1849 and lieutenant in 1851, he subsequently commanded the paddlewheel steamer USS Michigan on the Great Lakes, 1855-57. Although born in the South, he remained loyal to the Union and was promoted to commander in 1862, commanding ships in the Gulf and South Atlantic blockading squadrons during the Civil War. While in command of USS Pawtuxet, he actively participated in both bombardments and land attacks against Fort Fisher. After the war, he commanded warships on the Pacific Coast and went on to command the Navy Yard at Mare Island in San Francisco Bay, 1865-69. As a commodore, he was inspector of lighthouses on the Pacific Coast, 1872-74, and president of the Navy’s Board of Inspection in San Francisco, 1877-81. Promoted to rear admiral on 28 May 1881, he took command of the South Atlantic station and died in Port Stanley on 8 March 1882 while on an official visit to the British governor of the Falklands. His body was later exhumed and now rests in the Cave Hill Cemetery in Louisville, KY. 750 - 1,500
1414 - A AMERICAN TINNED-IRON, 20-ROUND CARTRIDGE BOX, WAR OF 1812 ERA.
An early 19th century “belly” cartridge made entirely of tinned iron, bearing traces of two, gold-painted, 8-point stars in front. Its lid has a rolled edge and is secured to the body proper by pairs of interlocked wire loops soldered to the backs of lid and body and the ends. There are two tinned iron loops vertically attached to the back, capable of accommodating a waistbelt up to 2 3/4 inches broad.There are 20 tubes, each 3 1/8 in. H and of 13/16 in. diameter, arranged in two rows. The box is 9 7/8 in. long along the outer curve and 7 3/4 in. along the inner, the sides 1 1/2 in. W; the box is 3 3/4 inches H and the lid overlaps by 17/32 in. Governor William Henry Harrison, experience in frontier warfare earlier as an officer in Wayne’s Legion, advocated the use of such tin cartridge boxes for the mounted riflemen of the Indiana and Kentucky militia prior to the Tippecanoe campaign of 1811. 500 - 1,000
1415 - WAR OF
1812 PERIOD
BUCKSKIN HORSEMAN’S BREECHES, 1790S-1810S.
A wonderful pair of buckskin riding breeches of the period, featuring legs cut with only an outseam, as sewn inseam would chafe the rider’s leg after time in the saddle. The high waist and long inseam, cut to come a few inches below the knee, allows us to date this pair as being from the mid 1790s through the 1810s, though wider fall likely excludes the 1820s. Its original owner was a good-sized man for the era, probably 5 foot 10 or 11 and with a 30 waist. The entire breeches are of hide, including waistband and fall lining--even pocket bags. CONDITION: The leather is still extremely supple, the stitching strong; there are ownership or issue markings in the waistband, crossed out with brown ink and indecipherable. The breeches must have been stored with the right panel exposed, which has evidence of surface insect browse--essentially just skimming off spots that probably were sweat- or stained in the era, not harming the hide per se. Light to moderate soiling in the expected areas. the gusset ties broken, but present. 2,000 - 3,000
1416 - A MUSEUM-QUALITY REPRODUCTION OF A FRENCH NAPOLEONIC MARSHAL’S UNIFORM.
An exquisite and highly accurate reproduction of the uniform coat of a Marechal d’Empire beautifully cut by historic tailor Steve Abolt and hand-embroidered utilizing gilt, metallic thread and bullion (not mylar) following the original 1st Empire plates and written specifications. This uniform was custom made some years back for late Timothy Pickles of New Orleans, known for his work on various historic documentaries, etc. This uniform was fitted to him (approx. 6 feet tall, chest 42-44, waist 35-37 range, easily altered down and with some skill, enlarged). The uniform coat also comes with a marshal’s baton with gilt embroidery on a blue velvet ground, as well as a pair of embroidered epaulettes. CONDITION: Occasionally used for documentary projects and other special observations and worn with care, the exterior of the coat and the baton are near perfect, there is some slight edgewear and very light soiling, mainly restricted to the top of the collar lining and the bottom of the sleeve linings, as to be expected. 1,500 - 2,500
1417 - AN EARLY AMERICAN STRIPED BLANKET WITH CENTER-SEAMING, 1770-1830.
A truly handsome and fine example of a blanket made on a narrower loom, with two equal lengths of 24-inch width, “stoated” or butt-seamed together using an overcast stitch down the aligned selvedge lengths, making a blanket 48 inches wide by 80 inches long. The unbleached, white blanket is twill-wove and finished at each end with a set of blue stripes running from selvedge to selvedge, moderately fulled and the cut ends finished with blanket stitching using a logwood-dyed yarn. CONDITION: very good to excellent; very clean, blue color in stripes strong and with no sign of insect browse. 600 - 800
1418 - 18TH AND 19TH C. BRITISH MILITARY ARTIFACTS FROM THE WEST INDIES.
A mixed collection of 36 study artifacts dating from c. 1750 to c. 1840, acquired from various parties at antique arms shows from 1998 to 2008;most said to have been surface-collected or excavated from sites in Antigua, Grenada, and Jamaica, as well as a few underwater finds. These include an oval brass plate engraved with a lion over a crown; a two-piece, interlocking waistbelt plate for sword and/or bayonet; 2 fragments from a Belgic cap plate; a stamped-brass, lionhead side button and 2 scales from a shako chinstrap; a carbine strap or enlisted swordbelt of brass, with issue markings engraved on face: M/35; various shoe and accoutrement buckles; a large, cast-lead ball for a wallgun, 2 musket balls, one turned into a fishing lead, the gooseneck cock from a Tower musket; 2 gun flints--1 with the lead wrap still attached and 2 of the latter loose; 2 British and 1 Swedish(?) military buttons; heel plates from military shoes; 3 coins, including a clipping from a silver “piece of 8”; and Delft and Afro-American ceramic sherds. 400 - 800
1419 - MANUSCRIPT ROSTER OF US MARINE DETACHMENT AT PORTSMOUTH, 1824.
Payroll Return of the U.S. Marine Corps Detachment at the Portsmouth Navy Yard, dated 1 July 1824. A partly-printed, manuscript form, 1 page, 29 ½ x 23 ½ inches (consisting of 2 joined, elephant folio sheets), in columnar format. This return lists by number (beginning with the noncommissioned officers), 44 enlisted men of the Marine Detachment at the Portsmouth Navy Yard drawing pay from “JOSEPH L. KUHN Pay Master of the Marine Corps.” It is docketed on recto “No. 292 / Portsmouth N. H. / Pay Roll to / the 30th of June 1824.” Each Marine’s name, rank, date of enlistment, period for which wages were drawn, and amount of pay received are recorded, with the signature or mark of each respective Marine, followed by the signature of Orderly Sergeant Adrian Peters as witness. At the bottom of the form is the signature of the Marine Detachment commanding officer, Captain Samuel Edmiston Watson, dated “Portsmouth Barracks, July 1, 1824.” Born in Abingdon, Virginia in 1791, Watson was commissioned as a 2nd lieutenant on 4 July 1812 and subsequently promoted to 1st lieutenant on 18 June 1814, captain on 28 March 1820, major on 1 July 1834, and brevet lieutenant colonel, 28 March 1830. During the War of 1812, he commanded the Marine detachment aboard the US Frigate Adams, including fighting with distinction during the British invasion of the Maine District in August 1814. Watson married Mary Prescott of Portsmouth, NH on 31 December 1818. He died on 17 November 1847 in Vera Cruz, Mexico of a disease contracted while on campaign. The return has light toning, some minor mended edge tears, and chipping to the upper margin; it has been conservationbacked with Japanese tissue. This is the largest format military payroll form that I have ever encountered; the form is a previously unrecorded, early American imprint. 400 - 800
1420 - REVOLUTIONARY “LIBERTY CAP” BELT PLATE OF CAST BRASS.
A belt plate or belt tip of cast brass bearing a raised device of a Liberty or Phrygian cap on its face, 2 1/4 x 2 1/8 inches, with 3 pierced mounting studs on reverse. Of unknown origin and form, from a collection on the North Shore of Boston. The device was a symbol heavily used by Americans during their the Revolutonary War and by the French in the French Revolutionary War epoch. CONDITION: plate has traces of dirt on its face, the brass a fine antique bronze patina. Very good. 600 - 1,200
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1421 - 1830S US INFANTRY OFFICER’S SILVERED BUTTONS (15) ON UNIFORM REMNANT.
Lot of 15: 14-20mm and 1-13mm domed Infantry eagle buttons, circa 1830s; American eagle with “I” on a shield. Maker marked “YOUNG SMITH + CO. - New York” (Albert GI83A) All attached to a section from the front panel of a blue uniform, with brown linen lining. CONDITION: Very good; silver buttons have a pewter grey patina. 400 - 600
1422 - PAIR OF EMBROIDERED US ARMY ARTILLERY OR RIFLE WINGS, 1816-1821
In 1816, officers of the U.S. Regiment of Light Artillery received official sanction to wear gold embroidered wings on their uniform coats, something that had apparently already ongoing in practice; in 1817, the Rifle Regiment officers also began to wear gold embroidered wings, which continued in force until both regiments were disbanded in 1819. That same year, new general regulations authorized the wearing of embroidered wings by all company officers in artillery and infantry regiment, gold and silver respectively. The fine pair of wings closely matches that observed in extant U.S. Army officer portraits from this period. The wings have dark blue cloth grounds, upon which are embroidered laurel leaves within the border, with 2 3/8 inch-long bullion fringe. The underside are yellow silk, over pressboard reinforcements. CONDITION: Very good, the uppers almost new in appearance, but the silk on the revers is shattered in spots. 800 - 1,400
1423 - 2 WAR OF 1812 CHEESEBOX CANTEENS. ‘US’ AND MILITIA VOLS.
1) A War of 1812 US contract canteen of “cheesebox” construction, with a continuous side piece or band of wood 2 5/8 in. W tacked around a two circular faces of 7 in. diameter. Painted black with a red “US” on one face, with what appears to be its original carrying strap of 7/16 in. W black leather with (later?) buckle, retained to canteen body by leather keepers on side and bottom. CONDITION: one of the leather keepers is now missing and the canteen had a later application of what appears to be a very light whitewash applied over the original paint; the leather stiffened with time. [with] a militia “cheesebox” canteen 7 5/8 in. diameter x 2 1/28 in. W. painted bluish-green with an oval starburst on face, but if it had letters or numbers within, they are now obscured. CONDITION: Edge and surface wear, with darkening of the paint over time; only outer remnants of the leather keepers for strap remain. 400 - 800
1424 - US PATTERN 1818 NCO, MUSIC, AND ARTILLERY WAIST BELT.
In 1818, the Army’s Chief of Ordnance, Decius Wadsworth corresponded with Robert Dingee, a New York saddler and accoutrement makers, regarding a possible contract for NCO waist belts of buff leather for swords, to be “made with a Frog which will permit the Sword to hang nearly perpendicularly down the Thigh, inclining a little backwards” and specifying that “There must be a buckle behind” and a fastening system in front. Research by Fred Gaede shows that ultimately, at least 3,784 of these buff leather waist belts for swords were delivered to the Army by Dingee between 1819 and 1822 and issued out for use of NCOs, music and artillerymen to carry the M1818 Starr foot sword. This waistbelt, closed in front with an 1808 plate and brass adjusting buckle behind, is the only currently the only known example of the Pattern 1818 waist belt. It is made of buff leather approximately 2 1/4 inches wide and its frog measures 2 1/8 x 7 1/8 inches. A copy of Fred Gaede’s research article accompanies this belt (published in the “Military Collector & Historian”, v. 74, No. 2 (Summer 2022), pp. 157-167. PROVENANCE: Al Scipio Collection until 2015; when purchased from Dan Griffin in June of that year. CONDITION: Very good to excellent, the leather still supple, the plate and belt a pleasing, bronze patina. 2,000 - 3,000
1425 - WAR OF 1812 AMERICAN “CHAPEAU BRAS” WITH PLUME, 1804-1815. Hat Length: 17 1/2 in. L (tip to tip); 10 1/4 in. H (front fan); 11 1/4 in. H (rear fan). A fine example of an American War of 1812 period “chapeau bras” (literally “arm hat”--a cocked hat that folded flat, called such because it could be carried under the arm) that conforms closely to size specifications of the 1813 U.S. Army regulations. The hat is bound with silk grosgrain ribbon on its brim edges and trimmed with a die-stamped, fantail cockade of leather impressed with an American eagle surmounted by stars, with a silver lace loop below terminating at a silver button engraved with an ‘7’. The hat is complete with its original plume, consisting of red/black feathers wrapped with thread around a baleen stem. PROVENANCE: Al Scipio Collection until 2015, when acquired. CONDITION: Good to very good; there is scattered stains or leach marks on the fans; light edge wear to the binding and the glazed linen lining inside the crown is torn and raveling in spots. 2,000 - 3,000
1426 - 1820 NEW YORK MILITIA OFFICER UNIFORM COAT, CHAPEAU & PLUME
A handsome and stylish uniform of a volunteer militia officer, well-cut and made of deep blue superfine wool cloth, with collar, lapels, cuff and skirt turnbacks of scarlet. The collar is framed with ½ inch-wide silver lace, while the non-functional lapels are trimmed with 11 “false” buttonholes of narrow, white silk cording, each terminating with a New York militia button set near the outer edge of the lapel. The 7/8 inch-diameter buttons are of silvered brass and bear an eagle on globe over the motto “Excelsior” on their face (Albert NY10) and back-marked “TREBLE PLATED”. The 4 inch-deep, round cuffs are similarly trimmed with 4 white corded holes and NY buttons of same size, with a slit opening corresponding to the sleeve back-seam. Cross pocket flaps edged in scarlet, with scalloped bottom edges are set on the top of each skirt, with four holes worked in silk twist on the flaps and four NY buttons set in correspondence below, with two buttons set on the hips and another four buttons set in each skirt plait, for a total of 48 buttons (of which one is now missing). The breast of the coat and skirts are lined with glazed white serge (a worsted twill), while the back is unlined. A functional welted pocket is set in the top of the skirt lining on each side. With the coat is a military “chapeau bras” of beaver felt, bound with 2 inch-wide, black silk tape, with one each showing on the outside. It has a wide hatband of black morocco leather on the inside, with a black silk lining above. It retains is original plume, of scarlet feathers wrapped around a stem of whale baleen, 18 inches long overall. On the 4 ¾ inch-long exposed stem is scratch-inscribed “WM LYON”. William Lyon of Westchester County, New York was a lieutenant in the 38th Infantry Regiment, New York Militia in 1810 and promoted to captain in the same in 1815, which rank he retained through 1821. He must have been promoted again during the 1820s, as this coat (with waist-seam and back that suggests a date range of 1825-1832) bears evidence of bearing the two epaulettes worn by field grade officers (majors and above). It was acquired by the late William Guthman from Lyon descendants c. 2002 and subsequently sold during the estate sale of his collection by Northeast Auctions on 12 Oct. 2006 as lot 618; from thence to private collection until acquired in 2016. CONDITION: The coat had some scattered spots of insect browse and loose trimmings, which were filled and reattached, respectively, by Henry Cooke IV of Historic Costume Services in 2021. The chapeau has some damage, esp. to the top of the back fan, where the felt edges have short splits and the binding is frayed. 3,000 - 6,000
1) A British Army musket sling, early-mid 19th century, made of buff leather 50 L x 1 1/4 in. W, with a fixed loop at one end, a sliding loop and two pairs of holes with buff leather ties. The underside near the fixed loop has a “[broad arrow] / 30” in black paint and approximately midway is another “broad arrow” stamp in black; the outside of the sling is pipeclayed white. [WITH] 2) an unmarked sling of black harness leather with tooled edging, same dimensions as first sling, but fixed to the sling swivels of a musket (or military rifle) by the leather buttons at each end, the sling being folded back inward some 7-8 inches from each end and buttoning into key-holed slits set to receive such. The shared dimensions suggest that this could also be British, perhaps for a rifle unit, but the overall form suggests American. CONDITION: buff sling very good, the black sling has a few weak spots in leather, such as at one of the leather buttons and another point near a fold line; other good to very good. 250 - 500
1427 - PAIR OF EARLY TO MID-19TH CENTURY BRITISH AND AMERICAN MUSKET SLINGS.
1428 - VOLUNTEER MILITIA ARTILLERY SHAKO WITH POMPOM, C. 1840.
Height: 10 inches from the visor to the crown; 9.5 inches from the center rear to the crown. The woolen “tuft” or pompom is 5 inches high not inclusive of its original stem of balleen (5 inches H) This black, jacked-leather shako is mounted with a stamped brass sunburst hat plate with crossed cannon, surmounted with a leather cockade with a brass eagle device. The sides hung with draped gold cord with two tassels on one side; and the front is fitted with a brass band applied with star medallions at each side. The shako retains its original lining of leather sweatband and white fabric. The underside of the visor is painted green and marked with the name “Clark” in period script. CONDITION: Very good, minor and scattered chipping and crazing to the leather; the brass frontplate with some old cleaning residue still in the folds of the sunburst device. 1,500 - 3,000
1429 - FEDERAL ERA CARTRIDGE BOX AND CAVALRY “BELLY” BOX WITH TIN TUBES.
1) A militia box of the Federal era, with pine block bored for 24 rounds, with thin black leather body panels partly sewn and partly tacked to the block, a leather flap with cropped corners and edge tooling, similarly attached. [with] 2) A small “belly” box of tooled, black leather, with 6 tinned iron tubes within of pistol bore, the tooled flap with embossed decorations sewn to back of box; two vertical slits in the back of the box for attaching to a narrow waistbelt. CONDITION: 1 in fair condition, leather brittle, some losses to body at edges, the flap missing its closure hook on inside; heavy crazing to leather. 2. The belly box in very good condition overall, some edge and surface wear, but the threads holding the flap to the body are weakening and
1430 - AMERICAN LIGHT DRAGOON CAP, FEDERAL TO WAR OF 1812 ERA.
Derived from the visored, protective caps of leather (often velvet-covered) favored by huntsmen and postillions during the 18th century, bearskin-crested ‘jockey caps’ were first introduced in 1776 to replace the brass or japanned, sheet iron helmets earlier worn by British light dragoons. Quickly adopted by their American counterparts, they later became known as ‘Tarleton’ caps after Banastre Tarleton, the controversial British officer who commanded the British Legion, a corps of green-jacketed, Loyalist troopers that wore such headgear during the Revolutionary War. It remained the most popular form of cavalry headdress in the post-war United States, worn by the cavalry (and later artillery) of the U.S. Army during the 1790s and by the majority of the volunteer troops of horse raised and still in service at the beginning of the War of 1812. Such caps were usually trimmed with a turban of soft leather, cloth, silk or velvet (as in this case), which originally was intended to be let-down in bad weather to cover the shoulders, but soon was relegated to a more decorative role. The turbans were usually made in the color of the unit’s facing color, or sometimes the body color of the uniform. This fine example of a Tarleton cap or helmet has a scarlet velvet turban, trimmed with silver cord running in a zig-zag pattern from small, silvered-brass buttons. The interior of the leather crown is backed with a yellow paper glued down to it and that, a linen hatband 5 inches wide. There is a linen-covered pad for the forehead area sewn over the liner or hatband in front, approximately 11 inches long and 3 inches high. The two-piece crown and visor are all made of a stout, “jacked” leather strong enough to resist most sword cuts. The visor is 2 1/2 inches broad in front and the cap is 8 inches high measured from the side directly behind the visor, including the crest (1 inch high at that, its tallest point). CONDITION: Overall, in very good condition, the leather and its stitching, along with lining, in very good condition overall. There is light soiling to the forehead pad from period use. As with the majority of surviving light dragoon caps from this period, the leather crest or roach, usually about 3-4 inches wide, running front to back, no longer survives (but could easily be replicated). There is minor loss to the velvet turban in the rear and some edgewear; otherwise quite good. 5,000 - 8,000
1431 - RARE 1832 EPAULETTES AND SASH OF CAPT. WILLIAM HOFFMAN, 2ND US INFANTRY.
One of the finest sets of identified epaulettes of the U.S. Infantry officer made in accordance with the 1832 uniform regulations and belonging to Captain William Hoffman of the 2nd U.S. Infantry. Each epaulette has a strap of broad silver vellum, with gilt-brass “2” within the “frog”; the crescent of the frog is of silvered-brass, with silver bullion fringe falling therefrom. The underside of each strap is covered with white silk and furnished with an attachment hook at the strap end. The epaulettes are housed in their original pressboard box, covered with a blue paper. Under the epaulettes in the box, Hoffman apparently stored his officer’s sash, approximately 76 inches long and 8 inches wide, of netted “crimson” (of a scarlet hue), with 13 tassels gathered at each end, each 13 in. L. A pair of flag (?) tassels worked in silk, with braided connecting cord of red silk 68 inches in length, was also found in the box. William Hoffman entered military service as a lieutenant in the 1st NY Artillery during the War of 1812 and subsequently commissioned as a lieutenant in the 41st US Infantry in NOV 1813, transferring to the 2nd Infantry in 1815. He was promoted to captain in the 2nd in 1819, but left the regiment in 1838 when promoted to major in the 6th US Infantry. These epaulettes, then, probably saw service from c. 1832 until 1838. PROVENANCE: By descent in the Hoffman family until 2022. CONDITION: The epaulettes very good, with some slight tarnish to the silver crescent and minor soiling to the undersides; the sash near fine; the tassels very good with some minor edge wear; the box, partly pushed in on one side near base, edge wear and some slight chipping to the paper surface elsewhere. 3,000 - 5,000
1432 - CIVIL WAR ERA UNIFORM REGULATIONS FOR US NAVY AND MARINE CORPS (1852).
Regulations for the Uniform and Dress of the Navy and Marine Corps of the United States. March, 1852. Washington: C. Alexander, 1852. Octavo, 38 pp. With an introductory “General Order” signed by Secretary of the Navy William A. Graham. Publisher’s cloth with marbled boards; title in manuscript on paper label on front cover. Loosely inserted is a printed G.O pursuant to uniform regulations for surgeons and pursers, signed in type by Secretary of the Navy Dobbin and dated 23 AUG 1856, as well as a color plate showing the form and dimensions of insignia for Lieutenants &c. and Engineers, respectively, nd., and bearing the inscription “Ellen Maria Ames / Chicopee on the reverse, a member of famous Ames family that produced arms, accoutrements and insignia for the US forces during the 19th century. With the ownership signature of Surgeon G.R.B. Horner, USN, on the front flyleaf. Horner, an accomplished member of the Navy medical corps published “Diseases and Injuries of Seamen” in 1854 and was promoted to Medical Director on the retired list in 1871. 400 - 800
1433 - THREE EARLY AMERICAN OFFICERS’ EPAULETTES, 1812 TO 1860S
1) A French-made officer’s epaulette as commonly imported for the American market, 1810-1818, with the gold embroidered, short strap and crescent with blue cloth ground, buff silk lining and gold bullion fringe and retaining its original attachment ties on the underside; an 1820s-1830s strap of gold lace, with embroidered crescent and strap edging and gold bullion fringe, the underside with padded crescent and yellow silk lining; and 3) an epaulette of 1850s-1860s form of gold lace with embroidered edging, gilded-brass crescent and gold bullion fringe, its underside with padded crescent, yellow silk lining andhinged brass attachment strap. CONDITION: No. 1 with edge wear/cloth loss to the strap, tarnishing to the embroidery and fringe, the fringe misshapen, but intact; no. 2 in good condition, less loss to one strand of the end embroidery at end, the buttonhole with edge wear, the silk lining shattered and partly missing at the end of strap; no. 3; good condition, 40% loss of gilding to crescent, the silk lining shattered on the pad underneath. 400 - 800
1434 - US NAVY 1841 CHAPEAU WITH CASE BELONGING TO COMMODORE DANIEL TURNER.
A fine naval chapeau or “cocked hat” of the form specified and illustrated in the printed 1841 uniform regulations of the US Navy and accompanying plates, made of fine beaver felt with raised nap, and with a large silk cockade in front, bearing a loop of gold bullion with a naval button set in the center at bottom (now detached, but housed in case). The leaves are bound with broad, black lace worked with laurel leaves. There are gold bullion tassels on each side or inside tip of the hat. The interior of the hat has a broad band of black silk, over a black silk lining, gathered at top and revealing a printed silk label on underside of crown, bearing the name of the maker or merchant: HARRIS, STANHOPE & Co. / 29 TREMONT ROW, /BOSTON. Harris & Stanhope opened their new “Military Store at this address in 1839, moving from it in 1846. With a hinged hat box of japanned tin. Daniel Turner (1794-1850) was a hero of the Battle of Lake Erie during the War of 1812. He commanded the USS Constitution from 1839 to 1841 and commanded the Frigate USS Raritan during the Mexican War.
PROVENANCE: Commodore Daniel Turner and by descent through Turner family of Newport, RI until 2015, when sold as lot 20 at Cowan’s Auctions, 12 June 2015. CONDITION: The chapeau in very good to excellent condition, with slight tarnish to the bullion trim; the hinge of the case is broken, separating the lid from the body and the japanning is mostly worn off, with patches of oxidation on the exterior.
2,500 - 5,000
1435 - 1841 US NAVY EPAULETTES OF COMMODORE DANIEL TURNER WITH CASE.
A pair of U.S. Navy epaulettes belonging to Commodore Daniel Turner and bearing that rank on the straps, made following the specifications and illustrations printed in the 1841 uniform regulations. The straps of broad, gold vellum lace, bordered with gold embroidery, each bearing a 5/8-inch diameter, gilded-brass Navy button with ties at end of strap, with a silver star in center and an eagle/anchor device set in the “frog” or crescent end, from which hangs gold bullion fringe. The padded undersides of the crescent are covered with blue silk, while the straps are lined with black morocco leather. Stamped in gilt on each is the maker’s details for Edward Ramsey, “Goldsmith & Jeweler to the /Queen Dowager”, who worked at Plymouth Dock and held that title from 1837-1849. They are housed in their original case, made of black-japanned tin. Daniel Turner (1794-1850) was a hero of the Battle of Lake Erie during the War of 1812. He commanded the USS Constitution from 1839 to 1841 and commanded the Frigate USS Raritan during the Mexican War. PROVENANCE: Commodore Daniel Turner and by descent through Turner family of Newport, RI until 2015, when sold as lot 22 at Cowan’s Auctions, 12 June 2015. CONDITION: Both epaulettes are in very good-excellent condition, the straps, bullion fringe, and devices bright and complete, but with modest shattering of the blue silk on undersides; the outside of the case with scattered chipping to the japanning and edge wear. 2,000 - 3,000
1436
1) Two gilt-brass fittings from Turner’s 1820s sword belt, with fouled anchors on a pebbled ground, each 1 1/2 inches in diameter (these are similar to Royal Navy belt fittings of the same era, but the anchors are surmounted by crowns in the latter). They are mounted atop gilt-brass rings, from which the sword hangers were attached. 2) silver eagle device for an epaulette once attached to Turner’s epaulette, made 1830 uniform regulations of the US Navy, 2 1/4 x 1 3/8 inches, with two loops on reverse. 3) Service cap band of gold vellum lace, 2 1/8 inches wide and with 22 1/4 inches circumference (hat size 7 or 7 1/8), 1830s-1850. Daniel Turner (1794-1850) was a hero of the Battle of Lake Erie during the War of 1812. He commanded the USS Constitution from 1839 to 1841 and commanded the Frigate USS Raritan during the Mexican War. PROVENANCE: Commodore Daniel Turner and bhy descent through Turner family of Newport, RI until 2015, when sold at Cowan’s Auctions. CONDITION: 1) very good, with nearly all gilding intact, less light edge wear to anchors; 2) very good with a pewter-like patina, shaft of anchor slightly bent; and 3) some soiling and very light tarnish to the outside surface of the band, interior bright and clean. 4 items total. 600 - 1,200
- INSIGNIA OF CAPTAIN (LATER COMMODORE) DANIEL TURNER, UNITED STATES NAVY.
1437 - U.S. NAVY OFFICERS’ SHOULDER STRAPS OF CIVIL WAR ERA. LOT OF 3. Shoulder straps for commissioned officers of the United States Navy made in accordance with the Uniform Regulations of 1862, consisting of: 1) A pair of shoulder straps for a lieutenant, each 4 1/4 by 1 1/2 inches, consisting of an embroidered silver on blue superfine cloth, bordered in gold embroidery and with blue cloth backing underneath. [with] 2) a single shoulder strap for a rear admiral, with an anchor and two stars embroidered in silver, on a blue ground with a border of gold embroidery. CONDITION: 1) in excellent, near-unissued condition; and 2) in fair condition, with insect graze on the cloth ground at one end and the outer edging wire separating from the ground, the cloth backing for the underside missing, revealing the linen lining. 300 - 500
1438 - RARE GEORGETOWN-PRINTED 1824 “SCHOOL OF CAVALRY” MANUAL BY TONE.
TONE. “School of Cavalry; or, System of organisation, instruction, and manœuvres, proposed for the Cavalry of the United States.” By William Theobald Wolfe Tone, Lieutenant 1st Reg. U.S. Artillery. Georgetown, D.C. Published by James Thomas. 1824. James C. Dunn, Printer. Original blue printer’s boards with white spine. Quarto, xiii, 177 pp. with 17 folded plates, including frontispiece. Signed on inside of front cover “J.C. Pegram / Major of Cavalry” Besides the rarity of this work, it should receive more notice than it has, as the author was the son of Wolfe Tone, father of Irish republicanism and leader in the Independence movement. William Theobold Wolfe Tone (1791-1828) became a naturalized French citizen and fought with Napoleon, earning the Legion of Honor. After Waterloo, he left France and came to the US, where he eventually was commissioned in the US Army as a lieutenant of artillery in 1820. He resigned his commission in 1828 due to illness and died shortly thereafter. Extremely rare, only 7 copies found in OCLC and no record of auction sale since 1940s. (SABIN 96160). CONDITION: Very good, some minor chips and edge wear to the boards, the spine toned, the binding tight and the pages clean and bright, one signature with light toning. 600 - 1,200
SEE WEBSITE FOR ADDITIONAL PHOTOS
1439 - RARE USN 1820 UNIFORM REGULATION BROADSIDE WITH SCHEMATIC ENGRAVING.
Bifold sheet containing 4 pages of text, each 9 ½ x 7 ¾ inch format. No place or date of publication but probably Washington, DC in early spring 1820. The introductory paragraph by Secretary of the Navy Smith Thompson, is dated May 10, 1820 and states that the new regulations for officer’s dress are effective “the first day of May, 1821” and to which all officers must conform. Clean copy, with folds, docketed on 4th page “Uniforms.” Rare. Not found in the Union catalog. 200 - 400
Extremely rare. No set of the 1830s regulations for the uniform of the United States Navy is listed in OCLC and the only set that I have found is a very worn one in the records of the Navy Department in the National Archives that is partially incomplete and its plates in fair condition from repeated use by researchers. When published by the Navy Department in 1830, the printed plates were only distributed to senior naval officers, usually those commanding stations, naval yards or squadrons. This near-mint set was found folded in its original wrappers, which are inscribed” No. 19 / N[aval] Depart. / M[aster] Com[mandant] Geo. W. Storer / Mediterranean.” It contains the original printed regulations of four pages in 10 x 8 format, printed on a folio sheet with one fold and three large printed, untitled plates, as follow: 1) [embroidery diagrams for collars and cuffs] 16 x 10 inches; 2) [1830 sword and scabbard] 19 3/4 x 16 inches; and 3) [embroidery diagrams for midshipman’s uniform] 15 7/8 x 10 1/8 inches. George W. Storer (1789-1864) served in the United States Navy for more than fifty years, starting as midshipman in 1809 and commissioned as lieutenant in 1813, he rose in rank to master-commandant in 1828, captain in 1837, and commander-in-chief of the Brazil Squadron in 1847, serving in that capacity until 1850. Following his service in the Brazil Squadron, Storer was on leave of absence from 1851 to 1854, and then, from 1855 to 1857, served as governor of the Philadelphia Naval Asylum and presided over the Naval Court of Inquiry #3, during which more than 200 naval officers were dismissed from duty. He retired in 1862 with the rank of Rear Admiral and died two years later. PROVENANCE: G. W. Storer and by descent in Decatur-Storer family; acquired in 2022. CONDITION: Plates and printed regulations, near fine, bright and clean; one mended tear on fold of sword plate, running in 3 1/2 inches from edge; the wraps with folds and surface soiling/ toning. 2,000 - 4,000
1441 - CIVIL WAR ERA REVENUE SERVICE SWORDBELT WITH DECATUR FAMILY PROVENANCE.
A officer’s swordbelt constructed of black patent leather, the belt and its two sword hangers fitted with gilt-brass mounts and closed in front by a two-piece, interlocking belt plate or clasp, the male half bearing a tab mounted with a circular device with an American eagle with shield on breast and spread wings, resting on a sideways anchor, with 13 stars above it head; the female side with open “border” ring for the male tab, consisting of wreath of laurel. The clasp or plate has traditionally been associated with the Revenue Service, yet the swordbelt was acquired from the Decatur-Storer family branch in Kittery, Maine, who can count among their ancestors a number of distinguished US Navy officers, but none who are known to have spent time on duty with the Revenue Service. CONDITION: 90% of gilt remaining to plate and belt mounts, with loss primarily on raised edges; edge wear and scuffing to the surface of the patent leather belting, which remains relatively supple for its age. 500 - 750
1442 - CIVIL WAR US NAVY BUFF WAISTBELT W/BOSTON NAVY YARD MKGS AND FROG.
Buff leather US Navy waistbelt of Civil War era, as modified in 1862 with frame buckle riveted versus sewn to belt. The belt is composed of two lengths of buff, lapped and riveted together approximately 10 inches from the buckle end and the belt is 44 inches long by 1 7/8 inches wide overall. The reverse of the belt has “U.S.N.Y / BOSTON” stenciled on in black paint. Accompanying the belt is a 19th century frog for a cutlass or sword bayonet of black, tanned leather, with stitched, integral belt loop, 8 x 3 1/2 inches. CONDITION: Buff belt appears to have been blackened during the period, but as lightened and is now a brownish cast; some verdigris around the copper rivets; otherwise complete and very good. Surface wear to the black frog, showing the brown leather grain, otherwise good. 2 item lot. 300 - 600
1443 - A PAIR OF MILITARY HALF- OR ANKLE BOOTS. 1830-1860S.
An altered pair of military half boots, yet in unissued condition. They were constructed on “right” and “left” lasts (only slightly inclined) with strong, waxed “flesh-out” leather that appears to be undyed or oiled, but is now a dark brownish tone. The seams of the uppers are round-closed and the toe are slightly rounded. The sole and heels are leather and the latter have 7 lifts, attached by sewing and a horsehoeshaped double row of heavy iron pegs, set slightly above the face to also serve as a heel plate; the fronts of the soles are hobnailed and “7e de L” is stamped on the instep of each, indicating size and also that the origin is likely French. Approximately 1 3/4 inches of the rear portion of the upper ankles were cut back to convert these to military shoes, leaving a one inch-wide front with two holes punched on each side, which retain their original leather ties. CONDITION: very good overall; some light surface and edge wear to the uppers, the leather strong but rather stiff; the heels and soles very good, with no wear, but light oxidation to the pegs and hobnails. 400 - 800
1444 - LOT OF 3: US EAGLE FLASK, BALL MOLD, AND SADDLE FLASK, 19TH C.
1) An eagle flask for a Colt Baby Dragoon or 1849 pocket revolver. Flask is 4 3/8 x 2 in. and in VG condition, less part of spring for charger missing. 2) A single-cavity mold of iron for a 0.39 caliber ball. Very good condition, with some marks and light oxidation in spots. [AND] 3) A “saddle” or hunting flask for liquor of pewter with its original, leather saddle holster with cover and straps, 8 7/8 in. L x 2 5/8 in. dia., within leather holster. The flask is stamped on its base “JAMES DIXON / & SONS / 52 /P”, probably referring to a patent date of 1852. Dixon & Sons was established in 1806 and specialized in holloware made of pewter, electroplated Britannia, and silver, in addition to the powder flasks well-known to arms collectors. All three objects deaccessioned from the collections of The Society of the Cincinnati, Anderson House Museum, Washington DC in 2019. 300 - 500
1445 - COLLECTION OF 19TH CENTURY ORDNANCE/ARTILLERY MANUALS AND JOURNALS..
1) Frank Hines and Franklin Ward. “The Service of Coast Artillery.” 1st ed. HB (NY: 1910), presentation copy inscribed to BG Henry De Witt Hamilton and signed by Ward, dated May 1914; 2) U.S. War Dept. “Instruction for Heavy Artillery...With Service of a Gun Mounted on an Iron Carriage.” 1st. ed. HB (NY: Van Nostrand, 1863); 3) War Department. “Report of the Secretary of the Navy in Relation to Armored Vessels. 1st ed. HB (1864); 4) “Journal of the United Service Institution” (1857-1870: 6 vols., I-II, IX-X, XIII-XIV and 1868 index for vols. I-X); 5) Curtin and Johnson. “Naval Ordnance.” (Annapolis: The Naval Institute, 1917 [corrected edition of 1915 orig.]); 6) “Naval Ordnance and Gunnery” (1946); and 7) “Naval Ordnance and Gunnery” (1952). A lot of 13 HB volumes. All title contain numerous plates, some fold-out, diagrams and charts relating to military and naval cannon, carriages, ammunition, fortifications and related subjects, from the Civil War era to World War I. CONDITION: Various titles: bindings Fair to Very Good, some with loose boards, chipping to spine, edge wear; Contents of all of the title complete, in good to very good condition. 1,000 - 2,000
1446 - 1861 ARCHIVE OF CIVIL WAR UNIFORM CLOTH SAMPLES W/ CORRESPONDENCE.
An archive relating to the contracting of uniforms for the Pennsylvania regiments being raised for Federal service during the opening days of the Civil War, consisting of In-letters to Reuben C. Hale, newly-appointed Quartermaster General for the Commonwealth of Pennsylvania, from various tailoring firms, clothiers and textile mills. The firms are responding to Hale’s advertisements requesting proposals for such contracts, with pricing and samples of cloth to be used in making up the various uniform components. In all, there are 10 different contract proposals for uniform frock coats with pantaloons, blouses, and even one for haversacks. All of the proposals have various types of cloth samples attached, including broadcloth, kersey, wool flannel, satinet in a variety of colors, primarily deep blue, sky blue, gray, and cadet gray. There is also a proposal for haversacks, with large piece of cotton drilling attached. Each proposal, with its respective cloth sample(s), is housed in a separate, clear archival sleeve within the collection binder. One letter is extracted below: [Philadelphia clothiers Rockhill and Wilson, dated 6 May 1861, with swatch of gray satinet attached]: “We propose to furnish 800 Over Coats or 2500 prs of Pants of the army (pattern made of the goods of which a sample is Enclosed) at $7.45 each to be delivered in Harrisburg or Philada. as you may direct, or $2.50 for trousers....” PROVENANCE: The major part of collection acquired from Hank Truslow in FEB 2004; one document (cited above) acquired from James Arsenault in JUL 2023. CONDITION: Very good; some light toning to certain letters, pin pricks from sample attachments. 2,000 - 4,000
1447 - AMES DRAWING FOR PROPOSED US NAVY BELT PLATES, C. 1846
Small archives from the Ames Manufacturing Company, which produced swords and related equipage until the early 20th century. The highlight of the collection is the original drawing for three belt and pouch plates proposed for use on accoutrements made for the United States Navy, 1840-1846: with fouled anchor and “USN” devices on them. Drawn in graphite on a sheet 8 3/8 x 6 3/4 inches. The remainder of the collection consists of 14 letter or documents, 1787-1850s, with many being letters to or from the company founders Nathan P. Ames and James T. Ames, mostly routine content, some business and others of personal nature. CONDITION: The drawing with dampstaining at center, one spot of foxing, else very good; documents generally worn and toned, but good condition overall. 400 - 800
1448 - ARCHIVE ON US ORDNANCE TESTS OF TREADWELL PATENT CANNON, 1843
A small, but interesting archive of 5 letters sent by US Army Chief of Ordnance, LTC George Talcott and his assistant, Captain William Maynardier during 1843 and 1844 to Daniel Treadwell in Cambridge, Massachusetts regarding cannon of Treadwell’s patented design, which the Army was then considering for purchase. Treadwell (1791-1872) was an American inventor. Amongst his most important inventions was a method of constructing cannon from wrought iron and steel. From 1841-1845 he devised a method for making built-up guns which resembled the process that was subsequently introduced by Sir William Armstrong. He patented it in 1844 through an agent and received government contracts, but the great cost of his cannon prevented a demand for them. The letters from Talcott relate to initial inspections and later trial tests performed on the cannon at Fort Monroe. 5 ALS, 4 in Talcott’s hand and one in Maynardier. 400 - 800
1449 - A PAIR OF U.S. NAVY CAPTAIN’S EPAULETTES WITH CASE, CIVIL WAR ERA. A fine pair of captain’s epaulettes, made to the specifications for such as entered in the uniform regulations of 1862 and 1864, within their original, japanned tin case. Each epaulette strap is of broad gold vellum, bearing a silver eagle rank devices embroidered on blue ground set in the “frog” or crescent, the other end bearing a 5/8 inch-diameter Navy button with blue silk ties, and the strap bordered with gold bullion and with gold bullion fringe hanging from the crescent ends. The undersides of the crescent are covered with blue velvet and the straps lined with black leather, respectively marked “RIGHT” or “LEFT.” The japanned-tin case is lined with red velvet and features a padded “lift” with wire handles, separating the two epaulettes, with a lidded receptacle below for housing shoulder straps. CONDITION: the epaulettes are both very good to excellent, the bullion and lace bright, but with minor wear to the grain of the lining leather; the case has edge wear and moderate loss of the japanning on exterior, the interior near fine. 300 - 500
1450 - CONFEDERATE WAR ETCHINGS BY ADALBERT VOLCK, C. 1888 [CIVIL WAR]. ADALBERT VOLCK (1828-1912).”Confederate War Etchings.” Folio (13 ½ x 1- inches), correctly issued without title page, 29 line etchings on India or “chine colle” paper tipped down on heavier, gilt-edged, paper stock, with tissue cover sheets to each plate as issued; printed index of plates leaf; originally bound within quarter leather and marbled boards, the front board and spine now missing. Minor edge chipping to marbled endpapers, with light, scattered foxing on some sheets--largely restricted to margins of mount sheets, with exception of three etchings--otherwise very good. Not dated, but published c. 1885 by Porter & Coates in an edition of 100 portfolios; “Printed on chine colle, this edition is Volck’s work at its best [Voss, 1988]”. Not in Sabin or Coulter. HOWES V138, “aa.” ANDERSON, THE WORK OF ADALBERT JOHANN VOLCK, passim. The popular anti-Confederacy political cartoons of the great Thomas Nast inspired Adalbert Volck, a Baltimorean sympathetic to the Southern cause, to execute similar lampoons against the Union. Volck, through his caricatures, attacked the person and policies of President Lincoln and his Northern leaders. By using irony, sarcasm and ridicule, he attempted to sway popular sentiment toward the South. The original issue of etchings was largely suppressed by its creator as the caricatures bordered on treason and Volck, residing in Union-occupied Baltimore, was in risk of imprisonment. However, ten were published by Volck in London in 1863 under the pseudonym ‘V. Blada’ and titled: Sketches from the Civil War in North America. Following the war, Volck privately printed a complete set of the 29 under the title, Confederate War Etchings. The set was “made up of the suppressed sheets or printed from the original copper-plates [Howes]” and “distribution was likely limited to other sympathizers in the north, and few copies have survived--not surprising, considering the inflammatory content.” Volck’s work includes sharply satirical depictions of Lincoln, African-Americans and the abolitionist cause, alternating with sentimental depictions of the heroic Confederate troops and their families. The National Portrait Gallery mounted an exhibition on Volck during 2012-2013 featuring its set of Confederate War Etchings. RARE. Only one hundred sets printed. 600 - 1,200
1451 - AMERICAN ANTEBELLUM DAGGER OR DIRK WITH SCABBARD.
An exceptionally fine example of an iron-mounted fighting dagger or dirk of the 1810s-1840s, particularly favored by military men, frontier traders, riverboat men, and gamblers, although its popularity waned with the ascent of the Bowie knife among the same during the 40s and 50s. The overall length is 16 inches, with an 11 1/4 inch-long, double-edged blade of diamond profile, 1 3/8 inches wide at crossguard and ending in a spearpoint tip. The hilt consists of a flat, oval-shaped crossguard (2x1 in.), ferrule and carved, spiraling grip of blackish horn, terminating in slightly convex, oval-shaped pommel cap of sheet iron. The handsome and practical scabbard consists of a body made from wood panel, covered with red morocco leather, with an iron throat mounted with frog button and iron chape or drag, both decorated with incised lines; on the reverse of the scabbard is set a clip of spring-steel, made to secure the dagger to the scabbard at crossguard, but easily released by thumb or finger. CONDITION:
The blade bright and clean, with some mottled grey spots of former oxidation and small nicks or dings to hilt and scabbard mounts. 750 - 1,500
1452 - MID-19TH CENTURY “ESPADA ANCHA” SWORD WITH TEXAS-MARKED BLADE.
Slightly curved blade with narrow partial fuller along top on both sides. Both sides engraved with two foliate panels, one side inscribed “Texas” between panels and other Murades”. Engraved round iron guard with three separately attached scalloped counter branches on right side and one on left. Birds head pommel and leather wrapped grip with single strand of brass wire. CONDITION: Blade retains a light grey patina with some darker spots, one nick to top of blade, towards tip. Guard retains a mostly grey patina. Grip very good with minor chipping and leather loss to underside at pommel. Hilt slightly loose to blade. 750 - 1,500
1453 - REPRODUCTION ENGLISH LONGBOW BY SHAUN WEBB.
Hand-made reproduction of a Medieval period English Longbow by master bowyer Shaun Webb and ideally sized for a man approximately 6 feet tall, being 72 inches in length. Carved of a solid piece of Osage orange in lieu of yew, which has similar characteristics in terms of flexibility and pull strength and tipped with horn, with linen cord grip and gut strings. Like new; acquired in 2013 but never strung or used. 300 - 500
1454 - JOURNAL OF THE SOCIETY FOR ARMY HISTORICAL RESEARCH. 68 OP ISSUES, 1930S-1990S.
A collection of 68, long out-of-print, back issues of the Journal of the Society for Army Historical Research (founded in 1921), with 9 numbers (some duplicate) from the 1930s, the balance being issues from the 1950s, 1970s to early 1990s. PB. Large octavo. One of the most important reference resources for collectors of British military arms, insignia, uniforms and related material, the JSAHR and the Society continue until present, with some of the finest scholars contributing articles illustrated in BW and color. CONDITION: Very good overall, with pages bright and clean with exception of the 1930s issues, which have light toning to the pages and some paper covers separating or torn. Sold as periodicals and not subject to return. 200 - 400
1455 - OUT-OF-PRINT REFERENCE BOOKS ON SADDLERY AND HORSE EQUIPAGE.
1) Richard E. Ahlborn, ed. “Man Made Mobile: Early Saddles of Western North America.” 1st ed. PB (1980); 2) Ken R. Knopp. “Confederate Saddles & Horse Equipment.” 1st ed. HB. (2001) signed by author; 3) Randy Steffen. “The Horse Soldier 1776-1943.” 4 vols. 1st Edition. HB (1977-1979); 4) Major G. Tylden. “Horses & Saddlery.” HB. (1980 reprint of 1965 title); AND 5) G. Craig Caba. Historic Southern Saddles. 1st ed. PB (1982), signed by author. Lot of 8 books. 200 - 400
1456 - ARIES. “ARMES BLANCHE MILITAIRES FRANCAISES (FRENCH MILITARY EDGED WEAPONS)”, 30 VOL+INDEX.
Christian Aries. “Les Armes Blanche Militaires Francaises, du Regne de Louis XIV a Nos Jours.” (French Military Edged Weapons, from the Reign of Louis XIV to Present). 30 vols. Nantes, France: Christian Aries, 1966-1978. A monumental and essential reference work for serious collectors of 18th and 19th century military swords and polearms, especially of the French military. 30 volumes containing more than 250 double-page plates in folio size (9 1/2 x 13 inches), accompanied by detailed text by one of the leading French experts, now deceased, the beautiful and to scale, line artwork done by Michel Petard. The 30 volumes are presented complete, in the special set of 5 blue-clothbound cases prepared for subscribers and with the clothbound index to the series. It is extremely difficult to locate even individual volumes today, much less a complete set. CONDITION: Excellent, near new condition with all plates and text bright and clean. 750 - 1,500
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1457 - THE RIFLE BRIGADE CHRONICLE. 23 VOLUMES. 1890-1919.
Willoughby Verner, ed. “The Rifle Brigade Chronicle.” 22 volumes, London: John Bales & Son, 1891-1820. Publisher’s green cloth with gilt lettering, octavo. A broken run covering the period 1890-1919, with volumes for 1890-91, 1894-1906, and 1910-1919. Both historical and current events and personalities of this famous command are covered in this two decade run, including many firsthand accounts of service during the Napoleonic Wars, the Crimea, India, the Boer War, and WW1. Together with “The Oxfordshire and Buckinghampshire Light Infantry Chronicle” for 1909, similarly bound. CONDITION: boards and spines slightly rubbed to head and foot; 1905 defective (loose binding and incomplete); dampstaining to cover of 1911. Sold as a periodical, not subject to return. 200 - 400
