mondo | stadia - Issue 12

Page 46

THE FULL PITCH

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outdoor loudspeaker, built for EN54, was coming from Bose.

the design ‘bible’ information to generate the final control

Having had a great experience with Bose ShowMatch loud-

and amplification rack design in each of the five main

speakers in The O2 Arena, Eddie was confident that we could

equipment rack locations. A routing schedule and a control

deliver with our next generation of DeltaQ loudspeakers.

matrix, along with the design development of the new

“ArenaMatch loudspeakers can be configured with dif-

redundant fire rated, fibre-based network infrastructure

ferent horizontal and vertical coverage patterns, meaning

was installed across the site control locations, with control

that the dispersion pattern can be finely focussed to where

locations based in the East, Central, West rack rooms, along

it is needed. Each ArenaMatch loudspeaker features a 14”

with the Pavilion, Security Control Room, Radio Room and

woofer, plus six EMB2S compression drivers delivering

the Broadcast control room.”

full range, high SPL, performance, without the need for

As the new system was to replace the old and enhance cer-

subs. This performance, coupled with the loudspeakers’

tain functionality and loudspeaker coverage, SSE also had

light weight, meant that Eddie and the SSE team had more

to develop electro-acoustic design model and, using Bose

choices on where and how the units would be hung within

Modeller software, they then developed the 3D acoustic

the grandstand.”

model within the software to enable the design, type and

SSE commenced the hardware design works using the

location of the new Bose loudspeakers in the external and

existing rack equipment locations and loudspeaker instal-

internal areas where applicable. The electro-acoustic design

lation as a starting guide position to identify loudspeaker

was mainly focused upon improved coverage of the main

zones and inputs / outputs.

public areas, covering the front course-facing and rear-fac-

Eddie said: “Using this data, we then developed the design

ing public areas of the main stand.

‘bible’ which is a concept spreadsheet of the loudspeak-

“I developed the design at the front of the stand from a

er zones, amplifier type, power and circuits serving each

single high power loudspeaker pointing across the pub-

appropriate zone. It was at this point that we could then

lic area to a more focused dual Bose ArenaMatch design,

provide to the client a broad-brush outline design, to ena-

using a single speaker to provide the nearfield coverage

ble the next phase of progression to a detailed design.

at a slightly lower level and then a second cabinet cover-

“Post project negotiations and project award, we then used

ing the far field area to the edge of the racecourse,” Eddie

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