Kim Russell Artist Statement My art career started in 1978, creating sculptural pieces in native hardwoods. After working exclusively in wood for over 30 years, I followed my heart and began creating stylized ink and acrylic drawings of birds. My approach to creating the drawings is the same as my approach to designing wood sculptures. Regardless of the medium, the emphasis is on the flow of the lines, the symmetry between components, and the balance of the composition. I choose to depict birds because they are one form of wildlife that virtually everyone can experience, no matter where they live— robins hunting worms in lawns, crows calling overhead, hawks nesting on high-rise window ledges. I love hearing personal stories of the ways birds have touched peopleʼs lives. Even though my images may be exaggerated, my goal is always to capture the essence of each bird. Each drawing begins with research. I only put pencil to paper once I know my subject like a friend. When my depictions depart from reality, I want to feel confident that it is through artistic choice, not ignorance. Researching the birds, their habits and habitats also brings me closer to finding my own place in the larger world. While learning about and observing birds, itʼs unavoidable to become aware of the interconnectedness of all the elements inhabiting the earth, both wild and civilized. As my fascination with birdsʼ natural history continues to grow, I am led to a lifetime commitment of learning about and sharing enthusiasm for the avian world.
Stylistically, I’m inspired by the imagery depicted by ancient, indigenous cultures. My main influence is stone carvings by the Picts—preCeltic tribes that lived in northern Scotland, the homeland of my ancestors. The simplicity and connection with nature that characterizes ancient images is reflected in my work. The stark white backgrounds in my drawings intentionally impart an iconic feel. I have created sculptural work for installations in national wildlife refuges, libraries, schools, and hospitals, including a recent installation of 34 life-sized flying bird sculptures for the Mayo Clinic in Rochester, MN. I particularly enjoy the close relationships I have with botanical gardens, national wildlife refuges, and sanctuaries that sell my reproductions through their on-site and online gift shops. A wide selection of my notecard designs is carried by the Minnesota Landscape Arboretum.