DIRECTOR’S PRESENTATION

In 2019 the Museum presented its Strategy and Action Plan 2019-2022/2029. This document was prepared over the course of a year of collective internal and external work and was developed as a continuation of the last work cycle (20122018). It lays the foundation for the Museum’s actions and describes the priority projects for coming years. Likewise, it puts clear emphasis on the institution’s social and educational facet and on continuing the project of transforming the Museum into a more relevant space that is part of our times and corrent society.

The Museum maintained a very notable number of visitors in 2019 and significantly increased its audience in the digital environment, as well as the volume of loans made on both a national and international level. This made it possible to continue disseminating its extraordinary collection throughout the world.

In the area of research and exhibitions, there are three outstanding projects that provide an ideal representation of some already-consolidated lines of work. Bermejo. The 15th century rebel genius was a co-production with the Museo Nacional del Prado, which subsequently also travelled to the National Gallery of London in reduced form. It confirmed the Museum as a reference in medieval art; in this case, with an exceptional artist represented in the permanent collection by four paintings. The exhibition Oriol Maspons, the useful photografy / 1949-1995, featuring the work of a renowned photographer whose collection the Museum has studied and organised, incorporated a very important selection of Works and published the monograph of reference. And the exhibition Antoni Fabrés, featuring an artist outside the canon that the Museum recovered and made available to the public, was very well received as one of the positive surprises of the year.

With regard to its assets, the Museum continued to expand its collection. This was thanks to donations and acquisitions and also the National Plan for Visual Arts, such as Photography, with a total of 159 new works incorporated. Also noteworthy were the extraordinary donation of Aurèlia Muñoz artworks by her family – which were displayed in the exhibition Knotting the Space. Aurèlia Muñoz Donation – and the expansion of the depository of works by Antoni Gaudí from the Sagrada Familia, consolidating the concept of the Museu Nacional as a centre of reference for the architect’s work.

The Museum’s public program further reinforced the idea of working in collaboration with various entities and groups and the permanent presence of artists and contemporary creation. Some outstanding examples of this are the Osamu Tezuka exhibition in collaboration with FICOMIC; the monumental White Bouncy Castle installations by choreographer William Forsythe, part of the Festival Grec; and Pecatta Mundi by Antoni Miralda, both in the Sala

Oval. Other examples include projects with the artists Jordi Ferreiro, Mercè Soler and Oriol Fuster, and the new line of work in the field of health and the arts in coordination with the Vall d’Hebron Hospital.

The effort to support and collaborate with other Catalan art museums continued to grow through the work of the Art Museums Network of Catalonia (XMAC), with numerous collaborations, loans and deposits involving local museums. And the Museum’s projection at the national and international level increased as well, with an important sample of the collection in five venues in Japan and two exhibitions in Zaragoza and Seville.

The Museum continued all its efforts to develop social responsibility, working with groups of interest in order to be a more inclusive and accessible museum focused on the common good, with diferent improvement measures in multiple areas of the centre’s activity.

Director del Museu Nacional d’Art de Catalunya