Kinetic Speakers and Experimental Sound Creations 2016

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reverberations

II

• listen to each recording from beginning to end before starting. • any edits you make should only include fade in or out, cutting and/or copying. • you should not add any additional sound material. stay true to the timeline of your recording. • you can loop, cut, and edit sounds, but no longer than 1 second per sound. • you don’t have to use all of the 12 recordings at all times. • decide on a compositional concept of how to approach the editing and mixing process. • group members do not have to be present during the production process at all times. • try to find a visual accompaniment to your piece. results: https://soundcloud.com/mitsoundcreations/sets/group-experiment-1 04


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