The Miscellany News
miscellanynews.org
Vassar College’s student newspaper of record since 1866
February 16, 2023
Volume 159 | Issue 4
Final MODfest Inclusive History Initiative sparks concerns concert stuns Janet Song, Jacques Abou-Rizk
sor of History Mita Choudhury; Dean of the College Carlos Alamo-Pastrana; and Head of Special Collections and Adjunct Associate Professor of History Ron Patkus, who also serves as College Historian. Content of the initiative is still being decided. “As of right now, we are really open to what we might find. Ideally, we imagine that there will be a webpage off of the College’s main page where anyone can go and learn about past, present, and potential future areas of inquiry,” Dean Alamo-Pastrana stated in an email correspondence. “You could imagine a website that includes nuanced biographies, the history of buildings and [a] repository of larger class projects. Kahn accredited multiple factors to his own involvement with the initiative, including his involvement with the Engaged Pluralism initiative and Race & Racism in the Historical Collections Project Group. “[The Historical Collections Project Group] began by wrestling with the sets of racist photos in our archives and, then, two of the librarians in that group, Deb Bucher and Melanie Maksin, and I co-taught an EPI Intensive in the fall of 2022, ‘Facing the Vassar Archive,’ where we delved deeply into this material,” Kahn explained in a written correspondence. “At the same time, there have been others on campus working on other questions about Vassar’s history and its relationship to our present…This new initiative only takes form
Contributing Writer, news editor
Madi Donat Humor Editor
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n Saturday, Feb. 3, I was fortunate enough to see “Welcome to Indian Country,” a musical, poetry and storytelling experience at Skinner Hall, as the closing act of the 2023 ModFest season. “Welcome to Indian Country” featured a band composed of incredible Indigenous activists and musicians who have already had successful solo careers: Diné trumpetist Delbert Anderson; fiddler Nokosee Fields of the Osage, Creek and Cherokee Nations; Peruvian and Spanish percussionist Nicholas Lucero; vocalist and drummer Charly Lowry of the Lumbee/Tuscarora People; and bassist Mali Obomsawin from the Abenaki First Nation at Odanak. In addition, the group was joined by Washington State Poet Laureate Rena Priest, a member of the Lhaq’temish (Lummi) Nation, who served as the night’s storyteller, providing program notes and reciting her own works in between songs. The show was put on by Indigenous Performance Productions, a group run by agent and Indigenous activist Andre Bouchard. The stated aim of the production was to increase visibility for Indigenous artists and to recontextualize what indigeneity See Concert on page 4
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he Vassar Inclusive History initiative, announced by President Bradley on Feb. 7, is the College’s most recent commitment to reexamining its history as an institution. While some members of the Vassar community see the initiative as an opportunity for Vassar to reconcile with its complicated history, others question how much student and alumni involvement will contribute to the initiative in order to address the College’s complicated legacy. The initiative follows similar projects conducted by other higher education institutions, including Harvard University’s report, “Havard and the Legacy of Slavery.” Bradley cited this as one of the inspirations behind Vassar’s initiative. In an email with The Miscellany News, Bradley stated, “I was impressed with its quality and thoroughness, and felt like institutions miss an opportunity if they do not examine and re-examine their history. This year, as we have committed to Engaged Pluralism and as several scholars have mentioned their excitement to do this work at Vassar, the time seemed right.” According to Bradley’s announcement, the initiative contains a Commission of five members: Director of Engaged Pluralism and Professor of Religion Jonathon Kahn; Director of Africana Studies and Professor of Sociology Diane Harriford; Chair and Profes-
as the result of so many people’s work.” Similarly, Alamo-Pastrana accredited the inspiration behind the initiative to efforts within the Vassar community. “Vassar students and employees have long pushed the institution forward to do and to be better, and they have asked us on many occasions to reckon with the history of this place that is a sort of home to us,” Alamo-Pastrana wrote. “This project allows us to more directly confront this history in ways that are more engaging, inclusive and transparent.” In her announcement, Bradley also noted the advocacy work of numerous groups in and outside Vassar. “Activism and energy put forth for decades [have] been vital to coming to this place for launching the Vassar Inclusive History initiative,” she wrote. These groups included the African American Alumnae/i of Vassar College (AAVC) and the Native American Advisory Committee, as well as student organizations such as the Black Students’ Union, the Latinx Student Union and the Vassar Asian American Student Working Group (VASAM). However, two primary concerns have emerged since the initiative’s announcement: whether the initiative will aptly represent student activism and address Vassar’s history of racism, as well as the extent of student and alumni involvement in the initiative. For the Ad Hoc Committee of Black and See History on page 3
VSA reviews COVID policy Silent disco dazzles first-years Jacques Abou-Rizk News Editor
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ver the last two weeks the College handled more than 140 new students and 15 employees testing positive for COVID-19—this semester’s largest outbreak. In the last week, President Elizabeth Bradley informed students in her Sunday email on Feb. 12 that only 12 students were currently positive on campus. As cases continue to fluctuate, the College asked the Vassar Student Association (VSA) to review COVID-19 policies. According to a statement from President of the VSA Julián Aguilar ’23, “The recent spike in COVID-19 cases following several large-scale events has stirred renewed anxiety surrounding COVID-19 management, and thus requests from some students for a return to the types of policies imposed early in the then-pandemic stage of COVID-19— pods, mandatory testing and masking, daily symptom reporting, take-out dining, and off-campus isolation, among others.” Responding to rising questions, Dean of the College Carlos Alamo said, “COVID-19 policy decisions are made by the senior leadership team in consultation with Health Services and state and federal public health guidelines for higher education. Students, faculty, administrators, and staff regularly share their perspectives regarding
COVID-19 policies on campus, and these views along with the CDC and state public health guidelines for higher education, influence these decisions.” He added, “The president, Dean of College, and President of VSA meet regularly to discuss this and other issues to understand what is important to students.”
Karen Mogami/The Miscellany News. See Covid on page 4
Carina Cole
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Guest Columnist
ith promises of pizza, soda and curated tunes, first-years made their way down to The Mug for a silent disco orchestrated by First-Year Programming last weekend. A silent disco—for those who don’t know—is an event where participants don bulky wireless headphones in order to have a quiet, yet still energetic, dance party alternative. Firstyear representatives were stationed at a makeshift DJ booth, eagerly manning three channels that participants could choose from by simply flicking a switch on their headphones. With something for everyone, the event was a big hit. Calder Beasley ’26, Noyes House first-year representative and novice DJ, gushed about working with fellow representatives: “Everyone really cares about their house and their fellow first-years. I am lucky to be a part of a passionate group of people that are very proactive planners.” Beasley explained that originally the representatives had planned on the disco being an entirely throwback, decades-themed function. But ultimately the group decided to have a mix of throwbacks, Latin music and modern pop, so as to please everyone. Main House First-Year Representative Claire Gallion ’26 collaborated with Beasley in curating an ’80s-themed playlist. “For some ’80s inspiration, I texted my mom
and asked for the most fun, happening songs of her youth,” Beasley noted. The creation of other playlists, such as the pop channel, was more collaborative among all representatives. Beasely was inspired by iconic women of pop from the years 2008 to 2014, which he personally thinks is the golden age of music, with songs that consist of bold, bombastic electronic influences paired with smooth, powerful vocals. Although this was his first time DJ-ing, Beasley said that he had a fabulous time and felt connected to the crowd: “I didn’t have headphones so I could only hear people singing. Playing off the energy was key.” Iris Li ’26 emphasized how cheerful the atmosphere was: “I felt very comfortable. I was worried the disco would be a bit awkward, but I ended up having a fantastic time.” Beyond the environment of the disco, Li enjoyed how convenient it was to switch between channels. “I loved how I could be listening to ABBA and then switch the channel to 2000s throwbacks and hear songs like ‘S&M’ by Rihanna in an instant,” she recounted. Li also explained that people were more focused on the music than the social aspect. She added that people bonded through the music, and groups connected through the shared experience of listening to the same channel. The headphones had lights that flashed either blue, green or red, depending on the channel being listened to, See Disco on page 7
Inside this issue
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ARTS
New Loeb exhibit “What Now? (Or Not Yet)” examines art over time.
10
The harrowing tale of students starting loads of laundry—only FEATURES to realize dorm dryers had died .
15 SPORTS
With ambition and a strong season record, women's basketball looks ahead to the championships.