1
Nr 2 February 2013
The ART CRIMES BALテグ DE FERRO SIBYL VANE UP-LIFTERS TOY SOLDIER and many others
2
DEEZ NR 2 EDITORIAL The other day I was in contact with a band to schedule an interview. When we were done with that, I asked the guy if he could bring the band's record to the interview, because I might be interested in doing a review. A soon as I wrote this a sort of fear hit me. The guy might very well give you the record just because of the review, but the truth was I was asking for it because I had liked their music. I might do a review, but I was asking for it for myself,
for
m y c o l l e c t i o n . O f c o u r s e I w o u l d h a v e t a k e n i t a n y w a y. A f t e r a l l I w o r k f o r a m u s i c m a g a z i n e , bands give you their music, be it a CD or a digital file. But it would have ruined it a little for me. So I hastily corrected it to say I was also interested in it at a personal level, and asked h o w m u c h i t w a s s o I c o u l d b r i n g t h e m o n e y . A s t h e d a y s w e n t b y, a n d I w a i t e d f o r t h e r e p l y, I t h o u g h t " D a m n i t m a n , y o u b l e w i t . Y o u s h o u l d h a v e s c r a t c h e d t h e r e v i e w p a r t a l t o g e t h e r. H e ' s g o i n g t o g i v e y o u t h e r e c o r d . " B u t e v e n t u a l l y h e r e p l i e d i t w o u l d b e 3 e u r o s , a n d t h a t h e w o u l d b r i n g i t . I f e l t r e l i e f. Yo u ' r e p r o b a b l y w o n d e r i n g w h a t ' s t h e p o i n t o f t h i s s t o r y. W e l l , i f h e h a d g i v e n i t t o m e , e v e r y t i m e I e n j o y e d t h a t r e c o r d i t w o u l d f e e l w r o n g . I k n o w w h a t y o u ' r e t h i n k i n g : y o u w o u l d g e t o v e r i t . Ye a h I p r o b a b l y would. But the fact that I even worried about it got me thinking.
T h e p ro b l e m i s I ' m a n o l d s c h o o l g u y. W h e n I w a s y o u n g e r I u s e t o s a v e e v e r y p e n n y I c o u l d s o I c o u l d b u y a re c o rd . A n d e v e r y re c o rd w a s special. That's probably why I never regretted buying any of them, even the ones I don't listen anymore. Nowadays, more often than not, when I find a band
I like, I go and try to find their music and, lo and behold, they are giving it away!
W e l l I ' l l t a k e i t , b u t i t d o e s n ' t f e e l t h e s a m e . S o o n e r o r l a t e r, i f I r e a l l y, r e a l l y l i k e t h e b a n d , I w i l l h a v e t o b u y t h e i r r e c o r d , p h y s i c a l m e d i a or online. But I have to admit I find looking for music in this endless repository of free art a little daunting. Just the other day a friend referred me to a site filled with free legal downloads. He told me they had over 15.000 records available, and that I was sure to find something I liked. No doubt. But has he said that my first thoughts were "15.000 records!? Are you serious!? I'll be dead before I can browse through that, let alone do any serious listening." O f c o u r s e I h a v e d o w n l o a d e d m u s i c o n m y c o m p u t e r, p a i d o r o t h e r w i s e . A g u y l i k e m e t h a t l i s t e n s t o a l o t o f m u s i c i n t o d a y ' s w o r l d h a s t o . But my point is that I sometimes feel deprived of my right to support a band because I simply cannot buy their record.
Ye s f r e e m u s i c i s a b l e s s i n g f o r t h o s e w h o c a n ' t r e a l l y a f f o r d t o a c t u a l l y b u y r e c o r d s . A n d s o m e t i m e s a r t i s t s d o g e t s o m e t h i n g o u t o f i t , like for instance when the site shares the advertisement revenue with them. And yes there are other ways to support artists. Like going to their live performances. Although I must be honest, I sometimes find it difficult to drag myself out of the house on a rainy Thursday night, to go to a gig, pay as much for it as I would for a record (or more) just so I can support a band. And sometimes the gigs end up not being that great. And you could always send the artist some money if he decides he does not want to charge for his work. But we all know that once we get it for free, we won't do that. M a y b e I s h o u l d b e a l i t t l e l e s s o l d s c h o o l a n d j u s t a c c e p t t h e f a c t t h a t a l o t o f b a n d s j u s t b a s i c a l ly g i v e t h e i r m u s i c a w a y. O r m a y b e o t h e r s should just start supporting the bands they like a little more instead of just feasting on as much free music as they can get their hands o n . A n d m a y b e a l o n g t h e w a y w e c a n fi n d s o m e m i d d l e g ro u n d . J u s t a t h o u g h t f o r t h e c o m m u n i t y.
Ivo Caires Bello Editor
w s w t b c t
And those who were seen dancing were thought to be insane by those who could not hear the music. 3
“Friedrich Nietzsche�
4
www.facebook.com/obisonte
twice. Our encouragement comes from
the
audience.
The
only
thing we think of is to let them have the music, let them own it. When that happens, we have the inspiration to go on. Sometimes we feel reassured just by seeing someone showing up with one of our t-shirts. And then, off we go again
to
play
someplace
else.
And because love always wins, O Bisonte has been winning a huge herd
of
followers
caring who,
and in
devoted
return,
are
generously spoiled by the band in e v e r y p o s s i b l e w a y. N o t e t h a t t h e
O BISONTE
top quality of the music speaks for itself but whoever gets the chance to see O Bisonte live will be ferociously attached and won’t
MUSCLE ROCK
TV
st
th
to
fo
ever forget that, if they’re sched-
st
uled
n
to
play
a
gig,
it
will
be
beyond the shadow of a doubt a
th
Fact number one: the birth of the
o t h e r s t y le y o u m a y t h i n k o f. We
becomes visible amidst the impres-
c l a s s y, f u l l h e a r t e d a n d i g n i t e d
fr
band
a
are not conditioned in any way.
sive energy and power delivered in
show to see, feel and smoke a
D
rather swift process. We’re told by
Also, the aesthetics of the band
striking
cigarette in the end.
el
David
idea
are way beyond the sound they
believe that, if Henry Rollins and
Already with two published LP’s
is
completely
produce in the recording studio;
The
- the debut album, a beautifully
B
their excellence lies within the
mated, the result would probably be
handmade author’s edition called
together and bonded naturally over
power
them. It’s genuine rock.
Ala, and the latest “Mundos &
the main interest they all shared in
strength, in its warmth and oddly
common:
enough, in its kindness.
These are the main reasons why the
can/must be heard in
name (meaning the Bison) resulted
Fact number three: O Bisonte has
presence of the O Bisonte is being
http://www.myspace.com/obison
from somewhat of an obsession with
two different personalities which
regarded
on
te) - both of which have been
names
strength.
coexist.
David
Porto’s
to
acknowledged by the critics and
Bisons are majestic creatures and
Gualter
Barros
Guil-
become increasingly visible over the
te
its peers, O Bisonte promises to
on
we also found appealing their abil-
herme
and
João
Portuguese music scene. In fact, in
continue to set high standards
A
ity to cause damage when in large
Carvalho
practice
their
such a short period of time, not only
for the Portuguese music but, as
th
groups, he smiles.
craft on both sides of the beast,
did they manage to get to the finals
the band says, without thinking
co
Fact number two, easily witnessed in
surrendering themselves to their
in
too much. We do whatever pops
th
their live shows: O Bisonte is noble
mother language, as seen in their
Worten contest, but they also got to
into our minds, that’s what
th
in character and it charges in a raw,
lyrics
(and
sometimes
share the stage with Sepultura and
characterizes O Bisonte. That,
h
straightforward and very particular
from
the
classic
Portuguese
Mastodon
a n d t h e s w e a t y, u n c o m p r o m i s i n g ,
way: we found out that, despite play-
repertoire,
like
Depois
do
Bisonte is clearly marking it’s terri-
assertive, firm and above all,
ing
Adeus” or “A Lenda D’el Rei D.
tory and in every single spot they go,
honest rock. All of it with a kind
this band does not fit the traditional
Sebastião”).
they will indubitably find love. In two
smile in the snout.
heavy rock scene, metal, or in any
this darker side of O Bisonte, that
O
came
Bisonte,
Lobão to
in
rock
2010,
when
four
people
that
a
that,
life,
different
in
the
simply
music.
The
represented
somewhat
was
heavy
got
band
m a n n e r,
of
its
Lapa
charisma,
Lobão
But
“E
its
(vocals),
(drums),
(bass)
(guitar)
in
then,
versions
there’s
shows
Pogues
that
were
lead
us
Portuguese
to
and
Fundos” from 2012 (which
with
such
plateaus
the
-
demanding
in
2012
reverence and
it
Rock
Rock
in
is
Rendez
Rio.
O
years we played gigs in almost any joint you can possibly imagine -
yo
TV
re
m w
th if
th
th
in
an
ba
Th RAQUEL PINHEIRO
5
go to see something they already
know, not something new. And we were always something of a niche band. DM
And despite those difficul-
ties,
what
was
the
reaction
to
your live shows? TVR
We think live people end up
accepting
es
it
b e t t e r.
At
least
in
that regard we were able to win
ly
p e o p l e o v e r. T h e r e c o r d i s a m o r e
m
thought out thing, more worked,
t.
with
flutes,
saxophones,
harps,
he
overdubs, choruses, etc.Live that
es
doesn't happen, there's just the five
g
www.facebook.com/tvrural
of
go
distinct
TV Rural have a strong identity and
explore
style that they have built through
treading new paths. That's part of
exactly the issue of genre. Nowa-
the years. But it's sometimes hard
t h e w a y w e g ro w m u s i c a l ly.
days, since there's a lot of stuff out
to put a finger on it. And the reason
DM
there, the tendency is to pack the
for
that
that
is
probably
their
unre-
other
things.
To
keep
Is this way of doing things makes
the
style
change
a
TVR
The difficulty that we felt was
bands in small groups, and since we
stricted approach to music. They are
little from song to song?
don't
be
not afraid to experiment and the way
TVR
nowhere
a
they explore possibilities is always
d o w i t h w h a t w e w a n t t o c o n v e y.
s e l l m u s i c t h a t w a y, i f y o u l a b e l i t ,
fresh.
And the lyrics end up shaping the
so people can know what to expect.
DM - TV Rural are a band that trav-
songs
Our music is popular music, but it's
els through several styles, and that
important for us is that we are
also
is noticeable in your latest work "A
true
to
work
But the fact that we don't fit into any
Balada do Coiote". Explain to us how
out
this
don't
specific movement, makes it a bit
you approached this new record.
plan things to come out a certain
difficult
TVR
w a y. N a t u r a l ly t h i n g s t e n d t o g o
what we do. But we think that's more
in different ways according to the
of a problem with the market than
subject
with people.
d
When we thought about this
record, more
n
s
,
d
O
e n e r g y,
and
usually
our particular case, the people
d-
a
it
five people or two hundred. And in
n
ed
create
e n e r g y,
the same either we're playing for
re
’t
we
dedication on stage is basically
ed
ll
stage,
punk-rock
people react well to that. And our
ge
he
on
a
ties. It's more cohesive, it has a
O
ks
us
of
creates a different set of quali-
e.
he
of
more
the
idea
was
homogeneous
for
than
it
to
be
previous
Ye s , u n d o u b t e d l y. I t h a s t o
a
lot.
In
the
ourselves. way
we
end
Things
because
are
what's
we
talking
about.
fit
into
any
group
(laughter).
influenced
for
by
It's
we
easier
American
people
to
go to
rock.
understand
It's hard for the bands
works, and in a way that was a plan
We're not a genre oriented band.
to reach the public. There's not a lot
t h a t f a i l e d c o m p l e t e ly. ( l a u g h t e r ) B u t
For instance David Jacinto, our
of concerts or venues where people
if you listen to our work from five or
lead
can experience a bit of everything.
ten years ago, you realize that this
write a song, many times instead
And
one
consistent.
of a more melodic view, he goes
promoting the music of the bands,
Although the songs are all different,
more for an almost photographic
and the work they do live.
there
is
in
is
fact
a
more
certain
ambiance,
a
s i n g e r,
when
he
starts
to
that's
DM
your latest album. That the work is
the lonely man, walking the night,
the setting, the scenario. So the
different and bold.
thinking
songs end up being very different.
TVR
happen to him and around him. And
And the fact that we started sing-
everything
that
ing in Portuguese also gives us
always an important part of a musi-
thread for the record. We don't fit
more
cians work. Maybe in twenty years
into any specific genre. But there is
what we are doing.
ends
about
up
the
being
things
the
that
common
i d e n t i t y,
more
about
context
to
great
in
he
more
you've
obstacle
a p p r o a c h , i n s t e a d o f t h e m e l o d y, thinks
But
an
common idea behind them, that of
probably
-
also
reviews to
And maybe that's what ruins (laughter).
A
record
is
people will remember the records,
a n e s t a b l i s h e d i d e n t i t y, b e c a u s e t h e
DM
Did you feel a good recep-
not the concerts. When people go
band's been around for twelve years.
tion
to
out today to see a gig, they usually
The basis is rock, but we want to
people react?
this
record?
How
did
that go to our gigs give themselves
completely
to
the
show,
and that's fantastic. DM
And from here on forward?
TVR
We
are
already
thinking
about our next record, and we're trying to solidify TV Rural even more. "A Balada do Coiote" is an heterogeneous work, but it's still a more rounded work than previous records. And the next one will surely be even more. We're trying to solve in the best way possible all of those things that were a little loose. DM
Any final message?
TVR- Just wanted to say to everyone
out
there
to
use
whatever
time they have available to listen to records from beginning to end, a n d n o t j u s t o n e s o n g . To d o i t o l d school, sit in their living room and
listen
to
whole
albums.
N o w a d a y s t e c h n o l o g y, t h e i n t e r net, allows us to have access to a lot of music and to bands that otherwise But
we
wouldn't
need
to
be
have
listened. a
certain
attitude towards it, not just listen to one song, but to really explore the bands and get to know them.
IVO BELLO
6
He
Qu
sol
for As
wh I o
som
cam
art
you
rep
wh as to
job
Ne
ver
fro I c As
tim
sel
som
tim Bu an
acc
Wh kn ha
wit
Ye s
FREE WHORES ARE THE BEST WHORES Hello all - this time I have decided to let you in on another recurrent misfortune inside the record industry: bad booking / show whoring.
Quite often I hear artists comparing themselves to whores, in two distinct situations: when an musician is performing with another artist solely for the sake of earning extra cash; and when an artist is performing for free under the excuse of 'promotional purposes'. As for the first situation, I'll wrap it up shortly by telling you an episode which most certainly broadened my view of things a couple of years ago: I once ran into a musician friend of mine which I hadn't seen for quite some time, and asked him how he was doing, career-wise. 'Well, I just came back from the states, been touring with X' (X being a very cheesy artist whose name is irrelevant to the matter). 'Friend, you are whoring yourself playing with such lousy artists just to make a buck' I said. His reply changed my whole way of looking at things: 'Well, who is the greatest whore? Me, playing music I do not enjoy in order to keep on making a living as a musician, or you - working in an office doing something you hate just to pay for your music? Who is actually whoring himself?' I quit my office
charles sangnoir
j o b a c o u p l e o f m o n t h s l a t e r. Nevertheless, I have friends who do prefer to have a 'typical' job in order to secure their financial well being; A great friend of mine, and a very well known persona in the grindcore genre, considers whoring happens when you change/soften/adapt your music just so you can live from it. I can relate to that, but I don´t find an absolute truth in any of the above possibilities - what suits you best is your own personal truth. As for the second situation, things tend to get trickier: I have been playing live for nearly 20 years now and I wish I had a dime for every time a promoter or a venue owner asked me to play for free under the excuse of 'promotion': "It is good for you" they say "It will help you s e l l re c o rd s " t h e y s a y ; " o t h e r s h a v e d o n e t h e s a m e " t h e y s a y. Ve r y w e l l : o f c o u r s e I h a v e p l a y e d f o r f re e - s e v e r a l , c o u n t l e s s t i m e s - a n d sometimes it just might be worth it, I may agree. If your friend needs a hand, if that promoter who once held your hand is now through sour times, if there is a charity gig clearly in need of a boost - sure. But other than that - yes, you are being a whore, and a free one. Make no mistake, you are indeed 'promoting' yourself: as the guy who plays anywhere for the sake of anything. I have seen loads of venues, loads of festivals and loads of promoters having a delicious life on the a c c o u n t s o f c a c h e t s t h e y c o u l d b u t d o n o t p a y, a n d m a n y b a n d s b r e a k i n g u p a s a r e s u l t o f f r u s t r a t i o n o r s h e e r e c o n o m i c a l i m p o s s i b i l i t y . When live act pubs came to the conclusion many bands would play for free (or even pay to play as I have witnessed) in the hope of getting k n o w n a n d e s t a b l i s h i n g a c a r e e r, m a n y c o n v i n c e d t h e m s e l v e s t h e y c o u l d k e e p o n p r e s e n t i n g l i v e s h o w s o n a b u d g e t n e x t t o n o t h i n g . W h a t h a p p e n e d ? S u d d e n l y y o u d o n ' t h a v e a b a n d c i r c u i t u n l e s s y o u a r e w i l l i n g t o p a y f o r y o u r o w n t o u r. A n d s u d d e n l y m o s t v e n u e s a r e c r a m m e d w i t h l o w q u a l i t y b a n d s e a g e r f o r a n i l l u s i o n . F o r t u n a t e l y, h o w e v e r, t h e r e a r e s t i l l s o m e e x c e p t i o n s .
Ye s , f r e e w h o r e s a r e t h e b e s t w h o r e s . P e r f o r m i n g i n e x c h a n g e f o r a b e e r a n d a c l u b s a n d w i c h ? I ' l l m a k e m y o w n a t h o m e , t h a n k y o u .
7
8
After silence, that which comes nearest to expressing the inexpressible is music.
w
It ba gu
the
De
sta ca
ďŹ rs
Gil no do gu
ma
the ho
fee
De
cou
Ma Pe us G:
I h by wi
com
wa
dif it
me he
9
www.facebook.com/meugeneral
he was a fundamental part in the creation of this album, with the production, arrangements and all his help. DeezMag: And the other guest musiciansÖ G: The other guest musicians are Pedro Santos and Francisco Bernardo,
they were members of my old band and friends that somehow help, making me more comfortable. They are people with whom I can share and structure my ideas, people that understand me and are willing to participate. Pedro Martins came to fulfill the need of having an above the average drummer participating in the process. The record was becoming very strong music a l ly, w i t h s t ro n g g u i t a r s a n d n e e d e d a d r u m m e r t h a t c o u l d a d d v a l u e t o the work. Pedro Martins was the right choice, he put this project in a higher level allowing a bolder music production. This is the team that is playing live with me and has proved to be a fundamental and wise choice. DeezMag: What more can you tell us about ìMeu Generalî and the journey so far? G: The name ìMeu Generalî came at a later stage in the project. It was firstly called ìPonto Gî because my name is Gilberto and I love the letter G as my trademark. After a while with that name and having edited a single, we thought maybe it wasn't the right name for the project, it wouldnít fit the music we were recording. Then we decided to try to get another name. I always thought the G should remain as my trademark, many people already called me G. Then talking to ZÈ Pedro, who plays in the projectís single ìVoz Dormenteî, came the idea of the ìGeneralî. After that people started calling me ìMeu Generalî and I adopted it. If I had any doubts, ìMeu Generalî made me leave with no regrets the name ìPonto Gî. DeezMag: How did you choose what songs should be in the album? And could It was in ìStopî, an old mall in Oporto where more than oneudred b a n d s r e h e a r s e , t h a t w e í v e f o u n d G i l b e r t o A n d r È P i n t o t h e s i n g e r, guitar player and composer of ìMeu Generalî who are about to release their debut LP ìPrimeiras Impressıesî. DeezMag: The debut LP of ìMeu Generalî (My General), a project that started in the beginning of 2008 is about to be released and will be called ìPrimeiras Impressıesî (First Impressions). What are these first impressions?
G: The writing process is very complex. I entered the studio with 50 ideasÖ I í m t h e w o r k a h o l i c t y p e o f c o m p o s e r. I í m a l w a y s w r i t i n g , m a k i n g n e w songs and sometimes I need to stop and focus, and to see what I have and where to go. In the end it all came to choosing some ideas, out of my comfort zone, the ideas were developed in the last 5 years. The oldest song is from the time of the ìBlackberryî and at that time didnít seem right, and c u r i o u s ly, t h ro u g h a n e l a b o r a t e d p ro d u c t i o n , g a i n e d a n e w l i f e . O t h e r
Gilberto: These are the impressions Iíve retained since 2008 until now and the impressions from the music that influenced me and still does, and the ones that Iíve obtained since composing the music on guitar until it was fully grown, giving me impressions on how I could manage the work, how I could direct it, to see which direction was the album going to follow.
you tell us how do you create the songs?
Therefore itís all the impressions that I
hope are recorded in the album and the people who will listen will feel that it was really what I was trying to transmit. DeezMag: This first LP, produced by Rodolfo Cardoso (ìWC Noiseî) counts with experienced musicians, ZÈ Pedro (ìXutos & PontapÈsî), Marco Nunes (ìComitÈ Caviarî, ex ìJorge Palmaî, ex ìBlind Zeroî) and Pedro Martins (ìComitÈ Caviarî, ìWC Noiseî, ex ìGNRî). Could you tell us about that choice and its importance? G: I already knew Rodolfo Cardoso from the time of ìWC Noiseî. When I had my band ìîBlackberryî we had the opportunity to be recorded by him for our demo, and I loved the way he worked in the studio with us. When ìBlackberryî ended and I decided ,since I was the
s o n g s w e re w r i t t e n a n d d e v e l o p e d a y e a r, y e a r a n d h a l f a g o , I í m v e r y h a p p y about them, they reached the point that, when I decided to start working on the solo album, I imagined they could be with a good production. Deezmag: Anything youíd like to add? G: The album had the participation of ZÈ Pedro in the song ìVoz Dormenteî, and it was a surprise and a real privilege for me that he accepted the invitation to play in our debut concert in S. Pedro do Sul. He is an idol to me and Iíve been a fan of ìXutos & PontapÈsî for many years. He is the reason I play music. In the album thereís also a brilliant participation of Marco N u n e s . A n d m y o l d f r i e n d To z È S a n t o s f ro m ì P e r f u m e î , t h a t p a r t i c i p a t e d i n ìPonto Gîís first song released as a single in 2008, of course had to be in the album. It was a very important feeling that my friends were always warmly asking how the album was going. Itís very good to me that people were caring about the evolution of the work, and many people followed the 5 years of work, always curious to know what will happen when the album is out, how things will develop, and this album is always a bit theirs if not a lot.
composer of many of the songs, to assume it and sing them. Rodolfo was the obvious choice to work in what I knew was going to be a difficult job. I wasnít such a good guitar player and I still donít play it very well, but I wrote a lot of songs, had many ideas, many melodic lines that I wanted to put together and I wanted someone to help me taking the direction I thought the songs should take. Indeed
P E D R O FA R I A
10
U
W
u A
ca
pr D
M
ro
ti li
an
pl
as
li
en
gu
Th
so
"i
al
of
sa
se
si
co
fo
ti
an h n
se d b
ou
(M
tu
ba
va
an
co
th g b
en
WWW.BALCONYTV.COM
al
"U U
M
11
UP-Lifters. What’s behind the name,
2 0 1 3 i s t h e y e a r, w h i c h i s g o i n g t o
usually spelt in "red"?
be
crucial
for
the
LITHUANIA
"Apart
band.
from grand gigs at the best places A
four-piece
capital
of
precious
band
from
Lithuania female
Dange,
and
Mantas
and
temporary
Kaunas.
side
muscle Laimis.
Ieva
in our country with the the best
The
rockers out there, we also can’t
and
wait for our UP-coming EP, which
of
rhythms
This
modern
is
gonna
be
a
m-m-m-m-onster
kill" laughs lead guitarist Mantas.
rock band describe their music as a
"I would like to
tight and innovative experience for a
y o u w i t h a n y f u r t h e r d e t a i l s . Yo u
l i s t e n e r, w h o ’ s i n t e r e s t e d i n m e l o d i c
are definitely going to be informed
and
via
non-stereotypic
female
vocals
plus, new wave of instrumental djent as
a
"Our
genre.
rock
is
our
our
but cannot share
page
and
UP-coming brand new website." The
band’s
goal
is
to
achieve
a
music
sound, that no band in near coun-
ends up in only one genre" says lead
tries has ever reached. "We aim for
guitarist Mantas.
the
lifestyle,
The
near
but
none
past
of
the
revealed
the
world
best
sounding,
low&melodic,
audiophile typo music" says UP-
some good news. Fresh sounding and
Lifters. Are you saying that there is
"interesting-to-listen" music is still
much
alive. As the musicians community
itself? "Well of course yes. As a
of the world keeps rising, UP-Lifters
guitar player by myself, I’m even
say
their
little paranoid (smiles) about the
secret. "As much as we love every
quality of the record/instruments
single kind of music, we try not to
t i m b re s . I t h i n k t h a t ’s t h e e s s e n c e
cover up our eyes with sentiments
of true music. Of course, you have
for
own
to be a great player as well, but
time, and keep searching for new
knowing how to control your sound
and fresh sounding material in our
is one of the best things to ever
hearts" says the vocalist Ieva. "Our
happen to a musician" says Mantas.
name realizes itself when you come
As a band, UP-Lifters confront a lot
see
of
that
the
us
it’s
time
music
live
to
reveal
which
had
says
its
we
Mantas,-
more
behind
misunderstood
the
record
situations
and
definitely drop a bass (laughs) and a
difficulties. "As you might notice,
bomb
with
we’re not labeled yet, and every
our essence of sound. The guitarists
tiny bit of our musical life is pow-
(Mantas
ered by our personal life. We mean
of
tuned
UP-lifting
and
material
Dange)
invoked
seven-stringed
basses,
while
low-
guitars
Laimis
and
grooves
in
www.facebook.com/upliftersband
our
records
ourselves,
are
in
being
our
made
living
by
rehearsals being made in vet acad-
and other odd-time signatured and
emy
constructed beats. "I just love how
concerts
the human is created to feel the
way we expect, but we still manage
g ro o v e . I t ’s j u s t c r a z y w h e n y o u r
to drop our bomb no matter what.
body can feel the 4/4 flow and your
Our belief is our chef, and we are
endings can do the magic, can liter-
not
ally kick you out of the bounce".
says
"Usually
making
are
going
to
Mantas.
and not
let "As
very
By : S U N N Y AG GA RVA L
rooms,
various types of alternative, metal
(laughs)
UP-LIFTERS
often
happening
the
that
run
away"
of
yet,
we’re
collaborations
without precedent in our country and getting ready to tour some abroad
UP-Lifters on their chest etc." Says
with some well known rap artists
countries in spring and visit every summer festival in our native land
Mantas.
in Lithuania, preparing records
(or maybe some in Europe as well)" says the vocalist Ieva.
people
write
down
rap-rock
12
B : T h a t ’s a n e s s e n t i a l a s p e c t . B a l ã o d e Fe r ro d i d n ’ t h a p p e n b y c h a n c e . I t ’s a well thought, premeditated band. The fact we had 3 bands in common made us
www.facebook.com/balaodeferro
have a stricter criteria over having new bands. The criteria we used on Balão de Ferro was precisely the search for a vintage sound, a power trio that has as references Jimi Hendrix, Cream, Led Zeppelin and all their contemporary bands, like Deep Purple. In a classic rock record the music is true to itself, with very few overdubs or preferably none. The sound is pure, vintage and low-fi and not a highly produced sound, with rock sounding guitars, bass, drums and vocals. Nico: The drums are big, and recorded in a large room. B: Is not just the music composition and arrangements that are important in the band’s aesthetics but also the sound.
DeezMag: When we listen to your music we notice the simple and straight to the point lyrics. What’s the importance of the lyrics construction in your music? B : I t ’s q u i t e i m p o r t a n t . I t ’s t h e fi r s t t i m e I h a v e a p ro j e c t w h e re I s i n g i n P o r t u g u e s e . I t ’s a b i g c h a l le n g e . T h e w h o le i d e a i s t h a t t h e ly r i c s c a n s t a t e a message that is clear to the listeners, they should be straight to the point and without any pseudo-intellectualism, and try to accomplish their artistic function, and not a couple of foolish rhymes.
DeezMag: Só me arrependo do que não fiz (I only regret what I didn't do) and Melhores dias virão (Better days will come) are the titles of two of your songs. For Balão de Ferro those days will be B:Melhores dias virão is about the way I think. I’m not a nostalgic person, I feel I’m exactly the opposite, and I always end up thinking I could always do b e t t e r a n d t h e re f o r I f e e l t h e b e s t i s y e t t o c o m e , t h a t ’s m y w a y o f f a c i n g things. Balão de Ferro is about to start. Our record will be released in the beginning of 2013 and well go on the road. N: Well be working outside the studio environment, work on the band s promotion, growing on stage live with an audience.
DeezMag: Is there anything else you think our public should know about Balão
BALÃO DE FERRO
de Ferro?
I n a s u n s h i n y d a y, o v e r l u n c h , w i t h a f a n t a s t i c v i e w o v e r t h e D o u r o
t o h e a r. A c l a s s i c ro c k b a n d m o s t ly i n fl u e n c e d b y E n g l i s h b a n d s . I n P o r t u g a l
River and Oporto, we met three excellent musicians, Budda Guedes
we have been more gothic and very naïf, or very sad in our music and I think
( l e a d v o c a l s a n d g u i t a r ) , Tó B a r b o t ( b a s s ) a n d N i c o G u e d e s ( d r u m s ) ,
w e n e e d a b a n d w i t h i ro n b a l l s a n d a ro c k a t t i t u d e i n P o r t u g u e s e . T h a t ’s t h e
the members of a straight forward classic rock power trio from Braga,
purpose of Balão de Ferro. Is something that we, not as musicians but as spec-
Balão de Ferro (Iron Balloon). They’re about to release their homony-
tators, think was missing in the musical scene. A raw band would make sense.
mous debut album.
Zen (a Portuguese band) did it although singing in English, this changes a
In a brief talk about Balão de Ferro, they started by introducing this
l i t t le o f t h e b a n d ’s l o g i c . O u r f o c u s i s i n m a k i n g a d i f f e re n c e s i n g i n g i n P o r t u -
new project
g u e s e . M a y b e i t ’s a l i t t le p re t e n t i o u s s a y i n g t h a t i t h a s n e v e r b e e n d o n e , b u t
B u d d a : N i c o , Tó a n d I h a v e b e e n p l a y i n g t o g e t h e r s i n c e 2 0 0 4 i n t h e
to my knowledge this kind of music is not common, very bluesy or influenced
band Budda Power Blues. We’ve taken the chemistry and the syner-
by the blues or blues rock.
gies that existed between us in BPB and adapt it into a song format,
The British blues, the one from Cream, is very different from the Mississippi
in an old fashioned power trio. That makes Balão de Ferro very
Delta Blues, this fusion of blues with rock that goes from Led Zeppelil to Deep
rational and premeditated in the sense that we thought we had
Purple and Black Sabbath or even the American Jimi Hendrix that had a British
something embryonic
that we could easily transform into a song,
band. That rawer and dirtier British version, less polite than the American
s u n g i n P o r t u g u e s e a n d a l o n g w i t h i t re c o v e r t h e 6 0 ’s a n d 7 0 ’s
one, always pleased me and always was an influence to us. The whole idea was
spirit, that for us is the only truthful way to make music.
to put it in a conventional song format but with the blues as beginning, middle
B : B a l ã o d e Fe r ro d o e s n ’ t w a n t t o b e t h e w o r l d ’s m o s t o r i g i n a l t h i n g o r t o b e the inventor of the wheel. Our goal is to do something that we think should have been done in Portugal, and that I, as a member of the audience would like
and end of all the themes. DeezMag: As a classic rock power trio what’s the importance of choice of sound and strength of each instrument in your music?
P E D R O FA R I A
13
s a us 達o as
ary lf, nd
ss,
in
he
in
e a nd
nc-
nd
gs.
, I do ng
Born in April 2012 and established in Oporto (Portugal), CherryJourney is a specialized company in graphic design, programming, web development and video editing.
he
mo-
PROJECTOS DESENVOLVIDOS 達o
be
uld ke
gal nk he
ec-
se.
s a
tu-
ut ed
ppi ep sh an as
dle
RIA
CLIENTES
14
Th
ba A
gr
en
D
st F d
ro
(P
Te
an
st P
so
ou
Cais de Gaia
facebook.com/lovebarcas
th
to
ot D F p
THE FISHTAILS
15
should have a defined concept, a
door
predefined idea for it. But basically
passionate about the Mod scene,
it won't stray to much from what
the parties they organize and the
we've been doing until now. Right
bands. Over here we do what we
now we already have 10 songs that
can to bring more young people
are part of our live act, so if we
into this movement. It's still in
wanted
It's
our blood to organize parties, to
more than enough. In the 90's there
have a band like we're still in
was
this
fashion,
high school, which we aren't. But
with
the
growth
to
record
we
could.
that of
coincided
the
CD,
that
go
plus
are
very
and
meet
the
guys
and
because
rehearse. Nowadays bands seem to rehearse less and less, they
there. Now it's more the opposite,
just
if you make a record longer than
songs. We're in this to bring new
30/40 minutes nobody will listen to
people in, to help the movement
it.
grow, but mainly for the music.
think
a
that's
they
they couldn't fit anything else in
We
and
Spain
i n a w a y t h a t ' s s t i l l t h e s p i r i t . To
people would make records with 60 minutes
in
shorter
record
is
get
together
to
make
the
preferable. It's better to have 8, 9,
DZ ñ Right now you're probably
10 good songs, interesting songs
busy playing live and promoting
that the band likes, than to have 40
t h i s l a t e s t E P.
j u s t a s fi l le r. I t d o e s n ' t m a k e s e n s e
F T ñ Ye s , t h i s i s a l i v e b a n d n o
for us. And we rather test the songs
doubt, a concert band. A band
first, see which one's go better with
only really exists if it's playing
our audience, and then move to the
l i v e . Yo u c a n h a v e a g a r a g e b a n d ,
album with those.
rehearse, record albums and all that,
DZ
ñ
How
about
gigs?
but
if
the
band
doesn't
show up... For instance, we are
How
have
made
that
that phase that you stop for a
m a n y, b u t t h e y w e re p a c k e d , s o m e -
while, the band sort of vanishes.
thing
and
Because there's no news, no one
it's
talks about the band. No matter
in other bands and when there's
those been going? FT
ñ
We
we
haven't
weren't
that
bands of the Portuguese Mod scene.
rode
been positive. And apart from the
how
And they're dedicated to making it
fishtail like cut on the back.
people that live the Mod universe
seem, if you play a lot people
grow as much as they can. But in the
D Z - Yo u r fi r s t w o r k w a s r e l e a s e d
more
end it's all about the music.
in Vinyl. Why vinyl straight up?
able
their
bikes.
They
had
a
very
expecting,
70's over their suits when they
The Fishtails are one of the leading
was
still
good.
yes
insignificant
the
concerts
we've
also
been
will know. Some people know you
people
that
don't
went here, others know you went
FT - It's the concept of the band.
share this way of life so much but
there. It works. And we love to
And our idea is to stick to vinyl,
that are beginning to become inter-
be
started?
do
7"
ested
always
FT - Mainly because we wanted to
releases,
an
that is very gratifying.
people are judging your work. We can set things up in the studio, but the real moment is on stage.
DZ
-
How
did
the
Fishtails
get
at
least
2
and
or
3
then
more make
i n t e n s e ly,
So,
to
attract
in
this
musical
style.
And
do it. We all had other bands, and
a l b u m , t o g e t i t a l l t o g e t h e r. A n d
DZ ñ In your personal experience is
roughly
maybe
the Mod movement growing in Portu-
around
October
2011,
me
then
release
a
CD
together with the record, but to
gal?
keep releasing in vinyl.
FT ñ The taste for British things,
and start working some ideas. We
DZ ñ What themes do you try to
namely the clothing style, the pres-
started
rehearsing
cover when you write?
entation if you will, is more and
Pedro's
studio,
created
FT ñ As lyrics are concerned, The
m o r e f a s h i o n a b l e . Yo u g o t o a s t o r e ,
some songs. It wasn't a very seri-
Fishtails music is based more on
even
ous thing at the beginning, but we
personal
have t-shirts with the Union Jack,
thought the project had some legs
ences
and
or the red, white and blue target,
to stand on, and that we needed
with which we can all identify
that was made popular by The Who.
other people.
ourselves through the lyrics. But
But that doesn't necessarily reflect
DZ - Why Fishtails?
in
FT ñ It has to do with the military
thinking
parkas that the Mods wore in the
plete record, then maybe we
(Pedro
Banister)
and
Pedro
Te m p o r „ o , d e c i d e d t o g e t t o g e t h e r
and
together we
at
experiences.
that
the
we've
future, about
all
when making
Experihad,
department
it
stores,
doesn't
and
mean
you
we
start
anything,
people
a
com-
are aware of what they are wearing or consuming, it's origins. We don't think it's going to stick. Just next
on
stage, a
bit
although nervous
you're because
IVO BELLO
S I BY L VA N E
LITHUANIA
SIBYL VANE straightforward indie rock from the Baltics. The Estonian
try blog NRGM was ranking fresh Estonian bands and marked Sibyl Vane as
alternative rock trio released their album "Love, Holy Water and TV"
the
i n t h e e n d o f 2 0 1 2 u n d e r t h e l i c e n s e o f I L o v e Yo u R e c o r d s f r o m L a t v i a .
because right after releasing their top list, Sibyl Vane was signed to a
The 11 track album got positive reviews from Estonia to Belgium. Filip
L a t v i a n i n d i e l a b e l I L o v e Yo u R e c o r d s w h o s e s u c c e s s s t a r t e d w i t h r e l e a s i n g
van Muylem, a critic from Beek-A-Boo music website wrote: "Good
Ewert and the Two Dragons. Soon after that they were asked to perform at
musicians and a female singer who can really sing and knows how to
the main summer music festivals in the Baltic region Positivus and Summer
handle a microphone. I'd label this music as straightforward indie
Sound. These performances were soon followed by their first tour in the
rock which can match with the greatest. It's hard to find something
Baltics, the release of their album "Love, Holy Water and TV", released in
n e g a t i v e t o s a y, e v e n i f I ' d w a n t e d t o . I n s t e a d , I h e a r o n e n i c e s o n g
Estonia, Latvia and Lithuania, and supporting Garbage on their show in Riga
a f t e r t h e o t h e r. " T h e t r i o n a m e d a f t e r O s c a r W i l d e ’ s h e r o w i t h a t r a g i c
and an even bigger tour in the Baltics. Sibyl Vane is a harmonious
end started their journey in spring 2010. Sibyl Vane was created by
not only on stage. They share their dedication to music and it is noticeable
local
and
at their performances. Straightforwardness of their music and performances
Helena Randlaht, who were just trying to play shows for which their
has gained their popularity and that is not the only reason for their success
o t h e r b a n d w a s n ’ t a v a i l a b l e f o r. T h e y a s k e d M a r k K o s t r o v t o j o i n t h e m
in the Baltic region. Check them out and you won’t be disappointed! In 2013
behind the drums. After releasing their first single "What s My Name"
Sibyl Vane is touring Europe, check out their dates and information on their
in spring 2011, there wasn’t any satisfying results and public interest
official Facebook site:www.facebook.com/sibylvaneband
in the band was lacking. They were almost about to break up but
Listen to them in SoundCloud: https://soundcloud.com/sibylvaneband
decided to make one last try in the Estonian youth band’s contest
Buy their album "Love, Holy Water and TV":
Noortebänd. The band was awarded with the grand prix and many
https://itunes.apple.com/us/album/love-holy-water-and-tv/id574347106
alternative
rock/punk
band
guitarists
Heiko
Leesment
most
potential
for
international
breakthrough.
It
is
not
surprising
trio and
other important prizes. That was a huge breakthrough for the band a n d n o t o n ly i n t h e i r o w n c o u n t r y. I n s p r i n g 2 0 1 2 F i n n i s h m u s i c i n d u s -
SUNNY AGGARVAL
17
A
as
ng a
ng at
er
he in
ga
nd le
es
ss
13
eir
AL
Site www.easy.pt
E-mail info@easy.pt
18
www.artcrimesband.com wwwwww.facebook.com/theartcrimesband
ne
ro
un 7.
ba Ti
th al
THE ART CRIMES
1. What/where is your hometown? Do the people back home support What/where is your hometown? Do the people back home support you? ou? Tim: Most of us are from Cork except for Gary who's from some other im: Most of us are from Cork except for Gary who's from some other far off place (America!) ar off place (America!) 2. How does it feel to be a professional musician/in a professional How does it feel to be a professional musician/in a professional G a r y : C o l le c t i v e ly o u r h o b b i e s a re a s d i v e r s e a s E g y p t o l o g y, S o c i a l R e v o l u band? G a r y : C o l le c t i v e ly o u r h o b b i e s a re a s d i v e r s e a s E g y p t o l o g y, S o c i a l R e v o l u and? o r y, C a m p a n o l o g y, Av i a t i o n , P h o t o g r a p h y, a n d Q u a i l - b re e d i n g . G r a c e : B e i n g a p r o f e s s i o n a l m u s i c i a n , h a s i t s u p s a n d d o w n s l i k e tainoyn a r y tHi oi sntaorryy ,HCi satm p a n o l o g y, Av i a t i o n , P h o t o g r a p h y, a n d Q u a i l - b re e d i n g . race: Being a professional musician, has its ups and downs like any 5 . D e s c r i b e Y ur Sound... j o b . B u t i t s d o i n g s o m e t h i n g y o u l o v e e v e r y d a y a n d c r e a t i n g 5a. r D t e s c r i b e Yo u r S o u o n d... ob. But its doing something you love everyday and creating art Grace: It's hard to define, but with all our different backgrounds from tradit h a t ' s m e a n i n g f u l a n d i n s p i r a t i o n a l . P e r f o r m i n g i n v e n u e s y o uG' vr e ace: It's hard to define, but with all our different backgrounds from tradihat's meaningful and inspirational. Performing in venues you've ional, folk, blues, jazz, soul ,funk, r'n'b, even metal, I believe we have a a l w a y s d r e a m e d o f a n d s e e i n g h o w p e o p l e e n j o y t h e g i g s . I t ' s wt ei ol ln a l , tf o lk, blues, jazz, soul ,funk, r'n'b, even metal, I believe we have a lways dreamed of and seeing how people enjoy the gigs. It's well i a l a n d u n i q u e s o u n d . Fo r a s i n g e r, I ' m s o l u c k y t o g e t t h e c h a n c e t o w o r t h a l l t h e p r a c t i c e , w h a t y o u p u t i n t o i t y o u g e t o u t , I s u p p o s ve e. r y s p ev ceirayl sapnedc u n i q u e s o u n d . Fo r a s i n g e r, I ' m s o l u c k y t o g e t t h e c h a n c e t o orth all the practice, what you put into it you get out, I suppose. b e a b l e t o perform with a band of this quality and uniqueness! 3. Who inspired you and why? b e a b l e t o p e r f o r m with a band of this quality and uniqueness! Who inspired you and why? e're all from different musical backgrounds [stylistically] which is G r a c e : A l l a r t i s t s o f t h e p a s t ! B u t m a n y o f t h e j a z z g r e a t s f o r m e lNi ki ae l l : WNei'arlel : a W ll from different musical backgrounds [stylistically] which is race: All artists of the past! But many of the jazz greats for me like e've created such a unique sound, yet we've all got common B i l l i e a n d S a r a h . W i t h t h e b a n d w e a r e a l l i n s p i r e d b y e a c h o t h ew r ,h Iy I t hwihnyk Iw teh' vi ne k c w reated such a unique sound, yet we've all got common i l l i e a n d S a r a h . W i t h t h e b a n d w e a re a l l i n s p i re d b y e a c h o t h e r, I nd with our love of Jazz, Blues & traditional ethnic music from around h a v e b e e n i n t r o d u c e d t o t y p e s o f m u s i c I w o u l d n ' t h a v e l i s t e n e dg rt oo u n d gwriot u h our love of Jazz, Blues & traditional ethnic music from around ave been introduced to types of music I wouldn't have listened to t h e w orld. So the band is like a melting pot of all these different styles. In and I hope I can inspire the band also. the world. So the band is like a melting pot of all these different styles. In nd I hope I can inspire the band also. t h e o r y w e s h o u l d n ' t b e a b le t o w o r k t o g e t h e r, b u t s o m e h o w w e d o . N i a l l : T h e A r t C r i m e s B a n d w a s o r i g i n a l l y a s s e m b l e d t o p l a y & c ot m h e-o r y w e s h o u l d n ' t b e a b l e t o w o r k t o g e t h e r , b u t s o m e h o w w e d o . iall: The Art Crimes Band was originally assembled to play & comSo tell me how do you create your songs? Do you arrange everything? What p o s e m u s i c f o r a B e l l y d a n c e s h o w i n a t h e a t r e i n C o r k C i t y b a c k6 .i nS o t e 6l l. m e how do you create your songs? Do you arrange everything? What ose music for a Bellydance show in a theatre in Cork City back in as your first arrangement? When and how did you come up with it? Was it writN o v e m b e r 2 0 1 0 . T o t h i s d a y w e s t i l l w o r k w i t h a g r o u p c a l l e d S uw a da -s y o u w r first arrangement? When and how did you come up with it? Was it writo v e m b e r 2 0 1 0 . To t h i s d a y w e s t i l l w o r k w i t h a g ro u p c a l l e d S u a d e l a B e l l y d a n c e f o r o u r t h e a t r e p r o d u c t i o n s . B e l l y d a n c e & w otrelnd f o r pt ei ann foo ro rp iwahnioc ho ri nwsht ri cuhm iennstt?r u m e n t ? la Bellydance for our theatre productions. Bellydance & world he beginning how it would usually work is Bill would call over to m u s i c w a s o u r i n s p i r a t i o n f o r m a k i n g m u s i c t o g e t h e r. O n e o f N o ui ar l l : I nN itahlel : bIeng ti n ning how it would usually work is Bill would call over to u s i c w a s o u r i n s p i r a t i o n f o r m a k i n g m u s i c t o g e t h e r. O n e o f o u r t h e s t u d i o ith a chord progression & some different ideas. I'd sit down with a i m s w a s t o c o m p o s e e v e r y s o n g i n a d i f f e r e n t g e n r e / s t y l e . S u a dtehlea s t u d i o w i t h a cw h ord progression & some different ideas. I'd sit down with ims was to compose every song in a different genre/style. Suadela ith pen & paper and we'd arrange it into parts & put those parts B e l l y d a n c e p e r f o r m a s t y l e o f d a n c e c a l l e d T r i b a l F u s i o n B e lhliym - w i thhi mp ew n & paper and we'd arrange it into parts & put those parts ellydance perform a style of dance called Tribal Fusion Bellyt o g e t h r & d r u m s , t h e n re c o rd . T h e n To m & G a r y w o u l d c o m e i n d a n c e , t h e y m i x m a n y d i f f e r e n t s t y l e s s u c h F l a m e n c o , T r a d i t i otnoagle t h e r , j u s t egru, ijtuasrt &g udirt ua m s , t h e n re c o rd . T h e n To m & G a r y w o u l d c o m e i n ance, they mix many different styles such Flamenco, Traditional lines / melodies & add those. So everyone would come in & add I r i s h , S a l s a & T a n g o w i t h B e l l y d a n c e . S o e v e r y t h i n g w e d o i s a btoou tw r i t et oh owrrni tlei nheosr n / melodies & add those. So everyone would come in & add i s h , S a l s a & Ta n g o w i t h B e l ly d a n c e . S o e v e r y t h i n g w e d o i s a b o u t to the tune at different stages. I'd be producing the track so it was amazing Fusion. t o t h e t u n e a t d i f f e r ent stages. I'd be producing the track so it was amazing usion. m e s t o w a t c h t h e s e s o n g s g r o w a s t h e d a y s & w e e k s w e n t b y . Yo u c o u l d 4 . D o y o u h a v e a n y o t h e r h o b b i e s b e s i d e s , o b v i o u s l y, m a k i n g m u s i ca ?t t i m e sa tt ot i w a t c h t h e s e s o n g s g r o w a s t h e d a y s & w e e k s w e n t b y . Yo u c o u l d D o y o u h a v e a n y o t h e r h o b b i e s b e s i d e s , o b v i o u s l y, m a k i n g m u s i c ?
ca
Gr
gr
ow 8.
Bi fu
Uk
ba
th
du
an
gr
en
yo
Ho al
On
pa
po in
he
po
ou
No
th
ba in
Gr
m
d
19
IRELAND
e a c h o t h e r u s i n g s m o k e m a c h i n e s t o d i s t r a c t e a c h o t h e r. e a c h o t h e r u s i n g s m o k e m a c h i n e s t o d i s t r a c t e a c h o t h e r. To m : We h a d a g i g a c o u p l e o f w e e k s a g o , a n d a s t h e d a n c e r s To m : We h a d a g i g a c o u p l e o f w e e k s a g o , a n d a s t h e d a n c e r s [Suadela Bellydance] were walking to the stage in line, some guy [Suadela Bellydance] were walking to the stage in line, some guy at the back of the bar yelled out "I'll take the third one!!" at the back of the bar yelled out "I'll take the third one!!" 9. Can you survive on music alone or do you have other work? 9. Can you survive on music alone or do you have other work? Gary: We're lucky here in Ireland that there's such a demand for Gary: We're lucky here in Ireland that there's such a demand for live music and we've so many nice venues to play it in so you can live music and we've so many nice venues to play it in so you can just about survive on music if you play in a few different bands. I just about survive on music if you play in a few different bands. I a l s o DJ b i g b a n d s w i n g j a z z o c c a s i o n a l ly, w h i c h i s g re a t f u n . a l s o DJ b i g b a n d s w i n g j a z z o c c a s i o n a l ly, w h i c h i s g re a t f u n . To m : T h a n k f u l ly, I a m a b l e t o s u p p o r t m y s e l f j u s t o n m u s i c . T h e re To m : T h a n k f u l ly, I a m a b l e t o s u p p o r t m y s e l f j u s t o n m u s i c . T h e re aren't a whole lot of other sax players in Cork, so more work for aren't a whole lot of other sax players in Cork, so more work for me! me! Grace: I have a part-time job, but the way gigs are going ill be Grace: I have a part-time job, but the way gigs are going ill be going pro! going pro! 10. Does the music industry in Ireland support what you do, as in, 10. Does the music industry in Ireland support what you do, as in, your work and music venues throughout Ireland? your work and music venues throughout Ireland? Niall: We've been really lucky with the response to our work in Niall: We've been really lucky with the response to our work in Cork especially that with Suadela Bellydance. Every venue we Cork especially that with Suadela Bellydance. Every venue we bring our productions to have been very positive, everywhere from bring our productions to have been very positive, everywhere from bars, theatres, The Cork Jazz Festival, to Balcony TV and not to bars, theatres, The Cork Jazz Festival, to Balcony TV and not to mention the support from the people who come see our shows, the mention the support from the people who come see our shows, the numbers seem to keep growing! The response from venues & the numbers seem to keep growing! The response from venues & the public has been overwhelming, humbling & encouraging. We're public has been overwhelming, humbling & encouraging. We're thankful to everyone & anyone who had a role to play. n e v e r t e l l h o w i t w a s g o i n g t o t u r n o u t . N o w - a - d a y s w e ' r e a l l i n t h e o n teh a n k f u l t o e v e r y o n e & a n y o n e w h o h a d a r o l e t o p l a y . never tell how it was going to turn out. Now-a-days we're all in the one Grace: Music venues love us, think we are such a unique show that ro o m j a m m i n g o u t i d e a s t o g e t h e r a s o p p o s e d t o c o m p o s i n g s e p a r a t e ly iG nrace: Music venues love us, think we are such a unique show that room jamming out ideas together as opposed to composing separately in people really don't know how to make us out. The music industry in people really don't know how to make us out. The music industry in u n i t s . I t ' s a m u c h h e a l t h i e r a n d re w a rd i n g w a y o f c o m p o s i n g t o g e t h e r. u n i t s . I t ' s a m u c h h e a l t h i e r a n d re w a rd i n g w a y o f c o m p o s i n g t o g e t h e r. Ireland can be a very clicky group! 7 . W h e n y o u c o m p o s e a n e w s o n g , i s i t e a s y t o b r i n g i t a l l t o g e t h e r w i t h y o uIrr e l a n d c a n b e a v e r y c l i c k y g r o u p ! 7. When you compose a new song, is it easy to bring it all together with your 11. What do you think about sharing music on the internet? 11. What do you think about sharing music on the internet? band and be satisfied? band and be satisfied? Niall: The only people to make any major money from record sales T i m : I t h i n k a f t e r w e h a m m e r o u t t h e o r i g i n a l s t r u c t u r e e v e r y o n e a d dN s iall: The only people to make any major money from record sales Tim: I think after we hammer out the original structure everyone adds w e re re c o rd e x e c u t i v e s & m a j o r a r t i s t s o n m a j o r l a b e l s . To d a y t h e i r o w n s t a m p t o i t . I t m i g h t t a k e a d a y o r m a y b e e v e n w e e k s u n t i l w e a rw e e re re c o rd e x e c u t i v e s & m a j o r a r t i s t s o n m a j o r l a b e l s . To d a y their own stamp to it. It might take a day or maybe even weeks until we are unless you're any of those there's no point even trying to make it a l l h a p p y w i t h i t b u t i t a l l c o m e s t o g e t h e r i n t h e e n d . I t ' s w h a t y o u c o u lu dn le s s y o u ' re a n y o f t h o s e t h e re ' s n o p o i n t e v e n t r y i n g t o m a k e i t all happy with it but it all comes together in the end. It's what you could solely from music sales. Even the biggest names still out there solely from music sales. Even the biggest names still out there call a slow refinement process. call a slow refinement process. today know the money is in live performances & merchandising. So G r a c e : S o m e t i m e s i t ' s e a s y a n d a l l t h e p i e c e s fi t t o g e t h e r , t h e b a n d h a s tao d a y k n o w t h e m o n e y i s i n l i v e p e r f o r m a n c e s & m e r c h a n d i s i n g . S o G r a c e : S o m e t i m e s i t ' s e a s y a n d a l l t h e p i e c e s fi t t o g e t h e r, t h e b a n d h a s a for a self-produced unsigned group like us & others, internet g r e a t w e l c o m i n g a t t i t u d e t o c o m p o s i n g . W e a r e a l l a l l o w e d t o b r i n g o ufro r a s e l f - p r o d u c e d u n s i g n e d g r o u p l i k e u s & o t h e r s , i n t e r n e t great welcoming attitude to composing. We are all allowed to bring our sharing is a dream come true. It gives you the ability & chance to own ideas to the table. We want to make music that we would listen to. sharing is a dream come true. It gives you the ability & chance to own ideas to the table. We want to make music that we would listen to. have your music heard the way you want it to be heard & share it have your music heard the way you want it to be heard & share it 8. What was your funniest and most embarrassing gig experience? 8. What was your funniest and most embarrassing gig experience? with the world. It cuts out the middle man. Bandcamp & IndietorB i l l : A p a r t f ro m p l a y i n g a w e e k ly re s i d e n c y g i g fo r o n e y e a r i n a C z e cw h ith the world. It cuts out the middle man. Bandcamp & IndietorBill: Apart from playing a weekly residency gig for one year in a Czech rent are the future of the record industry. There's no interference f u r n i t u r e s t o r e , o r p l a y i n g i n a b l u e s b a n d o n - b o a r d a c r u i s e s h i p w i t h rae n t a r e t h e f u t u r e o f t h e r e c o r d i n d u s t r y . T h e r e ' s n o i n t e r f e r e n c e furniture store, or playing in a blues band on-board a cruise ship with a from people who know nothing about the art of making music. U k r a i n i a n f u n k b a s s i s t w i t h e x t r e m e l y l i m i t e d E n g l i s h w h o c o u l d n ' t p l a y 1 f2r o m p e o p l e w h o k n o w n o t h i n g a b o u t t h e a r t o f m a k i n g m u s i c . Ukrainian funk bassist with extremely limited English who couldn't play 12 12. What do you think yourself about the music scene locally nation12. What do you think yourself about the music scene locally nationbar blues, the funniest story (and also the most embarrassing) comes from bar blues, the funniest story (and also the most embarrassing) comes from ally and internationally? t h e t i m e I p l a y e d a 3 0 n i g h t l y r e s i d e n c y i n a R u s s i a n o w n e d s a l s a b aar l l y a n d i n t e r n a t i o n a l l y ? the time I played a 30 nightly residency in a Russian owned salsa bar Grace: There is some great music coming from the Nordic countries d u r i n g t h e s u m m e r o f 2 0 0 1 . T h e o w n e r c o u l d n ' t l i s t e n t o s a l s a m u s i Gc r a c e : T h e r e i s s o m e g r e a t m u s i c c o m i n g f r o m t h e N o r d i c c o u n t r i e s during the summer of 2001.The owner couldn't listen to salsa music with some great ideas. I like musicians to be different and not do a n y m o r e s o w e w e r e h i r e d t o l i v e n t h i n g s u p . O n e o f t h e m u s i c i a n s i n t h awt i t h s o m e g r e a t i d e a s . I l i k e m u s i c i a n s t o b e d i f f e r e n t a n d n o t d o anymore so we were hired to liven things up. One of the musicians in that what's popular at the time. g r o u p ( w h o i s , b y t h e w a y , a c u r r e n t m e m b e r o f t h e A r t C r i m e s B a n d ) w aw s hat's popular at the time. g ro u p ( w h o i s , b y t h e w a y, a c u r re n t m e m b e r o f t h e A r t C r i m e s B a n d ) w a s 13. Have you taken your music abroad yet? If yes, what was the feede n j o y i n g l i f e t o t h e f u l l a n d e n j o y i n g t h e c o m p a n y o f s e v e r a l b e a u t i f u1l 3 . H a v e y o u t a k e n y o u r m u s i c a b r o a d y e t ? I f y e s , w h a t w a s t h e f e e d enjoying life to the full and enjoying the company of several beautiful back? y o u n g w o m e n a s i s o n l y r i g h t a n d p r o p e r f o r a n y u p - a n d - c o m i n g m u s i c i a nb. a c k ? young women as is only right and proper for any up-and-coming musician. Niall: We've been offered to come play in Germany next Spring. H o w e v e r t h e v a r i o u s g i r l s h e w a s s o m e h o w s i m u l t a n e o u s l y d a t i n g e v e n t uN - iall: We've been offered to come play in Germany next Spring. However the various girls he was somehow simultaneously dating eventuWe're still working on the details but we can't wait. We'll go a l l y b e c a m e a w a r e t h a t t h e y w e r e n o t t h e s o l e r e c i p i e n t o f h i s a f f e c t i o n sW . e're still working on the details but we can't wait. We'll go ally became aware that they were not the sole recipient of his affections. anywhere that people will have us! O n e e v e n i n g j u s t b e f o r e w e w e r e t o t a k e t o t h e s t a g e t o a r e a s o n a b lay n y w h e r e t h a t p e o p l e w i l l h a v e u s ! One evening just before we were to take to the stage to a reasonably 14. What are your hopes for the near future? p a c k e d h o u s e o n e o f t h e g i r l s s t o r m e d i n t h e d o o r a n d b i t c h - s l a p p e d t h 1e 4 . W h a t a r e y o u r h o p e s f o r t h e n e a r f u t u r e ? packed house one of the girls stormed in the door and bitch-slapped the Niall: We're currently working on expanding our shows with Suadp o o r g u y r e a l l y h a r d ( n e a r l y k n o c k i n g h i m o f f h i s s e a t ) . " T h a t ' s f o r c h e a tN - iall: We're currently working on expanding our shows with Suadpoor guy really hard (nearly knocking him off his seat). "That's for cheatela Bellydance & hope to take our shows outside of Ireland. We i n g o n m e " s h e c a l m l y r e m a r k e d a s s h e b e l t e d h i m a n d s t r o l l e d w i t h h eer l a B e l l y d a n c e & h o p e t o t a k e o u r s h o w s o u t s i d e o f I r e l a n d . W e ing on me" she calmly remarked as she belted him and strolled with her also plan to write & record more music. We'll be releasing a new h e a d h e l d h i g h o u t t h e d o o r . T h e e n t i r e p u b w e n t v e r y v e r y q u i e t a n d o uar l s o p l a n t o w r i t e & r e c o r d m o r e m u s i c . W e ' l l b e r e l e a s i n g a n e w h e a d h e l d h i g h o u t t h e d o o r. T h e e n t i re p u b w e n t v e r y v e r y q u i e t a n d o u r live recording every month on the day of a full moon that will be p o o r C a s a n o v a l o o k e d a s i f h e w a s a b o u t t o b u r s t i n t o t e a r s w h e n t h u n d e rl-i v e r e c o r d i n g e v e r y m o n t h o n t h e d a y o f a f u l l m o o n t h a t w i l l b e poor Casanova looked as if he was about to burst into tears when thunderfree to download from our website starting January 2013. free to download from our website starting January 2013. ous applause broke out from the assembled audience. Two guys from ous applause broke out from the assembled audience. Two guys from G a r y : To c o n t i n u e w r i t i n g o r i g i n a l m a t e r i a l t h a t t a p s i n t o d i f f e r N o r t h e r n I r e l a n d w h o h a p p e n e d t o b e v i s i t i n g p a i d f o r t h e b a n d s d r i n kG s a r y : To c o n t i n u e w r i t i n g o r i g i n a l m a t e r i a l t h a t t a p s i n t o d i f f e r Northern Ireland who happened to be visiting paid for the bands drinks ent genres of music from around the world and then to take it t h a t n i g h t . " N o w t h a t ' s h o w y o u k n o w t h e s e g u y s a r e a p r o p e r r o c k ' n ' r o lel n t g e n r e s o f m u s i c f r o m a r o u n d t h e w o r l d a n d t h e n t o t a k e i t that night. "Now that's how you know these guys are a proper rock'n'roll round the world. b a n d " t h e y r e m a r k e d t o o n e a n o t h e r " i f b e f o r e t h e g i g w o m e n a r e c o m i n rgo u n d t h e w o r l d . band" they remarked to one another "if before the gig women are coming in the door and slapping the musicians in the face". in the door and slapping the musicians in the face". Joanne Collins & John Hough Joanne Collins & John Hough Grace: All gigs are fun even rehearsals the lads end up playing jokes on Grace: All gigs are fun even rehearsals the lads end up playing jokes on
-
a o s n d n
at o h s n d g d
20
VV Without a doubt. And I can't tell exactly how they influence my sound, but they must have had an influ-
www.facebook.com/vitorinovoador
ence,
because
listened
they're
through
and
one
of
those
through.
But
bands I've
I've
always
listened to a lot of different things, so I have a lot of different influences. I also admire Bernardo Sasseti a lot because he was one of the people that opened my eyes to music, and made me realize that music can take a lot of different directions. And Brad Mehldau, that is considered one of the great jazz piano playe r s , b u t f o r m e h e ' s j u s t a g re a t p i a n o p l a y e r, p e r i o d . D M W h e n y o u c o m p o s e , w h i c h d o y o u p r e f e r, t h e p i a n o
I
don't
have
a
very
stable
way
of
writing
(laughter). Sometimes I get home and I seat at the p i a n o o r I p i c k u p t h e g u i t a r, a n d I m a k e m u s i c . O t h e r
VITORINO VOADOR
times I compose without a single instrument in front of me. It's something I do almost without thinking. I'm seating here talking to you, and I've had 2 or 3
DM
not worry to much about his writing
mances. Sometimes it's just you, other times you have
process, or where his music takes
other musicians, the audience is never really sure
him. But he does seem to worry a bit
what they're going to find. How does that work out?
that
VV - This project has just been born. People still find
Halen
might
sue
him
In a way that seeps through into your live perfor-
because of his album art.
it a little strange. I want to take it to a point where
D M Yo u ' v e b e e n i n t h e m u s i c w o r l d f o r
people understand it, and they won't be surprised
a
anymore.
while.
Yo u ' v e
worked
with
Fero-
When
I
started
Vitorino
Voador
I
really
m o n a s , Yo u C a n ' t W i n C h a r l i e B r o w n ,
wanted to be able to play live, it's the thing I enjoy
Diabo na Cruz. And now you started
the most. The record has a lot of instruments. Live,
this solo project.
things tend to be more limited. So I thought it out so
V V Ye s . W h a t h a p p e n e d w a s t h a t I
I could present it in different formats. First, one that
was writing a lot, but couldn't get
allows me to play alone. The songs are reduced to a
those
was
more compact form. Just guitar or piano, and voice.
playing with, because it didn't make
T h e o t h e r, t h a t I ' m d o i n g w i t h Z é C a s t ro , i s t h e o n e
sense. In Diabo na Cruz for instance,
that gets me closer to the more electronic side of the
the lyrics I write are very different
record. Zé uses a Kaoss Pad for rhythm and effects,
f r o m w h a t J o r g e w r i t e s , a n d i n Yo u
and he also uses effects on my voice. The last one,
Can't
not
that I'm still preparing, is a true band with 5 or 6
even the same language. It didn't
musicians. This 3 formats allow me to play more
work.
them
often, because I have no limitations. If I get the
this
chance to play at a venue for 30 people, with a stage
because I had the need to show what
that can barely fit two, I can do that. If something
I was doing.
turns up in a space for 500 or 600 people, with a
DM In an interview awhile ago you
proper stage that can support a band, I can do that
said that one of the bands that influ-
to. And I think it's going to be interesting for people,
ences you are Radiohead, which don't
because they will be able to listen to the same songs
seem to fit into the sound you are
in different ways.
doing.
DM The way you are doing things right now, it's more
songs
Win
though.
I
into
Charlie
still I
the
think
bands
Brown
compose I
had
I
it's
for to
do
to do what I tell them. Like I said to Zé when we started playing together "just do what you want, I don't care. Just go up there and do your thing". There is a general plan, we have our songs, but he has freedom. Sometimes I think we take things a bit to far (laughter). I'm not a guy with an incredible voice, I'm not ashamed to admit that, I can't project my voice a lot, that's the way I sing. And sometimes there's so many effects that I struggle to make myself heard. But I'm the one who gave him "Carte Blanche", so I have to keep up. But it's a process I enjoy.
of a solo work right?
Is there anyone that inspired you vocally?
VV No, not really. I like a lot of voices and a lot of distinct ways of singing. I know I don't have a great voice, but a lot of the singers I've heard and loved, don't h a v e g re a t v o i c e s e i t h e r. B u t a f u n n y t h i n g h a p p e n e d when I started recording the songs. I sent the first song o f m y E P " O d o m " ( T h e G i f t ) , t o L u í s C o s t a , f r o m Yo u C a n ' t Win Charlie Brown, because I respect his opinion a lot.
melodies going through my head.
Vitorino Voador A.K.A. João Gil, does
Van
But in my head I've always that idea that I wanted to
have more musicians. And not musicians that just come
DM
or the guitar? VV
VV
He tells me he really liked it, but had no idea I was an E l l i o t t S m i t h f a n . To w h i c h I a n s w e r " T h a n k y o u m a n , b u t I
have
no
idea
who
Elliott
Smith
is"
(laughter).
He
thought I was pulling his leg, but when I insisted he sent me one of his songs "Between the Bars" and I was blown away. It was one of most beautiful songs I had ever heard. It lead me to the rest of his work, and I did see things in common with my own work. DM
And your EP "Vitorioso Voo", did you have a plan for
it, or things just turned out this way? VV
It's
something
that
evolved.
There
were
songs,
namely the more electronic ones, that started with just a guitar and ended up in instrumental chaos. I don't feel that anything was lost in that process. It's the way I write things, be it lyrics or music. I try not force things too much, otherwise it won't be genuine. It's not like I get home and just write things on the fly. I like to experiment with things. And the lyrics have to do with stories I've lived, or I wish I'd lived, my opinion about what I see around me, our country's situation, the things I feel. DM What about the road ahead? VV Well, this was the best thing that happened to me. I'm going to keep working on my other projects, I will have other bands, keep doing new things. But Vitorino Voador is something that is mine, that depends only on me. It w o n ' t e n d . I t d o e s n ' t m e a n I ' l l m a k e a re c o rd e v e r y y e a r. But one thing is certain: it will always be there, as long a s I m a k e m u s i c t h e re w i l l a l w a y s b e a V i t o r i n o Vo a d o r. IVO BELLO
ed to
21
come
arted
care.
neral imes
not a
admit
sing. le to
Carte
enjoy.
ot of
great
don't ened song
Can't
a lot.
as an , but .
He
sent lown ever
d see
n for
ongs,
ust a feel
way I
hings ike I
peri-
ories I see
l.
. I'm have
u o y on
Media Report Music Promotion
ador
me. It
y e a r. long
d o r.
ELLO
www.eyesonyou.pt
22
Right now I am a full time musician.
Itís
very early days for us but what I can say is that it seems the amount of support you
D c c T
receive across the board is relative to the quality
of
your
songs,
your
live
perfor-
mance and your level of commitment.
W
7 - What do you think about sharing music on the internet? I think that for all itís conveniences it has really hurt the industry. That said, things are the way they are and what we need to do as a band is find a path that will get us to where
TOY SOLDIER
we
musician/in a professional band?
be satisfied?
To
be
a
professional
musician
in
a
really.
and bassline, others I start with lyrics, much of the
I c a n re m e m b e r.
I have always either
time a song starts with me humming a melody into
consciously or unconsciously pursued
my phone and saving it. The songs are more or less
this and count myself lucky to be in a
arranged before they make it to the practice room.
band with two people who share my
Sometimes
passion.
recording process. Composing a song that the band
2 - Who inspired you and why?
and I are satisfied with usually requires a lot of
have
been
successful band my whole life.
in
a
I grew
arrangements
hard work.
can
change
during
the
Every now and again though a song
comes along and it pretty much writes itself. Those are always the best ones.
they do and I guess it sowed the seed
Itís a great feeling to hear it all come to life when
for my own pursuits.I taught myself
we jam a song for the first time in the practice
guitar and began taking song-writing
room.
seriously after hearing Oasis for the
g o d s e n d f o r a n y s o n g w r i t e r.
first time.
5 - What was your funniest and most embarrassing
Fergalís
groove
and
Ciaraís
vocal
are
a
gig experience?
3 - If you were to describe yourself as
My funniest moment would probably be a gig we did
a band, what would you say?
in Newmarket On Fergus during the summer where
We like to describe our sound as Elec-
we realised during our pre gig vocal warm ups that
tronic
our dressing room was actually a funeral home!!!
The
music
is
melody
based with a clubby feel.
Very unusual.
Iíve felt embarrassed on stage. 4 - So tell me how do you create your songs? When you compose a new song,
6 - Can you survive on music alone or do you have other work?
fe
A
In
re
any favours.
c
are
re s
like;
w
Motion
w
I think that all those bands have
b
Time
is
bands a
that
Thief,
I
Slow
Itís
great to see Irish bands like 2 Door Cinema Club do so well on an international scale. I think
T
s there
Heroes.
on
an
international
level
there
is
definitely room for an era defining rock band
E c a o s
A
to emerge but itís hard to say if it is possi-
M
ble on a grand scale given how the music
b
industry and media have evolved.
b
9 - Yo u a r e w o r k i n g o n y o u r fi r s t a l b u m a t t h e
b
in
moment, how is that coming along? Our first album is done. Itís called ëCalling Up the Duskî and is currently available on We are very proud of it.
in e Y T
10 - Have you taken your music abroad yet? If
(l
yes, what was the feedback?
fi
We have taken our music abroad from the
in
minute we were roadworthy.
We have twice
been across the Atlantic and many times to the UK.
I canít really think of a time where
b
moralities of file sharing is not going do us
iTunes.
been an inspiration to me.
Rock.
business.
tionally?
Sometimes I begin a song with a drum beat
up always being very proud of what
Noel Gallagher has always
this
music scene locally nationally and interna-
IRELAND
parents
in
national and international potential.
dreamt about since almost as young as
my
be
8 - What do you think yourself about the
The song-writing process differs from song to song
professional band is something I have
Well
to
p
Y
Versives, is it easy to bring it all together with your band and
want
te
Spending too much time thinking about the
Locally 1 - How does it feel to be a professional
W
G
I think our music has an interna-
tional appeal.
The audience reactions have
been very encouraging.
I
hope
to
download
s
th
th k
w
11 - What are your hopes for the near future? To n i g h t
h
our
album
illegally online ;) Joanne Collins & John Hough
23
DeezMag talked to the The Kafkas, an indie-rock band that wants to create a revolution in the Portuguese musical scene. The band is composed by four music lovers that, in complete agreement state: The sky is the limit.
Who are The Kafkas? Where did this project come from? Well if we go way back, digging a little... It all started with me (João Garcia) and with Daniel. As time went by we started to composeÖ terrible songs (laughter). Meanwhile we convinced Fábio to learn to play the drums so he could play with us. At that time I got tired of b e i n g a b a s s p l a y e r a n d a s k e d J o ã o P e r e i r a , t h a t p l a y e d g u i t a r, i f h e felt he was a good enough bass player to join our project (laughter). And that's how the current lineup for The Kafkas came to be. In early 2012 you released your first demo. Ye s . I n t h e b e g i n n i n g w e e s s e n t i a l l y p l a y e d c o v e r s . B u t s i n c e w h a t w e really liked to do was write songs, in 2011 we scrounged up some change, and we went to a studio in Porto to record with Pedro Lobo. The demo was very well received, mainly because of facebook. It r e a c h e d a l o t o f p e o p l e , e v e n o u t o f t h e c o u n t r y, a n d t h i n g s j u s t s t a r t e d p o p p i n g u p . M e a n w h i l e , a r a d i o b a s e d i n N e w Yo r k d i d a special show about music in Lisbon, and included us on it together w i t h D e a d C o m b o , Yo u C a n ' t W i n C h a r l i e B r o w n a n d C a p i t ã o F a u s t o , which was very positive for us. Above all our objective is to succeed both here and abroad. That's one of the main reasons we sing in English.
It
doesn't
mean
we
don't
like
our
language,
quite
THE KAFKAS www.facebook.com/thekafkasmusic
the
c o n t r a r y, b u t w e ' v e h a d t h i s o b j e c t i v e s i n c e w e w e r e l i t t l e b r a t s : T o g o
About your music, what you produce Ö what are your main influences and
abroad and give it our all. It's a big dream. We are now in the process
inspirations, what is it that leads you to a final result?
of recording our first videoclip and we've just released our new
Our main influences are the Artic Monkeys, The Strokes, Franz Ferdinand,
single, ìBlue Jungle Lightsî.
a n d , l a t e l y, Q u e e n s o f t h e S t o n e A g e h a v e b e e n a b a n d w i t h g r e a t m e a n i n g t o
And regarding live performances, where have The Kafkas been?
us, but in which we try not to fall upon to much because we believe in matur-
Mainly local bars, in Cascais. Several times in Rock and Shot. Our
ing as musicians and we believe that it's the time to do a more juvenile
biggest gig was in September in the New Music Festival, alongside
sound, hoping that one day we can go into that more alternative, stoner
bands like Capit„o Fausto and Pontos Negros. We were the opening
wave.
band in the Antena 3 stage. We also played at Rock in Amadora, and
How do you define your sound, what sets it apart?
in this past few months we've been trying to promote the band. We are
It's hard but I guess we can define ourselves as an indie-rock band. It's the
in that stage of making the CD's to start sending to radios, bars,
s o u n d w e r e a l l y l i k e t o h e a r, t h a t i s d i f f e r e n t , a n d t h a t w h e n w e p l a y, g i v e s
everywhere.
us a feeling of being apart from everything. We are indie but we have a rock
Yo u ' r e p r o b a b l y t i r e d o f h e a r i n g t h i s b u t , w h y T h e K a f k a s ?
matrix. We want a guitar with distortion, but we also want basses with
Tired of hearing it but still haven't come up with a good answer
Groove and danceable drums, to shake the head and the hips, we want to be
(laughter). The Kafkas from the get go have a sound that we thought
set apart.
fitted within rock. But lately we've been developing a bigger maturity
With this metamorphosis, where do The Kafkas want to go?
in our lyrics and sounds, and we think our songs can be considered
We don't want to cling to the cliches... but the sky is the limit. We want to
heterougeneous, so we can find a sort of metamorphosis behind the
be that band that was born in Portugal but that made it abroad. We want to
s o n g s , w h i c h t a k e s u s t o t h e w r i t e r. I t w a s a t r a n s f o r m a t i o n w e w e n t
be a rock band. And above all, in the beginning we think it's important to
through from youngmen to adults that made us realize how big was
have a side that makes it easier to pull people in, to have songs that are
the difference between what it was like to write music as a group of
c a t c h y. We c a n ' t g o y e t i n t o t h a t t h i n g t h a t o f t e n c o m e s u p d u r i n g re h e a r s -
k i d s a n d w h a t i t ' s l i k e t o w r i t e t o d a y, t h a t w e k n o w m o r e a b o u t t h e
als, more personal, more ours. It has to be more accessible, more commer-
world and about life.
cial, it's essential for a project to grow an to evolve. So that people can understand us, they have to know how to listen to us first, and for that we h a v e t o c r e a t e a c e r t a i n e m p a t h y, t o e a r n t h e t r u s t o f t h e a u d i e n c e a n d f r o m t h e re y e s , w e c a n e x p re s s o u r s e lv e s i n a m o re a l t e r n a t i v e w a y. Fo r n o w , t h i s is how we think.
Inês
G a lv ã o Te l e s
24
and improved a lot and we decided to change our band`s name and five years ago we did our first concert as ìLe Skeleton Bandî. Since then we have been all over Europe presenting our music. And so far it is working really well. How do you define your music? We play rock music. Almost Rock and roll with inspiration from traditional music, blues, cabaret, folk and
some
Latin and Cuban.
We are not trying to
do some new kind of music. We just want to tell stories. And for that we got to choose which color and flavor we want to put in the music to make it sound right so the people who are going to listen to our music can understand and follow the stories we are singing. What are your influences? We have all different influences. When we were young we all listen to different t h i n g s . A n d e v e n t o d a y w e h a v e d i f f e re n t t a s t e s , b u t w e a l l a d m i re To m Wa i t s . We also like very much some albums of Calexico and recently we started to listen to The Dead Roses and their music influenced us very much in the construction of ìBella Mascaradeî. We feel that we are at the same state of mind as The Dead Roses. It is very interesting to listen to a band and feel they are doing what we had already in mind. In stage you look like ìpuppetsî, why is that? T h a t i s o u r w a y t o t a l k w i t h t h e a u d i e n c e . To c a p t u re t h e i r a t t e n t i o n . To s a y ìhello we are here. We are telling storiesî. It is not easy to do it. It requires concentration and control of our body but it is also very funny. The result is what we expected. We just let our body do those movements naturally. ìBella Mascaradeî, your new album, what's it about? ìBella Mascaradeî is about being a rumbling man. A bum. Is about people who want to try to be adventurers. They wanted to be someone but they failed. It is about the courage of doing something out of the mainstream. It is like the heart of our music which is a mix of dark and joke. It is also ìburlesqueî. What are the differences between the first and this new album? When we were recording the first one, we didnít knew that it was going to be our first record. We had the second one in mind a while ago before the recording session. In ìBella Mascaradeî, the all album is in the same atmosphere, the same spirit.
LE SKELETON
Cabaret is always in your songs, why is that? Cabaret is part of our culture and of course it is in our music. Cabaret is a p l a c e w h e re i t ' s a l l o w e d t o b e u g ly, t o b e a c o w a rd , t o h a v e m e n t a l i s s u e s .
www.leskeletonband.com
Cabaret is all about burlesque. And we love to tell stories about people who
Alex Jacob, B Jacob e Salsky are ìLe Skeleton Bandî. During the
go against the rules defined by society.
promoting tour of ìBella Mascaradeî, their new album, they passed
Yo u h a v e a s o n g t h a t s a y s î l i f e i s b a n k r u p t î . W h a t d o y o u m e a n b y t h a t ?
through Portugal, for several Showcases, and DeezMag had the pleas-
All our songs tell stories. That song tells the story of a drunk men. In the song
ure to interview them.
the drunk men says something that we all agree but as he is drunk we donít know if he is telling the truth or if he is joking about it. It is also about a
So, this is your first time in Portugal?
conflict. It is like your life is ok but at any moment you can lose everything.
No. It is our third time. We were here for the first time in 2009
Everything can fall like a castle of cards. It is about life being so uncertain.
presenting our first album ìPreacher Bluesî. It was a really nice
What are your plans and expectations for the future?
experience
well
We are happy with what we have. We do what we want 24 hours a day. We want
received here. We had excellent experiences in the concerts we
to keep on doing it. This new album is being well received and we couldn`t be
performed in Leiria, Coimbra and Vale de Cambra.
h a p p i e r. D u r i n g 2 0 1 3 , w e h o p e t o re c o rd a n e w a l b u m , c re a t e a s h o w w i t h c h i l -
How long have you been together?
dren, and tour a lot . Until then people can listen to our music in youtube,
We are friends since we were very young. We grew up together
myspace and follow us in our facebook page.
.We
love
Portugal.
We
have
always
been
very
listening music and one day we decide that we wanted to be in a rock band. But we didnít know anything about music. None of us had ever
Bonne chance Ö.
played an instrument. It was a challenge. Each one of us, alone,
SOFIA GUERRA
started to play a different instrument. It wasnít easy but we did it and here we are. And after six months we did our first concert in Montpellier and it was really bad. After that we worked really hard
ars
all
nal to to nd nd
ent
ts. to he of ey
ay es is
ho is he
be
rd-
re,
s a
es. ho
ng
nĂt
t a
ng.
n.
ant be
il-
be,
Ă–.
RA
25
26
27
TEChnicAL SHEET C O - F O U N D E R S / E D I T O R I A L C O O R D I N AT I O N MIGUEL TEIXEIRA | RUBEN MARQUES E D I T O R I A L C O O R D I N AT I O N IVO BELLO A R T D I R E C T I O N / PA G I N AT I O N R I C A R D O B R I TA N | D I O G O M O R E I R A PHOTOGRAPHY JOSÉ RIBEIRO LISBON OFFICE I V O B E L L O | I N Ê S G A LV Ã O T E L E S PORTO OFFICE A NA CA RVA L H O | BÁ R BA R A AQ UA R E L A BA R R E I R A R A Q U E L P I N H E I R O | S O F I A G U E R R A | P E D R O FA R I A FOREIGN OFFICES INDIA
K AV I B H A N SA L
RUSSIA BORIS BORSKI
POLAND MARCIN GRZESZCZAK|PIOTR Wiśniewski USA REBECCA FINLEY
S PA I N G E R O C O S TA S | R O M I N A D O C E
LITHUANIA S U N N Y AG GA RVA L
IRELAND JO COLL TURKEY C E N K H A S D A L | K u b i l ay Ö z l e r
28