50 Lighting Setups / 50 configuraciones de iluminación

Page 100

Hothouse in the Alley

CASE STUDY #38

CAMERA:

Hasselblad 503cw LENS: FILM:

EXPOSURE: LIGHTING:

80mm

Kodak Tri-X

f/8 at 1/2 second

Profoto Acute 800ws pack with strobe head and large Plume softbox

Assignment

We were moving right along when suddenly I saw

I was asked to photograph the trio Hothouse, a swing

police lights flashing in the background. The police

and Dixie band, for publicity and their upcoming CD.

asked us to move because we were blocking the alley and did not have a permit for the shoot. They were

Visual Objective

right, so we stopped. Besides, I knew I had the shot.

Although shot in Philadelphia, I wanted to create a late-night New Orleans style.

Tips

For night shoots, be sure to pack a cable release. This Posing

will help prevent camera shake, and it lets you look at

I started with the classic golden triangle composition.

your subjects directly (not through the viewfinder) so

I positioned the tuba player and the guitar player first.

you can talk to them while you snap away.

Then I had the clarinet player balance on the chair to create the top of the triangle.

Also, get a permit from the city (either at the film office or city hall) to photograph on the street. In almost all public spaces, when you put down a tripod

The Story

you need a permit.

Before the shoot, tuba player Eric Henry gave me the CD so I could get some ideas for the shot. Immediately, I thought “New Orleans nightlife.� In my scouting, I came across this alley behind a restaurant called Magnolias (where, ironically, they served New Orleans cuisine). It seemed like the stars were aligned. We all met at the restaurant, whose proprietor was happy to help with the shoot, and took some bar chairs to the alley. While I positioned the musicians, my assistant set up the light. I then set the camera on the tripod, plugged in my cable release, metered the

large softbox for main light

light, and I shot a Polaroid. The Polaroid looked good, but I played around with the shutter, speed slowing it down to bring in more ambient light. LIGHTING CASE STUDIES

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50 Lighting Setups / 50 configuraciones de iluminación by Miguel Minaya Isla - Issuu