running east-west. The bioswales are situated at four different laneways in between residential infrastructure and act as public guiders to the water’s edge, as well as filtering stormwater runoff. As a result, these bio-swales establish private “islands� separated by publicised urban yards. Through this strategy, the four bio- swales each respectively adopt their own identity. Each of the individual proposals are situated at important locations and intersections. In certain areas, bridges and boardwalks have been implemented to embed urban permeability and accessibility to both residents and the public. In essence, Weaving Waters is conceived as an interwoven community that allows both the public and the local residents of Kunshan to navigate and utilise their location in full. By a means of designing bioswales that each individually adopt a rich sense of identity, the public is drawn to the once underutilised canals. Consequently, a new civic realm is established, one that mirrors the personality and success of the high street running parallel.
FOLIO 2018 MICHELLE MA
1
2
WELCOME TO MY FOLIO:
PAG E 4- PAG E 11/ /
K 3 STU DI O PAG E 12- 19/ /
ST K I L DA TR I A N GL E
PAG E 20- 25/ /
N GV PAVI L I ON
PAG E 26- 29/ /
STE A LTH A M E N I TY PAG E 32- 35/ /
STR U CTU R A L E X PLOR ATI ON
PAG E 36- 43/ /
PL A N N I N G DR A WI N GS
1 2 3 4 5 6 3
1 K 3 ST U D IO Yr 4 Sem 1//
K3 Studio is an ongoing studio that is run by Markus Jung. It is a real time studio examining new urban typologies and forms for the developing city of Kunshan in China. K3 focused on the old town’s main waterway, a constructed canal, which is transected centrally by a natural waterway. This studio was accompanied with a site visit to China. My Project: “Weaving waters” Weaving Waters is an interwoven community that allows both the public and the local residents of Kunshan to navigate and utilise their location fully. By a means of designing bio-swales that each individually adopt a rich sense of identity, the canal is activated. Consequently, a new civic realm is established, one that mirrors the personality and success of the high street running parallel. Due Credit: In partnership with Bianca Detensano I was heavily involved brainstorming, architectural drawings and graphics
4
Weaving Waters aspires to create a new civic realm along the canal prominent in Kunshan. Currently, there is a high degree of success along the high street running parallel to the canal which attracts an abundance of pedestrian traffic. In contrast however, the canal edge is neglected and extremely inaccessible. Due to the sites distinct location (being situated at the intersection of the canal, where the manmade waterway meets the natural water-way) the project becomes the gravity of the K3 project. Running both north and south, east and west are the additional K3 schemes. As a result this new civic realm compliments the precincts high street, and the canal becomes the new civic backbone of the K3 project. Explored in this design, two divergent public spaces (being the existing high street and the canal) are further interwoven via bio-swales running east-west. The bioswales are situated at four different laneways in between residential infrastructure and act as public guiders to the water’s edge. As a result, these bio- swales establish private “islands� separated by publicised urban yards. Through this strategy, the four bio- swales each respectively adopt their own identity in the exploration of local activity in regard to their locations. This multifunctional intervention furthermore includes a wetland park, a dynamic floating market, a pocket park featuring bamboo trees and a tea pavilion for contemplation.
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6
WATER CAPTURE + TREATMENT
STORM WATER RUN OFF WATER FLOW PATH/DIRECTION FLORA WATER TREATMENT WITHIN STREETS
CONSTRUCTED WETLAND PARK
FLORA WATER WITHIN WETLANDS + CANAL
SITE FOLLOWS A STAGGERED DESIGN TO ALLOW WATER TO FILTER THROUGH GRAVITY
BIO-SWALES
1
CHANNELING URBAN OFF TO THE CANAL/ WATER AS A PUBLIC GUIDER
2
3 4 CANAL EDGE
5
FURTHER FILTRATION/ TREATMENT ZONES ARE ADDED AT ALONG THE BOARD WALK
2
CAPTURE/PUMP
STORE + RECHARGE
FILTER
RELEASE
4
5
A PUMP AT THE BEGINNING OF THE WETLAND
OPEN PERMEABLE SURFACES AND RETENTION BASINS ALLOW FOR WATER TO BE STORED.
DIVERSE PLANTING OF FLORA SPECIES FILTERS AND CLEANS THE STORM WATER.
THE FILTERED AND CLEANED WATER IS RELEASE BACK INTO THE CANAL.
FILTERED WATER THAT HAS BEEN PURIFIED IS FURTHER CLEANED ALONG THE CANAL EDGE TO ENSURE THERE IS MINIMAL CONTAMINANTS LEFT IN THE WATER.
1 WATER SQUARES/ RETENTION BASINS WATER SQUARES RETAIN EXCESS WATER BEFORE DRAINING IT INTO THE CANAL
3
RE-USE
SWALE ONE: ADULT FITNESS
SWALE TWO: ANIMALS
SWALE THREE: URBAN FARMING
SWALE FOUR: SOCIAL
7
1
The Wetland Park 1. Play This zone contains different structures that facilitate child’s play, in particular relating to smaller children. There is the focus on water orientated play structures, such as water slides and spray pools which utilize the recycled and filtered canal water to create vibrant and interactive spaces for the community.
PLAY
2
2. Transition The second layer of the wetland park is the transitional zone. This area breaks up the two activities of play and sport at the top and bottom of the park in a placid manner.
TRANSITION
3. Sport The third and final zone in the wetland park is the sport area. This layer facilitates sporting related activities such as basketball, badminton, table tennis as well as a climbing structure.
3
SPORT
Plants for Filtration
A
MISCANTHUS SINENSIS
B
TYPHA
WATER PUMP
HIGH FLOW BYPASS PROTECT MACROPHYTE ZONE FROM HIGH VELOCITIES
ORIENTALIS
C
BYPASS ROUTE
4m MICROSTEGI UM VIMINEUM
D
CANAL
SEDIMENT BASIN
REMOVE COARSE SEDIMENT
3m
PHALARIS ARUNDINACEA
MACROPHYTE ZONE
LE
SWA
SHALLOW PLANTED AREA TO REMOVE FINE PARTICULATES AND UPTAKE SOLUBLE POLLUTANTS
E
2m
INLET POOL 20% OPEN WATER IS NEEDED IN A WETLAND SYSTEM
LE
SWA
INLET POOL/ RETENTION
WATER CLEANLINESS
MOST DIRTY
OUTLET
F 1m
RETENTION OF CLEANER WATER WHICH IS THEN PUMPED BACK UP TO AREAS WHICH WILL REUSE THE WATER
IMPERATA CYLINRICA
CLEANEST
LE
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LOLIUM / RYE GRASS
1.5m MACROPHYTE ZONE
SWA
Tea Pavilion
WEAVING WATERS
Weaving Waters aspires to create a new public realm along the canal prominent in Kunshan. Currently, there is a high degree of activity along the high street running parallel to the canal which attracts an abundance of pedestrian traffic. In contrast however, the canal edge is neglected and inaccessible to the public. Due to the sites distinct location at the intersection of the two main waterways, Weaving Waters acts as a new public focal point in the heart of Kunshan south. Drawing the public into the site and stitching together the urban fabric. As a result this new public space complements the existing precincts along Renmin S Rd, and defines the canals as a new backbone for the old town. Explored in this design are two divergent public spaces (being the existing high street and the canal) which are woven together via a series of bio-swales running east-west. The bioswales are situated at four different laneways in between residential infrastructure and act as public guiders to the water’s edge, as well as filtering stormwater runoff. As a result, these bio-swales establish private “islands” separated by publicised urban yards. Through this strategy, the four bio- swales each respectively adopt their own identity. Each of the individual proposals are situated at important locations and intersections. In certain areas, bridges and boardwalks have been implemented to embed urban permeability and accessibility to both residents and the public.
Bamboo Garden
Bamboo Garden
Experiential Boardwalk
In essence, Weaving Waters is conceived as an interwoven community that allows both the public and the local residents of Kunshan to navigate and utilise their location in full. By a means of designing bioswales that each individually adopt a rich sense of identity, the public is drawn to the once underutilised canals. Consequently, a new civic realm is established, one that mirrors the personality and success of the high street running parallel.
Experiential B
Tea Pavilion
Tea Pavilion
Water Edge Condition Wetland Park Zone A: Play
Experiential Boardwalk
Wetland Park Zone B: Transition
9
SHED + MARKET CONDITION SECTION
MARKET
SHED
PULLEY SYSTEM - IN PEDESTRIAN ACCESSIBLE FLAT SURF
WAY FINDING WATER PATHWAYS
WETLAND PARK
WETLAND PARK SECTION
ZONE A: PLAY
ZONE B: TRANSITION
SHED ADAPTIVITY: MECHANICAL PULLEY SYSTEM
SHED + MARKET CONDITION SECTION
MARKET
SHED
PULLEY SYSTEM - IN PEDESTRIAN ACCESSIBLE FLAT SURF
WAY FINDING WATER PATHWAYS
SHED ADAPTIVITY: MECHANICAL PULLEY SYSTEM
PULLEY SYSTEM - NOT IN USE BOAT ACCESSIBLE
WETLAND PARK SECTION
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ZONE A: PLAY
CONDITION A: INFORMAL MARKET SPACE
WETLAND PARK
ZONE B: TRANSITION
USE FACE
USE FACE
PULLEY SYSTEM - NOT IN USE BOAT ACCESSIBLE
SHED ADAPTIVITY: MECHANICAL PULLEY SYSTEM
SCALE 1:10 000
ZONE C: SPORT
PULLEY SYSTEM - NOT IN USE BOAT ACCESSIBLE
PULLEY SYSTEM - NOT IN USE BOAT ACCESSIBLE
Existing Shed Structure PULLEY SYSTEM - NOT IN USE BOAT ACCESSIBLE
PULLEY SYSTEM - IN USE PEDESTRIAN ACCESSIBLE FLAT SURFACE
ZONE C: SPORT
CONDITION A: INFORMAL MARKET SPACE
PULLEY SYSTEM - IN USE PEDESTRIAN ACCESSIBLE FLAT SURFACE
CONDITION B: PUBLIC EVENT - CHINESE NEW YEAR
SCALE 1:10 000
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2 ST K I L DA T R I AN GLE Yr 3 Sem 1//
This studio focused on creating an art gallery space that included public plaza/park concepts within a triangular site within the busy St Kilda area. Our main concern for the site were not interrupting any views from the St kilda boulevard. My Project: A focus on organic angluating form with purpose. Courtyard spaces were incorporated to create multi use spaces as well as inviting pedestriations into the building. The angluating form allows for the roof space to be accessible from the ground level as well as providing peak views from the main street.
Due Credit: Individual Project
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STAGE 1
This project began as quick model sketches. We were asked to consider the following when designing: 1. The site as the expanded field 2. Building as Landscape 3. Modernist abstract “slab” object in landscape/tabular rasa (white cube/object as container) + (object as diagram of functions” 4. Figure-ground/ Village 5. Anti object - Kengo Kuma works as primary example
STAGE 2
PRECIDENT: ENRIC MIRALLES SCOTTISH PARLIAMENT
The design began finding form by mimicking the shape of the site to create a building that looked like it had always belonged there. The morphology I followed in this design was “Modernist abstract “slab object in landscape/ tabular rasa. Inspired by Enric Miralles’ Scottish parliament building entrance it connects to the surrounding landscape that people could also walk on. With this design is was also “object as diagram of function” as the gallery spaces would curve around the site and the shape of the building also guided the way people would walk inside the building.
STAGE 3
In this iteration, I manipulated the sides of the building to make them curve in where I wanted there to be plaza spaces. I decided that the 2 predominant plaza spaces I wanted were one connecting to the St kilda boulevard and another facing the beach
14
STAGE 4
Addition of pathways added between the areas where the span between the building was becoming too large, for easier access to the beach as well as access to different rooms within the building itself. One plaza space faces the ocean, and another facing the St Kilda Boulevard both creating dominant entrances on both sides. Ramps were also added so people who were enjoying the plaza space could go up to the roof area.
FINAL TOUCH UPS
15
FINAL DESIGN
GROUND LEVEL
SECTION
ELEVATION
LEVEL 1
SITE PLAN
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19
3 N GV PAV ILION Yr 2 Sem 1//
Patterns can be powerful tools to create visual effects, but beyond this,pattern theories are important in a range of disciplines, from mathematics, to software design, to the study of perception. The aim of this studio was to forge meaningful relationships between digital processes and physical conditions - to embrace the possibilities opened up my digital techniques without forgoing a phenomenolofical approach to design. My design: Takes full advantage of the freedom of the task set forth by the national gallery of Victoria, instead of conforming to any specific brief, the pavilion has a focus on innovative use of material, creating a dynamic spatial experience and blending into the sites functions while standing out from the surrounding architecture
Due Credit: In Collaboration with Curran Smith Predominantly worked on Model Making, Graphics and architectural drawings
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21
PRECEDENT
EXPLORATION
CAVERNS
EXPLORES THE ENCLOSURE OF SPACE THROUGH THE STACKING OF REPEATED ELEMENTS.
THE
PROJECT
AIMS TO CREATE A SERIES OF SPACES THAT VARY FROM THE PRIVATE TO THE WELCOMING.
VISITORS
TO THE MUSEUM WILL FEEL
COMPELLED TO EXPLORE THE OBJECT FROM INSIDE AND OUT TO EXPERIENCE A CONSTANTLY SHIFTING VISUAL AESTHETIC.
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ITERATION:
ITERATION: THE KLEIN
MODEL
- THIS
ITERATION
- THIS
ITERATION FOCUSED
WITHIN THE
3
ITERATION FOCUSED ON
BRINGING MORE LIGHT INTO THE
ON CREATING ORGANIC SPACES
PAVILION
DOMES
ITERATION: - THIS
ITERATION FOCUSED ON ROTATING THE FORM IN HOPES OF
CREATING THE INTEREST OF THE PLAN THROUGH A GROUND EXPERIENCE
ITERATION: - FOLLOWING
THE LAST ITERATION, THE FORM WAS ROTATES
45
DEGREES TO SUCCESSFULLY SHOW THE INTEREST OF THE PLAN
-RIBBON
FORM
STRUCTURAL
INTERNAL STEEL RIBBING
IMPLEMENTATIONS
23
NGV PAVILION THE PAVILION TAKES FULL ADVANTAGE OF THE FREEDOM OF THE TASK SET FORTH BY THE NATIONAL GALLERY OF VICTORIA. INSTEAD OF CONFORMING TO ANY SPECIFIC BRIEF, THE PAVILION IS INSTEAD FOCUSED ABOUT
INNOVATIVE USE OF MATERIAL; CREATING A DYNAMIC SPATIAL EXPERIENCE; AND BLENDING INTO THE SITE’S FUNCTIONS WHILE STANDING OUT FROM THE SURROUNDING ARCHITECTURE.
4 ST E A LT H A MEN IT Y Yr 3 Sem 2//
Stealth Amenity explored ideas on how the design of new water management and sanitation infrastructure can be covertly leveraged to provide new spaces for cultural, social and economic activity. Instead of seeing architecture as a building, this studio focused on the idea of how small implications of infrastructure could effect the wider community. For my design, I focused on the notion of “borrowing� . What came from exploring this notion was how to use both new materials and existing resources most efficiently. Graphically, this studio focused more on a diagrammatic style of drawing, outlining thought processes and the notion that this would be able to be read by anyone, not just another architect. These are real proposals that would be presented to the board in Fiji. Due Credit: Individual Project
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27
SITE ANALYSIS Door Direction Figure ground on site Figure ground surrounding site Shrubs Tree Circulation Informal path Secondary path Main paths Rubbish Well Water build up
Makassar
Issue 1: Rubbish
Issue 3: Flooding
Rubbish build up in certain areas with no order. Behavioural problem - Possible solution is to make these areas valuable (Owned by people, playing ground, community space)
Water is filtered through plants for flood prevention Wooden boards are placed over the drainage as “borrowed space”
Flooding is a big issue in Lorong 2 Batua Masjid Babussa’ Adah - located right next to the canal could either lead to opportunities (It seems to be quite formalized and contained at this point) or difficulties to if it over flows
Rubbish build up areas
Make shift materials layered over pre-existing structures for extra privatisation
Issue 2: Privacy
Issue 4: Space
Privacy is highly important in this area, if privacy isn’t created structurally, make shift solutions are used
Tight nit space finding space to allocate “Solutions” are difficult
PROBLEM
PROPOSED SOLUTION OVERVIEW Borrow: PROPOSED SOLUTION OVERVIEW Money - Funds to start making the pods BORROW: SpaceDue to density of the site, we need to borrow space People - Labour, materials, resources Tools - Required to assemble pods Water - Key ingredient to success of pods Co-operation - patience and co -operation is needed to start the project Plants - Crops to be sold By utilising these “in-between” spaces, we can - By utilising these spaces, we can optimise the optimise the resources already given to us such as the resources already given to us such as the solid walls aswell as sheltered roof to save on cost solid walls as well as sheltered roof to save on cost - As well as utilising the given space, we can also use these areas to create more oppurtunites
First step :
Second step :
Third step :
Creating shops or restaruants to generate revenue to further expand into individual toilet pods for each resident
Creating spaces for recycling to bring to a local recycling facility to further generate revenue
Individual toilets are added to each home RECYCLING CENTRE
commerce fund the pods to create more We canofalso usetothese areas opportunities of commerce to fund the pods.
SITE
28
INTERVENTION 1
ELEVATED COMPOST TOILETS
STORAGE UNDER ELEVATED WATER TANK WHEN THE FIRST
LOCATED IN-BETWEEN TWO SINGLE STOREY BUILDINGS THAT
TAKING THE PITCHED ROOFS TO MY ADVANTAGE, I “BORROWED” THIS FORM TO CHANNEL THE WATER
ONE FILLS UP
HAVE PITCHED ROOFS, THIS
COMING OFF THE ROOFS TO THE WATER TANK
ITERATION FOCUSES ON BORROWING A SPACE FOUND ON THE SITE
RESOURCES ARE SAVED BY ENCOMPASSING WALLS TO DEVELOP THE
THE CHANNEL IS MADE OF THE SAME CORRUGATED
AND DEVELOPING IT INTO SIMPLE
BORROWING EXISTING
METAL THAT ACTS AS THE ROOF OF THE NEW SPACE
BATHROOM CUBICLES AS WELL AS
-A TARP IS ADDED TO ACT AS A FUNNEL
A SHARED OUTDOOR SPACE.
201CM
BATHROOM PODS
503CM
THIS WATER IS “BORROWED” TO PROVIDE WATER FOR THE BATHROOMS, OUTDOOR KITCHEN AS WELL AS POTENTIAL PIPES INTO THE HOMES FOR INDOOR SINKS.
503CM
SCALE 1:100
PIPE LEADS INTO HOUSES FOR INDOOR SINKS
OTHER ITERATIONS DEVELOPED TO DIFFERENT
AT THE ENTRANCE, TWO LARGE PLANTS ARE PLACED SLIGHTLY BORROWING THE
SITES
PUBLIC REALM TO FORMALIZE AN ENTRANCE FOR THE SPACE, AS WELL AS PROVIDING PRIVACY.
- CAN BE REMOVED WHEN THE PUBLIC NEEDS THE SPACE
-SAME CONCEPT APPLIED TO DIFFERENT SPACES
BUILT INTERVENTION
INTERVENTION 2 NEW
ORIGINAL
WATER TANK CONCEPT SIMILAR TO INTERVENTION 1 - THE WATER IS USED FOR THE BATHROOM AND THE STORE THIS ITERATION BORROWS SPACE THAT IS OVERLOOKED TO THE PUBLIC, HOWEVER STILL GETS LOTS OF FOOT TRAFFIC THEREFORE OPENING A SMALL STORE
STORE, A SIDE DOOR IS OPENED AND THE ORIGINAL
DOOR IS TO REMAIN CLOSED DURING “TRADING HOURS”
6.25M
CAN USE THE BUSY AREA
NEW ENTRANCES HAVE BEEN CREATED AS THE TOILET POD IS IN FRONT OF THE ORIGINAL ENTRANCE - FOR PRIVACY AS THE TOILET IS ALSO USED BY GUESTS OF THE
PLANT POTTERY SYSTEM: - CATCHES WATER RUNNING FROM PITCHED ROOF -RETAINS THE WATER FOR FLOOD PREVENTION -INSIDE A SERIES OF CROPS ARE GROWN TO SELL IN THE STORE WHILE THE SMALLER POTTERY SYSTEM STILL GROWS CROPS, THEY WILL BE WATERED BY THE WATER TANK. SCALE 1:100
THESE POTS WILL ALSO DEFINE THE SPACE AROUND THE STORE, ACTING AS MOBILE FENCING ALLOWING FOR PRIVACY WHILST
6.6M
BORROWING INTO THE PUBLIC SPACE
BUILT INTERVENTION
29
- Settled between two buildings, the immediate urban context only stretches so far. On a wider scale, the intervention would be difficult to see. This shows that the space that I have chosen to use should not interrupt the natural flow of the site. - To the left, the building is brick therefore acting as a strong foundation for bathrooms to extend out of, to the right the building is predominantly corrugated metal and is slightly elevated by steps- these steps act as a social place which is perfect to lead into the shared communal space.
- Located at the corner of a intersection of foot traffic, it makes it the perfect place to set up a small store. - Keeping everything within the pottery makes this area temporary and flexible to keep the space open for future production
30
MASTERPLAN MASTER PLAN
Toilet pods Shops/Shared space Recycle
NORTH Scale 1:2000
SETTLEMENT STAGING DIAGRAMS SETTLEMENT STAGING DIAGRAMS
Stage 1: - Existing borrowing elements
Stage 3: - Waste units -Borrowing discarded resources to generate income
Stage 2: - Shops + Crops What elements are borrowed: - Borrowed materials from existing walls shop locations
Stage 4: - Toilets -Borrow from shops -Walls -Water -Waste
SETTLEMENT
31
5 ST R U CT U R A L E X PLO R AT ION Yr 2 Sem 2//
Through different structural explorations, the aim was to focus on how structure can influence form as well as grasp an understanding on load paths and finer details on the Construction of architecture from an Engineering perspective. We were given simple instructions such as number of rooms and square foot area of spaces to follow.
Due Credit: In Collaboration with Dana Ngyuen and Jasmine Marks Prodominantly worked of Model Making and architectural drawings
32
33
STAGE 1 For the first stage of our design we used a repeated rectangular form for each level. The middle level is offset in one direction resulting in the upper two levels to cantilever. This creates outdoor shaded areas and balconies. Our structural system involves a grid of concrete columns to withstand the gravity load, cross trusses to resist wind and other lateral forces and reinforced concrete slabs. The key idea behind our design was to accommodate the amount of rooms on each level in a logical and coherent way.
STAGE 2
For stage two of our design, we introduced curves into our design while still following the grid system from the previous stage. Our major driving factor for this design was keeping the load paths balanced. Each wing of the column reaches out to carry a load from the columns on the upper level. The loads are then carried into the center of all the wings which creates a strong column. This is repeated four times at each of the corners. The curved area of the wings would be supported with steel.
STAGE 3 (FINAL)
In the final project focused on having a more cohesive relation between the first stage and third stage, we therefore decided to carry across the ground floor columns to the whole design. We thus wanted a curvilinear shape for the roof. The arched shaped petals branch out to the corners where the columns are, allowing the load to be carried down to the ground. In terms of construction the roof will be made of pre case concrete allowing for waste of construction on the site. The which act as a gutter for the water to flow down. The space under the roof is intended to have the program of a restaurant.
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35
36
5 PL A N N I N G D R A WIN GS Yr 4 Sem 1//
“Integrated project- technologies, environments and professional practices “ This subject was to get us to work within what is expected in a practice and to gain knowledge on professional style drawings with annotation and details. The set task was to design a storage warehouse and look through NCC and Australian standards to design an appropriate building and document these processes.
Due Credit: In Collaboration with Yoana Doleva and Varvara Fintisova Included are the drawings that I prodominantly worked on
37
CS01
corrugated steel
CP01
corrugated polycarbonate
S015 150ub014 rafters of steel structure
57140
ST-1 200uc046 steel column
48727
TS-01 timber flooring TS-02
timber flooring
TS-03
timber flooring
TS-04
timber flooring stairs
CN-01 concrete floor CAP
carpet flooring
CL-1
ceiling placterboard tiles
CL-2
ceiling moisture resistent placterboard
40220
NOTE: 1. REFER SERVICES ENGINEERS MECHANICAL + ELECETRICAL LAYOUT FOR LOCATIONS OF LIGHT FITTINGS + AVV REGISTERS 2. REFER TO COVER SHEET FOR CEILING LEGEND
CS01
CS01
CS01
CS01
CS01
CS01
CS01
CS01
Gantry cranes - Refer to manufactures drawings - Refer to engineer’s drawings
7040
1
38
7140
2
7140
3
7140 50000
4
GENERAL NOTES CONTRACTOR AND SUBCONTRACTOR SHALL VERIY ALL DIMENSIONS OF THE DRAWING AND SITE CONDITIONS PRIOR TO ANY WORK COMMENCING. ALL SHOP DRAWINGS SHALL BE SUBMITTED TO THE ARCHITECT. THE MANUFACTURER SHALL NOT COMMENSE ANY WORKS PRIOR TO THE RETURN OF APPROVED SHOP DRAWINGS SIGNED BY THE RELEVENT CONSULTANT.
Elevator
FIGURED DIMENSIONS TAKE PRECEDENT OVER SCALED DIMENSIONS.
A
3D DRAWINGS ARE FOR VISUAL REFERENCE ONLY, 2D DRAWINGS TAKE PRECEDENT OVER 3D VISUAL IMAGES. THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH ALL RELEVANT CONTRACTS, SPECIFICATIONS AND DRAWINGS. COPYRIGHT OF THIS DRAWING IS VESTED IN EAST URBAN ARCHITECTS ALL LEVELS SHOWN ON THE DRAWINGS ARE TO THE AUSTRALIAN HEIGHT DATUM.
9500
COLUMNS CENTERED ON GRID UNLESS STATED OTHERWISE.
1
01. REFER TO SERVICE ENGINEER’S DRAIWNGS FOR LOCATION OF S.DF BOXES, G.P.O’S AND SKIRTING DUCTS. 02. REFER TO STRUCTURAL ENGINEER’S DRAWINGS FOR SLAB SIZES AND DETAILS. REFER TO STRUCTURAL ENGINEERS SUB-SOIL AND SHORING DETAILS.
CS01
03. REFER TO HYDRAULIC ENGINEER’S SERVICE PLAN FOR LOCATION OF SUB-FLOOR SERVICES.
B
RL +4.8
04. REFER TO STRUCTURAL ENGINEER’S DRAWINGS FOR COLUMN SIZES & DETAILS. 05. REFER TO DOOR SCHEDULES FOR DOORS.
CL-1
06. REFER TO SPECIFICATIONS FOR ALL MATERIALS. SPECIFICATION TAKES PRECEDENT OVER DRAWINGS.
9500
No.
REVISION ISSUE
DATE
DRAWING TITLE
36845
E001 C
Ceiling height drop - Refer also to G002
1
CS01
Reflected ceiling plan - Ground Floor DRAWN BY
YD
DATE
CHECK BY
VF
DATE 05/18
05/18
9500
CL-1
RL +4.8
D
RL +4.8
PROJECT NAME AND ADDRESS
RL +3.7 CL-2
CL-1
Proposed Luxury Timber Warehouse
RL +3.7
CL-1
CL-2
2 Naxos Way, Keysborough VIC 3173
9500
CL-2
CL-1 CL-2 RL +3.7
CLIENT
CL-2
Haris Bajric
E
7140
5
7040
7140
6
7
8
SCALE
1:100 @ A1
SHEET No
7 / 28
DRAWING No.
E001
39
1
2
1310
6500
Parapet wall beyond Gutter Parapet wall
CS01
CS01
+9.700
CEILING LEVEL
Treads - Non-skid strip at end of nosing
1 LEVEL
+4.800
CEILING LEVEL
4500
GS-1 ST-1 TC-3
1000
+5.200
Concrete stairs - Refer to Engineer’s drawings
PA01
400
14275
LED strip lighting - Refer to electical plan
4500
TC-01
1000
D001
3200
PA01
GROUND LEVEL
+0.000
40
1
SECTION AA
300
TC-01 +0.300
GENERAL NOTES CONTRACTOR AND SUBCONTRACTOR SHALL VERIY ALL DIMENSIONS OF THE DRAWING AND SITE CONDITIONS PRIOR TO ANY WORK COMMENCING.
RISER (R) 160mm GOING (G) 200mm
STAIR DETAIL The going and riser of a flight of stairs in a stairway shall be constant. No. of risers before a landing in a single flight of stairs shall not exceed 18 risers. Handrails shall be at a minimum height of 895mm above landings. Handrails shall be provided along each side of a stairway if the width of the stairway exceeds 2000mm. The width of the stair (measured clear of handrails and obstructions) shall be constant. Balustrades to be constructed in a way that any openings does not permit a 125mm sphere to pass through it and for bottom rails the space is tested above the nosing.
INTERIOR FINISHES: CS01
corrugated steel
S015
150ub014 rafters of steel structure
ST-1
200uc046 steel column
TC-02
Japanese lark timber (flat grain)
GS-1
glazing structural
TC-3
timber interior cladding
LB01
lattice beam
PA01
plaster board walls paint
ALL SHOP DRAWINGS SHALL BE SUBMITTED TO THE ARCHITECT. THE MANUFACTURER SHALL NOT COMMENSE ANY WORKS PRIOR TO THE RETURN OF APPROVED SHOP DRAWINGS SIGNED BY THE RELEVENT CONSULTANT. FIGURED DIMENSIONS TAKE PRECEDENT OVER SCALED DIMENSIONS. 3D DRAWINGS ARE FOR VISUAL REFERENCE ONLY, 2D DRAWINGS TAKE PRECEDENT OVER 3D VISUAL IMAGES. THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH ALL RELEVANT CONTRACTS, SPECIFICATIONS AND DRAWINGS. COPYRIGHT OF THIS DRAWING IS VESTED IN EAST URBAN ARCHITECTS ALL LEVELS SHOWN ON THE DRAWINGS ARE TO THE AUSTRALIAN HEIGHT DATUM. COLUMNS CENTERED ON GRID UNLESS STATED OTHERWISE.
4
3
01. REFER TO SERVICE ENGINEER’S DRAIWNGS FOR LOCATION OF S.DF BOXES, G.P.O’S AND SKIRTING DUCTS. 02. REFER TO STRUCTURAL ENGINEER’S DRAWINGS FOR SLAB SIZES AND DETAILS. REFER TO STRUCTURAL ENGINEERS SUB-SOIL AND SHORING DETAILS. 03. REFER TO HYDRAULIC ENGINEER’S SERVICE PLAN FOR LOCATION OF SUB-FLOOR SERVICES.
6000
6000
04. REFER TO STRUCTURAL ENGINEER’S DRAWINGS FOR COLUMN SIZES & DETAILS. 05. REFER TO DOOR SCHEDULES FOR DOORS. 06. REFER TO SPECIFICATIONS FOR ALL MATERIALS. SPECIFICATION TAKES PRECEDENT OVER DRAWINGS.
S015
No.
REVISION ISSUE
DATE
DRAWING TITLE
G001
LB01
Section AA
GS-1
GS-1
GS-1
GS-1
GS-1
DRAWN BY
YD
DATE
05/18
CHECK BY
VF
DATE 05/18
PROJECT NAME AND ADDRESS
Proposed Luxury Timber Warehouse GS-1
GS-1
2 Naxos Way, Keysborough VIC 3173 CLIENT
Haris Bajric W010
SCALE
1:50 @ A1
SHEET No
12 / 28
DRAWING No.
G001
41
110
1885
110
FW
600
GRB
16
15
14
600
WC
TRH FW
WC
UR
600
TL01
TL03
1
1:50
1000 7310
3890
18
TL02
D004 110
WET AREA FLOOR PLAN
2200
1200
TL03
5
150
1:50
620
1
1:50
4500
110
FEMALE WC
TL02
4500
1480
2000 1485
TL03
2
FEMALE WC
2200
18 3000
1890
2200
4500
805
UR
13
150
GRB
2200
485
2200
6
110 FW
PW
6
FEMALE WC 1:50
Mirror
TL03
150
7
D004
MI
18
630
18 8
5
19
TRH
TRH
1500
VB MI
17
WC
FW
480
600
TRH
WC
20
W02
UR
960
WC
GRB SD BM
TL02
800
TL01
TRH
HR
D004
LS
945 490
600
VB
10
150
D004
LS
11
2770
BM
12
MI
1000
W03
WC
VB
SD
TL02
TL01
1410
BM
PTD
18 2120
3
HR
2
LS
HR
800
1
430
VB
4
FW
800
MI
9
HR
200
200
1000 1000 18 960 18 1000 110 480 480 480 480 480 465 430
BM
TL01
VB
D005
TL01
18
2000
BM SD
SD
2000
SD
LS
480
W02
D004
PTD HR
960
800 500
110
D004
PTD LS
980
800
800
W03
4500
1890
5320
7310 500
110
110
1000
3000
1502
1250
200
TL02
FEMALE WC 1:50
TL02
D0 4500 2200
4500
9
TL03
150
150
800
2200
4500
D004
TL03
10
MALE WC 1:50
11
MALE WC 1:50
Laminated toilet partitions TL02
TL
4500 2200
Disability WC to AS 1428.1
14
MALE WC 1:50
MALE WC 1:50
17
42
DIS WC
1:50
18
DIS WC
1:50
150
TL03
150
850
720
TL03
720 500
150
852 800
1410
2200
4500
TL02
4500
TL02
4500
TL03
2200
13
200
TL03
150
620 150
1100 1200
2200
4500
D004
19
GENERAL NOTES
GENERAL ANATATION
TL02
TL02
2200
800
800 250 850
2200
M IR R
OR
4500
4500
D004
3
4
FEMALE WC 1:50
FEMALE WC 1:50
TL02
2200
2200
corrugated polycarbonate
TC-01
Japanese lark timber (end grain)
TC-02
Japanese lark timber (flat grain)
S015
150ub014 rafters of steel structure
ST-1
200uc046 steel column
STU
roofing of steel structure
LB01
lattice beam
TS-01
timber flooring
TS-02
timber flooring
TS-03
timber flooring
TS-04
timber flooring stairs
CAP
carpet flooring
TL01
floor tiles
TL02
wall tiles type one
TL03
wall tiles type two
FIGURED DIMENSIONS TAKE PRECEDENT OVER SCALED DIMENSIONS. 3D DRAWINGS ARE FOR VISUAL REFERENCE ONLY, 2D DRAWINGS TAKE PRECEDENT OVER 3D VISUAL IMAGES. THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH ALL RELEVANT CONTRACTS, SPECIFICATIONS AND DRAWINGS. COPYRIGHT OF THIS DRAWING IS VESTED IN EAST URBAN ARCHITECTS ALL LEVELS SHOWN ON THE DRAWINGS ARE TO THE AUSTRALIAN HEIGHT DATUM. COLUMNS CENTERED ON GRID UNLESS STATED OTHERWISE. 01. REFER TO SERVICE ENGINEER’S DRAIWNGS FOR LOCATION OF S.DF BOXES, G.P.O’S AND SKIRTING DUCTS. 02. REFER TO STRUCTURAL ENGINEER’S DRAWINGS FOR SLAB SIZES AND DETAILS. REFER TO STRUCTURAL ENGINEERS SUB-SOIL AND SHORING DETAILS.
CL-1
ceiling placterboard tiles
CL-2
ceiling moisture resistent placterboard
PA01
plaster board walls paint
04. REFER TO STRUCTURAL ENGINEER’S DRAWINGS FOR COLUMN SIZES & DETAILS.
GS-1
glazing structural
05. REFER TO DOOR SCHEDULES FOR DOORS.
TC-3
timber interior cladding
BL01
balustrade
06. REFER TO SPECIFICATIONS FOR ALL MATERIALS. SPECIFICATION TAKES PRECEDENT OVER DRAWINGS.
7
150
620
150
TL03
8
FEMALE WC
03. REFER TO HYDRAULIC ENGINEER’S SERVICE PLAN FOR LOCATION OF SUB-FLOOR SERVICES.
1:50
No. 1:50
DATE
DRAWING TITLE
J001
TL02
TL02
REVISION ISSUE
FEMALE WC
004
150
TL03
150
IR M
800
2200
RO
R
4500
Internal elevations
12
MALE WC 1:50
05/18
CHECK BY
VF
DATE 05/18
4500
TL02
4500
PROJECT NAME AND ADDRESS 2200 1100 1200 1525
16
MALE WC 1:50
TL03
Proposed Luxury Timber Warehouse
200
200
TL03
150
1100 1200
620 150
DATE
1:50
2200
2200
MM
MALE WC
TL02
15
DRAWN BY
TL03
L02
9
ALL SHOP DRAWINGS SHALL BE SUBMITTED TO THE ARCHITECT. THE MANUFACTURER SHALL NOT COMMENSE ANY WORKS PRIOR TO THE RETURN OF APPROVED SHOP DRAWINGS SIGNED BY THE RELEVENT CONSULTANT.
1200
2200
4500
TL02
4500
corrugated steel
CN-01 concrete floor
TL03
150
150
TL03
CS01 CP01
CONTRACTOR AND SUBCONTRACTOR SHALL VERIY ALL DIMENSIONS OF THE DRAWING AND SITE CONDITIONS PRIOR TO ANY WORK COMMENCING.
MALE WC 1:50
2 Naxos Way, Keysborough VIC 3173 CLIENT
TL02
TL02
Haris Bajric
150
TL03
DIS WC
1:50
20
TL03
439
1100
1380
M
IR
RO R
4500
D005
DIS WC
1:50
SCALE
1:50 @ A1
SHEET No
22 / 28
DRAWING No.
J001
43