❤
—Louis Eilshemius (1864-1941), from Louis M. Elshemus, Poetical Works of Louis M. Elshemus (New York: The Abbey Press, 1901), 161-162
O there are still for me sweet joys to Remembrancesboot— of love-filled moments fond— Long parleys with dear friends of autumn-morns; And bantering. There is the bond of friendship That makes me think of others; and the thought That in my age I yet may joyaunce give To some lone being left forlorn and sad. And may we three not spend rapt evenings, As now, to muse of things unknown, unfelt Before—oh! In the peace of nature’s realm We find new thought to wish we lived fore’er!
30
on
Louis M. Eilshemius (1864-1941) Bathers (aka Helping Hand), 1896 oil canvas 1/4
x 25 1/4 inches 76.8 x 64.1 cm signed
Bob Thompson (1937-1966) Apollo and Daphne, c.1964 oil on printed paper mounted on board 10 5/8 10 7/8 inches 27.6
x
cm signed
27.0 x
Norman Lewis (1909-1979)
x 61.0 cm signed
Sailor and Woman (Kiss), 1945 oil on canvas 28 inches 71.1
x 24
John Wilde (1919-2006) Balancing, 1958 oil on panel 9 1/2 x 6 1/8 inches 24.1 x 15.6 cm signed
Federico Castellon (1914-1971) Untitled (Kiss), c.1935-40 charcoal on paper 9 3/4 x 6 1/2 inches 24.8 x 16.5 cm
Elizabeth Catlett (1915-2012) Embrace, marble1998 20 1/4 x 5 1/2 x 6 3/4 inches 51.4 x 14.0 x 17.1 cm signed
James Chapin (1887-1975) Untitled (Two Generations), 1944 oil on canvas 35 x 27 inches 88.9 x 68.6 cm signed
x
inches
x 70.8 cm signed
Mother's Boy, 1944 oil on canvas 35 7/8 27 7/8 91.1
Milton Avery (1885-1965)
John Flannagan (1895-1942)
Mother and Child (aka Design for a Skyscraper Court), c.1934-35 cast stone and wood base 14 1/4 x 12 1/2 x 8 1/2 inches 36.2 x 31.8 x 21.6 cm
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