Ivan Čavlović (Sanski Most, 1949), music theoritician, music professor, music writter and composer. After graduating from the Gymnasium, he studied and graduated Pedagogical Academy in Pula at the Department of Music Education (1972). Also, he graduated at Music Academy in Sarajevo at the Department of Music Theory and Pedagogy (1977) and at the Piano Department (1979) in the class of prof. Matusja Blum. He graduated from the Music Academy in Sarajevo (1983), defending his master’s thesis entitled: Sonata form in the works of J.S. Bach and the application of its principles in piano sonatas by D. G. Scarlatti (Mentor: Nada Ludvig-Pečar) and doctoral degree (1991) with thesis: “Compositional charactheristics of the creative opus of Vlado S. Milošević” (mentor: Nikša Gligo). From 1978. to 2016. Čavlović was professor at the Academy Music in Sarajevo. He was the Deputy Dean in many turnouts, and the Dean of the Academy of Music in Sarajevo in two mandates (2009-2016). He was the initiator and editor of magazine Muzika, one of the founders of the Musicological Society of FBiH and the International Symposium „Music in Society“, as well as the initiator of several musical festival type manifestations. He composed music for theater performances, opera of attraction Srebreničanke (2004), several concerts for solo instruments and string orchestra, one symphony, several solo songs and chamber works for various instrumental compositions. He is currently the Vice President of the Musicological Society of FBiH and professor emeritus of the University of Sarajevo. /// Asim Horozić (Tuzla, 1958) Osnovnu i Srednju muzičku školu završava u Tuzli. Harmoniku počinje učiti sa osam godina, a prve kompozicije počinje pisati za školski orkestar u kojem je i sam svirao. Diplomira kompoziciju na Muzičkoj akademiji u Sarajevu u klasi Vojina Komadine (1982) Koncertom za violinu i orkestar u A duru (praizveden tek 1996). Po završetku Akademije vraća se u Tuzlu gdje i danas djeluje kao docent na Filozofskom fakultetu, odsjek za razrednu nastavu, na predmetu Muzička kultura s metodikom. Od 2005. radi kao docent za kompoziciju na Muzičkoj akademiji u Sarajevu. Napisao je udžbenike Harmonija 2 i Harmonija 3 za srednje muzičke škole. Jedan je od najplodnijih kompozitora u BiH, a među njegovim radovima ističe se opera Hasanaginica (2000) i opera za djecu Aska i Vuk (2003) za koje je libreto napisao Nijaz Alispahić, Kapija, koncertantni stavak za klarinet i orkestar (1997), Koncert za klavir i orkestar u e molu (1995), Koncertantna fantazija za flautu i orkestar, Fantazija za harmonikaški orkestar, Duša sarajevska, fantazija za simfonijski orkestar, Sjećanje na Mocarta za simfonijski orkestar, Bosna, San o Bosni i Ašikovanje, uvertire za simfonijski orkestar, Zapis o zemlji, za sopran hor i orkestar, Sevdisanje, za sopran, hor i orkestar, Mangala, za sopran hor i orkestar, Odbrana Bosne, za sopran, recitatora i orkestar, Elegija za kamerni orkestar i dr. Bavi se komponovanjem muzike za pozorište, harmonizacijom i aranžmanima sevdalinki, ilahija i kasida i obradama tradicionalni bh. pjesama za dvoglasne dječije horove. Asim Horozić (Tuzla, 1958) completed Elementary and High school of music in Tuzla. He started playing accordion when he was eight years old, and composing his first composition for school orchestra where he played. He graduated from the Academy of Music in Sarajevo, Department for Composition in 1982 (with Vojin Komadina), with his Concerto for violin and orchestra in A Major (first performance in 1996). When he graduated, he came back to Tuzla University where he works as
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