Concrete Indefinite Version for Trombone and Electronics
Matthew A. Bardin 2017, this version 2018-19
i
Performance Notes: Concrete Indefinite is a composition intended to blur the line of specific, notated music and music of a more indeterminate, almost aleatoric nature through the use of electronic processing. It was my goal to create a sort of hybrid-instrument between the trombone and electronics that would be difficult to place into any one traditional category. The use of modern performance techniques across the entire sounding range of the trombone allows the performer to show off their abilities as well as add their own artistic interpretations into various aspects of the performance.
On Electronics: In the score, 4 kinds of electronic effects are indicated: Grainy, Watery, Delay, and Reverb. The Ableton Live session used at the premiere can be found at this website: https://www.matthewbardin.com/concreteindefinite A free version of the Ableton Live software used can be found here: https://www.ableton.com/en/products/live-lite/. The only caveat to this is that you will be unable to save any changes to the Live session without purchasing and authorizing the software license. However, it will still run the session for the performance. If desired, the performer may create their own series of effects for the performance as long as those effects still achieve the general sounds of the original in the provided session file. Grainy: Makes the trombone sound more abrasive and piercing Watery: Obscures and blurs the sound, as if it was coming from under water Delay: Delays the sound with feed ack, creating repeated notes that are not notated in the score Reverb: a setting for a large space The set up for the performance has the trombone completely muted with a Silent Brass practice mute (although any practice mute with a headphone output could be utilized). The signal was split to allow the performer to hear their unaltered sound via headphones if desired, and also to enter the sound system. Within Ableton Live, the signal was further split to allow for the unaltered sound to leave the speakers, and for whomever is running the electronics to apply the desired effects.
ii
On Notation: For the Electronics: Each effect has been assigned their own line in the score with the amount represented graphically with lines. The vertical position of each line indicates the approximate level that each effect should be applied. (reverb is simply on/off) The included numbers help the performer to better achieve the desired effects, with 0 indicating that the effect is completely off, and 10 indicating that it is completely on. This is most easily achieved in Ableton Live by assigning the level meters to knobs or dials on a MIDI controller for the performance. Any questions regarding this can be directed to matt@matthewbardin.com.
For the Trombone: 1) Microtones: The following symbols are used to indicate microtonal inflections.
2) Slide Vibrato: notes appearing underneath this wavy line (pictured below) should have a vibrato applied to them by adjusting the slide position quickly. The pitch difference should be large; at least a Âź tone away from the notated pitch in either direction. 3) Highest Note Possible: Notes with a triangle note head (pictured below) should be the highest note that the performer can achieve at the indicated slide position. 4) Indicated Slide Position: Roman numerals are used to indicate when a specific slide position is required. See the opening measure (pictured below) for an example.
iii
5) Singing Through the Instrument: A separate line with all square-shaped note heads (see measure 275, pictured below) is used to show when the performer should sing the desired pitch on an ‘ahh’ syllable (in whichever octave is most comfortable for the performer) as well as playing the indicated trombone material by buzzing normally. This creates a multiphonic effect with implied harmonies.
6) Breathing through the Instrument: Notes with an X note (see measure 169, pictured below) head should not be played normally, rather the performer should inhale or exhale as indicated. This effect in enhanced by changes in the slide position as well as the electronic processing. 7) Breathing: When performing notes with X note heads (see measure 169, pictured below), a downward pointing arrow is used to indicate when the soloist should be exhaling, and an upward pointing arrow is used to indicate if the performer should inhale through the instrument.
8) Glissandi: Any Glissandi moving to or from an X note head (see measure 140-141, pictured below) indicate a gradual change to/from normal playing to breath-sounds. All other glissandi (between two of the same style of note heads) are to be played traditionally.
Concrete Indefinite Version for Trombone and Electronics Perfomance Score
Matthew A. Bardin
Slowly q= ca. 44
Trombone
°÷ 0
6 8
5 8
3 8
6 8
5 8
3 8
6 8
2 4
3 8
6 8
5 8
4 4
A nY ÍÍÍÍÍÍÍÍÍÍ n œ œ ˙ 5Œ œ 4 o o p 5 4
÷6
6 80
5 8
36 8
6 8
5 8
3 86
6 8
2 44
3 8
6 8 0
5 8
4 4
5 4
÷0
6 8
5 8
5 8
3 8
6 8
2 4
3 83
6 8
5 8
4 4
5 4
¢÷ON
6 8
3 8
6 8
5 8
4 4
5 4
ÍÍÍ VI. 1 1 ? J 6 b˙ ™ 8 pp
'Grainy' Effect
'Watery' Effect
Delay
Reverb
ÍÍÍ VI. 1 1 œ œ œ™ 5 ™ b˙ ™ 3 6 J Œ Œ J 8 8 8
mf
ÍÍÍ VI. 1 1 b œ œ œ ™ 5 µœ b˙ ™ 3 6 J ‰ Œ J 8 8 8
pp
f
pp
2˙ 4
VI. ÍÍÍ 1 1 bn¿ n¿ œ ™ µœ Œ Œ 83 J 68 J 58 œ ™ 44 w
mf
p
0
3 8
6 8
f
3 4 3 4 3 4 3 4
6
0
5 8
3 6 8 ON 8
5 8
3 8
6 8
2 4
3 4
ON
OFF OFF
= VI. 1 ! gliss. bœ œnœµœnœBœBbœ ˙ n m B ¿ ¿ ? 3 œBœ Œ Œ ‰ 45 4
18
Tbn.
mf
mf
fp
VI. 1 1 œ m V.1 1 1 I.1 1 BbnY ™ >3 œ œ™ œJ œ n˙ gliss.83 Bœ ‰ ‰ ‰ 58 œ ¿J 42 ‰ ‰ 4 sfzz f
ppp
p
p
Grainy
°÷ 3 4 (0)
5 4
3 8
5 8
2 4
3 4
Watery
÷ 43 (0)
5 4
3 8
5 8
2 4
3 4
÷ 43 (6)
5 4
Delay
3 ¢÷ 4 (ON)
5 0
3 85
5 8
2 4
3 4
5 8
2 4
3 4
0
Reverb
œ ˙
B m n¿ ™ Bœ œ j œ Bœ ™ œ œ ¿™ ‰ J o
5 4
3 8
ON
OFF Copyright © 2017, 2019 Matthew A. Bardin/MaBMusic (ASCAP all rights reserved)
Concrete Indefinite 2
C accel. q= ca. 80
m¿ 1 1 1 b˙ ? ‰ ‰ 44
33
Tbn.
p
°÷ Grainy
Slightly slower q.= ca 76 ÍÍÍ V.! 1 1 n nn nn n 1 6 ˙™ j 3 5 œ ¿ œ™ ¿ Œ ¿ µ ¿ # ¿ œ ¿ Bb œ n œ µ œ ˜ œ 8 œµœ#œ˜œ Bœnœµœ#œ J Bœ œ™ 8 µœ ‰ n¿ 4 VI.
IV.
œ. BœµœBœBbœ 3 -œ ‰ µœ. n¿ ‰ nœ. 4 n 4 4w
mp
mf
2 4Y
f
p
4 4
3 4
4 4
2 4
4 4
3 4
4 4
mp
mf
f
mp
f
1 m¿
mp
6 8
3 8
5 4
2 4
6 8
3 8
5 46
(0) 10
÷ Watery
0
÷(5)
4 4
3 4
4 40
2 4
6 8
3 8
5 4
¢÷(ON)
4 4
3 4
4 4
2 4
6 8
3 8
5 4
Delay
Reverb
OFF
= 1 n¿ ! ™ ? V.
47
Tbn.
œ bœ œ m¿ n¿ nœBœBbœbœµœnœ D˙ 3 4
mm B œ n œ ÍÍÍÍÍ ˙ n¿ œ œ ¿ œ œ™ J ˙ ¿ Bœ œBœnœ o f
œ œ mY
œ b˙ p
E V.1 1 1 1 n 1 1 n 1 1 n 1 n m n n ÍÍÍÍÍÍ ¿¿ 4 BbY ™ Œ 6 ‰ ¿ ¿ ¿ ¿ ¿ ‰ 4 8
f
mf 10
°÷
3 4
Grainy
6 3
8
4 4
6 8
(0)
÷(6)
3 40
4 4
6 8
÷
3 4
4 4
6 8
3 4
4 4
6 8
Watery
Delay (0)
Reverb
¢÷(OFF)
6
Concrete Indefinite 3
ca. 3 sec
Energetic q ca. 100
accel. 61
Tbn.
ÍÍÍÍ ? œ œ œ œ ‰ œ œ œBbœ 3 œ ‰ nœj 8 J J œ J o mf o o o mf f °÷ 8
3 8
6
Grainy
÷ Watery
j œ œ
r bœ œ n œ ¿ 5 œ œ œr bœ œ œ œ J 8 p
f
p
bÍÍÍÍÍÍÍ œ 2 B œ œ µ œ n œ ‰ 4Ó
f
p
f
mp
5 80
4 2
3 8
5 8
3 8
5 8
3 8
5 ON 8
F ÍÍÍÍÍÍÍÍ 5 œ ˜œj œ 4œ ˙
6
2 4
5 4
2 4
5 4
2 40
5 4
2 4
5 4
bœ ™ œ ‰ œ œj o mf
U œ œ J
(0)
÷ Delay
5
(0)
Reverb
¢÷(OFF)
= ca. 2 sec
U ? bœ Bœ Œ nY
Angry q.= ca. 100
73
Tbn. ff
°÷ Grainy
6‰ 8 œ œ ‰ œ œ ‰ œ ‰ Œ™ . . o pp sfz 6 8
G 3 6 8 Bœ nœ ‰ 8 ‰ œ œ ‰ œ Bœ ‰ Bœ nœ ‰ œ B œ > p f p f p f 3 6 8 28
3 8‰ 3 8
H 6‰ ‰ œ œ ‰ œ ‰ Œ™ 8 œ œ B œ. n œ . . > p sfz 6 84
3 8 3 8
(0)
÷
6 80
3 8
÷
6 8
3 58
Watery
Delay
7
6 8
3 8
6 8
3 8
6 8
3 8
6 10 8
3 8
6 8
3 8
6 8
3 8
(0)
Reverb
¢÷ (ON
6 8 OFF
3 8
Concrete Indefinite 4
82
Tbn.
> 3-6 3 7 ?3 8 œ œ ‰ 8 ‰ œ œ ‰ œ Bœ ‰ nœ œ ‰ œ Bœ ‰ Bœ œ ‰ œ B œ 8 ‰ B œ n œ 8 ‰ œ B œ ‰ B œ ‰ œ œ ‰ µœ nœ ‰ œ ‰ 8 œ œ ‰ Œ ™ . . . . . . . > > . p
f
sfz p
f
p
I . . 7 6 8 ˜œ Bœ ‰ µœ. <n> œ Œ 8 œ œ ‰ nœ œ ‰ . >
f
p
sfz
p
Grainy
°÷ 3 8(4)
66 8
3 8
7 8
3 8
7 8
6 8
Watery
÷ 83 (0)
6 8
3 8
7 8
3 8
7 8
6 8
(10) 3 ÷ 8
6 8
3 8
7 8
3 8
7 8
6 8
3 ¢÷ 8(OFF)
6 8
3 8
7 ON 8
3 8
7 8
6 8
Delay
Reverb
=
93
Tbn.
. -œ -œ B-œ nœ. 7 œr -œ œ. œ. œ. B-œ nœ. -œ œ. . -œ . . . 3 6 ? -œ -œ ‰ Bœ. n-œ ‰ 7 œj œ. -œ ‰ œ œBbœ nœ. ‰ œ œ ‰ œ œ. ‰ œ >œ ‰ B œ n œ œ B œ ‰ ‰ ‰ ‰ ‰ 8 ‰ œœ‰ ‰ ‰ 8 ‰ ‰ ‰ œ 8 8 œ œ. œ œ. nœ œ f p mf f p mf p f p mf f p sub. mp 10
° (8) Grainy ÷ ÷ Watery
7 8
3 8
6 8
7 8
7 8
3 8
6 8
7 8
3 8
6 8
7 8
3 8
6 8
7 8
(0) (10)
÷ Delay
Reverb
¢÷ (ON)
7 8
6
7 8 OFF
Concrete Indefinite 5 103
? ‰
œ. -œ ‰
‰
Tbn.
œ œ
J ‰ ‰ ‰ B-œ n-œ 83 œ. ‰ Bbœ. nœJ œ œ. œ. p
n¿™
. œ œ œ
f
j œ
n ¿™
j Bœ nœ
n 3 j ¿ 8
2 4 jœ œ™ œ- œ. œ p
p mf
f (10)
° Grainy ÷
3 8
÷
3 8
Watery
6 6 4
2 48
3 8
2 4
3 8
2 40
3 8
2 4
3 8
(0)
3 8
÷(6) Delay
Reverb
3
3 8
¢÷(OFF)
=
113
Tbn.
? 3 bœj bœ 8 J
œ
œ nœ
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ œ . œ ‰ œgliss œ™ J
K ‰ œ™
gliss.
œ™ ‰ Bœ
œ
j 2 œ 4œ
œ™ œ
3 8œ
gliss.
œ
ff p
Grainy
°÷ 3 10 8
5
mf
‰ o
‰
p
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
0
Watery
Delay
Reverb
÷ 83 (0)
3
÷ 83 (0)
3 ¢÷ 8(OFF)
ON
3
ÍÍÍÍÍÍÍ m ¿
Concrete Indefinite 6 126
Í Tbn.
? œ œ. J
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ accel. œ™ œ b œ j œ 4 œj œ ™ œ œ œ 4 J
µœ nœ
j œ
Ϫ
œ œ J
j œ
µœ nœ
Ϫ
œ œ J
µœ. nœ.
j œ
Ϫ
œ œ J
µœ nœ
j œ
Ϫ
œ œ J
µ>œ. n>œ. â ä
ppp mf
°÷
4 4
Grainy (0)
Watery
4 4
÷(3)
6 0
Delay
4 4
÷(3)
0
Reverb
¢÷ (ON)
4 4
= ca. 5 sec
Suddenly timeless 134 ca. 3 sec
? U ∑
o U b~
o p
Much faster and energetic. <beats =ca. K x >*
2 4Ó
Voice
6 8
ahhh
ca. 3 sec
U Bb ? w
ca. 5 sec
U w
2 Ϫ 4
Tbn. ff
p
‰
6 8
mf
°÷ 5 Grainy
2 45
6 8
2 4
6 8
2 4
6 8
2 4
6 8
0
÷ Watery (0)
÷ Delay (0)
(ON) Reverb
¢÷
* use resualtant beats in measure 135 as K x in new tempo
Concrete Indefinite 7
Lœ œ -œ . œ. œ ÍÍÍÍ œ œ n œ m œ B œ . œ ¿ ¿ µ œ n œ œ œ œ œ œ œ œ . . . . . 6 3 6 ? œ œ œ µ œ n œ œ œ œ œ Bœ œ nœ ‰ Œ J Bœ nœ œ 8 œ ‰ 8 œ Bœ <B>¿ nœ Tbn. 8 œ œ µœ. nœ. J œ . . œ > 3 3 mf 3 mp f 3 6 ° 6 Grainy ÷ 8 5 8 8 2 137
Watery
÷ 68 (0)
Delay
÷ 68 (0)
Reverb
2
4
6 ¢÷ 8 (ON)
3 8
6 8
3 8
6 8
3 8
6 8
OFF
=
146
Tbn.
? m¿ n¿ œnœ œ œ œ œ œ œ œ œ™ n¿™ J 3
p
°÷ 6 Grainy
3
Mœ œ . . 3 3 5 œ. œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ mj m 8 œ . - ¿ ¿ 3
n m3 n m3 m n -œ n¿ m¿. m. m¿. n¿ B-œ BÍÍÍÍÍÍÍ œ ™ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Bœ œ ‰ 3 Œ ™ ¿ 8 J J
3
3
f
p
mf
5 8 5 8
÷ Watery
5 8
6
3 80
5 8
3 8
5 8
3 8
5 8
3 8
5 8
(0)
÷ 6 Delay
5 8 1 1 0 0
Reverb
5 8
¢÷ (OFF)
ON
Concrete Indefinite 8
N accel. 157 quasi gliss through m. 171
Tbn.
Grainy
Watery
˜œ. ? 5 µœ ˜œ. 8 #œ <n>œ
œj Bœ. ‰ n œ B¿
°÷ 5 8 (0)
2 4 µœ ˜œ #œ Bœ o ppp 2 4
µœ ˜œ #œ Bœ
µœ ˜œ #œ Bœ œ µœ ˜œ #œ
œ µœ #œ ˜œ nœ µœ Bœ <n> œ <n>œ µœ #œ ˜œ
pp
p
mp
mf
f
mf
3
÷ 58
2 4
3
2
Delay
Reverb
÷ 58
2 4
2
5 ¢÷ 8 (ON)
2 4
=
O accel. Slightly more relaxed. q= ca. 44 rit. 166
? Bœ nm¿. µm¿. ˜œ Bn¿ nœ µm¿. ˜m¿. Tbn. mp
p
mn n n m œ B¿ B¿ n¿ B¿ Bbœ bœ Bb¿ . . mp
n n m m n m n n ¿. B¿. b¿. Bb¿. n¿ Bb¿ B¿. µ¿.
p
¿
µn¿ ™ gliss. 6 ‰ 8
mf
°÷
58 8
2 4
5 8
6 8
5 8
2 4
5 8
6 8
(2)
5 8
2 4
5 8
6 8
(ON)
5 8
2 4
5 8
6 8
6 Grainy
÷ Watery
n¿ n ¿ gliss. BÍÍÍÍÍÍÍÍ m mn m m n ™ b n ¿ œ j ¿ 5 ¿¿ 2 ¿ ‰ 58 ¿ 8 n¿ 4
4 2
÷ Delay
Reverb
¢÷
Concrete Indefinite 9
Like the begining, but more tense. q.= ca. 100
bn¿ ™ Bbœ ™
176
Tbn.
? 6 bœ ™ 8
œ
ÍÍÍÍÍ m¿™ œ œ œ 3 œ ‰ 8 œj
B
‰
7 ‰ œ Bœ œ œ -œ œj œ œJ Œ 8
µ -œ
ÍÍÍÍÍÍÍÍÍÍÍÍ >. B œ n>˙ œ B œ n¿ µ œ ˜ œ # œ 4 3 4 4
œ. ‰
‰ -œ
˙
mf f
p
f
sfz
4 œ. 4
œ mp
mf
Grainy
°÷ 6 (8) 8
3 80
7 8
46 4
3 4
4 4
Watery
÷ 68 (2)
3 8
7 8
4 4
3 40
4 4
÷ 68 0
3 8
7 8
4 4
3 4
4 4
6 ¢÷ 8 (ON)
3 8
7 8
4 4
3 4
4 4
Delay
Reverb
=
185
Tbn.
n œ œ œ œ œ œ. œ œ j
B4 œ 4œ
3
‰ œ 83 œ
Pj j . œ œ. Bœ œ. œ Bœ m¿ œœ 4 ‰ 4
n>-œ
. nœ œ œ Bœ œ œ 3 B>œ 8
> œjnœ 4 ‰ 4
?
Œ
œ œ.
j œ
Bbœ
œ
n Y™
m
4 4
3
o f Grainy
°÷ 4 5 4
p sub.
3 8
fff
4 4
3 8
f
4 4
4 4 0
Watery
÷ 44 (0)
3 8
4 4
Delay
÷ 44 (0)
3 8
4 4
Reverb
4 ¢÷ 4 (ON)
3 8
4 4
5
3 8
4 4
3 8
4 4
3 8
4 4
4 4 6
4 4 4 4
OFF
Concrete Indefinite 10
rit. Play 6 times; getting softer each time
192
Tbn.
? 4 ™™ 4
j nœ
Ϫ
j œ
œ
µœ
nœ
3 4œ
gliss.
œ
j œ
™™ 44
gliss.
Bbœ
Bœ
bw f
ppp
° 4 ™ Grainy ÷ 4 ™ (0)
3 4
™™ 44
÷ 44 ™™ (0)
3 4
™™ 44
÷ 44 ™™
3 4
™™ 44
Watery
Delay
6
6
0
Reverb
4 ¢÷ 4 ™™ (OFF)
3 4
™™ 44
=
a tempo rit. Legato q = ca. 88 195
? n˙ ™ Tbn.
-œ œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ -œ œ. ˙™ #œ ™ #œ œ Bœ J
>j µœ
nœ ™
j nœ
j nœ œ œ.
µœ œ nœ ‰ œ œ -œ .
œ œ. œ œ #œ >-
mf fp
° Grainy ÷ (0)
Bb œ µ œ œ. ÍÍÍÍÍÍÍÍÍÍÍÍÍ œ 3 4 3 4œ 4 8 Œ™ ˙™ fp 3 4 3 4 4 8 j œ
3 4 3 4
Watery
÷ (0)
3 4
4 4
3 84
3 4
Delay
÷ (0)
3 4
4 4
3 8
3 4
3 4
4 4
3 3 8 OFF 4
ON Reverb
¢÷
Concrete Indefinite 11
Q n ? 3 œ™ œ œ œ œj œ œ b¿ œ ™ nœ. œ œ 2 Bb˙ 4 4 J J
204
Tbn.
p
n . 3 jµ>œ ™ œJ œ 2 œ™ ‰ Bœ œ œ œ 3 ˙ n¿ 7 œ. œ œ œJ œJ œ ™ 6 ˙™ 4œ 4 4 8 8
mp
mf
f
ppp
°÷ 3 4(0)
2 4
3 4
2 4
3 4
7 8
6 8
Watery
÷ 43 (4)
2 46
3 4
2 45
3 40
7 83
6 8
÷ 43 (0)
2 4
3 4
2 4
3 4
7 8
3 ¢÷ 4(OFF)
2 4
3 4
2 4
3 4
7 8
Reverb
ÍÍÍÍÍÍ ˙™ œ œ œ >œ ÍÍÍÍÍÍÍÍ œ. œ œ œ. œ 3 œ™ 6 œ ™ Bœ >œj œ ˙™ J J J J 8 8
f3
p
Grainy
Delay
Bbœj
f
3 8
6 8
3 8
6 8
6 8
3 8
65 8
6 8
3 8
6 8
8 3
0
=
R rit. 220
œj
Tbn.
œ ? œ #œJ µœJ
. œ œ œ n¿ ÍÍÍÍÍÍÍÍÍÍ œ œ™ 5 8
j jœ œ
n œ ¿ œ™
Ϫ
Bœ Œ
m ¿
q= ca. 112 > .jBœ ÍÍÍÍÍÍ n 6 œ œ j gliss8. œ œ ‰ ¿
.> ‰ œ œ œjnœ ™ >
p pp
°÷
(8)
Grainy
÷ Watery
5 8
5
mf
6 8
5 8
6 8
5 8
6 80
5 8
6 ON 8
(0)
÷ (5) Delay
Reverb
¢÷ (OFF)
mp
. Bœ œœ œ J
ÍÍÍÍÍÍÍÍ œ™
Concrete Indefinite 12
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ™ 3œ ‰ 8
229
Í Tbn.
? ‰ œ. œ. œj œ ™
Bœ œœ œ J
œ™ g 3 bœ ™ liss. nœJ œ 4
p
bœ bœ œ
Bn¿
Ϫ
bœ. bœ nœ 2 B˙ J 4
3 œjBbœ ™ 4
bœ œ J
2 4
‰B
f
°÷ Grainy (5)
÷ Watery
3 8
3 4
2 4
3 4
2 4
3 8
3 4
2 4
3 4
2 4
3 8
3 4
2 4
3 4
2 4
3 8
3 4
2 4
3 4
2 4
(0)
÷ Delay (0)
Reverb
¢÷
ON
=
S . ÍÍÍÍÍÍÍÍÍ B Bbœ œ œ œ 3 ˙ gliss. n¿ 4
T
238
Tbn.
gliss.
7 bœ bœ bœ œ bœ ˙ 8
ÍÍÍÍÍÍÍÍÍÍÍ Bœj#˙ ™ 6 b˙ ™ 8
#œ
3
pp
f
op
œ œ J
œ. n˙ ™ J
. 5 #œ nœJ œ µœ ˜œ g?liss3. œ #œ 8 8 J #œ 3 > o mf
‰
‰
7 8
B>œ sfz
°÷ (5) Grainy
3 4
7 8
6 8
5 8
3 8
7 8
7 7
0 0 0
÷ Watery
3 4
7 8
6 8
5 8
3 8
7 8
3 4
7 8
6 8
5 8
3 8
7 8
3 4
7 8
6 8
5 8
3 8
7 8
(0)
÷ Delay (0)
(ON) Reverb
¢÷
OFF
Concrete Indefinite 13 249 Angry q.= ca 120
Tbn.
? 7 ˜œ Bœ. ‰ µ-œ œ. ‰ 8 pp
Grainy
°÷ 7 8
Watery
÷ 87
-œ n-œ 3 nœ.j >œ B-œ . 3 7 µ ‰ Bœ. ‰ nœ ‰ µœ 8 ‰ ‰ ‰ 8 ‰ Œ 8 Bœ ™ œ> œ> œ> n œ> f
p
10
f
œ œ œj 7 j˜> ‰ œ œ nœ œ . œ œ 8 o mf
p
œ f
. œ. œ œnœ >œ 2 œ œ. œ œ œ œ 3 8 8 œ. œ. J 3 3 3 p
mf
3 8
7 8
3 8
7 80
2 8
3 8
3 8
7 8
3 8
7 8
2 8
3 8
3 85
7 8
3 8
7 8
2 8
3 8
3 8
7 8
3 8
7 8
2 8
3 8
(0)
Delay
÷ 87 (0)
Reverb
7 ¢÷ 8
ON (OFF)
=
U B œ œ œ nn¿ 3 m¿ B œ œ B œ œ . 3 ? Tbn. J 4 nœ œ œ 8‰ 3 3 o pp mf 3 ° 3 Grainy ÷ 8 (0) 4 259
Watery
Delay
Reverb
. œ. œ. œ
-œ œ œ ÍÍÍÍÍÍÍ œ. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙ œ ˙ œ µœ œ Bœ œ ™ m¿ œ n . œ œ œ Bb œ 2 3 B J Œ J 4 4
ÍÍÍÍÍÍÍÍÍÍÍÍÍ . w ™ œ œ œ µ œ œ œj 3 J ‰ 44 8 Œ™
3
p
f
pp sub.
3
f
2 4
3 4
4 4
3 8
÷ 83 (0)
3 4
2 46
3 4
4 4
3 8
÷ 83 5
3 42
2 4
3 4
4 4
3 8
3 ¢÷ 8 (ON)
3 4
2 4
3 4
4 4
3 8
Concrete Indefinite 14
V 4 4
271
n ? j ¿
B ™™ Œ Tbn.
n Y™
gliss.
µœ œ
µœ
mp
3
™™ 83 œ ™
gliss.
3 4
gliss.
w o
p Grainy
mf
°÷ ™™ (0)
4 4
÷ ™™ (6)
42 4
÷ ™™ 0
4 4
¢÷ ™™ OFF
4 4
Watery
Delay
Reverb
5
ON
™™ 83
3 4
™™ 83
3 4
™™ 83
3 4
™™ 83
3 4
=
W o ‚ ‰
mf 275
mp Voice
?3 ‚ 4
b‚
‚ ‚
‚ Œ
ahh
Tbn.
?3 ˙ 4
b‚ O ‰
ahh
‚
ahh
Œ
ahh
‰ œ œ
mp
Grainy
°÷ 3 3 4
Watery
÷ 43 0
Delay
÷ 43 (0)
Reverb
3 ¢÷ 4 (ON)
p
b œ.
O
Œ
œ b˙
bO
‚
‚
œ.
‰ bœ -
‰ œ-
œ œ Bœ µœJ
œ 3
œ
. ‰ nœ gliss nœ
œ
j œ
Bbœ
˙
Concrete Indefinite 15
X 281 ? <Bb>˙ ™
gliss.
gliss.
b˙ ™
œ
bn¿
U n
n
¿ Œ
Tbn.
gliss.
B¿
gliss.
bœ
Bb ¿
mf
o °÷ Grainy
(3) 0 10
÷ Watery 4 (0)
÷ Delay
3 (0)
(ON) Reverb
¢÷ Approx. 10 minutes in duration. Completed Oct. 13 2017, this version Nov. 22, 2018 in Boston, MA.