Week 1: introduction

Page 1

Verner
Panton,
Fantasy
Landscape,
!970

DSDN171:

design
in
context


history
of
design














history
of
styles

“The
narrative
historian
always
has
the
privilege
of
 deciding
that
continuity
cuts
better
into
certain
lengths
 than
into
others.
He
never
is
required
to
defend
his
cut,
 because
history
cuts
anywhere
with
equal
ease,
and
a
 good
story
can
begin
anywhere
the
teller
chooses.”

George
Kubler,
The
Shape
of
Time:
Remarks
on
the
History
of
Things
(New
Haven:
 Yale
University
Press,
1962),
2.


design
before
design:

The continuing curve


design
and
reform:

Beauty,
Utility,
+
Politics


ornament
and
crime:

modernism
and
the

 crimes
of
ornament

Maxim
Velcovsky
 Blue
Onion
Collection:
Ornament
&
Crime,
2001


Wassily
Kandinsky.
Several
Circles.
1926.
Oil
on
canvas

COLOUR:

history
+
theory


modern
vision:

photography,
film,
and
the
camera
eye


Futurama,
designed
by
Norman
Bel
Geddes,
New
York
World’s
fair,
1939

narratives
of
progress:

technology,
design,
+
nationalism


modernism:

standardisation,
rationalisation,
and
the
search
for
the
universal


politics
of
design:
 lifestyles
+
democracy


post-modernism

REMIX

and
the


"It
is
the
relationship
among
things--rather
than
the
things
 themselves--that
gives
objects
their
identities.
Though
we
 tend
to
regard
them
as
having
stable
and
enduring
 characteristics,
the
determination
of
'thingness'
is
more
a
 matter
of
groupings
and
classifications
than
it
is
a
 consequence
of
inherent
material
properties.“

Keith
Mitnick,
Artificial
Light:
a
narrative
inquiry
into
the
nature
of
abstraction,
 immediacy
and
other
architectural
fictions
(New
York:
Princeton
Architectural
Press,
 2008),
42.


nature
 
beauty

utility
 
class
 
taste
 
ornament
 
honesty

animal
bowls,
Hella
Jongerius,
2004


politics
 
exhibition
 
consumerism
 
industrialisation
 
modernity
 
nationalism

UK
“Seed”
Pavilion,
Heatherwick
Studio
 2010
Shanghai
Expo


media
 
panorama
 
spectacle
 
space

 
duration
 
photography

 
 
film

Figure
Hopping,
series
of
photographs
by
 Eadweard
Muybridge,
1887


DSDN171:

 design
in
context
 +
core,
15
points
 +
lecture,
Wed.
9.00am
-10.00am,
weekly
 +
tutorials,
50
mins.,
weekly,
Thurs.
/
Friday

Stream
A:
Thurs. 
08:30am
–
09:20am 
Room: 
VS318
 
Stream
B: 
Thurs. 
09:30am
–
10:20pm 
Room: 
VS318
 
Stream
C: 
Thurs. 
12:40pm
–
13:30pm 
Room: 
VS318
 
Stream
D: 
Thurs. 
13:40pm
–
14:30pm 
Room: 
VS318
 
Stream
E: 
Fri.
 
12:40pm
–
13:30pm 
Room: 
VS308
 
Stream
F:
 
Fri.
 
13:40pm
–
14:30pm 
Room: 
VS308
 
Stream
G: 
Fri.
 
14:40pm
–
15:30pm 
Room: 
VS308
 
Stream
H: 
Fri.
 
15:40pm
–
16:30pm 
Room: 
VS308

+
tutors

Kath
Foster:
streams
A+B
 
Helen
Andreae:
stream
C+D
 
Nan
O’Sullivan:
streams
E
-
H


DSDN171:

 design
in
context
 +
assessments:

written
tests
x

2 
 

=
40%
final
grade
 
blog
assignments
x
10 

=
50%
final
grade
 
tutorial
participation 
 

=
10%
final
grade

+
hints:

come
to
lecture
every
week
 
take
great
notes
 
you
CAN
use
them
for
the
tests


DSDN171:

 design
in
context
 learning
objectives

+
formulate
original
and
critical
perspectives
addressing
key
 historical
and
contemporary
design
issues

+
demonstrate
understanding
of
the
relationships
between
design
 and
broader
social
and
cultural
contexts

+
negotiate
ideas
in
critical
response
to
design
practice—socially,
 culturally,
economically,
ecologically,
and
politically

+
recognise
key
ideas
and
reoccurring
themes
in
the
history
of

design
and
be
able
to
contextualise
their
impact
on
practice
today


DSDN171:

 design
in
context
 learning
objectives
[abilities]

+
pursue
independent
research
on
specific
topics
of
interest
 and
relevance

+
flexibility
and
competence
with
both
written
and
visual
media
 in
critical
research
and
analysis

+
compose
a
clear
argument
and
appropriate
evidence
 addressing
design
related
issues

+
ability
to
successfully
manage
time
and
work
load


Buj+Colón
Arquitectos
,
pharmacy,
Palencia,
Spain

Course
Coordinator:

Margaret
Maile
Petty
 margaret.petty@vuw.ac.nz
 office
hours:
Mon.
9.30-
11.00


blog
assignment
1
 due:
18.00,
Friday,
16
July
 
 brief:

+
use
your
DSDN101
blog;
tag
or
title
blog
posts
with
DSDN171
and

assignment
number
 

 
+
post
an
entry
describing
an
example
of
design
that
you

think
is
 
important

 
 

 
+
in
50
words
or
less
describe
why
you
think
it
is
important
 

 
+
if
you
do
not
have
a
DSDN101
blog,
please
create
a
blog
for
the
 
course
and
email
link
to
blog
to
your
tutor


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