Soulström for concert band / Soulstrom for concert band by Jodie Blackshaw

S O U L S T R Ö M C O N C E R T

J O D I E

B A N D

B L A C K S H A W

M A N H A T T A N

B E A C H

M U S I C

Recording Credits for Soulstrรถm: Performance by Dennis W. Fisher conducting the University of North Texas Symphonic Band, University of North Texas, Denton, Texas

JODIE BLACKSHAW

S O U L S T RÖ M I

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C O N C E R T

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1 Full Score (11"x17")

1 Bb Contra Bass Clarinet

2 Bass Trombone

1 Piccolo

2 Eb Alto Saxophone 1

1 Euphonium B.C. 1

4 Flute 1

2 Eb Alto Saxophone 2

1 Euphonium B.C. 2

4 Flute 2

1 Bb Tenor Saxophone

1 Euphonium T.C. 1

1 Oboe 1

1 Eb Baritone Saxophone

1 Euphonium T.C. 2

1 Oboe 2

2 Bb Cornet 1

2 Tuba 1

1 Bassoon 1

2 Bb Cornet 2

2 Tuba 2

1 Bassoon 2

2 Bb Trumpet 1

1 String Bass

1 Contrabassoon

2 Bb Trumpet 2

1 Timpani

1 Eb Clarinet

2 Bb Trumpet 3

2 Percussion 1

2 Bb Clarinet 1

1 F Horn 1

2 Bb Clarinet 2

1 F Horn 2

2 Bb Clarinet 3

1 F Horn 3

2 Bb Clarinet 4

1 F Horn 4

2 Bb Clarinet 5

2 Trombone 1

2 Bb Clarinet 6

2 Trombone 2

2 Bb Bass Clarinet

2 Trombone 3

Glockenspiel, Ride Cymbal, Tubular Bells, Large Tam-tam, Triangle

2 Percussion 2 Suspended Cymbal, Xylophone, Vibraphone, Large Chinese Cymbal

2 Percussion 3 Bass Drum, Medium-High Siren (with crank)

2 Percussion 4 23" Timpani, Suspended Cymbal, 3 Tomtoms, Crash Cymbals, Tam-tam

2 Percussion 5 25" or 26" Timpani, Large Chinese Cymbals

P R I N T E D O N A RC H I VA L PA P E R

Gg Manhattan Beach Music  1595 East 46th Street  Brooklyn, New York 11234 www.ManhattanBeachMusic.com customerservice@manhattanbeachmusic.com 718/338-4137

M A N H ATTA N BEACH M USIC

�

his piece is dedic ated to my effervescen t,

good-humoured, enthusiastic, inspiring, m u c h l o v e d a n d d e s p e r a t e ly m i s s e d , dad

christopher john bl ackshaw

2

(1935– 1997)

“A wonderful person, who is very much ours and forever with us.” Antony Blackshaw

P R O G R A M

N O T E

S O U L S T R Ö M was originally a work of music theatre based around a tale of a solitary individ-

ual lost in the center of a storm. The work originally featured a narrator who told the dramatic story

of a freak, alien storm that used the energy of people to fuel its fury. In the center of the storm, a lone person was searching for their lost love, and locked inside its fury was the key to freedom: the beauty and grace of love itself.

About halfway through the composition it became apparent that this original story was indeed an al-

legory pertaining to my very own struggle with depression and grief over the loss of my beloved father in 1997. In the story, the lost love was revealed as my lost life, and the storm, the epitome of the depth

of my depression suffered since his passing. In realization of this, the work transformed and the narrator’s role is now completely nonexistent.

The compositional process became a passionate, cathartic experience. What began as a piece based

around a storm, a desperate person and the search for lost love, became so much more. I hope it will touch hearts and help others find freedom.

R E H E A R S A L

N O T E S

1. Measures 1–5: Allow the nails to sing and create a soundscape for the bass clarinet solo to emerge

from. All performers are urged to keep their movement on stage to an absolute minimum to maintain

the stillness set by the Nailenspiels. Also, when a section is cued to begin, ask players to not all start at once but to allow the sound to emerge. It should never feel busy. Visualise a still, misty morning.

2. Measures 6 –18: Give permission to the flute and bass clarinet to express themselves as much as possible within the solo lines themselves and as they converse with each other.

3. Measures 8 –19: Trumpets to use a legato attack and taper sound as much as possible. 4. Measures 20 –26: Give permission to all soloists to add their own sense of self expression to these lines ­­— soloists are invited to work together in order to create the feeling of despair and loneliness.

5. Measure 40: Xylophone: please invite the player to accelerando as fast as possible with not too hard

a mallet toward the end of measure 40 leading into 41. It is imperative that the decelerando end at the end no later than the downbeat of measure 42.

6. Measure 43: Please ensure that the timpani release with the trumpets on the 5th beat of this measure.

7. Measure 46: Be very careful with the timpani entry in Percussion 2, 3 and timpani. Dynamically it should be quite distant, underneath the clarinet entry.

8. Measure 49: Please pay attention to the boxed instruction. It is important that conductors do not overindulge here and allow this section to take too long. 50 seconds maximum please.

9. Measures 50 –52: Most repeated figures in the wind and brass (beginning at measure 49 and continuing for about 50 seconds) pause or ‘lean’ on a particular note. In most cases, this note is the one held at measure 52 (For example, Flute 1: G on the top staff is marked with a pause; it is this same note they hold at 52). When the Wind/Brass performers hear the quarter notes begin in the bass

drum at measure. 50, each player should endeavour to reach this note at some time within measures 50 –51 and hold onto it. It should not be re-articulated at 52, but rather held onto until the end of

measure 54. The result should be a gradual staggered entry to this chord rather than a sudden block chord being heard on the downbeat of measure 52.

10. Measure 54: Tubular bells should not be played too ‘high’ on the beat. A little late is just right. 11. Measures 54 –63: Legato attack from all brass instruments please. 12. Measures 59 –70: Piccolo and trumpet solo — the two lines are conversational and timing should be quite free here.

13. Measures 71 –103: A little more movement is required at 71 — try not to let the lines feel heavy. All moving parts should emerge from the texture and then blend back again accordingly. Marked

attacks at measures 93 –94 should be prominent but not too separated. Maintain momentum at all

times and please don’t drag the rallentando at measure 101. Ensure all quarter-note lines at measure 102 (particularly in the bass reeds and brass) are kept long — ‘clingingly’.

14. Measures 103 –104: There should be no break between the band’s final chord and the piccolo/flute duet. If anything, the band should release on the downbeat of measure 104. The cymbal roll should

emerge from the final chord and smooth the transition from the sound of the full band to the duet. The cymbal must also release on the downbeat of measure 104.

15. Measures 109 –120: HUGE percussion, HUGE Brass and ugly winds. Let loose! 16. Measures 121 –133: Allow the flutes to sound a straight G for at least one whole measure before

bending the pitch. String bass player(s) are encouraged to not keep strict time here, they are invited to give a timeless feel to this section with their haunting, ‘seagull’ sounds played repeatedly, in their own way, until 133.

17. Measures 132: Please respect the written entries for each line and allow the oboe line to sing

mournfully over the top. If anything, the entries should begin to consume the oboe melody once the 4th line ‘D’ dotted half note is reached.

18. Measures 133-150: This section is the beginning of what essentially is a storm. The winds begin to

swirl and rise out of the churning howling of measure 132. The siren is designed to smooth the transi-

tion from the brass buzzing into the flourishing winds. It should not take over the sound nor should it be too low in pitch. A siren with a crank is preferred. If no siren is available, invite players from

Cornet 1 – Trumpet 3 to continue buzzing until measure 151. 19. Measures 150 –157: The Flutes, clarinets and mallet percussionists are encouraged to visualise

swirling, howling winds while playing. These lines must be played as smooth as possible but with the

irregularities providing agitation and apprehension. (Conductors are encouraged to use many clarinets in this piece.)

20. Measures 155 –163: Woodwind lines should be linked together from low to high to ensure that all players understand where their lines are either leading to or coming from. Brass entries at measures 158 –159 should be strong and bell-like. However, try to restrain the brass until measure 162, thus

ensuring that the woodwinds are not drowned out too quickly. The block chord in Cornet 1–Eupho-

nium at measure 160 should not appear as a surprise, but rather should emerge from the already busy texture.

21. Measures 165 –172: As much air as possible in the clarinets on beat 4 of measure 165 to lead into the flute and piccolo.

Measure 166: Allow Trombone 1 to sail over the top of the band and ask for as much as possible from the Timpani.

Measure 168: The quarter notes in the lower brass and woodwinds should be as loud as possible, and more bell-like than separated.

22. Measure 173: Ensure brass is not too loud here. If necessary reduce mf markings to mp. Lower

brass and woodwinds should bring out the moving lines on the last beat of each measure as much as possible.

23. Measures 177 –180: The accelerando should be energetic and fierce! Piccolo/Flute 1/Oboe/Tpt 1/ Glockenspiel must be prominent and drive the band into measure 181.

24. Measures 181 –184: Crack the whip! Bass drum pushes the band into each measure and towards Measure 185. Ensure that this line is finished with a definite downbeat at 185.

25. Measure 185 –end: Allow the triplet eighth-note figures in the cornets and trumpets to sit high in the texture but not to overshadow the jubilant horn/trombone/timpani. It is imperative that all play-

ers, outside Cornet 1–Trombone 2 end tightly on the downbeat of the last measure. The pause on the final brass chord is at the discretion of the conductor.

OTHER DETAILS

1. Directions are provided mostly in English. Traditional Italian terms are used when they best describe what is required.

2. Interpretation of ritenuto: immediate reduction of speed. 3. Interpretation of rallentando: gradually slackening in speed.



 -

 4. Should you have any further questions or queries please contact me directly via email: -

jodie_blackshaw@yahoo.com.au -



- 

T H E N A I L E N S P I E L  -  A Nailenspiel [a ‘singing nail’ - Ed.] is a simple, easy to make percussive instrument.   

Here is what you need:

  • 50mm (¼ inch thick) nails (available, e.g., in Home Depot: Ask for 60D 6 inch bright common  nails - do not use galvanized nails); (two per performer)    • Dental floss; (two six inch lengths per performer)

 

• Pegs/Clothespins; (two per performer)   (Hence if you have a band of 55 instrumentalists with 45 playing Nailenspiels, you will need a total of  90 nails, 90 lengths of dental floss and 90 clothes pegs/clothespins. )

 How to create your Nailenspiel:    Each player will need 2 nails, 2 lengths of dental floss



and 2 pegs/clothespins.  - - - 1. Simply tie the dental floss to each clothespin - use a firm knot.  

 2. Now tie each length of dental floss onto the nail.  

  3. Peg both onto the lip of a music stand about 10 cm apart.    4. Maneuver the nail so the elastics sit towards the end. 

    When hit (with the other nail) it should sing.  



 If not, slightly adjust the placement of  the dental floss and try again until a  beautiful ringing is achieved.

If clothespins are not available use another small clamping device such as a

 paper clamp.

  Please encourage all players to listen to

each other and together, create a sparse,    ringing sound-scape.

  Do not allow the texture to ever become too thick or busy. 

JODIE BLACKSHAW VICTORIA, AUSTRALIA

SOULSTRÖM FOR CONCERT BAND

JODIE BLACKSHAW

The Nailenspiel graphic does not represent constant sound. The graphic only demonstrates the approximate start and end points for playing the Nailenspiel.

Lento molto rubato Π= 54 6 2 3 4 5 7 Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b 4 3 4 &b 4 4 4

Piccolo

1 Flute 2

Oboe

1 2

Bassoon

1 2

b 4 &b 4 b 4 &b 4 b 4 &b 4 ? b b 44

Contrabassoon

? b b 44

E b Clarinet

# 4 & 4

B b Clarinet

&

3 4

&

44

&

44

5 6 B b Bass Clarinet B b Contra Bass Clarinet E b Alto Saxophone

1 2

& &

44

Nailenspiel*

∑

∑

∑

∑

∑

∑

4 4

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 4 4 4

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 4 4 4 Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43

Nailenspiel*

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 Nailenspiel*

j 4 43 œ œ œ . œ 4 Ø p Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 Nailenspiel* ~~~~~~~~~~ 44 ∑ ∑ ∑ ∑ 43 Nailenspiel* ~~~~~~~~~~ 34 44 ∑ ∑ ∑ ∑ Nailenspiel* ~~~~~~~~~~ 44 ∑ ∑ ∑ ∑ 43 ∑

∑

∑

solo

w

44

∑

∑

44

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

# 4 4

3 4

&

# 4 4

1 2

&

44

1

&

44

∑

∑

∑

∑

∑

∑

43

∑

44

2

&

44

∑

∑

∑

∑

∑

∑

43

∑

44

3

&

44

∑

∑

∑

∑

∑

∑

43

∑

44

1 2

4 &b 4

∑

∑

∑

∑

∑

∑

43

∑

44

E b Baritone Saxophone

B b Trumpet

&

&

B b Tenor Saxophone

B b Cornet

44

1 2

∑

Horn in F

∑

∑

∑

? b b 44

∑

∑

∑

Nailenspiel*

1 2

∑

∑

∑

Nailenspiel*

∑

∑

∑

? b b 44

∑

∑

∑

Nailenspiel*

∑

∑

∑

Nailenspiel*

String Bass

? b b 44

Timpani

? b b 44

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

3 Bs Euphonium

1 2

Tubas

1 2

? b b 44 ? b b 44

Percussion

1

ã

Percussion

2

ã

Percussion

3

ã

Percussion

4

Percussion

5

? ?

44 44 44 44 44

*Strike Nailenspiel gently yet sparsely with other nail.

Nailenspiel*

~~~~~~~~~~

44

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43

4 &b 4

Nailenspiel*

3 4

Trombone

43

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43

Copyright © 2019 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-112-9 (complete set) ISBN 1-59913-113-7 (conductor score) Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com

43 43 43 43 43 43

∑ ∑ ∑ ∑ ∑ ∑

44 44 44 44 44 44

2 As the end of the Nailenspiel graphic is approached, the strikes should be softer and less frequent - each player stopping in his or her own time.

8

Picc.

&b

1

&b

2

&b

Flute

b b b

riten. molto accel. molto accel. 13 14 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 4 3 44 4 4 4 œ œ bœ œ œ œ œ bœ . . solo bœ œ œ œ œ œ œ œ 3 ˙. 4 œ 3 œ œ œ bœ ˙ J 4 ∑ ‰ 4 4 4 4 J p F p P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 4 3 4 4 4 4 4 9

10

11

12

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 4 4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 4 4 4 4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 44 43

b & b 44

3 4

Cbsn.

? b b

43

E b Cl.

&

Oboe

1 2

Bsn.

1 2

1 2 B b Cl.

3 4 5 6

? b b

# 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 4 & 4 43 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & 44 43 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 4 & 4 43 43

B b Bs. Cl.

&

B b CBs. Cl.

&

1

&

Al. Sax. 2

Ten. Sax.

1 2 1

Tpt.

44 j j œ j 43 œ œ œj n œ œ œ- œ œ w œ œ œ ˙ œ œ œ œ œ. œ bœ . ˙ nœ P p P F ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 44 43 j œ œ

44 ˙

3

j œ

# 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 4 # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & 44 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & 44 43

43 43 43 43 43

# 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & 4 43 43

Bari. Sax.

Crnt.

3 4

2

3

1 2 Horn 3 4 1 2 Trbn. 3 Bs

Euph.

1 2

Tuba

1 2

& & & &

44

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43

straight mute no vib. solo

44 Œ

œ ∏

œ ˙

‰ œj ˙ ∏

straight mute no vib. solo

44 Œ

straight mute no vib. solo

44 Œ

˙. ∏

,

œ œ π

˙. p

,

43 ˙

œ œ 43 ˙ π

˙. p

,

˙. p

œ œ π

43 ˙

œ P

œ P

œ P

˙ ˙ ˙

,

œ œ ˙. π

,

œ œ ˙. π

,

œ œ

˙.

P P

,

b˙ .

44 œ

˙.

44 ˙ .

b˙ .

44 œ

,

˙

n˙

,

œ

43

œ

43

œ

43

P 3 44 ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & b 44 43 & b 44

? bb 4 4 ? bb 4 4 ? bb 4 4 ? bb 4 4

43 43

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43

Str. Bs.

? bb 4 4

Timp.

? bb 4 4

∑

∑

43

44

∑

∑

Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43

∑

∑

Nailenspiel* ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 43

Nailenspiel*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43

*Strike Nailenspiel gently yet sparsely with other nail.

Perc.

1

ã

Perc.

2

ã

44

Perc.

3

ã

4 4

∑

∑

43

4

?

44

∑

∑

43

Nailenspiel*

Perc.

5

?

44

∑

∑

43

Nailenspiel*

Perc.

Nailenspiel*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43

15

&b

Picc.

1

&b

2

&b

Flute

Oboe

1 2

Bsn.

1 2

b b b

riten. 16 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 5 4 4 œ œ bœ œ 3 œ 5 œ œ œ œ œ 4 4 œ œ œ œ œ f ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 43 4

b 3 &b 4 ? b b 43

Cbsn.

? b b 43

E b Cl.

& 1 2

B b Cl.

&

43

5 6

&

43

&

43

1

&

2

&

Tpt.

&

43 ˙ .

3 4

1 2 Trbn. 3 Bs

Euph.

1 2

Tuba

1 2

w π

w

& &

43 ˙ .

& b 43 ? bb 3 4 ? bb 3 4 ? bb 3 4 ? bb 3 4

Str. Bs.

? bb 3 4

Timp.

? bb 3 4

Perc.

1

ã

Perc.

2

ã

Perc.

3

ã

Perc.

4

?

Perc.

5

?

,

43 ˙ .

& b 43

43

b˙

45 ˙ .

∑

45 ˙ .

˙

45 ˙ . 45

j œ bœ . ∑

44 ˙

45

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

mute off

∑

∑

mute off

∑

∑

mute off

∑

∑

∑

n˙

˙

˙

w

44 ˙ 44 ˙

n˙

˙

44

∑

Œ

44

π

21

∑

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45 ~~~~~~~~~~~~~~~~~

20

∑

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

1

Horn

˙

bœ ˙

# 3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 4 45 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & 43 45 # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & 43 45 43

1 2

˙.

44

œ

19

∑

3

a tempo

riten.

a tempo

# 3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 4 45

&

3

45

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

1 2

2

44

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

B b CBs. Cl.

Crnt.

44

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

&

Bari. Sax.

4 4 œ P 4 4

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 4 4 4

43 ˙ .

Ten. Sax.

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 4 4 4

B b Bs. Cl.

Al. Sax.

17

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 4 4 4

# 3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 45 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 34 & 45

3 4

4 4

18

∑

œ . J œ j œ œ. ‰ jœ œ œ œ p ∑

œ œ ‰ J p

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

n

w

1st solo

˙

1st

w π

n freely

w

˙ P

∑

w

∑ ∑ ∑

‰ Jœ w p

Bass

3

œœ˙ ∑

w ∑

3

œœ œ

∑

-̇ ∑ ∑ ∑

n

∑

∑

solo

‰ œ œ œ œ œ œ œ- w p

1st

∑

∑

n

Œ

w

stagger your breathing with Cbsn. & CBs. Cl.

n

w

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 Ó 45

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

w

creep in

∑

w ∑

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

∑ to Glockenspiel

&

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 45

∑

wæ wæ π ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 45

∑

43

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 43 45

∑

∑

∑

Bass Drum

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45

œF

4

b &b

∑

&b

∑

22

Picc.

1 Flute 2

Oboe

1 2

Bsn.

1 2

Cbsn. E b Cl. 1 2 B b Cl.

b

23

∑

∑

b

∑

∑

? b b

∑

∑

? b b

∑

&

∑

#

w π

5 6

&

∑

∑

&

1 Al. Sax. 2

& &

Ten. Sax.

&

Bari. Sax.

&

∑

#

w

w π

w

solo

œ p

∑

#

w

creep in

∑

#

œ P

˙

œ ∑

œ œ œ

œ

F

œ

œ

œ w

∑

∑

∑

∑

œ

F

˙ P

∑

œ.

œ œ œ ‰ œ œJ

F

a2 (tutti) 3

œ

œ P

˙

w

w

w

w

w

w

w

˙

P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙. p

œ.

-̇

P)

-̇

œ

˙

˙

w

œ ∑

∑

Crnt.

1 2

&

∑

∑

∑

∑

∑

∑

∑

Tpt.

1 2 3

&

∑

∑

∑

∑

∑

∑

∑

1 2

&b œ

∑

∑

∑

Horn

Trbn.

œ œ ˙ ∑

3 4

&b

1

? b b

∑

2

? b b

∑

? b b

3 Bs Euph.

1 2

Tuba

1 2

? b b ? b b

3

œœ œ

3rd solo

œ p

˙

œ

˙

œ

3

œ œ œ ˙ w

P

p

w

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

a2 (tutti)

˙ P

-w

w ∑

˙. P Ó

∑

3rd

˙. p

˙. p

œ

w

œ

w

∑

3

œœœ

a2 (tutti)

Œ

∑

Str. Bs.

? b b

∑

Timp.

? b b

∑

Perc.

1

b &b

Perc.

2

ã

Bs. Dr.

3

ã

Perc.

4

?

Perc.

5

?

wæ p

w

w

w

w

w

w

w π

w

w P

w

w

w

∑

∑

∑

∑

∑

∑

∑

∑

wæ

wæ

Ó

∑ Glockenspiel

œ F

∑ œ

w

∑ wæ

∑ ˙

∑ œ œ

w

∑

∑ wæ

Œ

wæ

œ œ œ

a2 (tutti)

w

œ J F

˙

˙.

a2 (tutti)

(

œ

˙ P

w

˙

˙

˙. P

-̇

∑

˙

∑

a2 (tutti)

w

˙

∑ ∑

w

w p

˙

w

∑

blend

∑

a2 (tutti)

∑

stagger your breathing with Bs. Cl. & Cbsn.

w

∑

œ œ w œ œ

w

w

∑

28

∑

∑

w

F

wp

w

œ P

‰ œJ F

p

∑

solo

∑

˙

w

∑ œ œ

27

∑

∑

∑ solo

26

w

∑

∑ ∑

B b CBs. Cl.

∑

∑

∑

w

∑

˙ p œ œ w F

stagger your breathing with Bs. & CBs. Cls.

&

&

œ œ œ

∑ solo

w

3 4

B b Bs. Cl.

œ P

creep in

∑

&

∑ solo

25

∑

∑

b &b &b

24

∑

∑ wæ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ P

29

&b

Picc.

1

&b

2

&b

Flute

Oboe

1 2

Bsn.

1 2

b b œ b

œ-

∑

˙

30

˙

œ

˙

˙

E b Cl.

˙

∑

∑

∑

w

#

∑

œ

œ-

3 4

&

˙.

œ

˙.

5 6

&

˙

B b Bs. Cl.

&

B b CBs. Cl.

&

1

&

2

& & &

-̇ .

w

w

w

w

#

˙.

#

˙

˙

˙

˙

˙ P ∑

w

œ

,

∑

œ-

œ-

w

F

π

F

œ-

3

œ

œœ-

œœ F

-̇

3

œ

œ

∑ ∑

w ∑

∑

∑ ˙

∑

π

∑ ∑

˙

œ

∑

œ œ œ œ ˙

w

˙

w F

œ p

w

w

w

˙

w

w

w

˙

˙

w

˙

œ œ œ œ

w

˙

˙

˙.

∑

w

F

˙

34

∑

∑

w

œ

5

∑

∑

œ-

˙

33

∑

∑

,

-̇

Lingeringly, rubato Π= 60

w

-̇

˙

˙

œ œ œ

œ-

œ F

œ,F œœ F œ

˙.

F

-̇ ˙

˙

œ-

-̇ .

œ-

˙

˙

#

œ

œ

-̇

? bb

œ œ ‰ œJ œ-

Bari. Sax.

˙

œ J

∑

&

Ten. Sax.

œ.

∑

1 2

Al. Sax.

˙

∑

∑

&

&

B b Cl.

P

31

bb

? bb w

Cbsn.

œ-

∑

32

∑

∑

F ∑

œ œ ˙

˙ ˙

œ

w œ

π

w w p

˙

œ

˙.

˙.

œ π

∑

∑

Crnt.

1 2

&

∑

∑

∑

∑

∑

∑

Tpt.

1 2 3

&

∑

∑

∑

∑

∑

∑

1 2

&b

œ

3 4

&b

˙.

1

? bb

Horn

Trbn.

2

3 Bs Euph.

1 2

Tuba

1 2

-̇

œ-

F

œ

˙.

œ

˙ P

3

œœ˙

˙.

3

œœ-

˙.

œœ œ

? bb ˙

˙

w

˙

F ˙

? bb ˙

˙

w

˙

˙

? bb ? bb

∑

Str. Bs.

? bb w

w

œ

Timp.

? bb &b

S. Cym. 2

ã

Bs. Dr.

3

ã

Timp.

4

?

5

?

b

∑ œ

wæ

œ-

∑

∑ ∑

œ

wæ

œ-

˙ ∑

œ-

œœ-

œœ-

œ-

wæ p ˙

œ œ

Sus. Cymbal

wæ P wæ

∑

23" Timpani

∑

25" or 26" Timpani

w æp

wæ p

œ œ

w

w

œ

œ-

w

w

œ

30" or 32" Timpani

∑ ˙

œ-

w F

∑

∑ œ

Timp.

3

-̇

w

1

œœ- œF œ- œ-3

-̇

w

Glock.

˙

dolce

˙.

w

F ˙.

F

˙

w

F

œ F

Œ

wæ F

w æ F

wæ F

dolce

œ œ œ œ

dolce

œ œ œ

œ

Ó

˙ π

˙

œ.

Ó

to Xylophone

∑ ˙

œ

˙.

˙

˙

œ

˙.

Ó

∑ &

wæ glissando

wæ

œ

œ œ œ œ œ œ J .

˙

glissando

Œ

œ œ

Ó

∑

∑

w F

wæ F œ œ

œ œ œ œ œ

˙ π

p

∑

∑ ∑

wæ p

wæ p

œ J

6

&b

b

∑

1

&b

b

∑

∑

2

&b

b

∑

Oboe

1 2

&b

b

Bsn.

1 2

? b b

35

Picc.

Flute

Cbsn.

? b ˙. b

E b Cl.

&

B b Cl.

1 2

&

3 4

&

5 6

&

B b Bs. Cl.

&

B b CBs. Cl.

&

1

&

2

&

Al. Sax.

Ten. Sax.

&

Bari. Sax.

&

36

∑

Ó

Œ

∑

∑

Ó

Œ

∑

∑

∑

Ó

Œ

∑

∑

∑

Ó

Œ

∑

∑

˙. π Ó

Œ

∑

∑

Ó

Œ

U Œ

∑

∑

Ó

Œ

U Œ

∑

∑

Ó

Œ

˙

˙

∑

˙

π

w

Ó

#

œ

∑ œ

#

œ

w

˙

˙

˙ ∑

˙.

,

œ

U Œ U Œ

U Œ

U Œ

U Œ

U œ œ œ P U Œ

π Ó

Œ

∑

Ó

Œ

∑

Ó

Œ

∑

∑

Ó

Œ

U Œ U Œ

U Œ

∑

∑

∑

Ó

Œ

Tpt.

1 2 3

&

∑

∑

∑

Ó

Œ

U Œ

1 2

&b

∑

∑

∑

Ó

Œ

U Œ

3 4

&b

∑

∑

∑

Ó

Œ

∑

Ó

Œ

U Œ

∑

Ó

Œ

U Œ

∑

Ó

Œ

∑

Ó

Œ

Trbn.

2

3 Bs

Euph.

1 2

Tuba

1 2

? b œ œœ œ ˙ b

œ

? b œ b

w

? b œ b J ? b b ? b b

˙. œ.

œ

œ

∑ ˙

Str. Bs.

? b ˙. b

œ

w

Timp.

? b b

Xylo.

2

&b & ã

Bs. Dr.

3

Timp.

4

?

Timp.

5

?

b

∑

bb

wæ

w

˙.

w ˙æ P

∑ wæ

glissando

π

˙

∑

∑ wæ P

π ∑

œ

1

˙ π

w

˙.

Glock.

œ

˙æ ∑ ∑

π

π Ó

˙æ. Ó Ó

wæ

˙æ.

w æ P

˙. æ

wæ P

Œ

˙. æ

Œ Œ

œ.

U Œ

&

1

solo

U Œ

1 2

U Œ

U Œ U Œ

U Œ

U Œ

U œæ U Œ

˙æ

U Œ

U Ͼ

U œ æ U œæ

40

∑

U Œ

Crnt.

Horn

39

U Œ

∑

∑

w π

œ π

w

Ó

˙ π

w

#

w

w

˙.

∑

U Œ

Œ

∑ w π

38

Ó

œ

#

37

∑

w æ wæ

∑

5 4

∑

∑

∑

5 4

∑

∑

∑

5 4

∑

∑

∑

5 4

∑

∑

∑

∑

∑

∑

5 4

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

3

j œ œ œ œ

˙.

œ

œ

45

45

5 œ œœ œ œ œœ 4 .

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

∑

∑

∑

45

˙æ

˙æ

∑ ∑

wæ

41

∑

Xylophone

˙æ

∑

˙æ

frantic - not evenly graduated

˙æ ∑

b œ œ œ œ œ œ œ œ œœœœœœœœ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ P wæ

wæ

w æ

˙ æ

w æ

wæ

˙ æ

45 45 45 45 45 45

42

If players are available, off stage brass (m. 42-48) instead of mutes.

tempo rubato b 5 b ∑ & 4

Picc.

1 Flute 2

Oboe

1 2

Bsn.

1 2

b 5 &b 4 b 5 &b 4 b 5 &b 4 ? b b 45

43

U Œ Œ

44

∑

∑

∑

∑

∑

∑

∑

∑

∑

U Œ Œ U Œ Œ U Œ Œ U Œ Œ U Œ Œ

Cbsn.

? b b 45

∑

∑

E b Cl.

&

# 5 4

∑

∑

&

45

∑

∑

U Œ Œ

3 4

&

45

∑

∑

5 6

&

45

∑

∑

B b Bs. Cl.

&

45 œ

B b CBs. Cl.

&

45

1

&

2

&

1 2 B b Cl.

Al. Sax.

F

3 Bs

Euph.

1 2

Tuba

1 2

Str. Bs.

U Œ Œ

Glock.

1

Xylo.

2

Bs. Dr.

Timp.

Timp.

5 &b 4 5 &b 4

3

4

5

a2 (tutti)

∑

Œ Œ

Harmon mute a2 (tutti)

∑

˙.

P

˙ P

w P

∑

∑

? b b 45

∑

∑

? b b 45

∑

∑

? b b 45

∑

∑

? b b 45

∑

∑

b 5 &b 4 ã ? ?

œ-

˙æ

˙æ

∑

˙ Ø ∑

˙æ.

45 ˙ æ

˙. æ

˙ æ

45 ˙ æ

˙æ.

˙ æ

˙æ

U Œ œ p U Œ Œ U Œ Œ U Œ Œ U Œ Œ U Œ Œ U Œ Œ U Œ Œ

œ

U Œ Œ U Œ Œ U Œ Œ

∑

45 ˙æ

U Œ Œ

U Œ Œ

∑

? b b 45

∑

U Œ Œ

œ-

w

∑

b 5 &b 4

U Œ Œ

Harmon mute a2 (tutti)

∑ Œ

Harmon mute

∑

? b b 45 ˙æ.

Timp.

U Œ Œ

∑

45 Ó

Trbn.

U Œ

∑

&

1 2

Ó

U Œ Œ

&

3 4

∏ U Œ Œ

∑

45

Horn

U Œ

∑

&

1 2

Ó

∑

45

3

U Œ Œ

∑

45

2

U Œ

˙ Ø

œ

U Œ Œ

˙ Ø

œ

U Œ Œ

œ

U Œ Œ

˙ Ø

Ó Ó Ó

U Œ

˙ p ˙

Ó Ó Ó Ó Ó Ó

U # œ-

U œ

U b œ-

U Œ U Œ

∑

Ó

U Œ

Ó

U Œ

Ó

U Œ

U ‰ ‰ Œ U ‰ ‰ Œ

∑

U ‰ ‰ Œ

∑

solo

˙ P

U ‰ ‰ Œ

∑

U ‰ ‰ Œ

œ P

3

œ œ-

˙

œ œ ∑

∑ ∑ ∑ ∑

˙

jU œ ‰ Œ

n

jU œ ‰ Œ

n

œU J ‰ Œ

U ‰ ‰ Œ

n

U ‰ ‰ Œ U ‰ ‰ Œ U ‰ ‰ Œ U ‰ ‰ Œ U ‰ ‰ Œ

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó

˙ P

# œ-

n ˙- .

˙ p ˙

b œ-

p

˙

p

˙.

Ó

n ˙- .

Œ

˙

œ

P

P ˙

U Œ U Œ U Œ U Œ U Œ U Œ U Œ

U œ-

U œ

-

U œ-

Ó

U Œ

Ó

Ó

U Œ

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

U Œ

Ó.

∑

Ó

Ó

U Œ

n˙ . P

Ó

˙

n˙ . P

Œ

∑

Ó

Ó.

∑

Ó.

Ó Œ ˙. p

œ p

‰ œj œ p

#˙ ˙ b˙

Ó.

Ó. Ó.

3

b˙ P

˙. P

Ó

∑

Ó

œ œ nœ

œœœ

n ˙-

P ˙ P

œ ˙ P Ó ˙

U Œ U Œ U Œ

U œ-

U œ-

U œ-

U Œ

U œ-

U Œ

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

Ó.

∑

Ó

Ó

U Œ

˙æ.

˙æ

˙æ

U æ

∑

Ó

Ó

∑

Ó

Ó

˙æ p

˙æ.

˙æ

˙ æ p

˙. æ

˙æ P

˙ æ

˙ æ

˙æ.

˙ æ

˙æ

‰ U‰ Œ

Ó.

‰ U‰ Œ

Ó.

∑

Ó Ó

∑

∑

Ó Ó

∑

∑

48

∑ ∑

U gently - underneath clarinets ‰ ‰ œ œ œ œ œ ˙æ π U ‰ ‰ Œ Ó.

∑

to S. Cymb.

U œ ‰ Œ J

47

Ó.

n

‰ œj ˙ P

∑

ã

œ-

P

Œ Œ

∑

˙

Ó

Ó.

U œ ‰ œ œ ˙ J P jU œ ‰ œ œ ˙. P jU œ ‰ œ ˙ P U ‰ ‰ Œ Ó. U ‰ ‰ Œ

∑

U Œ U Œ

œF

∑

U Œ

Ó

Ó

w P

U Œ

U Œ

U ‰ ‰ Œ

-̇

F

U Œ

U Œ

Ó

œœ w P

U Œ

Ó

U ‰ ‰ Œ

F

U Œ

Ó p

œ ˙ œ P

U Œ U Œ

˙

∑

U Œ

Ó

U ‰ ‰ Œ

∑

U Œ

Ó

45

&

Ó

U ‰ ‰ Œ

∑

U Œ

U Œ Œ

∑

# 5 4

Ó

U ‰ ‰ Œ

∑

U Œ

U Œ

∑

# 5 4

&

Tpt.

∑

Ó

U ‰ ‰ Œ

U ‰ ‰ Œ

∑

U Œ

Ó

∑

Bari. Sax.

1

˙.

˙

Ó

46

∑

U Œ

U Œ Œ

∑

&

1 2

∑

œ ˙

Ó

a tempo ∑

U Œ

U Œ

3

#˙

Ó

U Œ

Ó

# 5 4

Ten. Sax.

Crnt.

U Œ Œ

Ó

45

U gently - underneath clarinets ‰ ‰ œœœœœ ˙ æ æ π U gently - underneath clarinets ‰ ‰ œ œœœœœ ˙ @ æ π

ad lib. cresc. when pitch is rising and dimin. when falling

˙æ p

ad lib. cresc. when pitch is rising and dimin. when falling

˙ æ p

ad lib. cresc. when pitch is rising and dimin. when falling

U Œ U Œ U Œ

œ

U Œ U Œ

U Ͼ

U œ æ U œæ

7

8

49 &b

Picc.

1

&b

2

&b

Oboe

1 2

&b

Bsn.

1 2

Flute

E b Cl.

U Œ

b b b

œ F

&

œ

3 4

&

œ

5 6

&

œ

&

B b CBs. Cl.

&

1

&

2

&

Al. Sax.

Ten. Sax.

&

Bari. Sax.

&

œ

œ J F

œ

œ

#

œ P

#

œ F

œ P

œ

œ

œ

œ

œ

œ

F

U̇

-̇

&

œ

mute off

1

&

œ

mute off

2

3

&

œ

1 2

&b

3 4

&b

2 3 Bs

Euph.

1 2

Tuba

1 2

œ

œ

œ

# ˙-

œ

U

-̇

œ

œ

œ

œ

œ

œ

œ

œ

œ

‰

œ

œ-

œ

U ˙

œ

˙ F

3

œ œ œ

œ

œ œ œ

œ- .

œ f

mute off

œ

œ J

U œ

œ œ

œ

œ

œ-

œ

œ

U Œ

œ

œ œ U̇

œ œ J f U Ó

œ

Œ

œ

œ

œ œ œ ‰ J

-̇ . œ

? bb

F

? bb ? bb

œ œ

œ œ J P

? bb

-̇

œ

U Ó

U œ œ J -

? bb ? bb

Timp.

? bb æ w

S. Cym. 2

œ

œ

œ

Str. Bs.

1

œ

œ

œ J

#

&

1

œ

œ

œ- .

w

œ

U Œ

œ

œ F

1 2

Horn

Glock.

œ

‰

œ

œ œ ˙

#

1 2

B b Bs. Cl.

Trbn.

b˙

measure 49 = ca. 50 seconds

? bb

&

B b Cl.

Tpt.

b

? bb

Cbsn.

Crnt.

This section has no specific time signature or tempo. Each entry is cued by the conductor, each individual to play in their own style at different times. Performers are to play the passage as written - ad lib only with tempo and dynamics. Continue to repeat the figure until measure 50.

&b ã ã

Bs. Dr.

3

Timp.

4

?

Timp.

5

?

b

j œ œ P

œ

œ

wæ

wæ

U œ œ

wæ

wæ ˙ æ wæ

w æ

w æ w æ

w æ

w æ ˙æ

w æ

˙æ

œ

9

b &b

Picc.

1

&b

2

&b

Oboe

1 2

&b

Bsn.

1 2

Flute

E b Cl. 1 2

&

3 4

&

5 6

&

B b Bs. Cl.

&

B b CBs. Cl.

&

1

&

2

&

Al. Sax.

Ten. Sax.

&

Bari. Sax.

&

4 4

Œ

F

#

œ F

1 2

&b

3 4

&b

1

? b b

œ

œ

œ

œ œ

œ- .

œ F

œ

œ-

œ

˙

44 44 j œ œ œ ‰

œ J

œ œ ‰

œ œJ

œ P

œ

œ

œ

? b b œ

4

?

5

?

œ œ œ œ ˙æ >>>>>

f (subito)

b

44

œ

44

U j œ œ œ œ œ œ F

œ œ ˙

44 44 w

œ

œ

>>>>> œ œ œ œ œ

f (subito)

44 44 44

œ- .

‰ j œ œ œ

wæ

wæ

j œ

œ

F

-̇

œ œ œ œ

wæ

œ œ

œ

œ J œ P

˙

œ

U œ œ J -

wæ

When Euphonium begins, finish your melodic cell and change to Ride Cymbal.

ã

44 44 44

œ

44 44 44 44 44

wæ ff >> > > > œœ œ œ œ æ

f (subito)

44

œ œ ˙

44

Fœ

Timp.

&b

œ

œ œ

a2 (tutti)

? b b

Timp.

44

U̇

? b b

ã

44

œ

44

? b b

3

œ-

44

b˙ F

? b b

Bs. Dr.

œ

œ

a2 (tutti)

? b b

ã

4 4

œ

U œ- .

‰

Str. Bs.

S. Cym. 2

œ œ œ ‰ J

œ F

&

1

4 4

44

#

3

1 2

œ œ U̇

44

&

Tuba

œ

#

2

1 2

œ- .

œ f

&

2

œ œ

4 4

44

a2 (tutti)

1

Euph.

Timp.

œ œ U̇

œ

œ f

&

3 Bs

Glock.

œ

4 4

#

1 2

Horn

Trbn.

b

œ

? b b

&

B b Cl.

Tpt.

œ J F

(50 seconds)

4 4

? b b

Cbsn.

Crnt.

b b

Cue cresc. in Percussion after String Bass (if no String Bass, Euphonium)

a2 (tutti) means that all players are to play, but each individual in their own style and at different times.

Cue timp just after Alto Sax. 2 entry.

@

˙ æ

˙ æ

˙ æ

w æ

w æ

˙ æ wæ

44

w æ ˙æ

˙ æ

˙ æ

˙æ

44

10

50

Continue melodic cell for these 2 metered bars, then play long note as written on downbeat of bar 52.

Forlorn Π= ca. 60 b 4 &b 4

Picc.

1 Flute 2

Oboe

1 2

Bsn.

1 2

51

w

b 4 &b 4 ? b b 44

E b Cl.

&

# 4 4

w

1 2

&

44

w

3 4

&

44

w

5 6

&

44

B b Bs. Cl.

&

44

w

B b CBs. Cl.

&

44

1

&

2

&

# 4 4

Ten. Sax.

&

44

Bari. Sax.

&

# 4 4

1 2

&

44

1

&

2

&

3

&

Al. Sax.

Crnt.

Tpt.

1 2 Horn 3 4

Trbn.

1 2

4 &b 4

w

4 &b 4

Bs. Dr.

3

ã

Timp.

4

?

5

?

wæ

œ ff

wæ

œ ff

wæ œ

œ

œ w æ w æ

œ

∑

∑

w p

∑

∑

∑

w p

∑

∑

∑

w p

∑

∑

∑

w p

∑

∑

∑

w p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w p

∑

∑

∑

∑

∑

∑

w p

∑

∑

∑

œ

œ

œ ff

œ ff œ

ff œ ff

∑

Œ Œ

Œ

wwP

p

Œ

Ó

Œ

Ó

to Tubular Bells

w p

-̇˙ .. P -̇ .

∑

& &

∑

Œ

Ó

Œ

Ó

∑

Œ

Ó

∑

Œ

Ó

∑

œ P Œ

˙-̇ ..

Œ Œ ∑ Œ

P

ww-

3rd

-̇ . -̇ .

∑

˙-̇ ..

Œ

-̇ .

∑ Œ

ww-

-̇ .

w ∑

∑ Ó

‰ œj œ f

Tubular Bells

œ Œ

Œ

∑

∑

w

Œ

Œ

∑

solo

∑

to Vibraphone

˙˙- .. P

wP

w p

w

œ

∑

∑

w p w

w

44 œ F 44 w æ F 44 w æ F

∑

p

w

? b b 44

ã

∑

p w

w

? b b 44

S. Cym. 2

∑

w p w

w

? b b 44

ã

∑

w p

w

Ride Cymbal

∑

w p

w

44 wæ P 44 wæ P

∑

∑

w w

R. Cym. 1

∑

∑ w

? b b 44 wæ F

Timp.

∑

w p

∑

? b b 44

Str. Bs.

Timp.

w

44

2

Tuba

w

∑

∑

w p w p w p

w

44

? b b 44

1 2

∑

∑ w

44

? b b 44

Euph.

w ∑

∑

p

∑

∑

# 4 4

1

3 Bs

∑

∑

∑

w p w

w

? b b 44

56

∑

∑

p

w

55

∑

p w

w

b 4 &b 4

54

w p w

w

b 4 &b 4

Cbsn.

B b Cl.

53

52

Œ

∑ Ó

‰ œj œ

œ Œ

Œ

Œ

Ó

‰ œj œ

∑

∑

∑

∑

∑

∑

œ

Œ

Ó

œ

Œ

Ó

œ

Œ

Ó

œ P

Œ

Ó

œ

Œ

Ó

œ

Œ

Ó

P

Œ

11 57

&b

Picc.

1

&b

2

&b

Oboe

1 2

&b

Bsn.

1 2

b

ritenuto

b

58

∑

59

∑

Ó

as with a broken heart solo

˙ F

60

61

w

˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

? bb

∑

Cbsn.

? bb

E b Cl.

&

∑

b

∑

1 2

&

3 4

&

5 6

&

∑

∑

∑

∑

∑

∑

∑

B b Bs. Cl.

&

∑

∑

∑

∑

∑

∑

∑

B b CBs. Cl.

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

1 2

&b

∑

∑

∑

3 4

&b

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B b Cl.

Al. Sax.

Ten. Sax.

&

Bari. Sax.

&

Crnt.

1 2 1

Tpt.

Horn

Trbn.

# #

#

Œ

1

? bb

2

? bb

3 Bs

Euph.

1 2

Tuba

1 2

Œ

1st

˙.

-̇ .

? bb

∑

∑

∑

∑

∑

∑

w

w

w

ww

ww

ww

w

Str. Bs.

? bb

Timp.

? bb

Tub. Bls. 1

&b

Vibes

2

&b

Bs. Dr.

3

ã

4

?

œ

to S. Cymb.

Timp.

Œ

Ó

Timp.

5

?

œ

Œ

Ó

∑

∑

b

∑

∑

w

b Œ

w

∑

∑

œ

w

∑

? b b ww ? bb

˙

˙

Œ

Ó

‰ œj œ

∑ Œ

Œ

‰ œj œ

Œ

w

w p

w ∑ ‰ œj œ

π π

∑

w

Œ

π

π ∑

Œ

Œ

‰ œj œ

π Œ

Œ

‰ œj œ

Œ

Œ

‰ œj œ

solo

œ P

Œ

œ

clingingly

œ

œ

∑

to Ride Cymbal

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ã

œ J F

œ.

˙ P

∑

∑

∑

#

-̇

a tempo

∑

∑

∑

b

œ

63

ritenuto

∑

∑

Flute

f

˙.

62

ã

12

rallentando 65

j œ œ.

&b

b

1

&b

b

∑

∑

∑

2

&b

b

∑

∑

Oboe

1 2

&b

b

∑

Bsn.

1 2

? bb

Cbsn. E b Cl.

64

Picc.

Flute

˙.

œ

œ

Œ

œ

œ

66

œ.

67

a tempo

j œ œ. P

œ œ J

œ

69

˙.

68

˙

˙

70

œ

œ œ œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

? bb

∑

&

#

œ F

ritenuto

1 2

&

∑

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

∑

5 6

&

∑

∑

∑

∑

∑

∑

∑

B b Bs. Cl.

&

∑

∑

∑

∑

∑

∑

∑

B b CBs. Cl.

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B b Cl.

Al. Sax.

Ten. Sax.

&

Bari. Sax.

&

# #

#

1 2

&

1

&

2

&

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

1 2

&b

∑

∑

∑

∑

∑

∑

∑

3 4

&b

∑

∑

∑

∑

∑

∑

∑

1 2

? bb

∑

∑

∑

∑

∑

∑

∑

? bb

∑

∑

∑

∑

∑

∑

∑

? bb

∑

∑

∑

∑

∑

∑

∑

? bb

∑

∑

∑

∑

∑

∑

∑

Str. Bs.

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74

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76

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84

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b &b &b

b

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œ

œ

œ

œ

˙.

˙.

œ œ

œ œ

# œœ

œœ

œ œ

œœ œ

? b b

œ

œ

? b b

œ

œ3

œ

˙

œ-

œ-

? b b

œ œ

œ

3

œ

˙

œ œ

œ œ

? b b

œ

œ3

œ

œ

? b b

Str. Bs.

? b b

Timp.

? b b &b

œ-

w

b

˙

-̇

œ œ œ

˙. -̇ .

˙.

œ-

œ-

œ œ

œ œ

# œ-

œ

œ

˙. œ-

œ-

œ

œ

œ

œ

œ3

n œœ

œœ

œ-

œ-

œ-

œ

œ

œ-

œ-

œ-

n œœ

œœ

œœ

œ œ

>œ

>œ

œ œ ˙

>œ # >œ

3

œ-

3

œ

œ

œ

œ

˙.

œ

˙.

œ

œ

œ

œ

œ

˙.

∑ ∑ ∑ ∑

∑

>œ 3

œ

>œ

>œ

>œ

w

œ

œ

˙

œ

wœ

> > œ œ bœ ˙

-3 œ œ œ

> œ ˙

˙w

˙˙

˙

œ

œ

œ œ˙ .

œ

œ

œœ

œ œ

œ-3

>œ

œ-

œœ-3

œœ-

> ˙

œ

œ

˙-̇

œœ

œ

œ-

b œ-

œ-

œ

œ

œ-

œ

˙.

œ

bœ

>œ

œ-

n œ-

œ-

œœ

œœ > >œ

œ œ > >œ œ

3

œ-

œ-

˙. œ

-̇

œ ff

>œ .

œ. >˙ .

œ

˙.

œ

w

œ ff

œ. >

œ-

œ

œ-

˙w

œ

œ

œ

-̇

œ

œ-

œ-

œ-

3

3

3

œ-

3

œ. >˙

>œ .

œ-

œ-

˙.

œ

œ

3

>œ

œ

> ˙œ f œ

œ. ˙ . >

œœœ > œ >œ >œ > œ

˙

>œ œ

>œ œ

>œœ

˙œ > >œ œ

nœ > œ >œ >œ

œ-3

œ-

œ

œ-3

œ-

-œ

-œ

>œ

>œ3

>œ

˙w

œ

œ

œ

œœ

bœ bœ

> œ œ

>3 œ

> nœ

-̇

œ

œ-3

œ-

œ

bœ

>œ

>œ3

b œ-

œ-

b œ-

œ-

-̇

3

˙.

œ-

˙.

œ

œ

˙.

Ϸ

∑

∑

∑

> œ

> nœ

3

œ >

œ

-̇

œ

∑

˙.

˙

œ œ b œœ f > ˙

œ

∑

˙

˙

˙.

∑

˙

˙.

ww

œ

˙.

œ

œ

˙.

˙œ

n >œœ

œ

˙w.

œ

>œ >œ3 œ œ

œ-

œ

œ

b œœ

3

œ-

œ

œ

œœ

>œ # >œ

b œ-

˙.

ff 3 œ

>œ

œ-

w

œ

nœ

˙.

∑ ∑

œœ-

œ

œ-

œ

∑ ∑

œœ-3

œ-

œ

∑

∑

œ-

b œ-

> nœ

˙

∑

∑

œ-3

œ-

a2 (tutti)

∑ ∑ ∑

17

œ œ

3

˙.

∑ ∑

œ

>œ

œ

∑ ∑

3œ

˙.

-̇

œ

-̇

˙.

ww>

˙.

-̇

œ-

œ-

>œ # >œ

>œ

œ

∑

3

˙ ..

˙.

∑

>œ

>œ

œ

œ

100

˙.

œ

œ-

>œ3

w˙ .

# œœ

3 œ-

>œ

>œ >œ >œ >˙

-

œ-

œ-

œ

∑

œ-

œ œ ˙

œ œ œ œ ˙

f

œ

œ-

œ

>œ

œ3 œ œ œ

œ-

œ

œ œ

œ œ œ

˙œ

-̇

w

-̇

#

œ3

?

>œ

>œ

œ

œ

5

3

˙.

w

ã

>œ # >œ

>œ

œ-

œ

-̇

œ

&b

S. Cym. 4

œ >

>œ

>3 œ

˙

3 4

ã

>œ # >œ

3

œ-3

101

˙.

œ

œ œ

3

˙

˙

f

&b

Bs. Dr.

>œ

œ

1 2

2

˙.

œ3

œ œ ˙

Vibes

œ

œ œ

&

ã

˙.

œ

œ œ œ

3

Tam-tam 1

˙

œ

œ

&

1 2

w

˙ œ

œ

2

Tuba

œ

˙

˙ œ

œ

œ

Euph.

œ

>œ

rallentando œ

-̇

99

œœ

œ

&

1 2

œ

œ œ

˙.

>œ

>œ

3

œœ œ œœ œœ ˙

œœ

œ

3

>œ # >œ

3

œ

œ

1

3 Bs

>œ

3

wœ

2

œ

98

˙

œ

œ

&

1

nœ

œ œ

œ œ œ œœ œ

1 2

Horn

Timp.

œ

œ œ ˙

&

Trbn.

œ˙ .

&

2

Tpt.

œ œ

5 6

Al. Sax.

œ

wœ œ ˙

œ

&

œ

˙.

&

1

œ3 œ œ œ

œ

3 4

&

-̇

œ

œ

&

B b CBs. Cl.

œ œ

˙.

1 2

&

œ

œ-

œ

B b Bs. Cl.

Crnt.

#

œ

œ3

97

∑ ∑ ∑ ∑ ∑ ∑

œ

>œ œ

œœ-

18

b &b

102

Picc.

1 Flute 2

Oboe

1 2

Bsn.

1 2

Cbsn.

E b Cl.

& 1 2

&

3 4

&

5 6

&

B b Bs. Cl.

&

B b CBs. Cl.

&

1 Al. Sax. 2

&

Bari. Sax.

Tpt.

1 2

&

1

&

2

&

3

&

1 2 Horn 3 4

1

Trbn.

2

3 Bs

Euph.

1 2

Tuba

1 2

Str. Bs.

Timp. Tam-tam 1 Vibes

2

Bs. Dr.

3

S. Cym. 4 Timp.

& &

Ten. Sax.

Crnt.

&

5

ww

#w w

w w

ww ff

ww

w ff

w

w

w

π

w

w

π

ff

w

#

#w ff

#

w ff

?

b

π π

π π π

w

# ww ff ww

ww

# ww ff

ww

π π

ww

π π

w

π

ww

π

ww

π

w

π

w

π

w w

π

w

π π

w w ∑

∑

∑

∑

∑ ∑ ∑ ∑

π

∑

wæ f

∑ ∑

˙ ∑

Œ

ritenuto

˙

œ

w

˙

˙

U w p U w p

U ∑

tutti

∑

∑ ˙

108

107

w

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

U ∑

U ∑

U w p

one player

∑

∑

∑

∑

∑

∑

∑

∑

one player

∑

∑

∑

∑

one player

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

one player

∑

∑

∑

∑

one player

∑

∑

∑

∑

one player

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ ff

- 3 œ œ œ œ œœœ 106

cantabile

π

w

∑ ˙

π

w

ff

˙

π

w

ff w

#

cantabile

π

w

œ œ œ

105

˙

π

w

ff

Slow and heavy Π= 54

solo

πF

w

&b ã

π

w

ff

œ-

π F

w ff # #w

w ff ? bb w ff ? bb

ã

solo

w

w ff # ww &b ff & b ww ff w ? bb ff w ? bb ff n ? bb w w ff w ? bb ff ? bb

ã

104

w

103

ff n b w &b ff b w &b ff b & b ww ff w ? bb ? bb

B b Cl.

nw

∑ ∑

∑

Ó

to Toms

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U w p U w p

U ∑ U ∑

U w p U w p U w p

U ∑ U ∑ U ∑ U ∑

U ∑

U ∑ U ∑ U ∑ U ∑ U ∑ U ∑

109 &b

Picc.

b b

With great intensity Π= c. 96 110

∑

19 111

∑

7 8

112

∑

113

∑

∑

∑

∑

7 8 nœ œ œ œ œ œ œ P 7 8 œ œ nœ œ œ œ œ P 7 ∑ 8

? bb

∑

∑

∑

7 8

∑

Cbsn.

? bb

∑

∑

∑

7 8

∑

E b Cl.

&

∑

∑

∑

78

1

&b

2

&b

Oboe

1 2

&b

Bsn.

1 2

Flute

B b Cl.

&

tutti

&

(tutti)

4

5

&

6

&

(tutti)

2

& &

Ten. Sax.

&

Bari. Sax.

&

w

bw

w

78 ˙..

w

w

78 ˙

w

w

78 ˙..

w F

w

w

w

bw

w

b˙ p

˙

w

bw p

w

bw ∑

∑

#

p

w p

tutti

#

P

P

∑ ∑

w

nw

w

w

bw

w

w

w

P

nw

w

w

78

b˙

78 ˙.. 78 78

3 œ nœ œ œ œ œ œ œ œ œ œ œ 5 4 œ œ nœ œ œ œ œ œ œ œ 4 3 œ n œ œ œ œ œ œ œ 45 œ nœ œ œ nœ œ œ œ 4 nœ œ œ œ ∑

3 4

∑

3 4 Œ

œ #œ œ œ œ œ #œ #œ œ œ œ œ œ œ

˙..

˙..

˙..

b˙ . .

˙..

b˙ . .

∑

∑

∑

∑

43 œ 43

˙ ff

43 . #˙ f > ˙. 43

belltones

b˙ . .

n˙ . .

b˙ . .

43 n ˙ .

b˙ .

45

78 ˙ . .

b˙ . .

˙..

b˙ . .

b˙ .

45

F

∑

78

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

78

∑

43

∑

∑

78

∑

∑

∑

∑

∑

43

78

∑

∑

∑

∑

∑

∑

1 2

&b

∑

∑

∑

3 4

&b

∑

∑

∑

1 2

? bb

∑

∑

∑

78

∑

∑

? bb

∑

∑

∑

78

∑

∑

43 Œ

∑

78

∑

43 Œ

∑

∑

78 78 78

∑

∑

∑

∑

78

Str. Bs.

? bb

∑

∑

∑

78

∑

∑

Timp.

? bb

∑

∑

∑

∑

∑

∑

∑

78

∑

∑

∑

∑

78

∑ ∑

∑

Large Tam Tam

78

Vibes

2

Bs. Dr.

3

ã

∑

∑

∑

78

∑

∑

Toms

4

ã

∑

∑

∑

∑

∑

Timp.

5

∑

∑

∑

78

∑

∑

?

45

#˙ .

f

∑

b &b

f # >˙

n˙ . .

&

w π

45

∑

∑

45

˙..

3

ã

˙.

45

n˙ . .

&

Tam-tam 1

#œ

43 ˙ . f belltones 34 Œ

2

1 2

œ œ œ œ œ 45

œ #œ

78 ˙ . . F 78 n ˙ . .

? bb

Tuba

œ #œ œ œ 5 43 œ # œ œ œ œ œ œ 4

∑

∑

5 4

#œ nœ œ

&

? bb

nœ >

œ #œ œ œ œ œ œ œ 5 3 4 œ #œ œ œ #œ œ œ œ 4 #œ œ œ œ

1

1 2

∑

3 œ # œ œ œ œ œ œ œ œ œ œ œ 45 œ œ #œ œ œ œ œ œ œ œ 4

&

3 Bs

nœ f >

3 5 4 n˙ . 4 > f 3 œ # œ œ œ œ œ œ œ œ œ œ œ 45 œ œ œ œ #œ œ œ œ œ œ 4

1 2

Trbn.

5 4

∑

˙..

b˙ . .

˙..

5 4

∑

43 ˙ . F 34 Œ

tutti

w p

w

P

∑ n˙

˙

#œ œ œ œ œ œ œ P

bw P bw

∑

∑

78 #œ œ œ œ œ œ œ

w

tutti

w

w

tutti

#

w

bw

bw p

∑

w

w

b˙

(tutti)

w

bw P

˙ p

bw p

& &

b˙

˙ p

3

w

w w

tutti

&

Al. Sax.

Euph.

#

2

1

Horn

w p

&

B b CBs. Cl.

Tpt.

b

tutti

1

B b Bs. Cl.

Crnt.

b

w

w P

3 4

114

78

Œ

43

belltones

#œ > f

45 45

∑

43

45

∑

43 Œ

∑

belltones belltones

belltones

Œ 43 f n˙ . > belltones 34 . n˙ > f 43

Œ

belltones

f f

> n œ˙ > n œ˙

> n˙

45

nœ

45

nœ

45 45

45

∑

with pedal depressed

43 ˙˙æ.. P 43

nœ f>

45

43 ˙ . F nœ > ˙æ. fp

45 45

∑

43

45

45

∑

43

43 f 34

45

nœ >

> nœ

45 45 45

∑

45 45

Ugly! Π= 120

20

b 5 &b 4

Picc.

1 Flute 2

Oboe

1 2

Bsn.

1 2

accel.

œ œ 2 œ ∑ 4 œ œ nœ œ œ P n œ œ œ œ œ œ œ œ œ œ nœ œ œ œ nœ œ œ œ œ œ œ œ œ œ œœ b 5 œ nœ œ 2 &b 4 4 5 F

115

4 4 4 4

b 5 œ nœ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ 2 nœ œ œ œ nœ œ œ œ œ &b 4 4 5 F > > > > œ b Œ n œ 5 2 nœ &b 4 Ó 4n ˙ œ˙ nœ > > > > w ˙ ? b b 45 œœ 2 w 4 ˙

4 4 4 4 4 4

Cbsn.

? b b 45 œ

E b Cl.

# 5 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2 œ œ œ #œ œ œ œ #œ & 4 œ #œ 4

44

#œ œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ5 œ œ 2 œ œ œ # œ œ œ œ 45 4 F

44

B b Cl.

&

2

&

3

&

4

&

5

&

6 B b Bs. Cl.

& &

B b CBs. Cl.

&

1

&

2

&

Al. Sax.

œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2 #œ œ œ œ œ œ œ œ 45 # œ œ 4 F 24 45 œ œ œ œ #œ œ #œ œ ˙ œ 54 # œ 24 œ œ œ œ #œ J J J J J J 54 24 œ w ˙ 54 24 œ w ˙

# 5 w 4 # 5 4 nw 45 w

&

Bari. Sax.

&

# 5 4 œ

&

45 Œ

1

&

45

2

&

45 Ó .

3

&

45 Ó

1 2

1 2 Horn 3 4

1 2 Trbn. 3 Bs

Euph.

1 2

Tuba

1 2

5 &b 4 Œ

? b b 45 œœ ? b b 45 œœ ? b b 45

œœ

24 w

bw

24 w

Œ œ f>

> # œ˙ . >

> œ ∑

Œ œ f > > ww

belltones

#œ > > n œ˙ . >

24 ˙ ˙

> œ > f ˙ > > œ

> n#œ > > #œ

24 ˙˙

ww

˙˙

24

.

Timp.

? b b 45

∑

24

∑

Tam-tam 1

ã

45

∑

2 4

∑

2

Bs. Dr.

3

Toms

4

Timp.

5

nœ nœ >

45 œ œ œœæ

wwæ

ã

?

45

nœ nœ >

>œ œ

n >œ œ

to Large Chinese cymbal use same mallets

24

∑

24 ˙æ f

˙æ.

∑

24 ˙æ ˙ 24

44 4 4 ã

44 44

∑

44 44

ff

Ÿ~~~~~~~~~~~~~~~~~ œ nœ #œ œ n˙ œ œ n œ œ nœ œ 5 ff # œ œ œ œ n œ œ ‰ œJ œ ß ß #œ œ # ‰ œœ œœ n œ œ J ß ß ‰ œj œ nœ œ ß ß Ÿ~~~~~~~~~~~~~~~~~~ 5 œ œ œ œ 6œ œ œ # ˙ œ œ #œ œ ff Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 œ œ #˙ . œ œ #œ 6

ff

Ÿ~~~~~~~~~~~~~~~~~~ œ # œ5 œ œ # ˙ œ œ # œ œ œ œ #œ ff Ÿ~~~~~~~~~~~~~~~~~~~ œ ˙ 6 6 #œ œ œ œ œ œ #œ œ œ œ #œ 6

Œ

‰

œœ >

Œ

‰

Œ

‰

Œ

‰

Œ

‰

>œ œ

Œ

‰

œœ >

Œ

‰

Œ

‰

Œ

‰

Œ

‰

Œ

‰

Œ

‰

Œ

‰

œœ.

œ>œ

œœ.

>œ œ

œœ .

œœ >

>œ œ œœ > >œ œ

œœ. œœ .

œœ >

œœ >

œœ >

œ.

œ >

∑

wæ F

˙æ. ß

œ

œ J

j œ ß j œ ß

#œ J

œ

œ

#œ ß

œ

j œ ß j œ ß

‰

œ

‰

œ

#˙

œ

œ ß

œ

#œ ß

œ

‰

# # œœ ß # # œœ

œœ

‰

œœ œœ

œœ œœ œœ œœ œœ

j #œ

œ ‰

œœ

ß # # œœ

‰

œœ

‰

œœ

‰

œœ

‰

œœ

‰

# œœ

œœ

‰

n œœ ß n # œœ

œœ

‰

n œœ ß

œœ œ

‰

n œœ >

œœ

‰

ß œœ ß

œœ

œœ J ß j œœ ß œœ J ß j œœ ß j œ ß j œœ >

œ

œ

œœ

œœ J ß j œœ ß

œ

œ J

œ

j œœ ß œœ J ß œœ J ß j œœ ß

#˙

#œ ß

˙

œ J

œ

#œ

œ >

œœ .

œœ .

n œœ > ff

#˙

‰

œ >

œœ.

‰

Œ

œ.

œœ .

‰

Œ

œ

œœ.

œ

œ

Œ

œ >

œ.

44 # œœ ff 44 n œœ . ff 44 # œ. n œ ff 44 n œœ. ff 44 n œ. ff

24 ˙

w

gliss.

œ

œ

œ >

gliss.

ff

? b b 45 œ

#œ

œ.

.

24 ˙˙ 24 ˙˙

œ.

ff 44 œ œ. ff . 44 n # œœ ff 44 œ œ

24 ˙

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# œ. ff

44 # œ # œ. ff . 44 # # œœ ff . # 44 # œœ

24 ˙˙

ww

#œ

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24 ˙˙

ww>

b 5 &b 4 œ œ > 45 ˙æ ã

44

> œ

> 24 n # œ˙ > f> 24 # ˙˙

belltones

belltones

belltones

> #œ

œ œ J

44

24 ˙

w belltones

44 44

Ÿ~~~~~~~~~~~~~~~~~~ œ 6œ n œ # œ ˙ œ n œ œ œ nœ œ ff Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ . n ˙ 5 œ # œ œ nœ 5

ff # ˙Ÿ~~~~~~~~~~~~~~~~~~ 5 œ œ 6 œ 5 œ œ œ œ œ #œ œ œ œ œ œ #œ œ #œ œ # œ œ œ #œ œ œ œ #œ œ œ f ff

44

24 w

bw

belltones 5 > &b 4 œ

> ? b b 45 œ >

#w

Str. Bs.

Vibes

6 œ œ #œ œ œ œ #œ œ #œ œ œœœ œ #œ œ œ œ f œ œ #œ œ œ œ #œ 6 œ #œ œ œœœ œ #œ œ œ œ f

#œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ #œ œ 54 œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2 # œ œ œ œ œ œ œ 4 4 4 œ #œ 5 F f 5 #œ œ œ œ œ œ œ œ œ œ #œ œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2 œ œ # œ œ œ œ œ5 œ œ 4 œ œ œ œ œ œ 45 4 4 f F

Ten. Sax.

Tpt.

4 4

5

1

Crnt.

2 ˙ 4

w

118 œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 5 f œ œ nœ œ œ œ 6 nœ œ nœ œ œœœ œ œ nœ œ œ œ f œ œ œ nœ œ œ œ œ œ œ nœ œ nœ œ œ nœ œ f n # œœ. œœ. œ>œ œœ œœ Œ ‰ J ff ß . >œ # œ. œ œ œ Œ ‰ n œ œ œ œ œ J ß ff j Œ ‰ n œ. œ œ. œ œ > ß ff

117

116

n # œœ ß œœ ß ß

œœ

ß

œœ

nœ ß

œ œœ

‰ ‰

∑

j œ ß j œ ß

j œ ß j #œ ß

œ

œ J

œ œ

œ œ œ

j œœ œœ ß œœ œœ J ß œœ œœ J ß j œœ œœ ß œœ œœ J ß j œœ œœ ß

# œœ J ß j œœ ß œœ J ß j œœ ß j œ ß j œœ >

œœ œœ œœ œœ œ œœ

wæ

œœ

œœ 3

œ > œ ff n ˙æ f

œ

œ

3

œ

œ

3

Ͼ

ßp

œ œ œ > œ

˙ æ

˙æ 3

œ

œ

œ >

n Ͼ

3

œ

œ

œ

˙ æ

3

œ

˙ ç œ

3

3

œ œ œ œ œ > œ œæ

&b

b

&b

b

119

Picc.

1 Flute 2

Oboe

1 2

Bsn.

1 2

b &b &b

b

? b b

Cbsn.

? b b

E b Cl.

&

B b Cl.

1

&

2

&

3

&

4

&

5

6

& &

B b Bs. Cl.

&

B b CBs. Cl.

&

1

&

2

&

Al. Sax.

Ten. Sax.

&

Bari. Sax.

&

Crnt.

Tpt.

#

‰ #

1

&

2

&

3

&

1 2

&b

3 4

&b

Trbn. 3 Bs

Euph.

1 2

Tuba

1 2

‰ ‰

#

&

1 2

‰

#

1 2

Horn

‰

? b b ? b b ? b b ? b b ? b b

Str. Bs.

Timp.

Tam-tam 1

œ ‰ J ß œ ‰ J ß nœ ‰ J ß # œ ‰ n œJ ß ‰ n # œœ J ß ‰ n œj ß œ ‰ J ß œ ‰ J ß #œ ‰ J ß #œ ‰ J ß #œ ‰ J ß # ‰ œJ ß ‰ œj ß ‰ j #œ ß

j ‰ # # œœ ß # œœ # ‰ J ß # ‰ # œœJ ß j ‰ œœ ß # œ ‰ n œ J ß j ‰ œœ ß œ ‰ # œJ ß ‰ n œj œ ß ‰ n # œœ J ß ‰ j n œœ ß ‰ n œj ß

? b nœ b œ > w ã ff >

Ch. Cym. 2

ã

Bs. Dr.

3

ã

Toms

4

ã

Timp.

5

?

j #œ ß #œ J ß j #œ ß j œ ß j #œ ß

œ ff > œ.

œ

œ

œ

Ÿ~~~~~~~~~~ œ œ

ß Ÿ~~~~~~~~~~ œ œ œ œ œ ß œ œ

œ

Ÿ~~~~~~~~~~ œ œ

^œ "

120

Ï ^œ "

Ï ^œ "

Instructions to Flutes: Slowly and gently roll head joint forward and back again to change the pitch. Keep the note sounding at all times.

Œ

U Ó

Œ

U Ó

Œ

U Ó

ß Ï Ÿ~~~~~~~~~~~~ ^ " œœ œœ œœ œœ œœ œœ Œ ß Ï Ÿ~~~~~~~~~~ ^œ " œ œ œ œ œ Œ œ œ œ œ œ œ Ï ß Ÿ~~~~~~~~~~~ ^ " Œ œ œ œ œ œ œ ß Ï Ÿ~~~~~~~~~~~ ^œ " œ œ œ œ œ Œ ß Ï Ÿ~~~~~~~~~~~ ^œ " œ œ œ œ œ Œ ß Ÿ~~~~~~~~~~ Ï^ œ œ œ œ œ œ " Œ ß Ÿ~~~~~~~~~~~ Ï ^œ " œ #œ œ #œ œ Œ ß Ï Ÿ~~~~~~~~~~~ ^œ " œ œ œ œ œ Œ ß œ œ œ

œ

ß

œ œ ß

œ

œ œ ß

œ

œ

œ ß œ œ œ œ œ

ß

œ

œ œ ß

œ œ ß œ œ ß

Ÿ~~~~~~~~~~ œ œ

Ÿ~~~~~~~~~~ œ œ Ÿ~~~~~~~~~~

œ

œ

œ

œ

Ÿ~~~~~~~~~

Ÿ~~~~~~~~~~ œ œ Ÿ~~~~~~~~~~ œ œ

Ÿ~~~~~~~~~~ œ œ

Ÿ~~~~~~~~~~ œ œ

œœ

œœ œœ œœ œœ > ß œœ œœ œœ œ>œ œœ ß œœ œœ œœ ß œœ œœ œœ ß œœ œœ œœ ß œœ œœ œœ ß œœ œœ œœ œœ

ß

œœ ß œ œ œ œ ß œœ œ œœ > œ > œ.

@ œ œ œœ œœæ ‰ n œj ‰ >

œœ ß

œœ œ œ œœ

œ œ ß

>œ œ

œœ

œœ > >œ œ

œœ

œœ > œœ>

œœ

œœ > >œ œ

œœ

œœ >

œœ

œ >

œœ

Ï Ï Ï

œ

œ >

Ͼ > Ͼ >

@ œ œ œœ œœæ

j œ ‰ >

Ï

œ œ

œ

œ.

Ï^ " œœ Œ

œœ

œœ >

j œ@ œæ

Ï ^œ " Œ Ï " ^ Œ œ Ï " ^ Œ œ Ï ^ " Œ œ Ï ^œ " Œ Ï ^ " Œ œ Ï " ^ Œ œ Ï " ^ Œ œ Ï ^ " œœ Œ Ï " œ^œ Œ Ï ^œ " œ Œ Ï^ " œœ Œ Ï ^ " n œœ Œ

œ

^œ " œ Œ ^ " Œ œœ œ^ " Œ œ ^ " Œ œœ

Ï^ " Œ œ Ï ^ " Œ n œœ Ï U w Ï

U w

^ œ " Œ

Ï^ œœ " Œ Ï^ " Œ œ Ï

U Ó

121

Mysteriously Π= c. 96

∑ ∑

stagger breathing

w P

122

∑

21

123

124

∑

w P

stagger breathing

w

w

w

w

w

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

U Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U Ó U Ó

U Ó U Ó U Ó U Ó

U Ó U Ó U Ó

U Ó U Ó U Ó U Ó U Ó U Ó

U Ó

U Ó U Ó U Ó

to Glockenspiel

& to Vibraphone

U Ó

&

to Siren

U Ó U Ó

to S. Cymb.

ã

∑

∑

∑

∑

∑

“The Seagull” in your own time

B

·œ

F

ˆ

‰

·œ

Ĵ

Œ

·œ

Ĵ ‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

to Large Chinese cymbal

·œ

22

b &b

125

Picc.

1

&b

2

&b

Oboe

1 2

&b

Bsn.

1 2

Flute

b b b

∑

ritenuto

126

127

∑

a tempo ∑

128

129

∑

∑

130

131

∑

w

w

œ

˙.

w

w

w

w

w

w

œ

˙.

w

w

w

w

ritenuto ∑

∑

∑

∑

∑

∑

∑

∑

? bb

∑

∑

∑

∑

∑

∑

∑

Cbsn.

? bb

∑

∑

∑

∑

∑

∑

∑

E b Cl.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B b Cl.

1

&

2

&

3

&

4

&

5

&

6

&

#

B b Bs. Cl.

&

∑

∑

∑

∑

∑

∑

∑

B b CBs. Cl.

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Al. Sax.

Ten. Sax.

&

Bari. Sax.

&

Crnt.

1 2

1

Tpt.

2

#

#

& &

Œ

mournfully

&

Ó

mournfully

mournfully

‰ œj ˙ P

&

Œ

1 2

&b

Œ

&b

Ó

mournfully

3 4

? bb Ó

1st mournfully

1 2 Trbn. 3 Bs

Euph.

1 2

Tuba

1 2

Timp.

1

Vibes

2

Siren

3

‰ œj ˙ P

mournfully

? bb ? bb Œ

˙ P ˙

P ∑

œ ˙ ‰ J P

mournfully tutti

? bb B bb

Str. Bs.

˙ P

‰ œj ˙ P

3

Horn

Glock.

#

∑

Ĵ

-̇ .

F

p

F

p