Short Stories First Prize Winner The Frank Ticheli Composition Contest
c o n c e r t
b a n d
Leonard Mark Lewis M anhat tan Beach Music
Recording Credits for Short Stories: Performance by the Winthrop/Carolinas Wind Orchestra, William F. Malambri, conductor
This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music is prohibited
SHORT STORIES 足F O R
C O N C E R T
B A N D
L EONA R D M A R K L E W I S I N S T R U M E N T A T I O N 1 Full Score
3 Bb Trumpet 3
4 Flute 1
2 F Horn 1
4 Flute 2
2 F Horn 2
1 Oboe
3 Trombone 1
4 Bb Clarinet 1
3 Trombone 2
4 Bb Clarinet 2
3 Euphonium B.C.
4 Bb Clarinet 3
2 Euphonium T.C.
2 Bb Bass Clarinet
4 Tuba
1 Bassoon
2 Mallets
3 Eb Alto Saxophone 1
Vibraphone, Glockenspiel, Chimes
3 Eb Alto Saxophone 2
1 Timpani
2 Bb Tenor Saxophone
2 Percussion 1
1 Eb Baritone Saxophone
Snare Drum, Bass Drum
3 Bb Trumpet 1
2 Percussion 2 Large Tom Tom, Triangle, Suspended Cymbal
3 Bb Trumpet 2
P R I N T E D O N A RC H I VA L PA P E R
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M A N H AT TA N B E A C H M U S I C
S H O R T S T O R I E S is the F I R S T P R I Z E W I N N E R of the S E C O N D I N T E R N AT I O N A L F R A N K T I C H E L I C O M P O S I T I O N C O N T E S T Category One: Concert band music for younger players
P R O G R A M
N O T E
I
’ve always been fascinated with the writing of Milan Kundera, particularly his essays and short stories. His innate ability to write collections of seemingly disparate short stories while keeping a central theme is, to me, what sets his works apart from his contemporaries. It was my goal to achieve something similar in a musical context. While there are common motivic threads throughout this piece, the work is meant to be a collection of short sections, each with its own story and character development. S hort S tories is made up of an introduction (prologue), six short stories based on elaborations of the introduction, and a coda (epilogue). The Introduction/Prologue (meas. 1–18) presents a short two-note motive of E-D. This is the main character of the work. Story One (meas. 19–32) is an elaboration on the opening motive in the saxophones, trumpets, trombones and glockenspiel. This is the main theme which will continue to be molded throughout the piece. This section introduces a syncopated accompaniment figure. Story Two (meas. 33–50) is a continuation of the main theme elaboration and syncopated accompaniment figure. The oboes present a countermelody to the main theme in the flutes. The section also contains the sigh motive first presented in the horns. Story Three (meas. 51–65) is another expansion of the two-note motive. Here, the character changes quite a bit. This section also introduces the two-note figure as a suspension, beginning in measure 61. Story Four (meas. 65–79) begins with an elision in the flutes over the previous section. The two-note expansion is altered into a six-note, falling line in the clarinets, alto sax and first trumpet. The original two-note motive is found throughout this section and takes over in measures 76–79. Story Five (meas. 80–93) is a slightly truncated version of the previous main theme elaborations. Here, the flutes, clarinets and trumpet solo move into the two-note motive which builds and dissipates into story six. Story Six (meas. 94–119) is the climax of the work. It begins with the main theme in the glockenspiel. and counterpoint in the timpani. Each of these two lines in gradually doubled by the woodwinds and low brass. The rest of the brass fills in the harmony. The climax of the piece is in measures 116–119, where there is tutti main theme elaboration. Coda/Epilogue (meas. 120 to end) uses the final version of the main theme elaboration as canonic material in the woodwinds. Measure 131 to the end is a reiteration of the two-note motive, the main theme in its “purest state.” This closes out the piece as though the stage lights are fading on our main character. S hort S tories was commissioned by the Wilkes Central High School Band under the direction of Andrew Craft. It was premiered in March of 2008 in Wilkesborow, North Carolina. LEONARD MARK LEWIS
commissioned by Wilkes Central High School Band, Andrew Craft, director
SHORT STORIES FOR CONCERT BAND Lyrical and sustained 2
Flutes
3
LEONARD MARK LEWIS
= 108 4
5
6
7
8
9
1 2
Oboe
1 B Clarinets 2 3
B Bass Clarinet
Bassoon
E Alto Saxophones
1 2
B Tenor Saxophone E Baritone Saxophone
1 B Trumpets 2 3
F Horns
1 2
Trombones
1 2
Euphonium
Tuba
Vibes
l.v.
l.v.
Mallets secco
Timpani
Snare Drum 1 Percussion
Large Tomtom 2
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10
11
19 poco meno mosso ( = 96)
12
13
14
15
16
17
18
20
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Vibes.)
Glock.
Mallets l.v.
secco
Timp.
(S.D.) 1 Perc.
Bass Drum Triangle
(L. Tom.) 2
2
25 21
22
23
24
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Glock.) Mallets
Timp. (S.D.) 1 (B.D.) Perc. 2
3
26
27
28
29
30
unis.
31
32
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3 unis. F Hns.
1 2
Tbns.
1 2
unis.
Euph.
Tuba
Mallets damp. Timp. damp. (S.D.) 1 (B.D.) Perc. Susp. Cym. — mallets 2
4
damp.
34
33
unis.
35
36
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
Vibes. Mallets
Timp.
1 Perc.
Tri. 2
5
37
40 38
41
39
42
1 2
Fls.
Ob.
1 B Cls.
unis. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Vibes.)
Glock.
Mallets
Timp.
1 Perc. 2
6
43
with increasing intensity 44
45
46
47
48
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Glock.) Mallets
Timp. l.v.
(S.D.) 1 (B.D.) Perc.
Susp. Cym. 2
7
l.v.
49
51 Intimate
52
53
54 3
50
1 2
Fls.
Ob.
1 3
B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
Mallets
Timp.
1 Perc. 2
8
55 56
57
58
59
60
61
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
Mallets
Timp.
1 Perc. 2
9
62
63
64
70
66
68
67
65
= 108 (subito)
unis. 69
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
1. E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts.
unis. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Glock.) Mallets
Timp.
1 Perc.
Tri. 2
10
72
71
73
74
75
76
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
tutti E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts.
unis.
unis.
unis.
unis.
2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Glock.) Mallets
Timp.
1 Perc. 2
11
77
78
80
79
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
81
solo
Euph.
Tuba
Mallets
Timp.
1 Perc. 2
12
82
83
84
85
tutti
86 87
88
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
unis. E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
solo
tutti
1 B Tpts. 2 3 unis. F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
Mallets
Timp. (S.D.) 1 Perc.
Susp. Cym. 2
13
89
90
91
92
94 growing in intensity
93
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Glock.) Mallets piu
Timp.
(S.D.) 1 (B.D.) Perc.
(Susp. Cym.) l.v. 2
14
95
96
97
98
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Glock.) Mallets
Timp. damp. (S.D.) 1 (B.D.) Perc. (Susp. Cym.)
scrape with coin until m.114
2
15
99
100
101
102
103
104
105
1 2
Fls.
Ob.
1 B Cls.
unis. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
unis. F Hns.
1 2
Tbns.
1 2
1.
2.
Euph.
Tuba
(Glock.) Mallets
Timp.
(S.D.) 1 (B.D.) Perc.
(Susp. Cym.) 2
16
106
107
108
109
110
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Glock.) Mallets
Timp.
(S.D.) 1 (B.D.) Perc.
(Susp. Cym.) 2
17
111
112
113
114
115
116
117
118
1 2
Fls.
Ob.
1 B Cls. 2 3
B Bass Cl.
Bsn.
E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
1. 2. unis.
Euph.
Tuba
Chimes
(Glock.) Mallets
Timp.
(S.D.) 1 (B.D.)
l.v.
Perc. (Susp. Cym.)
mallets
2
18
120 Intimate
119
122 121
125 123
124
solo
1 2
Fls.
Ob. solo 1 B Cls. 2 3
B Bass Cl.
Bsn.
unis. E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Chimes) Mallets
Timp. (S.D.) 1 (B.D.) (Susp. Cym.)
Perc.
damp.
2
19
133 127
126
128
129
130
131
132
tutti
1 2
Fls.
Ob.
tutti 1 2. solo
B Cls.
tutti 2 3
B Bass Cl.
Bsn.
unis. E Alto Saxs.
1 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
Tbns.
1 2
Euph.
Tuba
(Chimes)
bring out
Mallets
Timp.
1 Perc.
(Susp. Cym.) 2
20
134
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Short Stories F I R S T
P R I Z E
W I N N E R
THE FRANK TICHELI COMPOSITION CONTEST To hear a complete recording please visit www.ManhattanBeachMusic.com