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    ABOUT THE ORCHESTRA Contact the Symphony ........................................................ 7 John DeMain Biography ...................................................... 8 Orchestra Personnel for this Concert 10 Ticket Information 55 Overture Hall Information 55 Boards and Administration 56 HIS GREATEST HITS, MAY 6, 7 & 8 Concert Sponsors 16 Program 17 Garrick Ohlsson Biography 18 Program Notes ......................................................................... 23 SUPPORT Individual Donors 32 Stradivarius Society Members .......................................... 47 Business, Foundation and Government Donors ... 48 Madison Symphony Orchestra Endowment Donors 52 Tributes 54 Index of Advertisers .............................................................. 59 TABLE OF CONTENTS As we gather in this space for these concerts, the Madison Symphony Orchestra acknowledges the Ho-Chunk Nation’s ancestral lands and celebrates the rich traditions, heritage, and culture that thrived long before our arrival. We respectfully recognize this Ho-Chunk land and affirm that we are better when we stand together.
        
    
    
    
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          ©2022 Madison Symphony Orchestra, Inc. Amanda Dill, Editor Email: adill@madisonsymphony.org
          
    
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        CONTACT
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        THE MADISON SYMPHONY ORCHESTRA THANKS ITS SEASON PARTNERS
          DEMAIN | CONDUCTOR
          
          
    In his 27th season as music director of the Madison Symphony Orchestra (MSO), Grammy and Tony Award-winning conductor John DeMain is noted for his dynamic performances on concert and opera stages throughout the world. American composer Jake Heggie assessed the conductor’s broad appeal, saying, “There’s no one like John DeMain. In my opinion, he’s one of the top conductors in the world.”
          
    
    During his over two decades in Madison as the MSO music director, DeMain has consistently raised the quality of the orchestra by introducing blind auditions and continuously expanding the repertoire to encompass ever more challenging and virtuosic works, including the highly-acclaimed
          performances of the complete symphonies of Gustav Mahler. DeMain also oversaw the move into the world-class Overture Hall and expanded the subscription season to triple performances.
          His active conducting schedule has taken him to the stages of the National Symphony, St. Paul Chamber Orchestra, the symphonies of Seattle, St. Louis, Pittsburgh, Detroit, Columbus, Houston, San Antonio, Long Beach, and Jacksonville, along with the Pacific Symphony, Boston Pops, Aspen Chamber Orchestra, Los Angeles Chamber Orchestra, London Sinfonietta, Orchestra of Seville, the Leipzig MDR Sinfonieorchester, and Mexico’s Orquesta Sinfónica Nacional.
          8 | 2021 | 2022 SEASON
        JOHN
          Prior engagements include visiting San Francisco Opera as guest conductor for General Director David Gockley’s farewell gala, the Glimmerglass Festival in New York to conduct Sweeney Todd, Northwestern University to conduct Carlisle Floyd’s Susannah, and the Washington National Opera at the Kennedy Center in D.C. to conduct Kurt Weill’s Lost in the Stars. In 2019, he conducted the world premiere of Blue at the Glimmerglass Festival to critical acclaim — he “drew a vibrant performance from an orchestra of nearly 50 players; the cast was superb.” (The New York Times)
          DeMain also serves as artistic director for Madison Opera and in their 2021–2022 season conducts Lucia di Lammermoor, She Loves Me, and Orpheus in the Underworld. He has been a regular guest conductor with Washington National Opera at the Kennedy Center, New York City Opera, Michigan Opera Theatre, Los Angeles Opera, Seattle Opera, San Francisco Opera, Virginia Opera, Lyric Opera of Chicago, the Glimmerglass Festival in upstate New York, Aspen Music Festival, Portland Opera, and Mexico’s National Opera.
          During his distinguished 17-year tenure with Houston Grand Opera, DeMain led a historymaking production of Porgy and Bess, winning a Grammy Award, Tony Award, and France’s Grand Prix du Disque for the RCA recording. In spring 2014, the San Francisco Opera released an HD DVD of their most recent production of Porgy and Bess, conducted by John DeMain. DeMain began his career as a pianist and conductor in his native Youngstown, Ohio. He earned his bachelor’s and master’s degrees at The Juilliard School and made a highly acclaimed debut with the Pittsburgh Symphony Orchestra. DeMain was the second recipient of the Julius Rudel Award at New York City Opera and one of the first six conductors to receive the Exxon/National Endowment for the Arts Conductor Fellowship for his work with the St. Paul Chamber Orchestra.
          DeMain holds honorary degrees from the University of Nebraska and Edgewood College and he is a Fellow of the Wisconsin Academy of Sciences, Arts and Letters. He resides in Madison and his daughter, Jennifer, is a UW–Madison graduate.
          | 9 madisonsymphony.org
        
              
              
            
            ORCHESTRA PERSONNEL FOR THIS CONCERT
          VIOLIN I
          Naha Greenholtz
          Concertmaster
          William and Joyce Wartmann Chair
          Suzanne Beia Co-Concertmaster
          Steinhauer Charitable Trust Chair
          Leanne Kelso
          Associate Concertmaster George and Candy Gialamas Chair Huy Luu
          Associate Concertmaster Olga Pomolova
          Assistant Concertmaster Endowed by an Anonymous Friend Chang-En Lu
          Annetta H. Rosser Chair
          Neil Gopal Elspeth Stalter-Clouse Tim Kamps
          Jon Vriesacker
          Katherine Floriano Paran Amirinazari Laura Mericle
          Christine Hauptly Annin Clayton Tillotson Aaron Yarmel
          VIOLIN II
          Xavier Pleindoux
          Principal
          Dr. Stanley and Shirley Inhorn Chair Hillary Hempel
          Assistant Principal Elyn L. Williams Chair
          Peter Miliczky Rolf Wulfsberg
          Olga Draguieva Kathryn Taylor Wendy Buehl
          Geri Hamilton Robin Ryan Matthew Dahm Marley Haller Jerry Loughney Maynie Bradley Michelle Kaebisch
          VIOLA
          Christopher Dozoryst Principal James F. Crow Chair Katrin Talbot Assistant Principal Diedre Buckley Renata Hornik Elisabeth Deussen Janse Vincent Jennifer Paulson Ina Georgieva Alexis Carreon Molly O’Brien Ria Hodgson
          CELLO
          Karl Lavine Principal
          Reuhl Family Chair Mark Bridges Assistant Principal Karen Cornelius Lindsey Crabb Jordan Allen Margaret Townsend Lisa Bressler Derek Handley Becky Pan Amy Harr
          BASS David Scholl Principal Robert Rickman Assistant Principal Carl Davick
          Tom Mohs Chair Jeff Takaki August Jirovec Mike Hennessy Brett Lewis Jason Niehoff
          FLUTE Stephanie Jutt Principal Terry Family Foundation Chair Elizabeth Marshall Linda Pereksta
          PICCOLO Linda Pereksta
          OBOE
          Andrea Gross Hixon Principal Jim and Cathie Burgess Chair Lindsay Flowers
          CLARINET
          JJ Koh Principal Barbara and Norman Berven Chair Nancy Mackenzie
          BASSOON Cynthia Cameron Principal Amanda Szczys
          10 | 2021 | 2022 SEASON
        Carol Rosing
          HORN
          Linda Kimball
          Principal
          Steve and Marianne Schlecht Chair Ricardo Almeida
          Michael Szczys
          William Muir
          Ingrid Mullane, Assistant
          
    TRUMPET
          John Aley Principal Marilynn G. Thompson Chair
          TROMBONE
          
    Joyce Messer
          Principal
          Fred and Mary Mohs Chair Benjamin Skroch
          BASS TROMBONE Mark Hoelscher
          TIMPANI
          John Jutsum Principal Eugenie Mayer Bolz Foundation Chair
          Orchestra Committee
          Lisa Bressler, Chair
          Mark Bridges, ViceChair/Treasurer
          Rolf Wulfsberg, Secretary
          Joshua Biere, Member-at-large
          JJ Koh, Member-at-large
          Librarian
          Kathryn Taylor
          John and Carolyn Peterson Chair
          Property Manager John Straughn
          Personnel Manager Alexis Carreon
          
              
              
            
            No Detail Too Small
          Farley’s House of Pianos is home to one of the nation’s only full-service piano restoration workshops.
          Farley’s restoration experts have skillfully rebuilt pianos for 50 years. Their attention to detail produces unsurpassed sound and beauty.
          See and hear pianos at farleyspianos.com 6522 Seybold Road, Madison 608.271.2626
          
    CONTRABASSOON
        | 11 madisonsymphony.org
        For full musician roster, visit madisonsymphony.org/roster
        
    
    12 | 2021 | 2022 SEASON LEARN MORE & REGISTER NOW! madisonsymphony.org/voices Madison Symphony Orchestra Proud sponsor of the Full-service law firm Madison and Milwaukee locations 140+ years of client dedication www.staffordlaw.com
        
    
    
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          Bringing in dancers for an extra visual was great. My students were in awe of the concerto winner and are still talking about the whole performance. Thank you!
          
    I thought the concert was amazing! I can’t believe that we got to play with the symphony. Playing the recorder was awesome. All of the fourth graders playing the recorder together sounded AWESOME!
          
              
              
            
            INSPIRE
          MUSIC CAN US ALL
          We at the Madison Symphony Orchestra believe that music is for everyone. Music enriches our lives with beauty, inspiration and comfort. It is an especially precious resource for those in need — the child who has a di cult time in school or at home — the elderly woman living in a nursing home who cannot care for herself or remember where she is. We bring music into people’s lives where they are touched deeply or even transformed.
          
    From very young children and families, to students, to the elderly and those with health challenges, we share music with our diverse community through 17 Education and Community Engagement Programs, 5 of which are highlighted here. While over 25,000 individuals are reached annually, there are still more people who can benefit from experiencing live music. It is our goal to continue to expand the impact of our programs and connect with even more people each year. With your help, we can realize this goal. We invite you to learn more about our free and low-cost programs and how you can support this powerful work. Join us on our journey to enrich, engage, and inspire our community through music. Thank you!
          
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    MEET THE MUSICIAN offers preschoolers a close encounter with MSO musicians and the variety of instruments they play. Students had the chance to realize that musicians were real people and ask them questions. ALL EARS AT THE SYMPHONY provides groups of traditionally underserved youth and families with an invitation to experience select Madison Symphony Orchestra concerts at no charge. UP CLOSE & MUSICAL® madisonsymphony.org/makeagift | 608-257-3734 222 W Washington Ave Suite 460 Madison, WI 53703 “Your gift to the Symphony is a gift to the entire community. Make your gift today!”
        
              
              
            
            THANK YOU TO OUR GENEROUS SPONSORS for supporting this performance
          PRESENTING SPONSOR
          MAJOR FUNDING
          
    
    PROVIDED BY
          
    
    ADDITIONAL FUNDING PROVIDED BY with funds from the State of Wisconsin and the National Endowment for the Arts
          
    Endowment support for the music library collection is the gift of John & Carolyn Peterson. The Hamburg Steinway piano is the gift of Peter Livingston and Sharon Stark in memory of Magdalena Friedman.
          
    16 | 2021 | 2022 SEASON
        Stephen D. Morton Diane Ballweg Kenneth A. Lattman Foundation, Inc.
          Scott and Janet Cabot David and Kato Perlman Fred A. Wileman
          Chuck Bauer and Chuck Beckwith Ronald J. and Janet E. Johnson
          Myrna Larson
          John DeMain | Music Director
          96th Season | Overture Hall | Subscription Concert No. 7
          Fri., May 6, 7:30 pm | Sat., May 7, 8:00 pm | Sun., May 8, 2:30 pm
          John DeMain, Conductor Garrick Ohlsson, Piano
          LUDWIG VAN BEETHOVEN (1770-1827) Egmont Overture, Op. 85
          LUDWIG VAN BEETHOVEN
          Concerto No. 5 for Piano and Orchestra in E-flat Major, Op. 73 (“Emperor”)
          Allegro Adagio un poco mosso Rondo: Allegro
          MR. OHLSSON
          INTERMISSION
          LUDWIG VAN BEETHOVEN
          Symphony No. 5 in C minor, Op. 67
          Allegro con brio Andante con moto Scherzo: Allegro Allegro
          | 17 madisonsymphony.org
        your
        Welcome to the MSO! Please turn o
        electronic devices and cell phones for the duration of the concert. Photography and video are not permitted during the performance. Please take and share photos at the end of the concert. Thank you!
        Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess. Although long regarded as one of the world’s leading exponents of the music of Frédéric Chopin, Mr. Ohlsson commands an enormous repertoire, which ranges over the entire piano literature. A student of the late Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire. To date he has at his command more than 80 concertos, ranging from Haydn and Mozart to
          works of the 21st century, many commissioned for him. In the 18/19 season he launched an ambitious project spread over multiple seasons exploring the complete solo piano works of Brahms in four programs to be heard in New York, San Francisco, Montreal, Los Angeles, London and a number of cities across North America. In concerto repertoire ranging from Mozart and Beethoven to Brahms and Barber, he returned to the Nashville, Oregon, Dallas Symphonies, Washington Kennedy Center with Melbourne Symphony and internationally with orchestras in Seoul, Helsinki, Zagreb, Tallinn, Manchester and London.
          
    18 | 2021 | 2022 SEASON
        GARRICK OHLSSON | PIANO
          In February 2020 he accomplished a seven city recital tour across Australia just prior to the closure of the concert world due to Covid-19. An avid chamber musician, Mr. Ohlsson has collaborated with the Cleveland, Emerson, Tokyo and Takacs string quartets, including most recently Boston Chamber Players on tour in Europe. Together with violinist Jorja Fleezanis and cellist Michael Grebanier, he is a founding member of the San Franciscobased FOG Trio. Passionate about singing and singers, Mr. Ohlsson has appeared in recital with such legendary artists as Magda Olivero, Jessye Norman, and Ewa Podleś.
          DeMain | Music Director
          DeMain | Music Director
          Overture Hall | Subscription Program No. 2
          Overture Hall | Subscription Program No. 2
          
    Mr. Ohlsson’s ten-disc set of the complete Beethoven Sonatas, for Bridge Records, has garnered critical acclaim, including a GRAMMY® for Vol. 3. The latest CDs in his ongoing association with Bridge Records are the Complete Scriabin Sonatas, “Close Connections,” a recital of 20th-Century pieces, and two CDs of works by Liszt.
          Sat., Oct. 20, 8:00 pm | Sun., Oct. 21, 2:30 pm
          Sat., Oct. 20, 8:00 pm | Sun., Oct. 21, 2:30 pm
          A native of White Plains, N.Y., Garrick Ohlsson began his piano studies at the age of 8, at the Westchester Conservatory of Music; at 13 he entered The Juilliard School, in New York City. His musical development has been influenced in completely di erent ways by a succession of distinguished teachers, most notably Claudio Arrau, Olga Barabini, Tom Lishman, Sascha Gorodnitzki, Rosina Lhévinne and Irma Wolpe. Mr. Ohlsson was awarded First Prizes at the 1966 Busoni Competition in Italy and the 1968 Montréal Piano Competition, the Avery Fisher Prize in 1994 and received the 1998 University Musical Society Distinguished Artist Award in Ann Arbor, MI. He is the 2014 recipient of the Jean Gimbel Lane Prize in Piano Performance from the Northwestern University Bienen School of Music, and in August 2018 the Polish Deputy Culture Minister awarded him with the Gloria Artis Gold Medal for cultural merit. He is a Steinway Artist and makes his home in San Francisco.
          PRELUDE DISCUSSIONS
          PRELUDE DISCUSSIONS
          Learn about the music and composers one hour before each concert in Overture Hall. (FREE to all ticketholders)
          Learn about the music and composers one hour before each concert in Overture Hall. (FREE to all ticketholders)
          Learn about the music and composers one hour before each concert in Overture Hall. (FREE to all ticketholders)
          MAY – Randal Swiggum
          | 19 madisonsymphony.org
        
              
              
            
            ENDOWMENT GIVING The Century Society
          Carl M. Hudig
          
    Carla and Fernando Alvarado Diane Ballweg
          Chuck Bauer & Chuck Beckwith Barbara and Norman Berven Rosemarie and Fred Blancke
          Eugenie Mayer Bolz Family Foundation Jim and Cathie Burgess Margaret Christy Pat and Dan Cornwell James F. Crow
          The Evjue Foundation, Inc. Linda I. Garrity George Gay George and Candy Gialamas
          Tyrone and Janet Greive Terry Haller
          Dr. Stanley and Shirley Inhorn Patricia Kokotailo and R. Lawrence DeRoo Arno and Hazel Kurth
          Myrna Larson James Victor Lathers Peter Livingston and Sharon Stark Madison Symphony Orchestra League Nicholas and Elaine Mischler David and Kato Perlman John L. Peterson The Reuhl Family Pleasant T. Rowland Harry D. Sage JoAnn Six Gareth L. Steen Harry and Evelyn C. Steenbock Steinhauer Charitable Trust Thomas E. Terry Marilynn Thompson Katherine and Thomas Voight William and Joyce Wartmann Elyn L. Williams Margaret C. Winston Six Anonymous Friends
          We gratefully acknowledge our Century Society members. These donors have committed $100,000 or more to
        the Madison Symphony Orchestra’s
          endowment,
        outright and/or through their estates.
          
    As we approach the Madison Symphony Orchestra’s centennial in 2025, our hope is to acknowledge 100 Century Society members for their endowment commitments of $100,000 or more. Music Director’s Chair/Podium HeartStrings® Symphony Soup Fall Youth Concerts Spring Young People’s Concert Link Up Chorus Director Chorus Accompanist Adopt-a-Stop/Organ Endowment Associate Concertmaster Principal Bass Principal Tuba Assistant Principal Viola Assistant Principal Bass Section Chair (most instruments) We invite you to join these distinguished donors in helping the Madison Symphony Orchestra realize its vision to be a leader in classical music performance, education, community engagement, and artistic innovation for generations to come. Endowment gifts may be made for general or specific purposes. For information about minimum gift levels and naming requirements, contact Casey Oelkers, Director of Development, (608) 260-8680 x228. All inquiries will be kept confidential. PROGRAM AND CHAIR NAMING OPPORTUNITIES
        
    
    
    
              
              
            
            PROGRAM NOTES
          MAY 6-7-8, 2022
          Program
          
          Notes
          All through this season, the Madison Symphony Orchestra is celebrating the 250th anniversary of Beethoven’s birth, though a year late, thanks to COVID-19. Our closing concert is devoted to three of his works, all composed during what has been called his “Heroic Decade”—the enormously prolific years between 1802 and 1812, during which he forged a truly individual musical style. We begin with one of many works tied to the ideal of heroism, his dramatic overture to Goethe’s Egmont. We then welcome back audience favorite Garrick Ohlsson as soloist in Beethoven’s powerful fifth piano concerto. Mr. Ohlsson has previously appeared with the orchestra in 1984 (Rachmanino , Concerto No. 3), 1985 (Mozart, Concerto No. 25), 2002 (Brahms, Concerto No. 2), 2009 (Rachmanino , Concerto No. 3), 2012 (Tchaikovsky, Concerto No. 2), and 2016 (Brahms, Concerto No. 1). The program ends with the most familiar of Beethoven’s symphonies, the magnificent fifth.
          The title character of Goethe’s drama Egmont—based upon a real historical figure—personifies heroism and self-sacrifice. These qualities clearly come through in the overture to Beethoven’s incidental music to the play, culminating in its victorious ending.
          by J. Michael Allsen
          
          Ludwig van Beethoven
          Born: December 17, 1770 (baptism date), Bonn, Germany. Died: March 26, 1827, Vienna, Austria.
          Egmont Overture, Op. 85 Composed: Between 1809 and June 1810.
          Premiere: The complete incidental music to Egmont, including the overture, was first played at the Burgtheater in Vienna on June 15, 1810.
          Previous MSO Performances: 1940, 1949, 1989, 1994, 1999, and 2017. Duration: 9:00.
          Background
          Beethoven upheld the ideals of human dignity and freedom in his music and writings, and much the same can be said for the work of contemporary poet and playwright Johann Wolfgang von Goethe (1749-1832). In his play Egmont, first published in 1786, Goethe freely adapts the story of the 16th-century Flemish nobleman Lamoral van Egmont, who was betrayed by his Spanish overlords. Egmont served the Spanish king well, defeating the French in battle and ruling as a provincial governor. However, his challenge to the Spanish persecution of Protestants in their conquered territories
          | 23 madisonsymphony.org
        angered the king. Egmont was sentenced to be beheaded, and his stirring speech from the sca old touched o a rebellion against Spanish tyranny. The personal relationship between Beethoven and Goethe dates from 1810, when Beethoven was commissioned to write incidental music for a new production of Egmont.
          At first, their correspondence went through a mutual friend, Bettina von Arnim, but they eventually met in person, at Teplitz in July of 1812. Although they had long been mutual admirers, it is evident from their own descriptions of the meeting that their personalities clashed. In a letter to a friend written a few months later, Goethe states: “His talent amazed me. However, unfortunately, he is an utterly untamed personality; he is not altogether wrong in holding the world detestable, but surely does not make it more enjoyable for himself or others by his attitude.” Beethoven’s own impressions were no more complimentary. In a letter to his publisher, he notes that: “Goethe delights far too much in the court atmosphere, far more than is becoming in a poet.”
          What You’ll Hear
          The Egmont Overture is set in sonata form. It sets the scene with a solemn introduction, in which strident dotted figures alternate with lighter music in the woodwinds. The end of this introduction leads smoothly
          into the body of the movement, a triple-meter Allegro. There is a stormy main and an agitated transition leads to the second theme, a transformation of the introduction’s opening material. The brief development section is entirely concerned with the main theme. In the recapitulation that follows, the Beethoven extends the second theme with a short section of development. Rather than a conventional coda, Beethoven ends a grand dramatic pause, and entirely new material. This exhilarating music is used again at the end of the drama, as Egmont climbs the sca old to his death. In commissioning the music for Egmont, Goethe specified that this moment should not be a lament, but rather, a “Symphony of Victory.”
          Beethoven’s fifth and final piano concerto was composed as Napoleon’s armies were besieging Vienna, and it was first performed there while the French still occupied the city. It is a bold, and even defiant work given the times in which it was created.
          Ludwig van Beethoven
          Concerto No. 5 for Piano and Orchestra in E-flat Major, Op. 73 (“Emperor”) Composed: 1809.
          Premiere: November 28, 1811 with Friedrich Schneider as soloist, in Leipzig, Germany.
          Previous MSO Performances: 1934 (Stanislaw Szpinalski), 1968
          24 | 2021 | 2022 SEASON
        (Paul Badura-Skoda), 1979 (Claudio Arrau), 1990 (Andre-Michael Schub), 2000 (Horacio Guttierez), 2004 (André Watts) and 2011 (Simone Dinnerstein).
          Duration: 30:00.
          Background
          In 1809, Beethoven was living in a Vienna besieged and eventually occupied by Napoleon’s troops. In a letter to his publisher, the composer complained that: “I have brought forth little that that is coherent: almost nothing but a fragment here and there. The entire course of events has a ected my body and my soul. I am still unable to enjoy the country life, so indispensable to me; Heaven knows how it will go on... What a destructive, coarse life around me: nothing but drums, cannon, and human misery of all sorts.” Despite the chaos of 1809, however, Beethoven was able to finish his last and largest piano concerto during that year. By this point, his deafness had advanced to the point that a performance with him as soloist was impossible, and its first performance was played by Friedrich Schneider in Leipzig. Beethoven’s friend Carl Czerny played the Vienna premiere a year later.
          It is ironic that the fifth piano concerto has come to bear the title of the man responsible for the misery in Vienna. Beethoven had expressed great admiration for Napoleon Bonaparte just a few years
          earlier, but turned against him in 1803 when Napoleon had himself crowned Emperor. (There is the famous story of Beethoven violently crossing out the original dedication of the “Eroica” symphony—changing the dedication to Napoleon to “the memory of a great man.”)
          If tradition is to be believed, the designation “Emperor” dates from the first Vienna performance in 1812, when one of Napoleon’s occupying soldiers, overcome by the majesty of the concerto, cried out: “c’est l’empereur!” The name stuck, though it is certain that Beethoven, whose short-lived admiration for Napoleon had long since passed by that time, would have disapproved of the designation. The fifth concerto was, in fact, dedicated to Beethoven’s most faithful patron, the Archduke Rudolph.
          Several writers have commented on the “military” nature of the concerto, citing the influence of French music, particularly the socalled “military concerto.” Indeed, the first movement can be heard as a kind of “battle” between the soloist and orchestra, although its mood is jubilant throughout. If the drums and cannon that surrounded Beethoven in 1809 a ected this concerto, the human misery did not.
          What You’ll Hear
          The first movement (Allegro) opens with a dramatic introduction: three orchestral chords which serve as launching pads for short solo cadenzas.
          | 25 madisonsymphony.org
        The orchestral exposition begins quietly, with a martial theme in the violins. There is a long chromatic scale and trill by the soloist, and the piano begins its exposition with a dolce treatment of the opening theme. The development begins in the same manner as the exposition—with a chromatic scale and trill—and is concerned almost entirely with the first theme. This lengthy and intense section closes with a long piano flourish and recapitulation of the opening theme by orchestra and soloist. The recapitulation closes with a relatively brief cadenza written by Beethoven. Cadenzas written by the composer, rather than improvised on the spot were still a new development at this time, and Beethoven was obliged to put a note in the score to the pianist, reminding him to “directly attack what is written here.”
          The second movement (Adagio un poco mosso) begins with a hymnlike melody in the strings. The piano plays a contrasting cantabile melody, which closes with a rising series of trills. Together, the soloist and orchestra provide a looselystructured set of variations on the main theme. As the last variation dies away, Beethoven cunningly works his way back to the concerto’s home key, and after a brief pause, the soloist launches directly into the final movement (Rondo:Allegro). Its rough and joyous main theme is first presented by solo piano, and then by full orchestra. This alternates
          with contrasting episodes. The end of the movement contains a final surprise. The orchestra is suddenly quiet, leaving only the piano and timpani to play a long diminuendo. When the sound has all but died away, the piano suddenly bursts forth with a final showy display, and the movement closes with an orchestral statement of the main theme.
          Certainly the best-known of Beethoven’s orchestral works is the stunning fifth symphony. Beginning with the unforgettable four-note motive that dominates the first movement, Beethoven continuously develops his musical ideas through a lyrical slow movement, a fierce scherzo, and a triumphant finale.
          Ludwig van Beethoven
          Symphony No. 5 in C minor, Op. 67
          Composed: Between 1804 and 1808.
          Premiere: December 22, 1808, at the Theatre an der Wein in Vienna. Previous MSO Performances: 1929, 1948, 1952, 1970, 1983, 1997, 2004, and 2011.
          Duration: 34:00.
          “It is merely astonishing and grandiose.”
          - Johann Wolfgang von Goethe
          Background
          Although preliminary sketches of Beethoven’s Symphony No. 5 date from as early as 1804, the bulk of the work was written in
          26 | 2021 | 2022 SEASON
        
    
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        1807-08, at roughly the same time as the Symphony No. 6. Both symphonies were performed for the first time at a benefit concert in Vienna on December 22, 1808. The program for this landmark (and marathon) event also included excerpts from his Mass in C and the concert aria Ah,perfido, together with premieres of two works with Beethoven himself at the piano, the PianoConcerto No. 4 and the hastily-composed ChoralFantasy
          After a bit of initial resistance from audiences and his fellow musicians—this was, after all, a truly avantgarde work—the Symphony No. 5 was recognized as a masterpiece, and has remained the single most familiar of Beethoven’s works since then.
          This was a remarkable work for its time…or any time. Though not as long as his groundbreaking “Eroica” symphony of 1803, this work is played by an expanded orchestra that includes instruments seldom heard in earlier symphonies: piccolo, contrabassoon, and trombones. Beethoven was obviously proud of this innovation, and wrote to Count Franz von Oppersdorf that “...this combination of instruments will make more noise, and what is more, a more pleasing noise than six kettledrums!” Also new is the degree to which all of the four movements are linked thematically. The famous fournote motive of the opening movement reappears in all three successive movements, and
          nearly all of the main musical ideas are linked in some way.
          What You’ll Hear
          There is no more recognizable motive in Western music than the opening four notes of the first movement. Whether or not Beethoven attached a specific meaning to this motto is unclear. His first biographer, Anton Schindler reported that Beethoven referred to this motive as “Fate knocking at the door,” but this may be apocryphal. Later times have attached all sorts of meanings it. For example, during World War II, because of its identity with the Morse Code “V,” it became the musical emblem of Allied victory. At the same time, it was viewed as one of the most purely “German” nationalistic works by the Nazis.
          In purely musical terms, however, Beethoven’s use of this rhythm in the opening movement is a work of genius. With two statements of this four-note motto, Beethoven brusquely tosses aside the stately Classical tradition of long, slow introductions, and jumps directly into the body of the movement (Allegro con brio). The opening theme is almost entirely spun out from the motto, and even the second theme, stated sweetly by the strings, is brazenly announced by the motto from the horns. The motto is also the focus of the development section, which includes some stunning orchestral e ects. The headlong rush of the recapitulation is abruptly broken by a brief oboe cadenza, seemingly at odds with the nature of this movement, but actually a
          28 | 2021 | 2022 SEASON
        logical continuation of the main theme. Beethoven reserves his most savage fury for the coda, the longest single section of this movement, and another section of intense development.
          The second movement (Andante con moto) is a very freelyconstructed theme and variations. The theme is laid out first by violas and cellos and then more robustly by full orchestra. After three imaginative variations, Beethoven launches into a section of very free development, beginning with a lovely pastoral passage from the woodwinds. The scherzo (Allegro) begins mysteriously in the low strings, but soon picks up as much power as the opening movement, with a statement of the motto by the horns. The central trio moves from minor to major, and has a blustering theme in the lower strings developed in fugal style. When the main idea returns, it is strangely muted, and it quickly becomes apparent that this movement is not going to end in any conventional way. In place of a coda, there is a long and mysterious interlude, building gradually towards the most glorious moment in this work: the triumphant C Major chords that begin the finale.
          The fourth movement (Allegro) is where Beethoven suddenly augments the orchestra with trombones and contrabassoon. This orchestral e ect, probably inspired by contemporary opera, is stunning. The opening group of themes, stated by full
          orchestra, is noble and forceful and the second group, played by strings and woodwinds is more lyrical, but no less powerful. The development focuses on the second group of themes, expanding this material enormously. Just as the development section seems to be finished, there is a reminiscence of the scherzo—bewildering at first, but then perfectly logical as it repeats the movement’s transitional passage and leads to the return of the main theme. While the recapitulation is rather conventionally laid out, the vast coda continues to break new ground. As in the development section, things seem to be winding to close when Beethoven takes an unexpected turn: in this case a quickening of tempo to end the symphony in a mood of grand jubilation.
          The Last Word Goes to Berlioz
          According to an account by Hector Berlioz, he brought his former teacher Jean-François Le Seur to an early performance of the Symphony No. 5 in Paris. After the final bars, the old man was so excited by the piece that his head was reeling, and he wryly complained that: “One should not be permitted to write such music.” Berlioz replied: “Calm yourself—it will not be done often.”
          program notes ©2021 by J. Michael Allsen
          Complete program notes for the 2021-22 season are available at www.madisonsymphony.org.
          | 29 madisonsymphony.org
        
              
              
            
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          Friends of the Overture Concert Organ (FOCO) play an important role in supporting the Madison Symphony Orchestra’s Overture Concert Organ programming. FOCO helps the Symphony:
          • Bring you live performances by some of the best organists in the world
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          Members receive invitations to behind-the-scenes events and opportunities to meet our guest organists. Become a member and show your support for this unique aspect of the MSO! Memberships begin at $35.
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            INDIVIDUAL DONORS
          Madison Symphony Orchestra Madison Symphony Orchestra League
          Friends of the Overture Concert Organ
          The Madison Symphony Orchestra & our a liate organizations rely on generous donor support to fund the fulfillment of The Symphony’s mission each year. We gratefully acknowledge all individual donors for their gifts & sponsorships to the Madison Symphony Orchestra, Madison Symphony Orchestra League, &/or Friends of the Overture Concert Organ. Donors are listed according to the total amount of their monetary donations supporting the 2021-2022 Season* as of April 21, 2022.
          $20,000 & ABOVE
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          32 | 2021 | 2022 SEASON
        Dr. Brandon S. Hayes
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          | 33 madisonsymphony.org
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          *Total includes gifts supporting: MSO’s 2021-2022 Annual Campaign; MSOL 2021-2022 Events & General Support; 2021-2022 Organ Concerts; Friends of the Overture Concert Organ’s 20212022 Annual Campaign. MSOL and FOCO basic membership dues and fundraising event ticket purchases are not included. We have made every effort to ensure the accuracy of this list. If you believe an error has been made, please contact our development department at (608) 257-3734.
          34 | 2021 | 2022 SEASON
        
    
    
    
    
    
    
    
    
    
    FREE CONCERT THE BEST OF BROADWAY AND OPERA UNDER THE STARS! Starring Vanessa Becerra, Margaret Gawrysiak, Limmie Pulliam, Michael Adams Conducted by John DeMain Featuring Madison Opera Chorus, Madison Symphony Orchestra PRESENTING SPONSOR SPONSORS
        JULY 23, 2022 AT 8 PM GARNER PARK Rain date: July 24, 2022
        SUSAN ZAESKE
          The Madison Symphony Orchestra League (MSOL) is committed to supporting the artistic, educational and financial goals of the Madison Symphony Orchestra. MSOL member activities include:
          • Fun, creative fundraising events
          • Youth and community outreach
          • Fellowship, bridge, music and more!
          Members receive invitations to parties, luncheons and concert previews, and opportunities to volunteer. Love the Symphony? Join the League! Memberships begin at $35.
          MSOL operates as part of Madison Symphony Orchestra Inc., a 501(c)(3) nonprofit organization. Memberships are tax-deductible to the extent permitted by law.
          Learn more at madisonsymphony.org/msol | 608-257-3734 222 W Washington Ave Suite 460 Madison, WI 53703
          Chris & Ron Sorkness
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          36 | 2021 | 2022 SEASON
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          | 37 madisonsymphony.org
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          38 | 2021 | 2022 SEASON &
        
    
    
    
    
    
    BACH DANCING & DYNAMITE SOCIETY Riches to Rags Chamber Music Festival JUNE 10-26, 2022 MADISON • STOUGHTON Bachdancing.org or 608-255-9866 #madisonsymphony CONNECT WITH US! madison symphony .org VIEW OUR ONLINE CALENDAR to get the latest details about concerts, performances, and events, 24/7 on your computer, tablet or mobile phone. STAY CONNECTED VIA EMAIL We send monthly e-newsletters as well as other periodic news announcements, special promotions, and more. BE A PART OF OUR COMMUNITY One of the best ways to keep up with the latest MSO happenings is to join our online social media community.
        
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    A new podcast from Wisconsin Watch and Wisconsin Public Radio. Find it at wpr.org/openandshut or wherever you get your podcasts. OPEN ANDSHUT THE POWER OF PROSECUTORS
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          | 41 madisonsymphony.org
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          We also thank 394 donors for their contributions of $1 to $49.
          42 | 2021 | 2022 SEASON
        Carol Ryff
          
              
              
            
            The best path forward
          PREEMINENT LEGAL REPRESENTATION
          
    
    
    
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            GREG ZELEK, WITH THE DIAPASON BRASS AND TIMPANI
          
    In my first of many collaborations with fellow Madison musicians, I am excited to perform alongside The Diapason Brass quintet and timpani in a concert that will pair our Mighty Klais with some of the loudest instruments in the orchestra. This program of music written for a variety of pairings will include Gigout’s Grand Choeur Dialogue, a transcription of Rachmanino ’s famous Vocalise, and an arrangement of Bach’s famous Toccata and Fugue in D minor for organ and timpani. Audiences will enjoy the expressive and fluid partnership of MSO’s Principal Trumpet, John Aley, and the newly appointed trumpet professor at UW LaCrosse, Matthew Onstad; the warm sounds of MSO’s Principal Horn, Linda Kimball; the creative flair of UW Madison’s trombone professor, Mark Hetzler; the thrilling facility of MSO’s Principal Tuba, Josh Biere; and the thunderous rhythm of MSO’s Principal Timpani, John Jutsum. The event will have me pulling out all the stops on our Overture Concert Organ to match the excitement and volume of my colleagues on stage!
          
    
    Greg Zelek, Principal Organist and Elaine and Nicholas Mischler Curator of the Overture Concert Organ
          Greg Zelek, Organ
          
    
    
    Gigout, Grand Choeur Dialogue Rachmanino, Vocalise DiLorenzo, Fire Dance Dinda, Nocturne
          Grand Dialogue Dinda, Nocturne Weaver, Toccata Rachmanino , Vocalise Toccata and Fugue in D minor, BWV 565 Lost Chord
          
    J.S. Bach, Toccata and Fugue in D minor, BWV 565 Sullivan, The Lost Chord Guilmant, Final from Symphony No. 1 in D minor
          Symphony No. 1 in D minor
          
    SPONSORS
          William Steffenhagen Elaine and Nicholas Mischler
          DISCOVER
          Dates,
        and programs subject to change.
        artists,
        ALL TICKETS $ 20 madisonsymphony.org, the Overture Center Box O ce or (608) 258-4141
        MORE madisonsymphony.org/ mobley
        DISCOVER MORE madisonsymphony.org/ organbrass FRI. MAY 20 7:30 PM
        John Aley Trumpet
          Mark Hetzler Trombone
          Matthew Onstad Trumpet
          Linda Kimball Horn
          John Jutsum Timpani
          Joshua Biere Tuba
          “Zelek is quite extraordinary in the classical music world.”
          – Jon Hornbacher, PBS Wisconsin Life
          SAVE THE DATES!
          2022–2023 Organ Performances
          
    
    Tuesday, September 27, 2022 Tuesday, October 25, 2022 Tuesday, February 28, 2023 Tuesday, April 18, 2023
          Learn more: madisonsymphony.org/organ
          BECOME A SYMPHONY AMBASSADOR
          Have you ever wanted to volunteer for the Symphony? We’re always looking for people to lend their time and talent to help us spread the word about our upcoming concerts. You’ll receive a pair of tickets to the concert(s) you help promote as a thank you for your time! Learn more at madisonsymphony.org/ambassador
          COMMUNITY AMBASSADOR
          Help us distribute posters to local businesses. Bring your venue ideas, or we’ll connect you with our local contacts.
          STUDENT AMBASSADOR
          If you’re a student at UW–Madison or Madison College, distribute flyers around campus.
          CONCERT AMBASSADOR
          Arrive early to MSO concerts and help greet patrons as they arrive in the lobby.
          | 45 madisonsymphony.org
        Every concert presented by the Madison Symphony Orchestra under the baton of John DeMain brings me great joy. I have designated a gift for the Symphony in my will to help ensure the orchestra will have outstanding artistic leadership for generations to come.
          
    ”
          You can help preserve the MSO’s legacy of great music for future generations by including the Symphony in your estate plans. Call (608)257-3734 to learn more.
          Photo by Todd Maughan
          “
        Mary Alice Wimmer
          PLANNED GIVING: THE STRADIVARIUS SOCIETY
          The individuals listed below have informed the MSO that they have included gifts for the Symphony in their estate plans. If you have remembered the Symphony in your will, living trust, or have made other arrangements for a future gift, we would love to know so we can thank you! We honor all requests for anonymity. Contact Casey Oelkers at (608) 260-8680 x228 for more information.
          Fernando & Carla Alvarado
          Emy Andrew
          Dennis Appleton & Jennifer Buxton
          Judy Ashford
          Diane Ballweg
          
    Margaret B. Barker
          Chuck Bauer & Chuck Beckwith
          Dr. Annette Beyer-Mears
          Rosemarie & Fred Blancke
          Shaila & Tom Bolger
          Marian & Jack Bolz
          Michael K. Bridgeman
          Alexis Buchanan & James Baldwin
          Scott & Janet Cabot
          Clarence Cameron & Robert Lockhart
          Martha & Charles Casey
          Elizabeth A. Conklin Barbara & John DeMain
          ESTATE GIFTS RECEIVED
          Elizabeth S. Anderes
          Donald W. Anderson
          Helen Barnick
          Norman Bassett
          Nancy Becknell
          DeEtte Beilfuss-Eager
          Theo F. Bird
          Kenneth Bussan
          Margaret Christy
          Frances Z. Cumbee
          Teddy Derse
          Dr. Leroy Ecklund
          Mary J. Ferguson
          Linda I. Garrity
          Maxine A. Goold
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          Martin R. Hamlin
          Sybil A. Hanks
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          Julian E. Harris
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          Terry Haller
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          Ten Anonymous Friends
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          Marie Spec
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          Harry Steenbock
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          Gamber F. Tegtmeyer, Jr. & Audrey Tegtmeyer
          Katherine Voight
          William & Joyce Wartmann
          Sally & Ben Washburn
          Sybil Weinstein
          Mr. & Mrs. J. Wesley Thompson
          Glenn & Edna Wiechers
          Elyn L. Williams
          Margaret C. Winston
          Jay Joseph Young
          Two Anonymous Friends
          | 47 madisonsymphony.org
        Madison Symphony Orchestra Madison Symphony Orchestra League Friends of the Overture Concert Organ
          The Madison Symphony Orchestra and our a liate organizations rely on generous donor support to fund the fulfillment of our mission each year. We gratefully acknowledge all companies, foundations and government agencies for their grants, sponsorships and general contributions.
          Organizations that have contributed to the Madison Symphony Orchestra, Madison Symphony Orchestra League, and/or Friends of the Overture Concert Organ are listed according to the total amount of their donations supporting the 2021-2022 Season* as of April 19, 2022.
          $100,000 or more
          Madison Symphony Orchestra Foundation
          Madison Symphony Orchestra League
          NBC 15
          US Small Business Administration
          $50,000–$99,999
          Pleasant T. Rowland Foundation
          $25,000–$49,999
          American Printing Irving and Dorothy Levy Family Foundation, Inc. The Madison Concourse Hotel & Governor’s Club Madison Magazine, Inc. Madison Media Partners, The Capital Times, and Madison.com
          Walter and Dorothy Jones Frautschi Fund, a component fund of the Madison Community Foundation
          $15,000–$24,999
          BMO Harris Bank Capitol Lakes Fiore Companies, Inc. The Gialamas Company, Inc. John and Carolyn Peterson Charitable Foundation, Inc. National Endowment for the Arts
          $10,000–$14,999
          The Burish Group at UBS
          John J. Frautschi Family Foundation
          John W. Thompson and Jane A. Bartell Charitable Foundation
          Kenneth A. Lattman Foundation, Inc. Madison Community Foundation Madison Gas & Electric Foundation, Inc.
          Marriott Daughters Foundation
          PBS Wisconsin University Research Park Wisconsin Arts Board with additional funds from the State of Wisconsin and the National Endowment for the Arts
          $5,000–$9,999
          Bishops Bay Boardman & Clark LLP Capitol Bank
          Dane County Arts, with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation DeWitt LLP
          Exact Sciences Flad Architects Fields Auto Group Godfrey & Kahn, S.C. Hooper Foundation J.H. Findorff & Son Inc.
          John A. Johnson Foundation, a component fund of the Madison Community Foundation Reinhart Boerner Van Deuren s.c. Stafford Rosenbaum LLP Sub-Zero Group, Inc. SupraNet Communications, Inc. TDS Telecommunications LLC U.S. Bank
          von Briesen & Roper, s.c. West Bend Mutual Insurance Co. Wisconsin Public Radio An Anonymous Friend
          $2,500–$4,999
          American Family Insurance The Capital Times Kids Fund
          48 | 2021 | 2022 SEASON BUSINESS, FOUNDATION AND GOVERNMENT DONORS
        Colony Brands, Inc.
          
    Friends of the Overture Concert Organ
          Green Bay Packers Foundation
          Group Health Cooperative of South Central Wisconsin Madison Club
          SHINE Technologies
          Steinhilber Swanson LLP
          UW Health, UnityPoint Health – Meriter, Quartz WPS Health Solutions
          $1,000–$2,499
          Alliant Energy Foundation Matching Gifts Program
          BRAVA
          Farley’s House of Pianos Goodman’s Jewelers
          Iltis Family Fund
          Laffey, Sebranek, Auby & Ristau, S.C. Madison Arts Commission
          Neider & Boucher, S.C.
          Surroundings Events and Floral Wahlin Foundation, Inc. on behalf of Stoughton Trailers
          An Anonymous Friend
          UP TO $999
          AmazonSmile Foundation Blackhawk Country Club Choles Floral FoxArneson, Inc.
          GE Foundation Matching Gifts Program
          Heid Music & Heid Family Foundation
          Michael F. Simon Builders, Inc. Microsoft Matching Gifts Program Old National Bank Park Bank Promega Corporation
          Salesforce Matching Gifts Program
          State Farm Insurance Companies
          Unlimited Decorating of Wisconsin Inc. Wisconsin Solar Design, Inc. W.W. Grainger, Inc.
          The Zimdars Company, Inc.
          *Total includes donations that support 2021-2022 Madison Symphony Orchestra Concerts, 20212022 Organ Concerts, 2021-2022 Education and Community Engagement Programs; Madison Symphony Orchestra League's 2021-2022 Events and Activities; and Friends of the Overture Concert Organ’s 2021-2022 Annual Campaign. Fundraising event ticket purchases are not included. We have made every effort to ensure the accuracy of this list. If you believe an error has been made, please contact our development department at (608) 257-3734.
          
    
              
              
            
            Salon Piano Series presents
          Bill Charlap
          
    Sat. · May 21, 2022 · 7:30 PM
          Sun. · May 22, 2022 · 2:00 PM
          Sara Daneshpour
          
    Sat. · Jun. 11, 2022 · 7:30 PM
          All concerts are held at Farley’s House of Pianos 6522 Seybold Rd.
          | 49 madisonsymphony.org
        Programs at SalonPianoSeries.org
        
    
    
    
    
    
    MADISON SYMPHONY ORCHESTRA LEAGUE GOLF • CONCERT • DINNER MONDAY, JUNE 20 , 202 2 Mark your calendar for the Madison Symphony Orchestra League’s Concert on the Green at Bishops Bay Country Club on the Shores of Lake Mendota. Discover more at madisonsymphony.org/cog . Proceeds benefit Madison Symphony Orchestra’s nationally-recognized Education and Community Engagement Programs. Learn more: madisonsymphony.org/education The photo above is by Amandalynn Jones, from the 2019 concert with John DeMain and soloist Grace Kim. YOUR GIFT TO THE SYMPHONY IS A GIFT OF MUSIC TO YOUR COMMUNITY. Gifts of all amounts make a di erence. Thank you! Ways you can give: madisonsymphony.org/makeagift | 608-257-3734 222 W Washington Ave Suite 460 Madison, WI 53703 • Cash, check or credit card • Appreciated stock or other securities • Direct distribution from your IRA • Grant from your Donor Advised Fund • Matching gift from your employer • Legacy gift through your estate
        
              
              
            
            ENDOWMENT DONORS
          The Madison Symphony Orchestra is deeply grateful to these generous donors who have contributed $1,000 or more to the Symphony’s endowment, including gifts made directly to the Madison Symphony Orchestra Foundation and gifts made to the Great Performance Campaign Fund benefitting the Madison Symphony Orchestra. These gifts are invested in perpetuity to ensure the MSO’s continuing fiscal stability and its legacy of great music for generations to come.
          Alliant Energy Foundation
          Altria Group, Inc.
          Carla & Fernando Alvarado
          American Family Insurance Dreams Foundation, Inc.
          American Girl, Inc.
          Anchor Bank
          Mel Anderes
          Brian & Rozan Anderson
          Ron & Sharon Anderson
          Estate of Donald W. Anderson
          Emy Andrew
          George Austin & Martha Vukelich-Austin
          Jim & Sue Bakke
          Helen Baldwin
          Diane Endres Ballweg
          Estate of Betty J. Bamforth
          Estate of Helen Barnick
          Jeffrey & Angela Bartell
          Nancy Becknell
          Chuck Bauer & Chuck Beckwith
          DeEtte Beilfuss-Eager & Leonard Prentice Eager, Jr. Barbara & Norman Berven
          Ed & Lisa Binkley
          Robert & Caryn Birkhauser
          Tom & Shaila Bolger
          Marian & Jack Bolz
          Anne & Robert Bolz
          Ernest & Louise Borden
          Daniel & Stacey Bormann
          Carl & Judy Bowser
          Nathan Brand
          Jim & Cathie Burgess
          Frank & Pat Burgess
          Mary P. Burke
          Capital Newspapers
          Capitol Lakes
          Thomas & Martha Carter
          Tony & Deri Cattelino
          Estate of Margaret Christy
          Marc & Sheila Cohen
          Mildred & Marv Conney
          Pat & Dan Cornwell
          James F. Crow
          Culver’s VIP Foundation, Inc.
          Frances Z. Cumbee Trust
          CUNA Mutual Group Corkey & Betty Custer
          Teddy Derse
          Dorothy Dittmer
          Philip & Audrey Dybdahl Dr. Leroy Ecklund
          Jim & Marilyn Ebben
          Richard & Frances Erney
          Eugenie Mayer Bolz
          Family Foundation Ray & Mary Evert
          The Evjue Foundation, Inc.
          The Charitable Arm of The Capital Times
          David Falk & Joanne Robbins
          Thomas A. Farrell
          Janet Faulhaber
          First Business Bank of Madison
          First Weber Group
          Flad & Associates
          John & Colleen Flad
          Rockne Flowers
          Foley & Lardner
          Jean & Werner Frank W. Jerome Frautschi
          Walter A. & Dorothy Jones Frautschi
          Friends of the Overture
          Concert Organ
          Clayton & Belle Frink
          Paul Fritsch & Jim Hartman
          William & Jane Hilsenhoff
          Linda I. Garrity
          John & Christine Gauder
          Candy & George Gialamas
          The Gialamas Company, Inc.
          Albert Goldstein, in memory of Sherry Goldstein
          Dr. Robert & Linda Graebner
          Anthony & Linda Granato
          Fritz & Janice Grutzner
          Terry Haller
          Dorothy E. Halverson
          Jane Hamblen & Robert Lemanske
          Estate of Martin Hamlin
          Julian & Elizabeth Harris
          Curtis & Dawn Hastings
          Ann & Roger Hauck
          Peggy Hedberg
          Roe-Merrill S. & Susan Heffner
          Jerry M. Hiegel
          Tom & Joyce Hirsch
          Hooper Corp./General Heating & Air Conditioning, Inc.
          Carl M. Hudig
          J. Quincy & Carolyn Hunsicker
          Dr. Stanley & Shirley Inhorn
          J.H. Findorff & Son Inc.
          Ralph & Marie Jackson
          Allen Jacobson
          Kris S. Jarantoski
          Peter & Ellen Johnson
          Marie & Hap Johnson
          Stan & Nancy Johnson
          Rosemary B. Johnson
          Johnson Bank
          Estate of Lois M. Jones
          JPMorgan Chase
          Darko & Judy Kalan
          Carolyn Kau & Chris Hinrichs
          Shirley Jane Kaub
          Valerie & Andreas Kazamias
          Terry & Mary Kelly
          Kenneth R. Kimport
          52 | 2021 | 2022 SEASON
        Charles & Patricia Kincaid
          Joan Klaski & Stephen Malpezzi
          James & Andrea Klauck
          Patricia G. Koenecke
          William Kraus & Toni Sikes
          Estate of Theodora H. Kubly
          Estate of Arno & Hazel Kurth
          Michael G. Laskis
          Estate of James Victor Lathers
          Renata Laxova
          Lee Foundation
          Estate of Stella I. Leverson
          Ronald L. & Jean L. Lewis
          Gary E. Lewis
          Robert Lightfoot
          Laura Love Linden
          Madison Gas & Electric Foundation, Inc.
          Madison Investment Advisors, Inc.
          Madison Symphony Orchestra League
          Madison Symphony Orchestra
          New Year’s Eve Ball 2003
          Douglas & Norma Madsen
          Margaret Christy Revocable Trust
          Estate of Jan Markwart
          Marshall & Ilsley Foundation, Inc.
          Connie Maxwell
          Oscar G. & Geraldine Mayer
          Hal & Christy Mayer
          Clare & Michael McArdle
          Richard & Mary McGary
          Elizabeth McKenna
          Michael & Cynthia McKenna
          Richard & Jean McKenzie
          Howard & Nancy Mead
          Gary & Lynn Mecklenburg
          Gale Meyer
          Michael Best & Friedrich LLP
          Susanne Michler
          Nicholas & Elaine Mischler
          Dan & Ellyn Mohs
          Fred & Mary Mohs
          Tom & Nancy Mohs
          Alfred P. Moore & Ann M. Moore
          Katharine Morrison
          Mortenson Family Foundation
          Stephen D. Morton
          Walter Morton Foundation
          Jeanne Myers
          Stephen & Barbara Napier
          National Guardian Life Insurance Company
          Vicki & Marv Nonn
          Norman Bassett Trust
          Daniel & Judith Nystrom
          Casey & Eric Oelkers
          Sandra L. Osborn
          John & Carol Palmer
          Park Bank
          Estate of Ethel Max Parker & Cedric Parker
          Catherine Peercy John L. Peterson
          Reynold V. Peterson
          Larry & Jan Phelps E. J. Plesko
          Thomas & Janet Plumb
          Potter Lawson Architects
          Martin & Lynn Preizler
          Marie B. Pulvermacher
          Quarles & Brady LLP
          Estate of Josephine Ratner
          David Reinecke
          Douglas & Katherine Reuhl George & Jean Reuhl
          Thomas & Martha Romberg
          Mrs. J. Barkley Rosser
          Dan Rottier & Frankie Kirk Rottier
          Patrick M. Ryan
          Harry Sage
          Douglas Schewe
          Stephen & Marianne Schlecht
          Richard and Barbara Schnell Donald K. Schott
          Margaret & Collin Schroeder William & Pamela Schultz Marti Sebree
          Joe & Mary Ellyn Sensenbrenner
          Millie & Irv Shain
          Terry & Sandra Shockley Paul & Ellen Simenstad
          JoAnn Six Lise Skofronick
          Joel Skornicka
          Eileen Smith
          Estate of Chalma Smith
          Patricia Brady & Robert Smith
          Hans & Mary Lang Sollinger
          Glenn & Cleo Sonnedecker
          Marie Spec
          Spohn Charitable Trust
          Mike & Sandy Stamn
          Karen & Jacob Stampen
          Harriet Statz
          Estate of Evelyn Carol Steenbock
          Estate of Harry & Evelyn Steenbock
          Steinhauer Charitable Trust
          Joseph & Jamie Steuer
          Peg Gunderson Stiles
          John & Janet Streiff
          Virginia Swingen
          W. Stuart & Elizabeth Sykes
          John & Leslie Taylor
          Gamber & Audrey Tegtmeyer, Jr. Terrance & Judith Paul Advised Fund
          Tom Terry Marilynn Thompson
          Estate of Mr. & Mrs. J. Wesley Thompson
          Jeff & Barbara Ticknor
          Todd & Elizabeth Tiefenthaler
          Harry & Marjorie Tobias
          Nick & Judy Topitzes
          John & Carol Toussaint
          U.S. Bank Foundation
          Jon & Susan Udell
          Virchow, Krause & Co.
          Katherine & Thomas Voight
          W. Jerome Frautschi Foundation
          Thomas & Rita Walker
          Ann Wallace
          Walter A. & Dorothy Jones Frautschi Charitable Trust
          William & Joyce Wartmann
          Sally & Ben Washburn
          Estate of Sybil Weinstein
          Jeff & Cindy Welch
          Edwenna Rosser Werner
          Bob & Lu Westervelt
          John & Joyce Weston
          Jerry & Enid Weygandt
          Carolyn & Ron White
          Wiechers Survivor’s Trust
          Thomas & Joyce Wildes
          Georgia & John Wiley
          Bill Williamson
          Margaret C. Winston
          Wisconsin Energy Corporation Foundation
          Kathleen Woit
          Anders Yocom & Ann Yocom Engelman
          Jay J. Young
          Five Anonymous Friends
          We also thank the donors who have made endowment gifts up to $999.
          | 53 madisonsymphony.org
        
              
              
            
            TRIBUTES
          The Madison Symphony Orchestra gratefully acknowledges the following donors for their contributions honoring family & friends.
          In honor of Jean Alderman
          Ian Alderman American Family Insurance
          In honor of John DeMain Jerry M Salzberg, Esq. & Elisabeth Howard, M.S.
          In honor of Scott Johnson Norman Johnson
          In honor of Richard Mackie 128 donors to the Richard H. Mackie Catalyst Fund
          In honor of Fred Schrank Robert & Diane Dempsey
          In honor of Elspeth Stalter-Clouse Randall & Pamela Clouse
          In honor of Judith E. Topitzes Karen & Harry Roth
          In honor of Barbara Nemetz Weigner Marjorie Sutton
          In memory of Martin Clarke Amanda Bach MaryLou Lexvold-West Gretchen Nagle Paul Reilly
          In memory of Marvin L. Conney Diane Agans Elaine & Nicholas Mischler
          In memory of Barbara DeMain Charles James Maryann Sumi and Carl Sinderbrand
          In memory of Ivy Dreizin
          Sharon & Bradley Kahn Thomas & Margie Krauskopf Elaine & Nicholas Mischler
          In memory of James Ebben Janet Renschler
          In memory of Jean Frank William & Sara Lee Hinckley Jeff & Kristi Hoffman Donald & Joan Schuette Ruth Sheldon Mark Stuart Terry & Mary Warfield
          In memory of Pat Gopal Raj Gopal
          In memory of Dr. Barry Greenberg William and Edie Swift
          In memory of Palmer Haynes Lydia Haynes
          In memory of Greg Hettmansberger John Bickford
          In memory of Leroy Hoekman Nancy Hoekman
          In memory of Raymond Anthony Levandowski Stanley Peter Szczepanowski
          In memory of Michael McKenna Kristine Andrews Richard & Nancy Latta Stephen and Marilyn Riederer
          In memory of Gale Meyer Vicki and Alan Hamstra
          In memory of Richard & Ursula Myers
          Ted Robinson-Myers
          In memory of Gordon Renschler
          Marian & Jack Bolz Audrey Dybdahl
          In memory of Margaret Schroeder
          Dr. Robert & Linda Graebner
          Stanley & Shirley Inhorn Nancy Love Nicholas & Elaine Mischler Anne Sauer Ruth Sheldon Patricia Terry Mary Webster Robert Westervelt
          In memory of Jaqueline Shively Ken & Peggy Bremer Kay Hagerty
          In memory of Sherri Talbert Jessica Talbert
          In memory of Margaret C. Winston John Erickson
          54 | 2021 | 2022 SEASON
        
              
              
            
            TICKET INFORMATION
          SINGLE TICKETS are available at madisonsymphony.org and through the Overture Center Box O ce. Single tickets for 21/22 Symphony masterworks concerts are $20-$98, and Beyond the Score® tickets are $18-$74. Seniors (62 and over) and students save 20% in select seating areas. Students can also purchase up to two $15 Student Rush tickets beginning on the Friday of the concert weekend or on each concert day. All 21/22 Overture Concert Organ tickets are $20, and Organ Student Rush tickets are all $10.
          SUBSCRIPTIONS for our 22/23 season are now open! A preview of the season is printed on the inside front cover of this program book. Discover more at madisonsymphony.org/22-23 ! New subscribers save up to 50%.
          Please take note: we guarantee a refund for tickets to any concert that cannot be performed for any reason.
          
              
              
            
            OVERTURE HALL INFORMATION
          RESTROOMS
          Women’s and men’s restrooms are located on each level of Overture Hall.
          ACCESSIBILITY
          Overture Center is fully accessible to persons with mobility, hearing, and visual impairments. Ushers are available at each concert to assist you. Wheelchair or transfer seating is available; please notify the Overture Center Box O ce when purchasing your ticket. If you require an assistive-listening device, please alert an usher at the concert.
          GUEST CONSIDERATIONS
          The musicians and your fellow audience members thank you!
          • Please arrive early to ensure plenty of time to get through security and to be seated. If you arrive late, you will be seated during an appropriate break in the music at the discretion of the house sta . If you need to leave during the concert, please exit quietly and wait to be reseated by an usher at an appropriate break.
          •If you need to be reached during the concert, leave your cell phone with an usher along with your seat number. To contact a patron in an emergency, call (608) 258-4972 with the patron’s name and seat and row number. Please leave this information with anyone who might need to contact you.
          • Please feel free to take photos before and after the concert, and during intermission! Once the lights dim, please turn o all cell phones and electronic devices.
          • Please do not wear perfumes, colognes or scented lotions as many people are allergic to these products.
          • Smoking is not permitted anywhere in Overture Center for the Arts.
          • Children ages six and older with tickets are welcome at all MSO concerts. Children of all ages are welcome at the Christmas concerts.
          • The coat-check room is open when the weather dictates and closes 20 minutes after the performance ends.
          • Eating and drinking are not permitted during Madison Symphony Orchestra performances. Please unwrap cough drops and candies before the concert begins.
          Please take note: We will adhere to all public health guidelines and cooperate with Overture Center for the Arts to assure your safety. We invite you to visit madisonsymphony.org/faq for more information on health and safety. Overture Center safety information can be found at overture.org/health
          | 55 madisonsymphony.org
        
              
              
            
            BOARDS AND ADMINISTRATION
          MADISON SYMPHONY ORCHESTRA INC. BOARD OF DIRECTORS, 2021-2022
          OFFICERS
          Ellsworth Brown
          President
          Mike Hamerlik Vice President Kay Schwichtenberg Vice President
          Lynn Stathas Vice President Martha Casey Secretary Doug Reuhl Treasurer Elliot Abramson Member-at-large Paul Norman Member-at-large Jacqueline Rodman Member-at-large Elaine Mischler
          Immediate Past President
          DIRECTORS
          Carla Alvarado Brian Anderson
          Ruben Anthony, Jr. Je rey Bauer
          Darrell Behnke
          Ellsworth Brown Janet Cabot
          Martha Casey
          Jessica Cavazos
          James Dahlberg Kimila Daniels
          Robert Dinndorf
          Audrey Dybdahl
          Marc Fink
          Jane Hamblen
          Michael Hamerlik
          David Harding Mark Huth
          Shree Kalluri
          Valerie Kazamias Howard Kidd
          Darcy Kind
          Ann Lindsey
          José Madera
          Nicholas Mischler
          Oscar Mireles
          Paul Norman Kevin O’Connor Cyrena Pondrom Margaret Pyle Steven Reuhl
          Michael Richman Jacqueline Rodman Kay Schwichtenberg
          Derrick Smith Mary Lang Sollinger Lynn Stathas Judith Topitzes Stephen White
          ADVISORS
          Elliott Abramson Jason Adamany Emy Andrew Rosemarie Blancke Michael Bridgeman Camille Carter Kristine Euclide
          Tyrone Greive Terry Haller
          Robert Horowitz Connie Maxwell Joseph Meara Gary Mecklenburg
          Larry Midtbo Regina Millner Richard Morgan Abigail Ochberg Greg Piefer
          Sverre Roang Marilyn Ru n Tamera Stanley Ellis Waller Carolyn White Anders Yocom Stephen Zanoni
          LIFE DIRECTORS
          Marian Bolz Stanley Inhorn Douglas Reuhl
          HONORARY DIRECTORS
          Jack Daniels, III, President Madison College Kathy Evers, FirstLady of the State of Wisconsin Joe Parisi, DaneCountyExecutive DIRECTORS
          EMERITUS
          Helen Bakke
          Wallace Douma
          Perry A. Henderson Fred Mohs Stephen Morton Velma Ritcherson Beverly Simone John Wiley
          EX OFFICIO DIRECTORS
          James Baxter Elaine Mischler Nancy Young
          EX OFFICIO ADVISORS
          Susan Cook Lisa Bressler Tola Ewers Peter Kuzma Je Takaki
          MADISON SYMPHONY ORCHESTRA FOUNDATION INC. BOARD, 2021–2022
          OFFICERS
          Douglas Reuhl President TBA Vice President TBA Secretary-Treasurer
          56 | 2021 | 2022 SEASON
        DIRECTORS
          Elliot Abramson
          Marian Bolz
          Ellsworth Brown
          Beth Dettman
          Gary Mecklenburg
          Elaine Mischler
          Nicholas Mischler Fred Mohs
          MADISON SYMPHONY ORCHESTRA
          LEAGUE BOARD OF DIRECTORS, 2021–2022
          OFFICERS
          Nancy Young President
          Barbara Berven President-Elect
          Beth Rahko
          Immediate Past President Ledell Zellers
          Recording Secretary Emy Andrews Corresponding Secretary Leslie Overton
          Treasurer Louise Jeanne VP-Administration Rozan Anderson AVP-Administration
          Cathy Buege VP-Communications Jacqui Shanda AVP-Communications
          Lori Poulson
          VP-Education Ann Dettwiler
          AVP-Education Judy Kalan Behind the Music
          Jessica Yehle
          VP-Membership Recruitment/Retention
          Janet Cabot
          VP-Membership Records Mark and Daria Thomas VP-Special Projects Carole Schaefer
          AVP-Special Projects Kathy Belaire & Barbara Berven Symphony Gala Beth & Peter Rahko Concert on the Green
          Linda Lovejoy
          Parties of Note
          Beth Rahko
          MSOL Connect
          Christine Ramkey VP-Social Activities
          Marilyn Ebben
          Ladies Bridge Jim Patch Mens Bridge
          Jessica Morrison Fall Luncheon
          Pat Bernhardt Holiday Party
          Valerie Kazamias Mid-Winter Luncheon Rosemarie Blancke Spring Luncheon/Annual Meeting
          ADVISORS
          Pat Bernhardt
          Rosemarie Blancke
          Marian Bolz
          Janet Cabot Marilyn Ebben
          Valerie Kazamias Fern Lawrence Ann Lindsey Linda Lovejoy Elaine Mischler Chuck Snowdon Judith Topitzes Carolyn White
          FRIENDS OF THE OVERTURE CONCERT ORGAN BOARD OF DIRECTORS, 2021–2022
          OFFICERS
          Jim Baxter
          President
          Reynold Peterson Secretary-Treasurer
          Ellsworth Brown Past President
          DIRECTORS
          Fernando Alvarado
          Barbara Berven
          Katie Biegel
          Janet Cabot Eric Frailing Mary Ann Harr Grinde Ellen Larson
          Rob Lemanske
          David Parminter
          Rhonda Rushing
          Eileen Smith
          William Ste enhagen
          Teri Venker David Willow
          ADVISORS
          Diane Ballweg
          Marian Bolz
          John Gauder
          Terry Haller Gary Lewis Connie Maxwell Elaine Mischler Vicki Nonn Anders Yocom
          EX-OFFICIO
          Greg Zelek, Organ Curator
          MADISON SYMPHONY ORCHESTRA INC.
          ADMINISTRATION
          Robert Reed Executive Director Ann Bowen General Manager Alexis Carreon
          O ce&Personnel Manager Kathryn Taylor OrchestraLibrarian Kathryn Schwarzmann Director of Education & Community Engagement
          Lisa Kjentvet EducationAssistant Casey Oelkers
          Director of Development Leah Schultz
          Manager of Individual Giving Aleeh Schwoerer
          Manager of Grants& Corporate Giving Peter Rodgers
          Director of Marketing Amanda Dill Marketing/Communications Manager
          TBA Audience Experience Manager Greg Zelek
          Overture Concert Organ Curator/Principal Organist
          | 57 madisonsymphony.org
        
    
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        A
        Performances:
        John Williams Premiere at Tanglewood featuring violin soloist Anne-Sophie Mutter
        | 59 madisonsymphony.org American Printing .....................................................................27 Bach Dancing & Dynamite Society ....................................39 Boardman & Clark LLP ............................................................43 The Burish Group at UBS .......................................................30 Farley's House Of Pianos ......................................................11 Farley’s Salon Piano Series ..................................................49 Godfrey & Kahn, S.C. ...............................................................22 The Madison Concourse Hotel ...........................................60 Madison Magazine..................................................................... 13 Madison Opera............................................................................35 NBC15/WMTV .............................................................................4 PBS Wisconsin ............................................................................58 Stafford Rosenbaum LLP ......................................................12 Strictly Discs ................................................................................31 SupraNet Communications, Inc. .........................................50 Wisconsin Public Radio...........................................................40 Wisconsin State Journal and Madison.com...................6 Please support our advertisers and let them know you saw their ad in the Madison Symphony Orchestra program book. Interested in advertising with us? Visit madisonsymphony.org/ads to learn more. INDEX OF ADVERTISERS Symphony Gala Friday, September 9, 2022 The Madison Concourse Hotel Learn more: madisonsymphony.org/gala SAVE THE DATE!
        
    
    
    
    
    
    
    
    
    Special rate for Overture patrons: concoursehotel.com/specialrates/overture 1 W. Dayton St. • 800 356 8293 •concoursehotel.com Proud supporters of Madison’s Arts community.