Robby Serif

Page 1

Robby by Marco Chiarandini


Font anatomy of the source

Vertical cut off

Tappered endings

Font Name: Dutch 801 Rm BT General Inofrmation: realesed by the Bitstream Inc. and it‘s a digital form of the Times Ten


Slightly hollow endings

Ascender line Cap height x-Height

Baseline Descender line

Restricting joints


Uppercase letters

A a F B f b K G Cc k g P L Hh p l U Q Mm u q V v r R W w


Lowercase letters

E e D J d j

O I i o T N n t Y S s y X x

Zz


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Numerals Diacritics

Signs Symbols


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were boats of various designs that were still propelled by wind with a vertical eems to be a little debate on the place where windsurfing was invented. Most nd) by Peter Chilvers. He is said to have built the first windsurfer in 1958. Howerious desig ns th at wethey sva have come out saying inventors. In America, a 20-year old Newre stiare ll prthe opell ed by wind itt with athis le de ba vert on the plin icalas reported by of using atesailboard year 1948. Stories published year acethe where windsurfing wa s Ch in ilv ve nt er ed s. He . M is os sa t Pennsylvania. id nted the sailboards together with his wife Naomi in Wilkes- Bare, to have bu ilt th e fir st windsurfer in 1958 ou t sa yi ng th . ey Ho e the invejoint. d a rig fixed on aaruniversal first windsurfer thatwe was - propelled ntors.ItInwas Amthe erica, a 20-year old lboa rd in the led yearto19the ch eventually ofish the sailboard. Though, N itew is reported that 48. movement Stories publ ed this year as report oa togetime, ther wi ed by 4. rd Bys this heth had already made the sailboard stable by fixing a conventiohis wife Naomi in W ilkes- Bare, Pennsylv a un iversal jo ania. Aeronautical int.designer enthe inventor and thest sailboard. Additionally, in 1960s, It was thof e fir wi nd su rf er th led at wa to s th pr e op m elledaddition of a ovemto enthe looking forward of. the device. This involved t offunctioning the sailboard Though, it is reported he had alre ady mthis that Schweitzer ee,therefore named ‘Skate’. In 1968, Jim Drake and Hoyle ade design the sailboard stable by fixing a conventio an d de sig ne r of th - and licensed a n the southern part California which manufactured, promoted e of sailb oard. Add itional ly, in 1960s, Aeronau ar d to th e fu nc tioni1984, ticOlympics al design. In the year was taken in as Los Angeles where ng ofwindsurfing the device. Th is involved addition m ed first this de sign ‘Sk of a the person to at bee’.awarded the gold medal in the windsurfing category. In In 1968, Jim Drake an d Hoyle Schweitzer n pa rt of Ca lif or ni a wh nto short boards and long a tu classification seized as many designs of ich boards, manufac red, promotthat ear 1984, wi edsailboards and license ndsuToday, d a can be classirfing wa materials used. wes have categories of that takenmany in as Los Angeles Ol n to be ympiin awfreestyle cs arded the wh ere show that rfing and boards among others. Estimates made the 1980s gold m edal in the windsurf dsThese into g and loboards ca te go ng boarwere ry . In ds, a made d. using the same design make it easier for competiticlassification that se ized as many designs . Today, we have man of y categories of sailboa F n be classirds that ty le boards Aca among others. Estim Olympic sports. R at es m t ad A th fteR1980Fs show that we o re made using the same design to makee in Soeaf sier for competit it im S l . film E

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Font in use

INTERVIEW WITH THE LEGEND

21/25pt

Robby Naish, 24 time World Champion

14/16pt

When did you first think, “I could make a living from this”?

14/19pt

I was graduating high school in 1981 when we had our first professional windsurfing events. It was a big decision: would I stay amateur and maybe go to the Olympics, windsurfing was included for the first time in 1984, or turn pro? At that point, if you took one dollar as an athlete you were a professional and couldn’t go to the Olympics, so to retain amateur status I donated the prize money from my first two pro windsurfing events to my school. That’s when I realised maybe there was something there. I’d been accepted to the University of California at Santa Cruz, and sponsors wanted to pay me to windsurf. I said, “I’m going to defer admission for a year and see what this becomes.” I never looked back.

10/12pt

You talk of being antisocial, but today everything is about social media...

14/19pt

The positive aspect is it gives every kid an opportunity to showcase themselves. You don’t have to be seen by an agent or a magazine photographer - you get famous by doing your own thing. But it’s also not about getting good; it’s about getting more likes, or doing whatever it takes to earn a million views. Clothing sponsors wants to know how many followers you have on Instagram, how many times a week you’ll post, and what the content will be. The self-promotion aspect of being an athlete isn’t new, but it’s not a great personality trait, the loudest guy in the room is usually an asshole. So I hate it, but I do it. Part of my job is trying not to be embarrassed that I’m taking pictures of myself and posting them online. And it creates false expectations. A lot of young sports people are going to be disillusioned, because they’ve been told they’ll make millions as a YouTube star. I have a 13-year-old daughter, and [young people] are under so much pressure. She gets it, but she also doesn’t want to be that weird kid who doesn’t participate. I’m trying to instil in her that life isn’t a popularity contest, humility is an asset, and to create value in what you do, not what you show.

10/12pt


Typographic Scale

56/67,2pt

"Windy day? Good day!“

48/57,5pt

"Windy day? Good day!“

40/48pt

32/38,5pt

24/29pt

16/19pt 8/9pt

"Windy day? Good day!“ "Windy day? Good day!“ "Windy day? Good day!“ "Windy day? Good day!“ "Windy day? Good day!“


Brushes

-2° / 35% / 12pt Oblique thick stroke

-19° / 52% / 6pt Oblique thin stroke

10° / 40% / 12pt Vertical stroke

1° / 36% / 11pt Rounded stroke

W A D O


g u 1 4

57° / 40% / 7pt Curved stroke

23° / 64% / 9pt Lowercase straight stroke

45° / 90% / 9pt Numbers thick stroke

56° / 80% / 5pt Numbers thin stroke


Free the S e Waves

Feel the W ind

Follow th oul


ree the

he Waves eel the

Wind

ollow t

Soul



Evolution

Skeleton midline

Applied brushes

Endings

Robby Serif


Font anatomy

Almost straight cut

Rounded ending

Ascender line Cap height x-Height

Baseline Descender line

Extremly thin endings

Font Name: Robby


Hollow endings

Slightly hollow endings

Straight cut



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