Spring 2016
T. +44 (0)207 581 8664 E. info@lyndseyingram.com www.lyndseyingram.com
About Us Lyndsey Ingram is a London based gallery, specialising in Post-War original prints and works on paper. We are committed to this specialist sector of the art market and have spent the last two decades looking and learning. We hope that this, our first catalogue, establishes the range of work that will define our inventory and shows our commitment to quality and beauty. We are deeply passionate about the material we present and the level of service that we offer. Although this is just the beginning for our new gallery, we have had incredibly generous support for many years from clients, friends, and colleagues. We would like to thank them all unreservedly for sharing their time, resources, knowledge, and enthusiasm with us. Everybody has to start somewhere – and we are so pleased to be starting here. London, April 2016.
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Walton Ford Bangalore Etching and aquatint printed in colours, 2004. Signed in pencil and numbered from the edition of 75. Printed on BFK Rives paper by Wingate Studio, Hinsdale, NH, with their blindstamp. Published by Paul Kasmin Editions, NY. 54.8 x 40.7 cm
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Jane Hammond Korean Vase with Hawthorn, Almonds, and Milkweed Unique botanical collage with lithography, linocut, relief printing, digital printing, coloured pencil, watercolour and gouache, sumi ink and copper leaf, hand cut and assembled on collaged Nepali paper, 2016. Signed in pencil. 147 x 96.5 cm
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Damien Hirst Tetrahydrcannabinol Etching and aquatint printed in colours, 2004. Signed in pencil and numbered from the edition of 115. Printed on 350 gsm Hahnemuehle paper. Published by The Paragon Press, London. 111.2 x 200.6 cm
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David Hockney Cleanliness is Next to Godliness Screenprint in colours, 1964. Signed in pencil and numbered from the edition of 40. Printed by Christopher Prater at Kelpra Studio. Published by the Institute of Contemporary Arts, London, with their blue stamp. (Toyko 39) 90.5 x 58.5 cm
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David Hockney Jungle Boy Etching and aquatint printed in colours, 1964. Signed in pencil and numbered from the edition of 50. Printed on mould-made paper by Giulio Sorrini, New York. Published by Associated American Artists. (Tokyo 33; Scottish Arts Council 33) 40 x 49.5 cm
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David Hockney Artist and Model Etching and aquatint, 1974. Signed in pencil and numbered from the edition of 100. Printed on Arches paper by Atelier Crommelynk, Paris. Published by Petersburg Press, New York. (Tokyo 152) 75.5 x 56.5 cm
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David Hockney Contrejour in the French Style Etching and aquatint printed in colours, 1974. Signed in pencil and numbered from the the edition of 75. Printed on Inveresk mould-made paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 153) 99.4 x 91.6 cm
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David Hockney 19 May 2011 Ipad drawing printed on paper, 2011. Signed in pencil and numbered from the edition of 25. Printed by the artist. Published by the artist. 139.7 x 105.4 cm
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Donald Judd Untitled Woodcut printed in cadmium red, 1961 - 1969. Signed in pencil and numbered from the edition of 12. Printed on cartridge paper by the artist and his father, Roy Judd. Published by the artist. (Schellmann 39) 77.8 x 55.9 cm
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Ellsworth Kelly Dark Blue with Red Lithograph printed in colours, 1964-65. Signed in pencil and inscribed EA. An artist’s proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 10) 89 x 59.7 cm
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Ellsworth Kelly Lemon Lithograph, 1964-65. Signed in pencil and inscribed EA. A artist’s proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 35) 89.4 x 61.2 cm
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Roy Lichtenstein Untitled Unique Rowlux and paper collage on board, 1965. Signed and dated verso. From the collection of Ileana Sonnabend and the Estate of Nina Castelli Sundell. 64.7 x 54.6 cm
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Roy Lichtenstein Ten Landscapes The complete portfolio of ten screenprints with photographic and Rowlux additions, 1967. Each signed and numbered from the edition of 100 verso. Printed by Fine Creations, Inc., New York. Published by Original Editions, New York. From the collection of Ileana Sonnabend. (Corlett 51-60) Each sheet: 42.2 x 54.7 cm
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Roy Lichtenstein Blue Floor Lithograph, woodcut, and screenprint in colours,1990. Signed in pencil and numbered from the edition of 60. Printed by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. (Corlett 254) 131.4 x 196.8 cm
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Harland Miller Love Saves The Day Painting and annotation on screenprint, 2015. 145 x 105 cm
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Grayson Perry Map of Days (Blue) Etching printed in colour, 2013. Signed in pencil and numbered verso from the edition of 20. Printed on 400gsm Rives Velin Arches paper. Published by The Paragon Press, London. 111.5 x 151.5 cm
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Bridget Riley Shade Screenprint in colours, 1992. Signed in pencil and numbered from the edition of 75. Printed by Advanced Graphics, London. Published by the artist. (Schubert 37) 53 x 38.8 cm
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Ed Ruscha Miracle Lithograph pritned in colours, 1990. Signed in pencil and numbered from the edition of 60. Printed on John Koller HMP paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. 39.1 x 63.2 cm
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Frank Stella Double Scramble Screenprint in colours, 1973. Signed in pencil and numbered from the edition of 100. Printed on Arches 88 mould-made paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. 73 x 128.9 cm
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Wayne Thiebaud Meringue Drypoint and aquatint printed in colours, 1995. Signed in pencil and numbered from the edition of 50. Printed on Wove paper by Daria Sywulak, San Francisco. Published by Crown Point Press, San Francisco. 94 x 66 cm
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Cy Twombly Roman Notes The complete set of six lithographs printed in colours, 1970. Signed in pencil verso and numbered from the edition of 100. Printed on heavy wove paper by Electa Editrice, Venice. Published by Neuendorf Verlag, Hamburg. (Bastian 21-26) Each sheet: 87 x 70.2 cm
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