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Art Miami Nov 29 – Dec 4 | 2016 Stand no B205 The Art Miami Pavilion Midtown | Wynwood Arts District 3101 NE 1st Avenue Miami, FL 33137
Lyndsey Ingram T +44 (0)207 581 8664 E info@lyndseyingram.com www.lyndseyingram.com
Miles Aldridge I Only Want You To Love Me #1 Chromogenic print, 2011. Signed verso. Edition of 10. 26 1/2 x 40 inches
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Miles Aldridge I Only Want You to Love Me Study I Unique Polaroid print, 2012. Signed verso. 8.6 x 10.8 cm
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Matthew Brannon Who Takes Who Home Tonight Screenprints in colour diptych, 2007. The set of two unique works, signed in pencil verso and numbered PP 1/1. Aside from the edition of 1. These works were exhibited at the Whitney Museum. Printed on wove paper by the artist. Published by the artist. 95.9 x 73 cm
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John Chamberlain Jewelled Pallet Unique monotype and collage on paper, 1992. Signed in pencil. Published by Pace Editions, New York. 78.4 x 193 cm
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David Hockney 1 April 2011 Ipad drawing printed on paper, 2011. Signed in pencil and numbered from the edition of 25. Printed by the artist. Published by the artist. 139.7 x 105.4 cm
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David Hockney 16 May 2011 Ipad drawing printed on paper, 2011. Signed in pencil and numbered from the edition of 25. Printed by the artist. Published by the artist. 139.7 x 105.4 cm
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Jasper Johns Usuyuki Lithograph printed in colours, 1980. Signed in pencil and numbered from the edition of 57. Printed on BFK Rives paper by ULAE, New York. Published by ULAE. (ULAE 211) 133.4 x 51.4 cm
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Anish Kapoor Horizon Shadow The complete portfolio of nine etchings printed in colours, 2010. Signed in pencil and numbered from the edition of 35. Published by The Paragon Press, London. 72.4 x 96.5 cm
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Alex Katz Chance Archival UV inks on powder coated aluminium, 2016. Signed and inscribed AP 14/20. One of 20 artist’s proofs aside from the edition of 50. 56 x 94 x 10 cm
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Ellsworth Kelly Yellow Lithograph printed in colours, 1964-65. Signed in pencil and inscribed HC II/XIV. A proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 5) 89.5 x 59.7 cm
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Ellsworth Kelly Light Blue with Orange Lithograph printed in colours, 1964-65. Signed in pencil and inscribed HC VI/XIV. A proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 14) 89.5 x 59.7 cm
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Ellsworth Kelly Red-Orange over Blue Lithograph printed in colours, 1964-65. Signed in pencil and inscribed HC X/XIV. A proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 20) 89.5 x 59.7 cm
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Roy Lichtenstein Ten Landscapes The complete portfolio of ten screenprints with photographic and Rowlux additions, 1967. Each signed and numbered from the edition of 100 verso. Printed by Fine Creations Inc., New York. Published by Original Editions, New York. From the collection of Ileana Sonnabend. (Corlett 51-60) Each 42.2 x 54.7 cm
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Roy Lichtenstein Seascape Screenprint on Rowlux, 1964. Signed in ink verso and numbered from the edition of 200. From the New York Ten portfolio. Printed by Chiron Press, New York. Published by Tanglewood Press, New York. (Corlett 36) 43 x 56 cm
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Harland Miller Too Cool To Die Unique giclĂŠe print with extensive hand painting, 2016. Printed by the artist. 143.7 x 109.7 cm
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Harland Miller International Lonely Guy Unique giclĂŠe print with extensive hand painting, 2016. Printed by the artist. 143.6 x 110 cm
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Ed Ruscha Carp with Fly Lithograph printed in colours, 1969. Signed in pencil and inscribed B.A.T. The Bon a Tirer proof, before the edition of 20. Printed on Arches paper by the Tamarind Lithography Workshop, Los Angeles. Published by the Tamarind Lithography Workshop, Los Angeles with their blindstamp. (Engberg 11) 43.2 x 61 cm
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Richard Serra AllĂŠe Etching, 1996. Signed in pencil and numbered from the edition of 25. (Berswordt-Wallrabe 111) 93 x 114.6 cm
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Wayne Thiebaud City Edge Aquatint printed in colours, 1988. Signed in pencil and numbered from the edition of 60. Printed on wove paper. Published by Crown Point Press, San Francisco with their blindstamp. 49.8 x 40.3 cm
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Wayne Thiebaud Country City Etching and aquatint printed in colours, 1988. Signed in pencil and numbered from the edition of 60. Printed on Somerset Satin paper. Published by Crown Point Press, San Francisco with their blindstamp. 77.5 x 101.6 cm
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Andy Warhol Shoes (Multi) Screenprint in colours with diamond dust, 1980. Signed in pencil and numbered from the edition of 60 verso. Printed on Arches paper by Rupert Jasen Smith, New York. Published by the artist, New York. (Feldman & Schellmann II.254) 102.2 x 151.1 cm
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Andy Warhol Camouflage Screenprint in colours, 1987. Signed in pencil on the verso by Frederick Hughes, the Executor of the Andy Warhol Estate and numbered from the edition of 80, plus 4 proofs. Printed on Lenox Museum Board by Rupert Jasen Smith, New York, with their blindstamp. Published by the artist. (Feldman and Schellmann II.413) 96.5 x 96.5 cm
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Andy Warhol Flowers Complete portfolio of ten screenprints in colours, 2010. Each sheet signed in ink verso and numbered “C”. One of 26 artist proof sets aside from the edition of 250. Printed by Aetna Silkscreen Products Inc., New York. Published by Factory Editions, New York. (Feldman & Schellmann II.64-73) Each 91.4 x 91.4 cm
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