Masterpiece Fair 2017

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Masterpiece Fair 29th June – 5th July 2017

Lyndsey Ingram T. +44 (0)20 7581 8664

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info@lyndseyingram.com

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lyndseyingram.com


Miles Aldridge The Doll’s House

Screenprint in silver and black, 2016. Signed in pencil verso and numbered from the edition of 8. Printed on Somerset Tub Sized Radiant White 410 gsm paper by K2 Screen, London. Published by Colour Pictures Limited, London. 97.8 x 95.2 cm

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Richard Diebenkorn Seated Woman Lithograph, 1965. Initialed in pencil and numbered from the edition of 100. Printed by Original Press, San Francisco. Published by Original Press, San Francisco. 64 x 50 cm

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Carmen Herrera Black and White Screenprint, 2009. Signed in pencil and numbered from the edition of 60. Printed on Fabriano Rosapina paper by Art Nexus, Bogotรก. Published by Art Nexus. 69.8 x 83.8 cm

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David Hockney The Lake Etching and aquatint, 1969. Signed in pencil and numbered from the edition of 100. From: Illustrations for Six Fairy Tales From The Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (Scottish Arts Council 80; Tokyo 77) 45.5 x 31 cm

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David Hockney A Wooded Landscape Etching and aquatint, 1969. Signed in pencil and numbered from the edition of 100. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (Scottish Arts Council 75; Tokyo 72) 45.5 x 31 cm

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David Hockney Celia in a Polka Dot Skirt Lithograph, 1980. Signed in pencil and numbered from the edition of 100. Printed on Arches Cover paper by Gemini G.E.L. Los Angeles. Published by Gemini G.E.L. with their blind stamp. (Tokyo 238) 96.5 x 76.2 cm

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David Hockney Celia in Armchair Lithograph, 1980. Signed in pencil and numbered from the edition of 74. Printed on Arches Cover paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. with their blind stamp. (Tokyo 239) 101.6 x 121.9 cm

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David Hockney Celia in the Director’s Chair Lithograph, 1980. Signed in pencil. An artist’s proof aside from the edition of 100. Printed on Kurotani paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. with their blind stamp. (Tokyo 244) 106.7 x 96.5 cm

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David Hockney Cacti on Terrace Etching, 1998. Signed in pencil and numbered from the edition of 35. Printed on wove paper. Published by Pace Editions Inc., New York. 95 x 87 cm

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Ellsworth Kelly Black Lithograph, 1964-65. Signed in pencil and inscribed HC VIII. A proof aside from the edition of 75. Printed on BFK Rives paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 4) 89.5 x 61.6 cm

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Ellsworth Kelly Leaves Lithograph, 1964-65. Signed in pencil and inscribed EA. A proof aside from the edition of 75. Printed on Rives BFK paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 32) 89.9 x 63.5 cm

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Grayson Perry The Island of Bad Art Etching, 2013. Signed in pencil and numbered from the edition of 80. Published by the Royal Academy of Arts Editions, London. 44.2 x 59.2 cm

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Bridget Riley Untitled (Based on Primitive Blaze) Screenprint, 1962. Signed in pencil and numbered from the edition of 40. Printer unknown. Published by the artist. (Schubert 1a) 45.7 x 45.7 cm

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Bridget Riley Untitled (La Lune en Rodage - Carlo Belloli) Screenprint, 1965. Signed in pencil and numbered from the edition of 200. Printed by Kelpra Studio, London. Published by Editions Panderma, Basel. (Schubert 6) 31.9 x 31.9 cm

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Bridget Riley Untitled (Fragment 6) Screenprint on Plexiglas, 1965. Signed in pencil (in reverse from back) and numbered from the edition of 75. Printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. (Schubert 5f) 74.5 x 73.8 cm

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Richard Serra Paths and Edges #5 Etching, 2007. Signed in pencil and numbered from the edition of 60. Published by Gemini G.E.L., Los Angeles. 66 x 81.9 cm

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Andy Warhol Jackie Kennedy I (Jackie I) Screenprint in silver, 1965. Stamp signed verso and numbered from the edition of 200. Printed by Knickerbocker Machine and Foundry Inc., New York. Published by Original Editions, New York. (Feldman & Schellmann II. 13) 61 x 50.8 cm

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