THE LONDON ORIGINAL PRINT FAIR 4th – 7th May 2017
Lyndsey Ingram T. +44 (0)20 7581 8664 E. info@lyndseyingram.com W. lyndseyingram.com
Patrick Caulfield CafĂŠ Screenprint in colours, 1968. Signed in pencil and numbered from the edition of 75. Printed by Kelpra Studio, London. Published by Waddington Graphics, London. (Cristea 12) 71.1 x 92.4 cm
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Peter Doig Muldenberg Etching and aquatint printed in colour, 2000 - 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 96.5 x 133.5 cm
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Peter Doig Pinto Etching and aquatint printed in colour, 2000 - 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 112 x 153.5 cm
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Richard Hamilton Release Screenprint in colours with collage, 1972. Signed in pencil and numbered from the edition of 150. Printed on Hodgkinson mould-made paper by Kelpra Studios, London. Published by Petersburg Press for the National Council of Civil Liberties and Release. (Lullin 83) 68.6 x 86.3 cm
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David Hockney Mirror, Mirror on the Wall Etching and aquatint printed in colours, 1961. Signed in pencil. From the edition of aproximately 50. Printed on handmade English paper by Ron Fuller and Peter Mathews at the Royal College of Art, London. Published by Petersburg Press, London. (Tokyo 10; SAC 10) 56 x 79 cm
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David Hockney Jungle Boy Etching and aquatint printed in colours, 1964. Signed in pencil and numbered from the edition of 50. Printed on mould-made paper by Giulio Sorrini, New York. Published by Associated American Artists. (Tokyo 33; SAC 33) 50.5 x 61.5 cm
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David Hockney Cleanliness is Next to Godliness Screenprint in colours, 1964. Signed in pencil and inscribed Artist Proof. A proof aside from the edition of 40. Printed by Christopher Prater at Kelpra Studio. Published by the Institute of Contemporary Arts, London. (Toyko 39) 90.5 x 58.5 cm
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David Hockney The Lake Etching and aquatint, 1969. Signed in pencil and numbered from the edition of 100. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (SAC 80; Tokyo 77) 45.5 x 31 cm
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David Hockney The Rose and the Rose Stalk Etching, 1969. Signed in pencil and numbered from the edition of 100. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (SAC 78; Tokyo 75) 45 x 41 cm
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David Hockney The Restaurateur Etching and aquatint, 1972. Signed in pencil and numbered from the edition of 80. Printed on Crispbrook handmade paper by The Print Shop, Amsterdam. Published by Petersburg Press, London. (Tokyo 120; Scottish Arts Council 128) 42 x 34 cm
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David Hockney Mexican Hotel Garden Etching, 1984. Signed in pencil and numbered from the edition of 65. Printed on John Koller Hand Made Paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles. (Tokyo 256) 82.6 x 118.1 cm
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Gerald Laing Baby Baby Wild Things The portfolio of five screenprints in colours, 1968. Each signed in pencil and numbered from the edition of 200. Printed on smooth white paper by the artist. Published by the artist with his blind stamp. (Ingram & Halliwell 22-27) Each sheet: 89 x 58.5 cm
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Gerald Laing Brigitte Bardot Screenprint in colours, 1968. Signed in pencil and numbered from the edition of 200. Printed on smooth white paper by the artist. Published by the artist with his blind stamp. (Ingram & Halliwell 22) 89 x 58.8 cm
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Jasper Johns Usuyuki Lithograph printed in colours, 1980. Signed in pencil and numbered from the edition of 57. Printed on BFK Rives paper by ULAE, New York. Published by ULAE. (ULAE 211) 133.4 x 51.4 cm
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Anish Kapoor Blue Shadow The complete set of four aquatints printed in colours, 2013. Each signed in pencil verso and numbered from the edition of 39. Printed on Somerset paper. Published by the Paragon Press, London. Each sheet: 72.4 x 96.4 cm
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Anish Kapoor Shadow The complete set of nine etchings printed in colours, 2007. Signed in pencil and numbered from the edition of 35. Printed on Somerset paper. Published by The Paragon Press, London. Each sheet: 49 x 65 cm
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Alex Katz Maine Landscape Heliorelief woodcut, 1951-2005. Signed in pencil and numbered from the edition of 100. 19.05 x 12.07 cm
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Alex Katz Joan Aquatint printed in colours, 1986. Signed in pencil and numbered from the edition of 65. Printed on Somerset paper by Doris Simmelink and Chris Sukimoto, Jeryl Parker Editions, New York. Published by Crown Point Press, San Francisco. 79.7 x 99.7 cm
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Ellsworth Kelly Light Blue with Orange Lithograph printed in colours, 1964-65. Signed in pencil and inscribed HC VI/XIV. A proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 14) 89.5 x 59.7 cm
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Ellsworth Kelly Yellow with Dark Blue Lithograph printed in colours, 1964-65. Signed in pencil and inscribed EA. A proof aside from the edition of 75. Printed on Rives BFK paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 15) 87 x 60 cm
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Jeff Koons Puppy Offset lithograph and screenprint, 1999. Signed in pencil and numbered from the edition of 75. Printed on ivory stock card. 106.7 x 64.8 cm
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Robert Mangold Attic Series #4 Etching and aquatint printed in colour, 1991. Signed in pencil and numbered from the edition of 60. From the portfolio of 10 etching and aquatints. Printed by Parasol Press Ltd., New York. Published by Parasol Press Ltd., New York. 81.3 x 91.4 cm
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Robert Mangold Attic Series #10 Etching and aquatint printed in colour, 1991. Signed in pencil and numbered from the edition of 60. From the portfolio of 10 etching and aquatints. Printed by Parasol Press Ltd., New York. Published by Parasol Press Ltd., New York. 81.3 x 91.4 cm
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Enoc Perez PR 4G 8/10 Handcoloured photoetching, 2016. Signed in pencil and numbered from the edition of 20. Printed on Somerset paper. 64 x 81.5 cm
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Enoc Perez PR 4G 4/10 Handcoloured photoetching, 2016. Signed in pencil and numbered from the edition of 20. Printed on Somerset paper. 64 x 81.5 cm
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Grayson Perry The Island of Bad Art Etching, 2013. Signed in pencil and numbered from the edition of 80. Published by the Royal Academy of Arts Editions, London. 44.2 x 59.2 cm
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Harland Miller Rags to Polyester GiclĂŠe printed in colours, 2014. Signed in pencil and numbered from the edition of 50. Printed on German etching 310gsm paper. Published by White Cube, London. 95 x 75 cm
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Bridget Riley Untitled (Fragment 6) Screenprint on Plexiglas, 1965. Signed in pencil (in reverse from back) and numbered from the edition of 75. Printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. (Schubert 5f) 74.5 x 73.8 cm
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Bridget Riley Untitled (La Lune en Rodage - Carlo Belloli) Screenprint, 1965. Signed in pencil and numbered from the edition of 200. Printed by Kelpra Studio, London. Published by Editions Panderma. (Schubert 6) 31.9 x 31.9 cm
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Ed Ruscha Sponge Puddle Lithograph printed in colours, 2015. Signed in pencil and numbered from the edition of 60. Printed on BFK Rives paper. Published by Hamilton Press, California. 73.7 x 71.1 cm
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Frank Stella Double Gray Scramble Screenprint in colours, 1973. Signed in pencil and numbered from the edition of 100. Printed on Arches 88 mould-made paper by Gemini G.E.L., Los Angeles. Publised by Gemini G.E.L., Los Angeles with thier blindstamp. 73.4 x 128.7 cm
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Wayne Thiebaud Little Red Suckers Aquatint printed in red, 1971-2014. Signed in pencil and numbered from the edition of 35. Printed by Emily York. Published by Crown Point Press, San Francisco. 25.4 x 26.67 cm
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Wayne Thiebaud City Edge Aquatint printed in colours, 1988. Signed in pencil and numbered from the edition of 60. Printed on wove paper. Published by Crown Point Press, San Francisco with their blindstamp. 49.8 x 40.3 cm
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Andy Warhol Shoes (Multi) Screenprint in colours with diamond dust, 1980. Signed in pencil and numbered from the edition of 60 verso. Printed on Arches paper by Rupert Jasen Smith, New York. Published by the artist, New York. (Feldman & Schellmann II.254) 102.2 x 151.1 cm
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