Art Miami 2017

Page 1

2017



Art Miami December 5 – 10 | 2017

Lyndsey Ingram 20 Bourdon Street London W1K 3PL � � +4 4 (0)20 7629 8 849 info@lyndseyingram.com W. lyndseyingram.com T.

E.


Peter Doig Pinto Etching and aquatint printed in colours, 2000 – 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 112 x 153.5 cm

4


5


Walton Ford The Tale of Johnny Nutkin Etching and aquatint in colours, 2001. Signed in pencil and numbered from the edition of 50. Printed by Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Gallery, New York. 111.8 x 78.7 cm

6


7


Jane Hammond Korean Vase with Hawthorn, Almonds and Milkweed Unique botanical collage with lithography, linocut, relief printing, digital printing, coloured pencil, watercolour and gouache, sumi ink and copper leaf, hand cut and assembled on collaged Nepali paper, 2016. Signed in pencil. 127 x 96.5 cm

8


9


David Hockney Lithograph of water made of lines, crayon, and two blue washes Lithograph printed in colour, 1978-80. Signed in pencil and numbered from the edition of 85. Printed on TGL handmade paper by Roger Campbell, Rodney Konopaki and Kenneth Tyler at Tyler Graphics Ltd., New York. Published by Tyler Graphics Ltd., New York, with their blind stamp. (Tyler 209) 75.6 x 86.4 cm

10


11


David Hockney Celia with Green Hat From the Moving Focus series. Lithograph printed in colours, 1984. Signed in pencil and numbered from the edition of 98. Printed on HMP handmade paper by Roger Campbell and Lee Funderberg, Tyler Graphics Ltd., New York. Published by Tyler Graphics Ltd. (Tokyo 268) 76.2 x 55.8 cm

12


13


David Hockney Cacti on Terrace Etching, 1998. Signed in pencil and numbered from the edition of 35. Printed on wove paper. Published by Pace Editions Inc., New York. 95 x 87 cm

14


15


Alex Katz Joan Aquatint printed in colours, 1986. Signed in pencil and numbered from the edition of 65. Printed on Somerset paper by Doris Simmelink and Chris Sukimoto, Jeryl Parker Editions, New York. Published by Crown Point Press, San Francisco. 79.7 x 99.7 cm

16


17


Ellsworth Kelly Red-Orange Lithograph printed in colour, 1964 – 65. Signed in pencil and inscribed HC VI/XIII. A hors commerce proof aside from the edition of 75. Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 6) 60 x 89.5 cm

18


19


Jeff Koons Puppy Offset lithograph and screenprint in colours, 1999. Signed in pencil and numbered from the edition of 75. Printed on ivory stock card. 106.7 x 64.8 cm

20


21


Roy Lichtenstein Ten Landscapes The complete portfolio of ten screenprints with photographic and Rowlux additions., 1967 Each signed and numbered from the edition of 100 verso. Provenance - Collection of Ileana Sonnabend Printed by Fine Creations, Inc. New York. Published by Original Editions, New York. (Corlett 51-60) 42.2 x 54.7 cm

22


23


Roy Lichtenstein The Sower Lithograph, woodcut and screenprint in colours, 1985 From ‘Landscape Series’. Signed in pencil and numbered from the edition of 60. Printed on Arches 88 paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles with their blindstamp. (Corlett 211) 101.9 x 141 cm

24


25


Harland Miller Love Saves The Day Painting and annotation on screenprint, 2017 146 x 105 cm

26


27


Kelly Reemtsen Break Out Screenprint and woodcut printed in colours, 2017 Woodblocks hand carved by the artist in Los Angeles. Signed in pencil and numbered from the edition of 25. Printed on Somerset Satin 410gsm paper by Advanced Graphics, London. Published by the artist. 92.7 x 91.4 cm

28


29


Ed Ruscha Sponge Puddle Lithograph printed in colours, 2015. Signed in pencil and numbered from the edition of 60. Printed on BFK Rives paper. Published by Hamilton Press, California. 73.7 x 71.1 cm

30


31


Ed Ruscha Thinks I, To Myself Lithograph printed in three colours, 2016. Signed in pencil and numbered from the edition of 80. Co-published by Hamilton Press, California and Royal Academy of the Arts, London. 32.5 x 53.5 cm

32


33


Frank Stella Sinjerli Variation III Lithograph and screenprint in colours, 1977. Signed in pencil and inscribed A.P IX. One of 20 artist’s proofs aside from the edition of 100. Printed on Arches Cover paper by Bruce Porter, James Welty, and John Campione, New York. Published by Petersburg Press, New York. (Axsom 117) 81.3 x 107.9 cm

34


35


Wayne Thiebaud Candy Apples Woodcut printed in colours, 1987. Signed in pencil and inscribed ‘AP 1’. An artist’s proof aside from the edition of 200. Printed on Tosa Kozo paper by Tadashi Toda at Shi-un-do Print Shop, Kyoto. Published by Crown Point Press, San Francisco. 59 x 61.5 cm

36


37


Wayne Thiebaud Gumball Machine Linocut printed in colours, 1971 From Seven Still Lifes and a Silver Landscape portfolio. Signed in pencil and inscribed AP. An artist’s proof aside from the edition of 50. Printed on Arches paper. Published by Parasol Press, New York. 76.5 x 56.5 cm

38


39


Wayne Thiebaud Hill Street Woodcut printed in colours, 1987. Signed in pencil and inscribed ‘AP 7’ An artist’s proof aside from the edition of 200. Printed by Tadashi Toda, Kyoto. Published by Crown Point Press, San Francisco. 94 x 61 cm

40


41


Wayne Thiebaud Night River Hardground etching with drypoint and aquatint printed in blue and black, 1998/2011. Signed in pencil and inscribed TPF. A trial proof aside from the edition of 40. Printed on wove paper. Published by Crown Point Press, San Francisco. 38.1 x 50.8 cm

42


43


Wayne Thiebaud Banana Splits Aquatint, 1964 From ‘Delights’ portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 x 27.5 cm

44


45


Christopher Wool My House I Screenprint in colours, 2000. Signed in pencil and numbered from the edition of 100. Printed on 335gsm matte custom art paper by Brand X Editions, New York. Published by Counter Editions, London. 101.5 x 76 cm

46


47


Jonas Wood Untitled Lithograph and screenprint in colours, 2014 Signed in pencil. An artist proof aside from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 121.9 x 93.9 cm

48


49


Jonas Wood Untitled Lithograph and screenprint in colours, 2014 Signed in pencil. An artist proof aside from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 121.9 x 93.9 cm

50


51





Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.