Lumbers Catazine - Art Edition

“One should either be a work of art or wear a work of art.”

Oscar Wilde

Dear Friends,

Lumbers has always been synonymous with quality, daring design, and fun. Our new Art Edition ‘Catazine’ focuses on the individuality and style that Lumbers is renowned for, highlighting the path the business has taken with new brands, new styles and new sparkles!

Since our last publication, we have introduced two new

I believe, that although our website has huge advantages to

fabulous jewellery brands. Fabergé probably needs little

show our new items quickly and easily, there is still nothing

introduction as the name is acclaimed worldwide and known

better than a good coffee table magazine. This Lumbers

by every jewellery enthusiast. With a history dating back

Catazine that my stepdaughter, Maddie, has beautifully

to 1842, Gustav Fabergé founded a jewellery business in

produced will hopefully grace anyone’s coffee table and will

St Petersburg, the capital of Russia. His son, Peter Carl

highlight the array of pieces we now carry. From Fabergé and

Fabergé was to later transform the business into the jeweller

Fope to Love Lumbers and Clover: Watches from Breguet,

to the Russian Royal Court and in 1885 was commissioned

Hublot, Omega, Breitling, Tudor, Tag Heuer and Chopard – we

by the Emperor to make an Easter Egg for his Empress.

have something for everyone.

Fabergé was from then on bestowed with the coveted title, ‘Goldsmith by special appointment to the Imperial Crown’ and his jewel encrusted eggs would become the most coveted piece of Objet d’Art in the World.

Our second addition, FOPE spans back to 1919 when Umberto Cazzola opened his very first goldsmith’s workshop in Vicenza, Italy. Again, it was a later generation that grew the business to today’s international brand with, in 1985, the mastering of flexibility in The Novecento mesh chain. This became the icon for FOPE thanks to its incredible flexibility, exquisite gold metal and ability to be shaped into many different designs. The chain brought FOPE success not only from Italy but across the world. It is easy to see how the Novecento mesh chain remained the inspiration for the entirety of today’s FOPE jewellery collections.

Of course, it is exciting that we at Lumbers also herald a family history going back 5 generations to 1881 and I am sure I share every family business’ aspiration and pride that the next generation will follow. As Freddie continues his education, the family business continues to grow and adapt to the changing world.

Our jewellery collections have always been complimented by our watch ranges and the watch department refit allows us to exhibit the watches to their best.

Please enjoy reading and visiting us soon,

Cascada Cascada Platinum 1.75cts Two Row Drop Pendant £7,100 | Cascada Platinum & 18ct Gold 1.61cts Diamond & 0.68cts Treated Pink Diamond Ring £16,500 Cascada 18ct Gold 0.98cts Diamond Rub Over Set Ring £5,950 | Cascada 18ct Gold 3.30cts Diamond Rub Over Set Hoop Earrings £12,900 Cascada Platinum 10.01cts Diamond Rub Over Set Bracelet £48,500 | Cascada Platinum 7.45cts Diamond Rub Over & Pave Set Bar Bracelet £42,500

Clove Clover Platinum 14mm 0.21cts Diamond Halo Necklace £3,350 | Clover 18ct Gold 18mm Mother of Pearl & 0.26cts Daimond Halo Bracelet £2,250 Clover 18ct Gold 9mm & 14mm 1.28cts Pave Diamond Double Drop Earrings £7,350 | Clover Platinum 9mm 0.42cts Diamond Pave Studs £2,750 Clover 18ct Gold 14mm 1.02cts Diamond Pave Double Drop Necklace £6,450

R osé Rosé 18ct Gold 0.13cts Pink Diamond & 0.58cts Diamond, Oval Shaped Halo Ring £3,750 | Rosé 18ct Gold 1.08cts Pink Diamond & 0.68cts Diamond, Pear Halo Ring £7,250 Rosé Platinum & 18ct Gold 0.93cts Diamond & 0.12cts Pink Diamond, Emerald Halo Ring £6,500 | Rosé 18ct Gold 1.22ct Pink Diamond & 1.58cts Diamond Halo Drop Earrings £9,500 Rosé 18ct Gold 0.97cts Pink Diamond & 3.99cts Diamond, Square Inf inity Bracelet £19,950 | Rosé 18ct Gold 1.73cts Pink Diamond & 2.58cts Diamond, Link Bracelet £29,500

Tulipa Tulipa 18ct Gold 2.32cts Pink Sapphire & 0.48cts Diamond Ring £9,500 | Tulipa 18ct Rose Gold 1.16cts Lilac Sapphire & 0.67cts Diamond Ring £6,350 Tulipa 18ct Gold 1.16cts Multi-coloured Sapphire & 0.67cts Diamond Ring £6,995 | Tulipa 18ct Yellow Gold 0.69cts Diamond Ring £5,995 Tulipa 18ct Yellow Gold 2.68cts Diamond Bangle £17,500

s Lumber LOVE

Continue your love story with an engagement ring designed by you, made by us! From the mount and style through to the diamond shape and size, the design is truly your own. We then, expertly set your diamonds and size your rings in our Award Winning In-house Workshop...

Every single diamond is sourced by our Diamond Experts; scouring the world, literally. We ensure all our brilliant cut diamonds are certified as, triple excellent by the renowned GIA laboratory. Excellent Cut. Excellent Polish. Excellent Symmetry.

Service – is the best, as you would expect from Leicester’s Finest Jewellers since 1881. If you would like the chosen diamond to be mounted in platinum rather than yellow gold, or with diamonds around it as a halo – our service principle is to have this done for you on the same day.

And lastly, importantly too, we are confident that we are the most competitive there is. We offer a price guarantee, and we can promise you that, as these are all made in house with hand-picked diamonds, you will not beat our price for the same quality.

You can design your unique diamond engagement ring by making an appointment with us in-store, or using our new ‘Ring Designer’ App available for Apple and Android. Continue your love story...

Love Lumbers Diamond Engagement Rings | Prices starting from £1,170

L

OVE

continue you our exclusive twist mount!

Lumbers helped me create the perfect ring, that I’ve always wanted, that I will always love.

With my partner, we chose every detail of the ring, and it was ready later that day, so we could show the family.

Platinum 0.32cts Marquise Cut (VS1, D) Diamond Halo & Shoulder Ring £2,080 | 18ct Gold 1.01cts Emerald Cut (SI1, I) Diamond Halo & Shoulder Ring £5,725 Platinum 0.76cts Brilliant Cut (SI1, H) Diamond Twist Ring £3,840 Platinum 0.80cts Princess Cut (SI1, D) Diamond Shoulder Ring £5,220 | 18ct Gold 1.01cts Oval Cut (SI1, G) Diamond Halo & Shoulder Ring £7,110

our love story

Platinum 0.62cts Princess Cut (VS, F/G) Diamond Halo Studs £2,500 | 18ct Gold & Platinum 0.38cts Brilliant Cut (SI, H/I) Diamond Halo Pendant £1,7 75 Platinum 0.70cts Pear Cut (SI, H/I) Diamond Halo Studs £2,950 | Platinum 1.01cts Princess Cut (SI1, I) Diamond Bail Pendant £5,100 Platinum 0.80cts Brilliant Cut (SI, H/I) Diamond Rubover Studs £2,275 | Platinum 1.01cts Pear Cut (SI, H/I) Diamond Bail Pendant £5,625

A selection of our exceptional jewels, signifying affiance and true love.

Beautifully designed, exquisitely crafted rings that celebrate the purity of classic diamonds.

Platinum 5.04cts (VS2, J) Cushion Cut Diamond & Halo Ring £99,950 | Love Lumbers Platinum 3.00cts (SI1, I) Pear Cut Diamond Halo & Shoulder Ring £57,700 18ct Gold 10.50ct (SI2, J) Cushion Cut Diamond 4 Claw Set Solitaire Ring £195,000 | Platinum 5.02cts (SI2, D) Brilliant Cut Diamond 6 Claw Set Solitaire Ring £137,000

You, Lumbers Iconic treasures to be worn day to day, and day to night. Our signature collection of earrings, pendants and bracelets, with your timeless style.

18ct White Gold 8.17cts Brilliant Cut Diamond Full Set Hoops £34,500 | 18ct White Gold 1.75cts Brilliant Cut Diamond Full Set Hoops £5,750 | Various sizes and weights available.

18ct Gold 49.00cts Marquise Cut Diamond 3 Row Collar £145,000

Platinum 14.15cts Brilliant Cut Diamond ‘U’ Set Tennis Bracelet £30,500 | Cascada Platinum 10.01cts Brilliant Cut Diamond Bar Bracelet £48,500

18ct Rose Gold 4.92cts Diamond ‘U’ Set Tennis Bracelet £9,995

Platinum 14.15cts Brilliant Cut Diamond ‘U’ Set Tennis Bracelet £30,500 | 18ct Yellow Gold 10.72cts Diamond ‘U’ Set Tennis Bracelet £17,250

18ct White Gold 1.00cts Diamond Wave Dress Ring £1,695 | 18ct Rose Gold 0.58cts Diamond Swirl Twist Ring £1,595

18ct White Gold 1.96cts Diamond Petal Ring £2,995

Cascada Platinum 0.95cts Diamond Rub Over Set Pave Bar Earrings £3,800 | Cascada Platinum 2.00cts Diamond Rub Over Set Bar Earrings £7,500

18ct White Gold 2.91cts Diamond Rub Over Set Trace Necklace £5,500 | 18ct White Gold 9.89cts Diamond Claw Set Single Row Necklace £13,750

18ct Gold 4.33cts Brilliant Cut Diamond Full Eternity Ring £8,900 | Platinum 2.03cts Oval 5 Diamond Claw Set Ring £12,800 18ct White & Rose Gold Multi-Stand 1.94cts Diamond Ring £6,900 | Platinum 2.50cts Oval 5 Diamond & Halo Ring £8,300

18ct Gold 0.87cts Diamond Marquise Flower & Split Ring £3,350 | Platinum 2.03cts Diamond ‘U’ Set Half Eternity Ring £4,650 | 18ct Gold 1.19cts Diamond 2 Row Marquise Ring

Left: The Moscow Kremlin egg, modelled on the Dormition Cathedral and the largest of the Imperial eggs made

by Fabergé, features in an exhibition of the master goldsmith’s work

ARTIST OR BUSINESSMAN?

Are you an artist if you don’t pick up a paintbrush? If you guide and empower craftsmen to create, are you their boss, patron, or just a businessman?

Words by Michelle Dilley

No single piece of work that bears the name and mark of Fabergé is attributable to the man himself. And yet it has been argued that he is one of the greatest artist jewellers in history, and his name is synonymous with art and jewellery and objet d’art of the highest calibre and artistry. Was he the presiding genius of one of the most successful names in jewellery, silver and art, employing hundreds of craftspeople to create thousands of items to his highest of standards, to which his name was given? His skill was in his eyes, knowing perfection and how it could be brought to life. He was an artistic visionary, but we will never know the quality of his own personal skill in artistry. We have to allow his many skilled artists and craftsman to do the speaking for him.

In a materialistic world, where the intrinsic value of an item is measured, from the quality of the diamonds to the weight of the gold, the idea of craftsmanship is so often overlooked.

The skill of the craftsman (and craftswoman) brings a piece of metal and stones together and breathes life into their art.

It was from this view point that Peter Carl Fabergé looked at his own world 150 years ago. The heavily laden diamond and gemstone jewellery of the time was often clunky and focused on the ostentatiousness of the jewels. The individual wearing the jewellery was flashing their cash or that of their husband or family. The skill of the goldsmith who created it was hidden beneath the stones. Fabergé cared little for such bling. He was devoted to the talent of the individual, not what the item was made of. So he took stones with little value, and had them crafted into works of art. He took the humdrum everyday items such as a bell push and gave it a full make over with colourful enamels. The craftsmanship was everything, the materials were secondary.

Say the name Fabergé, and everyone thinks of the famous eggs, gifted by the royal families of Europe to each other at Easter. The concept started with the most simple and original of eggs, the Hen Egg, It evolved into a world of experimentation, pushing the boundaries and limits of his craftsmen to create increasingly ornate, detailed and crafted eggs. Anyone who looks at the Mosaic Egg (pictured right) has to be overwhelmed. It would take a complete heathen to look at the intricacies of the Mosaic Egg and not be left in awe of those who laboured to create it. And yet there is no huge centre diamond stealing the show, the fabulously accurate cameo of the Tsar’s 5 children, carved in shell, the tiniest of gemstones used to create the mosaic, the simplicity of the pearls and the enamelling. It is not known how many craftsmen would have worked on this Egg. Starting in the design workroom with Alma Pihl, one of only 2 female jewellery designers who worked for Faberge, then the egg would have been formed in platinum in the goldsmiths workshops, several lapidarists (A person who cuts and polishes gemstones) would have had to cut all the individual gemstones required, enamellers would have mixed the perfect shade of green for the snowdrops, setters would have had to set each individual stone, a polisher would have had to polish every surface and angle, all under the watchful eye of one of Fabergé’s Master Jewellers. A true collaboration of skill, artistry, and workmanship.

“Colour is such an important part of design, and the reason why gemstones are so valuable...

It is not as obvious today when we are so spoiled with synthetic materials, pigments and dyes, each brighter than the other, but imagine finding an emerald at a time when we didn’t have all that?”

LIISA TALLGREN Head of Design at Faberg é

The Mosaic Egg and Surprise| The egg was the Tsar’s Easter gift to his wife in 1914

Left: The craftsmenship behind the making of the iconic Fabergé x Game of Thrones Egg | Above: The Fabergé x Game of Thrones Egg co-designed by Liisa Tallgren and Michele Clapton, the Emmy® and BAFTA® winning costume designer from Game of Thrones

One of the main contributions to art by the House of Fabergé, was the superb enamelling for which they are still renown. Sadly, the enamellers, despite their consummate skill, did not have the right to put their signature on a piece. But their lack of recognition doesn’t lessen the difficulties and vagaries of their trade. The craftsmen, under Peter Carl’s watchful eye, created and catalogued 144 new shades of enamel, creating a smorgasbord of colour for the Fabergé designers to choose from. However, mixing the perfect shade of enamel is far more difficult than it is for the artist using his palette.

Enamelling involves heating a compound of glass and metal oxides until it begins to run and then applying it to a metal surface, usually silver for the Fabergé enamellers.

Enamelling is still an exquisite skill, but in Fabergé’s time, this was in kilns far less reliable and accurately heated than the modern counterparts. There was usually more than one layer of enamel, which meant repeated trips to the kiln. This tricky process called for great precision, too long or too short in the kiln and a piece could be ruined.

And even more skill was required when the item wasn’t flat.

Current MD of Fabergé Antony Lindsay refers to enamelling as a ‘Highly complex and delicate technique (that) requires great skill and many years of experience.’ The stunning Game of Thrones Egg (left) is a modern masterpiece, combining the tradition of the unexpected surprise with

“Expensive things interest me little if their value is merely in so many diamonds or pearls.”

exquisite enamelling. This one-off work of art highlights

PETER CARL FABERGÉ

how the modern Fabergé enamellers continue in the

Founder of House of Fabergé

tradition of their forefathers, but with equipment far more exact. The Game of Thrones Egg reflects the pinks, purples and blues from the main character’s costume, blending together to create an explosion of colours.

The main Fabergé collection showcases every colour in the modern palette of enamels which are an evolution of

The name of Fabergé rightfully deserves its position of

the original skills. Choose your little bit of history; a piece

awed, hushed voices, and reverence. The skill of the artists

of Fabergé that can be bespoke made exactly as you want

who worked together to create the masterpieces and the

it, from the colour of the enamel to the surprise inside

everyday pieces, creating the most stunning perfection,

the egg. Or select from the Lumbers collection of Fabergé

is testament to why the name still lives on to this day. It is

which reflects the love of enamel, from the subtle light

wonderful that the current Fabergé collection upholds the

rose pink to the newest vivid neon blue. With one eye on

original traditions and allows us to own and experience

the past, and one on the future, the skill and perfection

Fabergé for ourselves. A modern-day heirloom that can

of the craftsperson is something that Peter Carl Fabergé

be enjoyed, loved and handed to the next generation with

would still recognise and be proud of.

memories and joy.

Above: Fabergé workshop, St. Petersburg, 1904

Heritage 18ct Gold 0.29cts Diamond, Pink Guilloché Egg Necklace £7,800 | Heritage 18ct Gold 0.30cts Diamond, Turquoise Guilloché Surprise Heart Necklace £12,000 Treillage 18ct Gold 0.96cts Diamond, Quilted Drop Earrings £8,640 | Treillage 18ct Gold 0.41cts Diamond, Quilted Ring £6,480 Imperial Collection available at Lumbers | Prices starting from £7,200

Happy Spirit 18ct Gold 2.06cts Diamond Circle Necklace £18,200 | Ice Cube 18ct Gold 0.30cts Diamond Ring £5,160 Happy Diamonds Icons 18ct Gold 0.38cts Diamond Heart Drop Earrings £5,570 | Happy Diamonds Icons 18ct Gold 0.54cts Diamond Bangle £7,570 Ice Cube Collection available at Lumbers | Prices starting from £800

Hiroko 18ct Gold 0.29cts Diamond Ring £2,600 | Puzzle 18ct Gold 0.80cts Diamond & Onyx Earrings £3,800 Tibet 18ct Gold 2.07cts Diamond Multi-Row Ring £6,900 | Tibet 18ct Gold 0.39cts Diamond Tension Cuff £5,7 70 Puzzle Collection available at Lumbers | Prices starting from £960

Eka Tiny Flex’ it 18ct Gold 0.19cts Diamond Necklace £3,160 | Panorama Flex’ it Multi-Gold Bracelet £5,780 Essentials 18ct Gold Medium Hoop Earrings £4,140 | Essentials Flex’ it 18ct Gold Ring £860 Solo Collection available at Lumbers

With a passion for innovative and artistic designs Tony revels in the opportunity to revamp and reimagine existing jewellery pieces, particularly those with sentimental value.

INSIDE THE MIND OF OUR DESIGNER

We want to dispel the myth that bespoke jewellery design has to be a privilege reserved for the ultra-rich. Here at Lumbers, everyone is genuinely passionate about providing you, our customers, with a personable service, tailored completely to your wants, requirements and, budgets.

With originality on the tick-list for purchasing along with sustainability - by means of up-cycling etc - bespoke jewellery design hits both the markers. What could be more precious than being part of the design process of repurposing a gemstone, or a item of jewellery, for yourself or loved one to wear?

We’re very lucky at Lumbers to have the whole team you need to help bring a sentimental heirloom back to modern-life, or design a new piece of wearable art from the gemstone upwards. So why not get acquainted with our talented in-house jewellery designer, Tony Dean.

How did your love affair with jewellery begin?

I suppose my interest in jewellery must have started back in my childhood, with the love of colourful shiny wrappers from Christmas sweets & Easter egg wrappings. I would collect them all and make collages and portraits using the bright, shiny aesthetic.

Have you been creative since you were young?

Definitely! Art, craft, and design has always been a love of mine. I suppose it just came naturally to me! Whether I’m making curtains and soft furnishings for the house, sewing fancy dress costumes for parties or crafting door wreaths for each season. I used to draw wedding cakes and dresses for my colleagues back in catering college on our lunch breaks.

I spend my spare time drawing pieces of jewellery that I can envisage becoming wearable pieces of art - the use of colour has always been a love of mine.

Where did your journey with jewellery begin?

Although I’ve had no formal training for designing jewellery, my natural drawing skills gave me the creativity with shape and form. I was then shown the basics at the first

“My inspiration comes from speaking to and understanding the customers needs; however seeing the stone helps make the ideas reality.”

independent jeweller I worked for - work with what you

TONY DEAN

know, so measure the exact size and all dimensions of a

Our In-house Jewellery Designer

stone, the size of a finger etc. These are the fundamentals of drawing a 1:1 scale drawing of what a piece of jewellery will look like from all its angles in a technical format. I’ve stuck with this formula since - it really does give a true idea of how a final piece is going to look for a client. Now I’ve been in the industry for over 25 years and specialising as a designer for the past 17 of those!

Talk us through your process of designing for a client…

My job is to bring my clients’ imagination and their choice of stones to life through my designs. The process always begins with finding out why a client desires a bespoke piece of jewellery. More often than not, there’s a whole story behind why they have chosen to have such a personal piece made which always brings me closer to the designs.

Above: Tony’s preliminary sketches for a Platinum 9.59ct Oval Aquamarine, 0.60cts Sapphires & 0.54cts Diamond Ring

Right: Artworks from the Art Nouveau movement which have inspired the work and imagination of jewellery designer, Tony Dean | Top & Middle: ‘Dragonflywoman’ corsage ornament crafted by René Lalique in 1897 | Bottom: Drawings

by A.Mucha, 1900. National Museum, Prague

Are there any client stories that have stuck with you the most?

There are so many!! But every client is special to me for their own reasons. The thing that gives me the greatest joy though is having a client coming back to me wearing a piece that I have designed for them and asking me to do a new piece to match, or better still come back to me wanting a new piece in a completely different style.

How do you differentiate your design process from competitors?

I’ve never actually compared the way I design to anyone else; I just do my own thing so I don’t know how I compare to other designers. Although I have so many books of my own drawings to help inspire clients for their own project.

Every client will have their own set of drawings that I do for them personally. I’ve never simply reused a drawing from a previous client project. Each client is unique to me and their inspiration, or reason for having a bespoke item of jewellery is equally unique.

Are there any artists past or present that inspire you?

Artists like Alphonse Mucha, René Lalique, Charles Rennie Mackintosh and Georg Jensen but I even take inspiration for some of my design work from architecture, sculpture or museum visits. Equally, my inspiration comes from each new jewellery journey I take with a client.

However, in 2008 I went to an Art Nouveau exhibition, and it was here that I discovered Mucha and Lalique -I not only saw their jewellery design but paintings, sculpture and even furniture. It was here I was blown away by Lalique’s ‘dragonfly-woman’ brooch, seeing this piece made me realise that art can actually be worn.

Most recently though, I was inspired to design a range of pieces after a chat with the great granddaughter of one of the most prized houses of fine jewellery, Fabergé!

What are your favourite stones to use in your designs?

Unfortunately for me I have so many favourites! For example, Sapphires come in such a plethora of colours, from palest yellow, to orange, pink, green and all the shades of blue - but I think purple is probably my favourite.

If you ask me about Garnet - it comes in the rich red-purple of the variety Rhodolite, I do love the Mandarin orange variety, however my absolute favourites, the green variety, Tsavorite.

Topaz, everyone tends to love the induced colour shades of blue, but for me although I admire its natural colours of yellow and pink, my favourite is the peach colour of Imperial Topaz.

Pearls, it’s probably the Tahitian variety, that was until I learned about the Cortez Pearl variety, but unfortunately due to their rarity I’ve never even seen one in real life.

Needless to say, coloured gems bring so much joy for me to work with and probably the rarer the colour variety of that particular gem species, that’s probably my favourite colour it comes in - which unfortunately invariably makes it a more valuable gem.

You recently launched your first full collection for Lumbers, Clover, talk us through it…

Nature was obviously the original inspiration for the collection, with its rarity and particular meaning of Luck, Love & Longevity. I wanted it to be a collection that would be suitable for all tastes, so whether you go for the largest of the three available sizes as a statement piece, or you buy the smallest one as a piece suitable for a child.

Top: The famous 283 carats tsavorite named ‘Lion of Merelani’ Below: The variety of colours in Imperial Topaz, from soft pink to vivid orange | Right: Natural Pink Keshi Pearl from the Sea of Cortex

The whole collection is completely bespoke to the individual client as to how they want it finishing, from choice of metal colour of Platinum, 18ct rose or yellow gold or combination of. Then there is the option of having, no stones, diamonds, choice of sapphire colour yellow, pink or blue, or green garnets, these can be done as the frame. And the centre piece can be done as the specially engraved South Sea mother of Pearl, the metal option also engraved on both sides or pavé set choice of before mentioned gemstones.

What inspires your creativity when making a new piece of jewellery for Lumbers?

Each unique gem brings me new inspiration (and sometimes new challenges). I like to use the stone to the best of her ability and show her off at her best.

Finally, do you have a most treasured piece of jewellery in your personal collection?

Each of the pieces I wear have their own special meaning to me, from the star sapphire in my engagement ring, to the Clover lapel pin I love as part of my first collection for Lumbers.

But the most impressive piece I suppose is my peacock feather brooch that I wear on occasion. The drawing for this piece took me around 18 hours alone, inspired by a personal friend after a trip to London. Originally the design was for them, but instead my partner asked permission to have it made as a surprise for me because I loved the design so very much and I’ve never spent so much time on a single drawing!

Tony loves to get creative with his designs. In particular he enjoys having stones and family jewellery to redesign. Not only does Tony create something visually beautiful but he also ensures the pieces are crafted to last. From chunky men’s bracelets with diamond encrusted plaques, through to dainty and feminine earrings, he can help with any style of jewellery you desire.

Take a look at our ‘Shine Bright’ feature which showcases a selection a Tony’s dramatic gemstone jewellery designs.

Below: Tony Dean’s feather design brooch

An utterly alluring showcase of Lumbers gemstone creations.

Bursting with life from the energy of the stone coupled with captivating design.

shine bright

18ct Gold 4 4.63ct Citrine & 1.82cts Diamond Double Halo Pendant £12,9950 | Platinum 11.85ct Cushion Cut Citrine & 0.57cts Diamond Halo & Shoulders Ring £5,300

18ct Gold 87.78cts Amethyst, 1.54cts Tsavorite & 0.91cts Diamond Double Halo Pendant £19,500 | 18ct Gold 38.82cts Amethyst & 0.88cts Diamond Drop Earrings £8,200

18ct Gold 4.86cts Pink/Purple Pear Sapphire & 0.85cts Diamond Halo Necklace £11,000 | 18ct Gold 5.11cts Pink/Purple Pear Sapphire & 1.21cts Diamond Halo Ring £14,300

18ct Gold 39.66cts Blue Topaz & 0.64cts Diamond Halo Drop Earrings £6,950 | Platinum 36.70ct Blue Topaz & 1.04cts Diamond Halo Split Shoulder Ring £9,500

Tick, tock, tick We want You, to feel like you can wear even the most refined treasures day or night, night and day. Our signature collection, your timeless style.

You, Lumbers. Be you, your way.

visit the real exhibition.

60 - 66 High Street, Leicester LE1 5YP | www.lumbers.co.uk | (+44) 01162 551233 | info@lumbers.co.uk Photography and design by Maddie Smith | (+4 4) 07479 684 437 Prices correct at time of printing | Products subject to availability | Products not to scale

“Jewellery has the power to be the one little thing that makes you unique.”

Elizabeth Taylor