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奥地利前言 奥地利单元 奥地利单元 Astriansection Preface Astrian Austrian Selection Astrian Section

奥地利前言 Astrian Preface

奥地利是这样一个国家:无论你在何处,中国无处不在 由卡瑞尔·杜德塞克和莎拉·林德纳甄选的九部奥地利影片 外来者并非敌人。如果双方都怀着诚实和善意,外来者可以与本地 人成为真正的朋友。 我们选出的九部奥地利影片并非迎合主流娱乐市场的消费品,而是 以个性化的视角,探讨了我们共同面对的世界性困境和担忧,展现出多 元的拍摄手法和美学理念。一些电影采用传统制作方式,由专业团队打 造;另一些则属于艺术电影,譬如《羊群之心》和《卡夫卡国一日游》, 摒弃常规叙事,由导演直接面对摄像机,更像行为艺术或实验影像。很 多影片使用强有力的视觉语言,表达潜藏在言语和图像之下的含义;另 一些则直接记录人们对于当下社会的愤怒和不满,像是在发问:日复一 日的工作和贫穷难道就是唯一出路?通过选择这些影片,我们希望展现 奥地利电影人对于未知问题的挖掘和捕捉,目的并非传播西方观念或民 主政治,而是鼓励具有全球化视野和关怀的电影创作。我们也并不拷问 每位导演的创作动机,让作品替人发声。 这个世界已经逐渐演变为全球化的市场,我们在此出生、工作、繁 衍、死亡。正如影片《跟我来》中所讲,人类的内心时刻充满欲望,于 是消费主义的生活方式占了上风,我们的生活像被逼入了一个巨型购物

羊群之心

商场,每个人都在这里选购森林、矿石、便宜的衬衫、大猩猩、水源、

Core of Flock 土地、石油和钢铁。人类的精神家园中只剩下一个不断买进卖出的世界 商场,人与人的关系建立在经济利益之上,谈话也只能带来无聊、沉闷, 2009/ 埃及 /62 分钟

钝滞─谁又在欺骗谁?奢侈品更加速了人性向机械化和享乐主义的堕落。 2009/Egypt/62 min 当生活退化为不断制造和支付帐单时,人们的共同兴趣点大概也只剩报 税技巧和少交停车费的伎俩了。 我们共享着同一星球的资源,却生活在迥然不同的时间节点上,有 着不同的历史,困境,发展速度和市场参与度,而陈旧过时的政治和宗 教版图依然势力强大。当区域性的经济、环境、民生问题愈发与整个世 界息息相关时,地方和国家权利机关却缺乏全球化的政治眼光,继续为 一己私利大打本应属于上世纪的经济战争,一个国家生长的毒瘤也就随 着全球化浪潮感染了世界。 所选奥地利电影打开了通向一个世界的众多窗口中的一些。电影《美 国内部》显示了天堂如何可以是残忍的和可以是一个天真的虚幻,以至 于使人们不再向往到那里去。人们和种族都混合在一起,人们远远地离 开他们出生的地方,在陌生的环境中,试图公开地用他们自己的文化来 生活,像电影《大海》中描述的那样。只有在经济困难和贪婪的冲击下, 不甘忍受才会爆发。 有时候变化之快超过任何计划所能预见的。 电影《亚美尼亚市场 》 资本主义破产了,接下来是什么” 讲的就是这些变化。道教之后是儒学。

内容简介

儒学与资本主义是不是比基督教与资本主义更匹配呢?伊斯兰教与社会 《羊群之心》是奥地利多媒体艺术家芭芭拉·胡萨尔创作中的艺术项 主义在一起又会如何呢?电影《我们每天的面》和《夜晚的世界》描述 目“数据交换过程”的一部分。在片中,女艺术家来到埃及西奈半岛, 了我们如何在城市中生存。我们需要吃,我们需要安全感,我们需要保 与游牧的贝都因人生活在一起,影片展现了双方复杂而不断变化的关系。 卫城市免遭入侵者和脱离社会的年轻无业者的威胁。 电影《步步高》讲的是城乡之间的紧张局势。工业国家的财富是建 立在农民的肩膀上和他们挖土的双手上的。是时候回报农民和改善他们 生活的了。 Synopsis繁荣不一定带来解放,民主和自由言论可以变成非常令人失望。 电影《工厂的一天》所示的是大量金钱是如何置身于法律的边缘, Core of Flock is the third film by Austrian multi-media artist Barbara 灰色地带。大型血汗工厂周游全世界寻找最廉价的劳动力以获取最大利 Husar of her ongoing project entitled DATA EXCHANGE PROCESS, 润 . 大多数时候劳动力中的妇女都被剥削, 因为她们得到的报酬虽然极少 , which delivers insight into the multifaceted and growing relations 但好过什么都没有。没有人能使所有人富裕和高兴。西方国家目前的生 between the artist and the Bedouin herds people of the Sinai 活标准是通过剥削世界上其他国家而建立起来的。我们在西方的人正生 Peninsula. 活在曾经过去被我们奴役过和剥削过的国家的包围中。现在别人声称他 们有权也这样做。所选的电影显示了这些,让你认识到这点些,使每个 人都能找到他自己的窗口去看去观察他们所能够理解的和想要了解的。 文 / 卡瑞尔·杜德塞克

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Austria Is Where AreYou and Are Austria You Is Where Are Wherever and Wherever You You Are There Can Be China 奥地利是这样一个国家:无论你在何处,中国无处不在 9 Austrian movies, a selection by Karel Dudesek and Sarah Lindner There Can Be China 由卡瑞尔·杜德塞克和莎拉·林德纳甄选的九部奥地利影片 The foreigner is not necessarily an enemy, the local and the foreigner 外来者并非敌人。如果双方都怀着诚实和善意,外来者可以与本地 9 Austrian movies +1,friends a selection Karel Dudecan become and it is by no necessity that the local’s or the 人成为真正的朋友。 foreigner’s intention is to cheat each other. sek and Sarah Linder 我们选出的九部奥地利影片并非迎合主流娱乐市场的消费品,而是 The Austrian movies we selected show a variety of methods and 以个性化的视角,探讨了我们共同面对的世界性困境和担忧,展现出多 aesthetics how to approach society. They are not mainstream, made The foreigner issold notasnecessarily enemy, the 元的拍摄手法和美学理念。一些电影采用传统制作方式,由专业团队打 to be products fitting an to the global entertainment market. They 造;另一些则属于艺术电影,譬如《羊群之心》和《卡夫卡国一日游》, the concerns we all have about the changes local and theaddress foreigner can become friends and of the world in a very individual way. 摒弃常规叙事,由导演直接面对摄像机,更像行为艺术或实验影像。很 it is no necessity that the local’s or the foreignThey span from professional movies which are classically produced up 多影片使用强有力的视觉语言,表达潜藏在言语和图像之下的含义;另 er’s intention is to cheat each to art house movies whichother. have neither beginning nor end. Some also 一些则直接记录人们对于当下社会的愤怒和不满,像是在发问:日复一 neglect the usual narration. Likeshow "Core ofathe Flock" or "Kafkanistan" are The Austrian movies we selected variety 日的工作和贫穷难道就是唯一出路?通过选择这些影片,我们希望展现 more artistic performative works where artists of methods and aesthetics how to approachthemselves taking part in 奥地利电影人对于未知问题的挖掘和捕捉,目的并非传播西方观念或民 front of the camera. Some movies speak with a strong visual language, 主政治,而是鼓励具有全球化视野和关怀的电影创作。我们也并不拷问 society. They are not mainstream, made to be showing the hidden, others show people in their irritation towards the 每位导演的创作动机,让作品替人发声。 sold as products fitting to the world today. Questions areglobal welcomeentertainwhere is the way out, only through 这个世界已经逐渐演变为全球化的市场,我们在此出生、工作、繁 hard work and little money? By selecting ment market. They address the concernsthese we movies, all we try to show 衍、死亡。正如影片《跟我来》中所讲,人类的内心时刻充满欲望,于 how some Austrian directors represent and capture the unknown. Our have about intention the changes of the world in a very 是消费主义的生活方式占了上风,我们的生活像被逼入了一个巨型购物 is not to promote the East or the West, or democracy, we individual way. promote the view on people living here and there. We do not question 商场,每个人都在这里选购森林、矿石、便宜的衬衫、大猩猩、水源、 the motives of each individual director; we let the images speak for 土地、石油和钢铁。人类的精神家园中只剩下一个不断买进卖出的世界 themselves. 商场,人与人的关系建立在经济利益之上,谈话也只能带来无聊、沉闷, They span from professional movies which are The world is a global place, market place, work place, living place, a 钝滞─谁又在欺骗谁?奢侈品更加速了人性向机械化和享乐主义的堕落。 classically produced arttohouse movies place to loveup andto to die, give birth to the new or to build something. 当生活退化为不断制造和支付帐单时,人们的共同兴趣点大概也只剩报 As partly inbeginning the movie "Follow me", people have desires; their lives which have neither nor end. Some 税技巧和少交停车费的伎俩了。 being increasingly forced into a global shopping mall, the consumerist also neglectway theofusual narration. Like “Core of 我们共享着同一星球的资源,却生活在迥然不同的时间节点上,有 life has become the super star shopping mall, shopping for 着不同的历史,困境,发展速度和市场参与度,而陈旧过时的政治和宗 the Flock” ortrees, “Kafkanistan” are moreforartistic rare earth metals, shopping the cheapest t-shirt, for orang 教版图依然势力强大。当区域性的经济、环境、民生问题愈发与整个世 utans, for water and fields, or oilthemselves and iron. People’s relationships are performative works where artists 界息息相关时,地方和国家权利机关却缺乏全球化的政治眼光,继续为 based on economical benefit, the shopping mall is a global mindset of taking part in front of the camera. Some movies selling and buying and nothing else. Economically motivated small talk 一己私利大打本应属于上世纪的经济战争,一个国家生长的毒瘤也就随 speak with a strong visual language, showing leads 着全球化浪潮感染了世界。 to boredom and dullness who cheats who? Luxury and design predators and people the caretakers of the电影 subtle the hidden, are others show in their irrita所选奥地利电影打开了通向一个世界的众多窗口中的一些。 《美corruption of men and mechanical and sportive. There is no deeper meaning inside 国内部》显示了天堂如何可以是残忍的和可以是一个天真的虚幻,以至 tion towardswomen, the world today. Questions are them besides getting the bills paid. Such a fabric of society exchanges 于使人们不再向往到那里去。人们和种族都混合在一起,人们远远地离 welcome – where is the interest way out, only through only the common in tax and parking tickets cheating. 开他们出生的地方,在陌生的环境中,试图公开地用他们自己的文化来 People live in the global By space sharing onethese planet, but all are living on hard work and little money? selecting 生活,像电影《大海》中描述的那样。只有在经济困难和贪婪的冲击下, different timelines, different histories, different confusions and their movies, we try to show how some Austrian 不甘忍受才会爆发。 evolution speed is not synced. Some can shop for more and some not. directors represent the unknown. 有时候变化之快超过任何计划所能预见的。 电影《亚美尼亚市场 》 Big politicaland and capture religious mappings have outlived their expiration 资本主义破产了,接下来是什么” dateisbut still讲的就是这些变化。道教之后是儒学。 remain in place, the maintaining for the better or worse, Our intention not to promote East and, or the 芭芭拉·胡萨尔 Barbara Husa defending their positions. As more and more global processes financial, 儒学与资本主义是不是比基督教与资本主义更匹配呢?伊斯兰教与社会 West, or democracy, we promote the view on 自由艺术家芭芭拉·胡萨尔 1975 年生于奥地利,毕业于维也纳应用艺术大学。 economical, health, environment become critical, the local governments 主义在一起又会如何呢?电影《我们每天的面》和《夜晚的世界》描述 livinghave here there. We globally. do notWeques她使people 用多种媒体创作,曾获奥地利国家艺术资助,她的绘画、装置和视频作 little and experience in acting are still acting like in postwar 了我们如何在城市中生存。我们需要吃,我们需要安全感,我们需要保 tion the motives of each individual director; we wars between times, where the battlefield was shifted to economic 品曾在世 界各地展出放映。 卫城市免遭入侵者和脱离社会的年轻无业者的威胁。 shift belongs to A past times and Barbara Husar was neighbours. bornspeak in 1975This in Feldkirch, Austria. graduate of has expired, not let the images for themselves. 电影《步步高》讲的是城乡之间的紧张局势。工业国家的财富是建 because it failed but because the global became really global, the virus the University of Applied Arts in Vienna and a freelance artist, Husar 立在农民的肩膀上和他们挖土的双手上的。是时候回报农民和改善他们 does not ask for a visa to cross national borders. has obtained the Austrian National Grant for Fine Arts and held 生活的了。 民主和自由言论可以变成非常令人失望。 The繁荣不一定带来解放, world isThe a global place, market place, Austrian movie selection opens severalwork windows out of many onto numerous solo and group exhibitions and screenings all over the 电影《工厂的一天》所示的是大量金钱是如何置身于法律的边缘, one world. The movie "Inside America" shows how paradise can be place, living place, a place to love and to die, to world. 灰色地带。大型血汗工厂周游全世界寻找最廉价的劳动力以获取最大利 brutal and a naive illusion, even to the extent that it does not become give birth todesirable the new or to build something. As 润 . 大多数时候劳动力中的妇女都被剥削, , to go for.因为她们得到的报酬虽然极少 People and races mix, and people live far away from 作品年表 In theFilmography movietheir “Follow me”, the other oftheir idylplace of birth, they try to adopt side and live own culture openly, in 但好过什么都没有。没有人能使所有人富裕和高兴。西方国家目前的生 Die Kunststromdruese, environment, in the moviedesires, "OceanMare". Only if economical 活标准是通过剥削世界上其他国家而建立起来的。我们在西方的人正生 lic family 2010 lifeanisalien shown; withlikepeople`s Core of Flock, 2009 hardship and greed impacts, intolerance strikes. 活在曾经过去被我们奴役过和剥削过的国家的包围中。现在别人声称他 their searching for change and emanzipation. Astralsculpture, 2008 Sometimes changes happen faster than any planning can foresee. 们有权也这样做。所选的电影显示了这些,让你认识到这点些,使每个 Jeepnomads, 2008 People haveThe desires; their lives increasmovie"Socialism failed,being capitalism bankrupt, what comes next" 人都能找到他自己的窗口去看去观察他们所能够理解的和想要了解的。 Evolution Der Schnallenmenschen, 2008 addresses these changes. Confucianism followed ingly forced into a global shopping mall, the the teachings of Tao. Data Exchange, 2007 Do Confucianism and capitalism fit better together than Christianity and Hathra, 2007 consumerist way of life has become the super 文 / 卡瑞尔·杜德塞克 capitalism? And what about Islam and socialism? The movies "Our Happy Synaps, 2004 daily Bread" and "Abendland" shows how we can survive in cities – we need to eat, we need to feel safe, we need to safeguard the cities from

奥地利前言

奥地利前言 奥地利单元 奥地利单元

Astrian Astrian Preface Preface

star – Isshopping mall, shopping for trees, rare intruders and anYou unemployed young generation that has out of Austria Where Are and Wherever You Are There Canfallen Be China earth metals, shopping for the cheapest t-shirt, the social frame work. 9 Austrian movies, a selection by Karel Dudesek and Sarah Lindner Theorang movie "Every 7 person a farmer", addresses between for utans, for iswater and fields,theortension oil and cities an ruralisareas. The wealthan of enemy, the industrial nations built on the The foreigner not necessarily the local and is the foreigner iron. People’s relationships are based on economifarmers’ shoulders, digging the earth. time or to pay can become friends on andtheir it ishands no necessity that the It’s local’s the cal benefit, thetheisshopping mall is a global back and improve farmers’ lives. Liberation does notmindset necessarily foreigner’s intention to cheat each other. goselling along withand prosperity, free speech can turnand out The Austrian movies wedemocratisation selected showand a variety of Economimethods of buying and nothing else. highly disappointing. aesthetics how to approach society. They are not mainstream, made cally motivated small talk leads to boredom and "Aproducts day in thefitting factory" shows how big money is market. installingThey itself toThe be movie sold as to the global entertainment dullness – who cheats who? Luxury and design are on borders, in grey zones of law; large scale sweatshops are touring address the concerns we all have about the changes of the world in a the world, looking for the cheapest labor maximise profits. Most of very individual way.out predators and the caretakers oftothe subtle corrupthe time women are exploitedmovies in the workforce theproduced little they get They span from professional which arebecause classically up tion of than men and women, mechanical and sportive. more nothing. No one can makebeginning everyone nor rich end. and happy. The toisart house movies which have neither Some also There is built no its deeper meaning them besides West has present living standard onFlock" the exploitation of the rest neglect the usual narration. Like "Core of inside the or "Kafkanistan" are of theartistic world. Webills in thepaid. West are livinga surrounded by society nations wepart used more performative works where artists themselves taking in getting the Such fabric of to enslave and exploit in past times. Now others claim the right to do front of the camera. Some movies speak with a strong visual language, exchanges only the common interest in tax and the same. selected movies show this in and make you aware of this, showing theThe hidden, others show people their irritation towards the parking tickets cheating. so that everyone can find his or her individual window to look world today. Questions are welcome where is the way out, only through and work see and whatBy heselecting or she can understand and to hard and observe little money? these movies, we trywants to show understand. how some Austrian directors represent and capture the unknown. Our People live in the global space sharing one planet, intention is not to promote the East or the West, or democracy, we but all are living on different timelines, different Bydo Karel promote the view on people living here and there. We not Dudesek question 内容简介 histories, different confusions – and the motives of each individual director; we let the their imagesevoluspeak for 影片是对傍晚欧洲不同地域以及人群生活的真实纪录。浮华躁动、享 themselves. tion speed is not synced. Some can shop for more 乐主义、繁荣、高度城市化,这一切都与城市的历史、传统以及文化息 The world is a global place, market place, work place, living place, a and some not. 息相连。 place to love and to die, to give birth to the new or to build something. As partly in the movie "Follow me", people have desires; their lives beingpolitical increasingly forced into a global shopping mall, the consumerist Big and religious mappings have out参展、获奖情况 way of life has become the super star shopping mall, shopping for lived their expiration date but still remain in 奥地利对角线电影节最佳纪录片艺术剪辑奖 trees, rare earth metals, shopping for the cheapest t-shirt, for orang place, foriron. thePeople’s better relationships or worse,are utans, formaintaining water and fields,and, or oil and based on economical benefit, the shopping mall isand a global mindset of defending their positions. As more more selling and buying and nothing else. Economically motivated small talk global processes – financial, economical, health, leads to boredom and dullness who cheats who? Luxury and design Synopsis environment become the local governare predators and – the caretakerscritical, of the subtle corruption of men and Somemechanical things can be seen There moreisclearly at night: Nikolaus women, andexperience sportive. deeper meaning inside ments have little in no acting globally. We Geyrhalter’s newthe feature filmSuch undertakes long, exchanges associative them besides getting bills paid. a fabric ofasociety

are still acting like in postwar times, where the journey, surveying Europe by parking night intickets termscheating. of its many different only the common interest in tax and battlefield was shifted toservice economic between facets. society of and prosperity, People livePulsating in the global space sharing one providers planet,wars but all are living on different timelines, different different confusions their bulwark of security and histories, exclusion, urban civilization, hedonistic neighbours. This shift belongs to past timesand and evolution speed is notdelights, Some shop for moredown and some not. temple of earthly inspired and weighed at the same has expired, notsynced. because itcanfailed but because the Big political and religious mappings have outlived their expiration time by its history, traditions and highly developed culture. global global, the not date but became still remain inreally place, maintaining and,virus for the does better or worse, defending positions. As more and moreborders. global processes financial, ask for atheir visa to cross national economical, health, environment become critical, the local governments Awards and Festival Selections have little experience in acting globally. We are still acting like in postwar Diagonale Festival of Austrian Film Best Artistic Editing of a The movie selection opens several times,Austrian where the battlefield was shifted to economic wars between Documentary Film neighbours. out This of shiftmany belongs to past times and has expired, not windows onto one world. The movie because itAmerica” failed but because the global reallycan global, “Inside shows howbecame paradise bethe virus does not ask for a visa to cross national borders. brutal andmovie a naive illusion, evenwindows to theout extent The Austrian selection opens several of manythat onto itone does not desirable to gohow for.paradise People world. Thebecome movie "Inside America" shows can be brutalraces and a naive even to thelive extent it doesfrom not become and mix,illusion, and people farthat away their desirable to go for. People and races mix, and people live far away from place of birth, they try to adopt and live their own their place of birth, they try to adopt and live their own culture openly, in culture openly, in alien in the an alien environment, likean in the movieenvironment, "OceanMare". Only like if economical hardship “OceanMare”. and greed impacts, intolerance movie Only ifstrikes. economical hardship Sometimes changes happen faster than any planning can foresee. and greed impacts, intolerance strikes. The movie"Socialism failed, capitalism bankrupt, what comes next" addresses these changes. Confucianism followed the teachings of Tao. Do Confucianism and capitalism fit better together than Christianity and capitalism? And what about Islam and socialism? The movies "Our daily Bread" and "Abendland" shows how we can survive in cities – we need to eat, we need to feel safe, we need to safeguard the cities from

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Astrian Preface Astrian Preface Astrian Section Austrian Selection Astrian Section

Sometimes changes happen faster than any

intruders and an unemployed young generation that has fallen out of theplanning social frame can work. foresee. The movie”Socialism The movie "Every 7 person isbankrupt, a farmer", addresses tension between Abendland failed, capitalism whatthe comes next” cities an rural areas. The wealth of the industrial nations is built on the addresses these changes. Confucianism fol纪录 / 奥地利 /2011/90 分钟 farmers’ shoulders, on their hands digging the earth. It’s time to pay Documentary/Austria/2011/90min lowed the teachings Tao. Do Confucianism back and improve the farmers’ of lives. Liberation does not necessarily goand alongcapitalism with prosperity, fit democratisation and free speech turn out better together thancan Christihighly disappointing. anity and capitalism? And what about Islam The movie "A day in the factory" shows how big money is installing itself socialism? The movies “Our daily Bread” onand borders, in grey zones of law; large scale sweatshops are touring theand world,“Abendland” looking out for the cheapest labor to maximise Mostin of shows how we can profits. survive the time women are exploited in the workforce because the little they get cities – we need to eat, we need to feel safe, is more than nothing. No one can make everyone rich and happy. The wehas need topresent safeguard the cities from intrudWest built its living standard on the exploitation of the rest of the world. We in the West are living surrounded by nations we used ers and an unemployed young generation to enslave and exploit in past times. Now others claim the right to do that has fallen out of the social frame work. the same. The selected movies show this and make you aware of this, so that everyone can find his or her individual window to look through and see movie and observe what he or she can and adwants to The “Every 7 person isunderstand a farmer”, understand.

夜晚的世界

dresses the tension between cities an rural areas. The wealth of the industrial By nations is Karel Dudesek built on the farmers’ shoulders, on their hands digging the earth. It’s time to pay back and improve the farmers’ lives. Liberation does not necessarily go along with prosperity, democratisation and free speech can turn out highly disappointing.

The movie “A day in the factory” shows how big money is installing itself on borders, in grey zones of law; large scale sweatshops are touring the world, looking out for the cheapest labor to maximise profits. Most of the time women are exploited in the work尼可拉斯·盖哈特 Nikolaus Geyrhalter force because the little they get is more than 导演、 制片人、 摄影师, 1972年生于奥地利维也纳。 22岁时创办了自己的制作公司。 nothing. No one can make everyone rich and Johannes Hammel was born in 1963 in Basel. He completed happy. The West has built its present living studies in camera work at the Vienna Film Academy. Since 1986, standard on the exploitation of the rest the he has lived and worked in Vienna as a freelanceof filmmaker, world. Weand in the WestAfter areseveral livingshort surrounded cameraman, producer. films, Folge mir is byfeature nations we used to enslave and exploit his film debut. in past times. Now others claim the right to 作品年表 do the same. The selected movies show this Filmography 夜晚的世界 Abendland, 2011 and make you aware of this, so that everyone 阿伦特施泰 Allentsteig, 2010 can公里 find his2008 or her individual window to look 7915 7915km, 我们每日的面包 Our Daily Bread, 2005observe what he or she through and see and 在别处 Elsewhere, 2001 can understand and wants to understand. 普里皮亚特 Pripyat, 1999 代顿协定之后 The Year After Dayton, 1997 搁浅 Washed Ashore, 1995

text by Karel Dudesek

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Profile for Lukas Birk

BNYFF & ASAP Film Program  

BNYFF & ASAP Film Program from 09.09.2011-18.09.2011

BNYFF & ASAP Film Program  

BNYFF & ASAP Film Program from 09.09.2011-18.09.2011

Profile for lukas82
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