INDEX budget (continued) matters, 136–37; and personnel, 132, 137–38, 243; and writing the proposal, 34, 39 Burke, James, 72–73, 90–91, 222–23, 241, 246–50 Burns, Ken, 11, 213, 297, 302–3 Burns, Ric, 11, 204, 301, 344 Butch Cassidy and the Sundance Kid (Goldman), 116 buyout arrangement, 133–34 cable television, 343, 347 camera angles, 164, 179–80, 193–94 cameraperson, 15, 18, 145, 169; and director, 147, 149–50, 170–74 carnet de passage, 158 Cathy Come Home (Sandford), 278– 79, 283–85 Cawston, Richard, 66 CBS, 43–44, 71, 365–66 celebrities, 48–49, 223 Certain Knowledge, A (Rosenthal), 99 Chair, The, 63–64, 90, 116 challenges, 370–71 Channel 4, 343, 346, 350 Chapman, Paul, 296 characters, 26, 60–61, 77, 87, 203, 281–83 cinema verite, 88, 149, 220, 265–75, 344; and clarity, 267–68; editing, 267, 270–71; ¤lming, 133, 269–70; ground rules for, 271–73; in®uence of, 2, 13, 14, 364, 370; preparation for, 190–91; shooting dif¤culties with, 267–70; and style, 69–70; and verite soap opera, 274–75 Citron, Michelle, 313–14 City of Gold (Low, Koenig, and Kroitor), 66, 204–5, 226, 243–46 City of Heartbreak (Rosenblum), 353–55 Civil War series (Burns), 213, 297, 302–3 clarity, 85, 165–66, 267–68 Cleese, John, 336
384
climax, 85, 114–17, 210 coding, 201, 216 Cohen, Maxie, 315 Cohen, Peter, 300 Columbus and the Age of Discovery series, 297 combined reversal internegative (CRI), 140 commentary, 61, 78–79; examples of, 79–81, 92–93; and history documentary, 303–4; from participants, 108–10; on script, 82–84, 99. See also narration commercial networks, 70–71 commissioning engine, 349 con®ict scenario, 26, 64, 89–90, 116, 203 Connection, The, 364 Connections series (Burke), 72–73, 90– 91, 222–23, 246–50 context, 25–26 continuity, 164 contract, 129, 139–43; and de¤nition of length and purpose of ¤lm, 139– 40; and ¤lm cost and payment schedule, 140–42 cooperatives, 136 copyright fees, 202 core assertion, 102–4 corporate image ¤lms, 331, 332, 337–38 Corporation for Public Broadcasting (CPB), 351 Cosmos series, 70 costs, 28–29, 137, 140–42, 267 Council of Foundations, 352 Cousins, Mark, 12 credits, 259–60 crew: and budget, 130, 132–34; and fees, 132; function of, 147–51; human dynamics of, 147, 195–96; selection of, 146–50; temperament of, 140–51 Crisis: Behind a Presidential Commitment (Pennebaker), 269–70, 273 Crisis on Wheels (Hood), 74–77