Cool Britannia

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Sims Reed Galler y 43A Duke Street St James’s London SW1Y 6DD T +44 (0)207 930 5566 E galler y@simsreed.com W www.galler y.simsreed.com 3


Howard Hodgkin Cigarette Sugar lift-ground etching and aquatint with carborundum in colours, with hand-colouring in acr ylic, 2000-02. Signed in pencil and numbered from the edition of 55. Printed on Two Rivers Cotton paper by Jack Shirreff, 107 workshop, Wiltshire. Published by Alan Cristea Galler y, London (Heenk 110) 29 x 33.5 cm 4


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David Hockney Views of Hotel Well III Lithograph printed in colours, 1985. Signed in pencil, a trial proof before the edition of 80. With the sculptural framed designed by the ar tist. Printed on TGL handmade paper by Roger Campbell and Lee Funderburg. Published by Tyler Graphics Ltd, California. (Tokyo 274) 117 x 89 cm 6


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Harland Miller I’ll Never Forget What I Can’t Remember Screenprint, 2015. Signed & numbered from the edition of 50. 109.3 x 148.5 cm 8


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Peter Doig Big Sur Etching and aquatint printed in colours, 2000 – 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by Paragon Press, London. 114 x 160.5 cm 10


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Allen Jones Untitled (From album) Lithograph with collotype printed in colours, 1971. Signed in pencil and numbered from the edition of 75. Printed on BFK Rives paper by E. Matthieu, Zurich. Published by Marlborough Graphics, London. (Lloyd 60g) 64 x 48 cm 12


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David Hockney Celia in Armchair Lithograph, 1980 Signed in pencil and numbered from the edition of 74. Printed on Arches Cover paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. with their blindstamp. (Tokyo 239) 101.6 x 121.9 cm 14


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Gerald Laing Brigitte Bardot Screenprint in colours, 1968. Signed in pencil. Titled and dated in pencil. Numbered from the edition of 200. Printed on smooth white paper by the ar tist. Published by the ar tist with his blind stamp. (Ingram & Halliwell 22) 89 x 58.8 cm 16


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Bridget Riley Standing Up, Turning Round, Lying Down Screenprint in colours, 2015. Signed in pencil and numbered from the edition of 75. Printed by Ar tizan Editions, Gloucester. Published by Karsten Schuber t, London. 95 x 74.9 cm 18


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Gerald Laing AAD Screenprint in colours, 1968. Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150. Printed on smooth white paper by the ar tist. Published by the ar tist with his blind stamp. (Ingram & Halliwell 18) 58.5 x 89 cm 20


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Richard Hamilton Swingeing London 67 Etching and aquatint with embossing, 1968. Signed in pencil and numbered from the edition of 70. Printed on mould-made paper by Grafica Uno, Milan. Published by Petersburg Press, London. (Lullin 70) 57 x 73 cm 22


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Allen Jones Fast Car Lithograph printed in colours, 1962. Signed in pencil and numbered from the edition of 30. Printed and published by the ar tist at the Croydon College of Ar t, London. (Lloyd 16) 58.2 x 79 cm 24


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Gerald Laing Deceleration II Screenprint in colours, 1968. Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150. Printed on smooth white paper by the ar tist. Published by the ar tist with his blind stamp. (Ingram & Halliwell 21) 89 x 58.5 cm 26


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Peter Doig Boathouse Etching and aquatint printed in colours, 2004. Signed and dated in pencil, numbered from the edition of 119. Printed on on Zerkall paper. Published by Griffelkunst-Vereinigung, Hamburg. 53.5 x 38 cm 28


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Peter Doig Almost Grown Etching and aquatint printed in colours, 2001. Signed in pencil dated and inscribed C/P. A rare colour proof aside from the edition of 28, a colour variant existing in a handful of impressions. Printed on wove paper. 81.5 x 94 cm 30


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Peter Doig Pelican Etching and aquatint printed in colours, 2004. Signed and dated in pencil. From the edition of 119. Printed on on Zerkall paper. Published by Griffelkunst-Vereinigung, Hamburg. 53.5 x 38 cm 32


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Howard Hodgkin Interior Figure Lithograph printed in colours, 1966. Signed in pencil and numbered from the edition of 75. Printed on BFK Rives paper by Emil Matthieu, Switzerland. Published by Editions Alecto, London. (Heenk 5) 50 x 65 cm 34


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Bridget Riley Arcadia 4 Screenprint in colours, 2013. Signed in pencil and numbered from the edition of 75. Printed by Ar tizan Editions, Hove. Published by the ar tist. 64.4 x 89 cm 36


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David Hockney Two vases in the Louvre Etching, softground etching and aquatint, 1974. Signed and dated in pencil, one of 18 ar tist’s proofs aside from the edition of 75. Printed on Inveresk mould-made paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 154; SAC 168) 99.5 x 92 cm 38


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Gerald Laing The Kiss Screenprint in colours, 2007. Signed in pencil and numbered from the edition of 90. Printed by Ar tizan Editions, Hove. Published by the ar tist. 94.3 x 110.6 40


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Bridget Riley Bagatelle 3 Screenprint, 2015. Signed in pencil & numbered from the edition of 75. Printed by Ar tizan Editions, Hove. Published by Karsten Schuber t, London. 67 x 58.5 cm 42


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