LUCAS SALIM
portfรณlio
Architecture and Urbanism Universidade Federal Fluminense - UFF
Lucas Salim de Medeiros Brazilian, 23, single email: lucs.salim@gmail.com tel: +55 21 98442-6654 +55 21 2201-4998
FAME FAME FAME WARHOL
SUPERSTAR “in the future everyone will be famous for fifteen minutes” Andy Warhol
THE FUTURE IS
NOW
+ Scenographic Design
Professor: Maurício Campbell 2013.02 Andy Warhol , to show his interest in mass production, trade and money , named his studio ' factory’ . Making mention of it, the design part of need for a manufacturing environment as an exhibition place and then comes the opportunity of appropriating Gasômetro of São Cristóvão in Rio de Janeiro, Brazil. Thinking about the curatorship, the project integrates different phases of Andy Warhol and make it emerges something new, which somehow evokes for this figure of the artist as someone still alive . Its structure is formed by the junction of the famous Silver Clouds installation , first shown in New York in 1966 , and his sentence of greater renown : "In the future everyone will be famous for fifteen minutes " The venue , the remaining structure of the Gasometer of São Cristóvão, elevates the exposed object to a gigantic scale, making the concept of seeking the “fame” closer still to be achieved. The installation aims to elevate and enhance the visitors to an experience of worship itself. This happens during an immersion experience of the viewer in a sea of silver clouds , exposing the visitor in his greatest moment of pleasure . The immersion happens from the ground where the floor printed with starry pink clouds , convey the dreamlike tone of the site. From the ground comes a helical ramp and directs the viewer to enter into this heavenly cloud. This forms the great mass of silver balloons that, as a rereading of the "clouds", appears star-shaped . This, as an element of interaction, aims for setting up an environment that , as a mass, is able to create and occupy the open space of the gasometer’s structure . Reaching upon the top , the viewer is directed to the circumference where you can get to the apex of the experience in which we see him fully immersed in the installation. In the center you will find a belt conveyors, which will represent the long-awaited fifteen minutes of fame. Symbolizing somehow a process of Fordist’s "production" of fame , the belt conveyors , in your path is flanked by a sequence of cameras that transmits live, by a 360 ° screen , the immersive experience that , in view of the scale of the gasometer , is not limited to exhibition visitors , but to all passers of the region of São Cristóvão and also the high line that passes by the place. This set of elements is proposed to settle there a festive installation, a space of enjoyment , which takes its concept to work with the unpredictability and the interaction of the public. In this project the scenography leads the scene , guided by the ideas of chance and spontaneity , in varying contexts .
INVENÇÃO - Located right at the access to the event, the historical buildings will host courses, lectures and discussions about the work of Andy Warhol and the concept of Glitch ART. Inspired by the artist couple Christo and Jeanne-Claude, these buildings will be covered by a woven metallic character mentioning the walls of Andy Warhol's Factory covered with sheets of tin. The Factory leaks from
CONSUMPTION MANUFACTURING
INVENTION
COSUMPTION - The remaining structure of the old Gasometer São Cristóvão hosts the installation Andy Warhol SUPERSTAR. From it, this "product" will be exposed to everyone around
+ Scenographic
Design
Professor: Maurício Campbell 2013.02
MANUFACTURING - Experimentation site of the event, which will be present numerous installations and interactive works of innovative character seeking an insight of the viewer. This area will host the object of study of this work.
FAME FACTORY
This furniture, parts from a deconstruction of an industrial iconography. In this case of large chimneys. These chimneys suffers a glicht. Bright inflatable elements that make up the ambience through the smoke and inserts the viewer into a "closed" and introspective environment. Where you can’t see the others, there is only you and the music.
Located in the "MANUFACTURING" section of the event, this stage will host the Glitch Music’s dance floor. Based in the industrial structure of a SHED, this stage is crowned with paines LED which will play a whole range of images referencing the Glitch culture. The concept parts from the idea of a Fame Factory that in a process of large-scale production, takes the object (user, victim) to error (glitch). Hybrid chimneys produces smoke and fog that can only see a light floating structure, which leads all to dance, surrounded by this sound effect, light and shadow. This environment, even as a dance floor, is another experience of the event, with a proposal of insight and immersion, that aligns it-self in the"process" which is the manufacturing of fame, being not only a resting place of the whole, but rather a complement.
+ Social Housing
Design
Professor: GerĂ´nimo LeitĂŁo 2013.02 Group: Lucas Salim Carolina do Vale Patricia Ferreira
The site is located at Rua Frei Caneca, Cidade Nova neighborhood, in the city of Rio de Janeiro. This site used to be abandoned prison.
FREI CANECA
HOUSING COMPLEX Scheme of the possibilities of additions and modifications
1 Bedroom 2 Bedroom Additions
Longitudinal Section
apartament adapted for people w. special needs.
Transversal Section
Standart floors
Commerce
Facade
Ground Floor
Elevator Proposal - responsable for conecting the formal city with the informal
CINE
+ Architecture
Conquest
Orientation: Vinicius M. Netto 2013.01 Group: Lucas Salim Adriano Cruz Diogo Ubaldo Natália Santos Bruno Tavares Mention Renato Remiro Murilo Ferrari
ICARAÍ Honorable
Serviço / Apoio Administração Exposição Cinema / Sala de Música Circulação Vertical Circulação Horizontal Estar / Contemplação
The past, seen as historical present, is still alive, is a gift that helps avoid the traps ... Front historical present, our task is to forge another present, "real", and from that a deep knowledge from a specialist is not necessary , but an ability to understand the past historically, to distinguish what will serve to new situations that present themselves today. [...] In practice, there is no past, there is the historical present. "- (Bo Bardi, Lina 1992 p 61-62.).
HOSTEL
+ Executive Design Professor: Laura Elza 2013.01 Group: Lucas Salim Jessica Ojana Caroline do Vale
Faรงade Study
Cover Plant
Third Floor
Longitudinal Section
Second Floor
Ground Floor
CHEMIN TROPICAL
+ Workshop
EAU UFF - Paris Val de Seine 2013.01
Group: Lucas Salim Hamza Zerhouni Sara Benhamoun Jessica Ojana Laissa Rodrigues
RETHINKING SÃO CRISTÓVÃO
+ Urban Design Professor: Fernanda Sanchez 2012.02 Group: Lucas Salim Natália Santos
restoring the simetry
JOEL’S DEPOSIT
+ Restoration
Design
Professor: Ana Carmen Jara Casco 2012.02 Group: Lucas Salim Adriano Cruz Diogo Ubaldo Natália Santos Bruno Tavares