Criterion Volume 39—Loyola Marymount University's Literary Journal

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Toxic Maternity in Gillian Flynn’s Sharp Objects A B I G A I L DAV I S

Most sows are repeatedly inseminated,

pressure to have kids and are simultaneously

brood after brood, till their bodies give

inundated with constant ridicule and judgment

way and they go to slaughter. But while

on what it means to be a “good” mother

they’re still useful, they’re made to nurse—

(Badinter 123). In a culture obsessed with

strapped to their sides in a farrowing crate,

motherhood, contemporary American fiction

legs apart, nipples exposed. Pigs are

has presented the trope of toxic maternity.

extremely smart, sociable creatures and

Toxic mothers are mothers who kill their

this forced assembly-line intimacy makes

children; raise children who kill themselves; or

the nursing sows want to die. Which, as

worse, raise children who kill others—mothers

soon as they dry up, they do.

like Casey Anthony, Augusta Gein, and Medea

—GILLIAN FLYNN, SHARP OBJECTS

(Seidel 3, Doyle 186, Rozmarin 321). The trope makes me wonder: are all women suited for

THE PERVERSE IMAGE of forced maternity

the mom-job? Flynn’s answer is no; she creates

acts as the backdrop for Gillian Flynn’s Sharp

a town plagued with death and the mother is

Objects, a story that puts the ideology of

responsible. Critics claim Flynn undermines

motherhood into question. The twenty-first

her sex with a negative depiction of women.

century has presented a lot of ambivalence

I’d like to offer an opposing viewpoint: Flynn

towards the topic of motherhood in America.

potentiates the toxic maternity trope to force

Women have more ability to choose than ever

readers to re-examine a collective bias about

before but continue to be bombarded with the

women’s societal roles and suggests that a

A B I G A I L DAV I S is a M.A. candidate in the English graduate program at Loyola Marymount University. Her scholarship explores the ideology of motherhood as represented in contemporary American fiction. This essay was written for Dr. Dermot Ryan’s Critical Methodology class. Abigail lives in Los Angeles with her husband and a lot

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of books. When she isn’t reading literature, she’s attempting to write it. Right now, she’s working on a lyrical novel that explores similar topics of motherhood and cyclical trauma.

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