Live Magazine Vol2 Issue 8 by Livity Ltd

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autumn 2012 VOL 2 ISSUE 8 #VOICEOFYOUTH

powerful. positive. nonconformist

KATE tempest leads generation next

Gay and muslim

KENDRICK LEMAR

SHISHA: UP IN SMOKE

ROLLERCOASTERS

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CAMPAIGN FINANCED WITH AID FROM THE EUROPEAN UNION AND THE DAIRY COUNCIL.

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ENTERTAINMENT

Ed’s Letter The Crew / Key Playaz BIG ASK + SOMEWHERETO_ Live Loves & Loathes DUMMIES GUIDE TO ONLINE PRIVACY FOR AND AGAINST RAISING SCHOOL-LEAVING AGE WE LOVE… AUTUMN ASSORTMENTS GADGETS INSIDE JOB: JOHN WARDLe WORLD IN FOCUS: PAKISTAN COOKING WITH JOSH OSHO LIVE CHALLENGE: LEARNING HOUSE DANCE ourtube

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SOUND ADVICE FULLY BOOKED FRONT ROW GAMES CULTURE CLUB

Features

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FOOTBALL TRIBES four tet KENDRICK LAMAR THE SMOKY SUBJECT OF SHISHA IT’S A TOFF OLD GAME: RUGBY AND CLASS end of the rainbow: ISLAM AND HOMOSEXUALITY A DIFFERENT CLASS: EDUCATION CRISS CROSS NEXT GENERATION: inside gen NEXT GENERATION: KATE TEMPEST NEXT GENERATION: RISING STARS FASHION: MEMBERS ONLY WOOD HARRIS

Illustration by the ridiculously talented Antony Tudisco (antonitudisco.com)

Cover shot was taken by the young legend Henry Houdini.

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Ed’s Letter Decisions. Love them or hate them, every day we have to make choices and face the consequences. The beautiful thing about life is it doesn’t stop when you’ve made the wrong move – you can carry on striving to be better at what you do. But what do you do when you’ve got to live with the consequences of other people’s decisions? There have been a lot of choices made, not by us, but by other forces in society that have dictated the way we as young people live. But some have decided to take the future into their own hands. We’re calling these guys Generation Next – the building blocks to our future. Against a backdrop of near-constant gloom, where we’ve been told our generation is a doomed one, the majority of young people are refusing to be defined by the images of last year’s riots. To watch LIVE Magazine’s documentary on the riots one year on, make sure you head to our website. As our cover says, we’re powerful, positive nonconformists shaping our own destinies. Leading the Next Generation pack on page 41 is young playwright and poet Kate Tempest. Each one of our Next Gen stars has created something out of nothing, just pure determination and ambition. Looks like we’re not such a lazy bunch after all, eh? There’s been a lot of talk about the way we are educated as well, especially in secondary schools where most of your views on life are formed. Increasingly there’s the sense that the one-size-fits-all model doesn’t work and we need a system that’s more flexible and responsive to individuals. This is something we’re very passionate about here at LIVE, so we’ve decided to dissect the current education system – the good, the bad and the ugly. For our solution to the problems turn to page 37.

Background image by Jesse Olu

And if that hasn’t blown your mind, we’ve delved into Middle Eastern culture to discover a favourite pastime – shisha smoking. It’s been growing in popularity, but it’s not without its side effects. No doubt clean-living rapper Kendrick Lamar is against it – ﬁnd out what makes him tick on page 22.

Before I leave you to unearth what it means to be Muslim and gay and the rise in working-class rugby, I can’t sign off without saying how much you, our readers, have determined the content of this magazine. The way you live and things you do shapes the stories we create. And we want to get to know you more, so tell us who you are and be in with a chance of winning £100 worth of Nando’s vouchers on page 65. We may not be giving away black cards – we wish! – but this is our way of making sure you’re fully involved in the LIVE family. I hope our Generation Next issue inspires you to be courageous, think big and follow your dreams.

@CelesteLiveMag

Copyright Livity. Nothing in this magazine may be reproduced in part or in full without prior written permission from the publisher. Live Magazine endeavours to ensure that all information enclosed is correct and true. All efforts are made to ensure non-copyright images are used and photoghraphers are credited. Prices and details are subject to change. The views expressed in the magazine are those of the writers and not necessarily the publisher or editorial staff.

Live Magazine, Unit 11, Piano House, 9 Brighton Terrace, Brixton, London, SW9 8DJ Tel: 0207 326 5979

The Crew

LIVEMAGUK Editor Celeste Houlker, 21

Deputy Features Editor Eli Anguelova, 16

GadgeTS EDITOR Alex Shickell, 16

Online Editor Monique Todd, 20

Fashion Editor Fiona Aber-Taurnona, 19

Film Editor Jacob Stolworthy, 21

Art Director Andre ZoOm, 20

Music Editors Leanne Joseph, 17 Robbie Wojciechowski, 18 Emma Hitchens, 22

books editor Aida Gugsa, 17

Senior Designer Louis Harris, 22 Deputy Editor Iram Sarwar, 21 Deputy online Editor Keisha-Monique Joseph, 21 Kamara Bennett, 20 EdiTORIAL aSISSTANT Shineze Henry, 16

politics editor Omar Shahid, 20

YouTube editors Eve-Yasmine Saoud-Easton, 18 Moses Ssebandeke, 21

SportS editor Christian Adofo, 23

cover photography Henry Houdini, 24

culture editor Verity Nelson, 23

Designers Vanessa Felix, 21 David Amoah, 20 Rodney Gold, 16 Henry Houdini, 24 Alex Golin, 18

Games editor Jamal Wright, 22

Senior Mentors Emma Warren Steve Yates Ali Rafi Production Manager Kay Daylami Advertising and Business Development Andrea Gamson Live Mentors Jason Page Naomi Brown Callum McGeoch Caspar Llewellyn-Smith Ruth Saxelby Patrick Kingsley Mark Calderbank Zoe Roberts Aisha Siddiq Gemma Freeman

Features Editor Zindzi Rocque-Drayton, 22 Contributors Shona Phillips, 15; Yara Shaikh, 17; Laura Gineitaite, 19; Darcy Thomas, 24; Caroline Borowski, 20; Jerry Virassamy 16; Teju Adeleye, 22; Chloe Douglas, 18; Amber

Deroché, 15; Jennifer Olayinka, 19; Hari Mountford, 19; Dermot Neligan, 16; Suriyah Akther, 16; Ned Powley, 16; Amar Sejpal 22; Monwar Hussain 17; Ade Onibada, 20; Joe Dolling, 16; Margaret Zawedde, 15; Shanice Tobere; Jacob Roberts-Mensah, 18; Michelle Tiwo, 21; Ryan Woods, 18; Kundai Sakala, 19; Ciara Franck, 18; Reemma Muthal Puredath 15; Dan Wilkinson, 20; Natasha Dujon, 22; Jack Brennan, 14; Helene Kleih, 17; Dolly Ogunrinde, 18; Shay Hanchard 17; Emmanuel Osakwe, 14; Andrew Barrett, 14; Gavin Kelly, 16; Campbell Kenny 22; Snehal Shah 18; Hannah McKellar-Ricketts, 19; Jade Evariste, 15; Stephen Isaac-Wilson, 22; Aisha Desai, 20; Alice Carder, 22; Ayshia Armani, 20; Omari Okwulu, 20; Miles Harris, 20; Lilly Reuel, 15; Reanna Teape 15; Kerrie Braithwaite, 20; Kamilla Baiden 21; Samara Straker, 21; Meera Sharma, 24; Levi Ibrahim, 20; Callum Torbett, 21; Roshni Hirani 21; Naomi Wharton, 20; Ade Onibada 20; Leah Omonya, 16; Patience Takyuka, 18; Georgia Agrippa, 15; Kiane Ashman-Swaby, 15; Natalia Nazimek, 21; Jesse Olu, 23; Petra Valenti, 23; Josh Correia, 15; Risikat Bello; Shereen Brown, 21; Rachel Odunuga; Saskie Logan; Dakota; Suzanne Haynes; Sabrina; Jonathan Lawson; Quincy

thanks to The Guardian, Kath Viner, Alan Rusbridger, somewhereto_, Fiona McKellar, Charlene White, Lindsey Rusbridger, Blue Rubicon, Rahul Verma, Youth Media Agency, Ben Ferguson, Electric Social, Bussy Building, Deborah Orr, Hospital Club, Amjad Khan, Anjum, Abdul Azeem, Vivi Conniff Allende

Key Playaz

henry Houdini

Having found out about LIVE through a friend, Henry, 24, has hit the ground running, shooting the cover for this issue and joining the design team. A recent graphic design graduate. He set up his own creative agency www.phdldn.com with friends. He loves seeing his ideas develop into published print so have a peep at some of his handiwork on page 40.

kamara bennett verity nelson Kamara is a recent addition to LIVE, but the Deputy Online Editor has big plans and is putting her creative passion for all things web to good use. When not tapping away at LIVE she studies for her English and Computer Science degree at Birmingham and runs social enterprise Sew Your Own Clothing, which was recognised by the vInspired Awards.

Verity has flourished in her new position as Culture Editor. She has been interested in journalism for almost a decade and aims to work for The Guardian. She isn’t just interested in cultural events, being an avid football fan who supports Arsenal and would love to interview Dennis Bergkamp. She is a formidable addition to the team so watch out for her interesting, incisive articles.

kamilla baiden jacob stolworthy

Kamilla, 21, has been at LIVE team for seven months, contributing everything from writing to filming. Having written for The Guardian and made it into the final 10 of Kiss FM’s The Chosen One competition, the new graduate (this girl has a FIRST!) has an array of talents. You’ll find her on our YouTube show Two Way Fashion, and be sure to read her interview with Sebastian Thiel on page 45.

Our new Film editor has already given us the lowdown on some of the biggest blockbusters. Jacob, 21, describes himself as a Batman boy but cites Inception’s zero gravity fight scene as a favourite movie moment. Currently interning at the BFI, Jacob is a selfconfessed fanatic who’s excited to be sharing his knowledge. See his James Bond review and Wood Harris feature.

REGULARS

Ask

big

Aran 25

In this day and age getting a job can be extremely hard, so interviews are more important than ever. We asked readers about the times they wished they’d had a second chance to make a first impression

Ruby 21

I was being interviewed for uni and I was totally unprepared. I didn’t research the uni or my course; I just turned up with my piercings and didn’t hide my tattoos. I didn’t get the place, which is good as I ended up doing photography. One door shuts and another door opens. That was the worst interview I’ve had.

I was doing an audition. They wanted to try a few people and put them together in a band or vocal group. I had a really heavy night the night before and I hadn’t warmed up. Honestly, screaming cats wouldn’t have liked what came out of my mouth, it was diabolical. So I had to go out and recompose myself for about six hours.

I’m Mr Darcy, comedian and founder of www.theinnercityarts.org.uk and now LIVE’s official comedy writer In this issue, I’m going to break down what to do and what not to do in a job interview as I have witnessed some terrible things. Here are my top tips to get you through. Dress to impress! Man Dem, I would like to address the theory behind this baggy trouser ‘90s rapper look. It doesn’t work, wear trousers that fit and leave out the waistcoat. If it doesn’t co-ordinate you will look like a waiter. Gyal Dem: this is not a dancehall; all skirts must be no shorter than two inches above the knee. Avoid wearing raving heels and cover up your cleavage!

Be yourself, but refrain from using any road lingo! Remember to be assertive and articulate, this is not an urban TV drama and people do not want to waste their time with those who can’t speak properly – not unless English isn’t your first language or you have a speech impediment. “What’s good manna man? Mans name’s Mr Darcy, but da gyal dem call man Darcy Dizzle. My strengths are drawing gyal and spitting bars, brap!” won’t get you that dream job. Remember what is written on your CV Don’t get caught gassing on your CV. It is more than likely they will catch you out. “I used to help man like Branson do da damn ting!” or “I worked for a TV company for ten years!” is not going to be believable if your date of birth says you’re 18.

Mimi 17

In Year 10 I was going for my work experience interview, and before the interview I bought a lollipop and my tongue turned blue, but I didn’t realise. The woman was staring at my mouth for the whole interview. I didn’t understand what was going on until I left and looked in the mirror. I think it made it comical. She was happy with me at the end.

Photography Monique Todd 20

I went to a job interview and I was wearing literally the same thing as the person interviewing me. We had the same shirt and everything! It was really awkward and I was so embarrassed, but I made a little joke about it and obviously she liked it because I got the job. Err, sorry, that’s not really a worst interview, is it?

Photography Laura Gineitaite 19

Words Shona Phillips 15

My brother had a bad interview. He was there pouring his heart out, saying all this information, trying to sell himself to the business, but the guy didn’t care. Matter of fact, the interviewer was just playing games and he fell asleep. My brother continued to try his best, but in the end the interviewer just walked away, out of the room.

Milly 25

Words Yara Shaikh 17

mugabo 17

Research the company and be enthusiastic Be warned people, most employers will ask you why you want to work for them. Never, ever reply with “I shop here sometimes” or “I need a job fam”. You will get the Lord Sugar one time! And those are my top tips. Let’s hope youth unemployment statistics decrease now, eh. FB: Mr. Darcy Twitter: @Princeldn This space was given to Mr Darcy by somewhereto_. If you’ve got a passion in arts, sports or culture, www.somewhereto.com has hundreds more spaces. Sign up now!

? 5 2 – 4 1 u o y e r n A o i • t c a l a i c o s a e v a f f h o u t o e y g o t t • Do n a w u o y t c e j pro ? d n u o r the g 0 0 5 £ o t p u f o t n ra g a t e •G Visit vinspired.c om/cashpoint to find out more

@vinspired #vcashpoint

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live loves

Back to school and university Those first couple of weeks when everyone returns from wherever they’ve been over the summer. You finally see all your friends again and there’s so much to talk about. There’s no pressure and exams seem so far away again. I wish it could last. (CB)

Dance It’s a great way to express emotions without having to say a single word. Dance is a great way to keep you in shape and it feels good, too. (SP) Mopeds Whether it’s pit bikes or mopeds, going motocross with your friends just can’t be beaten. When you get to 16 you can apply for your first driving licence. It’s a responsibility but it’s freedom too. (JV)

Strict parents Now that summer’s over, parents decide it’s time to get serious. Instead of “just make sure you’re back by ten, if you want stay out later call me”, now it’s “make sure you’re in by nine” and “put down the remote, it’s 9.30, bedtime, chip chop”. It’s good to have you back, mum and dad; yeah, right. (JE) Paying £1.35 for the bus I’m sure it’s not only me who does a secret inward cry every time I have to hear my Oyster beep. Isn’t the government trying to encourage more people to take public transpor t? Not with those prices. (HMR) That line ‘when I was your age…’ Well, you’re not anymore and times have changed. Deal with it. There’s nothing I can do about rude people, high prices or climate change, even though I wish I could. (CB)

Photo Monique Todd 20

Words Andrew Barrett 14

Words Jerry Virassamy 16

Words Caroline Borowski 20

Words Shona Phillips 15

TV Ads y I hate it when I’m watching a reall good TV show then all of a sudden ll the advert comes on. All I do is scro through the channels to see if any the other shows are on while I wait for have they o, noo but , adverts to finish to be on all at the same time. (LR)

Mango juice Is there anyone on this planet who doesn’t like mango juice? The feeling of a sip of ice-cold Rubicon is more than magical. Am I right or am I right? (HMR)

Words Hannah McKellarRicketts 19

People who point out how unhealthy my food is te for Haribos, doughnuts and chocola my breakfast – yum! Unfortunately all and guru lth hea ing play friends are g in claiming this isn’t good to be eatin stop sn’t doe that still But . ning mor the them asking for some. (AB)

Will Smith Uncle Will may be the coolest man on the planet and he’s certainly my favourite actor. He’s hilarious in interviews and is all-round awesome. I swear he looks exactly the same age as he did back in the Fresh Prince days. (HMR)

Words Jade Evariste 15

Blasting out music on the bus uct I don’t want to hear the waste prod bus! the on I’m e whil ic mus of your It’s even worse when loud music is s. blasting through cheap headphone n dow turn , pair ent dec a Buy yourself at the volume or don’t listen to music (SP) all.

Words Lily Reuel 15

live loathEs

Doodling I love doodling when I’m bored, drawing on my school exercise book. Then the awkward moment when your teacher wants to take in the books for marking, but you drew a little cartoon kid with a speech bubble saying “my mummy says I’m smart”. (LR)

READ It

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LIVE

Review now at spinebreakers.co.uk GirlHeartBoy

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15/08/2012 09:51

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Information: it’s the most valuable currency of the Internet age. And as mobiles, online market places and social networks have become our main modes of communication, they’re also a magnet for thieves, pirates and assorted scammers. In a modern gold rush, everyone is scrambling to tap into our online information – businesses, governments, police and hackers. So how can you stop your data from being exploited? LIVE’s Dummies Guide To Internet Privacy gives you the lowdown. Mobile Phones

Phones are now the main target for cyber criminals looking to steal our information. But help is at hand: Norton Mobile Security App is just one of many from PC security companies now expanding into the mobile market, with features ranging from scanning downloaded apps to blocking potentially dangerous websites. But even without weighing down our memory card with scores of security apps like a ninja pack mule, there are many commonsense precautions we can take, like only downloading from trusted sources. Downloading an app you don’t trust is like welcoming a random person into your house and letting them rummage through your drawers. Also, always accept updates. Although they maybe a pain in the USB port, mobile phones need to be patched to eliminate any vulnerabilities. Finally, the simplest precaution to take is to back up your phone data on your computer, as being hacked can mean it gets wiped.

Search engines

Illustration Andre Zoom 20

Words Alex Shickell 16

Words Caroline Borowski 20

What you type into a search engine doesn’t just evaporate into web space. Searches can be saved anywhere up to 18 months, after which they’re generally anonymised. Some sites will register your

IP address, name, location and other information, or use tracking cookies to tie together your searches. This is then used to generate user profiles for ‘targeted’ advertising. Last year, Google infamously announced it would pool data gathered from over 60 of its services, including Google Search, Chrome, Google+, YouTube and Gmail. There are a few things you can do to protect your privacy. Never enter any sensitive information (date of birth, address) into search engines, especially not in connection with your name. Spread your digital activity: don’t use the same company for your e-mail, searches and social networking. Check their privacy policies; if you don’t like them, switch. Use alternatives such as Yauba and DuckDuckGo, smaller providers that won’t track your searches, although your results will be less personalised. Fussing over a little targeted advertising might seem disproportionate, but in more repressive countries, the stakes are a lot higher. In 2007 Yahoo were criticised by Human Rights Watch and Reporters Without Borders for assisting the Chinese government in cracking down on dissidents.

Social Networks

We’ve come to rely so heavily on social networks that loss of access can throw a giant wrench in our social lives. But the wealth of information on our various profiles makes us vulnerable to scammers. Privacy has never been higher on the agenda of big corporations such as Facebook and Twitter, with users now getting greater control over their settings – if you can figure out how to use them. Recently Facebook has launched a security page providing tips on protecting privacy and asking users to confirm their mobile number as part of a scheme for account recovery. Users are also shown how

regulars

glossary Aggregated information

Data combined from many individual users that can’t identify anyone personally.

Beacons

Invisible software on many websites (also known as ‘bugs’ or ‘pixels’) that can track web surfers’ location and online activity.

Data exchange

Marketplace where advertisers bid for access to data from tracking companies about customers. Marketers then use this data to target ads.

Exposure index

If information is king then privacy is the crown jewels. Caroline Borowski and Alex Shickell show you how to be a smart cookie

A score given to a website based on how the tracking company collects, shares and uses your data. Calculated using the sum of the scores of all of the trackers found on that site.

IP (Internet Protocol) Address

A unique number assigned to every computer connected to the internet. Websites can see your IP address, and through that can often know your general location.

Keychain

Apple’s password management system, can contain various types of data from passwords to secure notes. to enable ‘secure browsing’, so your information is encrypted, and to request notification if your account is accessed from another computer. You can disable location tracking – a Facebook feature that has come in for heavy scrutiny. We need to be careful with the information we share. One recent Twitter account, Need a Debit Card?, exposed people who posted pictures of their bank cards, with all details visible, showing how some unwittingly make life easy for criminals.

We all know these are small text files websites place on your computer. ‘Authentication cookies’ register whether you’re logged into an account and, if so, which. They’re essential to servers wanting to know which information to share and some websites won’t function without them. ‘Tracking cookies’ collect info connected to your browsing, such as your IP address, sites you visited and settings you selected. They’re meant to make your online experience smoother by allowing websites to tailor their products (and ads) to you. But some people are worried about the amount of info they can collect. Since May, UK websites have to comply with EU cookie and privacy legislation requiring them to obtain consent before using cookies (look out for banners asking you to ‘accept’ or ‘allow’). You can disable them in your settings, but this sometimes affects how a site works.

Personally identifiable information Data identifying you uniquely, such as your name, address or credit card details.

Server

A computer or computer programme that manages access to a centralised resource (i.e. files) or service in a network.

Third-party tracking file

A cookie, beacon or other tracking technology installed on your computer by an ad network or research firm that can track your activities across many websites.

User profile

Information about your actions, interests and characteristics that tracking companies compile about you.

It’s called ‘the web’ because it connects us all together, but the name also reveals a darker truth: at the centre of that web sits a big, info-hungry spider waiting to catch us out. It can seem daunting, but the truth it’s usually our own carelessness that exposes us to scams and hackers. The best way to avoid most of the nastiness is to follow a simple rule for everything from competition winner pop-ups to open Wi-Fi hotspots: if it seems too good to be true, it probably is.

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for At 16 I wasn’t ready to go out to work. I didn’t have the right qualifications or experience required for the profession I later wanted to explore. And anyway, who gives a 16-year-old a full-time job? To be honest I’m glad the government have changed the law so people can’t leave school at 16. Education is a necessity! Things are only getting worse for the younger generation and job opportunities are about as extinct as dinosaurs on skates. Students with brilliant qualifications are struggling to get jobs, so what’s the outlook for people who’ve only got GCSEs? The government raising the school leaving age may be your best shot of getting a job, so basically, we should be pleased rather than moaning and groaning about having to stay at school.

So what if you’re not the academic type? The government will be introducing more practical courses to gain new skills and a qualification. They have said that there will be new apprenticeships and that has to be a good thing. Staying at school gives you time to plan your future, so by the time we are officially considered adults we can make a well-thought-out decision about our lives. A lot of people who leave school early regret it and making people stay on until they’re 17 or 18 provides better opportunities for later life as employers will have proof that you’re able to do the job. Education is crucial in every part of life, no matter how you look at it. I mean, no one wants to end up working in McDonald’s for the rest of their lives. (CD)

For & Against

School’s Out?

From next year, everyone will have to stay in school or at college until they’re 17. and two years later, this will rise to 18. LIVE debates the issue

against Let’s face it, we don’t have a lot of choice in our lives as it is and now the government is increasing the amount of time we’ve got to stay in school.

struggling to support themselves. Young people witnessing this might normally find a job to help cater for their relatives’ needs, but when the leaving age increases, we won’t be able to get a job.

It’s not a good idea. Most students don’t enjoy school and many people leave at 16, realising it isn’t for them because they are already focused on the career they would like to pursue, or maybe because they had difficulties with their classes.

Parents are going to have to spend more money on their children for the two extra years they have to stay in school, and with EMA scrapped it makes the necessities that much harder to afford.

Students forced to stay in education often become a distraction to others. From my own experience I know how difficult it is to concentrate with distractions. When I was in French there was a student who hated it. He was easily bored and disrupted everyone around him, wasting the teacher’s time and messing things up for the rest of us.

Illustration Andre Zoom 20

Words Amber Deroché 15

Words Chloe Douglas 18

The world is going through an economic crisis, with families

Staying in school when you’re focused on the career you want to create for yourself could almost steer someone off course. For instance, if someone wants to be a writer or an artist, it could put them off their career dreams by delaying it for several years. School is a privilege but I believe it should also be a choice. At the age of 16, young people are allowed to join the army, have sex and produce a family: they can give blood and make new life. Yet we can’t make a decision about what we do with our own lives. (AD)

www.live-magazine.co.uk

R av e s

#RavesGoneWrong Fright Night has come early. Re-live the horrors of a nightmare night out

12.20 am Your friend wants to leave early

11.32 pm The club is empty

10.45 pm No ID

1.58 am Guys getting mad that you scuffed up their trainers

2.10 am Crap random performer who you have to watch

12.52 am Someone else has the same outﬁt as you

1.16 am The toilets are now disgusting

1.37 am You buy a cutie a drink and they walk off

3.03 am Boring games on stage with the crowd

2.24 am Ugly men grinding on you

2.49 am Sweatbox

3.36 am Your lightweight friend becomes extremely lightweight

3.44 am

4.17 am

You are ﬁlmed daggering

Photos Jesse Olu 23

Words Christian Adofo 23

3.51 am Someone takes your phone to dial their number, so that they have yours

Words Celeste Houlker 21

Words Zindzi RocqueDrayton 22

You crave chicken so bad but you know the shop’s shut

4.28 am Three buses home

5.01 am Pictures surface on Facebook. Panic. Detag. Sleep

Regulars

We Love...

Autumn Assortment

Our versatile pieces can be worn in a number of ways adding a trendy vibe to your wardrobe

1 Levi’s denim fleece-lined jacket £45, Rokit You may not have been around in the ‘80s but this vintage Levi’s jacket will make you wish like you were.

7 Cuttler shoes £70, Supra These shoes will keep you on your feet as you relentlessly trail round one freshers rave after another.

2 Black skull jumper £22.99, Missguided Add some attitude to your wardrobe with this skull-encrusted jumper.

8 Barocco cap £39, Miko Spinelli Forget last season’s large logo designs and update your cap collection with this unique print. Get with the times!

3 Check shirt £50, Brutus Trimfit Depending on how you wear it, this shirt can take you from day to night and back again.

9 Leather knee-length skirt £22.99, Missguided A leather skirt is a wardrobe essential. Have you got yours yet? 10 Watch with gold rim £145, LTD

4 Black zipper wellies £30, Juju Great to wear and not just for festivals. A good year-round look.

5 Vintage travel bag £25.00, Rokit Backpacks are here to stay. Stand out from the crowd on your travels with this check rucksack. 6 Yellow chinos £65, MQT

Being late will be a thing of the past with this blingtastic watch. 11 Tiger Ring £15, Rokit

It’s an animal instinct thing. 12 Union Jack Ring £15, Rokit

Wear the British flag with pride – on your finger.

Dare to be different in a pair of vibrant yellow chinos.

Spruce up a simple outfit, and salute the seven seas.

5 7

Jennifer Olayinka 17

Photography

Styling Levi Ibrahim 20

Styling Fiona Aber 19

Words Celeste Houlker 21

Words Meera Sharma 24

Stockists: www.rockit.co.uk; www.missguided.co.uk; www.brutus-trimfit.com; www.jujushoes.co.uk; www.mqtdenim.com; www.suprafootwear.com; www.mikospinelli.com; www.ltdwatch.com

13 Anchor Brooch £6, Rokit

Tribes

Football Tribes Footballers are often tarnished with the same brush – overpaid, undereducated and obnoxious. there are alternatives to the one-size-fits-all stereotype, says Christian Adofo

Grafter Geezer

Purgatory Player He is the walking (but hardly ever running) equivalent of Marmite – one week lauded on the back pages for scoring a hat-trick against your arch-rivals and the next viliﬁed on the front for hitting the sauce 48 hours before a crucial game in Europe. Home fans chant his name like he’s on nodding terms with Jesus while the away faithful are overcome with a sudden bout of Tourette’s whenever he touches the ball. One poor performance and that weekly six-ﬁgure wage makes him a target for trolls and a trending topic for the calamity-curious.

If you describe a player as having a good engine or as being hardworking or passionate, nine times out of ten it’s not-so-subtle code for ‘couldn’t trap a medicine ball’, or a bit #leaveit in the words of rapper Lethal B. With the lung capacity of two champion thoroughbred horses and a face which looks like he’s tried to go for a cheeky peck on the lips with an anvil once too often, this fella is relentless in pursuit of the ball and/or opposition, while yellow cards rain down on him like confetti.

Mr Perfect

Illustration Callum Torbett 21

Words Christian Adofo 23

Well talented and impeccably tailored to boot, this player is liked by his peers and loved by your missus who previously detested you for hopping down the pub to watch him with the lads. Born with innate technical ability and blessed with cultured good looks, he’s more likely to be found walking around an art gallery and sipping on an Ethiopian coffee by the riverside rather than be papped downing a pint of Stella. Despite the million-pound pad and innumerable sports cars, his humanitarian work in war-torn nations belies a humble and selﬂess persona away from the glare of the papers. An athletic Adonis in mind, body and soul.

Angel of Arrogance Whether it’s karate-kicking teammates at training or stumbling out of nightclubs with trousers down his ankles at 3am, this particular tribesman is a law unto himself on and off the pitch. Celebrating with your teammates when you spank the ball into the goal from 35 yards is only natural, yet when this player scores he transforms into an obnoxious ogre in a cauldron of 60,000 fans, standing up in slowmotion with tattoo-sleeved arms spread out wide like the Angel of the North. His eyes are akin to the Demon Headmaster in hypnotic mode. If there were a soundtrack running through this player’s mind, one to inﬂate that ego even further, Kanye West’s Can’t Tell Me Nothing would be the tune.

THI Of lONDON spaR ~ARDS ',,'I-I() AI=lI: TI-II: Y()lJt~(; 1=l()IBDI: ~"()I)I:IBDS It~ Y()lJI=l AI=lI:A1 The Spirit of London Awards (SOLA) is an awards ceremony that celebrates exceptional young people for their talent across London and the UK. There are 10 categories young people can be nominated for: Community Champions Award (16 - 25 year olds) Young Heroes Award (5 - 16 years old) Achievement Through Sport Award Achievement Through Music Award Community Business Entrepreneur Award Achievement Through Education Award Achievement Through The Arts Award Achievement Through Media Achievement Through Fashion UK Young Campaigner of The Year The awards are open to young people aged between 5-25 years old living in London, except for the National award which is open to young people outside London. tiThe Spirit of London Awards highlight the best of our young people and the event is run by young people which is fantastic" David Cameron, Prime Minister

SOLA 2012 - The Community Oscars for young people Monday 10th December - 02 Arena ticket details on website soon or see November Issue

#SOLA2012 @spiritoflondon facebook.com/ SOLAWARDS

NOMINATE NOW! www.spiritoflondonawards.com - NOMINATIONS CLOSE ON 30TH SEPT-

Regulars

Gadgets

The sun has set on the summer holidays, so it’s time for LIVE to educate you about the best gadgets to help you survive the academic year Flying Alarm Clock Amazon, £9.99

Trouble getting up in the morning? Fear not, this alarm clock can only be silenced by retrieving its ﬂying propeller and slotting it back in place. So if you have an untidy room, expect daily frantic searches to stop the din. (DN)

Tech Talk

Hi all,

Raspberry Pi computer RS Components/ Premier Farnell, £21.60

Our selection of gadgets should have you up to date for this academic year. A huge amount has changed with technology in schools since I ﬁrst started education.

The credit card-sized Raspberry Pi plugs into your TV and a keyboard and can be used for many of the things your desktop PC does. Could this incredibly affordable piece of tech revolutionise the entire world? (AS)

It wasn’t too long ago when teachers were scribbling with chalk, now they’re using hi-tech pens to draw on an interactive whiteboard. Can things become any more advanced? And if so will this be of any beneﬁt to us or will it be a distraction?

Amazon will add another Kindle to the collection to keep the stylish bookworms happy. The Kindle Fire 2, already available in the US, is a tablet to all intents and purposes, and we can’t wait to have it in the UK. (SA)

APP attack Cinemagram Free, App Store and Google Play Is it a video? Is it a picture? No, it’s Cinemagram! A unique app that allows users to part animate their photos and make them look ultra-classy, with the ability to share on Facebook and Twitter. (HM)

we cast our eye over the most happening new apps for your phones and tablets

Commuter Free, App Store and Google Play

Burnout Crash £0.69, App Store

A handy little app which offers live travel information on demand from all the major public transport providers – meaning you have simply no excuse for being late for school or getting lost ever again. (DN)

Embrace your road rage with Burnout Crash, a spinoff from the award-winning console series. Crash and burn with huge pile-ups, mega disasters and more. Just keep your road rage off the road! (SA)

Words Suriyah Akther 16

Words Alex Shickell 16

Industry experts have dubbed this the most important trend in technology to emerge in the last several years. In the future, passing a test might actually involve completing a game! Although this does make you wonder how long it will be until the pupils are showing the teacher how to turn on the Xbox so they can start the lesson.

Amazon Kindle Fire 2 Amazon (price tbc)

Words Dermot Neligan 16

Schools have started using points rewards systems, which have expanded into interactive quizzes and games, and there is no limit to how far things can go. One of the gadgets we looked at in this issue was the Raspberry Pi, whose creator wants every school to use it in ICT lessons to help children develop their programming skills.

Note taking has just got hi-tech! Forget boring biros, the pen to have this term is the Livescribe Echo Smartpen. This innovative device can record audio while you write and later play it back to you, matching the audio with the note. (HM)

Words Hari Mountford 19

Get ready to embrace the term “gamiﬁcation” as this massive technology advance will shape the way we study in the future. Gamiﬁcation typically involves applying game-design thinking to non-game situations to make them more fun and engaging, and the foundations of using it in education have already been laid down.

LiveScribe Echo Smartpen 2GB, Black PC World, £69.99

Regulars

INSIDE JOB

John wardley

hold onto your hats as john wardley takes us through the ups and downs of rollercoaster design Before gETting on a rollercoaster, have you ever stopped to wonder just who’s responsible for making your heart pound and your blood race? Meet John Wardley, 65, the man who has designed some of today’s most famous rides, including Air, Nemesis and Saw: The Ride How did you get to where you are today? I trained in the theatre as a stage manager, then got involved in special effects and eventually went into the film business and worked on a few James Bond films. The special effects and the amazing sets used to blow visitors’ minds away and I thought it’s such a shame that most people only get to see this projection on a flat screen. The theme park concept, which was only in America at the time, used film special effects and set designers to create a live entertainment experience and I thought it’s something I wanted to do. I realised taking the American concept and just transporting it to Britain wasn’t going to be the answer, but I felt I had all the techniques at my fingertips to be able to do it. What’s a typical day like for you? I’m retired now, but I would be attending meetings, discussing with the management of the theme park, meeting their requirements and the sorts of ideas they have. Then I would go away and try to turn it into some kind of reality.

Words Eli Anguelova 16

What is the best ride that you’ve designed and why? I think probably the Nemesis at Alton Towers (which opened in 1994) simply because it was the first time that anyone had taken a rollercoaster and totally integrated it into the landscape while creating a very dynamic story to it.

What advice would you give to any young people out there who would like to pursue your career? Get your mind inside the visitors’. You have got to understand what amuses other people, what excites them, what frightens and mystifies them. These emotions are absolutely vital and you should understand that before you even start to plan a new ride. You’re not doing it for yourself; you’re doing it to entertain others. What is the most important part of your job? Safety. Half the thrill of a theme park is the perceived danger – and I emphasise the word ‘perceived’. It’s about doing things that are exciting and adventurous but also completely safe. Your journey to a theme park is far more dangerous than anything you would do at the theme park. Does your job put you under any stress, and if so, how do you deal with it? Being responsible for a project of many, many millions of pounds that has to open on time and on budget, puts you under a huge amount of pressure and stress. Having complete confidence in the fact that what you’ve done is going to be a big success when it opens is how you should deal with it. What do you consider your greatest achievement so far? I suppose the original creation of The Chessington World of Adventures (in 1984), for which I was given the challenge of coming up with a concept to revive the fortunes of that park. That was the greatest achievement, but as an ongoing thing, just continuing to develop new rides and attractions at various parks around the world that now operate.

WORLD IN FOCUS

regulars

Founded IN 1947 AFTER THE BRITISH LEFT INDIA, pakistan has haD a difficult 65 years of UNREST and political turbulence. omar shahid breaks it all down

Pakistan is the only Muslim country in the world to possess Nuclear Weapons

Osama bin Laden was found and killed by US Navy SEALs in Abbottobad in May 2011 after a ten-year hunt.

a The US government has been ‘bugsplatting’ Pakistani a

civilians and terrorists with drones since

2004 aaaaaaaaaaaaaaaaaaaa

Benazir Bhutto, assassinated in 2007, became the first woman to lead a Muslim state. She lead Pakistan for two non-consecutive terms from 1988 -1990 and 19931996.

Pakistan’s population of

180 million

is over

half the size of the entire Arab world.

1 MILLION The number of Pakistanis who have joined Facebook in the past six months.

After the country was founded in Pakistan’s ﬂood in 2011 was the equivalent of the UK and France being completely submerged.

SOME Pakistani cricket players have become infamous for

corruption:

1971

after a civil war in East Pakistan.

Illustration Henry Houdini 24

Illustration Louis Harris 22

Words Omar Shahid 20

last year Mohammed Asif, Mohammed Amir and Salman Butt were jailed for match fixing.

1947

by Muhammad Ali Jinnah, the ﬁrst of four wars erupted between India and Pakistan. Bangladesh was founded in

f e at u r e s

playing the numbers You’re putting on a big gig at Brixton Academy, and it’s only a ﬁver. It’s quite unusual for a big gig to be so affordable… I went to see (legendary ‘80s/’90s punk band) Fugazi when I was 15 and the tickets were only £5. It was important that the tickets for this gig were affordable. It’s deﬁnitely not a money-making thing at all, even with a sell-out show the whole thing’s going to lose us money. But the concept of risk never really entered in to it: the thinking was more ‘can we pull this off?’ I hadn’t realised you were a Fugazi fan. Are you still interested in the hardcore scene? I can’t say I’m up to date with anything now, but when I was about 14 I read this book about Nirvana and the whole scene around them and found about Fugazi there. About a year later they came over to London and I checked them out. I went to see Bikini Kill, Mudhoney, all those bands. It was a very inspiring time because [those bands] were ramming home to me the message that you didn’t need money or a label and that you could record at home. At that same time I was getting the same message from drum ‘n’ bass, that you could record tunes on an Atari at your house, then it’d be on pirate radio and then a week later it would end up on Top Of The Pops. The message was ‘do your own thing’. That whole era was inspiring and it’s not unusual for me to draw from that when I create something now. With this show, I wanted something that was accessible to everybody. This isn’t glitzy, this is about everyone being invited to enjoy music. You’ve set aside 150 tickets for LIVE readers to come to the show. Why’s that? When I was a teenager the gigs I went to were some of the most important and inspiring moments of my life. I saw Rage Against The Machine twice at Brixton Academy and that will stay with me forever. Nothing can touch it. I crowdsurfed at every Brixton show for years. To come back to that place and put on a show for people my age wasn’t appealing – I want there to be a range of people coming to experience something together.

Photgraphy Petra Valenti 23

Words Ned Powley 16

Were there other shows you saw as a teenager that had a big inﬂuence on what you do now? Oh tonnes, I had incredibly mellow parents so I went to gigs whenever I could, even if it was the night before an exam. I went to see all the big rock bands of that era, also I was there for the ﬁrst live drum ‘n’ bass shows that Roni Size put on through Reprazent. The one show that I think of as a real life-changing moment was

Four Tet’s soon-come gig at Brixton Academy sold out in minutes. Kieran hebden spoke exclusively with live to explain why he’s saved some tickets for the youth – and to talk crowdsurfing, DIY culture and his new album seeing (experimental New York band) Tortoise in a really small pub. They had two drummers and a vibraphone player onstage, and it was like nothing I’d seen before. You’ve often played sets that last eight hours. Do you like doing this so you’ve got complete control and you can have space to adapt and ﬁt the space and the audience? Totally, if you’re playing that long you need to relax, there’s no pressure to show off everything in a short space of time. A lot of hip hop and dubstep DJs come from the battle culture where they’re expected to play as hard and fast as they can. I love events like that, but my personal style is a lot more inspired by house and disco DJs who’d play for hours and hours and take people on these mad cosmic journeys. It’s a cliché, but taking someone on a journey through the music you play is one of the nicest things you can do. What can you tell us about your new album Pink? I decided that I wanted to make music and put it out quickly, never thinking beyond the next 12-inch. Now it’s reached the point where I’ve released ﬁve or six 12-inches and people are getting moany that they were only available on vinyl, so I decided to bundle them together and put them out. I can see some similarities between you and James Murphy. He retired LCD Soundsystem. Can you see yourself ever doing that with Four Tet? I thought that a few years ago actually, after Everything Ecstatic came out and I started doing the things with the drummer Steve Reid. But I started DJing again, and that spurned me into making very pure electronic music again. I toyed with using a new name, but at that point I had so much going on that I didn’t want to risk complicating it further. All my decisions are music-driven, when I put out a record the idea isn’t to put out something perfect. The records are documents of my musical journey, I want to be able to look back on these albums in old age and be able to trace the journey I took. We have 150 £5 tickets for LIVE readers for the show at Brixton Academy on 2/11/12. We will release them 11am, October 4 for 24 hours. Could you be the warm-up DJ for this epic rave? If you’ve got the skills, enter our exclusive competition. Deadline October 1. Visit www.live-magazine.co.uk for more info & follow @LiveMagUK

Words Monique Todd 20

PHOTO COURTESY OF ROBIN BHARAJ

f e at u r e

reporting for duty

f e at u r e s

Union Jack Doc Martens, Raybans, hood up, not a chain in sight, Kendrick Lamar is undeniably cool, but doesn’t look like a rapper. He tells Monique Todd why being macho is for suckas Kendrick Lamar does not slur. He doesn’t spit about weed or add an ‘ahh’ or ‘uh’ after every bar (no offence Rick Ross). In fact, the Compton native is so painfully articulate that his enunciated ‘T’s will, without fail, kick you up the arse. Often displaying schizophrenic tendencies, at one point he exhales lyrics without a single breath; at another, he dons various freaky high-pitched voices, notably in his single Drank (Swimming Pools). One thing is for sure… this is no ordinary rapper. His debut album, good kid, m.A.A.d city, arrives at a time when rap’s credibility is dissolving somewhat. Yes, we have the fun-loving A$APs, Azealias and Azaleas, but the idea of the real rapper, the kind Ice-T glorifies in the riveting new doc Something Out Of Nothing: The Art Of Rap, the kind who actually participates in the archaic act of writing things down, isn’t so prominent. The bloggersphere has hyped mighty Kendrick as the artist, curtsying in respect with each new track. It’s no surprise then that he takes his role very seriously, referring to his output as not just art or fun – but as a duty. “I always try to transcend my music to the younger generation. Being a baby in the ‘90s and having been born in late ’87, I always feel like they need someone to carry them because we don’t have the proper guidance. Within my music, I feel like I can build on that concept. If I can put these words behind the right instrumentation it will stick forever.” His prophecy doesn’t seem that unrealistic – he’s been committed to his craft since 2003. So what exactly pushed the budding spitter to ditch the teenage luxuries of girls, TV and cyberporn so early on? “You know, a lot of people want to just sit around and chill out all day, not knowing how precious time is,” he says. “With the time I had, I could’ve stayed home and played video games all day, chilled on the block with the homies. I had to sacrifice that time and be in [the studio] and work.” Trying to picture the atmosphere of his studio offers up the inevitable images of haze and bottled booze.

But lo’, Lamar is completely teetotal! When he speaks of narcotics, a wave of awkwardness hits the room and the pauses get longer. “I’mma tell it all in this album, but yeah, I had a VERY bad experience [pause] laced [pause] laced with the worst thing you could probably be laced with [pause] on your first time ever…” he trails off. Damn. Well, traumatic experiences aside, Kendrick feels no shame in dissing the trend of decadent living, declaring those norms as a bid to escape life rather than enhance art. “It’s definitely a weakness. I mean I escape with my music, [weed smoking] isn’t necessary for me. All my friends got high and faded, but you don’t want to be dependent, I don’t want anything to be a dependency – I want to move on my own strengths and not off a liquor weakness.” Indeed, it looks as though he doesn’t need those extras in order to spill his true self. Inspired by the emotional confessions of Tupac and DMX, Kendrick treats the listener as the therapist. Drake and Frank Ocean, known for their sentimental outputs, make this confessional streak a little less taboo. But as a martyr for the gritty underground streets, surely his credibility and masculinity is at risk.

he takes his role very seriously, referring to his output as a duty. “I always feel like the young generation need someone to carry them because we don’t have the proper guidance” “When I talk about these certain situations, it’s me, it’s nothing I’m hiding,” he replies. “If anything it would be decreasing my masculinity hiding these feelings you know, tryna be all macho – that stuff is for suckas! I know who I really am and I know what I’m capable of as a man so none of that really interferes.” Anti-macho, teetotal and art-centred – these are the three things that could destroy a lesser rapper’s career. Kendrick Lamar has proven so far that he’s quenching a thirsty hip hop scene. Here’s hoping good kid, m.A.A.d city will burn industry rules and stomp on the ashes of hip hop’s clichés.

i n a s s o c i at i o n w i t h s o m e w h e r e t o _

Somewhereto_ Get Olympic The smell of Olympic glory was in the air - but you didn’t have to be Tom Daley or Usain Bolt to have a stage at London 2012. As a Cultural Olympiad project, somewhereto_ realised that there could be no space more ﬁtting for some of the young talent who have come through their doors than the grand Olympic Park. That is why a hot showcase of acts were lined up by somewhereto_ to entertain the park masses. Here’s a taster of what happened.

Nina Ballantyne Singer with band Melonstomp Age: 21 From: Glasgow, Scotland

What does the Olympic Park mean to you? It’s ace, it was an amazing opportunity to perform to a crowd there, to a whole bunch of new people and to ﬁnd out what they think of our music. Olympian or Paralympian to remember? Sir Chris Hoy, as he’s pretty much a national hero for us. Tom Daley and some of the gymnasts were pretty impressive.

Lewis Buxton

Performance poet Age: 19 From: Norwich, East of England

What does the Olympic Park mean to you? Well it was an excellent space for performers, matching mass popularity of sport with something more niche such as poetry, which is what I do. Olympian or Paralympian to remember? The Paralympic 100m

Nick Celino

Singer Age: 17 From: Newcastle, North East What does the Olympic Park mean to you? It’s an honour, you watch such events such on TV but I’d never imagined performing at such a prestigious event, doing something that’s not been done there before. I’m so grateful somewhereto_ chose me! What talent would you like to see show off in the Olympic Park? I enjoyed watching the other as I’m always intrigued at the competition.

SOMEWHERETO_ CAN FIND YOU THE SPACE YOU NEED TO DO THE THINGS YOU LOVE! VISIT www.somewhereto.com twitter: @somewhereto_

somewhereto_ and BAFTA winner and Anuvahood star Adam Deacon launched the somewhereto_ show off nationwide competition at St Pancras International earlier this year, inspiring young people from across the UK to ‘show up and show off’ their talent within arts, culture and sport. The show off stage then pit-stopped in Edinburgh, Belfast, T4 on the Beach and Cardiff, where young talent submitted their entries live, while others entered online. Ten winners were selected to show off their talent at the Olympic Park. On top of that amazing prize, one of the final ten will also win the chance to feature in their very own show-off film to be directed by Adam Deacon in Rio de Janeiro, Brazil, home of the 2016 Games! Who needs a gold medal when you can have Rio, eh? To see all the show-off entries and winners, visit somewhereto.com/showoff

Georgia Munnion

Theatre/performance with Coruscate Theatre Age: 25 From: Nottingham, East Midlands What does the Olympic Park mean to you? It was a fantastic opportunity for my company and myself to perform to such a large audience, in an outdoor space out of the norms of what we’re used to. It was very exciting to see how we adapted to the Olympic Park surroundings. Olympian/Paralympian to remember? All the swimmers – as my cousin used to be a professional swimmer.

Drew Price

Gymnastic performer with Trick Unique crew Age: 20 From: Bridgend, Wales You’re visiting Olympic Park on Sept 9. What does it mean to you? It’ll be great to show people what we do with the extreme sport, to get our name out there, and it will of course be brilliant to represent our country at such a great venue.

What talent would you like to see show off in the Olympic Park? More music, singers, guitarists and bands!

Hayley Rea

Dancer with Aim High Dance Academy From: Croydon, London Age: 24 Performing at the Olympic Park. What did it mean to you? It meant having something unforgettable in the middle of summer, creating my own history and seeing Aim High represent the local community. Olympian/Paralympian to remember? Andrew Osagie (Great Britain 800m runner) – he came last in an amazing final but still broke his PB.

f e at u r e s

LIVE INVESTIGATES

THE SMOKY SUBJECT OF SHISHA Shisha cafés have moved out of the backrooms into the spotlight. Amar Sejpa blows through the clouds I’m wandering up Edgware Road one evening when I’m hit by a sweet-smelling cloud. Have I died and gone to fruit heaven or did my legs just run into Morocco? I follow the scent of strawberries and find myself joining a party of four, who sit cosily sharing a pipe between their mouths and humus and pitta on their plates.

flavours include apple, coconut, mango, mint and strawberry) is covered with foil and roasted with charcoal. The coal burns through the tobacco and sends smoke through a water chamber, which cools the smoke and is then inhaled deeply and slowly, resulting in a smooth fruity taste and sweet smell.

They were sitting on low stools padded out with soft cushions, with the traditional Arabic décor of golden mini-tables and lanterns, puffing on mouthfuls of shisha and perhaps even making shapes on exhale. Compared to lighting up a ciggie outside Nando’s in the cold, it looked like sheer glamour.

Silva’s round table of shisha ‘hoggers’, don’t see themselves as your typical smokers. “None of us smoke cigarettes but we do shisha because it’s like you’re in a different country, doing something cultural,” she says. “Not like smoking cigarettes where people do it to release stress. Plus people who smoke never seem happy to smoke. When we do shisha, we make it a special time between us as we’re surrounded by cultural aspects of where it came from.”

The smoky flavours of shisha originated in the Middle East and have travelled across the globe, gaining popularity on the streets of London, with Edgware Road, Islington and Croydon pumping blood into the heart of London’s shisha culture. Twenty years ago such cafés were found in handfuls in the backstreets of unpopular areas. However the fragranced fog of outdoor smoking has now made its way around the UK including Manchester, Liverpool, in fact almost anywhere that has a Wetherspoon’s four doors down. Shisha cafés are an easy place to hang out with friends, especially with a tall, thin glass of fresh mint tea. Trainee solicitor, Anita Silva, is an aficionado. “Shisha is such a great and inexpensive way of socialising,” she says. “And very tasty. Rather than cinemas and overpriced restaurants, a shisha will cost between £10 and £15 and you can share that between two or three of you.”

Photos Petra Valenti 23

Words Amar Sejpal 22

For those of you who are hazy on what shisha exactly is, it’s a glass-bottomed water pipe where fruit-flavoured tobacco (popular

Although shisha was included in the UK’s 2007 smoking ban, business has been booming with many of the café owners setting up outside with outdoor heaters to keep customers cosy. This culture has gained brownie points as consumers enjoy the fact they can socialise without the need to drink loads of alcohol or to struggle to make yourself heard across overly loud music. “We’ve been open for four years now,” said one café owner who we shall call Scooby. “When we started we attracted Middle Eastern customers and people who were traditionally familiar with what shisha was, usually those aged over 25 or 30.” “Recently the curiosity and popularity has grown and now we attract all different customers of any age. Of course they have to be over 16 but now the ages we get are very wide.” Recent figures show that since the smoking ban more people

f e at u r e s have turned to shisha lounges, with cash-strapped customers preferring to smoke a pot of the fruity substance as it can last all evening. Coventry, for example, has seen a 1,000% rise in shisha bars. But if you think it’s a safer alternative to cigarettes, think again: shisha smoking can definitely damage your health. According to research carried out by the World Health Organisation, there’s the same amount of tobacco in 40 minutes of shisha as 100 cigarettes. They also suggested that one cigarette can take anywhere from two to 20 minutes from your life. So in theory one 40 minute session of shisha can take an average of just under 17 hours of your life. A specialist advisor from NHS Smoking Help Line backed these statistics: “Shisha is like smoking cigarettes and does cause a lot of harm. With shisha you inhale the smoke more as sessions last longer, which is obviously damaging for your body. More likely than not, it increases the chances of lung cancer and heart disease as unfortunately the chemicals from shisha still get in your body and affect your health regardless of being labelled as herbal.”

there’s the same amount of tobacco in 40 minutes of shisha as there is in 100 cigarettes, according to the world health organisation Coventry NHS recently ran a campaign ‘10 Things You May Not Know About Shisha’ which included the fact that that sharing a shisha mouthpiece can spread herpes and can increase the risk of cancer. They also explained that smoking shisha through bubbling water doesn’t ‘clean’ the smoke, as it’s still full of dangerous toxins, and that supposedly tobacco-free shisha can make you inhale dangerous levels of carbon monoxide. As this kind of smoking has taken off across the world, there’s been more and more research carried out. Shisha or hookah smoke, like cigarette smoke, contains significant amounts of cancer-causing ingredients such as arsenic, cobalt and chromium, and smoking it can lead to heart disease, respiratory disease and all the other problems that come with smoking cigarettes. Eesh! Readers who are grunting at these findings thinking it’s just a load of hot air, will find an ally in author Dr Kamal Chaouachi, a lone voice contradicting WHO’s conclusions. The Paris IX University lecturer claimed on the Velvet Glove, Iron Fist website that “while about 5,000 chemicals have been identified so far in cigarette smoke, chemists and pharmacologists from Saudi Arabia found 142 chemicals in shisha smoke.” Even so, that’s still 142 chemicals you’re inhaling! Talking to smokers, you wouldn’t know shisha was a health problem. “The difference between shisha and cigarettes,” reckons Ceren Panayi, 23, “is shisha is not as addictive and is more about socialising around it rather than the ‘need’ for it.” LIVE’s last interviewee before heading home was 21-year-old university student, Nick Rey who was similarly relaxed about shisha’s health risks. “Me and my friends only do it once in a while, not every day like some people do with cigarettes.” One thing’s for sure, it seems shisha’s here to stay. So if you must have a puff, make sure you get informed about the consequences. For more information on shisha smoking visit www.shishathetruth.nhs.uk/

i n a s s o c i at i o n w i t h

SPORTING CHANCE

The Co-Operative’s StreetGames project turns ASBOs into ace sports mentors Lurking on street corners, drug abuse, crime. All the makings of a great TV series, except this is real life. Welcome to Cricklewood and the world of Leon McColin. With little to do, Leon and his friends spend their time hanging out on the street causing havoc for their neighbours, committing crime and being caught in a downward spiral with the police. But that was then. Fast forward a few years and Leon is now a changed man thanks to The Co-operative’s StreetGames project.

Illustration Calum Torbett 21

Words Verity Nelson 22

Words Iram Sarwar 21

To most of us The Co-operative is a supermarket. But dig a little deeper and you’ll find (to quote a certain advert) that they’re not just any old supermarket. They’re a family of businesses from travel agents to

ethical banking that has been enriching the lives of young people all over the UK with inspiring programmes such as Truth About Youth, Green Schools Revolution and a huge apprenticeships scheme. In 2007 they had another dream; to create a place where young people could learn and grow through sport. And so The Co-operative StreetGames Young Volunteers programme was born. Taking sport back to the street, the programme has helped young people aged 16-25 to develop their skills in sports coaching and leadership through outreach volunteering in local sports projects. With over 4,000 volunteers taking part, sustainable sport has become the new motto.

take it to

For Leon, StreetGames was exactly what was needed. After being offered the chance to work with the project at the Cricklewood Homeless Concern, life changed dramatically. Now 26, he has achieved a Level 2 FA qualiﬁcation in football coaching, he’s completed an NVQ2 in youth work, created a tournament for young people to compete in and worked at the world‘s largest sporting events, including London 2012. “For someone like me, it is surreal to be working at the Olympics,” he says. “I had the privilege of joining the torch team when it reached London, which is such an accomplishment.” He stays true to his roots though and attributes his success to StreetGames. “They helped me with what I wanted to achieve,” he says. “When people said I should apply, I read the application form and thought it was hopeless. You think naturally that you can’t do it. Paranoia takes over and you think: ‘Can I do that? Can I be that kind of person?’” Now a legendary ﬁgure in the StreetGames programme, Leon’s achievements have been recognised by the people who almost locked him away, with the Metropolitan Police awarding him the Problem Orientated Partner Award. Not only that, Leon has been invited to join the Independent Advisory Group as representative for young people in Brent and will be working with the House of Lords on an EU enquiry into grassroots sport.

StreetGames: “It’s such a good opportunity for kids and it’s their chance to enjoy themselves.” Sustaining sport is what the project is all about and by building the conﬁdence of young coaches, the programme is raising our next generation of coaching legends.

Abdul and Donatas are two young handball coaches who worked alongside professionals and athletes as Gamesmakers in Stratford. “StreetGames has given me the opportunity of being around new people and in the athletics environment,” Abdul tells us, and at just 17 he’s already coached hundreds of children. What more would any budding coach need? As if that wasn’t enough, 18-year-old Donatas has also designed and edited the Newham Flames handball website.

“I’m smiling a lot now. I’m just constantly smiling, So much that I “StreetGames makes a real difference think I’ve got wrinkles” to the lives of young people long Back in May at the Oval cricket ground, StreetGames hosted the Not The Black Tie Dinner, which saw some of the country’s top businessmen after the medals have been handed and women wined and dined, then whisked away to play sport in the name of charity. Keeping them company were a couple of out” recognisable faces including four-time Olympic athlete Diane Modahl

the

Leon is now role model to many young people and has a bright future. “Get involved and have ideas to share,” he urges LIVE readers. “If you’re serious, then join StreetGames. They’re a good option to take.” The Co-operative StreetGames Young Volunteers programme has created some much-needed opportunities elsewhere, too, from West Bromwich to East London. Down at West Ham Park, where there are sports-related activities for young people daily, the StreetGames programme aims to inspire young people through what they call ‘doorstep sport’, which is all part of a grand plan to ensure safer and stronger communities. “When the games have come and gone we’ll still be here,” says the sports team manager Fiona. And while the British summer was unmistakably… well, British this year, the StreetGamers have come out in full force. Naomi, a 20-year-old volunteer, travels to and from Hertfordshire every day in testament to just how good it is. “The StreetGames programme will help keep kids safe in the future,” the budding coach tells us. “It’s given me the experience I need and its all so laid back.”

and cricket legend Darren Gough. The evening raised money as part of the StreetGames Give And Go project, which enables thousands of young people to watch major sporting events in 2012.

Diane Modahl, who’s also the chief ambassador for the StreetGames programme, has been there since the start. “I’m very proud to be a part of it,” she beams. “StreetGames makes a real difference to the lives of young people long after the medals have been handed out, because that’s what’s important.” She’s right as well: The Co-operative StreetGames Young Volunteers programme continues to reach young people all over the UK and by 2014 they aim to have touched the lives of over a million young people.

Leon, as one of The Co-operative StreetGames Young Volunteers’ greatest success stories, has become an inspiration to his peers and has turned from being a disrespectful youth to a well-respected part of his community. He’s recognised the impact his actions can have on the wider community. “I’m smiling a lot now. I’m just constantly smiling. So much that I think I’ve got wrinkles,” he says. “I’ll be at home with a grin on my face and my mum will ask me: ‘Why are you smiling?’ It’s because I’m having fun, I’m enjoying everything I do. The people I’m working with, the stuff I’m doing.”

streets

Everywhere we turn there’s a volunteer and with so many inspirational stories LIVE simply can’t keep up! Carly has been so inspired by the programme that she plans to work abroad and set up her own

www.streetgames.org/www/volunteering Like StreetGames at facebook.com/StreetGamesSportsCharity

SPORTS

it’s a toff old game

Is rugby shedding its posh rep or will it always be a game for thugs played by gentlemen? Christian Adofo finds out It’s an archetypal drizzle-laden afternoon in the outer echelons of East London. Amidst the hubbub of commuters running for cover and local schoolchildren making a quick poultry pitstop at cheap chicken outlets named after Deep South states, a zealous collective of experienced sports coaches and eager players are giving rugby a long-awaited conversion. The historic surroundings of Abbey Green next to Barking town centre are an unlikely sanctuary for people trying to break down the class barriers of one of Britain’s poshest sports. Back in 666 AD (cryptic, huh?) Abbey Green was once part of one of England’s wealthiest religious establishments. In the 21st century, it’s a breeding ground for budding young rugby players in one of the host boroughs for the recent London 2012 games – Barking and Dagenham. This setting on the edge of London, where the roads are lined with electricity pylons rather than trees, is far removed from the usual lush home-counties training grounds in rugby’s wealthy hotbed. The stereotype of a game played primarily by the upper and middle classes is changing. Rugby union has been an intrinsic part of my life on and off the pitch for the last seven years, whether it was playing out wide in goose-pimple winds or working at Twickenham Stadium, the home of England rugby, during the annual autumn series against southern-hemisphere teams. My enthusiasm has never waned (despite my beloved Wasps narrowly avoiding relegation last season), but a question which forever plagued me as a player was why my teammates were mostly from private schools and the supporters wore garish pink chinos and gilets. The game in New Zealand, for example, is more representative, while in Wales it’s mainly working class. So why is it viewed as shorthand for over-privileged tweedy chaps and their Jack Wills-wearing girlfriends? The class divide can be traced back to the late 19th century, when the game’s middle-class exponents had an aloof attitude to working-class players and, more importantly, the notion of paying them a wage. This resulted in a split between the northern teams, whose players typically worked in mines and mills and couldn’t compete unpaid with their wealthier Southern counterparts. The northerners went on to create their own union, which laid the foundation for the game of rugby league. That schism was over a century ago, but it’s had a lasting impact – the union game still draws heavily from the private school system, which provides a stream of talent from club to international level.

Photos Roshni Hirani 21

Words Christian Adofo 23

England’s 30-man squad for the Rugby World Cup in New Zealand last year were almost 70% privately educated and encouraging participation outside its elitist base has been a struggle. But a community scheme began in London two years ago is helping to breaking down traditional barriers and changing this stereotype.

SPORTS

The Hitz Programme is based in inner-city London estates and targets young people at risk of exclusion. It promotes rugby as an all-inclusive team sport, allowing people of various backgrounds to play alongside one another. With the summer holidays receding onto the horizon, most schoolchildren spend their time sitting indoors glued to a screen or doing laps of local shopping centres. But regardless of the inclement weather, rugby is the main attraction for the youngsters here. Max Milkin, a rugby development officer with North London-based Premiership side Saracens, leads us to the almost eerie setting of a small field with a hectic dual carriageway on one side and a refurbished theatre on the other, only a stone’s throw away from the bustle of the high street market. Two kitted-up teenagers sitting on a damp bench acknowledge Max and query whether training will survive the weather. He reassures them it will. Coaches Keith Hughes and Michael Finnegan amble down the road on cue, the latter greeted with cries of “Finnegan” by the participants, who recognise him from a recent edition of Sky Sports’ School Of Hard Knocks. Coach Keith, himself a real-life former player for Barking RFC, explains the Hitz scheme is almost like a version of School Of Hard Knocks – a series which uses the values of rugby (teamwork, respect and discipline) to give unemployed men some structure to their lives while also expanding the rugby union gene pool. “In no other regular sport will you find a bricklayer playing against a lawyer and that’s the beauty of rugby – it’s not class specific,” says Keith. “Across five boroughs in inner-city London we have weekly sessions and even if they stop playing rugby, they’ve got a work ethic and organisation from attending Hitz that’s inspired from the core values of the game, which can help them in life, especially in a working environment.” Since Hitz started two and a half years ago, the mixture of touch rugby and informal discussion engages about 300 kids weekly across the capital and the project’s rapid ascent recently led to Hitz being named the Best Community Programme at the Sports Industry Awards. It’s a prestigious accolade for an inspiring scheme that’s set to expand nationally from next season via Premiership clubs Bath in the West and Sale Sharks in the North. While Hitz wasn’t set up with the intention of providing a conveyor belt of playing talent, Keith explains that many youngsters are sufficiently enthused to join the junior setups at local clubs and move into coaching. Many are inspired by watching professional players from similar backgrounds on the TV screen. “When I

started out it was a very white middle-class game, says Keith. “But rugby is changing with greater diversity coming through. Courtney Lawes (originally from Hackney) is an example of someone from a similar background to these guys and he is a role model for England.” One youngster who’d agree with this assessment is Denzil Agyei, a tighthead prop from Tulse Hill who plays for the Harlequins school development team. Humble and hardworking, Agyei has hopes of following one role model from similar surroundings into the professional setup one day. “Darryl Marfo went to my school and plays for Harlequins as a prop now, too,” he observes. “Hopefully next year I’ll have a chance to enter the proper academy as well.” The 14-year-old has only played the game for two years but isn’t phased by posh teammates who’ve participated from an earlier age. “Some people at school make fun of me and say ‘You’re not gonna make it’, but I know why I’m doing this,” says Denzil. “It’s not a posh sport anymore but normal people from all walks of life don’t wanna get involved. They think football is the only sport out there.” Programmes such as the Hitz scheme and School Of Hard Knocks provide opportunities to engage communities and are gradually making rugby look more like its host nation. Rugby still has some way to go before it encourages participation on the scale of football, but the core values of the game should ensure more attraction at the grassroots level. And with the next World Cup set to be held on these isles in 2015, the fervour and passion generated by recent Olympics success stories can continue to leave a legacy for young people of all classes. And who knows? Maybe one day those kids at the chicken shop will be playing on the wing rather than tucking into those of a spicy variety.

f e at u r e s

end of the rainbow? Illustration Natalia Nazimek 21

Words Monwar Hussain 17

Itâ&#x20AC;&#x2122;s still difficult to be gay and to be accepted as a Muslim. Why? Monwar Hussain explores

f e at u r e s

Everyone has stereotypical ideas. So, as a Muslim, when I found out that some of my co-religionists are gay, my mind nearly exploded. I was shocked to find out that there are gay people who consider themselves fully Muslim. As far as I knew, these two things – homosexuality and Islam – could never be compatible. Despite me being an avid fan of The Big Bang Theory, which would make me quite rational, I have to admit that when it comes to my knowledge of gay people in general, I’m a bit lost. So rather than stay in my profound state of ignorance, I thought I’d drop my stereotypes and find out more. There are five Muslim countries, as well as northern Nigeria, which currently prescribe the death penalty for homosexuality. And in many other Muslim countries it is a crime, prosecuted with fines and jail time. Many in the western press were aghast when Qatar was awarded the 2022 FIFA World Cup, as it’s illegal to be gay in that country. In the UK, gay Muslims can freely express their sexuality, although many choose not to. So do gay Muslims believe their sexuality is no barrier to practising their faith? Abdul Azeem is a gay Muslim who came out in his mid twenties. “I went Hajj [the main Islamic pilgrimage to Mecca] when I was 15 because I was gay and I thought it was an illness. I prayed to Allah to make me better. But I realised I couldn’t change it. I couldn’t marry a woman and live a lie. Should I live a lie? I believe I’m gay and a Muslim too because I won’t reject my faith.”

“I believe i’m gay, and a Muslim too because I won’t reject my faith” Most people believe that Islam condemns homosexuality. Scott Siraj al-Huqq Kugle is the author of Homosexuality In Islam and is a professor at Emory University in Atlanta, USA, in the department of Middle Eastern and South Asian Studies. He believes it’s all a matter of interpretation. “There are some verses of the Qur’an that are interpreted in a way that condemn homosexual men. There are other alternative interpretations, which are just as attentive to the scriptural text, which do not see [the story of Sodom and Gomorrah] as one which condemns homosexuals, but rather one which condemns rape.” Amjad Khan is a 26-year-old Muslim who is writing a book about his experiences, agrees. “I found it hard to accept my sexuality and also make sense of my religion, especially when I heard Imams and worshippers at my local mosque condemning homosexuality… [now] I am comfortable in my own skin. One of the most fundamental teachings in the Holy Qur’an is the fact that Allah is the most merciful and the most loving. No one has the right to point fingers at me for being gay and Muslim. I don’t lead a double life, I am quite confident about myself and who I am.” Despite being able to freely express their sexuality, many gay Muslims fear the consequences from the wider community. A 2009 poll by Gallup showed that out of 500 Muslims interviewed, none believed that homosexuality was ‘morally acceptable’. This may explain why organisations such as Imaan offer LGBT advice to Muslims. Imaan is based in Tower Hamlets, a borough with a high number of Muslims. But they were reluctant to answer our questions, insisting this was a ‘very busy’ time of year for them. Another organisation, which supports young Muslims on a variety of issues, would only speak to

us on condition of anonymity. “We have contact from young Muslims who are struggling with their sexuality,” they said. “Our primary aim is to provide emotional support and alleviate the loneliness that young British Muslims may experience. We provide them with a safe space to talk through their feelings. We do not offer religious advice/rulings, however. If a service user wants that then we give them the details for a religious scholar.”

A 2009 poll showed that out of 500 Muslims interviewed, none believed that homosexuality was ‘morally acceptable’ When even the support organisations are reluctant to go on the record, you can see how hard it must be for individuals. You wonder, for example, how gay Muslims socialise? “We meet at the local mosque, park, bars, clubs, pretty much anywhere and everywhere,” says Amjad Khan. “My parents know about me, but they don’t dwell on it. My mother is fine as long as I’m dating a professional practising Muslim. But my father is a little anti the idea… Muslim parents love their children but unfortunately they’re also concerned as to what the wider community think, what the Imams would say.” Khan is confident and positive: “I wouldn’t consider myself lonely in any way. I have gay friends who are Muslim, quite a large number; in fact three of my long term boyfriends have been Muslim too. I know people who are of similar background and faith, so being lonely is not something I suffer from, fortunately. But I can understand gay Muslims in the West suffering in silence and not questioning or understanding themselves due to the restraints society imposes.” So is it any different for Muslim lesbians? Anjum is an adult Londoner. ”There are Muslim lesbian and gay groups; many may find it hard to come out, but then so do many other people. Society is discriminating. Until relationships between parents and children become more open, communicative, respectful, and support is given to the young person, many relationships [between parents and young people] will remain in a place that is dominated by controlling any unwanted sexuality’. Is she open about her sexuality? “Yes, I’m open about who I am, I couldn’t stand it if I had to pretend to be someone I’m not.” “The Qur’an enjoins Muslims to think, to reflect, to critically analyse and then to believe,” says scholar Scott al-Hugg Kugle. “I wrote to give people hope, because many LGBT Muslims suffer silently. Often their religious advisors or elders condemn them rather than listen. This is a terrible situation and it leads to despair, self-loathing and destructive behaviour. But God is more merciful than anyone can imagine! My book as a message of hope for those who have been told God hates them or condemns them. The world is not so simple, and we should never reduce God to fit our prejudice.” My quest to find out what it’s like being a gay Muslim has really opened my eyes, even though it was almost impossible to get anyone to talk to me. But if you were to ask if I’ve become pro- or antigay, I’d say neither. Instead I have become pro-choice. It’s your life, make your choices and live without regrets.

make it l a s t

Who knows best about making your money last? LIVE’s iram sarwar finds out Over the last year, LIVE has gone deep into the world of money. Now, for the last in our series of articles with Barclays Money Skills, we’ve asked readers, young entrepreneurs, and financial experts about how they make their personal money go that extra mile.

founder of scented earphone company, Juicy Electronics

Live contributor

georgia agrippa 15

Georgia Agrippa,15 What are your money saving tips? Be careful. I end up spending money when I’m out with my friends, which isn’t needed. I end up spending money I haven’t got. How do you make your money last? I’ll take a packed lunch and don’t spend money if I don’t need to. How do you manage your banking? I have an under 16s bank account which makes it easier for me to control the money I have.

georgia agrippa 15

Simon Azouelos, 25 What are your money saving tips? It’s simple: keep an eye on incomings and outgoings. I find it easier to do everything online. How do you make your money last? I plan in advance and buy things as cheap as possible. I also have separate accounts for different things, and avoid loans. What are your tips for budding entrepreneurs? Be careful with spending, and pay yourself a salary, however small.

What should young people do to make sure they’re financially secure in the future? Save! If you don’t have a bank account, get a piggy bank. Entrepreneur behind enterprise and investment group ABEIG

Personal finance correspondant, Money Journalist The Guardian

at The Guardian

georgia agrippa 15

Adam Bradford, 19 What are your money saving tips? People want holidays and nights out, but if you’ve not got the money, it’s better to save.

georgia agrippa 15

Rupert Jones

How do you make your money stretch? I budget days, weeks and months ahead and avoid credit, overdrafts and loans.

How can you make banking easier? Don’t get a credit card! I didn’t get one til I was 30.

What are your tips for budding entrepreneurs? Start small and build it up. You don’t have to make a million pounds from day one.

What your best advice on making money last? If you’re starting work, join the pension scheme. It’s free money and will contribute to your future.

What’s your advice for LIVE readers on managing money? Actually manage your money! Don’t expect your parents or a bank to magically help if you fall into debt.

Photos Jennifer Olayinka 19

How can you make banking easier? Check your account and how much you spend. Keep to spending your actual money instead of loans and credit cards as it gets more complicated and can lead to debt.

Words Iram Sarwar 20

What are your money saving tips? Make a weekly budget. If you’re prone to spending, take cash out for a week and leave the debit card at home.

I N A S S O C I AT I O N W I T H B A R C L AY S m o n e y s k i l l s Barclays apprentice, Walthamstow branch

Entrepreneur and one winner of Barclays and Channel 4’s competition The Stake, which offered the chance to win a share of £100k to fund an idea that would make a difference to the community

georgia agrippa 15

George Mpanga, 21 What are your money saving tips? The biggest tip is making sure to get quotes for products and services. You need to get a good deal. How do you make your personal money stretch? I prioritise, I decide what’s important and what I can do without. This saves a lot of money! How can you make banking easier? I’ve got different accounts for different priorities. I’ve got a long-term savings account and a short-term one. If you book an appointment with an advisor, they can tell you the options you have as different accounts have different advantages. What are your tips for budding entrepreneurs? Know your game and whatever you do, know the competition. You always need to learn and keep your mind wide open. What advice you would give LIVE readers on managing their money? Think ahead and don’t get too excited with small amounts of money.

Business Student at University of Derby

georgia agrippa 15

Janki Parmar, 21 What are your money saving tips? I split my wages 60/40. I save 60% and live with the 40%. I take out how much I plan to spend and use my debit cards only for emergencies. How do you make your personal money stretch? I plan in advance so if I know I’m going out with friends, I know how much to take with me and how much I can spend. How can you make banking easier? I wouldn’t go for credit cards, they can be more hassle than they’re worth. But if you’re stuck, speak to an advisor.

georgia agrippa 15

Louise Starke, 18 What are your money saving tips? Having a savings account really helps because you can put your money aside or even lock it in a place where you know you can’t touch it. I’ve put some money away which I can’t touch until I’m 26, because then I know it’s there for the things I want in the future rather than just spending it all each month. What is the best way to get the most out of your money? It’s really important to work out what needs paying first. You might have bills like rent, gas and electric and if you don’t pay those first you can have problems later on. How can you make banking easier? Mobiles are a really good way to do your banking. Lots of my friends use Barclays Pingit app and mobile banking to pay people or to check their balance. What should young people do to make sure they’re financially secure in the future? Make sure you’re keeping track and writing it all down so that you’re aware of what you’re spending and can plan ahead. You might think you’ve got money in your account but when you check, the money you thought you had may have gone through a direct debit, so it’s important to be aware and to have a plan. Where do you go for help and advice about money? I think you should ask someone who knows what it’s like to live on a budget. I ask my mum because when I was growing up she was a single mum and has experience of having to manage on her own.

For more on managing your money, including articles on how to budget and keep track of your money, and a handy online budget calculator, visit www.barclaysmoneyskills.com Barclays is recruiting 1,000 apprentices and is looking for young people aged 16-24, even if they’ve not worked before or haven’t got qualifications. Apprentices get a salary, training and a guaranteed permanent role if they complete the programme. To apply or find out more visit www.jobs.barclays.co.uk/apprenticeships

What advice you would give LIVE readers on managing their money? Don’t touch your savings account! I have a100 day notice one so I can only take money out when I need to. Don’t get drawn into shopping just because you got paid.

KNOW WHAT YOU WANT TO BE? THEN, BEGIN YOUR JOURNEY. Lambeth College Brixton | Clapham | Vauxhall

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Gain the skills, qualifications and work experience needed to secure the job of your dreams, start your own business or get into university. Mica Walters has just completed her Design – BTEC Level 3 Diploma course at Lambeth College’s Clapham centre and is now destined for Greenwich University where she will begin studying for a BA (HONS) Degree in Graphic Design. “Studying Design has been really great for me. I have learnt so much from my brilliant tutors and now I’m going to university. My ideal job would be in branding and corporate design and advertising. Thank you Lambeth College!”

For further information, call us or visit our website t:

020 7501 5000

www.lambethcollege.ac.uk

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f e at u r e s

Different Class It’s 8am on a Monday morning and your blazer’s on the back of your chair, at your Academy school. It’s going to be a long day because school doesn’t ﬁnish until 5.30pm. You’re doing O Level Latin, while some of your friends have gone off to their CSE groups (they’re doing woodwork) and it seems like there’s always another booster class or Saturday school to make sure you’re making the grade. Summer can’t come soon enough, although it only lasts three weeks now, since school decided to get rid of the long holiday and extend the school day. Since September, classes have been non-stop and gruelling; the teachers have become like robots since their pay was linked to performance – which means they get paid if you succeed – and they don’t even understand what it’s like. All they care about is making sure you’re trained to get the best grades in the area. Everything’s also got stricter since the government decided that what mattered was what parents want, and unsurprisingly, what parents want is more focus on behaviour and results. On the ﬂipside, if you’re 16-18, and you’ve been in care or if you’re on Income Support, you’ll get a yearly bursary of £1,200 instead of the longabolished Education Maintenance Allowance.

Illustration Andre Zoom 20

Words Omar Shahid 20

But back to reality. We don’t know if your local comp will be turned into something this extreme in the future, but you can bet your dinner money that schools are heading for radical change. As well as academies and free schools there are new studio schools opening, run by businesses including Aston Villa Football Club and Hilton Hotels, where students aged 14-19 follow a curriculum based around enterprise and employability skills. There are University Technical Colleges (UTCs) which combine academic studies with a practical

skill like construction, engineering or design, and there are now over 100 Co-operative schools, which prefer collaboration to competition. Basically, schools are changing in every possible way, and it’s all down to a man called Michael Gove. The education system clearly needs improvement, and since becoming Education Secretary in 2010, Gove has been on a mission to radically transform it. He is bold and outspoken, and he is very popular with much of the Conservative party. His ideas are likely to have a huge impact on anyone who’s still at school. Let’s be clear: much of education has failed us and it needs renovating. We lag behind other countries; not only have literacy rates stalled since 2005, according to Ofsted’s chief inspector Sir Michael Wilshaw, but 15-year-olds in England are at least six months behind those in Japan, Canada and Singapore, according to the Department of Education. Our current system is time-warped, incapable of addressing the fast-moving times we are living in – and the even faster-moving times that lie ahead. While Gove is correct in thinking that the education system requires more rigour, he should also remember that teachers need more, not less, ﬂexibility and we need to be encouraged to be creative, so that we can stay equipped for the challenges our modern, globalised world throws at us. So Michael Gove has come up with some ideas that he says schools should follow. This includes encouraging students to take the EBacc, also known as the Baccalaureate – where insists your GCSEs must

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include maths, English, science, a language, history or geography – and primary schools must get pupils reciting poetry, learning their timetables up to 12 by age nine and how to multiply and divide fractions by age 11. The rigidity Gove is proposing is not necessarily a problem, as long as schools and pupils also have a say in the curriculum, according to Joe Hallgarton, an education expert and director of Education for the RSA, a charity committed to ﬁnding solutions to today’s social challenges. “If there is a combination of what Gove sees as important and what schools and pupils see as important, it could make a good, potent mix that would meet the needs of all young people,” he says. He makes a good point: who is asking the youth what we want from school? While literacy and numeracy should be the base of our education, more value needs to be placed on art, music, design and technology and religious education. Hallgerton is worried that arts may dwindle in a system obsessed with exams and employability. “I have a real concern about the place of the arts within the curriculum. I think they might be really squeezed, particularly within less conﬁdent schools,” he says.

Our world is changing fast and we must think ahead, for example by embracing Twitter, which gives you access to knowledge-banks unparalleled anywhere else The Government seems to be actively belittling creative subjects and, in doing so, it fails to understand either their economic or social value in today’s world. In the last 10 years, the creative sector – that’s everything from music and film to advertising and media and architecture and design – was the second fastest-growing economy in the UK, generating a significant number of jobs. We may not export much by way of manufacturing like Germany or China, but people still look to us for innovation in the arts. “The system needs to understand that not all students are bright in science, maths or history, but that should not be the be all or end all for them. There needs to be more to offer for these students,” says Sherish Aftab, a 23-year-old London-based English teacher. And, of course, Gove wants to replace GCSEs with O Levels for academic students and CSEs for everyone else. “My personal view is that it would be very, very foolish to have to separate qualifications,” says Hallgarton. “What you need is one single qualification which is called GCSEs – why change the name? – which enables the most able to be very challenged, and makes sure those less academically able have a benchmark that they can aspire to and employers value. All that can be done within a single qualification.

the moment your schools choose between different exam boards, but government concerns that this has led to a ‘dumbing-down’ of GCSEs might mean we end up with one single examining authority. “I would like healthy competition between exam boards and all of them to be regulated so that there really is equality,” Hallgarton says. A single syllabus will also allow the Government to have a signiﬁcant say in deciding what is taught, whether that be which Shakespeare play or which poet to study – so our inner city schools, with their vast racial and cultural diversity, might be obliged to read the same books as home counties students. But, essentially, what’s really needed – and what needs to be drawn out of students – is creativity, something innate to everyone. Paul Collard, chief executive at the Arts Council-funded Creativity, Culture and Education (CCE) believes “by the time children are 14 or 15 they have been taught not to be curious”, a view echoed by education advisor and public speaker Ken Robinson in the hugely popular (11m views) TED talk on whether schools kill creativity. Our world is changing faster than ever and we must think ahead, for example by embracing Twitter, a fantastic resource if used effectively. By following the right people you have access to knowledge-banks unparalleled anywhere else, which is why it should be incorporated into school life. It can be fun, too. Photographer Billy Rowlinson, 18, has just left Thomas Tallis School in Kidbrooke, a place which promotes creative learning. Not only is social media encouraged by many teachers there, but the school bought iPads and iPods for them to use as part of the learning process. “It wasn’t just the creative subjects, but English, maths and science are embracing new technology,” he says. “We’re taking the tools that we use outside the classroom and we’re using them in the classroom. Skills that aren’t normally taught in schools are taught here. “Teachers encourage us to take risks. Other schools stick to the rules. But being able to take risks, you develop in yourself. It’s more real, it prepares you for future life. It has helped me develop as a person.” The experts would agree: Creativity, Culture and Education ran a programme called Creative Partnerships, which worked with one million children and 90,000 teachers. Young people who attended Creative Partnerships’ activities made, on average, the equivalent of 2.5 grades more progress in GCSEs, while teaching skills improved by 94%. Surely this is just the kind of proven beneﬁt Gove is after, but CP’s Government funding was cut last year. “There is a growing gap between the most creative and the least creative schools. The most creative are giving opportunities to be creative like never before. The less creative schools, especially where grades are low, think behaviour is the most important thing to target,” Hallgarton says. While Michael Gove’s plans for rigour are welcome, there should be a balance – we need creativity and freedom as well.

Whether you like it or not, school’s about to change forever.

Illustration Naomi Wharton 20

Gove’s plans will also lead to a more monolithic exam system. At

Words Ade Onibada 20

The O-level and CSE system was designed over 50 years ago, when our economy needed far more manual jobs and people were expected to ‘know their place’ in a more meritocratic education system. “I think the plans are ridiculous. Times have changed, and it is about moving forward, not backwards. And it would be nonsensical to have teachers, who did not even do O-Levels themselves as students, to be teaching them to the next generation,” says Aftab.

Futurologist Thomas Frey points out that 60% of the jobs that we’ll be doing in ten years time haven’t even been invented yet, and schools need to reﬂect the future, not the past. “I’m quite optimistic about the future of education in the country,” says Hallgarten, “partly because we have made big progress over the last few years and I think we’re ready to build on that progress. Young children are being taken more seriously and they’re being told more honestly about the qualiﬁcations they need.”

Everything is available online and teachers make virtual hologram lessons that can be played if they’re absent – which means no more annoying supply teachers. We’ve got regular Skype homework sessions, personalised interactive textbooks and dropboxes for homework.

Technology

Teachers take us beyond the traditional methods of learning and build lessons around a range of locations outside of school. And yep, we’ve got properly integrated work experience.

Off-site learning

Ideally we’d have abolished exams, but realistically, that wasn’t possible. But we have got a system that values our educational experience over just hitting certain grades at a certain time.

Exams

Resident policeman works in each school, along with community members who help keep everyone as safe as possible.

Safety

The school is run on the premise of communal support. The governors are made up of active community members, representing the different ethnic groups in school, and the student voice is strong thanks to representation from young people who’ve progressed through the school.

Leaders

There’s a practical dynamic to lessons, and lots of crossover between subjects such as art and science so we can use all the parts of our brains. History covers a broad range of culture.

Curriculum

Everyone’s always messing around with school. But who asks us? Here’s how schools would look if LIVE were in charge

DREAM SCHOOL

Different Class

Days off as a reward for good results and commendations. You get vouchers from the (reasonably priced) canteen if you do well.

Rewards

Each year group has study space, sofas, magazines, TV, newspapers (including LIVE, of course) and there’s a sports centre that’s free for students and has classes like yoga and martial arts.

Common room

It’s widely accepted that a quick power nap during the day can reinvigorate. So why not provide spaces for them? Also studies have shown beneﬁts to health and mood from starting the school day at 9.00 instead of 8.30.

more Sleep

The walls work as an exhibition of student art that changes all the time, according to subjects. There’s a garden, or at least some green space.

Artwork

Our teachers are authoritative, not domineering, coming from all sorts of backgrounds. We are free to say if we’re not pleased with their methods, which means that everyone gets to learn from each other. We’ve got regular visiting celebrities and experts.

Teachers

It’s easy to fall back when there are 30 people in a class. We’ve got classes of 10, especially for harder subjects. We’re not demoralised because there’s hardly any streaming. Classes include driving lessons, sport, cooking, music and a wider choice of language, with big subjects like maths built around relevant things like budgeting.

Lessons

f e at u r e s

JME

lowdown Boy Better Know’s poster

boy is commited to grime, but still draws an incredibly varied fanbase. They admire his wit and 22m views. The Murking video features kids in Cameron and Queen masks, rollerskaters and students. Secret Weapon Followed by 177k

but follows nobody. Quizzed on his refusal to follow back, he replies “I’m in my own world”. He tweets hyperactively, posting his stream of consciousness to grime heads, Beliebers and Tumblr kings and queens. Top crossover BBK’s remix of Chief Keef’s

I Don’t Like.

Next steps Upping fans and followers at

Rinse’s 18th birthday bash.

Jessie Ware

lowdown Hackney’s queen of cool crosses boundaries by being an electro-soul diva. Her songs are all romance and heartbreak, but her swagger over imaginative beats gives her mass appeal. Secret Weapon Super-cool collabs with famed Bristol house DJ Julio Bashmore, SBTRKT and Joker. As a result, she possesses a unique identity that calls for lovers of dance and pop to unite. Aaliyah reborn as Katy B’s cool big sister. Top crossover Newly released Sweet Talk includes production reminiscent of Daft Punk and sounds destined for radio. Simple brilliance. Next steps Now that her album’s everywhere, we’re assuming America’s next.

CRISS CROSS

UK music has always done things differently, which is why this country invents new genres of music regularly. We’re also listening differently – now that new music’s constantly available, we’ve become more demanding as consumers. Over here at LIVE we’ve noticed a trend for artists crossing boundaries and uniting tastes in a way that they haven’t before, with grime and indie kids sharing music collections with dedicated electronic heads, something we suspect is going to lead to even more forward-thinking, imaginative music. Here’s a selection of some of our favourite artists appealing to people across the board – and their secret weapon.

Disclosure

The lowdown The pair, brothers aged 16 and 19, do things differently with their brand of thoughtful and melodic dance. Despite their hardedged heritage, Disclosure’s music is accessible – it’s radio-friendly yet subversive, danceable yet chilled. The duo’s craft is multi-dimensional and therefore successful.

Words Joe Dolling 16

Secret Weapon Garage – they may not have fully experienced its birth, but the Croydon-based duo use this to their advantage, paying homage with subtle hints. But Disclosure’s music has a broader, more modern appeal.

T.E.E.D

The lowdown Orlando Higginbottom was a choirboy before getting heavily into jungle. Radiating the ﬂamboyance of the best indie bands, as T.E.E.D (Totally Enormous Extinct Dinosaurs) he makes bouncy, Hot Chip-py electro house that has to be danced to. Secret Weapon Famous for intricate headdresses that look either like dinosaurs, Native Americans or crazy bug-headed insects, and performing alongside ‘dino-dancers’ onstage, performance is TEED’s secret weapon. He draws a crowd.

Top crossover tune Their bubbling, metallic remix of Jessie Ware’s Running has captivated the blogosphere over the past few months.

Top crossover Household Goods is infectious. Out-and-out dance heads will aim to lose themselves in American Dream Pt. II, whereas Stronger lends itself to those revelling in late-night love-fuelled thoughts.

Next steps Following the release of the The Face EP in June, Disclosure’s debut album is expected next year.

Next steps Expect international tours this autumn to turbo-boost his crossover appeal.

inside gen

tired of being written off, generation next is authoring its own future. Zindzi rocque-drayton explains how

“We are the product of our times, of our legacy of messiness/ Of misdirected energies, and self-obsessive tendencies” Best Intentions In Britain 2012, young people are bearing the brunt of the worst economic situation since the 1930s. The gloom of double-dip recession has resulted in more than a million of us unemployed, while those who follow education face up to £9,000 a year tuition fees without even the guarantee of a job at the end of it. Threats to welfare, such as the announcement that under-25s will be denied housing benefits, will result in a generation of young people stunted in adolescence. How can we mature into independent adults if our mums are still washing our clothes? With no way to move out and no money to earn, our generation seems to be losing. “See I’m here to speak for everyone that never got a look in/ The one’s that hate the crooked, wicked nature of the system” End Times But hard times have revealed our resilience. Generation Next are tapping into our entrepreneurial spirit, determined to prove the recession is nothing but a mindset. “I heard there was a recession, but I decided not to take part,” says Shane Boothe, founder of Eco Boothe, an eco-friendly cleaning company. It is this defiant attitude that will define the success of our generation. Generation Next has shown that all it takes is an original idea to give young businesspeople, like Shane, a valued, profit-making place in society. “I speak from the heart, and I do what I love/That’s why your rules ain’t enough to stop me from making my own” Renegade

Used to life moving as fast as the click of a button, Generation Next aren’t waiting for things to happen for us, we’re out there making it happen now. Such as LIVE’s Creative Director, Andre Anderson, who wrote an entire book in just 18 days on his Blackberry and self-published it, releasing his words throughout London. Bukki (page 44) is a key example of the self-belief and entrepreneurial zeal that defines us. Fired from her sales assistant job at Topshop, she started her own label. Why sell other people’s clothes for £7 an hour, when she could make and sell her own designs? Five months after getting the boot, she has her own concession in the very same high street giant. Not everyone will succeed, and some will give up without even trying, but the bleak atmosphere has made those with talent and confidence even more determined to prove their worth to a society that sees us as a threat. “We’re not flesh, we’re all energy/I only care about genius, I don’t care about celebrity” Renegade The internet means for the first time in history the world is genuinely our oyster. Generation Next is living the future and with greater connectivity and social networking has come a desire to share our ideas and inspire others. Success is no longer based on what you can do for yourself, but how you can help those around you. Sebastian Theil (page 45) founded UpShot TV to create an online platform for his positive videos, inspiring others through comedy, music and spoken word. The ability to engage with others is the real mark of success in 2012.

Words Zindzi RocqueDrayton

In the age of Facebook, when everyone has their own miniwebsite, the personal brand is the future. By becoming their craft, Generation Next are living in a society with nothing to lose, the members of Generation Next highlighted across the next but everything to gain. Forced to get creative, we’re driven by four pages – including cover star Kate Tempest, whose words instinct and passion. Gen Next poster boy Jamal Edwards started decorate this page – have forged their own brand doing what out ﬁlming foxes in his garden and uploading the footage onto comes naturally. YouTube, before moving on to the grime artists on his estate. By using the resources available on his own doorstep, Jamal turned “Nothing’s new, nothing’s old/It’s all now, it’s only ever now” Line In The Sand SBTV into a company worth an estimated £6 million. How can the rest of us create our own empires? Sure, right now things might not look so pretty, but ours is a “I used to storm the stages uninvited, far too excited/I had generation seeking its own solutions. Generation Next is living the something to say and I couldn’t hide it” Renegade future, now.

c o v e r f e at u r e

Sto warn

Kate Tempest is our cover star because she’s exactly the kind of powerful, outspoken, nonconformist talent that we’re celebrating this issue. Generation Next starts here

In a theatre at Latitude, out in the hills of Suffolk, a 26-year-old poet, spoken word artist and writer is performing. Fists clenched, she stares at the audience. ‘We don’t know the names of our neighbours/ But we do know the names of the rich and famous.’ Her words ring around the stalls, echoing through eardrums and shivering through spines. This is Kate Tempest in the midst of performing Brand New Ancients, the follow-up to her first play, W.A.S.T.E.D, which also saw its preview at Latitude last year. But this is still unfamiliar territory – or at least uncomfortable territory – for Kate. “I put playwrights on this pedestal, it’s just an incredibly disciplined form,” she says in a south London park a week later. “I’ve got so far to go.” From hip hop fiend with her band Sound Of Rum to newly instated playwright with commissions from the Battersea Arts Centre and Pains Plough, Kate is the perfect embodiment of the positivity that can come from disaffected youth. From the near-apocalyptic scene in her poem Cannibal Kids (‘There ain’t no royalty left’) to the fearful Revelation (‘We’re separated, we’re polarised/Our own wisdom is hated’), Kate echoes a message worth telling. Her future is bright. She’s just headlined the Old Vic Theatre to a soldout crowd, while a follow-up to Brand New Ancients is reaching its final stages. Two new albums, one with Sound Of Rum, one a solo effort, are in the works, along with her first book Everything Speaks In Its Own Way, a full-length poetry collection that includes a book, CD and DVD.

“As soon as I walked into anything where people were gathered I couldn’t even enjoy the music, I just needed that microphone” You could say that Kate is sky high, living her dream, but she’s not convinced she’s even started yet, despite the fact that the audience for her poetry and music is expanding rapidly, thanks in part to public support from Ghostpoet, old-school hip hop legend Chuck ‘Public Enemy’ D and even Radio 1. “There’s something I’m trying to say, and there’s a message I want to spread, but I’m not there yet,” she says. “I want to leave a legacy, maybe I never will… maybe I’ll only get that moment when I die.”

Photos Henry Houdini 24

Words Robbie Wojciechowski 18

Growing up on the streets of Lewisham, south-east London, Kate was always inspired by a love for the graphic and urban, but as a

torm torm arning ning blonde-haired white girl with a self-confessed indifference to her appearance, she soon found herself running into problems. “I wasn’t that engaged with school, I wasn’t getting on with my family, I was a bit out on a limb,” she says. Back in her early teens she went in to a local record shop to get some work experience. “They put me in the hardcore ragga and R&B section and, as a 14year-old girl, I looked out of place,” she remembers. “I learnt a lot about how to deal with looking like a fish out of water.” One year later, Kate was writing in secret, spurred on by her childhood friend Quake, now the drummer in her backing band Brand New Ancients, to find her own voice. Spitting bars from the safety of her bedroom, Kate would spill a childhood of reading onto the page, finding hip hop the perfect format. “Then all of a sudden all this secret writing I was doing, I could do and be safe doing it because of the bravery you get from hip hop,” she says.

“I want to shout less and be heard more. There’s something about that young anger that can make people not want to listen” By 16, Kate was grabbing mics from the hands of MCs at squat party raves, taking over stages at the New Cross Inn and Amersham Arms, spurred on by a conviction that what she was saying had to be heard. “I remember having this insane, obsessive hunger as soon as I walked into anything where people were gathered listening to music,” she says. “I couldn’t even enjoy the music, my body wouldn’t stand still, I just needed that microphone.” She’d found her calling, and the stage was her setting. “When I put pen to paper, everything made sense in a way that it didn’t when I wasn’t doing that,” she says. “It was my way of communicating.” She looks back on it now as being incredibly embarrassing, but at the time, these unofﬁcial battles gave Kate a chance to break away from the stereotypes. “If you

go through life in a certain way being pigeonholed, not really fitting into any category, then getting the mic was a chance to change people’s preconceptions,” she says. But now, on top of Hilly Fields, Lewisham, an older and more mature character, Kate realises why people were put off. “When I was young I had all this anger,” she says, “and I still have it, but I want to shout less and be heard more. There’s something about that young anger that can make people not want to listen. I’m in a more positive place than I’ve been for a long time, I’m really happy, I’m in love.” But when her thoughts turn to the state of Britain, her tone darkens. “How are we going to tell these kids to change their territorial mentality and their anger, if that’s what we’re being fed from since when we could eat?” In love she may be, but Kate’s poems are still fired with a furious intensity; she just can’t let things brush over her. Her attitude seems to parallel Plan B, whose recent iLL Manors project bears comparison with Kate’s Brand New Ancients. Both spot the change in this generation, a readiness to question power. “Every generation that comes through challenges the ideals of the previous generation,” she says. “But not only are the new generation coming up and challenging those ideals, the whole world is rising up.” And Kate says she’s learnt to channel her aggression: “My complaint is much more satisfactorily made if I make it an artistic journey rather than a political one. I’m not out to change the world, I just want to know more.” Still, there’s an essence of revolution visible in Kate’s work, from the racy Renegade to the questioning End Times. “Revolution is a cycle,” she says, “and maybe that cycle is coming again.” Watching Brand New Ancients, it certainly seems that way. But to her, this social change is not one she welcomes. Poems like Cannibal Kids speak of youth taught to step on the necks of others to get what they want (‘we are the products of such a violent nation’). Kate Tempest has come a long way from the days of nicking mics off MCs. “I’m on a really long journey that I hope is a life-long journey. It’s never going to be it, I’m never going to be satisfied, I can be better, the work can be better. I want to do writing justice.”

c o v e r f e at u r e

the chocolatier Another youngster dropping bars? Difference is, Louis’s are made of chocolate “Yes, this is Louis.” With a maturity that belies his 20 years, Louis Barnett is prepped in interview etiquette. He coolly recounts his story: diagnosed with learning difficulties including dyslexia and dyspraxia, he was withdrawn from formal education by his parents. But he’s become one of the UK’ s most recognised young entrepreneurs. Chokolit, a company that began in Louis’s mother’s kitchen, now exports to over 20 countries a catalogue of delicious delights, including his prized sea salt, black pepper and honeycomb chocolate bar. “I was trying to put it into as many different forms as I could and eventually I turned it into a chocolate bar. I’ve got weird taste buds but others obviously like it too,” he says. Louis launched his company aged 12, becoming Europe’s youngest startup entrepreneur (“I didn’t even know what the word meant”) . Visiting Waitrose’s offices, everyone assumed Chokolit was his parents’ company. But age was help and hindrance. “People do applaud because you’re young and not sitting on a park bench, but out there pursuing a future,” he says. “But we do live in a very ageist world and the idea that you’ve got to be 50 before you know what you’re talking about is something that must change.” Louis believes our detractors have got us wrong. “We are very intelligent consumers because of the way we interpret data, we’re connected to our peers and a lot more globally aware,” he says. “Yes, we procrastinate, we can be a little lazy, but young people here aren’t taught to find their passion.” This visionary ambassador of chocolate has certainly found his. (AO)

ne the designer

From the sack to the clothes rack, designer Bukki shows how to come back in style Rejection can be hard to take. But when Bukki Ojo, 19, was ﬁred from Topshop it was the best thing that ever happened to her. Not that she saw it that way at the time. “It was so, so hurtful. I just got chucked out of the building and as soon as I was out I was crying. This was my stable income just thrown away basically,” she recalls.

But this year she made a triumphant return to the shopﬂoor when they started selling her clothing line Bukki, an ethnic-inspired brand for men and women aged 16–26. Her twist is to bring African fabrics together with vintage denim. “When I see African fabric being used, it’s used way too much,” she says. “People from different cultures aren’t responding well to it; they feel that only African people can wear African fabrics. I’m just trying to make it as any other fabric.” Bukki is a commited young person and this attitude has helped her career to progress. “I feel many young people give up too easily and this is why maybe our generation is seen negatively,” she says. “Start speaking what you want; the power of the tongue is very strong. There are many organisations willing to support young people, but you need to make sure your idea is saleable. This Bukki is going to be so much more than what it is now, a brand that can reach out to all different aspects.”

Words Ade Onibada 20

Words Campbell Kenny 22

Words Kamilla Baiden 21

Words Margaret Zawedde 15

Above all, Bukki never lets her bad experiences keep her from what she wants. “Sometimes they can lead you to do so much more,” she afﬁrms. Doubtless her old Topshop manager would agree with her. (MZ)

c o v e r f e at u r e

the director

Sebastian Thiel, the modest entrepreneur on a mission to engage There are not many young people who can add businessman, ﬁlm director and winner of numerous entrepreneurial competitions to their list of achievements – but the modest Sebastian Thiel is one. Not only has he founded entertainment company UPSHOT, he’s also directed a short ﬁlm, Illegal Activity, which was screened at BAFTA. And he isn’t stopping yet. Sebastian’s achievements began way back in 2007, when he set up a clothing brand promoting positive ideas. “I like to do things which have a meaning,” he says. “It has a more powerful impact.” It wasn’t long before UPSHOT mushroomed into the multimedia entertainment brand it is today, using clothing and video to deliver uplifting messages, such as the t-shirts with “protect your dreams” emblazoned on the chest and the UPSHOT poetry series. After winning numerous media competitions, such as Google’s Zeitgeist Young Minds in 2011, Sebastian used his winnings to buy equipment and editing software, teaching himself new skills with online videos. Now a freelance director, cameraman and editor, Sebastian proves youthful entrepreneurial sprit is very much alive. “A lot of [young] people are scared to do things,” he says. “They don’t have the knowledge – but that’s just what they think. They need to just take the step.” Sebastian is passionate about changing, rather than accepting, the media’s poor portrayal of young people. “We need more youth-led projects and content,” he says. “We need our own media outlets – things done by young people, showing what we’re about.” (KB)

the inventor

Inventor Emily Cummins started out making a toothpaste dispenser for her granddad. Now she’s at the forefront of sustainable design

When Emily Cummins was four she picked up a hammer and an inventor was born. Now, aged 24, she is taking serious strides in the campaign for sustainable production and starting a revolution in education. As a child, Emily was used to creating things for herself using her granddad’s tools, but when the chance arose to invent something for others, she discovered her real passion. “I saw a real-life problem to be solved, and the best thing was to see my invention being used to overcome that problem,” she says.

She started with a GCSE project to make a toothpaste dispenser for her arthritic grandfather, but soon turned to poverty-stricken areas of Africa. Recognising that giving people the means to help themselves is crucial, she ensured her inventions could be used by those who needed them with materials that were easily available. Despite receiving a number of prestigious awards, including Barclays Woman of the Year, Emily says her most exciting experiences have come from mentoring children. She hopes to inspire the young to understand their opportunity and promise and is determined to be part of the “long-overdue education revolution” with a series of educational apps due for release in the near future. Emily is an inspiration, a testament to what can be achieved by seizing opportunity, approaching challenges with creativity and practicality and by being determined to make a change. “Some people believe they just need to go out there and make as much money as possible,” she says. “But my concern was always making a real difference in people’s lives.” (CK)

Members only SWAG is for kids, class is forever

Creative Director: Fiona Aber Project Manager: Celeste Houlker Photography: Risikat Bello Photography Assistant: Shereen Brown Stylists: Dakota, Suzanne Haynes, Helene Kleih, Sabrina, Jonathan Lawson, Levi Ibrahim, Saskie Logan and Quincy Make-Up Artist: Rachel Odunuga of Rayjeweled Beauty

Opposite page: Helene wears crop polo neck by ASOS; sheer maxi skirt by Missguided.co.uk; blazer by Lipsy.co.uk; shoes by Doll Boutiq Shelby wears black maxi dress by Missguided.co.uk; blue platforms by Simmi; jacket by Motel Rocks; pearls stylist’s own Miguel wears shirt, waist coat, trousers, bow tie and shoes by Topman

Helene wears Black Dress HQ dress; Sam Edelman shoe; Accessories (Stylist’s own) Shelby wears Missguided dress; Primark shoes Miguel wears American Apparel white shirt; Junk De Luxe jacket; Topman trousers; shoes; ASOS watch

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f e at u r e s

rough justice From The Wire’s ‘Bodymore’ to Judge Dredd’s Mega-City One, Wood Harris has run the meanest streets. He tells Jacob Stolworthy why this Dredd is the baddest of them all

Most will know him as Avon Barksdale, original gangster in acclaimed series The Wire. But now Wood Harris is adding another name to his roll call of iconic screen villains, as Kay, in Dredd. This new incarnation of 2000AD’s infamous Judge Dredd, a one-man legal system-cum-vigilante squad, is riding his motorcycle back onto the big screen, where he will hopefully make its predecessor (Sylvester Stallone’s infamous 1995 turkey) a distant memory. Wood Harris tells us why Keith Urban’s Dredd will be the Judge’s definitive trial. LIVE: So Wood, what are you currently up to? Wood: I’m in Los Angeles right now. Been on Broadway in New York, but soon I’ll be coming to the West End in A Streetcar Named Desire. I’m playing Mitch. I’m in your neighbourhood in September for that. Can you tell us about your role in Dredd? [My character] Kay is a member of the Ma-Ma clan, a group of vigilantes. Dredd’s set in the future and in that time, we live in giant megacities with 800,000 to a million people living in them. We’re ruthless, there’s no stopping us from being absolutely terrible. And in comes Dredd. My character is working with Lena Headey’s character, Ma-Ma, and we’re just the bad guys. I understood what the role was like when I met with director Pete (Travis) in Los Angeles – any actor wants to define their character. We shot in Africa. My job was to stretch Kay as much as I could. I’m being rescued by the good guys even though I’m one of the main bad guys. How is Dredd compared to other comic book heroes, like Batman? The thing about him is… he’s Everyman. He’s not a rich guy who can afford gadgets, he just has what he has in the future. All these heroes have years of development, so I wouldn’t really compare Dredd to anyone. It seems like something that’s not science-fiction, but science-fact. This is more grounded in reality. There’s no Joker or group of wealthy bad guys. He’s the police. We may like Dredd, but the question is, what is the judge, jury and executioner doing zipping through the city on a motorcycle? One person with that much power, that’s a scary thought. He’s an anti-hero to me. Can he actually be a hero? A good Judge Dredd film should make you wonder that.

Words Jacob Stolworthy 21

How does this film differ from the 1995 Sylvester Stallone version? It’s completely different. Hopefully that film’s been forgotten. I hate to say that about the work people do, but it’s bad. This Dredd is more of a film; that one is more of a movie. I could take myself downtown and make a movie. The acting’s great in this film. You know you’re gonna see Dredd again, he’s very big internationally, but his growth was stunted by that mediocre attempt. It was kind of hokey. Stallone has a lot of influence and power, but Karl (Urban) is the only Judge Dredd on film.

You’re best known for your role as Avon Barksdale in The Wire. How does that make you feel? For a while, I didn’t want to hear about it. But I will say this: we’re so fortunate to have been in The Wire – me, Idris (Elba), Mike Williams, Dominic (West). It’s a classic, now it’s known as the best show ever. We’re all so proud to be a part of it. We’re over not wanting to talk about it, now we’re talking about how it’s evolved. It’s unbelievable, it was a labour of love for us, we just wanted to be these characters. I was mostly with Idris (Stringer Bell) and Mike Williams (Omar). Those guys are like family. We put the time in for the purpose of the story – not so that years later it would be considered a great show. There are so many characters in the show that really are from Baltimore. Me, Idris – it took time for people to accept us as speaking actors. Why do you think it has evolved as such a modern classic? I don’t know why, I didn’t watch it – my method was to be away from the story. I only read what I needed to know in the scripts. I didn’t want to know what the police were doing on page 19, ‘cos otherwise Avon would know. People know more about The Wire than I do! Do you find you have a particular loyalty to television? No, I am loyal to the way of telling a story. A lot of drama shows on American television are terrible. And now the reality shows are taking over. I don’t watch Kim Kardashian and all that. But I’m loyal and committed to the arts – any actor has to be – and the loyalty and commitment go together. With the cast, there’s a respect. Now we can say together, we were part of the best show ever. I don’t necessarily believe it – it’s something that just puts a smile on my face. After the first season, they didn’t know what to do with us. The writers were writing it as they went along, and the fans were going, “Where’s Barksdale? Where’s Stringer Bell?” So the fans who wrote into HBO really instigated those characters coming back. I know Avon Barksdale – in real life. I recently did a documentary film about him. That’s the thing people don’t know – he’s a real person, it changed his life. Now he’s like a celebrity. Back to Dredd: scriptwriter Alex Garland has been vocal about a possible trilogy. Can you see that happening? Certainly – at least a trilogy! Dredd can continue being in films ‘cos it’s so close to home. It’s so possible to see this dark world. Instead of throwing us into the future, I think it really expresses that the evolution is possible; because of that, Dredd can be permanent in the film sector. I think that Judge Dredd hasn’t really been presented to us yet. This is the first film to present him accurately. The fanfare will begin. Karl really made it an unforgettable performance, he was in character the whole time. I don’t feel like I met him! (laughs)

Dredd is in cinemas from 7 September. Wood will next be seen on the West End in A Streetcar Named Desire.

regulars

cooking with: Josh Osho We celebrate Independence Day the Jamaican way with ackee and salt fish in Brixton and Nigerian-Irish R&B singer Josh Osho

Have I got to tidy this up?

Against the backdrop of a cosy Brixton garden, the sun occasionally peeks through the abundant clouds, glistening on the camping stoves on an overcast August afternoon. But this isn’t just any August afternoon; the LIVE team are patiently awaiting south London-singer Josh Osho and his culinary skills. We asked Josh in advance what he wanted to cook for us, and the Nigerian-Irish cutiepie surprised us with ackee and salt fish. “I wanted to do something really complex, he says. “But then I thought I’d feel under pressure, so I decided to do something simple and colourful, and it’s even more apt because it was Jamaican Independence Day yesterday.”  Josh is full of energy, despite partying the previous night away at the Puma Jamaican Independence party. He admits, though, that he’s a bit of a lightweight these days when it comes to partying, having burnt himself out as a youth in Brixton haunts Mass and Fridge Bar.

yeah boi!

“cooking for girls is my ace card” As Josh cuts the peppers and onions, he does the mandatory phone call to his mum to check he’s doing everything correctly. It’s not the first time his mum has bailed him out of a sticky situation. He claims he’s a natural in the kitchen and that cooking for girls is his “ace card”, but confesses that the first time he cooked for a date he actually got his mum to do everything bar chuck it in the pan. And what did the lucky girl get to eat that evening? “Well, I made a chicken Kiev-type thing.” He insists it was a gourmet delicacy “and not one of those breaded Iceland things!” Sure Josh, we believe you! Other than wooing the ladies with food, especially whilse on tour, he takes his choice of meals very seriously. “Nando’s! That’s literally it. But M&S do these little salad box things and on tour it’s hard to get good food.” His dream is to get his hands on a prestigious Nando’s Black Card, insisting he’s 12 years into a deep love affair with the peri-peri restaurant. Away from the kitchen, Josh is busy working on his music and has just announced he’ll be performing at this summer’s V Festival, as well as releasing a mixtape and single with American rapper-comedian-actor Childish Gambino. So how did a 21-year-old boy from south London managed to collab with US stars like Childish or Ghostface? “I met him at a studio in Shepherd’s Bush,” he says. “We spoke into the early hours of the morning about everything – life, our come-up, loads of bits and bobs man. He’s a wonderful person. And then he jumped on Giants.”

Photography Jennifer Olayinka 19

KeishaMonique Joseph 21

Words

As the ackee and salt fish is frying nicely, we take a break to discuss fashion. He believes his music and fashion sense are similar, that he simply does what he likes when he feels

regulars

The next ingredient is... wait for it... smouldering eyes

like it. His attire for the day includes tailored-to-fit army pants, a pair of tan leather shoes “with five previous owners”, and a retro bomber jacket from vintage store Rokit. Luckily he’s a tidy cook and the dapper gear remains spotless while we wait to be fed. “One day I’ll find a proper job,” he tells me as he dishes up the meal. Apart from a few pieces of burnt plantain, there’s nothing left over from the afternoon once the rest of the LIVE team have dug in, too. Josh leaves to find a guitarist for a song he’s working on and I’m left to wash up the pots and plates. I guess Josh has no intention of swapping the studio for the kitchen, but if he wants to become the next Ainsley Harriott I sure wouldn’t complain. So long as his mum’s standing by the phone.

going in!

Giants is out October 8 on Island. His album L.I.F.E is due in November.

Watch josh osho cook up inna brixton yard ON our Youtube channel www.youtube.com/livemaguk

I n a s s o c i at i o n w i t h t h e U LT I M AT E s e m i n a r

the takeover

wanna be the next russell simmons? music biz springboard the Ultimate seminar is back at the Bme schooling the next generation with all they need to know www.theultimateseminar.com

Every kid dreams of being a pop star, but let’s be honest – only a few make it. So what’s the next best thing? Working in the music industry and rubbing shoulders with the superstars. This October sees The Ultimate Seminar return to the British Music Experience with its unique event, which aims to open the doors to the creative industries. The series of panels with frontline speakers and industry legends helps you learn, network and come away empowered and ready to take the next step.

the next playa

despite warnings from parents, teachers and friends, Leanne Joseph STILL wants to work in the music industry Picture it: your teacher, UCAS form in hand, asks you what you want to do with your life. You give the honest answer and her face forms a question mark. Maybe teachers just aren’t used to girls telling them they want to work in the music industry, especially when their siblings have both been to uni and the oldest has just graduated with a first-class degree. I’ve been getting this puzzled reaction regularly. I did my first bit of work experience in the music industry at my local radio station three years ago, aged14, and decided this was the life for me. Though those around me supported the work experience, few took me seriously when I said I wanted to make a career of it. “It’s a dying industry,” they said. “It’s full of horrible people. I mean look at Simon Cowell!”. “Why would you want to work for free?” And the clear favourite, over and over again: “No one – NO ONE! – makes money from music anymore.” But despite hearing this on a daily basis, my drive didn’t dwindle. And why would it? Few people find out what they really want to do with their life at a young age, if ever, so to know exactly what my goal was wasn’t daunting, it was a blessing.

Words Leanne Joseph 17

And with that, I got to work. My journey began with my blog Buzzinunlimited, where I wrote about the new acts I found and developed my journalism skills. Through social media my blog grew steadily in popularity and I made sure I met as many people as I could in the industry, attending gigs and music seminars. This, and a great

deal of persistence, paid off, and I did work-experience placements at 1Xtra, MTV The Wrap Up, Universal and more. Then I landed my first industry position as LIVE’s music editor while doing my GCSEs. This was a big step for me – the first time I’d been given real responsibility. Of course I made mistakes, but I learnt from them. My blog then led to my first paid industry job as a scout for a management company, aged 16, which helped me onto getting a job at a record label a month before my 17th birthday. Now deeper into the industry, I’ve heard and seen a few things that echo those voices of doom. But I’ve also experienced many wonderful events that leave the bad stuff cowering in the shadows, including attending The Brits ceremony earlier this year. For me, working in the music industry isn’t about meeting celebrities (though that helps!), getting into gigs for free (that helps also!) and travelling across the world working for an artist (hasn’t happened yet, but I’m sure it would really help!); it’s the thrill of knowing that no two days are ever the same. Music is an ever-evolving beast that continues to grow in more ways than one. The industry is rapidly adapting, as making money just from music is no longer enough most of the time. Many would shirk from this continuous high-speed change, but I see it as a new challenge that I face every day. With this need to adapt comes a whole new outlook on music, a new influx of inventive ideas that can turn a song into a No.1 album, then a headline tour and, if all goes to plan, seeing your artist from the side of the stage as they entertain a crowd of 100,000. Yes there’s much to dislike about the industry – the extremely long hours, including weekends, the risk of failure as the artist you invest in might not have that hit, and the fact that you always seem to be too busy for friends, family and precious sleep. But the bottom line is I wake up every morning knowing I get paid to listen to music. What could be better than that?

meet the panellists

Marvyn Harrison

Show, Music Is My Drug

events organiser with Sunday

Why did you choose this industry? I just loved music. I had a passion and energy for the artform. How did you get in? I hounded someone working in music and they showed me the ropes. What’s the biggest music industry myth? That it’s a rip-off and artists don’t get looked after. There is no evil great big machine, but it is a business. What do you look for in someone when hiring? Knowledge, temperament and passion. Any need-to-knows? Know what sector you want to work in and the key people there. Be polite to everyone at every level and carpe diem. One thing you’d change about the industry? Nothing, don’t change the beast. Adapt yourself.

Martha Kinn

Gus Isidore

guitarist, songwriter and session musician

Why did you choose this industry? Music runs in my family. My brother Conrad played drums for Joe Cocker, Stephen Stills and Jimi Hendrix and my father made me practise for eight hours per day from age 10. Where did you begin? By 16, I mastered the guitar playing and joined a band, The Foundations. We had several hits: Build Me Up Buttercup and Baby, Now That I Found You. In 1977 we recorded the album Dandy In The Underworld with T-Rex’s Marc Bolan. What’s the biggest music industry myth? That you can be a superstar overnight. So many people have come and gone before they even knew what happened. Being an artist requires so many attributes and a thick skin. Name one thing you’d change about the industry. The quick-fix mentality. The celebrity status has been abused by the idea of being an overnight sensation. That’s fuelled by talent shows that have infested the mindset of competitors. There are no short cuts. What are your career lows? How technology has taken away the need for musicians to record together. Music has become too processed and segregated. And the highs? Playing with Phil Lynott, recording with Peter Gabriel and working with Seal for so many years. Plus having the best job in the world.

manages Rizzle Kicks, Alley Cat Management

How did you get into music management? After university, I was a journalism intern and always at gigs, reviewing shows. I met Rizzle Kicks when I was assistant at a management company. Six months later, I was managing them with my partner Joey and our own management company, Alley Cat. By then, Rizzle Kicks had a publishing deal and were about to sign a record deal. What are the essential skills? There’s lots of internal politics so you’ve got to manage relationships and make sure you’re polite to everyone. We’ve also got to think about the bigger picture, think ahead and cope with high pressure. Also passion and wanting it, being willing to do whatever it takes. What have been your career lows? Sometimes I’ve worked with people who aren’t very respectful and put you down. That’s really hard. And the highs? Going to the Brits this year was amazing. We were all at the afterparty, dancing with Florence And The Machine and James Corden. And last year Rizzle Kicks played at Ibiza Rocks. Just being on that beach and thinking ‘this is my job’ was an absolutely amazing feeling.

Kwame

manager at ATC, consultant, songwriter, producer

How did you get into the industry? I was in four bands at the same time. One of them supported Michael Jackson, Prince, James Brown and En Vogue. What do you look for in someone when hiring? Perseverance, tenacity and trust. If I need something done, I need to know they’ll do it and do it early. What have been your career highs? Discovering Rumer and Shola Ama and supporting Michael Jackson at Wembley. And the lows? Thinking I could jump from being in a band to being a manager really quickly. I learnt that I had to pay my dues.

regulars

live challenge

House Dance

A dance lover, but not a dancer, Jacob RobertsMensah dares himself to finally step up

Words Jacob RobertsMensah, 18

I only learned about the existence of the style after attending the last-ever EastPak

‘

purely led by passion and charisma. I’d never seen any other streetdance styles this free or expressive. One dancer explained that their enjoyment of the music moves through their bodies to create one harmonious energy, exuding a feeling of enlightenment. Makes so much sense, right?

As part of my LIVE Challenge, I met inspirational choreographers and dancers such as Bly Richards of Plague Dance Crew and Mark Calape of A-team (formerly known as Animainax, winners of Move Like Michael Jackson), as well as people from all over the country who’d travel to compete in battles, attending workshops and honing their craft. The key spot is London’s renowned Trocadero House dance, like the music it’s named after, Underground, between Piccadilly Circus and originated in the clubs of Chicago and New the Trocadero Entertainment, where crews York and is rapidly growing in popularity, and turn up to train, to network and to show off is taught in almost every dance school and their skills. Everything about that place is studio around the country. It is predominantly cool; even the grafﬁti on the walls adds to ‘freestyle’ aka you make it up as you go along that real raw vibe and infuses you with the – and you can sense just by watching that it’s energy to dance.

I’ve danced with Michael Jackson, Madonna and Justin Timberlake… in my head

Photography Monique Todd 20

Dance is huge in the UK, where people dance for fun, recreation, socialising and for health. Research undertaken by the Foundation for Community Dance in 2000 identiﬁed over 73,000 participatory projects, engaging over 4.7 million people. But I’ve never really been a dancer, more a dance enthusiast, spending hours on YouTube watching choreography from all over the world and spectating at showcases in London. I naturally gravitated towards hip hop choreography until this summer, when I discovered house dance.

Throwdown – the number one hip hop dance battle night at Plan B in Brixton. What I witnessed that night, apart from an incredible sense of community, where it seemed everyone knew everyone else, was a smooth ﬂuid upper body movement coupled with complex foot and ﬂoorwork to different styles of house music. I was swept away and knew I had to be a part of it.

‘

I. Love. Dance. Michael Jackson, Madonna, Justin Timberlake, I’ve danced with all of them… in my head. I’ve loved dance ever since I performed in my high school’s freshman variety show back home in Ghana (embarrassing memories). My love for it has just increased ever since, via dance shows and the British streetdance scene.

regulars

So who is Brooklyn Terry? You’re wondering. Oh, just one of the main contributors to the development of house dance. I mean, if you want to get into credentials, this guy has choreographed and performed with artists such as Mariah Carey, Will Smith, Whitney Houston, Lil Kim and many more, so yeah, you could say he’s a big deal! He’s also been around since time: “I remember when only, like, 30 people were doing this,” he tells me. I decided my quest to become a house dancer would start with lessons from an original. He taught four highly anticipated classes at the Central YMCA over the weekend, with over 150 people registered to attend. So no pressure, then. The thought of taking my ﬁrst ever house dance class with a bona ﬁde legend was exciting, but also a little intimidating. Brooklyn began by saying he wasn’t going to teach us how to win battles or competition, but how to move and appreciate the dance. So he literally started from zero, focusing on the more socially interactive and enjoyable side of the dance. We went through all the basic footwork and hip movements and I learnt a lot of the lingo, expanding my house dance vocabulary, which had previously been

confined to one word – the shuffle (thank you, any steps I had problems with, which was Saturday Night Fever). pretty much all of them. Brooklyn reassured us that house dance is “not all technical”. Score, I was thinking, until we actually started with the footwork. My two left feet felt like complete strangers bumping into each other. I was so bad I made the person next to me seem like the best house dancer in the world. I just couldn’t get how to move my feet fast and in time without thinking too hard about it and looking like an idiot. The people around me kindly went over a few of the moves with me and, as time went on, I began to get some of them down pat. Growing in confidence, I even began to demonstrate a few, such as ‘the farmer’ and ‘loose legs’, to my fellow beginners.

‘

I’ll admit, I was hooked. So when I found out through my new house dance buddies that Brooklyn Terry Wright was coming to teach here in the UK, I knew this was my moment.

My legs were hurting in parts I’d only heard of in biology class

Further into the class, all my inhibitions had evaporated and I was having the time of my life in the front row. By now I’d stopped caring about the rest of the class and was simply enjoying the music. While they took water breaks, I stayed on the ﬂoor practising the combinations so that I wouldn’t fall behind again. Man, it was tough, but Brooklyn was very approachable and happy to go over

My legs were hurting in parts I’d only heard of in biology class, but I wanted to do more. It was addictive. I asked him about its popularity boom. He explained that’s not without a downside: “It’s way too popular now,” he said. “I think development has stopped because it has become homogenised.” He also insisted dancers shouldn’t pigeonhole themselves as house or hip hop, just as dancers. “It encompasses all styles” says Brooklyn. House music has inﬂuences from Latin, African, even jazz, so this gives you the space to incorporate all these moves in your freestyles. I’m looking forward to dropping some azonto in there (my fellow Ghanaians will get that). I learnt from my new cronies the one simple rule of house dance: you just have to enjoy it. That may sound clichéd, but once I started to relax, it felt more natural; so much so, I’ve started to randomly bust out some steps at bus stops and train stations. I don’t mind the weird looks I get. After my attempt at mastering house dance I can safely say that Brooklyn is my homie and I can do a mean pas de bourrée. Right now I’m looking forward to joining the cyphers at Trocadero and taking more classes because you can never stop learning. House dancing ain’t easy, but it sure is FUN!

Music

Sound Advice

= essential music = Good Stuff = Worth a listen = I’ll Pass = Meh...

Albums

BLOC PARTY

Four

Bloc Party have been off our radar for a while, but their new album Four is a return to form, a beast fed on electric guitars and complex drums. Moving from the dark noises of 3x3 to the peaceful moments in V.A.L.I.S, it transcends both genre and sound. While the lead singles Octopus and Day Four will steal the plaudits, it’s the grungy four-minute adrenaline shot of Kettling that’s the most riveting. There may have been fights and underwhelming solo efforts over the last few years, but this party isn’t over – it’s booming. (Ryan W)

Lucy Rose

Like I Used To

Warwick-born singersongwriter Lucy Rose has gained a following for her gentle, love-dazed songs, inspired by Neil Young, and has been glorified by Bombay Bicycle Club on a number of vocal features. Her debut, Like I Used To has a vibrant, relaxed downtempo feel that helps you escape the frenzied chaos of autumn in London. The second track on the record, Middle Of The Bed, is the standout here, but Lines also offers up a whirlwind of wonder. I’m slowly becoming a big fan of the acoustic wonder that is Lucy. I can’t recommend this enough. (KS)

Press Play

JESSIE WARE

Devotion

Bringing an air of ‘90s soul to new-age pop, south London’s Jessie Ware turns mainstream music on its head with her debut album Devotion. To the smooth bass of classic soul, Ware adds an understated element of cool futuristic pop. The album has an effortless flow of soft R&B mixed with tender dub-pop production, particularly in No To Love, Sweet Talk and the single Running, a twist and a tribute to old-school R&B artists from TLC to Aaliyah. With Devotion, Ware has cast a spell over your eardrums and wrapped you in so tight you can’t help but be enchanted. (LJ)

TAME IMPALA

Lonerism

Tame Impala were never an easy band to get into, drifting somewhere in the ambient space-time continuum of The Beatles and the psychedelic 13th Floor Elevators. After Innerspeaker, their first studio record, dropped to mass acclaim, they return with Lonerism, a record harking back to a more experimental time. Be ready for glowing harmonies and distant excursions into a world of acid-fuelled indulgence. I wasn’t ready for this record, but pre-conceptions are there to be challenged, and Tame Impala’s second effort certainly isn’t something to be put down quickly. Give it time, and it’ll release itself. (Robbie W)

WE CAUGHT UP WITH DRU WAKELY FROM MIDNIGHT BEAST TO SEE WHAT HE LISTENS TO ON HIS IPOD WHEN HE’S NOT BUSY SPOOFING KE$HA

What have you been listening to recently?

I just downloaded Bonobo’s album Black Sands as recommended by a friend.

Do you have a song on your iPod that you always skip?

Not really, I only tend to skip a track if I’ve heard it way too much recently.

What’s your guilty pleasure?

Ego by The Saturdays. It’s a rare pop song that I actually appreciate for what it is. It’s very driving and there’s some nice harmonies in it, too.

What track have you always played since you first heard it?

Feeling This by Blink 182. I first heard this when they were recording their self-titled album. I was following video blogs of them in the studio and haven’t stopped playing it since.

What forthcoming track or album are you most excited about having?

Words Ryan Woods 18

Words Michelle Tiwo 21

Words Kundai Sakala 19

Words Robbie Wojciechowsk i 18

Words Leanne Joseph 17

Hadouken!’s new album and also (Eminem’s supergroup) Slaughterhouse’s album and mixtape.

Music

inside word

welcome to the new column from music Ed Leanne Joseph. This issue, it’s all about the co-sign

We’re in the era of a simple belief: you’re nobody until somebody says you are. Yes, it’s the priceless co-sign, with which comes the rise of the music collective. With American cliques, from Young Money Cash Money (Drake, Nicki Minaj) to Maybach Music (Rick Ross, Triple C’s) so dominant, what is Britain’s input? Many notable UK crews came bursting out of the grime scene, from the lesser-known but well-respected likes of Ruff Sqwad and More Fire to famous charttoppers Roll Deep and Boy Better Know. But none have yet claimed the mantle in the UK as the group to be reckoned with, the one that all others seek to emulate.

to believe these guys will gain enough mainstream radio play to really storm the UK scene the way their music otherwise deserves.

So what about the more A&R-friendly Last Night In Paris? With rappers, producers and singers among their number, their distinctive graphic style, ‘less is more’ attitude to releasing music and ‘Paris’ lifestyle, as displayed in their Twitter talk and footage of their Paris parties (basically just hanging out in a London hotel), the group have gained an impressive online following, both from the public and the music industry. In particular, singers Rainy Milo and Tara Carosielli are the hot A&R tips and have already moved on, having But with the clique on a comeback, is all used LNIP as a useful stepping stone. With that about to change? Two current collectives striking looks and powerful vocals, Rainy bears from the capital, Piff Gang and Last Night In Paris, comparison to Amy Winehouse. are both manoeuvring themselves into potentially winning spots. First up, the 10-man Both these groups seem to be creating an Piff Gang, who hail from North London. With element of cool and mystique, but will that their laidback raps, strong blog presence and translate into iconic albums? Hard to tell, but an a support slot for American star Mac Miller, artist’s evolution is often more exciting than the the group are riding a wave of popularity with final product, so let’s sit back and watch the underground hip hop fans. But with their constant talent of these collectives develop as we, in The references to a certain green substance, it’s hard Weeknd’s words, keep loving the crew.

Two to watch JAMIE ISAAC Jamie Isaac is the latest poster boy for hapless romantic youth. Adulthood is a daunting prospect. “I wouldn’t class myself as a man,” says the 18-year-old. “I’m still a boy who doesn’t know what he’s doing.” Walking between lonely spaces, he stands vacant and alone. “I like the idea of pretending to be happy, but actually feeling like shit,” he says. “I love the sense of uncertainty, and still being quite uncomfortable.” He’s still defining himself as a person, but his music is poignant, bleeding its metaphors for teenage angst through off-beat drops and clean ascending guitars onto the London music scene. Keep an eye on this kid. (Robbie W)

SYRON

Remember the days of old-school garage laced with husky vocals? Good, then you’re more than ready for Syron. Her work with Rudimental and MNEK on Spoons has had LIVE’s ears tweaked for a while. Now her first single Breaking is making the rolls on the blogs with its fresh approach to house. The 19-year-old South Londoner describes her solo music as “a mixture of house and garage beats, with soulful lyrics, melodies and vocals, and elements of hip-hop, garage, dance music and R&B... basically everything I’m into thrown into one”. Through the Rudimental single, solo tracks, and collaboration with producer Solo, Syron has a sharp buzz and, with it, pressure to deliver a winner. But she’s doing things on her own terms. “I’ve been working hard, developing my sound and making sure when I release things, I’m 100% happy.” (MT)

I n A s s o c i at i o n w i t h u n d e r c o v e r

BOOK CLUB Margaret

I think it’s the diversity that makes the book different and enjoyable to read. What I liked the most was how the theme was different to anything I’ve ever read.

ElI Luca, because Arian was very short tempered. Chloe Luca – he is just perfection. Josh Well I’m a guy so, just speaking on behalf of a

female, I would choose Arian. He’s not the typical guy they would choose.

Lilly

I wouldn’t pick either of them. Arian was too rude and Luca was willing to kill her, which isn’t that attractive.

Josh

What’s your favourite part?

Who was your favourite character?

When Frost tries to run from the camp where she was trapped, and Luca ﬁnds her, then they rescue these women who are trapped by the bandits.

Lilly

Chloe Luca, because he’s handsome. Josh Arian. At ﬁrst he is cruel, blunt and unloving Lilly Livia the healer because she was able to

Margaret Frost. Her ambition and courageous attitude was what did it for me.

Chloe

A plague might have caused more chaos, but I found the book appealing because I’m a sucker for romance.

Margaret A time-travel aspect would’ve been

great. I can imagine Frost living in the everyday modern world, having a ﬂashback on life as a warrior. I’m not too keen on ﬁction, but I enjoyed this book and being in this fantasy.

I make intricate playlists for each book. I get inspiration by taking my dog for walks, from watching ﬁlms, visiting new places, even art or cooking or singing. But you have to realise that inspiration isn’t the milkman. It won’t turn up every day by eight; sometimes it won’t turn up at all, so you have to be willing to write anyway.

In FrostFire the main character is seen as a heroine as well as a villain. Why?

That’s interesting, because I think of Frost as [looking] very similar to a Native American of our world! When Frost ﬁrst appeared to me, I must admit she had me fooled – her great physical strength, her weapon of choice, and her obsession with being as strong as her dead father convinced me for a while that she was a boy! That took a few chapters to sort out.

In one of your interviews you said you love traditional fairy stories. Do you try and connect them with your books?

Sometimes I take ideas from fairytales or mythology. Frost’s berserk rages in FrostFire were inspired by tales of Cú Chulainn, the great Irish warrior who ﬂew into warp-spasms when threatened, and by Norse myths and Japanese traditions that talk about berserker rages that overtake great ﬁghters.

What advice have you got for future authors?

Give yourself permission to suck, because you will. Write down the wrong words until you figure out what the right ones are. You can fix everything else later. The only thing you can’t fix is a blank page.

ELi CHLOE JOSH Margaret LILLY

Words Josh Correia 15

@ZMarriott @WalkerBooksUK thezoe-trope.blogspot.co.uk

Words Eli Anguelova 16

Words Chloe Douglas 18

The VERDICTS!

Where do you get your inspiration from?

While reading FrostFire, Frost the main character reminded me of Pocahontas. Is there a tale behind Frost’s character?

but once he opens up his softer side you notice he genuinely cares for Frost.

so what star rating would our readers give this issue’s book club read? over to you...

FrostFire author Zoe knew she wanted to be a writer from the age of seven

It really came from my second book, Daughter of the Flames. FrostFire is a companion novel to that story. My motto when writing the ﬁrst book was ‘there is no such thing as black and white’. I wanted all the characters to be capable of both great things and terrible things. I wanted the story to show that it’s never too late for redemption.

When Frost threw herself in the ﬁre and got to see her father, which explained how everything happened before she was born.

make Frost feel welcome and at home.

This book has got a bit of history in it. If you were rewriting it, what would you add?

Meet the author

Words Lilly Reuel 15

There is a love triangle between Frost, Luca and Arian. If you were in her position who would you pick?

Chloe

I love the historical twist because it’s not just fantasy, it’s got some truth behind it all.

Words Margaret Zawedde 15

Aida Frost is a different type of heroine – possessed by a demon and bringing death everywhere she goes. Do you like the unusual twists in this book?

Words Aida Gugsa 17

head over to www.undercoverreads.com to watch the trailer

Books Editor Aida Gugsa speaks to five Live bookworms about Zoe Marriott’s latest novel, FrostFire, in the third meeting of our book club. Frost is possessed by a wolf DEmon and she is on the run from her home after bandits invade the village. To prove she is not the enemy she befriends warriors Luca and Arian. this book is about the Cursed, the Betrayed, the Imprisoned. will she find in liberation in love?

E n t e r ta i n m e n t

Fully Booked

Love Books? love to write? Go To spinebreakers.co.uk

= Just Read It!! = Good Stuff = Worth a Read = I’ll Pass = Meh...

Diabolical Cynthia Leitich Smith [Walkers]

Diabolical is a fast-paced, thrilling and slightly romantic novel set in a perfect fantasy world for teenagers and adults, featuring creatures such as werepeople, vampires, angels and demons who witness the ultimate battle between Big Boss (aka God) and Lucifer. Each chapter is written from the point of view of a different character, which made me feel more empathetic towards them, consequently helping me understand the story that much better. Cynthia Leitich Smith has wielded immense power to grab and engage your attention and this book, as the cover rightly points out, will provide you with a ‘hell of a ride’. (RP)

Carnival Of Souls

Melissa Marr (Harper Collins) Ditching the feyness of her Wicked Lovely series, Marr focuses

on the world of witches and daimons, where a rigid caste system forces the desperate and power hungry into an annual gladiatorial battle. The inhabitants of The City are also searching for their tyrant’s beloved daughter, Mallory, who remains in the human world, training for the day she can ﬁght daimons. This changeling plot line and the relationship between Mallory and daimon Kaleb are standard fantasy fare, but Marr draws you in through her peripheral characters and immersive world building. Although often quite predictable, Carnival Of Souls is an enjoyable start to a new series. (CF)

Umbrella Will Self (Bloomsbury)

Umbrella is a novel of great scope that chronicles the life of Audrey Death who contracts encephalitis lethargica, a disease that leaves its victims in a statue-like state. Self’s books have never been known for their succinctness and, as such, the novel can be overwrought in describing the minutiae of each character’s life and routine. Using words such as ‘vermiculated’ and ‘dropsical’ may put some people off Umbrella straight away, but those who persevere through his multi-layered prose will be rewarded with one of the most intricate and complex novels of the decade, one that will leave a lasting impression on those who read it. (DW)

Bloody Nasty People: The Rise of Britain’s Far Right Daniel Trilling (Verso Books)

Words Dan Wilkinson 20

Words Ciara Franck 18

Words Ade Onibada 20

Words Reemma Puredath 15

Words Aida Gugsa 17

The trained eye will immediately recognise the title’s acronym refers to the most successful far-right party in modern British politics. Trilling manages the strenuous task of detailing the history of the growing movement in a clear and concise manner. He unearths the evolutionary process the BNP has undergone to achieve its electoral success. Trilling also reveals a much darker history riddled with violence and plagued with sensationalism. The jargon may prove too much to remember, but this book is a great read and an accurate representation of Britain’s relationship with race. (AO)

Live Classic To Kill A Mockingbird Harper Lee (arrow books)

Fifty-two years after being published and To Kill A Mockingbird is still legendary. Setting it during the Great Depression in an old town in Alabama, Harper Lee wrote about racism, oppression and injustice when these were still very sensitive issues. The novel is centred on a six-year-old girl, Scout Finch, and her brother, Jem, who live with their lawyer father, Atticus. When black sharecropper Tom Robinson is accused of raping a white woman called Mayella Ewell, Atticus agrees to defend him, a courageous decision in the racist Deep South. But can Atticus win the case? This novel reads like you’ve got hold of Harper’s memoirs, like you’re there with her. Harper Lee may have only published one book, but it is up there with the classics. If there is one book you have to read before you die, it is deﬁnitely this one. (AG)

E n t e r ta i n m e n t

Front Row

= Just Watch It! = Good Stuff = Worth a view = I’ll Pass = Meh...

Popcorn at the ready, we usher you to your cinema seat

Review

Now Is Good

The Imposter

Seventeen-year-old Tessa (Dakota Fanning) is terminally ill with leukaemia and determined to lose her virginity before her time comes to an end. Realising she doesn’t want to lose it casually, she falls for someone she likes, but their relationship is full of clichés and cheesy lines. Fanning plays the rebellious teenager believably, with a sense of spontaneity and knowing what she wants from life (or what she has left of it). Though the ending is predictable, it’s genuinely emotional. But ultimately Now Is Good is a fine idea that could have been done far better had it been more daring. (HR)

Nicholas Barclay disappeared aged 13: four years later, he was found in Spain. Only the boy is not Nicholas Barclay, but a 23-year-old imposter. British director Bart Layton, unphased by the extraordinary material, depicts this true story with enthralling tension. To say anything more would be to ruin the enjoyment, but The Imposter transcends expectation in the most chilling of ways, including interviews with the boy’s family and the imposter who retells his story with brutal honesty. By the time the film closes, your emotions will be shredded. No fake, this is one of the most mesmerising watches of the year. (JS)

August 24

September 19

Live Classic

A Hundred Years Of Musical Masala Two of India’s greatest stars are in the UK to celebrate the run-up to the centenary of the Bollywood musical.

“It’s a once-in-a-lifetime event with romantic songs, devotional, classics in Punjabi and Hindi. We will create something new.”

Husband-wife duo Roop Kumar Rathod and Sunali Rathod are playback singers, the voices behind the songs you hear in the movies, singing for superstars like Shah Rukh Khan. This September they’ll celebrate the anniversary with a tour that has them singing Bollywood hits. But right now they’re holding court in a West End hotel.

Music and Bollywood go hand in hand. Alam Ara (1931), India’s first sound film, set the tone for the next 80 years in the industry. Since then, Indian films have been termed ‘masala movies’ – extravagant, melodramatic affairs packed with catchy dance numbers.

The tour’s focus is “celebration, celebration, celebration,” says Roop, in between bursting into song.

“Music is an integral part of Indian films,” says Sunali. Roop adds, “You cannot separate music from our culture and society, and that includes films.” (SS) Celebrate The Legends is in Birmingham, Leicester and London, September 5-8

From Russia with Love appearance after the Dr No opener the previous year.

(1963)

The plot is no doubt zany, with 007 purposefully falling into an assassination ploy in an attempt to find a device stolen by recurring enemies SPECTRE, but high in tension, conspiracy and charisma. It might look slow next to Bourne or Batman, but made in the days before gadgetry turned to gimmickry, From Russia With Love has a genuine case for being the coolest of all the Bond films. (JS)

Words Snehal Shah 18

Returnee director Terence Young near-faultlessly picks up 007 where we left him after a slyly crafted trick opening entices you into his world of espionage. Time is applied to exploring Bond’s relationship with series stalwarts, M and Miss Moneypenny (set to return in Skyfall by way of Naomie Harris), while introducing some of the more memorable villains. Words Hannah McKellerRicketts 19

Words Jacob Stolworthy 21

With James Bond steering his Aston Martin back into cinemas this Autumn in Skyfall (out October 26), it may be time to seek out past entries in the world’s longest-running film franchise. Perhaps now is the time to learn, if you didn’t already, that before Daniel Craig there were even bigger dogs filling the shoes of the Martini-sipper. Best of all, perhaps, Sean Connery – and there’s no better film to underline that than From Russia With Love (1963), Bond’s second

More Film Reviews, Interviews and Previews online www.live-magazine.co.uk

Game On

E n t e r ta i n m e n t

Console Yourself

Calm down people: it’s not about new consoles, it’s about new games, says Jamal Humans are an impatient bunch, but people interested in technology even more so; they’re always wanting newer, better tech.

shouldn’t be what new tech can make us see, but what we can experience. Multiple companies are trying to show what the future of gaming may have in store with major game developers showcasing the next gen engines that they will be using or allowing other developers to use. Epic, Square Enix and Crytech are just three that show the possible foundation future games will be built on.

I’m the same, I can’t wait for something new. But with games consoles it is a little different since it’s not just about the tech that goes into the system, but what developers can do with it, which takes experience and time to create. Gamers everywhere were hoping to see what the ‘Big 3’ (Nintendo, Playstation and Microsoft 360) had to show showcasing the Wii U, sort of a us at this year’s E3 – The Electronic Entertainment Expo, ﬁller between this gen and next. generally the place for all If you thought Sony’s and major announcements. Microsoft’s silence would put an end to the chatter, then Knowing this, people’s two titles in particular would’ve expectations for the next proved you wrong, ramping up generation of consoles was speculation: Star Wars 1313 and through the roof. Nintendo, Watch Dogs. These two show a at least, didn’t disappoint,

level of graphics that some feel are impossible on the current consoles, leaving everyone hoping the new ones are a major step forward. But graphics alone aren’t a reason to jump to the next level just yet. Games should always be the focus. The question

We should learn from the past. A console can enable developers to make a great game – look at the PS2, which had some of its best games towards the end of its cycle with God Hand, Okamai and Rouge Galaxy, just three of the excellent titles we saw on a ‘dead console’. If Watch Dogs is indeed for 360 and the PS3, then there is certainly life in the old boys yet.

GamePreviews Dishonoured

Borderlands 2

FIFA 13

Resident Evil 6

You are Corvo Atano, former elite bodyguard of the Empress who’s been framed for her assassination. On death row, help comes in the mysterious form of ‘The Outsider’, a supernatural being. He equips you with the ‘gift’. Despite not being an open-world game, this release offers plenty of freedom within missions. Will you choose to prove your innocence or carve out a path of bloody destruction? (ND)

The genius game is back. There are four new characters to choose from as you face the evil tycoon Handsome Jack, who hopes to wipe out all the fortune hunters on planet Pandora – including you! Your mission is to eliminate Jack before he can destroy you and your kind. On the way, you’ll have to blow up, shoot and generally obliterate a lot of enemies. (ND)

Transfers have been made, the new season is about to begin, so the annual football tie-in is on the way. More than just an updated roster, this year’s Fifa comes with updated player AI, which has your players recognising space and trying to make runs, along with tweaks to player-impact engine. This should help Fifa retain its crown as the king of football games. (JW)

It’s meant to be the best Resident Evil ever with more zombies and dramatic horror. The zombies are terrifying and the story is more hectic with returning hero, Chris, ﬁghting the global outbreak with guns and melee weapons. The demo was only released to Xbox 360, so the rest of us will just have to wait until the proper release. (JB)

Release date: September 21 Age: 18+ Platform: PS3, Xbox 360, Microsoft Windows

Words Jack Brennan 14

Words Natasha Dujon 22

Words Jamal Wright 22

Release date: October 22 Age: Mature (17+) Platform: PS3, Xbox 360, Microsoft Windows

Release date: September 27 Age: 3+ Platform: Wii U, PS3 and Xbox 360

Release date: October 2 Age: 18+ Platform: PS3, Xbox 360 and Microsoft Windows

E N T E R TA I N M E N T

culture club ain’t no party like a Zumba party

#ThatEmbarrassingMoment when you forget the moves to your aerobics class and make up your own! Samara breaks down the dance phenomenon Zumba

When he forgot the dance moves to the aerobics class Alberto Perez chose instead to improvise by using the Latin-inspired dance steps that he grew up with. Since 2001, he’s never looked back and his accidental dance craze zumba has taken the world by storm. Hooking up with business partners Alberto Pelman and Alberto Aghion, they trademarked the dance and made it into the international Zumba fitness party that it is today. Zumba is a good form of exercise. You can burn a lot of calories, it’s easy to do and it’s easy to follow. You don’t need any experience; you don’t even need to be able to dance. The music is so fun, it’s such a good atmosphere and you don’t have to pay any gym membership,” says Stephen Ochan, a Brixtonbased dance teacher of zumba.

so diverse and so embracive of other dance styles that Stephen describes it as a bit like “a McDonald’s franchise; it is set up across the world, in places like America, Portugal and Italy. However, although we share from the same spreadsheet, the one in Luxemburg might not necessarily know what the one in Streatham is doing.” Today, zumba classes offer a safe and friendly environment that helps you to lose weight and keep fit. However, I wouldn’t get too close to the big girl shaking her thing, as sometimes – as you will find with many zumba classes – it can take a competitive turn for the worse, and before you know it everyone’s trying to outdo each other.

One thing’s clear, though; zumba’s on the up. Stephen Ochan’s students offer a variety of Based on improvisation, zumba incorporates reasons for its extraordinary success: “It is like a various different dance styles from jazz to the carnival every morning,” says one; “I just love charleston, instead of just the merengue and reggaeton,” enthuses another. But I think the salsa that Alberto started off with. Now, it is easy main reason is, as Stephen says, “it is universal to see the Caribbean influences in Zumba, and everyone can do it”. (SS) alongside its African roots. In fact, Zumba is

Date: Until 7 April 2013 Admission: Free Inspired by French philosopher Jacques Derrida’s thoughts on hospitality, Thresholds explores how our attitudes to social codes of conduct can be fundamental to civilisation. It traces the history of British social and political attitudes throughout the influx of migration and the uncertain boundaries of political and cultural identities that can arise. Thresholds is part of a 10-week rediscovery of Liverpool through contemporary art. Featuring artists such as Mark Wallinger and Kader Attia, this is a definite cultural experience to catch. (DO)

Words Samara Straker 21

Date: Until Sept 14 Admission: Free In light of Jamaica’s 50th independence anniversary and the recent Olympic and Paralympics festivities, Kalaboration rounds off the colourful summer with an exhibition showcasing the brilliant Michael Thompson (aka Freestylee). His iconic vibrant graphic designs are a must-see, with his poster art and screen-prints being heavily influenced by his roots. Jamaica schooled, he is the perfect ambassador to show off the island’s evergrowing talent. (HK)

Thresholds @ Tate Liverpool

Words Miles Harris 20

Words Verity Nelson 23

Date: 28 Sept – 20 Oct Admission: £10 - £12.50 If you have ever experienced parental suffocation, you know it can be a nightmare and getting out of that situation is your main priority. Siblings Kurt and Olga live their lives in daily torment and hate their stale world. Being young is a humiliation and when Olga finally gets a taste of something fresh in a new boyfriend, brother Kurt turns to a new dangerous, explosive hobby. Acclaimed by the Evening Standard as ‘sinister’, German playwright Marius von Mayenburg’s Fireface, is a play that explores escaping oppression. (VN)

Freestylee: Artist without Borders @ The Drum

Words Dolly Ogunrinde 18

Fireface @ Young Vic

BIRMInGHAM LIVERPOOL MANCHESTER

Words Helene Kleih 17

LONDON

We Face Forward: Art from West Africa @ various Date: Until 16 September Admission: Free - £17.50 We Face Forward: Art from West Africa explores West Africa through drawings, fashion, paintings, photography, sculptures and sound. Music and art come together at this exhibition, which takes over four venues in Manchester and elsewhere. Manchester Art Gallery plays host to artists including Lagosborn Abraham Oghobase’s and Amadou Sanogo, whose frameless canvases line the walls illustrating the contrasts of past and present, old and new, culture and youth. (MH)

Apply now to join the Youth Advisory Panel

At the Geffrye Museum Are you interested in voicing your opinion, meeting people, hAving fun? Want a chance to be involved in: • Events Management • Marketing Campaigns • Showcasing your views on our collections • And lots more!

We meet on the second Monday of each month, 5.00 – 7.00pm. It’s for enthusiastic young people aged 14 – 24.Travel expenses are paid and refreshments are available.

For more information please contact Rachael Crofts: rcrofts@geffrye-museum.org.uk 020 7749 6016

Geffrye Museum, 136 Kingsland Road, London E2 8EA Telephone 020 7739 9893 LIVEhalf3v2.indd 1

28/07/2012 14:04

And you winnando’s £100 Nandos voucher! wincould a £100 gift card

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we wanna know about you! The better we know you, the better we can make Live.

simply answer 5 quick questions at: bit.ly/livereaders This competition is open to readers of Live Magazine between August 31st and October 1st. One entry will be chosen at random to win £100 of Nando’s gift vouchers, notiﬁed by email between 1st and 31st October. This competition is not open to anyone involved in the creation of Live Magazine or employees of Livity Ltd.

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OURtube

We’re celebrating getting over 1m views on our YouTube channel by selecting four favourite moments

Ade Adepitan

Who says that having a disability should stop you achieving your dream? Certainly not this guy. This interview is an early Live YouTube classic and reveals how dedicated and determined Ade Adepitan achieved his dream of being a Paralympic basketball player. We find out how the Olympics inspired him to pursue a career in sport and the passion he has for it. This one is definitely worth watching. But don’t watch the flipchart in the background. (EA)

YOUTUBE CHANNEL OF THE ISSUE

KSIolajidebt

Girls, have you always wondered what’s going through your boyfriend’s mind as to WHY they’re so passionate about FIFA? trust me, we’ve all been there, but thanks to ksi, we can share the same passion and begin to understand.

Far East Movement

This interview with Los Angeles’ most entertaining group has everything: comedy, excitement and loads of laughs – even if you don’t really like their music. Eve-Yasmine digs deep to find out about their best pranks, finds out what’s in their fridge and learns of their desire to give back and encourage their fans to do the same. There’s also a guest appearance from a massive retro ghettoblaster and some pretty nifty dance moves. (SH)

what is it? KSI is a comedy channel that shows KSI playing various electronic games, including FIFA, Draw Something and Army Of Death which is featured on his HD channel. His hilarious commentary and high-pitched screaming are going to make you laugh whether you plan to or not.

why is it so popular? KSI reckons it’s simple: “apparently, I’m really funny” and a staggering 142,427,469 people agree. KSI’s videos are hilarious, whether it’s playing FIFA with his dad, who thinks that there’s a button on the controller that says ‘score’ (!!), or his little brother having an epic temper tantrum because KSI changed his team formation, it’s laugh after laugh. These videos literally echo and mirror boys’ emotions while playing the games, especially FIFA.

top videos to check This young joker currently has 335 videos, so there’s plenty of choice. But we have to recommend his FIFA 12 videos, because they’ll have you rolling on the floor while your mum comes out of the kitchen going ‘what’s all that screaming?’ Which will be funny enough in itself.

how’s the future looking?

Words Patience Takyuka 18

KSI’s channel is now a member of the Machinima network, which recognises and promotes “next generation video entertainment” for video gamers globally, so it’s doing very well! The channel has also released a clothing line called ‘KSI APPAREL’ so be sure to check that out. The future’s very funny. ARGHHH. (YS)

Words Leah omonya 16

Words Shay Hanchard 17

Here’s one for political heads. LIVE contributor Viddal interviewed journalist and author Hannah Pool on feminism. It was evident to Viddal that his views on feminism were about to be challenged, as Hannah discussed her opinion on women in the kitchen, male superiority, gay rights, the sexualisation of women in society and the media. As the interview closes, she explains to a gobsmacked Viddal why men can also be feminists. (PT)

Words Andrew Barrett 14

ASAP is the hottest rapper in New York and, ahead of his debut album for Sony, here he goes into depth, describing what makes a real icon and how he would like to achieve iconic status in music, and not just hip hop. Although, conflicted as he is, he also insists superstardom isn’t what he’s after. Rocky exclusively dissects the meaning of FLACKO and gives us an insight into the infamous brawl at SxSW. Insightful and very, very cool. (AB)

Words Emmanuel Osakwe 14

Hannah Pool

Words Yara Shaikh 17

A$AP Rocky

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