this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover
NORMATHIC
this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover
this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back
CIHTAMRON
Faculty of Design and Art Free University of Bolzano - Bozen WUP 2020/21 Typeface designed by Linda Piekniewski Prof. Antonino Benincasa Andreas Trenker Emilio Grazzi Font created with Illustrator; Fontself
NORMATHIC by Linda Piekniewski
Vertical axis Little contrast Geometric looking
Cap - Height Ascender X - Height
Baseline Descender
cutted straight horizontally
Purr Pu Overshoot of round letters
FONT ANATOMY - SOURCE FONT LL Brown Regular - Aurèle Sack - Lineto - 2011
Ascender of lowercase is over the cap - height
ple No serifs
cutted angled vertically
UPPERCASE LETTERS
A H O U
B C D E F G I J K L M N P Q R S T V W X Y Z
LOWERCASE LETTERS
a h n u
b i o v
c d e f g j k l m p q r s t w x y z
NUMBERS AND DIAERESIS
0 5
1 6
2 7 à ù ò
3 8
4 9
DIACRITICS
.,:;!?'"‘’“”«» _ @ # % * + = < > / \ (){}[]§€©™
THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS is alfred
hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock
this this this this this this this this this this this this this this this this this this this this this this this this
is is is is is is is is is is is is is is is is is is is is is is is is
alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred
hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock
this this this this this this this this this this this this this this this this this this this this this this this this
is is is is is is is is is is is is is is is is is is is is is is is is
alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred
EVOLUTION
A
A
BROWN
Scale down in y - height (uppercases) Draw inner lines
q q
Draw proportions with different brushes (see right page)
Draw serifs Changed them up to different types
Overdraw and change proportions with main black surface
Unify and contrast
A
NORMATHIC
q
BRUSHES
brush
1 0* angle 100% roundness 3,3519 mm size
brush
2 0* ; 90* angle 0% roundness 3,175 mm size
brush
3 45* angle 0% roundness 3,52778 mm size
Applied to all roundings of
Applied to all horizontals,
Applied to all terminals
uppercases,
verticals and diagonals of
of
lowercases,
uppercases,
uppercases,
numbers,
lowercases,
lowercases,
diaeresis and diacritics
numbers,
numbers,
A a /B b /C c /D d /G g /J j
diaeresis and diacritics
diaeresis and diacritics
/O o /P p /Q q /R /S s /U u
B b /D d /E e /F f /G g /H h
C c /G g /S s /D /J /e /r /?
/V /e /f /h /m /n /t /h /f /0
/I i /J j /K k /L l /M m /N n
/@ /© / /( ) /€ /è /é
/2 /3 /5 /6 /8 /9 /? /@ /§ /%
/P p /R r /T t /U u /Y y /Z z
/ /( ) /{ } /€ / / / /à /
a /q /v /w /1 /2 /3 /4 /5 /7
/è /é /ò / /ù /
/! /@ /_ /# /™ /* /+ /- / / /= /< > /{ } /[ ] /€ / / /à / /è /é /ù /
brush
4 0* ; 90* angle 0% roundness 3,88056 mm size
brush
5 0* angle 100% roundness 2,46944 mm size
brush
Applied to some diagonals
Applied to some roundings
Applied to some verticals
of
of
and diagonals of
uppercases,
lowercases,
diacritics
lowercases,
diaeresis and diacritics
, /; / ! / ' / " /‘ ’ /“ ” / / ™ /à
numbers,
i /j /. /: /; /! /? /© / /{ } /
/ /è /é /ò / /ù /
diaeresis and diacritics
/ /
K k /X x /Z z /M /N /R /W /Y /2 /3 /4 /5 /6 /7 /9 /« » /# /% // \
6 0* angle 0% roundness 2,29306 mm size
14PT/13PT
INT. MARY IN SHOWER Over the bar on which hangs the shower curtain, we can see the bathroom door, not entirely closed. For a moment we watch Mary as she washes and soaps herself. There is still a small worry in her eyes, but generally she looks somewhat relieved. Now we see the bathroom door being pushed slowly open. The noise of the shower drowns out any sound. The door is then slowly and carefully closed. And we see the shadow of a woman fall across the shower curtain. Mary's back is turned to the curtain. The white brightness of the bathroom is almost blinding. Suddenly we see the hand reach up, grasp the showercurtain, rip it aside.
K I L L
BY JOSEPH STEFANO.
21PT/18PT
PSYCHO (1960)
FONT SIZES IN USE
CUT TO:
MARY - ECU As she turns in response to the feel and SOUND of the shower curtain being torn aside. A look of pure horror erupts in her face. A low terrible groan begins to rise up out of her throat. A hand comes into the shot. The hand holds an enormous bread knife. The flint of the blade shatters the screen to an almost total, silver blankness. 8,5PT/15,5PT
THE SLASHING An impression of a knife slashing, as if tearing at the very screen, ripping the film. Over it the brief gulps of screaming. And then silence. And then the dreadful thump as Mary's body falls in the tub.
REVERSE ANGLE The blank whiteness, the blur of the shower water, the hand pulling the shower curtain back. We catch one flicker of a glimpse of the murderer. A woman, her face contorted with madness, her head wild with hair, as if she were wearing a fright-wig. And then we see only the curtain, closed across the tub, and hear the rush of the shower water. Above the shower-bar we see the bathroom door open again and after a moment we HEAR the SOUND of the front door slamming.
"THE SHOWER SCENE"
EXCERPT FROM THE MOVIE SCRIPT.
BASED ON THE NOVEL BY ROBERT BLOCH. REVISED DECEMBER 1, 1959.
7PT/12PT
WRITTEN BY JOSEPH STEFANO.
36PT
“WE ALL GO A LITTLE
18PT
24PT
30PT
“WE ALL GO A LITTLE “WE ALL GO A LITTLE “WE ALL GO A LITTLE
12PT
“WE ALL GO A LITTLE
6PT
“WE ALL GO A LITTLE
TYPOGRAPHIC SCALE
MAD SOMETIMES" MAD SOMETIMES" MAD SOMETIMES" MAD SOMETIMES" MAD SOMETIMES"
MAD SOMETIMES"
vertical axis horizontal hairlines
ascender capheight x
-
height
baseline
descender
overshoot of round letters wide arms
Taxy billateral
half cutted
serifs
serifs
FONT ANATOMY
ascender of lowercases goes over the cap height
shoulder runs slimmer at the top
dermy counters runs edged into straight lines bowl runs slimmer into the stem
cutted straight horizontally and vertically
SERIF TYPES
M
K
C
Applied to
Applied to
Applied to
many straight
wide
finials
vertical lines
diagonal
Billateral
Beak
lines
f
x
v
Applied to
Applied to
Applied to
straight cutted
slim
normal
terminals
diagonal
diagonal
Vertical and
lines
lines
Half cutted
horizontal used
CHARACTERISTICS
{ }
o
e
Horizontal
Slimmer arc at
Vertically and
hairlines
the top
horizontally straight cutted terminals
H Slim strokes
I Wide strokes
a Vertical stress
ALFRED HITCHCOCK's CLASSIC:
ANTHONY PERKINS VERA MILES JOHN GAVIN JOSEPH STEFANO ALFRED HITCHCOCK
PSYCHO
SCREENPLAY:
ALFRED HITCHCOCK's
DIRECTION:
JANET LEIGH
â&#x201E;¢
JOHN McINTIRE MARTIN BALSAM
ALFRED HITCHCOCK's CLASSIC:
ANTHONY PERKINS VERA MILES
SCREENPLAY:
JOSEPH STEFANO
DIRECTION:
ALFRED HITCHCOCK
JOHN GAVIN JANET LEIGH
ALFRED HITCHCOCK's
PSYCHO
â&#x201E;¢
JOHN McINTIRE MARTIN BALSAM
H A Slim crossbar
K Reversed
arms and
o 8
G
Same bowl
Beak added
n h
b
Shoulder runs edged into stem
Ascender serif serif
k
thickness of legs
g
RELATIONS
v w Same strokes differently angled Shifted vertical middle axis
S s Horizontally cutted top and upper part of the spine
q and x - height changed
d p Baseline serif and descender serif changed
- THE END -
NO ONE...BUT NO ONE WILL BE ADMITTED TO THE THEATRE AFTER THE START OF EACH PERFORMANCE OF ALFRED HITCHCOCK'S
PSYCHOâ&#x201E;¢ the next show of psycho begins at:
10 PM
this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back
CIHTAMRON
Faculty of Design and Art Free University of Bolzano - Bozen WUP 2020/21 Typeface designed by Linda Piekniewski Prof. Antonino Benincasa Andreas Trenker Emilio Grazzi Font created with Illustrator; Fontself
this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover
NORMATHIC
this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover