Font Specimen - Normathic Serif

Page 1

this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover

NORMATHIC

this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover


this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back

CIHTAMRON

Faculty of Design and Art Free University of Bolzano - Bozen WUP 2020/21 Typeface designed by Linda Piekniewski Prof. Antonino Benincasa Andreas Trenker Emilio Grazzi Font created with Illustrator; Fontself


NORMATHIC by Linda Piekniewski


Vertical axis Little contrast Geometric looking

Cap - Height Ascender X - Height

Baseline Descender

cutted straight horizontally

Purr Pu Overshoot of round letters


FONT ANATOMY - SOURCE FONT LL Brown Regular - Aurèle Sack - Lineto - 2011

Ascender of lowercase is over the cap - height

ple No serifs

cutted angled vertically


UPPERCASE LETTERS

A H O U

B C D E F G I J K L M N P Q R S T V W X Y Z


LOWERCASE LETTERS

a h n u

b i o v

c d e f g j k l m p q r s t w x y z


NUMBERS AND DIAERESIS

0 5   

1 6

2 7 à ù ò

3 8

4 9   


DIACRITICS

.,:;!?'"‘’“”«» _ @ # % * +   =  < > / \ (){}[]§€©™


THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS IS ALFRED HITCHCOCK THIS is alfred


hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock

this this this this this this this this this this this this this this this this this this this this this this this this

is is is is is is is is is is is is is is is is is is is is is is is is

alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred

hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock hitchcock

this this this this this this this this this this this this this this this this this this this this this this this this

is is is is is is is is is is is is is is is is is is is is is is is is

alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred alfred


EVOLUTION

A

A

BROWN

Scale down in y - height (uppercases) Draw inner lines

q q

Draw proportions with different brushes (see right page)

Draw serifs Changed them up to different types

Overdraw and change proportions with main black surface

Unify and contrast

A

NORMATHIC

q


BRUSHES

brush

1 0* angle 100% roundness 3,3519 mm size

brush

2 0* ; 90* angle 0% roundness 3,175 mm size

brush

3 45* angle 0% roundness 3,52778 mm size

Applied to all roundings of

Applied to all horizontals,

Applied to all terminals

uppercases,

verticals and diagonals of

of

lowercases,

uppercases,

uppercases,

numbers,

lowercases,

lowercases,

diaeresis and diacritics

numbers,

numbers,

A a /B b /C c /D d /G g /J j

diaeresis and diacritics

diaeresis and diacritics

/O o /P p /Q q /R /S s /U u

B b /D d /E e /F f /G g /H h

C c /G g /S s /D /J /e /r /?

/V /e /f /h /m /n /t /h /f /0

/I i /J j /K k /L l /M m /N n

/@ /© / /( ) /€ /è /é

/2 /3 /5 /6 /8 /9 /? /@ /§ /%

/P p /R r /T t /U u /Y y /Z z

/ /( ) /{ } /€ / / / /à /

a /q /v /w /1 /2 /3 /4 /5 /7

/è /é /ò / /ù /

/! /@ /_ /# /™ /* /+ /- / / /= /< > /{ } /[ ] /€ / / /à / /è /é /ù /

brush

4 0* ; 90* angle 0% roundness 3,88056 mm size

brush

5 0* angle 100% roundness 2,46944 mm size

brush

Applied to some diagonals

Applied to some roundings

Applied to some verticals

of

of

and diagonals of

uppercases,

lowercases,

diacritics

lowercases,

diaeresis and diacritics

, /; / ! / ' / " /‘ ’ /“ ” /   / ™ /à

numbers,

i /j /. /: /; /! /? /© / /{ } /

/ /è /é /ò / /ù /

diaeresis and diacritics

/ /

K k /X x /Z z /M /N /R /W /Y /2 /3 /4 /5 /6 /7 /9 /« » /# /% // \

6 0* angle 0% roundness 2,29306 mm size


14PT/13PT

INT. MARY IN SHOWER Over the bar on which hangs the shower curtain, we can see the bathroom door, not entirely closed. For a moment we watch Mary as she washes and soaps herself. There is still a small worry in her eyes, but generally she looks somewhat relieved. Now we see the bathroom door being pushed slowly open. The noise of the shower drowns out any sound. The door is then slowly and carefully closed. And we see the shadow of a woman fall across the shower curtain. Mary's back is turned to the curtain. The white brightness of the bathroom is almost blinding. Suddenly we see the hand reach up, grasp the showercurtain, rip it aside.

K I L L


BY JOSEPH STEFANO.

21PT/18PT

PSYCHO (1960)

FONT SIZES IN USE

CUT TO:

MARY - ECU As she turns in response to the feel and SOUND of the shower curtain being torn aside. A look of pure horror erupts in her face. A low terrible groan begins to rise up out of her throat. A hand comes into the shot. The hand holds an enormous bread knife. The flint of the blade shatters the screen to an almost total, silver blankness. 8,5PT/15,5PT

THE SLASHING An impression of a knife slashing, as if tearing at the very screen, ripping the film. Over it the brief gulps of screaming. And then silence. And then the dreadful thump as Mary's body falls in the tub.

REVERSE ANGLE The blank whiteness, the blur of the shower water, the hand pulling the shower curtain back. We catch one flicker of a glimpse of the murderer. A woman, her face contorted with madness, her head wild with hair, as if she were wearing a fright-wig. And then we see only the curtain, closed across the tub, and hear the rush of the shower water. Above the shower-bar we see the bathroom door open again and after a moment we HEAR the SOUND of the front door slamming.

"THE SHOWER SCENE"

EXCERPT FROM THE MOVIE SCRIPT.

BASED ON THE NOVEL BY ROBERT BLOCH. REVISED DECEMBER 1, 1959.

7PT/12PT

WRITTEN BY JOSEPH STEFANO.


36PT

“WE ALL GO A LITTLE

18PT

24PT

30PT

“WE ALL GO A LITTLE “WE ALL GO A LITTLE “WE ALL GO A LITTLE

12PT

“WE ALL GO A LITTLE

6PT

“WE ALL GO A LITTLE


TYPOGRAPHIC SCALE

MAD SOMETIMES" MAD SOMETIMES" MAD SOMETIMES" MAD SOMETIMES" MAD SOMETIMES"

MAD SOMETIMES"


vertical axis horizontal hairlines

ascender capheight x

-

height

baseline

descender

overshoot of round letters wide arms

Taxy billateral

half cutted

serifs

serifs


FONT ANATOMY

ascender of lowercases goes over the cap height

shoulder runs slimmer at the top

dermy counters runs edged into straight lines bowl runs slimmer into the stem

cutted straight horizontally and vertically


SERIF TYPES

M

K

C

Applied to

Applied to

Applied to

many straight

wide

finials

vertical lines

diagonal

Billateral

Beak

lines

f

x

v

Applied to

Applied to

Applied to

straight cutted

slim

normal

terminals

diagonal

diagonal

Vertical and

lines

lines

Half cutted

horizontal used


CHARACTERISTICS

{ }

o

e

Horizontal

Slimmer arc at

Vertically and

hairlines

the top

horizontally straight cutted terminals

H Slim strokes

I Wide strokes

a Vertical stress


ALFRED HITCHCOCK's CLASSIC:

ANTHONY PERKINS VERA MILES JOHN GAVIN JOSEPH STEFANO ALFRED HITCHCOCK

PSYCHO

SCREENPLAY:

ALFRED HITCHCOCK's

DIRECTION:

JANET LEIGH

â„¢

JOHN McINTIRE MARTIN BALSAM


ALFRED HITCHCOCK's CLASSIC:

ANTHONY PERKINS VERA MILES

SCREENPLAY:

JOSEPH STEFANO

DIRECTION:

ALFRED HITCHCOCK

JOHN GAVIN JANET LEIGH

ALFRED HITCHCOCK's

PSYCHO

â„¢

JOHN McINTIRE MARTIN BALSAM


H A Slim crossbar

K Reversed

arms and

o 8

G

Same bowl

Beak added

n h

b

Shoulder runs edged into stem

Ascender serif serif


k

thickness of legs

g

RELATIONS

v w Same strokes differently angled Shifted vertical middle axis

S s Horizontally cutted top and upper part of the spine

q and x - height changed

d p Baseline serif and descender serif changed


- THE END -

NO ONE...BUT NO ONE WILL BE ADMITTED TO THE THEATRE AFTER THE START OF EACH PERFORMANCE OF ALFRED HITCHCOCK'S

PSYCHOâ„¢ the next show of psycho begins at:

10 PM


this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back this is the back

CIHTAMRON

Faculty of Design and Art Free University of Bolzano - Bozen WUP 2020/21 Typeface designed by Linda Piekniewski Prof. Antonino Benincasa Andreas Trenker Emilio Grazzi Font created with Illustrator; Fontself


this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover

NORMATHIC

this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover this is the cover


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