DESIGN PORTFOLIO LINA EL-RAKHAWY
1 About Me 2 Design Concepts - Studied
Wellness & Spa Hospitality Residential Commercial Universal Furniture Senior Thesis - Re-invented Airport Lounge
3 Work Projects
Commercial Hospitality
4 Marketing Graphics
E-cards Posters
CONTENTS
“To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need.� - Charles Eames
Always trying to observe my surroundings, bringing as much of the exterior beauty to the indoors. Historic architectural sites amaze me, well-designed interiors bewilder my senses, and touristic sites transport me to another time. Placelessness in our modern society is easily cured through a well thought out design bringing the interior together. Everyone should feel at comfort in a space they visit, stay or work in.
A
DESIGN CONCEPTS - Studied
WELLNESS & SPA
INDRA spa; the senses in the Indonesian language. This name was particularly chosen for this spa because Bali therapy is known for balance for the senses. This couple treatment room aims to create an indoor journey through Bali with the use of all the person’s senses going through the 5 therapy stages in this space.
Furniture Plan
Group work scope: Concept and design layout, 3Dmax modeling, 3D physical model
The cabana is set to represent the Bali outdoors as well as a sculptural piece within the spa. This creates a focal point in the center where the main massage takes place after the 4 therapy sessions.
The 4 corners represent dierent stages that lead to the massage: - Changing and oil preparation - Daily stretching - Hammock relaxation - Couple’s mental therapy (meditation)
The materials within the room consist of greenery, stone, natural wood, and water. Water within the room helps with the stretching, as the couple walk around the center cabana, which is part of a traditional Bali muscle therapy.
This room is meant to enclose the beautiful outdoors for the privacy of the people.
WELLNESS & SPA
CULTURA Home spa - GROHE COMPETITION; sustainably designed to represent the middle east with a modern twist. This spa was a summer semester competition with GROHE with the topic of a modern middle east inspired spa using the Grandera bathroom collection for a luxury home. The sketch below was inspired by Burj Al-Arab using calligraphy of the word “relaxation” in arabic to define the spaces and layout.
Group work scope: Concept and design layout, advertisement, competition presentation, assisting with the sketchup 3D model
Layout Plan
HOSPITALITY
HATS OFF
HATS OFF is a casual New York inspired restaurant with a twist.
The logo was inspired by both the name of the restaurant and the entertainment aspect presented in this space.
f
f TS o
HA
There are two colors that represent the main scheme of the interior’s design giving a feel of what the ambience is like.
First Floor Furniture Plan
Ground Floor Furniture Plan
CUBIC TOWER
HOSPITALITY
SCHEMATIC INTERIOR AND EXTERIOR
CUBIC TOWER - HOTEL SHOW 2014 is a boutique hotel inspired
CUBIC TOWER
IS DESIGNED AS A BOUTIUQE HOTEL WITH A ROOM ON EACH FLOOR AND PRIVATE ACCESS TO THE ELEVATOR. THERE ARE 16 ROOMS IN TOTAL LOCATED IN THE OUTSKIRTS OF SWITHZERLAD. THE HOTEL IS DESIGNED TO REPRESENT THE DIFFERENT ROTATIONS OF THE RUBIK’S CUBE. THE CONCEPT IS THE BREAKDOWN OF THE CUBE, ALL OVERLAPPING AT DIFFERENT ANGLES. THE CORE WITH THE LOBBY, ELEVATORS AND THE STAIRCASE IS IN THE CENTER, SURROUNDED BY THE GLASS BOX ROOM. THE THEME OF THE SPACE COMBINES THE BRIGHT COLORS OF THE CUBE.
BALCONY LIVING ROOM
BEDROOM
by the rubics cube movement. The square plan with a service
CLOSET
A
center core was a challenge to space plan. This project was later
A’ EXIT STAIRCASE
SEATING
ELEVATOR
displayed at the Hotel Show Dubai exhibition 2015.
DESK
TOILET
BATHROOM
REFLECTED CEILING PLAN
SETTING OUT PLAN
PANTRY
B
B’
SCALE 1:100
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BALCONY
It is a full glass tower of rotated squares, obtaining a panoramic
Each corner of the square is themed with a color to specify the main areas in a hotel suite: - Bedroom - Bathroom - Pantry - Living room
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I N T E R I O R
MODERN DESIGNS REQUIRE A SUSTAINABLE ASPECT TO SPACE PLANNING. BAMBOO FLOORING AND METALLIC SHEET TEXTURES WERE USED TO MAKEUP MOST OF THE SPACE. ALL THE FABRICS ARE ‘ALL GREEN’ FABRICS THAT HAVE BEEN RECYCLED FROM OLD FABRICS AND MATERIALS.
BROWN TERAZZO
HAZELNUT BAMBOO FLOORING
MIRROR
PLANTS AS WELL AS GLAZED GLASS FOR THE EXTERIOR OF THE ROOMS ARE USED TO COOL DOWN THE ROOM, WITHOUT TAKING ADVANTAGE OF THE AIR CONDITIONING. SOLAR PANELS ARE THE MAIN SOURCE OF ELECTRICITY AND HEATING THROUGHOUT THE HOTEL. THE ENERGY GAINED IN THE MORNING WITH ALL THE SUNLIGHT IS USED AT NIGHT FOR THE FEW LIGHTS WITHIN THE ROOM. AS FOR THE MORNING, THE FOUR GLASS WALLS LIGHT UP THE ROOM NATURALLY. ALSO, THE GREY WATER IS USED TO FLUSH THE TOILETS AND SOME OF IT IS TAKEN INTO FILTERS TO BECOME CLEAN ENOUGH TO IRRIGATE THE GREENERY WITHIN THE HOTEL. IN GENERAL THE ELECTRICITY IS BEING CONSERVED AND WHEN USED, IT IS USED BY OUR NATURAL RESOURCE, THE SUN. AS FOR THE WATER CONSERVATION, THE WATER IS ALWAYS BEING REUSED TO HELP WITH THE AMOUNT OF DAILY WASTE. THE GLAZING OF THE GLASS KEEPS AWAY AN AMPLE AMOUNT OF HEAT TO COOL DOWN THE SPACE.
S U I T E R E N D E R S
TO HELP WITH THE WATER CONSERVATION CONCEPT, THE FAUCETS CHOSEN ARE WATER EFFICIENT. MANDOLIAN SINGLE HANDED CENTERSET KITCHEN FAUCET FAUCET, WITH CHROME FINISH WAS USED FOR THE SMALL PANTRY AREA. THE FAUCET USES 6.8 L/ MIN OF WATER FLOW, RATHER THAN THE REGULAR 12.6 L/MIN FLOW. IT IS EASY TO USE WITH WET OR SOAPY HANDS, WHICH HELPS IT BEING PLACED WHERE IT IS LOCATED. VERO 2 HANDLE WIDESPREAD LAVATORY FAUCET IS USED FOR THE BATHTUB AND BATHROOM SINKS. THIS IS FAUCETS OF CHROME FINISH AND WITH 5.7 L/MIN OF WATER FLOW INSTEAD OF THE REGULAR FAUCETS.
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Banner
view of the surrounding.
TOP VIEW
Furniture Plan
Exterior Concept Shape
Each corner starting with the kitchen, bedroom and living room have a vibrant color scheme to identify these open areas for their individual purposes.
The design of all general details introduce the rubic cubic cube concept. It is not only implemented on the exterior and interior layout, but also on the general division of the corners and their designs.
The bedroom is inspired by the minimalist sleeping ways. It is a raised platform with the
As the toilet is enclosed within the services core, the bathtub is the attention center of the
mattress pressed in its center. As there is no headboard, the painting is placed to identify as
bathroom. Everything is very edgy, still complying with the original design concept.
a partition and give the guest the feeling that their back is not too exposed.
HOSPITALITY
AURA CAFE - DELTA FAUCET COMPETITION; where the 4 elements of nature come together: - Fire (Kitchen) - Earth - Water - Air The areas are each divided using different colors and table/seating materials. Each of the 3 seating areas are ending with LED lights to signify their power. The tables have a center groove with their respective elements represented. Earth having soil and flowers, water having a water stream, and air having a hollow glass groove.
Floor Plan
Levels and lengths are what create this space besides nature’s colors.
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STORAGE
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AURA
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900
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KITCHEN/ CASHIER
1
WATER SEATING
AIR SEATING
BENCH SEATING
IT’S ALL IN ONE CUP!
AURA
OUTDOOR SEATING
IS A COFFEE SHOP CONSISTING OF ONE LEVEL. THE SPACE IS INSPIRED BY THE 4 ELEMENTS OF NATURE - AIR, WATER, EARTH, FIRE. THIS PROVIDES A BIT OF AN INSIGHT TO THE ELEMENTS WE ARE NOW DESTROYING IN OUR DAILY LIVES.
MAIN ENTRANCE
THE CONCEPT OF AURA IS TO TAKE YOU THROUGH THE 4 DIFFERENT MOODS OF THESE ELEMENTS WITH THE CONSISTENT COLOR SCHEME IN EACH AREA BUT STANDARDIZED FURNITURE PIECES.
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TOP VIEW SCALE 1:50
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9159T-DST TRINSIC SINGLE HAND KITCHEN FAUCET
AURA OPERATES FROM SUNRISE TO SUNSET TO USE LESS ELECTRICITY, AND INSTEAD OPERATES THE OUT OUTDOOR VENDING MACHINE AT NIGHT AFTER HOURS. IT SERVES HOT AND COLD BEVERAGES AS WELL AS PRE-PACKED FOOD.
THE IDEA BEHIND AURA IS TO HELP ITS CUSTOMERS
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GAIN THE SUSTAINABLE LIFESTYLE STEP BY STEP. TO GET A DRINK, THE CUSTOMER WOULD BE REQUIRED TO BUY A CUSTOMIZED THERMAL CUP THAT WOULD THEN GIVE THEM AN EXTRA FREE DRINK FOR THE DAY. THE CONCEPT BEHIND THIS IS TO CREATE A ROUTINE OF GETTING A CUP TO REFILL INSTEAD OF PAPER CUPS. THE TRASH BINS INSIDE REMIND THE CUSTOMER WHAT THEY GAIN FROM RECYLCING PRODUCTS, BY THE QUOTES WRITTEN ON THEM. WE GET TO SAVE THE EAR, KEEP OUR WATER CLEAN AND PURIFY OUR AIR. THE LIGHTING IS QUITE MINIMAL SINCE THE OPERAT OPERATING HOURS ARE WITHIN SUNLIGHT TIMINGS AS WELL. DOUBLE GLAZED GLASS HELP PREVENT THE SPACE FROM HEATING UP QUICKLY, WHICH CONSERVES ENEN ERGY. THE MATERIALS LIKE METAL AND REFLECTED SURFACES ARE USED THROUGHOUT THE SPACE, RERE FLECTING THE LIGHT ENTERING FROM DIFFERENT ANAN GLES, PRODUCING MORE LIGHT. THE 2 FAUCETS USED ARE DELTA SUSTAINABLE FAUCETS FOR LESS WATER CONSUMPTION (6.8 L/MIN RATHER THAN 12.6 L/MIN).
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RCP
INLAYED CRYSTAL FLOORING
REFLECTIVE MIRROR METAL
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OLD AGE WOOD
BLUE VARIA
STUDENT: LINA EL-RAKHAWY 1101019754
INTERIOR DESIGN STUDIO V SECTION B
INSTRUCTOR: DR. LINDA NUBANI SPRING 2014
AURA CAFE COFFEE SHOP DESIGN
Ground Floor Furniture Plan
HOSPITALITY
962
WAITING AREA
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
This lobby plan is from the Park Hyatt, Dubai. The high domed ceiling lobby was is located in the midst of a lot of greenery and trees. The concept we followed here was a forest design to bring the nature of the area around the hotel inside.
The center of the lobby has a tree bark as a base for the reception, BOH and mezzanine bar. Everything including the staircase represents the organic shapes 962
of the wood barks and trees to create a light and refreshing ambience.
Landing
BOH
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17 16 15
RECEPTION
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WAITING AREA
Landing 9 8 7 6 5 4 3 2 1
DOWN
ASSIGNMENT 2
HOSPITALITY DESIGN SPRING 2014
WAITING AREA
Professor of Interior Design
BOH and not misleading. The aim was for guests to not be required
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to ask where the hotels’s main welcoming areas are, as some
BOH
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ELEVATOR
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1000
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16
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RECEPTION circulation. hotels tend to have a misleading
14
589
1238
Scale: 1:50
STUDENT NAME:
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13
12 11
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Group work scope: 2D drawings, furniture piece design (tree
10
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SARA ALSHARIF LINA EL-RAKHAWY
Landing
Landing
bark center), furniture layout
GROUND FLOOR PLAN
14
BAR
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WAITING AREA
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800
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PROJECT TITLE:
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Annamaria Lambri
The circulation and direction from the main entrance is easy Landing
Mezzanine Furniture Plan
lobby in Dubai with a new concept.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
HOTEL LOBBY was a project to redecorate an existing hotel
N AUTODESK EDUCATIONAL PRODUCT
4
MEZZANINE FLOOR PLAN
Scale: 1:50
LOBBY DESIGN
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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STUDENT
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The lobby consists of hangning cage lights, bark reception desk, tree branches climbing up all 1400
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walls and high domed ceiling, bringing the forest to the hotel indoors. 1730
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PROJECT 2057
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LOB
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DRAWING
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DRAWING
RESIDENTIAL
AQUA is a residential party mansion for a famous surfer. The exterior blends in the mansion with the island and the water texture. The interior is laid out to take in large PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
amounts of people and ensuite rooms for stay-in guests. The flow of water is the main concept that inspires all the interior design features and layout flow and circulation.
Group work scope: Concept, shared layout space planning, half the 2D drawings, presentation
PROJECT:
ASSIG
IDES301Fa
Prof Interio
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2050
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DRINKS
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LINA ELZAINAB
AINARA KATTAU
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Interior Section
Annama
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PROJECT T
1436 BAR
1297 0 80
PROJECT:
ASSIGNMENT 3 IDES301-STUDI0 IV Fall 2013
GARDEN
GARDEN GYM
POOL FL FL
FL FL
Annamaria Lambri FL
RIVER
1000
3106
FL
FL
989 LIVING ROOM
694
21
34
STUDENT NAME: 52
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BARBEQUE DECK
846
LINA EL-RAKHAWY
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844 12
LANDING
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SEATING AREA
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RESIDENTIAL 856
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MANSION
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PROJECT TITLE:
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1797
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2
1817
1799
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1000
1740
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INFINITY POOL
260
13
761
YOGA ROOM
1150
KITCHEN
ELEVATOR
First Floor Furniture Plan
DRAWING TITLE:
734
150
4
774
655
MASSAGE ROOM
POOL DECK
690
PATHWAY
1431
2138
FURNITURE PLAN
785 INIFINITY RIVER
SCALE 1:75
FORMAL DINING ROOM
GUEST BEDROOM
GROUND FLOOR FURNITURE PLAN
Scale: 1:75
PAGE :
BALCONY
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W.I.C
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BALCONY
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BUILT - IN BENCH
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DRAWING NO. :
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
950
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MASTER BATHROOM
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W.I.C.
LANDING
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1202 1003
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UP
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302
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MASTER
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BEDROOM
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1936
1212
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3
FAMILY SEATING AREA
1189
547
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1095
1
1315
DINING AREA
200
18
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1012
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
SEATING AREA
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8
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1421
KITCHEN
STREAM
1101019754 1101019741 090717614
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1775
AINARA KATTAUBAYEVA
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1407
ZAINAB ALSAWALHI 3454
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PATHWAY
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2291 ELEVATOR
GALLERY
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Ground Floor Furniture Plan
Professor of Interior Design
1858
POOL
1577
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
1060
42
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155
HOME THEATRE
1 181
SNACK BAR
2285
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4
FIRST FLOOR FURNITURE PLAN
Scale: 1:75
PANTRY
RESIDENTIAL
JAZZ VILLA - INDEX EXHIBITION, combines all things jazz related in terms of colors and materials. Brass, velvets and dark colors surround the interior creating the Chicago Jazz sultry look. On the ground floor, the Piano and Bar take up the main attention .
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
STORAGE GUEST BEDROOM
RECORDING ROOM
W.I.C. KITCHEN 930 PROJECT:
The diagonal layout was aimed to bring the funky vibe of the Jazz music to the space planning
1000
ASSIGNMENT 2
as much as the actual design. In plan you can see all the uneven strips that represent both
900
Professor of Interior Design
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
DINING AREA
Annamaria Lamb MUSIC ROOM
1020
GUEST BATHROOM
STUDENT NAME:
DECK 900
LINA EL-RAKHA
LIVING ROOM
1101019754
DETAILED PROJECT TITLE:
BAR
-3400
RESIDENTIAL VILLA
1026
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
LEGEND LIGHTING SYMBOLS DOWN LIGHT SPOTLIGHT PENDANT LIGHT
DRAWING TITLE:
COVE LIGHTING
GROUND FLOOR FURNITURE PLAN
1
FIRE FIGHTING SYSTEM
FURNITURE PLA
OPTICAL SMOKE DETECTOR
Scale: 1:50
FIRE ALARM SYSTEM OPTICAL SMOKE DETECTOR
1118
MASTER BATHROOM
HVAC SYSTEM
1725
1036
S/A R/A
SCALE 1:50
SUPPLY AIR RETURN AIR
MASTER BEDROOM
DRAWING NO. :
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1 PROJECT:
ASSIGN
IDES301Fall 2
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
WALK- IN CLOSET
1168
1428
Profess Interior D
Annama
GUITAR DISPLAY
1069
1121
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STUDENT NAM
LINA EL-
1101
PROJECT TITL
RESIDE VILL
DRAWING TITLE
FURNITU
2
FIRST FLOOR FURNITURE PLAN
Scale: 1:50
SCALE
DRAWING NO. :
2
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
The bedroom consists of several levels with the bed as the highest level.
PIANO FORTE
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
music bass and paino keys.
IDES301-STUDI0 Fall 2013
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depict different levels whether from the ceiling or floor and in different materials.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
The mezzanine partition, the steps of the staircase, the paino stand and the bar chandelier all
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irregularity.
ID
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Levels are the main design concept in this villa. These levels represent the music bass and
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COMMERCIAL
General Photos
The office environment displays a sense of creativity and attempt at comfort at the workspace.
LEGO OFFICE was well laid out based on the general scope of lego offices and their
Level 1 Floor plan
6
1. Entrance/Reception 2. Pantry/Storage Area 3. Entertainment Area 4. Meeting Area 5. Workspaces 6. GM’s Office
departments.
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Put the layout plan here
Break areas are not designed for comfort.
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We went through a survey of a chosen office in Dubai to answer a couple of questions
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Level 2 Floor plan
7. Entertainment/TV Area
8.. Creative Team Workspace
and assess the important aspects of a good office space planning. This layout is aimed to
9. Finance Team Workspace Strong use of rough, unfinished materials.
help have an easy circulation and good work flow.
•
Group work scope: space planning, layout design, marketing area design and render, 2D
Quotes on the walls to keep employees motivated.
drawing of area
• •
Lighting had a high frequency of positive and negative responses, according to the location of the employee’s at the office. A minority of the employees provided negative feedback regarding the small size of the pantry. The entertainment area is perceived as an advantage at the office.
Office Demographics
Cluttered wires could be considered a design violation.
Based on the analysis, a strong correlation was found between lighting and employee satisfaction. ( p value < .001 ) This finding comes hand in hand with the study done by Cambridge University Press (“Enviromental”1982).
Respondents' Sample Results
• The office space under analysis has a high autonomy regarding lighting and the office design. • Results also showed that employees have less control over the temprature of the office.
The correlation between office layout and teamwork led us to conclude that the open office layout encourages communication between employees thus making teamwork easier, increasing productivity. ( p value < .001) This is proven by article ‘The New Yorker’ (2014).
The statistical analysis showed a strong positive correlation between design and productivity. ( p value < .001) These results are supported by the findings of the article written in ‘Evolutionary Psychology’ (Fitzgerald 2012).
The analysis created a surprisingly strong correlation between personal space and productivity. ( p value < .001 ) This relationship is confirmed in Journal of Facilities Management, written by Bany Haynes in 2008.
Statistics proved that the location of a workspace correlates with the employee’s level of productivity. ( p value < .001 ) The results are supported by an articlein the ‘Journal of Environmental Psychology’ (Jungsoo 2013).
The investigation demonstrated that productivity is affected by noise traveling within the space. ( p value < .001 ) This fact was discussed in ‘Facilities’ in 2008 (“An Evaluation…”).
Overall, the analysis conducted on this marketing compay’s office space resulted with mixed reviews about the design criteria tested at hand. Lighting is the topic that gained a high frequency of responses within the office on both its positive and negative premises. In conlcusion, space planning was found to be the main problem in this space, which resulted in many contradicting responses. Even though its an open office layout, the desk locations and paritions need to be relocated to avoid blocking the light in certain areas of the space, espeically with the windows on most walls. One topic they need to consider is ergonomics, due to the fact that the employees jobs require long hours of computer work. The use of ergonomical chairs would create, since most of the employees seemed uncomfortable and fidgeting in their seats constantly. This addition would increase the comfort resulting in higher productivity and satisfaction. "An Evaluation Of The Impact Of The Office Environment On Productivity." Facilities 26.5/6 (2008): 178-195. Business Source Complete. Web. 3 Feb. 2014. Fitzgerald, Carey J., and Kimberly M. Danner. "Evolution In The Office: How Evolutionary Psychology Can Increase Employee Health, Happiness, And Productivity." Evolutionary Psychology 10.5 (2012): 770-781. Academic Search Complete. Web. 3 Feb. 2014. Konnikova, Maria. "The Open-Office Trap." The New Yorker. The New Yorker, 7 Jan. 2014. Web. 01 Feb. 2014. "Environmental Stress." Google Books. Ed. Gary W. Evans. The Press of the University of Cambridge, n.d. Web. 01 Feb. 2014. Haynes, Bany P. "The Impact Of Office Layout On Productivity." Journal Of Facilities Management 6.3 (2008): 189-201. Business Source Complete. Web. 3 Feb. 2014. Kim, Jungsoo, and Richard De Dear. "Workspace satisfaction: The privacy-communication trade-off in open-plan offices." Journal of Environmental Psychology 36 (2013): 18+. Academic OneFile. Web. 3 Feb. 2014.
Arlein Samawi, Lina Rakhawy Rakhawy, Zina Tawil
Instructor: Dr. Linda Nubani
Project 1 IDES 302 – Interior Design Studio V Analysis of an Existing Office in Dubai through Surveys and walk-through Observations Spring 2014
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EXSITING PLAN
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PROPOSED FURNITURE PLAN
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The survey questions were presented to the whole studio class to use a standard for different company offices. Layout wise the flow is clear and creatively identifies each department and its work purpose.
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UNIVERSAL
HOSPITAL ROOM - IDEC COMPETITION
This hospital room design was part of the IDEC competition to create a modern and comforting hospital suite. A palm treeâ&#x20AC;&#x2122;s leaf and the date was the main inspiration and concept of this layout. The curved partition resembles the leafâ&#x20AC;&#x2122;s curve and circles to resemble the date. Materials such as wood help bring this concept to the space and the color scheme is natural. Instead of traditional curtains around the bed, we created automatic partitions that move from the cupboard doors to surround the bed. The guest bed is a sofa bed built-in to the wall with LED strip lighting when opened and a wood panel when closed and flush with the wall.
3D Furniture Plan
Group work scope: Design concept, layout, renders, research, presentation boards
FURNITURE
MOMA Art Gallery seating; an artistic touch to a regular bench seating, created to represent an art piece of our selection. El Teneen is a graffiti artist from Egypt, who painted several murals around Cairo during the revolution in 2011. Each piece he drew, resemebled the event of the day.
CHECKMATE This artwork depicts the people standing together against all the rulers, with the fallen king.
The seating I designed is based on 3 elements: 1. Levels 2. Various materials 3. Position
Levels and materials categorize the different people in the revolution. Color represents the
The shades of grey cubes are grouped up together, representing the Egyptian people, while
positions in this chess game.
the broken red cube is singled out, representing the falled head of state in the artwork.
FURNITURE
METAMORPHASIS The droplet of water was the inspiration to this furniture piece. Its metamorphasis of 7 stages was the key to creating the furniture console.
The console is made out of oak wood to create a strong contrast with the colored mirror pieces. the mirror pieces represent the stages of rain. I combined smoked mirror, blue mirror , original mirror and frosted. Inspired by the rain, the mirror pieces are shaped and scattered randomly representing natural rainfall.
FURNITURE
WAITING AREA SEATING This piece was based on an art history project to create something inspired by an architect and create a modern furniture piece. Renzo Pianoâ&#x20AC;&#x2122;s Bullet tower inspired the design of the twisted center sculpture in stainless steel. The black velvet seating circled around completes the look that Piano usually goes for; elegant and monotone.
Group work scope: Design concept, artist reference, render
3D Furniture Plan
SENIOR THESIS
THE SYNCHRONIZER; my creation of the ultimate indoor is outdoor lounge. As being in Dubai makes us want to be
Existing VIP Lounge Interior
outdoors, this space brings natureâ&#x20AC;&#x2122;s beauty indoors.
This airport lounge is made for the skywards member community, to give those that cannot afford VIP lounges to come together. There are 4 major pods in this space that are targetted towards different purposes however, all purposes have a common factor which is community socializing with no technology. The main aim is to help travelers stop time for a bit and relax through the various physcological and mental strengthening activities.
airport lounge. The organic nature of the layout and shapes are inspired by nature and its beautiful flow.
3D Interior Perspective Layout
Each pod is named based on the services it offers in the
STONEHENGE - its raw wooden interior pod, that provides the feeling that a workshop holds. This pod allows people to create their own designs from everyday materials,
STONEHENGE
which helps bring people away from technology and work with others.
The tea area helps the travelers attain a herbal relaxation journey, which is a reason to why the seating is lower in this portion to ground the person to their surrounding. Sleeping pods are also built-in to the wall for those anxious travelers or transit that need a place to take a nap.
Below the Stonehenge is a memory tree; people can write a memory and pin it on the tree, and a reading lounge for those who like to dream through books.
SKYPORTAL - is a lookout deck, where cushion seating is found to lay on and look up to the artpiece on the ceiling. This ceiling displays outdoor projections as well as starry nights.
The memory tree is right above the reading area with a natural look and feel to it as it grows along the podâ&#x20AC;&#x2122;s base. Beneath the skyportal is a general lounge area for people in transit.
The swing beneath the skyportal is encaged within a glass cabin with treens and a lawn, giving off a garden feel. Colors within the space compliment the materials used in their raw and natural feel.
LIGHTSCAPE - is a light and sound show telling family and moral based stories. The seating area beneath it is a combination of family/group and businessmen seating.
Furniture Piece Design The hub is my detailed design product, to allow any traveler to sit with some privacy. Materials such as plank birch wood is used to unify and allow ďŹ&#x201A;uidity of the general furniture look. Balck ďŹ ber glass table adds a strong contrast to clear the center path. LED lighting was added as an ambience feature emphasizing the shape and material textures. The centeral organic cords allow a part of nature to endulge into this pieceâ&#x20AC;&#x2122;s atmosphere.
THE SYNCHRONIZER
HOW THE INSIPIRATION ALL STARTED...
THIS SPACE IS AN AIRPORT LOUNGE PROPOSED FOR THOSE OF BLUE SKYWARDS MEMBERS FOR ALL EMIRATES AIRLINES TRAVELLERS. IT IS A NEW AND UPDATED TYPOLOGY OF THE CLASSICAL PERSPECTIVE OF ANY AIRPORT LOUNGE. AS A WAITING SPACE, IS ASSEMBLES THE CONCEPT OF ACTIVITY AND RELAXATION, AS WELL AS EMBRACES NATURE AND THE OUTDOORS, BRINGING IT TO THE INDOOR ENVIRONMENT TO A PROCEDURAL, LONELY, AND STRESSFUL STATION KNOWN AS THE AIRPORT. THE PASSENGER ENTERING THIS SPACE WOULD HAVE THEIR BODY AND MIND SYNCED WITH THEIR SURROUNDINGS, AS IF DISCONNECTED FROM THE HASSLE AND THE STRESS OF THE DAY’S JOURNEY. IT ELIMINATES THE DISCRIMINATIVE ASPECTS OF RESTRICTED ACCESS. THE DESIGN CONCEPT IS THAT OF ELIMIN AN OUTDOOR URBAN RESEMBLANCE, IN RESPECT TO THE EVER-GROWING, ETERNAL CYCLE OF NATURE. THIS INTERIOR TARGETS PLACELESSNESS AND TIMELESSNESS, THE MAIN ISSUES IN OUR DAILY ROUTINES. THEREFORE, THE IDEA OF THE PODS THAT HYPOTHETICALLY CAPTURE THE TIME AND HELP A PERSON SYNC IN A TIMELESS SPACE FOR A WHILE. FOUR ZONES SPREAD THROUGHOUT THE SYNCHRONIZER LILY POND - TARGETING FAMILIES WITH CHILDREN STONEHENGE - TARGETING PEOPLE IN TRANSIT LIGHTSCAPE - TARGETING INDIVIDUAL TRAVELERS SKY PORTAL - TARGETING ALL TRAVELERS
SWING AND SKY PORTAL SEATING PERSPECTIVE THIS INTERIOR ENCOMPASSES ACTIVITIES THATTHE RESULTS OF CREATING AN INTERIOR LANDSCAPE, DEVELOPED A COLOR SCHEME OF EARTH TONES TO HELP PROVIDE THE STRESS-FREE ENVIRONMENT. TAKEN INTO CONSIDERATION OF SPACE LAYOUT WAS THE TARGETED GROUPS OF PEOPLE AND THEIR REQUIREMENTS. EACH ZONE INCLUDES ACTIVITIES THAT HELP CALM THE PSYCOLOGICAL NERVES AND LESSENS THE EAC STRESS ON A TRAVELER. THESE ACTIVITIES ELIMINATE THE USE OF TECHNOLOGY AND INVOLVE THE USE OF THE MIND’S FOCUS AND CREATIVITY. THE EARTH TONE COLORS SPREADING OUT THOUGHOUT
Presentation Banners
THE SPACE AID IN THIS MISSION.
50
LILY POND
STONEHENGE
DETAILED AREA A AS THE LILIES ARE USUALLY REPRESENTED AS FREE FLOWERS FLOATING ON WATER, IT WAS USED AS THIS POD’S INSPIRATION. THE PERFECT CLOSURE TO AND INDOOR SPACE IS TO HAVE THE INVOLVMENT TH OF WATER. THE LILY POND POD TARGETS THE FAMILIES WHICH USUALLY DO
Presentation Banners
NOT HAVE A LOUNGE THAT INCOORPORATES THE PARENT-CHILD ACTIVITIES. AS THIS POD COULD BE A SOURCE OF ENERGY FROM THE ACTIVE CHILDREN, WATER SURROUNDING WAS A SOURCE OF CONTRAST. WATER, KNOWN TO BE A SOURCE OF SERENITY AND CALMNESS, IS USED AS THE MAIN FEATURE OF SCENERY OF THIS POD. ITS EFFECTS ARE USED FOR THE CHILDREN TO FOCUS ON OTHER ASPECTS ASPECT OF NATURE RATHER THAN GAMES AND TECHNOLOGY.
DETAILED AREA B STONE HENGE IS A POD REPRESENTING THE MOST GREEN LANDSCAPE WITHIN THE SYNCHRONIZER. THE COMBINATION OF WOOD AND GRASS DEVELOP A RELAXING COZY ATMOSPHERE, THAT IS MUCH NEEDED IN SUCH A SPACE AS AN AIRPORT. IT IS THE AREA THAT TARGETS ALL THE TRAVELERS IN TRANSIT THAT NEED A PLACE LIKE HOME IN A TIMELESS SPACE. THE LILY POND IS A ZONE DIVIDED INTO MAIN THREE AREAS. TWO OF THE
THE POD WITHIN THE STONEHENGE ZONE CONSISTS OF A NATURE WORKSHOP IN TH
AREAS TARGET DIRECTLY THE CHILDREN, WHILE THE OTHER AREA IS FOR
WHICH OBJECTS ARE CREATED FROM NATURAL ELEMENTS. THIS ACTIVITY REQUIRES
THE FAMILIES TO RELAX IN.
FOCUS WHICH IN TURN RELIEVES A PERSON’S MIND FROM ANY THOUGHTS THAT
THE COLOR SCHEME WITHIN THIS POD IS MORE LIVELY THAN THE REST OF TH
COULD RESULT IN OVERTHINKING AND STRESS. A DISPLAY AND USAGE OF THE
THE INTERIOR. THIS IS A SPACE THAT SHOULD APPEAL TO THE CHILDREN
PRODUCTS PRODUCED ARE THEN LAID THROUGHOUT THE SYNCHRONIZER AND
AND THEIR ATTRACTIONS. LINEN STRIPS FLOW IN ORGANIC WAVES ON THE
USED AS PART OF ITS DESIGN.
CEILING WITH AMBIENT SPOT LIGHTING IN BETWEEN, AIDING IN THE LIVELY CREATION. GRASS GRAS SODS COVER UP THE SHELL OF THIS POD CONTIUING THE LANDSCAPE AND EMPHASING THE RELATIONSHIP OF THE SERENE NATURAL ELEMENTS.
NATURE WORKSHOP POD PERSPECTIVE
DETAILED AREA A LILY POND POD THE DETAILS OF THIS SPACE ARE WHAT MAKE IT SPECIAL FOR ITS TRAVELERS.
DETAILED AREA B STONEHENGE POD
HERBAL TEA INFUSION SEATING PERSPECTIVE
SKY PORTAL CASUAL SEATING PERSPECTIVE
ITâ&#x20AC;&#x2122;S THE SIMPLE DETAILS THAT MAKE UP A SPACE. EVERY SPACE HAS ITS WARMTH WITH THE RIGHT AMOUNT OF COLOR AND LIGHT.
SKY PORTAL GALLERY PERSPECTIVE
SKY PORTAL GALLERY PERSPECTIVE
TIMELESSNESS AND PLACELESSNESS CAN BE SOLVED BY CREATING A ZONE WHERE EACH PERSON CAN DWELL ON THE BEAUTY OF LIFE RATHER THAN THE TICKING CLOCK.
Presentation Banners
LIGHTSCAPE SEATING PERSPECTIVE
THOUGHT TREE PERSPECTIVE
STONE HENGE READING ZONE PERSPECTIVE
WORK PROJECTS
COMMERCIAL
JBC PRIVATE OFFICE The Client requested a modern office of shades of blue, which is interpreted in the general concept. A night sky was proposed above the open office area, organic flooring of different shades, frosted glass partitions to create the sleek and open space. Minimal but the use of wood provides the contrast and develop a richer ambience. I proposed 3 options combining the requested department layouts all to match this concept and the modern scheme.
OPEN OFFICE SPACE
MEETING AREA
CASUAL SEATING
BENCH SEATING SEATING AREA TOILET
PANTRY
OFFICE #2005
OPEN OFFICE
1100 sqft
MEETING SPACE
JBC 3
SEATING AREA
Unit 2005 Proposed Layout_Option n2 1
st
TOILET
PANTRY
December 2015 STORAGE OPEN OFFICE SPACE
MEETING AREA
Proposal Options
OFFICE #2005 1100 sqft
CASUAL SEATING AREA SEATING AREA
TOILET
PANTRY
PASSAGE
OFFICE #2005 1100 sqft
JBC 3
Unit 2005 Proposed Layout_Option n1 1 st D e c e m b e r 2 0 1 5 PASSAGE
JBC 3
Unit 2005
Client Chosen Option
PASSAGE
Circulation Plan
COMMERCIAL Key:
Primary Node
Secondary Node
Route
Key:
Primary Node
Laying out the plan based on the office requirements, we did different plans to show the circulation, nodes and the
Secondary Node
Route
Zoning
department zones. OPEN MEETING ROOMS
RECEPTION
MEETING ROOM
MAJLIS
TRADING OFFICE WORKSPACE
TRADING OFFICE WORKSPACE BOARDROOM
TOILETS CEO + MANAGER OFFICES
PANTRY GAME + RECREATION AREA TRADING OFFICE WORKSPACE
Reception Mood Inspiration GREEN WALL
OAK
BRASS
CORIAN
EPOXY
Reception Design
RECEPTION AREA MOODBOARD
Project Display Inspiration GREEN WALL
OAK
BRASS
PAINT
EPOXY
Project Display Design
MODEL DISPLAY & TECHNOLOGY TREE AREA MOODBOARD
Lounge Seating Inspiration BRASS
GREEN WALL
DARK OAK
OAK
PAINT
EPOXY
Lounge Seating Design
SEATING AREA MOODBOARD
COMMERCIAL
HONEYWELL; THE GREENS Full refurbishment of three floors of Honeywell, grasping a new concept of hexagons. The space I proposed has a more open flow to allow the large number of staff to feel like they have their own space. Many breakout rooms provide a comfortable ambience within the ofice.
Meeting Cubicle Bench Seating
Meeting Room Open Office Workstations
Meeting Cubicle
Office 1
Office 2
Office 3
Office 4
Office 5
Office 6
Copier Area
Office 7
Office 10
Storage Room
Meeting Cubicle
Prayer Room
Storage Room
Breakout Area
Pantry
Office 15 Storage Room
Pantry
Office 9
Open Office Workstations
Storage Room
Breakout Area
Office 8
Office 16
Prayer Room Office 11
Office 12
Office 13
Office 14
Open Office Workstations Office 19
Office 20
Office 21 Office 17
Reception Hot Desks
Copier Area
Conference Room ( Can be Separated )
Office 18
Open Office Workstations
Meeting Room
HONEYWELL DUBAI
Emaar Business Park Preliminary Layout
LEVEL 2
The flooring patterns and different departments have various flooring materials, between parquet, carpet and tiles. Custom
Meeting Room
Open Workstation Space
furniture is aligned against hexagonal partitions or flooring
Pantry
Additional Training Room
Additional Training Room
patterns, that divide the office into the departments of this
Open Workstation Space
company.
Copier Area
Storage Room
Office 1
Office 2
Storage Room
Office 3
Open Workstation Space
Prayer Room
Storage Room Storage Room
Pantry
Prayer Room
Additional Training Room
Office 4
Office 5
Office 6
Office 7
Reception
Meeting Booths
Copier Area
Open Workstation Space
Open Workstation Space Meeting Cubicles
Hot Desks
Office 8
Breakout Area
HONEYWELL DUBAI
Emaar Business Park Preliminary Layout 0 9 th D e c e m b e r 2 0 1 5
Additional Training Room
LEVEL 3
Office 9
COMMERCIAL
OMNIYAT, PRIVATE VIP OFFICE Within a tight space and many departments, the use of customized furniture was the best approach to fit the number of seats required. The corridor access is used for both storage and seating in a wood texture to blend in with the wall pattern. Curved reception desk creates a welcomed opening to the rest of the office space. Each department is located based on its relation to each other and to the appropriate location from the main office entrance.
�.........
COMMERCIAL
BSA LAW FIRM; DIFC A prestigious law firm required a Scandinavian refurbishment
RECEPTION
look to their reception, conference room and meeting rooms. Teaming up with a Scandinavian furniture and lighting company, we developed mood boards for each space with a rich but cozy look.
MARBLE
40107
All colors are warm and firewood based, materials and furniture designs are simple with sleek lines. Each room’s mood describes the ambience it needs to present to the firm’s clients.
WALLPAPER
40106
20401
PAINT
40119 40118
40117
OAK FLOOR
MEETING ROOMS
CONFERENCE ROOM
40104
40103 40110 - 40113
20402
20402
WALLPAPER
WALLPAPER
40101 *Image is for illustration purposes only 40117
OAK FLOOR
40105
40117
OAK FLOOR
COMMERCIAL
HVS OFFICE; EMIRATES FINANCIAL TOWERS As a small head office, the layout was crucial to decide on with the manager to fit her needs and minimal budget to create a comfortable space. The main materials used were laminate floor, wallpapers on every wall, and textured paint. To add a little character, edgy
Frosting & Wall Graphic Design
patterns were added to the frosting and wall designs.
The office interior is split into two main areas, one with laminate flooring for the VIP area and one with carpet flooring for the open office.
Adding the touches of red around the office was one simple way to keep the company identity. Also, we added a strip of whiteboard paint to break the repelant strength of the red color, and give the wall more purpose to the staff.
COMMERCIAL
LOCATION SOLUTIONS; EMPIRE HEIGHTS Another tight budget big office space that the Client wanted a modern and sleek finished fit-out to it. I selected a modern textured laminate and concrete ceramic tile to cover all the unitâ&#x20AC;&#x2122;s flooring in different patterns to identify departments or spaces. The long curved corridor with a glass front covered in frosting created a neat layout occupying as much space as
CONFERENCE ROOM RECEPTION & SECRETARY MANAGER
possible.
MANAGER
SALES & MARKETING STORAGE
Scope: Layout design, client design meetings, material and
FINANCE
MEETING SHOWER
light selection, frosting design
PRINTER
TOILET
SERVER ROOM
SUPPORTERS & INSTALLER PANTRY
OPTION 1
PROPOSED FROSTING DESIGN
OPTION 2
OPTION 3
COMMERCIAL
CURRENCY HOUSE - RECEPTION DESK The design of the desk is represented by thicknesses representing the letters of Currency House. We used wood, brushed stainless steel, grey painted metal and calcutta marble to create the combination of the desk.
CU R R ENC Y
2
HO U S E
The design of the reception desk has an abstract thought process behind it. The title CURRENCY HOUSE has been used in a fragmented manner on the front side of the desk. Each letter represents a thickness that is manifested in the vertical wooden strips at the front. Although not obvious to all, this has an underlining playful act. The planter behind is carefully positioned to add a natural asthetic as well as provide a camouflaged setting for the built in CCTV.
1
PROPOSED DESIGN - Reception Desk
3
4 1
3
4 LEGEND 1/ WOOD VENEER - shaded with planks 2/ BRUSHED STAINLESS STEEL 3/ CALACUTTA MARBLE 4/ POWDER COATED METAL - dark grey
MATERIAL SELECTION - Reception Desk
Reception Mood
2
3D Render
HOSPITALITY D1
D2
D3
D4
D5
D6
D7
18000 3000
3000
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3000
3000
3000
KAFTAN RESTAURANT & CAFE; LA MER
300
MEERAS had specific guidelines to follow in terms of layout CH-01 TB-01 CH-01
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the beach theme at La Mer. As a Turkish restaurant, there are
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974
WAITER STATION
3825
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450
FURNITURE LEG CH-01
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2345
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1645
CF-02
EXPOSED VERTICAL BRACING DONE BY LANDLORD TO BE RETAINED BY TENANT IN THEIR DESIGN PROPOSAL
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3000
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1814
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WAITER STATION
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800
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1910
1226
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600
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INDOOR DINING AREA
2066
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800
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1226
3000
1085
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CH-02
12575 7124 7123
1500
225
2036
900
850
1100
334
4843
870
1840 50
7130
DE
TB-01
100
970
BAR
349
335
KITCHEN 510
RECESSED POS IN BAR
1000
1119 1130
1704
CF-01
3000
2603
SERVICE WINDOW
3100
19000
TB-02
510
POS
5531
DD
1272
CH-01 CH-01
TB-01
ments, material procurement, supplier coordination for design
CH-05 TB-03 841
CH-05
174
237
1363
TB-03
MANDALA COFFEE
287
1945
200
368
462
462
1542
1799
120
FD
3528
495
890
643
1138
882
940
892
1799
3170
COLD ROOM
2130
VEGETABLE COLD ROOM
EXPOSED VERTICAL BRACING DONE BY LANDLORD TO BE RETAINED BY TENANT IN THEIR DESIGN PROPOSAL
430
102
TB-03
DEEP FREEZE
NOTE: The DCZ a furniture selections
82 5629 360
DH
1531
675
742
346
EXPOSED VERTICAL BRACING DONE BY LANDLORD TO BE RETAINED BY TENANT IN THEIR DESIGN PROPOSAL LINEAR DRAIN PIT WITH STAINLESS STEEL METAL GRATING ABOVE TO BE PROVIDED AT REAR SERVICE DOORS IN KITCHEN AND BOH AREAS RAMP 1:5
DG
DB LOCATION AND ACCESS TO BE INCORPORATED INTENANT DESIGN 1200 x 500 x 1700mm FHR (CLADDING TO BE ADJUSTED AS PER SITE CONDITION)
1039
1009
501
DF
6407
2670
RECEPTION
2093
3000
2724
3474
3000
aspects, client meetings, signage design
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wood and colorful seating.
Group work scope: 2D drawing set, layout, site design adjust-
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WAITER STATION
DA
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CH-01 CH-01 CH-01
1000
olive trees in and surrounding the space, along with natural
CH-01 TB-01 CH-01
1128
The Client wanted a refurbished look and feel to blend in with
3852
OUTDOOR DINING AREA
1272
boundaries and design.
NOTE: KITCHEN A FINALIZED DURING
FUR
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220
200
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1013
1100
1040
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200 20
30 25 30
30 30 500
2772
20 331 500
D
10
477
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25
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20
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573 10
406
200 20
1013
1040
500
600
1100
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200 20
A
331
573 10
Custom Sofa & High Table Design
30
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30 30
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INT-004B SCALE
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INT-004B SCALE
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INT-004B SCALE
SECTION D-D
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189 25
The use of Amazzonite marble in pieces like the hostess stand,
POS
B
600
restaurant, keeping in mind the design aspect.
322 30
POS
200 30
B
Each furniture piece was customized to fit the need of the
bar and high table blend the Turkish turqoise vibrance within
door WS-TOP facades. The hostess stand combines both the ribbed VIEW
INT-004B SCALE
103
the space. The waiter station includes antique mirror on the
B
WS-FRONT VIEW
WS-SECTION B-B
INT-004B SCALE
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wood material and the stainless steel “T” logo from KAFTAN.
WS-TOP VIEW
INT-004B SCALE
HS-SECT
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WS-FRONT VIEW
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Custom Sofa & High Table Design
478
600
Hostess Stand Design
2192 406
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64
150
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2053 679
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481
730
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679
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481
730
730 445
1200
Interior Sections
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2053
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877
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MEP SERVICES
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MOSAIC ARTWORK WITH PLASTER WALL FINISH
2400
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839
740
1050
SECTION - 3
INT-007B SCALE
SECTION - 3
INT-007B SCALE
SECTION - 2
INT-007B SCALE
SECTION - 2
230 230 2974
HOSPITALITY
Typical Clubhouse Layout Proposal
CALLALOO CAY; ANTIGUA A development on an island while working with one of the ENTRANCE
company partners in person. The concept was based on the
UP
famous windmills on the island and the materials were basic
M
STORE
F
ADMIN
LOADING
and natural. All layouts were planned to keep an easy geometric
F
GALLERY LOUNGE MEETING RM
M KITCHEN STORE
RESTAURANT
plan based on a grid to add or subtract units. DN
DECK
MECH
DN
DN
Scope: 3D modelling, floor plan presentation, Client presentation, design discussions
POOL BAR
DN
POOL ROOM
BAR UP
DN
DN
DN
Typical Villa Layout Proposal
POOL
DN
Location
February X, 2016
HOSPITALITY
CRAB MARKET RESTAURANT & LOUNGE This restaurant was taken over by the company as a contracting job. A russian and complex design had a lot of materials to match locally for a lower budget.
Scope: Approvals, matching proposed materials and budget or proposing a replacement, supplier coordination. 4
5
6
KITCHEN AREA
7
8
9
10
-20C
hold o mat
MAIN AREA 251.5 sq.m. SUSHI & CRABS AREA
112 seats
ICE
-20C
-20C
FIRST DISEHS
-20C
FIRTS DISEHS
-20C
7 BAR AREA
SALADS
DESSERT
72 seats+ 14 bar stools
3 KITCHEN
MEAT/FISH GRILL
hold o mat
WASHING AREA
PLANCHE
BAR AREA 156.5 sq.m.
FRYERES / STARTERS
4 TERRACE
Ice
D
C
3
E
POTS WASHING AREA
DISTRIBUTION 300
DISTRIBUTION
1 HALL
8 BAR
2 HALL
F
9 CORRIDOR
11
H
G
10 WC
TOTAL AREA 799 sq.m. J
5 MAIN AREA
6 WINE ROOM
45, Kutuzovskiy avenue, Moscow | Tel/fax: +7(495)771-70-41 | www.geometry-moscow.ru
45, Kutuzovskiy avenue, Moscow | Tel/fax: +7(495)771-70-41 | www.geometry-moscow.ru
ОСНОВНОЙ ЗАЛ Вид на колонну
45, Kutuzovskiy avenue, Moscow | Tel/fax: +7(495)771-70-41 | www.geometry-moscow.ru
Основной
45, Kutuzovskiy avenue, Moscow | Tel/fax: +7(495)771-70-41 | www.geometry-moscow.ru
HOSPITALITY
VITALITY STREET GYM; KITE BEACH MEERAS had specific guidelines to follow in terms of layout boundaries and design.
The Client wanted a refurbished look and feel to blend in with the beach theme at La Mer. As a Turkish restaurant, there are olive trees in and surrounding the space, along with natural wood and colorful seating.
Group work scope: 2D drawing set, layout, site design adjust-
Initial Elevation Options
ments, material procurement, supplier coordination for design aspects, client meetings, signage design
VITALITY VITALITY
FOOD
Right ambience and heart-warming f o o d , s p r e a d s t h e wo r d a r o u n d f a s t e r.
The Middle East is known for its warm and welcoming culture which spreads
throughout its streets. The welcoming and friendly aspect is a specified target
for such an outlet, especially for one that originates from the Middle Eastern culture. Natural materials come in two split color spectrums, the basic monochrome and
the
simple
combination
of
natural both
tones.
are
used
DESIGN
Middle Eastern Shawarmas
STREET SUSTAINABILITY MATERIALS DETAILS CONCEPT DESIGN
HOSPITALITY
The
to
create the right balance of warmth and sleekness, representing a polished
version of the street look. Stray sources of color in the details of the space will
be used as a feature, that would emit the happier vibe on the festive streets of Egypt.
MIDDLE EASTERN SHAWARMAS A food truck concept design, in the middle of the streets of Cairo. I used the muted mediterranean colors as the base of this design, and add touches of color to the added furniture and accessories.
Street food the way we know it. Re -using our surrounding materials is appeal to all social classes. It assists the creativity in designing a space no
CONCEPT DETAILS
matter its size and location. Street looks can be polished up to look chic but comfor table.
The use of metals, stones and polished
STREET STYLE INSPIRED MENU BOARD
a food stall that would need to have
M E TA L M E S H & B O LT S
S T U D D E D M E TA L
R U S T E D M E TA L
CO N C R E T E PA N E L S
W O O D PA L E T T E S
USED TIRES
specific requirements and rules. Easy maintenance
is
an
definite
aspect,
which in turn helps in the selection of the details to develop the space.
B A R R E L S R E U S E D A S A F O O D CO U N T E R
R E U S E O F S U R R O U N D I N G FAU LT Y O B J E C T S FOR A DESIGN FUNCTION
Objects refurbished.
N E W A P P R OAC H TO T R A D I T I O N A L I D E A S
O P T I O N A L L I G H T I N G D E TA I L S
BARE BULBS & LIGHTING STRUCTURES
P O L I S H E D M E TA L B A R R E L S
Handpicked minor details can always complete a space with a playful touch. A small space can have ample storage, be sustainble and have the per fect finishes to fit any budget. Mixing rough and smooth textures helps define a small space, whilst adding an attention grabbing twist.
STREET INSPIRED PINNED ITEMS
DETAILS
DESIGN
wood are a hygenic combination for B A R E M AT E R I A L S W I T H T H E U S E
MATERIALS
b u d g e t - f r i e n d l y, s u s t a i n a b l e a n d c a n
Things like the materials and details come together to create the modern industrial concept. Adding rough materials along with street and restaurant tools to create the lighting and the design helps blend in with the environment,
MARKETING GRAPHICS
E-CARDS
2017
2016
2016
2016
www.massaglobal.com
www.massaglobal.com
2017
2017
FLYERS
ID CLUB
LAUNCH !!
ID club was a needed start for our department to give some life and free help and advice to all its students. The president and I (vice-president) created the club logo below with the aim to make it a vibrant start, hence the use of the color lime green.
Wednesday October 15th 2014 6 PM A Building - Rotunda
The grey color was our standard for our event flyers to keep the consistency so epople would be able to spot our ads. We consistantly made it a point to keep all graphics and information minimal to catch the attention needed to our events.
Hope to see you all there ! Arrive with an empty stomach..
SHOWCASE 2015
INTERIOR DESIGN SENIOR SHOWCASE 2015
SENIOR PRESENTATION POSTER
INTERIOR DESIGN SENIOR SHOWCASE 2015
INTERIOR DESIGN SENIOR SHOWCASE 2015
INTERIOR SHOWCASE
WITNESS WHEN CREATIVITY COMES TO LIFE. DEPARTMENT OF INTERIOR DESIGN
JOIN US AT THE
INTERIOR DESIGN SENIOR SHOWCASE 2015 !
This poster was designed by the faces of all the senior batchâ&#x20AC;&#x2122;s photos illustrating something about their design personality.
LOCATION:
All photos were taken by a professional photographer that
AUD
I planned as the vice-president of the ID club to come and
ARENA
KNIGHTS
showcase our characters. DATE:
Using black and white images was the main goal to have people
26th & 27th APRIL
view the souls and not focus on the beauty of the colors as such.
TIME: 8:30 AM - 8:30 PM
The main layout is split in squares of the students and the professors that inspired us at the different stages of our final course in ID.
SENIOR DESIGN
SENIOR THESIS
PROJECT
ADVISORS
ADVISORS
ALBERT S. FAKHOURY
CHADI R. CHAMOUN
CHAIR AND ASSOCIATE PROFESSOR
ASSISTANT PROFESSOR
INTERIOR DESIGN SENIOR SHOWCASE 2015
ANNAMARIA LAMBRI ASSOCIATE PROFESSOR
INTERIOR DESIGN SENIOR SHOWCASE 2015
KRISTIN LEE ASSISTANT PROFESSOR
INTERIOR DESIGN SENIOR SHOWCASE 2015
INTERIOR SHOWCASE