Issuu

JABBAWOCKEEZ A R T S + C U LTU R E

ST YLE, STO RY, AN D TH E ART O F LE AVIN G AN I M PRI NT. S E P TE M B E R 2 02 6

LIFESTYLE LETTER

Style

September 2026 PUBLISHER

When you hear the word style, what comes to mind? Is it the latest fashion trend circulating on social media, or a high-end label on a clothing rack? For our September issue, we wanted to look past the surface and ask a deeper question: What makes style truly unforgettable? This month the answer for me came from a very special place—behind four iconic white masks. In this issue, we sit down with the original members of the world-renowned Jabbawockeez. Long before headline shows in Las Vegas or global drops with PUMA, they were just friends in a San Diego garage with a boombox and a shared passion. Their most radical style choice wasn't a fashion statement; it was dropping their egos entirely so the art could speak for itself. As they so eloquently put it to us: "Style is your fingerprint..." That philosophy is the thread running through every page of this issue. True style isn't about seeking clout or following a temporary trend. It’s about expression, identity, and the quiet confidence to show up authentically in our community. Whether it’s local creators carving out their own unique paths, neighborhood hidden gems, or global icons reminding us of our roots, this issue is a celebration of the human stories that give our region its distinct rhythm. We hope these stories leave you inspired to embrace your own signature style— and perhaps share a story or two with a friend!

Sean Arnett | sean.arnett@citylifestyle.com E D I TO R

Desiree Allen | desiree.allen@citylifestyle.com SAL E S D I R E C TO R

Sean Arnett P U B L I CAT I O N D I R E C TO R

Desiree Allen CONTRIBUTING WRITER

Desiree Allen

Corporate Team CEO Steven Schowengerdt President Matthew Perry CRO Jamie Pentz

DESIREE ALLEN, EDITOR @ T E M E C U L AC I T Y L I F E S T Y L E

CoS Janeane Thompson AD DESIGNER Matthew Endersbe LAYOUT DESIGNER Amanda Schilling QUALITY CONTROL SPECIALIST Hannah Leimkuhler

Learn how to start your own publication at citylifestyle.com//franchise. Proverbs 3:5-6 Temecula City Lifestyle™ is published monthly by Lifestyle Publications LLC. It is distributed via the US Postal Service to some of the Temecula area’s most affluent neighborhoods. Articles and advertisements do not necessarily reflect Lifestyle

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Publications’ opinions. No portion of this magazine may be reproduced in any form without written consent. Lifestyle Publications does not assume responsibility for statements made by advertisers or editorial contributors. Information in Temecula City Lifestyle™ is gathered from sources considered to be reliable, but the accuracy of all information cannot be guaranteed.

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inside the issue SE PTE M B E R 2 02 6 | STYL E

24 Featured

24 28

Print Prestige Meets Digital Power.

WHY CHOOSE BETWEEN PRESTIGE AND PLACEMENT?

Departments

THE ART OF ANONYMITY

How four white masks and a San Diego garage redefined street culture, turning anonymity into dance’s most iconic visual identity

More Than A Bag

Lifestyle Letter

City Scene

Business Monthly

Maker’s Studio ARTS + CULTURE

Home Update HOME + DESIGN

Fashion Forward SHOPPING

Must See SPORTS + RECREATION

Events

A blend of fashion and fuction

Rooted in Red Clay

On the Cover Behind the white masks with the Original Members: Kevin Brewer, Joe Larot, Jeffrey “Phi” Nguyen and Rynan Pagui

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SEPTEMBER 2026

city scene WHERE NEIGHBORS CAN SEE AND BE SEEN

1: 2026 City of Temecula Youth Musical Theater Presents: Alice and Wonderland, Jr. (Royal Card Cast) 2: The City of Temecula’s Youth Musical Theater brought big talent and vibrant energy to the stage this June with stellar productions of Mean Girls: High School Edition and Alice in Wonderland. 3: 2026 City of Temecula Youth Musical Theater Presents: Alice and Wonderland, Jr. (Unbirthday Cast) Photography by City of Temecula

C I T Y SC E N E

SEPTEMBER 2026

business monthly A R O U N D U P O F N E W S F R O M LO C A L B U S I N E S S E S

Thrive Temecula - Getting Your Ducks In A Row Take charge of your future with essential health and legal planning. BoardCertified Patient Advocate Jenny Adamo, MSW, leads a free workshop on the vital documents every adult needs—including advance directives, powers of attorney, wills, and trusts. Learn how to make your wishes clear and protect your peace of mind. When: Sat, Sep 19, 10 a.m. Where: Temecula Conference Center. Who: Adults

Scan to read more Photography by @cityoftemecula

Temecula Valley Chamber Presents The 20th Annual Women In Business Conference & Expo Celebrate two decades of empowering local leadership at the 20th Annual Women in Business Conference & Expo. Featuring inspiring keynotes by Jean Steel and Cat Larsen, this milestone event invites professionals to view their careers as a blank canvas. Attendees will also take the Taylor Hartman Color Code Personality Assessment to unlock their unique leadership motives. When: Wed, Sep 2, 9 a.m. – 3 p.m. Where: Pechanga Resort Casino. Info & Registration: temecula.org

Scan to read more

Temecula Valley Symphony - Symphony All’aperto III Experience the magic of live orchestral music under the stars as the Temecula Valley Symphony returns to Europa Village. This open-air performance blends classical elegance with the romantic ambience of wine country, offering an unforgettable evening of music, culture, and community spirit. Gather your friends and celebrate an evening where fine wine meets majestic sound. When: Sun, Sep 27, 6:30 p.m. Where: Europa Village Wineries and Resort. Info: temeculavalleysymphony.org

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B USIN E SS M ON T H LY

THE ART OF

ANONYMITY

M AK E R’S ST U D IO | ARTS + CU LT U RE

FROM SAN DIEGO GARAGES TO LAS VEGAS RESIDENCIES: THE STORY BEHIND THE WHITE MASKS.

ARTICLE BY DESIREE ALLEN

Long before dance went viral in 15-second clips, four white masks turned total anonymity into pop culture’s boldest statement. For anyone coming of age during the late-2000s MTV era, watching the Jabbawockeez claim America’s Best Dance Crew was pure magic. In a culture driven by individual clout, their most radical move was dropping the ego entirely. Hiding their faces behind plain white masks to let hyper-precise, gravity-defying movement speak for itself, they didn't just win a show—they built a timeless visual identity. Years before headlining Las Vegas residencies, launching global releases with PUMA, or bringing their high-octane performance to our local stage at Pechanga this past August, original members Kevin Brewer, Joe Larot, Jeffrey “Phi” Nguyen, and Rynan Paguio were simply friends with a boombox, a garage, and a shared spark. "Jabbawockeez started the way a lot of great things do— with friends, a boombox, and probably someone saying, ‘Watch this!’" they recall. Even their name reflects that playful, imaginative spirit. Inspired by Jabberwocky—the whimsical creature representing pure imagination—the group set out to make dance unexpected, whimsical, and accessible. "The masks came later, and they changed everything," the crew explains. "They don’t hide who we are—they remind people to focus on the art instead of the artist. When the masks go on, the ego comes off."

SOUTHERN CALIFORNIA: THE MELTING POT OF STYLE

Southern California has long been an incubator for street culture, but for the Jabbawockeez, the region provided something even more essential: room to experiment and a community that embraced individuality. We asked the crew how growing up and creating in Southern California shaped their identity and artistic philosophy. "San Diego gave us sunshine, diversity, and just enough garage space to dream big," they recall. "The dance community there was incredibly welcoming. Everyone brought different cultures and different styles, and instead of competing, we inspired each other. Looking back, we weren’t just building choreography—we were building a family." CONTINUED > S EP TEMB ER 2 0 2 6 | C I TYL I FE STYL E . C OM / T E M E C UL A

That local bond and focus on pure expression shaped their entire definition of style. To them, style isn't about clout or fashion trends—it's deeply personal. "Style is your fingerprint," they share. "Everybody can learn the same move, but nobody can move exactly like you. When we were younger, style was about showing what we could do. Today it’s about showing people how we can make them feel. If we can make you laugh, cheer, cry, or dance in your seat… that’s style too. The moves evolve. The heart behind them shouldn’t."

JABBAWOCKEEZ X PUMA

For the Jabbawockeez, fashion has never been about passive aesthetics—it is a functional language that speaks before the music even drops. That shared philosophy is what made their partnership with PUMA a natural evolution. When asked what inspired the collaboration and what readers can expect from the upcoming fall release, the crew framed the project around narrative rather than just street fashion: "PUMA has always understood that sneakers tell stories before you even take your first step," they explain. "This collaboration isn’t just about making a cool shoe—it’s about celebrating where we’ve been while inspiring where we’re going."

M AK E R’S ST U D IO | ARTS + CU LT U RE

"As for the fall release… let’s just say if our first chapter got you moving, this next one turns the volume up," the group teases. "We can’t wait for everyone to see it."

THE MOMENT IT BECAME MORE THAN A HOBBY

When a movement grows from a local garage to a global phenomenon, the shift rarely happens overnight. For the original members, realizing that their work had transcended a personal passion project came through quiet, meaningful realizations. "It wasn’t one big moment—it was a thousand little ones," they reflect. "Seeing families come back year after year. Meeting dancers from around the world who said they started because of something we created. That’s when we realized… this wasn’t just our story anymore. It had become part of other people’s stories too. That’s a pretty amazing feeling." That realization continues to drive their creative output as they look toward future projects, live shows, and technological collaborations. "At the end of the day, we’re just a group of dreamers who never stopped dancing," they share. "If someone leaves our show inspired to create something, chase a dream, or simply be a little kinder to the people around them… then we’ve done our job."

S EP TEMB ER 2 0 2 6 | C I TYL I FE STYL E . C OM / T E M E C UL A

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Learn more at temecula.org S EP TEMB ER 2 0 2 6 | C I TYL I FE STYL E . C OM / T E M E C UL A

THE NEW RULES

Modern Home Style

PHOTOGRAPHY BY JANIE JONES ARTICLE BY KALI KASPRZYK HOME OF RYAN AND HILLARY BADER

For years, the rule was simple. Pick a palette, pick an aesthetic, and let it carry through every room. The all-white kitchen led to the all-white living room led to the all-white everything. That era is over. The most interesting homes right now are doing something braver. They’re letting each room hold its own mood. What ties them together isn’t a single look. It’s the materials they keep coming back to: warm brass, sculptural lighting, marble, stained wood, and quiet neutrals holding it all together. We toured one home that gets it exactly right, and pulled out ideas worth borrowing.

H OM E U P DAT E | HO M E + D E SIGN

1. RESORT ENERGY Outdoor rooms designed with the rigor of interiors. This isn’t a backyard. It’s a destination. From the lined-up lounge chairs to the scalloped umbrellas to the green-striped pillows repeating across the deck. The lesson here is to stop treating outdoor furniture as an afterthought. Pick a palette and commit.

3. MOODY MODERN Dark dining rooms are back, and better than ever. Bold taupe walls, an oval black table, sleek chairs, and an oversized round mirror standing in for art. The bright, airy dining room had its decade. Now bring on the supper club.

2. SCULPTUR AL CALM One bold gesture in a quiet room. Everything in this great room is whispering, from the cream walls to the linen sectional to the chandelier’s delicate brass rings. And then a tree, reaching toward the coffered ceiling like it grew there on purpose. When the rest of the room is quiet, the boldest thing you can put in it is something alive.

4. WAR M MODER N The all-white kitchen meets warm wood. Cream cabinetry stays, because the light it gives you is hard to beat. But the island gets a stained wood treatment that grounds the whole space. Brass pendants and hardware add glow. Velvet stools soften the lines. This is the kitchen the next decade is building toward.

CONTINUED >

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6. BUILT FOR PLAY Rooms that don’t apologize for being fun. A game table under a crystal chandelier. A leather club chair next to a telescope. A theater tucked in around the corner. The best entertaining spaces are the ones built for actual use, not just for looking at.

5. THE JEWEL BOX Small spaces, big swing. Antiqued mercury glass, a brass faucet, fluted glass cabinets, golden pulls on crisp white shakers. The idea is to treat your tucked-away corners (bars, powder rooms, butler’s pantries) as the place to take your most theatrical swing. The smaller the room, the bolder you can be.

7. COLOR COCOON Saturated color in rooms meant for rest. Deep sage-spruce walls, ivory bedding, an antiqued mirror catching the shutter light. Proof that calm doesn’t have to mean beige. Color, used right, is the most restful thing you can put in a room. Find your shade and let it hold you.

Different rooms, different moods, one home. The new rule, it turns out, is that there doesn’t have to be one.

H OM E U P DAT E | HO M E + D E SIGN

S EP TEMB ER 2 0 2 6 | C I TYL I FE STYL E . C OM / T E M E C UL A

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MORE THAN

a Bag

A BLEND OF FASHION AND FUNCTION 24

FASH ION F OR WA R D | S HOPPIN G

A purse does more than hold your phone, keys, and wallet. It quietly pulls an outfit together while also handling the practical side of everyday life. That balance between fashion and function is what makes a great purse feel less like an accessory and more like part of a personal style. Some bags are designed to stand out. A bold color, metallic detail, or structured shape can instantly become the statement piece of an outfit. Even with simple jeans and a white T-shirt, the right purse adds personality and intention. Other times, a purse works best when it blends in. Neutral tones, soft leather, or minimalist designs create a polished look without stealing attention from the rest of the outfit. These subtle bags are often the ones people reach for every day because they work with almost everything.

FASHION TRENDS MAY CHANGE EVERY SEASON, BUT THE ROLE OF A PURSE STAYS THE SAME.

Of course, style only goes so far if a purse is impractical. The best bags are the ones that fit real life. A roomy tote helps someone move from work meetings to errands without missing a beat. Even a small clutch has a purpose for evenings out when only the essentials matter. Fashion trends may change every season, but the role of a purse stays the same. It adapts while still serving a purpose. That’s why people often invest in bags they truly love. A good purse is dependable, but it also can make a fashion statement. In many ways, a purse is one of the few accessories that people use every single day. It carries necessities, reflects personal style, and can completely change the tone of an outfit. Whether bold and eye-catching or simple and understated, a purse proves that fashion and function can exist beautifully together. S EP TEMB ER 2 0 2 6 | C I TYL I FE STYL E . C OM / T E M E C UL A

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STYLE, RICH IN TRADITION ARTICLE BY SEAN ARNETT | PHOTOGRAPHY BY JAY PARKER

At Green Acres Ranch, the Rich family is keeping Temecula's horse country alive — one slide stop at a time. There is a moment in reined cow horse competition that stops time. A quarter horse — twelve hundred pounds of coiled muscle and carefully selected breeding — launches down the arena at full gallop. Then, at the signal of a nearly invisible shift in the rider's weight, the horse drops its haunches, plants its hind feet, and slides. Not a stumble. Not a panic stop. A controlled, magnificent, dirt-spraying commitment to physics that looks equal parts ballet and freight train.

M UST SE E | SP O RTS + RECRE AT ION

The crowd gasps. The dust settles. The horse stands quiet, waiting, like it was nothing. If you've watched Yellowstone and found yourself wondering whether horses like that actually exist — they do. And some of the best ones in the country are being bred, born, and trained right here in Temecula Valley. Roy Rich grew up on this land. His mother, Margaret Rich, has owned Green Acres Ranch on DePortola Road since 1969, when Temecula was still mostly rolling hills and the smell of sage. Roy trains out of the same property today — sixty to seventy horses in work on any given day, a waiting list that never fully clears, and a competition resume that includes national championships and world-level finishes. His sister competes in dressage on the same grounds. Different disciplines, same deep roots. A family that bet everything on horses and, quietly, keeps winning. "Horses have been part of our culture since they got brought over here from Europe," Roy says. "People still need that. I don't want to say it's part of our DNA, but way back in the day — we had to survive, progress, fight, everything. There's just something about that we still carry." The discipline Roy competes in — reined cow horse — has its roots in the vaquero tradition of California. Long before there were arenas and judges and serious prize money, there were working ranchers whose horses had to cut a single calf from a herd, respond instantly to the rider's hand, and stop hard when the job called for it. Those ranchers eventually started showing up at county fairs in the 1940s and '50s to put their horses against each other. They were showing off. They were also preserving something. What grew out of those informal competitions is now the National Reined Cow Horse Association — a governing body with world-level events that draw competitors from coast to coast, with the biggest shows now held in Texas, pulling audiences the California origins could never have anticipated. The three-event format Roy competes in reflects that working-ranch heritage directly. First, the reining: the big sliding stops, the spinning turns, the precision patterns that make newcomers wonder if the horse has been secretly practicing in the barn after dark. Then herd work — what most people call cutting — where horse and rider separate a single cow from the group and the horse, on a loose rein, keeps the animal from returning using nothing but instinct and training.

"The housing pushes horse culture out, even though the horses were here first."

CONTINUED >

S EP TEMB ER 2 0 2 6 | C I TYL I FE STYL E . C OM / T E M E C UL A

“What saves horse country, Roy believes, is people showing up and falling in love with it.”

M UST SE E | SP O RTS + RECRE AT ION

And finally, the fence work: horse and rider push one cow down the arena fence line, control it through its turns, demonstrate mastery of an animal that very much does not want to be mastered. Three events. Three different demands. One horse, one rider. "They can kind of contradict each other," Roy admits with a grin. "It's a challenge." Roy turned professional in 2003. He studied under an AQHA World Champion while finishing his business degree at the University of Redlands, then apprenticed under an NRCHA Hall of Famer before coming back to Temecula to build The Rich Group at Green Acres. He breeds the majority of what he shows, standing his own stallions and running his own mares — which means he has a read on what the offspring will be before they're old enough to carry a saddle. "I have an idea of the range they're going to be," he says. It's the same logic a coach uses to spot a future athlete — not certainty, but informed probability. The other half of the equation is two years of daily work, five or six days a week, building a relationship precise enough that when Roy asks a horse to stop with everything it has, the animal doesn't hesitate. Twenty-five non-professional students come to him regularly, many of whom started by simply watching and found themselves hooked. They lease horses. They buy into the show program. They enter the world Roy has been living in his whole life. "To do this, you've got to really develop a relationship with them," he says. "You've got to be able to ask them for their life — ask them to stop on a dime and go the other way with no resistance. That's what you show the judge." Here's something Temecula doesn't always get credit for: it is genuinely remarkable horse country. The weather allows year-round training. Nights cool down even in summer. The valley sits in a sweet spot that the desert regions to the east and the congested coastal corridors to the west simply can't replicate. It's why Roy stayed. It's also why what Green Acres represents is worth paying attention to before it's gone.

Because it is under pressure. The same growth that gives Roy his customer base also drives up property values and brings in neighbors who didn't bargain for dust and flies and the sound of cattle working. Land that families held for decades starts to look a lot more valuable as a subdivision than a ranch. Roy knows it. He doesn't dwell on it. But he knows it. "The housing pushes horse culture out," he says plainly. "Even though the horses were here first." Temecula is one of the rare places where you can take in two entirely different worlds of horse sport in the same town — the polished pageantry of the hunter-jumper circuit on one end, and the working-ranch athleticism of reined cow horse on the other. Both are worth seeing. Both are worth supporting. What's less common is finding a place where world-class competitors in either discipline are your neighbors. What saves horse country, Roy believes, is people showing up and falling in love with it. The Grant Berg Memorial — a three-day SCRCHA show — runs right here at Green Acres Ranch in July. You can watch from the grass. You can see Roy compete. You can watch quarter horses slide, spin, and read cattle with a kind of athletic intelligence that will rearrange your understanding of what these animals are capable of. The people in the stands were working riders, serious competitors, and a handful of locals who wandered in curious and left wanting to sign up for lessons. That last part, Roy says, happens more than you'd think. "Kids having horses keeps them out of trouble," he says. "They've got responsibility. They've got something to work toward." Spectating leads to involvement. Involvement leads to something that sticks. Roy has seen it happen here for years — people who came to watch and ended up building a life around it, the same way the Rich family did, on this same piece of ground, more than fifty years ago. To learn more about Roy Rich and The Rich Group, visit royrich.net (http://www.royrich.net/).

S EP TEMB ER 2 0 2 6 | C I TYL I FE STYL E . C OM / T E M E C UL A

Pon y Up for G A I T

THE STYLE ISSUE

Temecula has a look. We just put it on paper.

Every month we go find the people, places, and small obsessions that make this valley feel like this valley. Thank you for reading, for sharing, and for telling us who belongs in these pages next.

Know someone we should feature?

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SEPTEMBER 2026

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SEPTEMBER 11TH

9/11 25th Anniversary Remembrance Temecula Duck Pond | 6:00 PM Gather with our community for a poignant evening of reflection as we honor the heroes and innocent lives lost on September 11th. Marking 25 years of unity and resilience, this solemn gathering brings us together to pay tribute to those who gave everything and to stand united in lasting remembrance. SEPTEMBER 11TH

19th Annual Ralph Love Plein Air Competition Temecula Valley Museum Capture the radiant beauty of Temecula’s outdoor landscapes! Local artists of all skill levels are invited to paint outdoors for a chance to win cash prizes. Canvas stamping and registration are required at the Temecula Valley Museum prior to painting. Selected artwork will be showcased at an upcoming autumn reception and awards ceremony. Painting Dates: Sep 11–25 (Submissions Due: Sep 26) Location: Temecula Valley Museum. Register: temeculaca.gov/register

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