Liberty Newspost Apr-16-10

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Economy/

E-reader News Edition

Flash in the pan (The Economist: Daily news and views) Submitted at 4/16/2010 3:00:46 AM

Tech.view As Apple flexes its mobile muscles, it is changing the appearance of video on the web Apr 16th 2010 | From The Economist online GIVE Steve Jobs his due. Apple’s charismatic boss is, without question, the most strategic thinker in the business. He appreciates better than anyone that computing is in transition. As it evolves from being predominantly a stationary activity to becoming increasingly (exclusively?) a mobile one, the roles of the industry’s leading participants are changing fast. When Microsoft ruled the realm of personal computers, Apple was little more than a niche player. But in mobile phones, Microsoft is the one left scrambling for a piece of the action. And although Google may own 65% of the search business on the desktop, the 85m wireless devices Apple has sold (iPhones, iPods and now iPads) account for 64% of America’s mobile browsing, Mr Jobs said this month. The success of Apple’s mobile devices gives the firm an opportunity to capture a goodly chunk of the emerging mobileadvertising market. Indeed, that is the reason why Apple recently

acquired Quattro Wireless, a mobile advertising agency. Becoming an advertising powerhouse is certainly attractive. But Mr Jobs has far bigger fish to fry. The biggest of them all is turning Apple into the Microsoft of mobility. But first there is a little matter of locking as many software developers as possible into the Apple ecosystem. If the applications are there, so the argument goes, users will follow in droves. It has been done before. What gave Microsoft the keys to the kingdom was partly the way it embraced an open platform based on the Intel processor plus slots for other manufacturers’ components to plug into. Even more important, though, was the vast number of applications written by independent programmers that worked exclusively with Microsoft’s operating systems. Mr Jobs has no intention of ever opening Apple’s hardware for others to mess with. But software that meets a minimum standard is a different matter. At the last count, the App Store (Apple’s online outlet for iPhone software) listed 185,000 applications for users to choose from. So far, some 4 billion software utilities, games, maps and music tracks have been downloaded by owners of iPhones, iPods and lately iPads—all of which share the

same operating system and can therefore use many of the same applications. The App Store offers Mr Jobs his best chance yet of creating a global franchise on a par with Microsoft’s Windows. From Apple’s perspective, the last thing it should therefore do is allow that unique source of customer satisfaction to be threatened in any way. No surprise, then, that Mr Jobs has banned programmers from writing iPhone apps using crossplatform programming tools like Adobe’s Flash and Microsoft’s .NET, which make it easy to write an app for many different devices and operating systems at once. Flash plug-ins, running inside web browsers, can be found in Macintosh computers, but in none of Apple’s mobile toys. Were Flash ever to find its way in through the back door to the iPhone operating system, Apple’s armlock on its customers would be severely weakened. If most apps are built to run on Android and BlackBerry phones, as well as iPhones, then Apple would lose the advantage of being able to offer the widest choice of apps. With all smart phones able to do similar tricks these days, there would be less compulsion to buy an iPhone in the first place. But there is a big problem with banning Flash: without it, people cannot play most of the

videos, animation and games encoded on websites using the industry’s most popular tool. Adobe’s Flash software powers the vast majority of multimedia clips seen on the web—from YouTube videos to the simplest animated chart or advertisement. Apple’s devices include software that can play YouTube videos when needed. But apart from that they are incompatible with content built in Flash. (Bad luck, Farmville fans.) Still, Mr Jobs remains adamant. In his view, Flash is a rat’s nest of buggy software that hogs processor cycles, drains battery life and causes needless crashes. That is why he has just blocked an end-run Adobe was planning around his ban on mobile Flash. Henceforth, developers creating applications for the iPhone and its ilk will have to sign a revised agreement that forbids them from using any programming tools other than Apple’s approved set. The move was prompted by the arrival of Adobe’s latest programming aid, Flash Pro CS 5. This threatened to turn Flash applications of the kind seen on the web into stand-alone iPhone apps capable of slipping onto the App Store undetected. Adobe even boasted—rather rashly, as it turned out—that over 100 such programs had already done just that. Does Apple’s latest clamp down on Flash mean that people

who have bought iPhones, iPods and iPads are now stuck with a crippled version of the web? For the time being, yes—though there are partial workarounds that might yet help. Eventually, though, a technology known as HTML5, which has been in the works for the past six years, promises to render Flash largely irrelevant. Among other things, the attraction of HTML5 is that it is designed to handle audio and video internally, without the need for browser plug-ins such as Adobe’s Flash (or others like Microsoft’s Silverlight and Oracle’s JavaFX). Unfortunately, HTML5 remains a work in progress. Where, today, Flash can seamlessly handle a variety of “codecs” for compressing and decompressing the video’s data stream between the web server and the viewer, HTML5 is experimenting with two distinctly different codecs for video playback: one, called H.264, is used in Apple’s Safari and Microsoft’s forthcoming IE9 browsers, while the other, known as Ogg Theora, has been adopted by the Firefox and Opera browsers; Google’s Chrome has embraced both. Experts agree that the H.264 algorithm produces a superior picture, but it is a proprietary technology—though free to license, at least for the time being. For internet purists, Ogg FLASH page 33


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