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The Swiss Poster 1900-1983. World-format (red version), film layering, 1983. Wolfgang Weingart. Zoetrope #7. 1981. Xeno/April Greiman. i-D, no 28. The Art Issue, August 1985. Styled by William Faulkner, design by Terry Jones, photograph by Nick Knight, featuring Lizzy Tear. Museum no. NAL. Best of Jazz Poster. 1979. Paula Scher.
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Kunstkredit Basel. 1980. Wolfgang Weingart. Space. 1976. Dan Friedman. California Institute of the Arts Poster/Mailer, 1978. April Greiman. Cover of WET magazine. 1979. April Greiman and Jayme Odgers
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Bring in ‘Da Noise, Bring in ‘Da Funk. 1995. Paula Scher. The Diva is Dismissed. 1994. Paula Scher Blade to the Heat by Oliver Mayer, 1994 . Paula Scher Some People. 1994. Paula Scher.
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Does it make sense? 1989. Design Quarterly #133. April Greiman.
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Buzzcock’s Orgasm Addict single, designed by Malcolm Garrett, with artwork by Linda Mulvey/Sterling aka Linder. 1977. The Damned, Music For Pleasure. 1977. Barney Bubbles. Emigre type Specimen Series Booklet No. 4, 2002. Jeffrey Keedy. AIGA NY Fresh dialogue poster from 1996. Stefan Sagmeister.
Unknown pleasures, Joy Division album. 1979. Peter Saville. Power, Corruption & Lies. New Order. 1983. Peter Saville. Total, Joy Division & New Order. Rhino, 2011. Peter Saville. Movement, New Order, Factory Records, 1981. Peter Saville.
This catalogue was designed for the El Paso Museum of Art exhibition, “We’re Through Being Cool: A Look at the Design of American New Wave.” Gathering various elements from the New Wave style, the catalogue was inspired by the movement with a modern approach. The exhibit will be open throughout the month of April 2014. New Wave design was the birth of electronic design, and experimental design. The title of the exhibit was taken from a song by the new wave band, Devo.
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Designed by Lesly Limon. 2014. Fonts: Helvetica, 7pt and 9pt, body. Polentical Neon, 16pt titles/headers. Orator STD, 11pt Table of contents. Right Image: April Greiman.Poster for Warner Records, 1982