Jerosalim Festival 2010 by Mak Vacheishvili

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‫<ﺭﺍﻧﻴﺔ ﺍﻟﻴﺎﺱ‬ ‫ﻣﺪﻳﺮﺓ ﻣﺆﺳﺴﺔ ﻳﺒﻮﺱ ﻟﻺﻧﺘﺎﺝ ﺍﻟﻔﻨﻲ‬

At a time where the language of conflict dominates the language of understanding and where hatred crawls in the absence of consolidation, the sound of music arises astoundingly over the gloomy skies of Jerusalem and it spreads its aroma and a miraculous sense in the tranquility over the ancient venue of the Tombs of the Kings. For over ten velvety nights, musicians from around the globe will fill the air with their music from Palestine, Basque, Catalonia, Galicia/ Spain, Georgia, France and Tunisia. In 2010, Yabous had intensified its activities and programmes in Jerusalem. We organized the Palestine Festival of Literature in cooperation with Engaged Events in Britain; we launched the album ‘A Time to Cry’ in cooperation with the Norwegian Kirkelig Kulturverksted; and we participated in several local and international conferences, festivals, and cultural events. Yabous had resumed the rehabilitation work of its cultural centre, to promote freedom, cultural pluralism and cultural coexistence. In this context we would like to express our deepest gratitude to organizations that supported Yabous cultural activities during 2010. A special thanks to Bayt Mal AlQuds Asharief Agency; Ford Foundation; the Representative Office of Norway to the Palestinian Authority and the Arab Fund for Social and Economical Development for supporting Yabous in this year in particular. We would also like to thank our permanent partners the Consulate General of France in Jerusalem for offering the Tombs of the Kings to host the Jerusalem Festival. Thanks to Yabous Productions board of trustees, staff and volunteers who offer their precious time and expertise in support of the festival. We thank you, our loyal audience, who has always been present in all of our activities, hoping that you will enjoy this festival, which will introduce you to different cultures and will make you discover the latest Palestinian artistic productions. May this year’s festival and every year that follows bring joy, hope and peace to Jerusalem. You are most welcome to the Jerusalem Festival. Rania Elias Yabous Productions Director

THE JERUSALEM FESTIVAL FIFTEEN YEARS OF VIBRANT MELODIES INTRODUCTION During the summer season in Jerusalem, we deserve to rejoice because our passion for life makes our lives worth living... For the past 15 years, in July, we marked the Jerusalem Festival; we harvested the roses of 15 years despite the thorns. We made the sounds of music, arts and culture loud and clear, in our attempts toto reduce the impact of our suffering. We rejoiced to promote our resistance and to defend life, which we greatly believe in.

This is not only the path to victory, but victory itself. This year we celebrate the fifteenth anniversary of the Jerusalem Festival, A festival that attained remarkable achievements and reached levels of excellence. We aspire that the festival will remain the torch that illuminates Jerusalem; the beacon of enlightenment and pleasure; and the annual event for the gathering of the Palestinian audience. As Joseph Conrad’s words: “A glimpse of immeasurable strength and of immoderate wrath, the wrath that passes exhausted but never appeased”. In the midst of the difficult situation we are living in, and at a time where words and scenes change according to interests; and in the face of a stifling environment that suffocates the soul, people in the city of Jerusalem are trying to maintain a balance in their lives, to promote truth; reality; right to existence; respect to culture and arts; and sense of identity…..This is our goal at Yabous.

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TOMBS OF THE KINGS Regarded as the most beautiful archeological site and impressive tombs in Jerusalem, the Tombs of the Kings reveal a rich history dating back to 45 AD. Helen, Queen of Mesopotamia, had traveled with her children to this region of the world and it was on this visit that she fell in love with the land. Helen had been searching for an appropriate site to bury her son, Isates, and other members of her dynasty. The site chosen for burial was to be located 500 metres north of the old city and it was there that the digging and preparations of the tombs began. Stone Tombs were carved into the rock and included a cave lavishly decorated with the facade of a palace. The tombs were closed by a rolling burial stone which is still intact today. Over the years that passed, the tombs served as a place used for ceremonies. The inside of the cave consisted of a main room leading onto adjacent side rooms. It was in the side rooms where dead bodies were laid to rest in niches. In the mid 19th century, the tombs were discovered by a Frenchman who began excavations on the site. They were eventually offered to the French government in 1886. As a result of the unique relationship between Yabous Productions and the Consulate General of France in Jerusalem, this site of magniďŹ cent charm, history and culture has been the venue for the Jerusalem Festival since 1995. The French Consulate has been busy working on a reconstruction project of the venue and is undertaking work to uncover previously hidden stones. In the coming years this will contribute to the creation of a museum, where artifacts from the magical history of the Tombs will be on display for all to see. This museum will contribute to the already striking atmosphere of the tombs, making it an extraordinary and exhilarating venue for the Jerusalem Festival in the future.

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YABOUS CULTURAL CENTRE Given the importance of culture in a heated confrontation, we must join efforts and work collectively to build and further strengthen the Palestinian national culture in the heart of Jerusalem. This will be carried out through a series of projects that will leverage the pillars of deep rooted culture in Jerusalem. Due to the urgent need of the city of Jerusalem to activate cultural work and meet the multiple needs of its citizens, out of which the basic ones, have not been not met since 1967, it is crucial to expedite the completion of a distinct cultural project that contributes to provide some of the basic cultural needs of the citizens in Jerusalem in the context of the Palestinian cultural development, which is in turn a component of the national agenda and reform. This project has the potential to meet the cultural and artistic needs of the Palestinian people. It provides a social development dimension that consolidates the importance of investing in culture and arts; provides employment opportunities for different social segments; and creates a new, interactive and dynamic social reality. It produces different cultural innovations and social activities in an effort to provide a variety of programmes that have long been missing from the Palestinian society. The mission of the centre is to instill freedom of speech and encourage artistic creations, while promoting and advancing the cultural scene in Jerusalem and developing the artistic sense of the audience. The cultural centre includes a movie theatre, which will be used to screen Arabic and international film festivals and film screening targeting students and youth clubs. It will also include a multi-purpose hall that caters for musical and dance performances. Additionally, the centre will also have a hall for exhibitions, small performances and seminars. The centre will have a conference hall and a cafeteria, which can serve as a forum for the research community about art and culture. The centre includes a bookshop dedicated to the sales of books, magazines, publications and various Palestinian products. It also hosts a children’s centre that provides edutainment activities such as story-telling, puppet shows and day care services in support of parents attending cultural activities at the centre. Under the current circumstances, the establishment and sustainability of the centre’s work in Jerusalem, the pressure currently placed on the city and its residents, coupled with the obstacles they face, there is utmost importance to consolidate efforts to provide the necessary moral and financial support to enable the centre to succeed. Yabous Cultural Centre is proud to announce that it will start its activities in the beginning of 2011.

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THE JERUSALEM FESTIVAL 2010 THEME REFLECTED BY PALESTINIAN TALENTS Yabous Productions launched a competition for designing the 2010 Jerusalem Festival poster, with the aim of giving young artists the opportunity to utilize their talents in promoting the vision of the Jerusalem Festival Out of 35 submissions from young people from Palestine, Egypt, Germany and Yarmouk Palestinian Refugee Camp in Syria, Nader Khoury, a creative designer won the competition. The decision was made by a jury composed of Sulieman Mansour, Taleb Dweik, Rawan Sharaf, Nazmi Ju’beh and Suhail Khoury. The jurist found that the aesthetic side of the design is relevant to the spirit of the festival. The 2010 poster competition follows the successful experience of 2009; wherea young Palestinian designer developed the design for last year’s festival. Yabous found this experience rewarding and wanted to create a space for young designers to contribute to what has become Jerusalem’s leading cultural activity. In recognizing the artistic talents of the participating designers in this year’s poster competition, Yabous decided to hold an exhibition displaying their designs at the Tombs of the Kings where the Jerusalem Festival is hosted.

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‫ﺑﻨﻚ ﻓﻠﺴﻄﲔ‬ ‫ ﺑﺈﻋﻄﺎﺀ ﻗﺮﻭﺽ ﺻﻐﲑﺓ ﻟﻠﻤﺸﺎﺭﻳﻊ ﻭﺍﻷﻋﻤﺎﻝ ﻭﻗﺮﻭﺽ‬١٩٦١ ‫ ﻓﱪﺍﻳﺮ‬/ ‫ ﺷـﺒﺎﻁ‬٢١ ‫ﻭﺑﺎﺷﺮ ﺃﻋﻤﺎﻟﻪ ﺑﺘﺎﺭﻳﺦ‬،١٩٦٠ ‫ ﺗﺄﺳـﺲ ﻋﺎﻡ‬، ‫ﺑﻨﻚ ﻓﻠﺴـﻄﲔ ﻫﻮ ﺍﻟﺒﻨﻚ ﺍﻟﻮﻃﲏ ﺍﻷﻭﻝ ﻭﺍﻛﱪ ﺍﻟﺒﻨﻮﻙ ﺍﻟﻮﻃﻨﻴﺔ‬ ‫ ﻳﻘﺪﻡ ﺑﻨﻚ‬، ‫ ﻓﺮﻋﴼ ﻭﻣﻜﺘﺒﴼ ﳑﺘﺪﺓ ﻣﻦ ﺟﻨﲔ ﴰﺎﻻً ﺣﱴ ﺭﻓﺢ ﺟﻨﻮﺑﴼ‬٤٢ ‫ ﻭﻳﻌﺘﱪ ﺑﻨﻚ ﻓﻠﺴﻄﲔ ﺍﻷﻛﺜﺮ ﺍﻧﺘﺸﺎﺭﺍ ﰲ ﻓﻠﺴﻄﲔ ﻣﻦ ﺧﻼﻝ ﺷﺒﻜﺔ ﻣﺼﺮﻓﻴﺔ ﻣﻜﻮﻧﺔ ﻣﻦ‬، ‫ﺷﺨﺼﻴﺔ ﳏﺪﻭﺩﺓ ﻗﺼﲑﺓ ﺍﻷﺟﻞ‬ ‫ ﳝﺘﻠﻚ ﺑﻨﻚ ﻓﻠﺴﻄﲔ ﻃﺎﻗﻢ ﺇﺩﺍﺭﻱ‬، ‫ ﻣﻨﻬﺎ ﺍﳋﺪﻣﺎﺕ ﺍﳌﺼﺮﻓﻴﺔ ﺍﻟﱵ ﺗﺘﻌﻠﻖ ﺑﺎﻷﻓﺮﺍﺩ ﻭ ﺧﺪﻣﺎﺕ ﺍﻟﺸـﺮﻛﺎﺕ‬، ‫ﻢ‬‫ﻓﻠﺴـﻄﲔ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﳋﺪﻣﺎﺕ ﺍﳌﺼﺮﻓﻴﺔ ﺍﳌﺘﻤﻴﺰﺓ ﺍﻟﱵ ﺗﻠﱯ ﺣﺎﺟﺎﺕ ﺍﻟﻌﻤﻼﺀ ﻭﺗﻮﻗﻌﺎ‬ .‫ ﻣﻮﻇﻒ ﻭﻣﻮﻇﻔﺔ‬٩٠٠ ‫ﻣﺘﻤﻴﺰ ﻭﻛﻔﺎﺀﺍﺕ ﻣﻬﻨﻴﺔ ﻋﺎﻟﻴﺔ ﻭﻳﻌﻤﻞ ﰲ ﺍﻟﺒﻨﻚ ﺣﺎﻟﻴﴼ ﺃﻛﺜﺮ ﻣﻦ‬ .«‫ﻭﳛﺘﻔﻞ ﺑﻨﻚ ﻓﻠﺴﻄﲔ ﻫﺬﺍ ﺍﻟﻌﺎﻡ ﺑﺎﻟﻴﻮﺑﻴﻞ ﺍﻟﺬﻫﱯ ﻟﻠﺒﻨﻚ ﲟﻨﺎﺳﺒﺔ ﻣﺮﻭﺭ ﲬﺴﻮﻥ ﻋﺎﻣﺎ ﻋﻠﻰ ﺑﻨﺎﺀﻩ ﲢﺖ ﺷﻌﺎﺭ »ﲬﺴﻮﻥ ﻋﺎﻣﺎ ﻣﻦ ﺍﻟﺒﻨﺎﺀ‬ ،‫ ﺃﺳﺲ ﺑﻨﻚ ﻓﻠﺴﻄﲔ ﺷﺮﻛﺔ ﺍﻟﻮﺳﺎﻃﺔ ﻟﻸﻭﺭﺍﻕ ﺍﳌﺎﻟﻴﺔ ﺍﻟﺬﺭﺍﻉ ﺍﻻﺳﺘﺜﻤﺎﺭﻱ ﻟﻠﺒﻨﻚ ﺍﻟﺬﻱ ﺃﺻﺒﺢ ﳍﺎ ﻓﺮﻋﲔ‬٢٠٠٦ ‫ﺎﻳﺔ ﺍﻟﻌﺎﻡ‬ ‫ ﻭﰲ‬، ٢٠٠٥ ‫ﰎ ﺇﺩﺭﺍﺝ ﺍﻟﺒﻨﻚ ﰲ ﺳﻮﻕ ﻓﻠﺴﻄﲔ ﻟﻸﻭﺭﺍﻕ ﺍﳌﺎﻟﻴﺔ ﻋﺎﻡ‬ ‫ ﻭﺍﻟﺸﺮﻛﺔ ﺍﻟﺜﺎﻟﺜﺔ ﻣﻦ ﺣﻴﺚ ﺣﺠﻢ‬،‫ﻭﺧﻼﻝ ﻓﺘﺮﺓ ﻗﺼﲑﺓ ﺍﺳـﺘﻄﺎﻋﺖ ﺍﻟﺸـﺮﻛﺔ ﺃﻥ ﺗﺼﺒﺢ ﺍﻟﺸـﺮﻛﺔ ﺍﻷﻭﱃ ﻣﻦ ﺣﻴﺚ ﻋﺪﺩ ﻓﺘﺢ ﺍﳊﺴﺎﺑﺎﺕ ﺍﳉﺪﻳﺪﺓ‬، ‫ﺍﻷﻭﻝ ﰲ ﻣﺪﻳﻨﺔ ﻏﺰﺓ ﻭﺍﻟﺜﺎﱐ ﰲ ﻣﺪﻳﻨﺔ ﺭﺍﻡ ﺍﷲ‬ .‫ﺍﻟﺘﺪﺍﻭﻝ ﻣﻦ ﺑﲔ ﺗﺴﻊ ﺷﺮﻛﺎﺕ ﻭﺳﺎﻃﺔ ﻣﺎﻟﻴﺔ ﻣﻮﺟﻮﺩﺓ ﰲ ﻓﻠﺴﻄﲔ‬ BANK OF PALESTINE Bank of Palestine P.L.C. is the first and the largest national bank. It was founded in 1960 and commenced its operations on February 21, 1961 by giving small loans to projects and businesses and giving limited short-term personal loans. Bank of Palestine is the most geographically distributed bank with a banking network of 42 branches and sub-branches spreading from Jenin in the North to Rafah in the South. Bank of Palestine offers many special banking services that meet the customers’ needs and expectations; e.g., banking services for individuals, and companies. The Bank has a distinguished management team and a highly qualified professional working staff of 900 employees. In this year, Bank of Palestine is celebrated Golden Jubilee of the Bank to mark fifty years of construction under the slogan “Fifty years of Building”. The Bank was listed in the Palestine Securities Exchange in 2005 and at the end of 2006, Bank of Palestine established Al-Wasata Securities Co., the investment arm of the Bank that has two branches in Gaza and Ramallah. During a short period, the firm was able to be the first in terms of the number of newly opened accounts, and the third firm in terms of trading volume among other 9 brokerage firms in Palestine.

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‫ﺻﻨﺪﻭﻕ ﺍﻻﺳﺘﺜﻤﺎﺭ ﺍﻟﻔﻠﺴﻄﻴﻨﻲ‬ ‫ ﻭﻳﻬﺪﻑ‬،‫ﺻﻨﺪﻭﻕ ﺍﻻﺳـﺘﺜﻤﺎﺭ ﺍﻟﻔﻠﺴـﻄﻴﲏ ﻫﻮ ﻣﺆﺳﺴﺔ ﻭﻃﻨﻴﺔ ﻓﻠﺴﻄﻴﻨﻴﺔ ﺗﻌﻤﻞ ﻋﻠﻰ ﺇﺩﺍﺭﺓ ﻭﺍﺳﺘﺜﻤﺎﺭ ﺃﻣﻮﺍﻝ ﺍﻟﺸﻌﺐ ﺍﻟﻔﻠﺴـﻄﻴﲏ ﺑﻄﺮﻳﻘﺔ ﲢﺎﻓﻆ ﻋﻠﻰ ﻫﺬﻩ ﺍﻷﻣﻮﺍﻝ ﻛﺎﺣﺘﻴﺎﻁ ﻭﻃﲏ ﻭﺍﺳﺘﺮﺍﺗﻴﺠﻲ‬ ‫ﺍﻟﺼﻨﺪﻭﻕ ﺇﱃ ﺍﻟﻘﻴﺎﻡ ﺑﺪﻭﺭ ﺭﻳﺎﺩﻱ ﰲ ﺍﻟﺘﺄﺳـﻴﺲ ﻟﻘﻴﺎﻡ ﺩﻭﻟﺔ ﻓﻠﺴـﻄﻴﻨﻴﺔ ﻣﺴﺘﻘﻠﺔ ﻣﻦ ﺧﻼﻝ ﺍﳌﺴﺎﳘﺔ ﰲ ﺗﻨﻤﻴﺔ ﻭﺗﻄﻮﻳﺮ ﺍﻻﻗﺘﺼﺎﺩ ﺍﻟﻔﻠﺴﻄﻴﲏ ﻭﺟﻌﻠﻪ ﺍﻗﺘﺼﺎﺩﴽ ﻣﺴﺘﺪﺍﻣﴼ ﻗﻮﻳﴼ ﻭﻣﻌﺘﻤﺪﴽ ﺑﺎﻷﺳﺎﺱ ﻋﻠﻰ‬ ‫ ﺗﺴﻬﻢ ﰲ ﺧﻠﻖ ﻋﺸﺮﺍﺕ ﺍﻵﻻﻑ ﻣﻦ ﻓﺮﺹ ﺍﻟﻌﻤﻞ‬،‫ ﻭﺫﻟﻚ ﻋﱪ ﺇﻃﻼﻕ ﺑﺮﺍﻣﺞ ﺍﺳﺘﺜﻤﺎﺭﻳﺔ ﺇﺳﺘﺮﺍﺗﻴﺠﻴﺔ ﺑﺎﻟﺸﺮﺍﻛﺔ ﻣﻊ ﺷﺮﻛﺎﺀ ﳏﻠﻴﲔ ﻭﺩﻭﻟﻴﲔ ﻣﻦ ﺍﻟﻘﻄﺎﻋﲔ ﺍﳋﺎﺹ ﻭﺍﻟﻌﺎﻡ‬،‫ﻣﻮﺍﺭﺩﻩ ﻭﻣﺼﺎﺩﺭﻩ ﺍﻟﺬﺍﺗﻴﺔ‬ .‫ ﻭﺗﺰﻳﺪ ﻣﻦ ﻣﺼﺎﺩﺭ ﺍﻟﺪﺧﻞ ﺍﳌﺤﻠﻲ ﻟﻠﺨﺰﻳﻨﺔ ﺍﻟﻌﺎﻣﺔ‬،‫ ﻭﺗﺮﻓﻊ ﻣﻦ ﺍﳌﺴﺘﻮﻯ ﺍﳌﻌﻴﺸﻲ ﳍﻢ‬،‫ﻷﺑﻨﺎﺀ ﺷﻌﺒﻨﺎ‬ PALESTINE INVESTMENT FUND PIF was established in 2003 as an independent investment company, which aims to strengthen the local economy through key strategic investments, while maximizing long-run returns for its ultimate shareholder; the people of Palestine. PIF prudently invests through an investment strategy focused on long-term value creation. It aims to generate high and stable returns through diversiﬁed strategic investments in partnership with international, regional and local partners, based on values of transparency, accountability, commitment, which are in line with its corporate social responsibility and sustainability objectives.

‫‪RPQPOWORP@ıbq˝r€aOÄbnnœ¸a@ÚÓéﬂc‬‬

‫ﻓﺮﻗﺔ ﺃﻭﻑ ﺍﻻﺳﺘﻌﺮﺍﺿﻴﺔ‬ ‫ﺍﻟﻤﻘﺪﺳﻴﺔ‬ ‫ﻣﺮﻛﺰ ﻋﻮﺷﺎﻕ ﻟﻠﻔﻨﻮﻥ‬ ‫ﻓﻠﺴﻄﲔ‬ ‫‪ ...‬ﱂ ﻳﺄﺗﻮﺍ ﻣﻦ ﺧﻠﻒ ﺍﻟﺒﺤﺮ‪ ،‬ﺇ‪‬ﻢ ﺃﺑﻨﺎﺀ ﻛﻨﻌﺎﻥ‪ ...‬ﺷﺒﺎﻥ ﻭﺷﺎﺑﺎﺕ‬ ‫ﺑﺄﺟﺴـﺎﺩﻫﻢ ﻭﻫﺎﻣﺎ‪‬ﻢ ﺍﳌﺮﻓﻮﻋﺔ ﻭﺑﺮﻗﺼﺎﺕ ﻓﻠﻜﻠﻮﺭﻳﺔ ﻳُﻌﱪﻭﻥ ﻋﻦ‬ ‫ﺣﺒﻬﻢ ﻟﻸﺭﺽ ﻭﺍﳌﻜﺎﻥ‪ .‬ﻳﺒﻮﺳـﻴﻮﻥ ﻛﻨﻌﺎﻧﻴﻮﻥ ﻣﻘﺪﺳﻴﻮﻥ ﺍﻋﺘﺰﺍﺯﴽ‬ ‫ﺑﺎﳍﻮﻳﺔ ﻭﺍﻟﺘﺮﺍﺙ ﻭﺑﺘﻄﻠﻊ ﻟﻠﻤﺴﺘﻘﺒﻞ ﺗﻌﻠﻮ ﻫﺎﻣﺎ‪‬ﻢ ﻓﻮﻕ ﺟﺪﺍﺭ ﺍﻟﻌﺰﻝ‬ ‫ﻟﺘﻌﺎﻧﻖ ﺍﻟﻌﺎﱂ‪ ،‬ﻳﺴـﺘﺤﻀﺮﻭﻥ ﺣﻘﻬﻢ ﺍﻟﺜﻘﺎﰲ ﻭﺍﳊﻀﺎﺭﻱ ﻣﺆﻛﺪﻳﻦ‬ ‫ﻋﻠﻰ ﺣﻘﻬﻢ ﰲ ﻣﻮﻃﻦ ﺃﺟﺪﺍﺩﻫﻢ ﻭﻳﺼﻔﻌﻮﻥ ﺍﻻﺣﺘﻼﻝ ﺑﺮﻗﺼﺎ‪‬ﻢ‪.‬‬ ‫»ﺭﻗﺼﺔ ﺣﺠﻞ« ﻫﻮ ﻣﺎ ﺳـﺘﻘﺪﻣﻪ ﻓﺮﻗﺔ ﺃﻭﻑ ﺍﻻﺳـﺘﻌﺮﺍﺿﻴﺔ ﰲ‬ ‫ﻣﻬﺮﺟﺎﻥ ﺍﻟﻘﺪﺱ ﻭﻫﻲ ﺭﻗﺼﺎﺕ ﺷﻌﺒﻴﺔ ﻓﻠﺴﻄﻴﻨﻴﺔ ﻭﻟﺒﻨﺎﻧﻴﺔ ﻭﺳﻮﺭﻳﺔ‬ ‫ﻳﺮﺩﻭﻥ ﻣﻦ ﺧﻼﳍﺎ ﻋﻠﻰ ﻋﺰﻝ ﺍﻟﻘﺪﺱ ﻭﻳﺴـﺘﺤﻀﺮﻭﻥ ﺍﻟﻌﺎﱂ ﺍﻟﻌﺮﰊ‬ ‫ﺗﺮﺍﺛﺎ ﻭﺣﻀﺎﺭﺓ ﺇﱃ ﺭﻭﺡ ﺍﻟﻘﺪﺱ‪ ..‬ﺇ‪‬ﻢ ﺃﺑﻨﺎﺀ ﻛﻨﻌﺎﻥ ﺃﺳﻴﺎﺩ ﺍﳌﻜﺎﻥ ﰲ ﻛﻞ ﺯﻣﺎﻥ‪.‬‬ ‫ﻓﺮﻗﺔ ﺃﻭﻑ ﺍﻻﺳـﺘﻌﺮﺍﺿﻴﺔ ﺍﳌﻘﺪﺳﻴﺔ ﻓﺮﻗﺔ ﺭﻗﺺ ﺷـﻌﱯ ﺗﻨﺒﺾ ﺑﺮﻭﺡ ﺍﻟﺘﺮﺍﺙ ﺍﻟﻔﻠﺴﻄﻴﲏ‪ ،‬ﻣﻮﺷﺤﺔ ﲟﻘﺪﺳﻴﺔ ﺍﳌﻜﺎﻥ ﻹﻧﺘﺎﺝ ﺃﻋﻤﺎﻝ ﻓﻠﻜﻠﻮﺭﻳﺔ ﻓﻨﻴﺔ‬ ‫ﺗﺘﺴﻢ ﺑﺮﻭﺡ ﺍﻟﻌﺼﺮ ﻣﺆﻛﺪﺓ ﻋﻠﻰ ﺣﻀﻮﺭﻫﺎ ﻭﺗﺎﺭﳜﻬﺎ ﻭﻫﻮﻳﺘﻬﺎ ﻭﺇﻧﺴﺎﻧﻴﺘﻬﺎ‪.‬‬ ‫ﺗﺘﻜﻮﻥ ﺍﻟﻔﺮﻗﺔ ﻣﻦ ‪ ٤٠‬ﺭﺍﻗﺼﺎ ﻭﺭﺍﻗﺼﺔ ﺇﺿﺎﻓﺔ ﺇﱃ ﺃﻋﻀﺎﺀ ﻓﺮﻗﺔ )ﺃﻭﻳﻒ( ﺍﻟﱵ ﺗﺸﻜﻠﺖ ﻣﻦ ﺭﺣﻢ ﺍﻟﻔﺮﻗﺔ ﺍﻷﻡ ﻻﺳﺘﻴﻌﺎﺏ ﺍﳉﻴﻞ ﺍﻷﺻﻐﺮ ﻣﻦ ﺍﳌﺒﺘﺪﺋﲔ‬ ‫ﰲ ﺍﻟﺮﻗﺺ ﺍﻟﺸﻌﱯ‪.‬‬

(Opening night) Tuesday 20/7/2010

OUF TROUPE Oushaq Arts Centre Palestine They did not come from behind the sea; they are the sons of Canaan, young men and women expressing with their bodies, upheld heads and their folk dances their love for the land and the place. Jebusites, Canaanites, Jerusalemites, proud of their identity and heritage and with an eye on the future, their head stand out above the separation wall to embrace the world while practicing their cultural rights and afﬁrming their right to the homeland of their ancestors. “A Pheasant’s Dance” is title of Ouf’s performance at the Jerusalem Festival. The production is a blended selection of popular Palestinian, Lebanese and Syrian dances that is presented to respond to the isolation of Jerusalem by bringing the Arab world to Jerusalem. The group is composed of 40 dancers in addition to the members of “Oueif” which spun of the mother group to include the younger generation folk dancers.

‫‪@RPQPOWORQ@ıb»iâ˛a‬‬

‫ﻣﺎﺭﻳﺎ ﺩﻳﻞ ﻣﺎﺭ ﺑﻮﻧﻴﺖ‬ ‫ﺃﻣﺴﻴﺔ ﻣﻮﺳﻴﻘﻴﺔ "ﺃﺭﺑﻊ ﻟﻐﺎﺕ"‬ ‫ﻛﺎﺗﺎﻟﻮﻧﻴﺎ ‪ /‬ﺃﺳﺒﺎﻧﻴﺎ‬ ‫ﺑﻌﺬﻭﺑﺔ ﺻﻮ‪‬ﺎ ﻭﺩﻓﺌﻪ ﺃﻏﻮﺕ ﻣﺎﺭﻳـﺎ ﺩﻳﻞ ﻣﺎﺭ ﺑﻮﻧﻴﺖ ﲨﻬﻮﺭﻫﺎ‬ ‫ﻭﺃﻭﻗﻌﺘﻪ ﰲ ﺷـﺒﺎﻙ ﺍﳌﻮﺳﻴﻘﻰ ﺍﻷﺳـﺒﺎﻧﻴﺔ‪ .‬ﻧﺸﺄﺕ ﻭﺗﺮﻋﺮﻋﺖ ﰲ‬ ‫ﻣﺎﻟﻮﺭﻛﺎ ﺍﻻﺳـﺒﺎﻧﻴﺔ ‪ ،‬ﰒ ﺍﻧﺘﻘﻠﺖ ﺇﱃ ﻛﺎﺗﺎﻟﻮﻧﻴﺎ ﻟﺘﻠﺘﺤﻖ ﲟﺠﻤﻮﻋﺔ‬ ‫»ﺍﻟﻐﻨﺎﺀ ﺍﳉﺪﻳـﺪ ﺍﻟﻜﺎﺗﺎﻟﻮﱐ« ﺍﻟﱵ ﺗﺄﺳﺴـﺖ ﳌﻨﺎﻫﻀﺔ ﺣﻜﻮﻣﺔ‬ ‫ﺍﻟﺪﻳﻜﺘﺎﺗﻮﺭ ﻓﺮﺍﻧﺸﻴﺴـﻜﻮ ﻓﺮﺍﻧﻜﻮ ﻭﺇﺣﻴـﺎﺀ ﺍﻟﻠﻐﺔ ﺍﻟﻜﺎﺗﺎﻟﻮﻧﻴﺔ ﺍﻟﱵ‬ ‫ﺣﻈﺮﻫﺎ ﺍﻟﻨﻈﺎﻡ ﺍﻟﻔﺎﺷﻲ ﰲ ﺣﻴﻨﻪ‪.‬‬ ‫ﺃﻟﻔـﺖ ﻣﺎﺭﻳﺎ ﻭﻏﻨﺖ ﳎﻤﻮﻋﺔ ﻣﻦ ﺍﻷﻏـﺎﱐ ﺍﻟﻘﻮﻣﻴﺔ ﺍﻟﻜﺎﺗﺎﻟﻮﻧﻴﺔ ﻣﻨﺬ‬ ‫ﺍﻟﺴﺘﻴﻨﻴﺎﺕ ﻭﺣﺎﺯﺕ ﻋﻠﻰ ﻋﺪﺩ ﻣﻦ ﺍﳉﻮﺍﺋﺰ ﺍﻟﻐﻨﺎﺋﻴﺔ ﺍﳌﺮﻣﻮﻗﺔ ﻣﻦ ﺍﳊﻜﻮﻣﺔ‬ ‫ﺍﻟﻜﺎﺗﺎﻟﻮﻧﻴﺔ ﺗﺘﻮﳚﺎ ﳌﺴﲑ‪‬ﺎ ﻭﻣﺴﺎﳘﺘﻬﺎ ﰲ ﻧﺸﺮ ﺍﳌﻮﺳﻴﻘﻰ ﺍﻟﻜﺎﺗﺎﻟﻮﻧﻴﺔ‬ ‫ﺇﺿﺎﻓﺔ ﺇﱃ ﺟﻮﺍﺋﺰ ﻣﻦ ﺍﳊﻜﻮﻣﺔ ﺍﻟﻔﺮﻧﺴﻴﺔ ﻭﺟﻮﺍﺋﺰ ﻓﻨﻴﺔ ﺃﺧﺮﻯ ﻛﺜﲑﺓ‪.‬‬ ‫ﰲ ﺍﻟﺴـﺒﻌﻴﻨﻴﺎﺕ ﺍﻧﻄﻠﻘﺖ ﻣﺎﺭﻳﺎ ﻟﺘﻘـﺪﻡ ﻋﺮﻭﺿﺎ ﻋﺎﳌﻴﺔ ﰲ ﺃﻭﺭﻭﺑﺎ‬ ‫ﻭﺍﻷﻣﺮﻳﻜﺘﲔ ﻭﴰﺎﻝ ﺃﻓﺮﻳﻘﻴﺎ ﻭﺍﻟﻴﺎﺑﺎﻥ‪ .‬ﻭﻛﺎﻧﺖ ﻗﺪ ﺳﺠﻠﺖ ﺍﺳﻄﻮﺍﻧﺔ ﻣﻮﺳﻴﻘﻴﺔ ﻣﻊ ﳎﻤﻮﻋﺔ ﺍﳌﻮﺳﻴﻘﻰ ﺍﻟﺘﻮﻧﺴﻴﺔ ﰲ ﻋﺎﻡ ‪ ١٩٨٥‬ﺣﻴﺚ ﻛﺎﻧﺖ ﺗﻮﻧﺲ‬ ‫ﺑﻮﺍﺑﺘﻬﺎ ﻟﻠﺒﺤﺚ ﻭﻟﺪﺭﺍﺳﺔ ﻣﻮﺳﻴﻘﻰ ﴰﺎﻝ ﺃﻓﺮﻳﻘﻴﺎ ﺍﻧﻄﻼﻗﺎ ﻣﻦ ﺷﻐﻔﻬﺎ ﻭﳍﻔﺘﻬﺎ ﻟﻠﺘﻌﺮﻑ ﻋﻠﻰ ﻫﺬﺍ ﺍﻟﻠﻮﻥ ﺍﳌﺘﻤﻴﺰ‪.‬‬ ‫ﱂ ﺗﻘﺘﺼﺮ ﺟﻮﻻﺕ ﻣﺎﺭﻳﺎ ﺍﻟﻔﻨﻴﺔ ﻋﻠﻰ ﺍﳌﻐﺮﺏ ﺍﻟﻌﺮﰊ‪ ،‬ﺑﻞ ﻗﺪﻣﺖ ﻋﺮﻭﺿﺎ ﻣﻮﺳﻴﻘﻴﺔ ﻣﺘﻨﻮﻋﺔ ﰲ ﺑﻠﺪﺍﻥ ﻋﺮﺑﻴﺔ ﺍﺧﺮﻯ ﺣﻴﺚ ﻗﺪﻣﺖ ﻋﺮﺿﺎ ﻣﺸﺘﺮﻛﺎ‬ ‫ﻣﻊ ﻓﺮﻗﺔ ﺍﻟﺸـﺎﻡ ﺍﻟﺪﻣﺸـﻘﻴﺔ ﰲ ﺍﻷﺭﺩﻥ ﻋﺎﻡ ‪ ،٢٠٠٦‬ﻭﺗﻌﺎﻭﻧﺖ ﻣﻊ ﻋﺪﺩ ﻣﻦ ﺍﳌﻠﺤﻨﲔ ﻭﺍﻟﻌﺎﺯﻓﲔ ﻣﻦ ﺍﻟﻌﺎﱂ ﺍﻟﻌﺮﰊ ﻹﻧﺘﺎﺝ ﺃﻋﻤﺎﻝ ﺩﳎﺖ ﻓﻴﻬﺎ ﺑﲔ‬ ‫ﺍﳌﻮﺳﻴﻘﻰ ﺍﻷﺳﺒﺎﻧﻴﺔ ﺍﻟﺘﻘﻠﻴﺪﻳﺔ ﻭﺍﳌﻮﺷﺤﺎﺕ ﺍﻷﻧﺪﻟﺴﻴﺔ ﺍﻟﱵ ﺗﺄﺛﺮﺕ ‪‬ﺎ ﻭﻏﻨﺘﻬﺎ ﰲ ﻋﺮﻭﺿﻬﺎ ﺍﻟﻔﻨﻴﺔ‪.‬‬

‫ﺗﺸﺎﺭﻙ ﺩﻳﻞ ﻣﺎﺭ ﺑﻮﻧﻴﺖ ﰲ ﻣﻬﺮﺟﺎﻥ ﺍﻟﻘﺪﺱ ﻣﻊ ﺃﺭﺑﻌﺔ ﻋﺎﺯﻓﲔ ﻫﻢ ﺧﻮﺭﺩﻱ ﻛﺎﺳﱪ ﻛﺎﺭﻭ )ﺑﺎﺹ( ﻭﺧﻮﺍﻥ ﺍﻧﻄﻮﻧﻴﻮ ﺑﺮﺍﻧﻜﻮ)ﺇﻳﻘﺎﻉ( ﻭﺍﺩﻭﺍﺭﺩ ﺍﻧﻴﺴﺘﺎ ﺗﻮﺭﻳﺲ )ﻣﺎﻧﺪﻭﻟﲔ( ﻭﺩﺍﻧﻴﻴﻞ ﺍﺳﺒﺎﺳﺎ ﻛﺎﻧﺎﺑﻴﻞ‬ .(‫) ﺃﻛﻮﺭﺩﻳﻮﻥ ﻭﺑﻴﺎﻧﻮ‬ ‫ﺍﻟﻌﺮﺽ ﺑﺪﻋﻢ ﻣﻦ ﻣﻜﺘﺐ ﺍﻟﺘﻌﺎﻭﻥ ﺍﻷﺳﺒﺎﱐ ﰲ ﺍﻟﻘﺪﺱ‬ Wednesday 21/7/2010

MARIA DEL MAR BONET MUSICAL CONCERT "FOUR LANGUAGES" Catalonia - Spain With her sweet, warm voice Maria Del Mar Bonet has tempted her audience in Spanish music. She grew up in Mallorca, Spain, and later moved to Catalonia to join the “New Catalonian Singing” which was established to resist the government of the dictator Francesco Franco and to revive the Catalonian language which was banned by the fascist regime at the time. Maria wrote and sang a number of nationalist Catalonian songs since the sixties and earned a number of renowned awards from the Catalonian government in recognition of her musical career and contribution to the dissemination of Catalonian music. Additionally, she earned a number of awards from the French government and numerous other awards. In the Seventies, Maria presented several international shows in Europe, the Americas, North Africa and Japan. In 1985, she recorded an album with the Tunisian Music group as Tunis was her gateway to researching and studying North African music which was motivated by passion to understand this genre. Maria’s tours were not restricted to North Africa. She delivered a number of shows in other Arab countries. In 2006, she performed with Damascene Al-Sham group in Jordan and cooperated with a number of Arab composers and musicians and produced integrated Arab Muwashahs and traditional Spanish music, which she performed in her tours. Del Mar Bonet participates in the Jerusalem festival with four musicians: Jordi Gaspar Caro (Bass) Eduard Iniesta Torres (Mandolin) and Daniel Espasa Canadell (Accordion and piano), Juan Antonio Sánchez Barranco (Percussion) This concert is sponsored by the Spanish Cooperation ofﬁce in Jerusalem.

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‫ﺍﻟﻌﺮﺽ ﺍﻷﻭﻝ‪ :‬ﻛﺮﺳﺘﻴﻨﺎ ﺑﺎﺗﻮ‬ ‫ﺃﻣﺴﻴﺔ ﻣﻮﺳﻴﻘﻴﺔ "ﺃﺭﺑﻊ ﻟﻐﺎﺕ"‬ ‫ﺟﺎﻟﻴﺴﻴﺎ‪ -‬ﺃﺳﺒﺎﻧﻴﺎ‬ ‫ﻛﺮﻳﺴﺘﻴﻨﺎ ﺑﺎﺗﻮ ﻋﺎﺯﻓﺔ ﻣﺰﻣﺎﺭ ﻭﺑﻴﺎﻧﻮ ﻋﺎﳌﻴﺔ‪ ،‬ﺗﺄﻟﻘﺖ ﰲ ﺃﻛﺜﺮ ﻣﻦ ‪٤٠٠‬‬ ‫ﻋﺮﺽ ﻗﺪﻣﺘﻬﺎ ﺣﻮﻝ ﺍﻟﻌﺎﱂ ﺍﻧﻄﻼﻗﺎ ﻣﻦ ﺟﺎﻟﻴﺴﻴﺎ ﺍﻷﺳﺒﺎﻧﻴﺔ ﻣﻮﻃﻨﻬﺎ‬ ‫ﺍﻷﻡ ﺇﱃ ﺃﻭﺭﻭﺑﺎ ﻭﺍﻟﻮﻻﻳﺎﺕ ﺍﳌﺘﺤﺪﺓ‪ .‬ﺗﻌﺰﻑ ﺍﳌﻮﺳـﻴﻘﻰ ﺍﳉﺎﻟﻴﺴﻴﺔ‬ ‫ﻭﺍﳌﻮﺳﻴﻘﻰ ﺍﻟﻜﻼﺳﻴﻜﻴﺔ ﻭﻗﺪ ﻣﻨﺤﺘﻬﺎ ﻣﻮﻫﺒﺘﻬﺎ ﺍﳌﺰﺩﻭﺟﺔ ﰲ ﺍﻟﻌﺰﻑ‬ ‫ﻓﺮﺻﺔ ﻟﻠﻌﺮﺽ ﰲ ﺃﻛﱪ ﻭﺃﺷـﻬﺮ ﺍﳌﻨﺎﺑـﺮ ﺍﻟﺜﻘﺎﻓﻴﺔ ﻭﺍﳌﻬﺮﺟﺎﻧﺎﺕ ﰲ‬ ‫ﺍﻟﻮﻻﻳﺎﺕ ﺍﳌﺘﺤﺪﺓ ﻛﻤﺮﻛﺰ ﻟﻨﻜﻮﻟﻦ ﻋﺎﻡ ‪ ٢٠٠٧‬ﻭﻣﺘﺤﻒ ﺍﳌﺘﺮﻭﺑﻮﻟﱳ‬ ‫ﻭﻣﻘﺮ ﺍﻷﻣﻢ ﺍﳌﺘﺤﺪﺓ ﻋﺎﻡ ‪ ٢٠٠٨‬ﺇﺿﺎﻓﺔ ﺇﱃ ﻣﺸـﺎﺭﻛﺎ‪‬ﺎ ﺍﻟﻌﺎﳌﻴﺔ ﰲ‬ ‫ﺍﻟﱪﺗﻐﺎﻝ ﻭﺃﻣﺮﻳﻜﺎ ﺍﻟﻼﺗﻴﻨﻴﺔ ﻭﻓﺮﻧﺴﺎ ﻭﺍﻳﻄﺎﻟﻴﺎ ﻭﺃﳌﺎﻧﻴﺎ ﻭﺍﳍﻨﺪ‪.‬‬ ‫ﺗﻌﺎﻭﻧـﺖ ﻣﻊ ﳎﻤﻮﻋﺎﺕ ﻭﻣﻮﺳـﻴﻘﻴﲔ ﻋﺎﳌﻴـﲔ ﻹﻧﺘﺎﺝ ﺃﻋﻤﺎﻝ‬ ‫ﻣﻮﺳﻴﻘﻴﺔ ﻭﻓﻨﻴﺔ ﻛﺄﻭﺭﻛﺴـﺘﺮﺍ ﺗﻴﻨﲑﺍﻳﻒ ﻭﺍﻷﻭﺭﻛﺴﺘﺮﺍ ﺍﳉﺎﻟﻴﺴﻴﺔ‬ ‫ﻭﻓﺮﻗﺔ ﺍﳌﺰﺍﻣﲑ ﺍﳌﻠﻜﻴﺔ ﻭﻳﻮ ﻳﻮ ﻣﺎ ﻭﳎﻤﻮﻋﺔ ﻃﺮﻳﻖ ﺍﳊﺮﻳﺮ‪.‬‬ ‫ﺃﺻﺪﺭﺕ ﺑﺎﺗﻮ ‪ ٤‬ﺃﻋﻤﺎﻝ ﻣﻮﺳﻴﻘﻴﺔ ﻣﻨﻔﺮﺩﺓ ﻫﻲ »ﺗﻮﻟﻴﻤﻴﺎ« ﻋﺎﻡ ‪ ١٩٩٩‬ﻭ«ﺍﻛﺴﻠﻴﻨﺘﻮ« ﻋﺎﻡ ‪ ٢٠٠١‬ﻭ«ﻣﻴﺴﺘﻮﺭﺍﺩﻭﺱ« ﻋﺎﻡ ‪ ٢٠٠٧‬ﻭ«ﺍﻻﺭﺗﺒﺎﻁ‬ ‫ﺍﳉﺎﻟﻴﺴـﻲ« ﻋﺎﻡ ‪ .٢٠١٠‬ﻛﻤﺎ ﺍﺷﺘﺮﻛﺖ ﻛﻌﺎﺯﻓﺔ ﺑﻴﺎﻧﻮ ﰲ ﺍﺳﻄﻮﺍﻧﺔ »ﻣﻦ ﺭﻭﺳـﻴﺎ ﺇﱃ ﺍﻟﺼﲔ« ﻭﰲ ﺇﻧﺘﺎﺝ ﺃﻛﺜﺮ ﻣﻦ ‪ ٢٠‬ﻋﻤﻼ ﻣﻊ ﻣﻮﺳﻴﻘﻴﲔ‬ ‫ﳐﺘﻠﻔﲔ ﻭﻣﻨﻬﻢ »ﻳﻮ ﻳﻮ ﻣﺎ« ﺍﳊﺎﺋﺰ ﻋﻠﻰ ﺟﺎﺋﺰﺓ »ﺍﻟﻐﺮﺍﻣﻲ«‬ ‫ﻛﺮﻳﺴـﺘﻴﻨﺎ ﺑﺎﺗﻮ ﺣﺎﺻﻠﺔ ﻋﻠﻰ ﺷﻬﺎﺩﺓ ﺍﻟﺪﻛﺘﻮﺭﺍﺓ ﰲ ﻓﻨﻮﻥ ﻣﻮﺳـﻴﻘﻰ ﺍﻟﺒﻴﺎﻧﻮ ﺍﻷﺩﺍﺋﻴﺔ ﻣﻦ ﺟﺎﻣﻌﺔ »ﺭﻭﺗﻐﺮﺯ« ﻭﻋﻠﻰ ﺩﺭﺟﺔ ﺍﳌﺎﺟﺴﺘﲑ ﰲ ﻧﻈﺮﻳﺎﺕ‬ ‫ﺍﳌﻮﺳﻴﻘﻰ‪.‬‬

‫ﺗﺸﺎﺭﻙ ﻛﺮﺳﺘﻴﻨﺎ ﺑﺎﺗﻮ ﰲ ﻣﻬﺮﺟﺎﻥ ﺍﻟﻘﺪﺱ ﺑﺮﻓﻘﺔ ﻻﻭﺭﺍ ﺃﻣﺎﺩﻭ ﻭﺭﻭﺑﺮﺗﻮ ﻛﻮﻣﻴﺴﺎﻧﺎ ﻭﻣﺎﺭﻛﻮﺱ ﻓﺎﺯﻓﻴﺰ‬ ‫ﺍﻟﻌﺮﺽ ﺑﺪﻋﻢ ﻣﻦ ﻣﻜﺘﺐ ﺍﻟﺘﻌﺎﻭﻥ ﺍﻷﺳﺒﺎﱐ ﰲ ﺍﻟﻘﺪﺱ‬ Thursday 22/7/2010

THE FIRST PERFORMANCE: CRISTINA PATO MUSICAL CONCERT “FOUR LANGUAGES” Galicia / Spain Internationally acclaimed as a Galician bagpiper and classical pianist, Cristina Pato enjoys an active professional career devoted to both Galician popular music, and to classical music. Her dual careers have led to performances throughout major stages in the USA like Lincoln Center 2007, Metropolitan Museum and the United Nations 2008 in addition to her performances in Portugal, Latin America, France, Italy, Germany and India. She has cooperated with international artists such as Tenerife Symphony Orchestra and Galicia Symphony Orchestra, the Royal Pipe Band, Yo-Yo Ma and The Silk Road Ensemble. Pato has released four CDs as a solo bagpiper: Tolemia 1999, Xilento 2001, Misturados 2007 and The Galician Connection 2010. She also participated as pianist in releasing a CD ‘From Russia to China 2006’ and took part in more than 20 recordings including with the Grammy Award Winner ‘YOYO MA and Friends’. Cristina Pato has earned a PhD in Musical Arts in Piano from Rutgers University (USA) and s a Masters degree in Music Theories. She will perform with Laura Amado, Roberto Comesana and Marcus Vazvez. http://www.cristinapato.com

This concert is sponsored by the Spanish Cooperation ofﬁce in Jerusalem.

‫‪@RPQPOWORR@èÓ‡®a‬‬

‫ﺍﻟﻌﺮﺽ ﺍﻟﺜﺎﻧﻲ‪ :‬ﻣﻴﻜﺎﻝ ﺃﻭﺭﺩﻧﻐﺎﺭﻳﻦ‬ ‫ﺃﻣﺴﻴﺔ ﻣﻮﺳﻴﻘﻴﺔ "ﺃﺭﺑﻊ ﻟﻐﺎﺕ"‬ ‫ﺍﻟﺒﺎﺳﻚ ‪ /‬ﺃﺳﺒﺎﻧﻴﺎ‬ ‫ﻋﻠﻢ ﺳﺎﻃﻊ ﻣﻦ ﺃﻋﻼﻡ ﺍﳌﻮﺳﻴﻘﻰ ﻭﺍﻟﻐﻨﺎﺀ ﺍﻟﺒﺎﺳﻜﻲ‪ ..‬ﺃﳊﺎﻧﻪ ﻭﺃﻏﺎﻧﻴﻪ‬ ‫ﻻ ﺗﻔﺎﺭﻕ ﺃﻟﺴـﻨﺔ ﺍﻟﻜﺜﲑﻳﻦ ﻣﻦ ﳏﺒﻴﻪ ﻭﺧﺎﺻﺔ ﺍﻟﻘﺪﳝﺔ ﻣﻨﻬﺎ‪ .‬ﻭﻟﺪ‬ ‫ﻣﻴﻜﺎﻝ ﺃﻭﺭﺩﻧﻐﺎﺭﻳﻦ ﰲ ﺃﻣﻮﺭﺑﻴﺘﺎ ﰲ ﺃﺳـﺒﺎﻧﻴﺎ ﻋﺎﻡ ‪ ١٩٧١‬ﻭﺫﺍﻋﺖ‬ ‫ﺷـﻬﺮﺗﻪ ﻛﻮﺍﺣﺪ ﻣﻦ ﺃﻓﻀﻞ ﻣﻐﲏ ﻭﻛﺘﺎﺏ ﺃﻏﺎﱐ ﺍﳉﻴﻞ ﺍﳉﺪﻳﺪ ﰲ‬ ‫ﺍﻟﺒﺎﺳﻚ‪.‬‬ ‫ﺍﺻﺪﺭ ﺍﺳـﻄﻮﺍﻧﺘﻪ ﺍﻷﺧﲑﺓ ﰲ ﺍﻟﻌﺎﻡ ‪ ٢٠٠٩‬ﺑﻌﻨﻮﺍﻥ »ﺯﻭﺑﻴﺎ« ‪...‬‬ ‫ﻭﺍﻟﱵ ﺗﻌﺘﱪ ﺗﺘﻮﳚﺎ ﻷﻋﻤﺎﻟﻪ ﺍﺍﳌﻮﺳﻴﻘﻴﺔ ﺍﳌﺘﻤﻴﺰﺓ ﻭﻓﻴﻬﺎ ﲡﻠﺖ ﻣﻮﻫﺒﺘﻪ‬ ‫ﺑﻮﺿﻮﺡ ﻭﺍﻗﺘﺪﺍﺭ ﺣﻴﺚ ﺃﺿﺎﻑ ﻛﻌﺎﺩﺗﻪ ﺃﺳـﻠﻮﺑﺎ ﻣﺒﺘﻜﺮﺍ ﻟﻠﻤﺸﻬﺪ‬ ‫ﺍﳌﻮﺳﻴﻘﻲ ﰲ ﺍﻗﻠﻴﻢ ﺍﻟﺒﺎﺳﻚ‪.‬‬ ‫ﺃﺻﺪﺭ ﺃﻟﺒﻮﻣﻪ ﺍﻷﻭﻝ ﻋﺎﻡ ‪ ١٩٩٧‬ﺑﻌﻨﻮﺍﻥ »ﻋﻠﻰ ﺍﻟﺼﺨﻮﺭ ﺍﻟﻌﺎﻟﻴﺔ«‬ ‫ﺑﺮﺯ ﻓﻴﻪ ﺗﺮﻛﻴﺰﻩ ﺍﻟﻮﺍﺿﺢ ﻋﻠﻰ ﺁﻟﱵ ﺍﳉﻴﺘﺎﺭ ﻭﺍﻟﺘﺸﻴﻠﻮ‪ ،‬ﻭﺑﻌﺪ ﺇﻗﺎﻣﺘﻪ ﺍﳌﻄﻮﻟﺔ ﰲ ﺍﺳﻜﺘﻠﻨﺪﺍ ﺍﺻﺪﺭ ﺃﻟﺒﻮﻣﻪ ﺍﻟﺜﺎﱐ »ﻣﺮ ﺛﻼﺛﺔ ﺃﺳﺎﺑﻴﻊ«‪ .‬ﺍﻣﺎ ﺍﻟﻌﺎﻡ ‪٢٠٠٠‬‬ ‫ﻓﻜﺎﻥ ﻋﺎﻡ ﺍﻻﻧﺘﺸـﺎﺭ ﻭﺍﻟﻨﺠﻮﻣﻴﺔ ﺑﺎﻟﻨﺴﺒﺔ ﻷﻭﺭﺩﻧﻐﺎﺭﻳﻦ ﻭﺷﻬﺪﺕ ﺇﺻﺪﺍﺭ ﺍﺳﻄﻮﺍﻧﺔ »ﺍﳌﺮﺁﺓ« ﻭﺣﻘﻘﺖ ﻣﺒﻴﻌﺎﺕ ﻛﺒﲑﺓ ‪ ،‬ﻭﺍﺳﻄﻮﺍﻧﺎﺕ ﺃﺧﺮﻯ ﻫﻲ‬ ‫»ﺑﺎﺭ ﺑﻮﺭﺗﻮ« ﺍﻟﱵ ﺃﻧﺘﺠﻬﺎ ﺑﺎﻟﺘﻌﺎﻭﻥ ﻣﻊ ﺍﻟﺸﺎﻋﺮ »ﻛﺮﻣﻦ ﺃﻭﺭﺍﻳﺐ« ﻭﻋﺎﺯﻑ ﺍﻟﻜﻤﺎﻥ »ﺑﻨﻐﻦ ﻣﻨﺪﻳﺰﺍﺑﻞ« ﻭﺍﺳﻄﻮﺍﻧﺔ »ﺇﱃ ﺃﻥ ﻧﺼﻞ ﻫﻨﺎﻙ«‪.‬‬ ‫ﰒ ﺍﺻﺪﺭ ﰲ ﺍﻟﻌﺎﻡ ‪ ٢٠٠٣‬ﺍﺳﻄﻮﺍﻧﺔ »ﺑﲔ ﺍﻷﺻﺪﻗﺎﺀ« ﻭﺃﻧﺘﺠﻬﺎ ﺑﻨﺎﺀ ﻋﻠﻰ ﻃﻠﺐ ﻣﻦ ﳏﻄﺔ ﺗﻠﻔﺎﺯ ﺍﻟﺒﺎﺳﻚ ﺍﳊﻜﻮﻣﻴﺔ ﻭﻛﺎﻧﺖ ﻋﺒﺎﺭﺓ ﻋﻦ )ﻛﻮﻻﺝ‬ ‫ﻣﻮﺳـﻴﻘﻲ( ﻳﺪﻣﺞ ﺑﲔ ﻛﺜﲑ ﻣﻦ ﺍﻟﻌﺎﺯﻓﲔ ﰲ ﺑﻴﺖ ﺭﻳﻔﻲ ﰲ ﺍﻟﺒﺎﺳـﻚ‪ .‬ﻛﻤﺎ ﺳـﺎﻓﺮ ﻣﻴﻜﺎﻝ ﺇﱃ ﻧﻴﻮﻳﻮﺭﻙ ﻭﺃﻧﺘﺞ ﺍﺳﻄﻮﺍﻧﺔ ﺛﻼﺛﻴﺔ ﺍﻟﻠﻐﺎﺕ ﺑﻌﻨﻮﺍﻥ‬ ‫»ﳑﻜﻦ‪ ،‬ﻛﺒﲑ ﺟﺪﺍ‪ ،‬ﺻﻐﲑ ﺟﺪﺍ«‪.‬‬

.«‫ﻳﺮﺍﻓﻖ ﻣﻴﻜﺎﻝ ﺍﻭﺭﺩﻧﻐﺎﺭﻳﻦ ﰲ ﻣﻬﺮﺟﺎﻥ ﺍﻟﻘﺪﺱ ﻛﻞ ﻣﻦ »ﺧﺎﻳﻮﻥ ﻧﺎﺭﺑﺎﺯﻳﺎ« ﻭ«ﻧﻴﻜﺎ ﺑﺘﺸﻴﺎﺷﻔﻴﻠﻠﻲ‬ ‫ﺍﻟﻌﺮﺽ ﺑﺪﻋﻢ ﻣﻦ ﻣﻜﺘﺐ ﺍﻟﺘﻌﺎﻭﻥ ﺍﻷﺳﺒﺎﱐ ﰲ ﺍﻟﻘﺪﺱ‬ Thursday 22/7/2010

THE 2ND PERFORMANCE: MIKEL URDANGARIAN MUSICAL CONCERT “FOUR LANGUAGES” Basque - Spain As a highly acclaimed and outstanding musician and singer from the Basque, his songs and music are constantly remembered by his fans. Mikel Urdangarinen was born in Spain in 1971 and became well known as one of the best new-generation song writers and singers in the Basque. In 2009, he published his latest Album, Zubia, which is considered the apex of his exceptional musical career in which he presented his talents while contributing an innovative style to the musical scene in the Basque. He published his ﬁrst album, “On High Rocks” in 1997 which presented a clear emphasis on the Cello and the guitar. After a long residency in Scotland, he published his second Album ‘Three Weeks Have Passed”. The year 2000, was the year of stardom for Urdangarian as it witnessed his high-selling album “Mirror” and a number of other records: “Bar Puerto” in which he collaborated with the poet Kirmen Uribe and the violin player Bingen Mendizabal in addition to his record “till we reach there.” In 2003, he produced and released “between Friends” upon request from the governmental Television Channel of the Basque, as a musical collage blending many players in a country side house in the Basque. Mikel traveled to New York where he published a tri-lingual record “Possible, very big, very small”. In the Jerusalem Festival 2010, Mikel is accompanied by Nika Bitchiasvili and Juan Narbezia http://www.mikelurdangarin.com

This concert is sponsored by the Spanish Cooperation ofﬁce in Jerusalem.

‫‪RPQPOWORS@Ú»‡¶a‬‬

‫ﻣﺴﺮﺡ ﺍﻟﺮﻗﺺ ﺍﻟﺠﻮﺭﺟﻲ‬ ‫"ﻟﻴﺠﺎﺳﻲ"‬ ‫ﺟﻮﺭﺟﻴﺎ‬ ‫ﺗﺄﺳﺲ ﻣﺴـﺮﺡ ﺍﻟﺮﻗﺺ ﺍﳉﻮﺭﺟﻲ »ﻟﻴﺠﺎﺳﻲ« ﻣﻦ ﻗﺒﻞ ﺭﺍﻗﺼﻲ‬ ‫ﻓﺮﻗﺔ ﺍﻟﺮﻗﺺ ﺍﻟﺸـﻌﱯ ﺍﳉﻮﺭﺟﻴﺔ ﺍﻟﻮﻃﻨﻴﺔ‪ .‬ﻣﻨﺬ ﺗﺄﺳﻴﺲ ﺍﻟﻔﺮﻗﺔ ﰲ‬ ‫ﻋﺎﻡ ‪ ،٢٠٠٦‬ﻗﺎﻣﺖ ﻓﺮﻗﺔ »ﻟﻴﺠﺎﺳـﻲ« ﲟﺸﺎﺭﻛﺔ ﺍﻟﺘﺮﺍﺙ ﺍﻟﺜﻘﺎﰲ‬ ‫ﺍﳉﻮﺭﺟﻲ ﻭﺍﳊﻴﺎﺓ ﺍﻟﺸـﻌﺒﻴﺔ ﺍﻟﺜﺮﻳﲔ ﻣﻦ ﺧﻼﻝ ﺍﳌﻮﺳﻴﻘﻰ ﻭﺍﻟﺮﻗﺺ‬ ‫ﺍﳉﻮﺭﺟﻲ ﻣﻊ ﲨﺎﻫﲑﻫﺎ ﻣﻦ ﳐﺘﻠﻒ ﺑﻠﺪﺍﻥ ﺍﻟﻌﺎﱂ‪ .‬ﺍﺳﺘﻮﻟﺖ ﻣﻮﻫﺒﺔ‬ ‫ﺍﻟﺮﺍﻗﺼﲔ ﻭﺛﺮﺍﺀ ﺍﻟﺘﺼﻤﻴﻢ ﻭﻓﺮﺣـﺔ ﺍﳊﻴﺎﺓ ﺍﻟﱵ ﺃﺑﺪﺍﻫﺎ ﺍﻟﺮﺍﻗﺼﻮﻥ‪/‬‬ ‫ﺍﻟﻔﻨﺎﻧﻮﻥ‪ ،‬ﻋﻠﻰ ﻗﻠﻮﺏ ﺍﳌﻼﻳﲔ ﻣﻦ ﺍﻟﻨﺎﺱ‪ .‬ﻳﺆﺩﻱ ﺍﻟﻔﻨﺎﻧﻮﻥ ﺍﻟﺸﺒﺎﺏ‬ ‫ﺭﻗﺼـﺎﺕ ﺗﻘﻠﻴﺪﻳﺔ ﲤﺜﻞ ﺣﻘﺒﺎﺕ ﳐﺘﻠﻔﺔ ﻣـﻦ ﺗﺎﺭﻳﺦ ﺟﻮﺭﺟﻴﺎ‪ ،‬ﰲ‬ ‫ﺍﻟﻌﺼﻮﺭ ﺍﻟﻘﺪﳝﺔ ﺇﱃ ﺭﻗﺼﺎﺕ ﻣﻦ ﺍﻟﻘﺮﻥ ﺍﻟﺘﺎﺳﻊ ﻋﺸﺮ ﻭﺍﻟﻌﺸﺮﻳﻦ‪.‬‬ ‫ﻭﻳﺘﻀﻤﻦ ﺗﺼﻤﻴﻢ ﺍﻟﺮﻗﺼﺎﺕ ﺍﳉﻮﺭﺟﻴﺔ ﺃﻧﻮﺍﻋﺎ ﳐﺘﻠﻔﺔ ﻣﻦ ﺍﻟﺮﻗﺼﺎﺕ‪:‬‬ ‫ﺍﳌﻨﻔﺮﺩﺓ‪ ،‬ﻭﺍﻟﺜﻨﺎﺋﻴـﺔ‪ ،‬ﻭﺍﳉﻤﺎﻋﻴﺔ‪ ،‬ﻭﺭﻗﺼﺎﺕ ﺍﻟﻨﺴـﺎﺀ ﻭﺍﻟﺮﺟﺎﻝ‪،‬‬ ‫ﻭﺍﻟﺮﻗﺼﺎﺕ ﺍﳌﺨﺘﻠﻄﺔ ﻛﺬﻟﻚ‪ .‬ﻭﻣﻦ ﺑﲔ ﻫﺬﻩ ﺍﻟﺮﻗﺼﺎﺕ ﻫﻨﺎﻙ ﺭﻗﺼﺎﺕ ﺫﺍﺕ ﻣﻮﺍﺿﻴﻊ ﺍﺟﺘﻤﺎﻋﻴﺔ‪ ،‬ﻭﺗﺮﻓﻴﻬﻴﺔ‪ ،‬ﻭﻗﺘﺎﻟﻴﺔ‪ ،‬ﻭﻏﻨﺎﺋﻴﺔ‪ .‬ﻓﺮﻗﺔ »ﻟﻴﺠﺎﺳﻲ«‬ ‫ﻫﻲ ﳎﻤﻮﻋﺔ ﻣﺘﻨﻮﻋﺔ ﻣﻦ ﺭﺍﻗﺼﲔ ﺷﺒﺎﺏ ﻣﻮﻫﻮﺑﲔ ﺫﻭﻱ ﻗﺪﺭﺍﺕ ﻣﻠﺤﻮﻇﺔ ﰲ ﺍﻟﺮﻗﺺ ﻋﻠﻰ ﺍﳌﺴﺮﺡ ﺑﺮﺷﺎﻗﺔ ﻭﺑﻄﺮﻳﻘﺔ ﻓﻨﻴﺔ ﻭﲨﻴﻠﺔ‪.‬‬ ‫ﲣﻠﻂ ﻓﺮﻗﺔ »ﻟﻴﺠﺎﺳـﻲ« ﻣﺎ ﺑﲔ ﺃﺳـﻠﻮ‪‬ﺎ ﺍﳋﺎﺹ ﻭﺍﻟﺮﻗﺼﺎﺕ ﺍﻟﺸـﻌﺒﻴﺔ ﺍﳉﻮﺭﺟﻴﺔ‪ .‬ﻭﻗﺪ ﺣﻘﻘﺖ ﺍﻟﻔﺮﻗﺔ ﳒﺎﺣﺎﺕ ﳑﻴـﺰﺓ ﰲ ﺗﺮﻛﻴﺎ‪ ،‬ﻭﺃﺭﻣﻴﻨﻴﺎ‪،‬‬ ‫ﻭﺍﺳﻜﺘﻠﻨﺪﺍ‪ ،‬ﻭﻣﻮﻟﺪﻭﻓﺎ‪ ،‬ﻭﰲ ﺑﻠﺪﺍﻥ ﺃﺧﺮﻯ ﻋﺪﻳﺪﺓ‪.‬‬ ‫ﻳﻘﺪﻡ ﺍﻟﻌﺮﺽ ﺑﺎﻟﺘﻌﺎﻭﻥ ﻣﻊ ﻣﺮﻛﺰ ﺍﻟﻔﻦ ﺍﻟﺸﻌﱯ‬

Friday 23/7/2010

GEORGIAN DANCE THEATRE "LEGACY" Georgia Georgian Dance Theatre â&#x20AC;&#x153;Legacyâ&#x20AC;? was founded by the dancers of Sukhishvili, Georgian National Folk Dance Ensemble - Maka and Eka Vacheishvili. Since the founding of the group in 2006 LEGACY has shared the richness of Georgian cultural heritage and Georgian folk life through music and dance with audiences in various countries of the world. The talent of the dancers, the richness of the choreography and the joy of life displayed by artists-dancers, who by their level of performances are not inferior to professional artists, captured the hearts of millions of people. The young artists perform traditional dances representing various time periods of Georgian history, from the ancient times to the dances of 19th-20th century. Legacy incorporates its own style in Georgian Folk Dances. The Ensemble is very successful in Turkey, Armenia, and Scotland, Moldova, as well as other countries. Georgian choreography incorporates different types of dances: solo, duet, group dances, women, and men, as well as mixed dances. Among them there are dances with social, entertainment, battle and lyrical themes. Legacy is a colorful coalition of highly talented young dancers who have been noted for their ability to move gracefully on the stage, for their artistry and grace. http://georgiandance.webs.com/

This performance is in cooperation with the Popular Art Centre

‫‪@RPQPOWORT@ojé€a‬‬

‫ﺷﻴﺒﺎﺕ‬ ‫ﻓﻠﺴﻄﲔ‬ ‫»ﺷـﻴﺒﺎﺕ« ﻫﻲ ﺍﻟﺘﺤﻮﻝ ﻓﻲ ﺍﻟﺸـﻜﻞ ﻭﻟﻴﺲ ﺍﻟﺮﻭﺡ‪ ،‬ﺗﺘﻘﺪ‬ ‫ﺭﻭﺣﻬﻢ ﺑﺤﺲ ﺍﻟﺸـﺒﺎﺏ ﺭﻏﻢ ﺍﻟﺸـﻴﺒﺎﺕ ﺍﻟﻐﺰﻳﺮﺓ‪ .‬ﺃﻋﻀﺎﺅﻫﺎ‬ ‫ﻣﻦ ﻓﺮﻗﺔ »ﻓﻠﻴﻨﺖ ﺳـﺘﻮﻧﺰ« ﺍﻟﻤﻤﺜﻠﺔ »ﺑﺴﻴﺮﻭﺏ ﺃﻭﻫﺎﻧﻴﺴﻴﺎﻥ«‬ ‫ﺍﻟﺘـﻲ ﺗﺤﻮﻟﺖ ﻓﻲ ﻓﺘـﺮﺓ ﻻﺣﻘﺔ ﺇﻟﻰ ﻓﺮﻗﺔ ﺍﻟﺮﻭﻙ »ﺳـﻴﻠﻔﺮ‬ ‫ﺳـﺘﻮﻧﺰ« ﺍﻟﻤﻜﻮﻧـﺔ ﻣـﻦ ﺍﻟﻤﻮﺳـﻴﻘﻴﻴﻦ ﺍﻟﻤﻌﺮﻭﻓﻴﻦ ﻏﺎﺭﻭ‬ ‫ﺩﻳﻤﻴﺮﺟﻴﺎﻥ‪ ،‬ﻓﺮﻳﺪﻭ ﻫﺎﺯﻭ ﻭﺇﺑﺮﺍﻫﻴﻢ ﻣﺮﺍﺩ‪ ،‬ﻭﻣﻦ ﻓﺮﻗﺔ »ﻫﺎﺭﺩ‬ ‫ﺭﻭﻙ« ﻫﺎﻧﻲ ﻣـﺮﺍﺩ ‪ ،‬ﻭﻣﻦ ﻓﺮﻗﺔ »ﻣﻨـﺎﺭ« ﻓﺮﻳﺞ ﻧﺎﺟﺎﺭﻳﺎﻥ‬ ‫ﻭﻓﺮﻗﺔ »ﺑﺮﺍﻋﻢ« ﺇﻣﻴﻞ ﻋﺸـﺮﺍﻭﻱ ﻭﺃﻧﺘﺮﺍﻧﻴﻎ ﺩﻳﻤﻴﺮﺟﻴﺎﻥ‪.‬‬ ‫ﻟـﻢ ﻳﺜﻨﻬﻢ ﺍﻟﺸـﻴﺐ ﺃﻭ ﺣﺘﻰ ﻣﺎ ﻳﻮﺍﺟﻬﻮﻧـﻪ ﻳﻮﻣﻴﺎ ﻣﻦ ﺇﺫﻻﻝ‬ ‫ﻭﺍﺿﻄﻬـﺎﺩ ﺍﻻﺣﺘﻼﻝ ﻋﻦ ﻋـﺰﻑ ﻣﻮﺳـﻴﻘﻰ »ﺍﻟﺮﻭﻙ ﺁﻧﺪ‬ ‫ﺭﻭﻝ« ﻭﺍﻻﺟﺘﻤﺎﻉ ﻓﻲ ﻓﺮﻗﺔ ﻳﻜﺮﺱ ﺃﻋﻀﺎﺅﻫﺎ ﺃﻧﻔﺴـﻬﻢ ﻟﺒﺚ‬ ‫ﺭﻭﺡ ﺍﻟﺤﻴـﺎﺓ ﻭﺍﻟﻔﺮﺡ ﺍﻟﺘﻲ ﺗﻌﺘﺒﺮ ﻭﺍﺣﺪﺓ ﻣﻦ ﺃﺑﺴـﻂ ﺣﻘﻮﻕ‬ ‫ﺍﻹﻧﺴـﺎﻥ‪.‬‬ ‫ﺍﺟﺘﻤﻌﺖ ﻫﺬﻩ ﺍﻟﺘﻮﻟﻴﻔﺔ ﻣﻦ ﺍﻟﻤﻮﺳـﻴﻘﻴﻴﻦ ﻣﻦ ﻓﺮﻕ ﻣﻮﺳـﻴﻘﻴﺔ ﻣﺨﺘﻠﻔﺔ ﻋﺎﻡ ‪ ٢٠٠٥‬ﻟﺘﻘﺪﻳﻢ ﻋـﺮﻭﺽ ﺧﺎﺻﺔ ﺗﺘﺤﻒ ﺍﻟﺠﻴﻞ ﺍﻟﺠﺪﻳﺪ ﻣﻦ‬ ‫ﺍﻟﺠﻤﻬﻮﺭ ﺍﻟﻔﻠﺴـﻄﻴﻨﻲ ﻭﺗﺄﺧﺬ ﺍﻟﺠﻴﻞ ﺍﻟﻘﺪﻳﻢ ﻣﻦ ﻣﺤﺒﻲ ﻫﺬﻩ ﺍﻟﻤﻮﺳـﻴﻘﻰ ﻓﻲ ﺭﺣﻠﺔ ﺣﻨﻴﻦ ﻣﺸـﻮﻗﺔ ﺇﻟﻰ ﺍﻟﻤﺎﺿﻲ‪.‬‬

Saturday 24/7/2010

SHIBAT Palestine SHIBAT (’grey hair’ in Arabic) is a group of arts that grew older, but their souls remain the same. Despite their gray hair, they have a young spirit. Its members include Serop Ohanesian of ‘The Flint Stones’ band, which later became a rock band, known as ‘The Silver Stones’, whose members included Garo Demergian, Fredo Hazou, and Ibrahim Murad. Sheibat also includes Hani Murad from ‘The Hard Rock’ and Vreij Najjarian from ‘Manar’; Emile Ashrawi, from ‘Bara’em’ and Antranig Demergian. Despite the daily humiliation and oppression they face by the occupation, coupled with their old age, they are determined to play rock and roll music to spread the spirit of life and joy among people, which is one of the most basic human rights. They strongly believe that the spirit of Rock n Roll never dies. Their repertoire and performance enchants the new generation and takes the older generation on a delightful nostalgia trip. They strongly believe that the spirit of Rock n Roll never dies. Their repertoire and performance enchants the new generation and takes the older generation on a delightful nostalgia trip.

‫‪@RPQPOWORV@¥‰q¸a‬‬

‫ﻭﺳﺎﻡ ﻣﺮﺍﺩ‬ ‫ﻓﻠﺴﻄﲔ‬ ‫ﺑـﺪﺃ ﺍﻟﻐﻨﺎﺀ ﻭﺍﻟﺘﺪﺭﺏ ﻋﻠﻰ ﻣﻬﺎﺭﺍﺕ ﺍﻹﻳﻘﺎﻉ ﰲ ﺳـﻦ ﺍﻟﺜﺎﻣﻨﺔ ﻣﻦ‬ ‫ﻋﻤـﺮﻩ‪ ،‬ﻛﺎﻧﺖ ﺍﻧﻄﻼﻗﺘﻪ ﺍﻟﻐﻨﺎﺋﻴـﺔ ﺍﻷﻭﱃ ﰲ ﻋﻤﺮ ﻣﺒﻜﺮ ﻣﻊ ﻓﺮﻗﺔ‬ ‫ﺑﺪﺍﻳﺎﺕ ﺍﻟﱵ ﺃﺳﺴـﺘﻬﺎ ﻓﺮﻗﺔ ﺻﺎﺑﺮﻳﻦ ﰲ ﺍﻟﻌﺎﻡ ‪ ،١٩٨٤‬ﺍﻧﺘﻘﻞ ﺑﻌﺪ‬ ‫ﺫﻟﻚ ﻟﺘﻌﻠﻢ ﺍﻟﻌﺰﻑ ﻋﻠﻰ ﺁﻟﺔ ﺍﻟﻌﻮﺩ ﰲ ﻣﺮﻛﺰ ﺻﺎﺑﺮﻳﻦ ﻟﻠﻤﻮﺳﻴﻘﻰ‪،‬‬ ‫ﻭﺍﻟﺘﺤﻖ ﰲ ﺍﻟﻌﺎﻡ ‪ ١٩٩٤‬ﺑﺄﻛﺎﺩﳝﻴﺔ ﺭﻭﺑﲔ ﻟﻠﻤﻮﺳﻴﻘﻰ ﻟﻴﺘﺨﺼﺺ‬ ‫ﲟﻮﺳﻴﻘﻰ ﺍﳉﺎﺯ ﳌﺪﺓ ﺛﻼﺛﺔ ﺳﻨﻮﺍﺕ‪.‬‬ ‫ﺷـﺎﺭﻙ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﳌﻬﺮﺟﺎﻧﺎﺕ ﺍﳌﻮﺳـﻴﻘﻴﺔ ﺍﻟﺪﻭﻟﻴﺔ‪ ،‬ﻭﺳﺎﻫﻢ‬ ‫ﰲ ﺗﺴﺠﻴﻞ ﻣﻮﺳﻴﻘﻰ ﻟﻌﺸـﺮﺍﺕ ﺍﻷﻓﻼﻡ ﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ‪ ،‬ﻛﻤﺎ ﻭﳊﻦ‬ ‫ﺍﳌﻮﺳﻴﻘﻰ ﺍﻟﺘﺼﻮﻳﺮﻳﺔ ﻟﻠﻌﺪﻳﺪ ﻣﻦ ﺍﻷﻋﻤﺎﻝ ﺍﳌﺴﺮﺣﻴﺔ ﻣﻨﻬﺎ ﻣﺴﺮﺣﻴﺔ‬ ‫»ﺍﳌﻬﻤﺔ« ‪» ،‬ﺃﻛﻠﺔ ﳊﻮﻡ ﺍﻟﺒﺸـﺮ« ﻭ »ﺃﻡ ﺿﻴﺎ« ‪ ،‬ﻭﻗﺎﻡ ﺑﺎﻟﻐﻨﺎﺀ ﰲ‬ ‫ﺍﻟﻌﻤﻞ ﺍﳌﺴﺮﺣﻲ ﺍﻟﺸﻬﲑ »ﻛﻠﻴﻠﺔ ﻭﺩﻣﻨﺔ«‪.‬‬ ‫ﻣﻦ ﺑﲔ ﺃﻫﻢ ﺃﻋﻤﺎﻟﻪ ﻫﻮ ﺇﻋﺎﺩﺓ ﺗﻮﺯﻳﻊ ﺑﻌﺾ ﺃﻏﺎﱐ ﺳﻴﺪ ﺩﺭﻭﻳﺶ ﰲ‬ ‫ﻋﻤﻞ ﺃﻃﻠﻖ ﻋﻠﻴﻪ »ﺩﺭﻭﻳﺶ ﻳﺎ ﺳﻴﺪ«‪ .‬ﻛﻤﺎ ﻭﺷﺎﺭﻙ ﰲ ﺍﻟﻌﺰﻑ ﻣﻊ ﻣﻮﺳﻴﻘﻴﲔ ﻋﺎﳌﻴﲔ ﻛﻌﺎﺯﻑ ﺍﻟﻐﻴﺘﺎﺭ ﺍﻟﺒﻠﺠﻴﻜﻲ« ﻓﻴﻠﻴﺐ ﻛﺎﺗﺮﻳﻦ«‪.‬‬ ‫ﺃﺻﺪﺭ ﺃﻟﺒﻮﻣﻪ ﺍﳌﻮﺳـﻴﻘﻲ ﺍﻷﻭﻝ ﺑﻌﻨﻮﺍﻥ »ﻣﻦ ﺑﻌﺪ« ﻭﺍﻟﺬﻱ ﺗﻀﻤﻦ ﻧﺼﻮﺹ ﺍﻟﺸـﺎﻋﺮ ﺑﲑﻡ ﺍﻟﺘﻮﻧﺴﻲ ﻭﻣﻦ ﺃﳊﺎﻧﻪ ﻭﺗﻮﺯﻳﻌﻪ‪ ،‬ﻭﻣﻦ ﺍﳌﻘﺮﺭ ﺃﻥ ﻳﺼﺪﺭ‬ ‫ﺃﻟﺒﻮﻣﻪ ﺍﳌﻮﺳﻴﻘﻲ ﺍﻟﺜﺎﱐ ﺧﻼﻝ ﺍﻟﺼﻴﻒ ﺍﳊﺎﱄ ﺑﻌﻨﻮﺍﻥ »ﺑﲔ ﻋﻘﻠﻲ ﻭﻗﻠﱯ«‪ ،‬ﺣﻴﺚ ﻳﻌﺘﱪ ﻫﺬﺍ ﺍﻟﻌﻤﻞ ﳏﺎﻭﻟﺔ ﺟﺪﻳﺪﺓ ﻟﻠﺒﺤﺚ ﻋﻦ ﻣﺴﺎﺣﺎﺕ ﻭﺃﺻﻮﺍﺕ‬ ‫ﻣﻮﺳﻴﻘﻴﺔ ﳐﺘﻠﻔﺔ ﻋﱪ ﺍﻟﺪﻣﺞ ﻣﺎ ﺑﲔ ﺍﻵﻻﺕ ﺍﻟﺸﺮﻗﻴﺔ ﻭﺍﻟﻐﺮﺑﻴﺔ ﻭﺑﻜﻠﻤﺎﺕ ﻭﺃﺷﻌﺎﺭ ﺗﻌﱪ ﻋﻦ ﻭﺍﻗﻊ ﺍﻹﻧﺴﺎﻥ ﺍﳌﻌﺎﺻﺮ‪ ،‬ﻭﻳﺄﰐ ﺍﻟﺼﻮﺕ ﺍﻟﺒﺸﺮﻱ ﻟﻴﻨﺴﺞ‬ ‫ﻛﻞ ﻫﺬﻩ ﺍﻟﻌﻨﺎﺻﺮ ﺍﳌﻮﺳـﻴﻘﻴﺔ ﰲ ﻗﺎﻟﺐ ﺗﻌﺒﲑﻱ ﺧﺎﺹ‪ ،‬ﺍﻷﻟﺒﻮﻡ ﻣﻦ ﺃﳊﺎﻥ ﻭﺗﻮﺯﻳﻊ ﻭﺳـﺎﻡ ﻧﻔﺴـﻪ ﻭﺍﻟﻜﻠﻤﺎﺕ ﻟﻜﻞ ﻣﻦ ﺧﲑ ﻓﻮﺩﻱ ﻭﻋﺒﺪ ﺍﳌﺠﻴﺪ‬ ‫ﺣﺎﻣﺪ‪.‬‬

Monday 26 July 2010-07-10

WISSAM MOURAD Palestine He started singing and practicing rhythm since the age of eight. His first experience was at an early age with ‘Bidayat’ group which was established by Sabreen in 1984. He later moved on to learn the Oud at Sabreen Music Centre, in 1994 and for three years, he joined Rubin Music Academy to specialize in Jazz. He participated in many international music festivals and contributed in musical recordings for tens Palestinian films. He composed music for several plays including ‘The Mission’, ‘The Cannibals’, ‘Umm Dia’ and sang at the famous theatrical work ‘Kalilah wa Dimna’. One of his most important creation is the reproduction of some of Sayid Darwish’s songs in ‘Darwish ya Sayyid’ album. He participated in playing with famous international musicians such as the Belgian Guitarist, Philip Catherine. He published his first album ‘From a Distance’, which included lyrics by the Poet Bayram AlTunisi. He is expected to publish his second album during this summer ‘Between My Heart and My Mind’. Through this album, he attempts to search for different musical spaces and sounds by blending oriental and western instruments. The lyrics express the concerns of the contemporary person and all these elements are carefully woven into a unique expression. The music is composed by Wissam Mourad and the lyrics are by Khair Foudy and Abdel Majid Hamed.

‫‪RPQP@OWORW@ıbq˝r€a‬‬

‫ﺳﻼﻡ ﺃﺑﻮ ﺁﻣﻨﺔ‬ ‫ﻓﻠﺴﻄﲔ‬ ‫ﺑﺮﻭﺡ ﳎﺒﻮﻟـﺔ ﺑﺎﳊﺮﻳﺔ ﻭﺍﳊﺐ ﻭﺍﻻﻧﺘﻤﺎﺀ ﺍﻟﻮﻃـﲏ ﺍﻧﻄﻠﻘﺖ ﺍﻟﻔﻨﺎﻧﺔ‬ ‫ﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ ﺳﻼﻡ ﺃﺑﻮ ﺁﻣﻨﺔ ﺍﳌﻨﺤﺪﺭﺓ ﻣﻦ ﻋﺎﺋﻠﺔ ﻓﻨﻴﺔ ﻣﻌﺮﻭﻓﺔ ﰲ ﻣﺪﻳﻨﺔ‬ ‫ﺍﻟﻨﺎﺻﺮﺓ ﺗﺸـﺪﻭ ﺑﺄﻏﺎﻥ ﻭﻃﻨﻴﺔ ﺗﺮﺍﺛﻴﺔ ﻓﻠﺴﻄﻴﻨﻴﺔ‪ .‬ﻗﺪﻣﺘﻬﺎ ﰲ ﻋﺪﺩ ﻣﻦ‬ ‫ﺍﻷﻣﺴﻴﺎﺕ ﺍﳌﻮﺳﻴﻘﻴﺔ ﺍﻟﻔﻨﻴﺔ ﰲ ﻓﻠﺴﻄﲔ ﻭﺧﺎﺭﺟﻬﺎ ﰲ ﻣﻨﺎﺳﺒﺎﺕ ﳐﺘﻠﻔﺔ‬ ‫ﻛﺬﻛﺮﻯ ﻳﻮﻡ ﺍﻷﺭﺽ ﻭﺍﻟﻨﻜﺒﺔ ﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ ﻭﺇﺣﻴﺎﺀ ﺫﻛﺮﻯ ﺍﻟﻜﺎﺭﻳﻜﺎﺗﲑ‬ ‫ﺍﻟﻔﻠﺴـﻄﻴﲏ ﺍﳌﻌﺮﻭﻑ ﻧﺎﺟﻲ ﺍﻟﻌﻠﻲ ﺇﺿﺎﻓﺔ ﺇﱃ ﻳﻮﻡ ﺍﻷﺳـﲑ ﻭﻋﺪﺓ‬ ‫ﻣﻬﺮﺟﺎﻧﺎﺕ ﻧﻈﻤﺖ ﻟﻠﺠﺎﻟﻴﺔ ﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ ﰲ ﺃﳌﺎﻧﻴﺎ ﻭﻣﺆﺧﺮﺍ ﻋﺮﺿﻬﺎ ﰲ‬ ‫ﺍﻷﺭﺩﻥ ﻹﺣﻴﺎﺀ ﺫﻛﺮﻯ ﺍﻟﻔﻨﺎﻥ ﺍﻟﻔﻠﺴﻄﻴﲏ ﺇﲰﺎﻋﻴﻞ ﴰﻮﻁ‪.‬‬ ‫ﻭﺍﱃ ﺟﺎﻧﺐ ﺻﻮ‪‬ﺎ ﺍﳌﺘﻤﻴﺰ ﰲ ﺍﻟﻐﻨﺎﺀ ﺗﺘﻤﻴﺰ »ﺳـﻼﻡ« ﲟﻮﻫﺒﺘﻬﺎ ﰲ‬ ‫ﺍﻟﻌﺰﻑ ﻋﻠﻰ ﺍﻟﻌﻮﺩ ﺃﺛﻨﺎﺀ ﺍﻟﻐﻨﺎﺀ ﳑﺎ ﻳﺸـﻲ ﺑﻘﺪﺭﺓ ﻭﲤﻴﺰ ﻋﺎﻟﻴﲔ ﰲ‬ ‫ﺍﻟﺘﻌﺒﲑ ﻭﺍﻷﺩﺍﺀ ﺍﻟﻔﲏ‪.‬‬ ‫ﺃﻧﺘﺠﺖ »ﺳﻼﻡ« ﺃﻟﺒﻮﻣﺎ ﻏﻨﺎﺋﻴﺎ ﺧﺎﺻﺎ ﺑﻌﻨﻮﺍﻥ »ﺃﻧﺎ ﻣﻦ ﻫﺬﻩ ﺍﳌﺪﻳﻨﺔ«‬ ‫ﳛﻤﻞ ﺍﺳﻢ ﻗﺼﻴﺪﺓ ﻟﻠﺸﺎﻋﺮ ﺍﻟﻔﻠﺴﻄﻴﲏ ﺍﻟﺮﺍﺣﻞ ﺗﻮﻓﻴﻖ ﺯﻳﺎﺩ‪ ،‬ﲨﻌﺖ ﻓﻴﻪ ﺃﲨﻞ ﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﱵ ﻛﺘﺒﺖ ﻟﻔﻠﺴﻄﲔ‪ ،‬ﻭﳊﻨﻪ ﻣﺎﺭﻭﻥ ﺃﺷﻘﺮ‪.‬‬ ‫ﻭﺇﱃ ﺟﺎﻧﺐ ﻣﺴـﲑ‪‬ﺎ ﺍﻟﻔﻨﻴﺔ ﲢﻤﻞ ﺳـﻼﻡ ﺃﺑﻮ ﺁﻣﻨﺔ ﺍﻟﻠﻘﺐ ﺍﻷﻭﻝ ﰲ ﺗﺪﺭﻳﺲ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺣﻴﺚ ﺗﻌﻤﻞ ﰲ ﳎﺎﻝ ﺍﻟﺘﻌﻠﻴﻢ ﻣﻨﺬ ﻋﺸﺮ ﺳﻨﻮﺍﺕ ﺇﺿﺎﻓﺔ‬ ‫ﺇﱃ ﻛﻮ‪‬ﺎ ﺃﻣﺎ ﻟﻄﻔﻠﲔ‪.‬‬ ‫ﻳﺸـﺎﺭﻙ ﻣﻊ ﺳﻼﻡ ﺃﺑﻮ ﺁﻣﻨﺔ ﰲ ﻣﻬﺮﺟﺎﻥ ﺍﻟﻘﺪﺱ ﻛﻞ ﻣﻦ ﺗﺸﺎﺭﱄ ﺻﺎﻓﻴﻪ )ﻛﻤﺎﻥ( ﻭﲨﻴﻞ ﺑﺸﺘﺎﻭﻱ )ﻧﺎﻱ( ﻭﺃﺳﺎﻣﺔ ﺑﺸﺎﺭﺍﺕ )ﻗﺎﻧﻮﻥ( ﻭﺳﻼﻡ ﺃﺑﻮ ﺁﻣﻨﺔ‬ ‫)ﻋﻮﺩ( ﻭﺃﺩﺭﻫﻢ ﺩﺭﻭﻳﺶ )ﻛﻮﻧﺘﺮﺍ ﺑﺎﺹ( ﺑﺎﻹﺿﺎﻓﺔ ﺇﱃ ﻋﻄﺎﻑ ﺑﺸﺎﺭﺍﺕ ﻭﺧﺎﻟﺪ ﺑﻨﺎ )ﺇﻳﻘﺎﻉ( ﻭﺍﻟﻴﺎﺱ ﺃﺑﻮ ﻋﺮﺏ ﻭﺟﺎﻛﻠﲔ ﺃﺷﻘﺮ )ﻛﻮﺭﺍﻝ( ﻳﻘﺪﻣﻮﻥ ﻋﺮﺿﺎ‬ ‫ﳌﺠﻤﻮﻋﺔ ﻣﻦ ﺍﻟﻔﻨﺎﻧﲔ ﺍﳌﻠﺘﺰﻣﲔ ﻣﺜﻞ ﻣﺎﺭﺳﻴﻞ ﺧﻠﻴﻔﺔ ﻭﺃﲪﺪ ﻗﻌﺒﻮﺭ ﻭﲰﻴﺢ ﺷﻘﲑ ﻭﺃﺑﻮ ﻋﺮﺏ ﺇﺿﺎﻓﺔ ﺇﱃ ﺃﻏﺎﻥ ﻣﻦ ﺍﻷﺭﺷﻴﻒ ﺍﻟﻮﻃﲏ ﺍﻟﻔﻠﺴﻄﻴﲏ‪.‬‬

Tuesday 27 July 2010

SALAM ABU AMNEH Palestine Born and based in Nazareth. Salam Abu Amneh, a Palestinian singer and Oud player. She is considered one of the few Palestinian female artists that play the Oud along with singing. Salam who grew up surrounded with oriental and conservative singing rhythms and in a family that appreciates this kind of music is known for her traditional, patriot and revolutionary songs style. She performed in several national concerts and occasions such as the commemoration of the Palestinian land day and Nakba, remembering the late Palestinian cartoonist Naji Al Ali day and the Palestinian detainees’ day. She also conducted many festivals for the Palestinian delegation in Germany. Salam Abu Amneh released an album entitled “I’m from this land”, a famous poem by the well known Palestinian poet Tawﬁq Zayyad. The album is a collection of the most beautiful words that were dedicated to Palestine and is composed by Maroon Ashqar. In addition to her musical career, Salam Abu Amneh works as an Arabic language teacher and she is a mother of two daughters. Salam Abu Amneh will perform in the Jerusalem Festival accompanied with Charlie Safyeh (violin), Salam Abu Amneh (Oud), Osama Bishara (Qanoon), Itaf Bisharat, Khaled Banna (Percussion), Jamil Bishtwai (Flute), Adham Darwish (Contra Bass). Their programme includes songs for several Arab and Palestinian singers like Marcel Khalifa, Ahmad Qaboor, Sameeh Shuqayer and Abu Arab in addition to songs from the national Palestinian Archive. http://salamabuamneh.jeeran.com

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‫ﺭﺑﺎﻋﻲ ﺇﺭﻳﻚ ﺗﺮﻭﻓﺎﺯ ﺑﻤﺮﺍﻓﻘﺔ ﻣﻨﻴﺮ‬ ‫ﻃﺮﻭﺩﻱ‬ ‫ﻓﺮﻧﺴﺎ‬ ‫ﻭﻟﺪ ﺗﺮﻭﻓﺎﺯ ﻋﺎﻡ ‪ ١٩٦٠‬ﻭﺍﺧﺘـﺎﺭ ﺍﻟﻌﺰﻑ ﻋﻠﻰ ﺁﻟﺔ »ﺍﻟﺘﺮﺍﻣﺒﺖ«‬ ‫ﻣﺘﺄﺛﺮﺍ ﺑﻮﺍﻟﺪﻩ ﻋﺎﺯﻑ ﺍﻟﺴﺎﻛﺴـﻔﻮﻥ ﺍﻟﺬﻱ ﻛﺎﻥ ﻳﻘﻮﺩ ﻓﺮﻗﺔ ﺭﻗﺺ‬ ‫ﻣﺴﺮﺣﻴﺔ ﺁﻧﺬﺍﻙ‪ .‬ﺳـﺎﻫﻢ ﺍﺣﺘﻜﺎﻙ ﺇﻳﺮﻳﻚ ﺗﺮﻭﻓﺎﺯ ﺑﻌﺎﺯﰲ ﻭﻓﺮﻕ‬ ‫ﺍﻟﺒﻠﻮﺯ ﺍﻟﻜﻼﺳـﻴﻜﻴﺔ ﻭﲢﺪﻳﺪﺍ ﺍﻟﻌـﺎﺯﻑ »ﻣﻴﻠﺰ ﺩﻳﻔﻴﺰ« ﰲ ﺗﻄﻮﻳﺮ‬ ‫ﻭﺻﻘﻞ ﻣﻮﻫﺒﺘﻪ ﺍﻟﻔﻨﻴﺔ ﳑﺎ ﺷـﺠﻌﻪ ﻋﻠﻰ ﺩﺭﺍﺳـﺔ ﺍﳌﻮﺳـﻴﻘﻰ ﰲ‬ ‫ﻣﻌﻬﺪ ﺟﻴﻨﻴﻔﺎ ﻟﻠﻤﻮﺳـﻴﻘﻰ ﰲ ﺳﻮﻳﺴﺮﺍ ﺣﻴﺚ ﺗﻌﻠﻢ ﺃﺩﺍﺀ ﺍﳌﻮﺳﻴﻘﻰ‬ ‫ﺍﻟﻜﻼﺳﻴﻜﻴﺔ ﻟﻌﻤﺎﻟﻘﺔ ﺃﻣﺜﺎﻝ ﻣﻮﺯﺍﺭﺕ ﻭﻓﲑﺩﻱ‪.‬‬ ‫ﰲ ﻋﺎﻡ ‪ ١٩٩٠‬ﺷﻜﻞ ﻓﺮﻗﺔ ﻣﻮﺳﻴﻘﻴﺔ ﺃﲰﺎﻫﺎ »ﺍﻟﱪﺗﻘﺎﻝ« ﻭﻓﺎﺯ ﰲ‬ ‫ﺍﻟﻌﺎﻡ ﺍﻟﺘﺎﱄ ﺑﻮﺍﺣﺪﺓ ﻣﻦ ﺃﻓﻀﻞ ﺟﻮﺍﺋﺰ ﻣﻮﺳـﻴﻘﻰ ﺍﳉﺎﺯ ﺍﻟﻔﺮﻧﺴﻴﺔ‪.‬‬ ‫ﺳﺠﻞ ﺍﺳـﻄﻮﺍﻧﺘﻪ ﺍﻷﻭﱃ ﺑﻌﻨﻮﺍﻥ »ﻧﻴﻨﺎ ﻓﺎﻟﲑﻳﺎ« ﻭﺃﻗﺎﻡ ﻋﻠﻰ ﺇﺛﺮﻫﺎ‬ ‫ﻋﺪﺩﺍ ﻣﻦ ﺍﻟﻌﺮﻭﺽ ﺍﳌﻮﺳـﻴﻘﻴﺔ ﰲ ﺃﳓـﺎﺀ ﺃﻭﺭﻭﺑﺎ ﺣﱴ ﺃﺻﺒﺢ ﰲ‬ ‫ﻣﻨﺘﺼﻒ ﺍﻟﺘﺴﻌﻴﻨﻴﺎﺕ ﺃﺣﺪ ﺃﻛﱪ ﻣﺒﺪﻋﻲ ﺍﳌﻮﺳﻴﻘﻰ ﺍﻷﻭﺭﻭﺑﻴﺔ‪.‬‬ ‫ﰲ ﺍﻟﻌﺎﻡ ‪ ١٩٩٦‬ﺗﺄﺳﺴـﺖ ﳎﻤﻮﻋﺔ »ﺭﺑﺎﻋﻲ ﺇﺭﻳﻚ ﺗﺮﻭﻓﺎﺯ« ﻭﺗﺘﻜﻮﻥ ﺑﺎﻹﺿﺎﻓﺔ ﺇﱃ ﻣﺆﺳﺲ ﺍﻟﻔﺮﻗﺔ ﺍﻟﻌﺎﺯﻑ ﺍﳌﻌﺮﻭﻑ ﺇﻳﺮﻳﻚ ﺗﺮﻭﻓﺎﺯ ﻣﻦ ﻋﺎﺯﻑ‬ ‫ﺍﻟﺒﻴﺎﻧﻮ ﺑﺎﺗﺮﻳﻚ ﻣﻮﻟﲑ ﻭﻋﺎﺯﻑ ﺍﻟﺒﺎﺹ ﻣﺎﺭﻛﻴﻠﻮ ﻏﻮﻳﻠﻴﺎﱐ ﻭﻋﺎﺯﻑ ﺍﻹﻳﻘﺎﻉ ﻣﺎﺭﻙ ﺇﻳﺮﺑﻴﺘﺎ‪.‬‬ ‫ﺳـﺠﻞ ﺇﻳﺮﻳﻚ ﺗﺮﻭﻓﺎﺯ ﻋﺪﺓ ﺍﺳﻄﻮﺍﻧﺎﺕ‪» :‬ﺍﳋﺮﻭﺝ ﻣﻦ ﺣﻠﻢ« ﻭ«ﺍﻟﻔﺠﺮ« ﻭ«ﺛﲏ ﺍﻷﺭﻛﺎﻥ ﺍﳉﺪﻳﺪﺓ« ﺇﺿﺎﻓﺔ ﺇﱃ ﺃﻟﺒﻮﻣﻪ »ﻗﻨﺎﻉ« ﺍﻟﺬﻱ ﺻﺪﺭ ﰲ‬ ‫ﻋﺎﻡ ‪ ٢٠٠٠‬ﰲ ﳏﺎﻭﻟﺔ ﻟﺪﻣﺞ ﲨﻴﻊ ﺃﻋﻤﺎﻟﻪ ﺍﳌﻮﺳﻴﻘﻴﺔ ﺍﻟﺴﺎﺑﻘﺔ ﻭﻛﺎﻥ ﺍﳌﺪﺧﻞ ﺇﱃ ﺍﳉﻤﻬﻮﺭ ﺍﻷﻣﺮﻳﻜﻲ ﺑﺎﻟﻨﺴﺒﺔ ﻹﻳﺮﻳﻚ ﺗﺮﻭﻓﺎﺯ‪.‬‬ ‫ﻣﻦ ﺻﻔﺎﺕ ﺗﺮﻭﻓﺎﺯ ﻭﺗﻘﻨﻴﺎﺕ ﻋﺰﻓﻪ ﻋﻠﻰ »ﺍﻟﺘﺮﺍﻣﺒﺖ« ﺣﺜﻪ ﻋﻠﻰ ﺍﻋﺎﺩﺓ ﺍﻛﺘﺸﺎﻑ ﻫﺬﻩ ﺍﻵﻟﺔ ﻭﻗﺪﺭﺍ‪‬ﺎ‪ .‬ﻭﲢﺮﺭﻩ ﻣﻦ ﺍﻟﻘﻮﺍﻟﺐ ﺍﳉﺎﻫﺰﺓ‪ ،‬ﻭﺑﺮﺍﻋﺘﻪ ﰲ ﺍﳌﺰﺝ‬

.‫ ﻭﻣﺎ ﻳﺘﺴﻢ ﺑﻪ ﻋﺰﻑ ﺗﺮﻭﻓﺎﺯ ﻫﻲ ﺍﻟﺪﻗﺔ ﻭﺍﻟﺴﻬﻮﻟﺔ ﰲ ﺍﻟﺘﻌﺒﲑ ﺣﱴ ﰲ ﺃﻛﺜﺮ ﺍﳌﻘﻄﻮﻋﺎﺕ ﲡﺮﻳﺪﴽ‬.‫ﺍﳌﺒﺘﻜﺮ ﻟﻠﺠﺎﺯ ﺑﺈﻟﻜﺘﺮﻭﻧﻴﺎﺕ ﺍﳌﻮﺳﻴﻘﻰ ﺍﳊﺪﻳﺜﺔ‬ .‫ ﺍﳌﻐﲏ ﺍﻟﺘﻮﻧﺴﻲ ﻣﻨﲑ ﻃﺮﻭﺩﻱ ﺍﻟﺬﻱ ﺍﺷﺘﻬﺮ ﺑﻐﻨﺎﺀ ﻗﺼﺎﺋﺪ ﻷﻛﱪ ﺷﻌﺮﺍﺀ ﺍﻟﺼﻮﻓﻴﺔ ﻛﺎﳊﻼﺝ‬٢٠١٠ ‫ﻳﺮﺍﻓﻖ ﳎﻤﻮﻋﺔ ﺭﺑﺎﻋﻲ ﺇﻳﺮﻳﻚ ﺗﺮﻭﻓﺎﺯ ﰲ ﻣﻬﺮﺟﺎﻥ ﺍﻟﻘﺪﺱ‬ ‫ﺍﻟﻌﺮﺽ ﺑﺪﻋﻢ ﻣﻦ ﺍﳌﺮﻛﺰ ﺍﻟﺜﻘﺎﰲ ﺍﻟﻔﺮﻧﺴﻲ‬ Wednesday 28/7/2010 - Jerusalem Thursday 29/7/2010 - Nablus

ERIK TRUFFAZ QUARTET & MOUNIR TROUDI France Eric Truffaz Quartet was found by the well known trumpeter Truffaz in 1996 and is composed of the pianist Patrick Muller, Bass player Marcello Giuliani and the percussionist Marc Erbetta. Truffaz was born in 1960 and was inspired by his saxophonist father who led a dance band. He took up the trumpet as a youngster and joined his father on the bandstand. As his technique grew, Truffaz linked up with other bands before being introduced to Miles Davis’ classic Kind of Blue album. This led him to study music at the Geneva Conservatoire in Switzerland where he learned to perform classical works by the likes of Mozart and Verdi. In 1990 he formed a jazz band called Orange and the following year won France’s prestigious jazz award, the “Prix Special”. Since the mid-‘90s, Truffaz has been a mover-and-shaker on the European creative improvisational scene. He signed with EMI France in 1996 and recorded three dynamic electro-acoustic recordings, Out of a Dream, The Dawn and Bending New Corners. He was introduced to North American audiences in 2000 with the CD “The Mask”, a compilation of his three EMI France albums that was followed by Revisité, a DJ-dance remix album of The Mask. The forward-sounding Mantis was released in 2002. For the second time Erik Truffaz Quartet will perform in the Jerusalem Festival 2010 accompanied by the Tunisian vocalist Mounir Troudi who is well-known for singing songs of major Suﬁ poets like the Hallaj. The concert is sponsored by the French Cultural Centre

‫‪@RPQPOWORY@èÓ‡®a‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺳﻤﻴﺢ ﺍﻟﻘﺎﺳﻢ‪ -‬ﻟﻴﻠﺔ ﺣﺐ ﻟﻠﻘﺪﺱ‬ ‫ﻓﻠﺴﻄﲔ‬ ‫ﺷـﺎﻋﺮ ﻓﻠﺴﻄﻴﲏ ﻣﻦ ﺍﳉﻠﻴﻞ ﺍﻟﻐﺮﰊ ﻭﻟﺪ ﰲ ﺍﻷﺭﺩﻥ ﻋﺎﻡ ‪.١٩٣٩‬‬ ‫ﻋﺎﺩ ﻣﻊ ﻋﺎﺋﻠﺘﻪ ﺇﱃ ﺑﻠﺪ‪‬ﻢ ﺍﻟﺮﺍﻣﺔ ﺑﻌﺪ ﺍﻧﺪﻻﻉ ﺍﳊﺮﺏ ﺍﻟﻌﺎﳌﻴﺔ ﺍﻟﺜﺎﻧﻴﺔ‪.‬‬ ‫ﺍﻧﺪﻟﻌﺖ ﺷﺮﺍﺭﺓ ﺍﻟﺸـﻌﺮ ﻭﺍﻹﺑﺪﺍﻉ ﺍﻷﺩﰊ ﻓﻴﻪ ﻣﻨﺬ ﻧﻌﻮﻣﺔ ﺃﻇﻔﺎﺭﻩ‪،‬‬ ‫ﻭﻳﺮﻭﻯ ﺃﻥ ﻗﺼـﺔ ﻋﻮﺩﺗﻪ ﻭﻫﻮ ﻃﻔﻞ ﺭﺿﻴﻊ ﻣـﻊ ﻋﺎﺋﻠﺘﻪ ﻛﺎﻧﺖ‬ ‫ﻗﺪ ﺳـﺎﻋﺪﺕ ﰲ ﺗﻮﻫﺞ ﻫﺬﻩ ﺍﳌﻮﻫﺒﺔ‪ .‬ﻭﺗﻘـﻮﻝ ﺍﻟﺮﻭﺍﻳﺔ ﺃﻥ ﲰﻴﺢ‬ ‫ﺍﻟﻘﺎﺳـﻢ ﺑﻜﻰ ﰲ ﺍﳊﺎﻓﻠﺔ ﺍﻟﱵ ﻛﺎﻥ ﻳﺮﻛﺒﻬﺎ ﻣﻊ ﻋﺎﺋﻠﺘﻪ ﻭﻫﻮ ﻋﺎﺋﺪ‬ ‫ﺇﱃ ﻓﻠﺴـﻄﲔ‪ ،‬ﻓﺬﻋﺮ ﺍﻟﺮﻛﺎﺏ ﻭﺧﺎﻓﻮﺍ ﺃﻥ ‪‬ﺘﺪﻱ ﺇﻟﻴﻬﻢ ﺍﻟﻄﺎﺋﺮﺍﺕ‬ ‫ﺍﻷﳌﺎﻧﻴـﺔ ﻭﺑﻠﻎ ‪‬ﻢ ﺍﻟﺬﻋﺮ ﺃﻥ ﻫﺪﺩﻭﺍ ﺑﻘﺘﻞ ﺍﻟﻄﻔﻞ ﳑﺎ ﺍﺿﻄﺮ ﻭﺍﻟﺪﻩ‬ ‫ﺇﱃ ﺇﺷﻬﺎﺭ ﻣﺴﺪﺳﻪ ﰲ ﻭﺟﻮﻫﻬﻢ ﻟﺮﺩﻋﻬﻢ‪ .‬ﻭﺣﲔ ﺭﻭﻳﺖ ﺍﳊﻜﺎﻳﺔ‬ ‫ﻟﺴﻤﻴﺢ ﻓﻴﻤﺎ ﺑﻌﺪ ﺗﺮﻛﺖ ﺃﺛﺮﺍ ﻋﻤﻴﻘﺎ ﰲ ﻧﻔﺴﻪ ﻭﻗﺎﻝ ﰲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻪ‬ ‫)ﺣﺴﻨﺎ‪ ،‬ﻟﻘﺪ ﺣﺎﻭﻟﻮﺍ ﺇﺧﺮﺍﺳﻲ ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ ﻭﺳﺄﺭﻳﻬﻢ ‪ ،‬ﺳﺄﺗﻜﻠﻢ‬ ‫ﻣﱴ ﺃﺷـﺎﺀ‪ ،‬ﻭﰲ ﺃﻱ ﻭﻗﺖ ﻭﺑﺄﻋﻠﻰ ﺻﻮﺕ‪ ،‬ﻟﻦ ﻳﻘﻮﻯ ﺍﺣﺪ ﻋﻠﻰ‬ ‫ﺇﺳـﻜﺎﰐ!( ﻭﻣﺎ ﺯﺍﻝ ﺻﻮﺕ ﺍﻟﻘﺎﺳﻢ ﻣﺪﻭﻳﺎ ﻭﱂ ﺗﻨﺠﺢ ﳏﺎﻭﻻﺕ‬ ‫ﻛﺘﻢ ﺻﻮﺗﻪ ﰲ ﺍﻟﻨﺠﺎﺡ ﺳﻮﺍﺀ ﻛﺎﻥ ﺑﺎﻻﻋﺘﻘﺎﻝ ﺃﻭ ﺍﻹﻗﺎﻣﺔ ﺍﳉﱪﻳﺔ ﺃﻭ‬ ‫ﺍﻟﺮﻗﺎﺑﺔ ﺍﻟﻌﺴﻜﺮﻳﺔ ‪ .‬ﻓﺄﺻﺒﺢ ﻭﺍﺣﺪﺍ ﻣﻦ ﺃﻫﻢ ﺷﻌﺮﺍﺀ ﻓﻠﺴﻄﲔ ﻭﺣﺎﺯ ﻋﻠﻰ ﻋﺪﺩ ﻣﻦ ﺍﻷﻟﻘﺎﺏ ﻭﺍﳉﻮﺍﺋﺰ ﺍﻟﻌﺎﳌﻴﺔ ﻭﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ ﰲ ﺍﻷﺩﺏ ﻭﺍﻟﺸﻌﺮ ﻣﻨﻬﺎ‬ ‫ﺟﺎﺋﺰﺓ »ﻏﺎﺭ ﺍﻟﺸﻌﺮ« ﺍﻷﺳﺒﺎﻧﻴﺔ ﻭﺟﺎﺋﺰﺗﲔ ﻓﺮﻧﺴﻴﺘﲔ ﻭﺟﺎﺋﺰﺓ ﳒﻴﺐ ﳏﻔﻮﻅ ﺇﺿﺎﻓﺔ ﺇﱃ ﺟﺎﺋﺰﺓ ﻭﺳﺎﻡ ﺍﻟﻘﺪﺱ ﻟﻠﺜﻘﺎﻓﺔ ﻭﺟﺎﺋﺰﺓ ﺍﻟﺸﻌﺮ ﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ‪.‬‬ ‫ﻋﻤﻞ ﺍﻟﻘﺎﺳـﻢ ﳏﺮﺭﺍ ﻭﳏﺮﺭﺍ ﺃﺩﺑﻴﺎ ﰲ ﻋﺪﺩ ﻣﻦ ﺍﻟﺼﺤﻒ ﻭﺍﳌﺠﻼﺕ ﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ ﺃﳘﻬﺎ ﺍﻻﲢﺎﺩ ﻭﺍﻟﻐﺪ ﻭﺃﺳﺲ ﻣﻨﺸﻮﺭﺍﺕ »ﻋﺮﺑﺴﻚ« ﰲ ﺣﻴﻔﺎ ﻣﻊ‬ ‫ﺍﻟﻜﺎﺗﺐ ﻋﺼﺎﻡ ﺧﻮﺭﻱ ﻋﺎﻡ ‪.١٩٧٣‬‬ ‫ﺻﺪﺭ ﻟﻪ ﺃﻛﺜﺮ ﻣﻦ ‪ ٦٠‬ﻛﺘﺎﺑﺎ ﰲ ﺍﻟﺸﻌﺮ ﻭﺍﻟﻘﺼﺔ ﻭﺍﳌﺴﺮﺡ ﻭﺍﳌﻘﺎﻟﺔ ﻭﺍﻟﺘﺮﲨﺔ ﻭﲨﻌﺖ ﺃﻋﻤﺎﻟﻪ ﺍﻟﻨﺎﺟﺰﺓ ﰲ ﺳﺒﻊ ﳎﻠﺪﺍﺕ ﺻﺪﺭﺕ ﻋﻦ ﺩﻭﺭ ﻧﺸﺮ ﰲ ﺑﲑﻭﺕ‬ ‫ﻭﺍﻟﻘﺎﻫﺮﺓ ﻭﺍﻟﻘﺪﺱ‪.‬‬

.‫ﺗﺮﲨﺖ ﺍﻟﻜﺜﲑ ﻣﻦ ﻗﺼﺎﺋﺪﻩ ﺇﱃ ﻋﺪﺩ ﻣﻦ ﺍﻟﻠﻐﺎﺕ ﻛﺎﻻﳒﻠﻴﺰﻳﺔ ﻭﺍﻟﻔﺮﻧﺴﻴﺔ ﻭﺍﻷﳌﺎﻧﻴﺔ ﻭﺍﻷﺳﺒﺎﻧﻴﺔ ﻭﺍﻻﻳﻄﺎﻟﻴﺔ ﻭﺍﻟﺮﻭﺳﻴﺔ ﻭﺍﻟﻔﻴﺘﻨﺎﻣﻴﺔ ﻭﺍﻟﺘﺸﻴﻜﻴﺔ ﻭﺍﻟﻴﻮﻧﺎﻧﻴﺔ ﻭﺍﻟﻔﺎﺭﺳﻴﺔ ﻭﺍﻟﺘﺮﻛﻴﺔ‬ .«‫ﻳﺸﺎﺭﻙ ﺍﻟﺸﺎﻋﺮ ﲰﻴﺢ ﺍﻟﻘﺎﺳﻢ ﰲ ﻟﻴﻠﺔ ﺣﺐ ﻟﻠﻘﺪﺱ ﺑﻘﺼﺎﺋﺪ ﻣﻦ ﺩﻳﻮﺍﻧﻪ »ﻛﺘﺎﺏ ﺍﻟﻘﺪﺱ‬ Thursday 29 July 2010

SAMIH AL-QASIM - TO JERUSALEM WITH LOVE Palestine A Palestinian poet from the Western Galilee. He was born in Jordan in 1939 and returned with his family to their village of Al Rameh after the eruption of the Second World War. His creativity and poetry started at a young age. It was narrated that during their return, young Samih started to cry on the bus going back to Palestine. The other passengers were scared that his cries would direct enemy planes to bomb the bus and threatened to kill the toddler until his father drew out his gun to deter them. When this story was told to Samih Al-Qasim it left an impact and made him say to himself: “alright, they tried to silence me since my childhood. I will show them! I will say whatever I want whenever I want with the loudest voice and no one will silence me.” Years since that incident, Samih AlQasim’s voice is still loudly heard and all attempts to silence him whether through arrest, house arrest, military censorship have failed. He became one of the most famous Palestinian poets and a recipient of many international and Palestinian awards including the Spanish “Poetry Laurel” Award, two French awards and Najib Mahfouz Award, Alquds Award for Culture and Palestinian Poetry Award. Al Qasim worked as an editor and a literary editor in several Palestinian newspapers and magazines including Al-Ittihad and Al-Ghad. He also established Arabisque publications in Haifa with the writer Issam Khoury in 1973. He published more than 60 books in poetry, stories, theatre, essays and translations. His published works have been collected in seven volumes published in Beirut, Cairo and Jerusalem. Many of his poems were translated into English, French, German, Spanish, Italian, Russian, Vietnamese, Czech, Greek, Persian, and Turkish. Samih Al Qasim participates in a night of love for Jerusalem with some poems from the Book of Jerusalem.

‫‪@RPQPOWOSP@Ú»‡¶aO‚bnnÅ¸a@ÚÓéﬂc‬‬

‫ﻓﺮﻗﺔ ﺍﻟﻘﺪﺱ ﻟﻠﻤﻮﺳﻴﻘﻰ‬ ‫ﺍﻟﻌﺮﺑﻴﺔ‬ ‫ﻣﻌﻬﺪ ﺍﺩﻭﺍﺭﺩ ﺳﻌﻴﺪ ﺍﻟﻮﻃﻨﻲ ﻟﻠﻤﻮﺳﻴﻘﻰ‬ ‫ﻓﻠﺴﻄﲔ‬ ‫ﻓﺮﻗﺔ ﺍﻟﻘﺪﺱ ﻟﻠﻤﻮﺳـﻴﻘﻰ ﺍﻟﻌﺮﺑﻴﺔ ﺃﺳﺴـﻬﺎ ﻣﻌﻬﺪ ﺍﺩﻭﺍﺭﺩ ﺳﻌﻴﺪ‬ ‫ﺍﻟﻮﻃﲏ ﻟﻠﻤﻮﺳـﻴﻘﻰ ﰲ ﻋﺎﻡ ‪ ٢٠٠٩‬ﻟﺘﻘـﺪﻡ ﻋﺮﺿﻬﺎ ﺍﻻﻭﻝ ﰲ‬ ‫ﻣﻬﺮﺟـﺎﻥ » ﻟﻴﺎﱄ ﺍﻟﻄـﺮﺏ ﰲ ﻗﺪﺱ ﺍﻟﻌـﺮﺏ« ﰲ ﻋﺪﺓ ﻣﺪﻥ‬ ‫ﻓﻠﺴـﻄﻴﻨﻴﺔ‪ .‬ﻭﻣﻌﻬﺪ ﺇﺩﻭﺍﺭﺩ ﺳـﻌﻴﺪ ﺍﻟﻮﻃﲏ ﻟﻠﻤﻮﺳﻴﻘﻰ ﻣﺆﺳﺴﺔ‬ ‫ﻭﻃﻨﻴﺔ ﻓﻠﺴﻄﻴﻨﻴﺔ ﺗﺘﺨﺬ ﻣﻦ ﻣﺪﻳﻨﺔ ﺍﻟﻘﺪﺱ ﻣﻘﺮﴽ ﳍﺎ ﻭﺗﺴﻌﻰ ﻟﺘﻨﺸﺌﺔ‬ ‫ﺟﻴﻞ ﻓﻠﺴﻄﻴﲏ ﻣﻮﺳﻴﻘﻲ ﺟﺪﻳﺪ ﻗﺎﺩﺭ ﻋﻠﻰ ﺍﺣﺪﺍﺙ ﺗﻐﲑ ﻧﻮﻋﻲ ﰲ‬ ‫ﺍﻟﻮﺍﻗﻊ ﺍﻟﺜﻘﺎﰲ ﺍﻟﻔﻠﺴﻄﻴﲏ ﺑﺸﻜﻞ ﻋﺎﻡ‪.‬‬ ‫ﻭﺗﻌﺘﱪ ﺍﻟﻔﺮﻗﺔ ﺍﻻﺣﺘﺮﺍﻓﻴﺔ ﺍﻷﻭﱃ ﰲ ﻣﺪﻳﻨﺔ ﺍﻟﻘﺪﺱ ﻭﻣﻨﺎﺭﺓ ﻓﻠﺴﻄﲔ‬ ‫ﺍﳌﻮﺳﻴﻘﻴﺔ ﰲ ﺟﻮﻻ‪‬ﺎ ﺍﳌﺤﻠﻴﺔ ﻭﺍﻟﻌﺎﳌﻴﺔ‪ .‬ﺗﺘﻜﻮﻥ ﺍﻟﻔﺮﻗﺔ ﻣﻦ ﳎﻤﻮﻋﺔ‬ ‫ﻣﻦ ﺍﺳـﺎﺗﺬﺓ ﻭﻃﻼﺏ ﺍﳌﻌﻬﺪ ﺍﻟﻮﻃﲏ ﻭﻳﺴـﺘﻀﻴﻔﻮﻥ ﺍﳌﻐﻨﻴﲔ ﻣﺎﺭﻳﺎﻥ ﺑﺮﺍﻧﺴﻲ ﻭﻧﺎﻱ ﺑﺮﻏﻮﺛﻲ ﻭﻫﺎﱐ ﺃﺳﻌﺪ ﻟﺘﻘﺪﱘ ﳎﻤﻮﻋﺔ ﻣﻦ ﺃﲨﻞ ﺃﻏﺎﱐ ﺍﻟﻄﺮﺏ‬ ‫ﺍﻟﻌﺮﰊ ﺍﻷﺻﻴﻞ ﻟﻌﻤﺎﻟﻘﺔ ﺍﳌﻄﺮﺑﲔ ﺃﻣﺜﺎﻝ ﺃﻡ ﻛﻠﺜﻮﻡ ﻭﺃﲰﻬﺎﻥ ﻭﳏﻤﺪ ﻋﺒﺪ ﺍﻟﻮﻫﺎﺏ ﻭﻭﺩﻳﻊ ﺍﻟﺼﺎﰲ ﻭﻓﲑﻭﺯ‪.‬‬ ‫ﻳﺸـﺎﺭﻙ ﰲ ﺍﻟﻌﺮﺽ ‪ :‬ﻣﻴﺸﻴﻞ ﺭﻭﺣﺎﻧﺔ )ﻋﻮﺩ(‪ ،‬ﻭﻓﺎ ﺍﻟﺰﻏﻞ )ﻗﺎﻧﻮﻥ(‪ ،‬ﺩﺍﻧﻴﻠﻮ ﺳﺒﺎﺩﺍ )ﺷـﻴﻠﻮ( ‪ ،‬ﻟﺆﻱ ﺑﺸﺎﺭﺓ )ﻛﻤﺎﻥ(‪ ،‬ﻧﺎﻱ ﺑﺮﻏﻮﺛﻲ )ﻓﻠﻮﺕ ( ‪،‬‬ ‫ﺟﻴﻔﺮﻭﺍ ﺩﻳﻠﻮﺭﻱ )ﻛﻮﻧﺘﺮﺍﺑﺎﺹ(‪ ،‬ﻫﺎﱐ ﺍﺳﻌﺪ ﻭﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺻﺒﺎﺡ ﻭﻣﻌﻦ ﺍﻟﻐﻮﻝ )ﺍﻳﻘﺎﻉ(‪.‬‬

(Closing night) Friday 30th July 2010

THE JERUSALEM ARABIC MUSIC ENSEMBLE - ESNCM Palestine The Jerusalem Arabic Music Ensemble, established by the Edward Said National Conservatory of Music <ESNCM» in 2009 to present its debut at «Layali al Tarab Festival» in Jerusalem». The Conservatory works very hard to develop a world-class music institute. They are committed to the musical development of their students, and furthermore, to the creation of a new Palestinian generation of professional musicians as well as music lovers and music amateurs. The Conservatory is constantly forming new ensembles and choirs of different musical genres. The groups are formed from students and teachers of the ESNCM and they often perform locally in the concert series organized by the ESNCM or upon invitation from other cultural organizations in Palestine or in other countries. The Jerusalem Arabic Music Ensemble considered to be the ﬁrst professional music ensemble in Jerusalem and a beacon of Palestinian music in its local and international tour. They will host the singers Marian Baransi, Nay Barghouthi and Hani Asad to perform a collection of Classical Arabic songs for Um Kalthoom, Asmahan, Mohammed Abdel Wahab, Wadie Al-Saﬁ and Fairouz. Musicians: Micheal Rohana (Oud), Wafa Zaghal ( Qanoun), Daniele Sapade (Chelo), Loei Bishara ( Violin), Nai Barghouthi (Flute), Geffroy Delori (Contrabass), Hani Asad , Abdel Asalam Sabah and Maan Al Ghoul ( Percussion). http://ncm.birzeit.edu

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BOARD OF TRUSTEES

Publications: Alaa Maa’ytah and Khaled El-Ghoul

Nazmi Ju’beh- Chairperson

Media: Alaa’ Maa’ytah & Ellam Tam company

Dalia Habash- Treasurer

Venue Manager: Khaled El-Ghoul

Mazen Bazbaz – Secretary

Tickets: Issa Yonan

Suhail Khoury- Artistic Advisor

Ushering: Hind Touma

Alia Al-Yassir

Services: Majed Musafer, Amar Hanini, Rami Samara and Wa’el Bazbaz

Hidayeh Dajani Issa Kassissieh

Sound Technicians: Issam Mourad, Ashraf Qawasmi, Eddie Makhlouf and Walid Ghonayim

Jivara Budeiri

Light Technicians: Mu’ath Ju’beh and Dia’ Ju’beh

Mahmoud Jadeh

Internal event safety: Munther Barakat

Monica Awad

Medical Team: Palestinian Red Crescent Society - Jerusalem

Reema Awad Zahi Khoury

FESTIVAL’S TEAM Yabous Productions & Jerusalem Festival Director: Rania Elias Marketing & Advertising: Hind Touma Fundraising & Sponsorship: Maha Al-Hamouri Group Affairs: Nadine Nashashibi Ofﬁce Manager: Randa Antar Accountant: Samir Hallak

IN PARTNERSHIP WITH: Al-Hambra Palace- Jerusalem Palestinian Charitable Red Crescent St. George’s Boys School (Al-Mutran) The Edward Said National Conservatory of Music (ESNCM) Palestine Popular Art Centre- Al-Bireh

ÊÏ‡«aÜ€a ÌËÁe^f÷]<Ìn√f÷] ›î<›¯¬c ÍäfiÜÀ÷]<ª^œn÷]<à“Üπ] ÌÈflõÁ÷]<ÌŞ◊ä÷]<ÔÇ÷<ÌÈ´ÊÜfl÷]<ÌÈ◊n€π] <Ü‚^ï<Í◊ ÖÊ_<ÎÇ√â<KáÜeÁ“<åÊ^‚<Üi]Ê<ãË]Üe <ÿ ]Üi<‹Èq Ÿ^Èq_<ÁËÅ]Ö< ÌË^¬Ç◊÷<›ÊÊá< ÌÈflõÁ÷]<lêÊÜéπ]<Ì“Üç< <ÌËÖ^éjâ˜]<l^⁄Ç§]Ê<–ËÁäj◊÷<Í“<JÍe<J‰Ë]<Ì“Üç ‡Ë]àËÅ<Çfia<‘i<ÌflËá<Ì“Üç< ‹◊âÊ4¢]<—Çfl < å^€äËÜ”÷]<—Çfl < ÍärÈ◊÷]<—Çfl < Ífi^fâ˘]<·Ê^√j÷]<gj”⁄< ÎÖ^éjâ˜]<êÁ“<·Á€Èâ<gj”⁄ ·^Şœ÷]<‡ä-]<Çf¬<Ìäâˆ⁄< ∞⁄`j◊÷<Ö^nËc<Ì÷^“Ê<

SPONSORS A.B.K marketing and consulting services A.M. Qattan Foundation Christmas Hotel Eithar Insurance Agency Ellam Tam French Cultural Centre Gemm Travel Jerusalem Hotel Legacy Hotel NBC- National Beverage Company Pontifical Mission Price Water House Coopers / Saadi Orfali Daher Radio Ajyal Simon Kouba Consultants Spanish Cooperation Office The Representative Office of Norway to the Palestinian Authority Zeina Tech’n Design Zoom Advertising

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IN GRATITUDE Special thanks are extended to all those who gave their precious time and expertise to make the Jerusalem Festival a dream come true. Al-Ayyam daily newspaper Al-Hambra restaurant Al-Quds daily newspaper Attorney Na’eem Khoury Azkadinia restaurant Azzahra restaurant Borderline restaurant Englishpal.ps Neshan Balian Radio Ajyal Radio Mawwal Safarfund Suhail Khoury & Palestinian Popular dance troupe for using “Between Haifa & Jenin” music in the festival’s radio jingle The Civic Coalition for defending the Palestinians right in Jerusalem Ya Hala

IN COOPERATION WITH

‫ﺑﺎﻟﺘﻌــﺎﻭﻥ ﻣﻊ‬

The Consulate General of France in Jerusalem ‫ﺍﻟﻘﻨﺼﻠﻴﺔ ﺍﻟﻔﺮﻧﺴﻴﺔ ﺍﻟﻌﺎﻣﺔ ﻓﻲ ﺍﻟﻘﺪﺱ‬

PLATINUM SPONSOR

‫ﺍﻟﺮﺍﻋﻲ ﺍﻟﺒﻼﺗﻴﻨﻲ‬

Palestine Development and Investment Ltd. (PADICO) (‫ﺷﺮﻛﺔ ﻓﻠﺴﻄﲔ ﻟﻠﺘﻨﻤﻴﺔ ﻭﺍﻻﺳﺘﺜﻤﺎﺭ ﺍﶈﺪﻭﺩﺓ ) ﺑﺎﺩﻳﻜﻮ ﺍﻟﻘﺎﺑﻀﺔ‬

GOLDEN SPONSOR ‫ﺍﻟﺮﺍﻋﻲ ﺍﻟﺬﻫﺒﻲ‬

Bank of Palestine ‫ﺑﻨﻚ ﻓﻠﺴﻄﲔ‬

Palestine Investment Fund ‫ﺻﻨﺪﻭﻕ ﺍﻻﺳﺘﺜﻤﺎﺭ ﺍﻟﻔﻠﺴﻄﻴﻨﻲ‬

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