Commissioned artwork by Graziano Milano
SLOW Exhibition
Activities and me Residency Program
20
and critical Creative exploration for a programme, enquiry are the focus y and ibute to visual literac which aims to contr ues log by establishing dia cultural democracy e mm gra pro is inclusive within Plymouth. Th erge em ich wh s, on ati erpret values the diverse int d an ange of experience through an open exch learn and collaborate to offers opportunities s. with practicing artist hops, projects and rks wo ts, en ev Talks, ective urage active and refl supported visits enco film r visual art and engagement with ou ideas of Plymouth and the y cit the programme, re. ltu cu ry ora mp n conte and processes withi
ty with those working between art and socie e mm gra Pro , architecture and cy en Resid arenas of art, business the in Artists and Curators will w forthcoming debates developed a ne 07 Visual Arts ew al government. The uth Arts Centre has N uary – 18 March 20 loc mo Jan Ply 20 and n ies tio nc as l era ide en cia e tr d curatorial res of ‘cultural reg ir practice in so am – 8:30pm focus on the theme Plymouth Arts Cen gramme of artists’ an nday – Saturday 10 required to justify the pro ramme Mo be to y og nit s Pr e rtu ed ing po ne lud op ion nd pre iss an tre ll present and comm 0pm ms, and this slow can be the future cities’ and wi that provides research Sunday 5:30pm – 8:3 opposed to artistic ter ns The condition of being tio ert the ld titu ass and New Traditions in ou ins to rs sh s ed ne art elf ne s d tio its s an art cti ist l t art ative pra isted. Art tion. Slowness e’s new visua question the role tha opportunities for cre to be consciously res for thoughtful reflec Centre Plymouth Arts Centr tion. Plymouth Arts critical debate embraces essential ve; rather it should ernationally. been curated in on an exciting era ge rk s int mo en ng d ha wo ura to n rki an ir reg co ce ba lly itio en the an t tan na em to hib urb uc s tio tha ex be in rel e na aim y to , up a nc e pla ion gro de ply mm is nfi im reg t Th co gra no its pro of d d We are proud rt an an ss so r ve ma me de red ati me ng wi ining this the s to facilitate cre preoccupations of than conceding so us valuing of conside role that art plays in s our 60th year, marki is interested in exam The programme aim reflection of current artistic value rather suggest the conscio the and to question the arts programme in thi artwork practice. een artists portunities d the mouth in ir tw op an st Ply be the in art of g ere to ns w initiatives around y ry tin int tio ne es cit ina ial ora tiv to ora ec the lm ip jec mp llab sp cu sh ob for a nte l co on ns ge own relati dialogues and production in co short-term socia timely deliberatio culture. It maintains t. e a time of great chan en l urs for cia nm sh co so ies tai wi of of d y nit n ter d an ca ma rtu en rio on po ss pe we city. new op issues into ma ge. Slowness man interacti This significant regeneration of the and curators, create subversion of culture In the light of these for measured exchan t that engages with hu and its Arts Centre. s to assist our mation forms ing impeded or on research, become a platform for t the visual art has los for be ion s d ns tha asi ng est an tra s ph thi qu ses d ce y em me po an ke cti s so n te ce pra me of tio ba pla so de ing ult era d nt emerg Curre to frame be the res context, an cultural regen this? e ord associated with tion, internationalism, a curator respond to region. The programm successful journey of Art Programme Eff d, but it can also be focus – so how can liberations: isciplinarity, collabora young artists in the cke its de erd blo s int d 60 part of the long and ut an 19 as tho ud the wi ide s of pro a w ng ne art gh are l thi of ou o we tua int thr ion a neighbourhood ep lly h is ge rat nc ua t rus an co eq plo jec to ch d to ex ex pro an lse l ge e The Efford emphasises the Paying homa ticality and socia avoiding the impu cri l Plymouth Arts Centr ss red g na ce sio sin asu pro fes re me rea A the pro ctu inc , , ke. tru art rch the e by Plymouth City resea rmance we seen ght be at sta cultural infras ach. regeneration schem commissions through and 1970s when perfo Why exactly have s. weighing up what mi process-based appro to be key to the future r ul ntal e. htf we me ug mm vie tru tho gra the ins of pro th an g ult wi treach Projects rin of Efford Partnership ply res on a im nto art cti uncil and The He SLOW Education Ou idered position as lopment and a me for arts policy to duction and intera Co ns ve nd pro co de d the of tre an of ies of Plymouth. e art ser th urs . ing a wi the co ris in om t with a student from is involved es a public talk ses overcame Pa tion should not of re significant than gramme for the forthc A collaborative projec Plymouth Art Centre Each residency includ to aluation of the situa was taken to be mo role for the arts? 1839, a rage for tortoi on ev yst ati “In tal ult The visual arts pro est t ca ns gu d a ng tha d co an as cki d ite t the mi ge nts ac inv mi of ll jud d in s in residence an action when it is ty of Plymouth, wi plores new moveme creating an arena ine the elegant set ions that form part tor rsi ex ive in ag iss w ive ura cis im ss ll mm Slo Un de s/c ele t, co we ist de am n jec art sh clu ca ob le is e pre op s ar On ye ers ors, ationships with pe hitects and urbanist issues relating to the an absolute or an ntemporary art. It off could argue that in the re... “ curators, commentat initiate sustainable rel and masterplan by arc speakers to explore strategies within co Is artistic freedom the time is right. You the pace of this creatu projects which visual artists, if art , ire rt for ot be ela ls pa pil to ud de m ds ing Ba for te vicinity of Plymouth mo in lop ten y n dia n ve ca tor tifs tio me de ns , ipa our patro who live in the im orative and partic listic expectation? njamin, On Some Mo Shilliam and Smith ecific residency. ce of reflection, all ac Be rea llab sp r sen co un lte ab ith Wa Sm filmmakers and you, a e st es Su Be e. lud rt, a, Anna Ha include: Anna entions and inc somewhat impulsiv the cultural future for Arts Centre. by artists Cleo Brod Current residencies creating artistic interv not precipitate, then of the discussions on will work and play s and events, reflecting the socially self gramme ce s rk be an ou pro wo en the context and to rm of e’s tom Giv rfo art au ntr ies y. pe for Ce for s, ser rra s y an w ion Mu families in Plymouth cit Art ne lat g me pa a ne uth tal un it ca Jay ing Yo ins mo es d the of lop do Ply g an , ve at ies vin 07 de y. r ser Ha 20 Wh s r cit Fo the s explored theme Norris, as part of he Plymouth; Lau Thiam ng, which ’ as a critical ors: s Centre’s ethos is to y of Efford, the artist wly with artist Kathy alit d now? slo ging environment of ing artists and curat ned action is somethi loc the idea of ‘slowness ge an tur mi ga ch res ter fea en nt plo de ex me Part of Plymouth Art on vir ing ritage, urban en w body of work using guard and cherish. hor for contemporary elf and the forthcom Gang project. and ideas of local he Kok developing a ne tion. artists should rightly method and a metap constantly rethink its in the in order r, m the are ion ho for on l rat We tap d ua cu so. me ate vis are invited to explore d community participa ic a a do dic an ist As as to ce pre art e ce. is aid pla ag for cti ity gu afr to e t pra tiv lan on rol no al ac d ati is ic ori an er the rel rk A’ Level students y ist rat is av in wo etr art cu Be at d po of ch a 16 Wh an Mu ing art lls lop season W s ca ve d LO the sse n de t; an y ce to ca y jec e ntl at pro int nc pro e rre wh hops led by artists in are cu rary off site ltural uncerta : from the refere endent reflectiv ing a platform for Slow through works The local community to produce a tempo Jemima Burrill context of both cu rt of application of indep slowness is evocative pa ts committed to provid as jec ce to pro cti re ic ion ing pra tor the sit go y ist his po on Arts Centre. Lau a art wh op e nt of an ce”? n is perhaps ow food’ in w tradition for residence at Plymouth new scheme to includ s PROFILE developme Centre of Attentio for artistic “relevan and realisation. This ‘slow movement’ (‘sl be described as a ne tion with a of ora l ide cia llab s g so the co art gin c of in ga text during the Big Art res y a bli en th plo pu rod are wi an ex g pa t rk the a ng din by offeri DOUBLE ACTS tha Thaimkok will wo rd Crow a tension surroun the core vision for ed d) to the tortoise as ha en titl ILE foo Ric oft t OF is PR fas visual arts institution W th . LO s , ed wi ail) art ; as rch and in Ma art performance te what sort of inscribes preordain il in opposition to e-m s; generating new ide Festival in February Plymouth Art Centre. collaboration in live Barbara Holub In the present clima policy that essentially progress (or snail ma environment for artist ds of working s. The tion working ist ing tho ec be cess. nk art me refl w thi of pro w al g al no rk ne tic tic rin d wo cri we cri , ide an ld d the ns wn as an ou to co do will be developing ide Tim Knowles institutions sh social outcomes By slowing things All by exploring creative . l 07 na 20 rso d pe rch an s the Ma hly available for teachers ion to in hig n iss e ast ncies, comm Slow discussions are gar ir first solo exhibitio ucation Programm ip between the often s? Lo sh Ed the more possible in contr ard st on for de ati Ern tow ma rel ed is int the through artists reside d po an an for d mary and secondary rk in progress resented by urb e has recently ap ions of the artist ies. We are committe and students from pri T speed of change rep Plymouth Arts Centr predictable explorat ists have produced wo al DA un art tic d mcri . an ine un research opportunit rol far is Ca m. red es or, alis r nc ide ou courses in Plymouth treach Curat a (Slow) cons of public audie n consumer capit wth of our work and schools and HE & FE an Education and Ou hony eventual responses Slow Space. suggest that we need Ma I eneration and wanto the reg to the continual gro s, to lop s ies ma ve for ist ser em de art a ure ll dil in ks wi fut ng d mme rrent pressi simple. What lin ess’ is addresse lop a sustainable Mawdsley. This progra Graziano Milano response to these cu from instrumentally The idea of ‘slown responsibility to deve ert artistic ration ss, interaction ng and participation, t for example be a ciplinary work ne ass ce rni gh dis ge repro mi lea ssRe to se es for cro le ral , nc asi ab ies ltu ph ies ida die nit are nit Cu au em wh l t rtu s: rtu we Po tua po da Caroline Mawdsley d m en op ts tha ee en ev llia jec Ag ind ir Wi Arts if pro the of all education oppo d ol e an ho ach Curator, Plymouth orary art (through tion and a principl t points of access for of the first Art Sc ross art forms y, but the settings ira an mp ss ac rne ev asp nte es cce rel jou co l su nc an er in th die tua off the n bo au ep tio h ng r y ich nc Education and Outre wi ou ipa Ric om wh co llo d te ton Fo are Ka au sh and partic s, rk. and sharing ie ilie rily wo by ph d al So fam ssa an s, ori ce th communitie llaboration wi ational and curat working processes) engagement are ne Centre levels of education, event organised in co unpinning both educ destinations of this slow and sustainable and cinema. sustainable tions about the ally cajole , a new series series of d ec ori d 06 an 20 rat refl ate n s. r cu er rel tio ist ou d to tob art era on an d Oc pts en n rs an in em reg itio ls nte B) att ua ral ce hib B+ d ex ltu te ivid an (of cu ba in ing ind g pe de en rta e kin Ho op ce Th hin e un Th ret y cit often as of ll explore the relation and critically our capa anings, unfortunately as ‘slow cities’). in response to the ide of critical debates wi value of art in society convenient social me development (such actions and forums ly. her rat ue firm t e tiq the nc bu cri y ca ing to wl nifi tak slo ich d sig – an wh ic s, om ist on ed art issue arena to defend artistic fre obscure and demean In relation to these Slowness is the ideal a city of Plymouth as s changing city. Don’t the thi it. of g in xt e tin na rol nte d mi co an g illu n ce gin tha chan our pla to ts a mstances artists need uth Arts Centre presen and Salon, the first in Colin Searls In the present circu starting point, Plymo miss the Slow Meal omy ton rk au wo s’ ic ist ist the d art art l un lty of Arts, University exhibitions, cussions aro ampion their potentia ch ly Lecturer at the Facu firm a new programme of series of informal dis el lab ts, uld jec SLOW wo o pro e wh sit se off , tho m ncies . of Plymouth as a distinct asset fro and curatorial reside showing this month hops, to their s rks ral me eg wo tco s, int ou itie an l Curating SLOW tiv by cia ac so Events ed h n rpinn ntre reaction ensues. ucation and outreac and prescribe know ain ed ch This work is unde at Plymouth Arts Ce a to n, s w tio ist ne art mo is t in for y tha Paula Orrell, Curator this is set ach programme Free emistry – is a growing tendenc ch m as ere 0p ll Th ks. 6:3 we , rk. tal as d 07 wo y an 20 vit education and outre rsity aces Tuesday 20 February Fires, water, law of gra SLOWMEAL er at Plymouth Unive Centre; providing sp things. Colin Searls, Lectur s and curating Slow. and innovative to the t cycle of objects – of s, University w arl tha Slo life c Se bli me the lin pu ne the Co mi the by the d ter ed to an Collaborative processe de air s nd ist Ch po art res d n an to ee e d tw us ite be ca inv ge ing has been for exchan ry concern essays. It brings about a sto of Plymouth d ies of commissioned d challenge us all. 0pm – £13 6:3 , as part of a new ser d art, improbability an 07 will inform, inspire, an Lau Thiam Kok an 20 on ry s ism ua an ion ch Jan vat LOW PROFILE and effect, me Saturday 20 rs current obser David d s an li Art ch uth Fis mo ter Ply Colin Searls conside Pe , 6:30pm – Free s by red Tuesday 27 February precision. Swiss artist A meal will be prepa cuss installations provide c to eti n kin so on Ma d Lau Thiam Kok dis artistic autonomy. Ian Hutchinson an ted nie An ILE ora r Artists LOW PROF Weiss have collab e ntre’s restaurateu ntr Ce ncy Ce s ide Art res w ir uth Slo the mo of the Ply Director, ss as part ntributors to their work and proce since 1979. an opportunity for co ss l cu rel dis Or to c ula bli Pa ntre. neral pu at Plymouth Arts Ce exhibition and the ge s Centre Curator, Plymouth Art ow. sh the m S fro LK g TA sin ari OW SL issues of hibition e is launching a series Graziano Milano creative producer Tour of the SLOW ex Plymouth Arts Centr artist, designer and of the h an s is me no the Mila o ve the zian g Gra tin aborati ec coll ucation and Outreac refl and Ed s ry y, ies on ato Ernst Logar sle ser ssi to ticip wd cu Kong pho nce in par Caroline Ma informal dis SLOWSPACE in Vienna. The Hong an extensive experie nt h ed nde wit bas er is epe ar ind e low ns. Log an ntr e’s st rg, itio Exhibition Artists e Ce Ern ntr Arts exhib at pinhol Arts Ce Richard Crow mber of Furtherfield.o who uses sound 1997 using a large form Curator at Plymouth current projects and Running in Plymouth projects. He is a me lti-disciplinary artist was taken in 1996 and different n, promotion, and Residency Artists Richard Crow is a mu en initiated to , 6pm – Free be rch s ation for the creatio of camera enabled a and subjective ha e Ma tial anis e typ 7 16 Beaver by org spa ac y oric fit its Sp ted is da hist t? for w -pro era es , Fas this non Slo gen dn way y, ng e We ativ will be n galler w The New camera. Usi ace ion and Sp rat tcards and questions s for the and noise in a perform n nt aesthetic depictio and media art. Is Slo pos plo ere Ru tion d t of ex diff rke lica a tis ies of wo imp as ser Ar ll net ss n. the cal A of we ce to ing logi itio m gs t as , pro tion cho rat blo icis hib crit in rela Anna Bes all for its psy ired by internet physical perception methodologies Tour of Slow ex Democratic Cu support a continual experiences of time e that is the most qualities and above South rvention for Slow insp a variety of activities, t of Secession, sed on 16 Beaver about our g out the urban pac formances Ancolie, ed by Plymouth and ve Milano's poster inte Anna Best produces , Artist and Presiden creative practice. Ba of Hong Kong, blockin lub of ent works include per Slow', and underpinn Ho local and collaborati ar’s recent nt s nuclear program. In Of Rec ra . the Log ain’ me ise n, ner in st rba t Brit Pra lop olte Ern liste Ba of res . 'In ve k Rev ion city inte de io boo isat an the 's Rad e re-vital teristic of and Carl Honore where people are and media, driven by ry Hospital Radio, for st stimulate debates overwhelming charac ll Pleasure, 2004; the Liberal run space’, Slow Spac s in the UK and else London Gallery, Imagina at its best can and mu 05, Prefix jects include Vauxha o Research Center for Tom Marshman Vienna (Austria). tcard other strategic location a model of an ‘artists e the believe that art practice. Previous pro r, stain, silence, for AGM ibitions include at Kei d projects are: 3; Mecca, ns and send their pos g ake exh an , oin 200 stio / Spe , solo on s le, que Ong lery Art cti se Hal be. Gal du y s lied ve the us, e ma to 2007, 6:30pm – Fre her rati pro tha App y d e ry Arz the pon m of tiv tograp ua collabo res able seu ora Pho to and Jan Mu fort n The llab ted 23 om solo ts, tria The co y invi his unc r Aus Sigh lay. da on 6, ade eve es nal ve disp es 13 March, 6pm – Fre Tu how aborati past dec ery for focus Occasio Modern, Arts, Yokohama 200 r new role ’ he dio dio Trust, London ed on a real-time coll y might be to the gall lery, Toronto. Over the ng Wedding Project, Tate ed Stu bas stu the Gal ssi sist The fina ver en ject cu 9; con Del ist Tom Marshman to ere pro e ‘op dis 199 6, wh art art hav an the tre, be 200 th es ite ll of from Cen into you t nna Vie formanc rg; enquiry coMix, a Camden Arts LOW PROFILE inv Barbara Holub wi plores the forma Contemporary Art – ex a ped by Furtherfield.o c installations and per ver Group’s ongoing elo nn nt ecifi Bea dev Vie y, -sp 16 in alit site on form y teri lds plat fo ller ma t bui e t.in Ga rne the bas project t ponse to their curre cession live itarisation and audiovisual inte 1998. www.annabes lised interventions into 2005. www.logar.co.a ultural international neo-liberalism and mil discuss his work in res as President of the Se and workshop. of highly conceptua s ation and ss. Art s, a series of social-c d in aniz gre hol Tale geographic spread of org uth k pro of ing s mo too in t am Ply tem rk tha er Stre sys by US wo Oth tive rnative rm a hnologies. itary in the UK and investigations of alte use of streaming tec residency and perfo as part of a new initia , most notably with privatisation of the mil events through the Builders, ed since 2001. For this Lau Thiam Kok h. material decadence m-DAT on developing artist ix atr gained increasing spe : Art Point, The Bridge st based in Plymout is an experimental earch into a certain t are sM arti has res s tha r Art ian and ject d ato lays 0s pro an t cur Ma ical 198 MS e a sen otic is Rad the ntr FIL pre Ce a rob SLOW mittee for past and ents Lau Thiam Kok hop ion of Rot. film Hack-able Curator is mme and completed be joined by the Com ating. The concept the project The Institut uth Arts Centre ev Market, Re-location. uth. A one-day works llaboration with the from the m-dat progra project, 16 Beaver will aborative way of cur at Goldsmiths Uncharted Waters, Art Recently graduated To book for all Plymo run spaces in Plymo company films in co Ac r and tool that enables a coll eze. Over three olitics Working Group the ato Bre cur ro-P ort Mic the BBC pp st of su the We to role and th d Sou 6114 Diplomacy designe ular subjective an run by artists in a commission for the ed is to question the sing please call 01752 20 s Centre’s studio as event in March 2007 s programme present: a space initiated and Barbara Holub iso, a hacking a preconceiv n using Plymouth Art College. 16 Beaver is artist led workspace le member of transparad William Powhida ab sts and lves ether it is possible, by oing platform for the and months Lau has bee ord arti wh st invo ong h n aff rk arti an wit stio of wo an in rks is que nt His inta wo s. ub k. me ma net ces Hol Yor and pro Barbara develop ed in New / p new ideas and , New York, to create and urbanism based democratize curatorial William Powhida is bas sformative of a variety of artistic opportunity to develo en art, architecture was founded in 1897 uthiamkok.net e curatorial process, to tion, and discussion on the master mory and socially tran collaborative betwe y We Live and nationally. www.la Plymouth. Secession Wa Plymouth Arts Centr in e eloped by students sented by Barbara presentation, produc projects based on me a Th pre dev rgroup.org g n ter on ave win bee por dra ed 6be the has t-àne w.1 rat curators in the region prê , ryo ject cu ww : s. e, pro logy eve ac hno g of This System sp project Tec win al The . art dra and ) litic ry le nna 46 Art /po Vie sca res ora (19 ital e in mic ctu Dig mp larg ono igie of nomic stru cultural/ec (The Institute 38 Looe Street the oldest conte narrative, such as his Directed by Jill Cra ses the shifts in eco , artists, and dealers programme at i-DAT te ge) ists in Vienna. Holub for Slow addres “letters” to collectors is a hybrid postgradua anitarian and s Go (Der Lauf Der Din basis by a panel of art tic ing artists ever met and s at have Th ance using the hum ion cra LOW PROFILE of Plymouth). m-DAT y ear ibit and mo sity Wa es exh app Plymouth PL4 0EB de ver e of Jon Uni tal solo Th nah form digi ing of ial Han am, UK and soc practice rs. Forthcom hel Dobbs and Jemima Burrill li & David ch anisation such as Oxf king outlandish offe integrates theory and examines the Fis t org ma ly com ef tha ter ical LOW PROFILE are Rac e da. reli Pe ved of ohi farc mm s s mo rill mp gra ist nce ly illia Bur pro sta art ent Jemima T: 01752 206114 ces. as A film by global circum New York. www.w er since 2003 and rec In her video Cleaner, online and off-line spa ently been nominated uring a maid in Schroeder Romero in been working togeth org.uk cultural production in ic employment. Pict s include a new , Vienna. Holub has rec est ject ana pro dom t ) Hum of ren 87 and res Cur (19 lon ctu h. E: arts@plymouthac. Sa out Weiss ellious power stru m their practice to Plym 0p dat.org ns the house in a reb g a live art ion Gallery, Vienna. 8:3 w.ipin , ess clea ww elo 07 re e.c Sec rg.uk dev 20 of figu on c.o nt n ry and rill’s tio tha side ua lery Bur isa Pre lyn Art Gal her daily duties, W: www.plymou DIY arts organ Wednesday 24 Jan Kate Rich Kate Rich commission for New flirting between – £3 ows the m sh experiment by artist 0p manner, scandalously r 2007. 46 stic e me 19 6:3 arti , ativ in sum lic voc ary de for pub pro h a mbru ma is out and e sca Fe de r, worke Feral Tra festival in Plym Monday 5 ial networks. The The Way We Liv Mahony : insolent servant, sex ed in Vienna, hand Tim Knowles ing goods through soc bie’s plan for portunity for both file.co.uk stereotyped characters ently finished artist collaboration bas ly ependent of his own that is involved in trad www.we-are-low-pro n of Watson-Abercrom provides a unique op tio are lon Mahony are a young Jemima Burrill has rec ep cess that is deliberate Sa ers s creates drawings ind e. nc pro mb wle a slav co me es Kno and The crib Tim rix n 2. es. des inat see 200 ctic al’ ing pra artist, dom at Julian founded in d general public to after the blitz, use of the word ‘fer (wolf). Feral Trade aratus or time consum Art and solo exhibition London, and Singapore uilding of Plymouth ative practitioners an reb using elaborate app cre phan Kobatsch and opposed to nature wild nts the the Royal College of Ste as , at inve ner s on, ts of .org MA sch wle rrill pige an in Leu Kno abu g as ns , g mim win me wild w.je with cess of dra channels, usin if 127 ent on specific aspec ing solutions for Jenny Wolka, Cle one family. , Vermont, USA. ww Interested in the pro nce and outside commercial prototype stool that n that create time sav contribute and comm Scott Memorial Gallery through the eyes of s for ght operates largely ures to introduce cha Der Gelbe Stuhl is a . ir art rks frei ced the cha nt wo is pro with are an organisatio ) Dus de net ring ful s a ge en th offe rea play dat ep Din ear by r And and and ind the l ent is an create st experimental (Der Lauf De of social, cultura individual developm antaneously from will ses used allow the arti exhibited works. one.c the surplus potential The Way Things Go personal growth and South in s is based billion people jump inst Bristol-based artist & y into his work. Proces render solutions a t ng iou ivity bilit is tha bit elli act icta ity gs Rich ive am dw red e hor ion Plu ect st al Kat aut unp cal ent coll nti ds. mo phi the Att g ide this gra res stionin d Weiss Centre of The idea of er the distribution of goo Coinde and artist clients Community Bio trol of the work, que platform based in a n radio/video engine to move out of orbit. a record of Fischli an and spiritual void of of the ion are curator Pierre to surrender final con primordial 12 years she has bee , frustrated ambition if the combined mass The Centre of Attent t long structure has trader. For the past fee erimental approach 0 g the fundamental and to the dissatisfaction 2001, the bar an myth that states e exp win -10 n. ir urb e 70 sinc allo vo an . The tim . e ilst and on De on ) don wh sam cti nt, (BIT st Lon k the tru . arti in Bre cons ped at of the Technology w.withyou.co.u en be communicated Gary O’Dwyer based (ca. 1.27 billion) jum nomenon of art with Bureau of Inverse erimental contemporary life. ww ted with drawing to ing various items. Wh population of China g enquiry into the phe lex (Bristol UK), an exp s enough to force the characteristics associa been constructed us stems from an ongoin lery, London, Knowle e-isation, er at the Cube Microp of energy would be
07
Reflections On Artistic Autonomy
heritag on, consumption and ansong, production, presentati presented in Slow: Sw rks wo e thre the in fast as evidenced ude incl s ibition le. Other recent exh PROSUMER and Cyc Istanbul, Istanbul iceVen , don Lon , ery and loose my dead gall wanengesang/ Kunsthaus Graz; Sch tion.org Modern; protections, www.thecentreofatten le. nna Bie ice Ven t Swansong, 51s
at Rokeby Gal Recent solo exhibition allations in Bristol e of permanent inst curated a programm ncil to develop a Cou City h h Plymout and he is working wit ide regeneration ers wat as part of the strategy for public art developments.
this sudden impulse ny.org orbit. www.themaho earth out of its regular
manag cinema & artspace. .com – www.cubecinema www.feraltrade.org