Portfolio

Page 1

CHRISTOPHER LANE


CURRICULUM VITAE ABOUT ME I am a soon-to-be graduate from the University of Melbourne’s Master of Architecture program, who is determined to establish a successful career in the architecture industry. During my year abroad and studies, I worked as a Lighting Designer, which provided me with experience working on a range of local and international projects of varying scale. DETAILS Christopher James Lane Australian National 30/495 Royal PDE Parkville VIC 0466 849 231 lane.christopherjames@gmail.com EDUCATION Master of Architecture (300 Point Program) University of Melbourne 2016 – Current (expected completion January 2019) Bachelor of Interior Architecture (Hons) University of New South Wales 2011-2014 Year 12 Higher School Certificate De La Salle College Revesby Heights 2010 | ATAR 86 SOFTWARE AutoCAD Photoshop Rhino SketchUp Aconex Dialux Revit Grasshopper Vray AWARDS Melbourne Global Scholars Award | 2017 Scholarship grant for high achieving students to undertake studies overseas. INTERESTS Design, running, tennis, hiking & travel.

EXPERIENCE Lighting Designer | Point Of View Melbourne | Australia March 2016 - September 2018 • Developing specialist lighting documentation including lighting plans, elevations, and integration details. • Developing product specification, including architectural lighting, decorative lighting, custom feature elements and control. • Ensuring product supply meets required design needs and budget requirements. • Assisting Senior Designers with concept presentations and project design. • Assisting the design team (Clients, Electrical Engineers, Design Managers, Architects, Interior Designers, etc), with project coordination. • Assisting Senior Designers with the development of Audio Visual documentation including plans, elevations, and integration details. • Undertaking ‘proof of concept’ lighting calculations to ensure proposed designs achieve desired illumination levels (lux). • Ensuring design meets NCC requirements, including load calculations. Lighting Designer | Orlight London | United Kingdom March 2015 – February 2016 • Working directly with the design team to develop successful lighting designs in both residential and commercial sectors. This included the generation of concepts, product specification, documentation, and lighting calculations. • Assisting Sales Representatives both nationally and internationally, including representing the company at the Light Middle East Exhibition in 2015. Bartender | The White Swan London | United Kingdom February 2015 – March 2015 Various Positions | Woolworths Revesby Sydney | Australia Checkout Operator & Liquor Department Attendant [December 2007 – December 2014] Customer Service Supervisor [November 2011 – December 2014] Tutoring | Freelance Sydney | Australia August 2014 – November 2014 Private AutoCAD tutoring for design students. REFERENCES Bernie Tan-Hayes Managing Director Point of View 0413 872 933

Bhakti Vekaria (Previous) Director Orlight 0411 293 701


PORTFOLIO DIRECTORY STUDIES BACHELOR OF INTERIOR ARCHITECTURE Civic: Graduation Project Project Introduction.................................................................................................................................5 Cable House Bar.......................................................................................................................................8 Aboriginal Museum of Modern Art..................................................................................................10 Aquatic Museum....................................................................................................................................12 Hospitality: Year 3 Semester 2

French Bull Retail Store........................................................................................................................14

MASTERS OF ARCHITECTURE Residential: Year 1 Semester 2 44 Greeves St..........................................................................................................................................18 Residential: Year 2 Semester 2 Fitzroy Dwelling.......................................................................................................................................22 Civic: Year 3 Semester 1 Beech Forest Quarry..............................................................................................................................24 Civic: Year 3 Semester 2 (Capstone)

National Gallery of Victoria: Contemporary...................................................................................28

PROFESSIONAL LIGHTING DESIGNER Point of View Design The Darling Gold Coast........................................................................................................................36 St. Regis Melbourne...............................................................................................................................38


UNIVERSITY PORTFOLIO

4


CIVIC: LA PEROUSE MUSEUM DISTRICT LA PEROUSE SYDNEY Located on the northern edge of botany bay is the La Perouse headland precinct formed by bare island and its fort, the Macquarie watch tower and the cable station. The structures and the landscapes that surround them – namely the Kamay-Botany Bay national park – are important elements of the natural and built environment of the city national identity. Despite the significance of the La Perouse precinct, it has been under appreciated and underutilised. This project envisions a new future for the precinct; a destination for tourism, leisure and pleasure, whilst simultaneously addressing the needs of local community and heritage. The development of the project was structured in a two-fold manner: research and resolution. The first semester involved a research project which sought to establish an understanding of the site and its contexts, and develop a project brief. The second semester extended beyond the initial research-based ideas and resolved them through a spatial and material exploration of the interior.

ABORIGINAL MUSEUM OF MODERN ART ENTRANCE

ABORIGINAL MUSEUM OF MODERN ART ENTRANCE (AS EXITS) 5


PROJECT PROPOSAL: LA PEROUSE MUSEUM DISTRICT Today, architecture is increasingly shifting away from its origins of internalised function to a more widespread effect of economic developments and social changes. Here, architecture becomes an entity engraved into the city; with potentials to perform mass transformation at the immediate site, local and city-wide contexts. This project aims at attracting tourists to site, ultimately evoking an urban regeneration in the La Perouse and surrounding areas. Research showed that museums that invested in a high spectacle were the most successful in attracting people to place. Therefore, the design approach was to create dramatic events to achieve this. The La Perouse Museum District proposal includes an Aboriginal Museum of Modern Art which will be embedded within the land, a La Perouse History Museum situated in the cable house and a Kamay-Botany Bay National Park Museum which will be located in bare island.

SITE SECTION 6


1

4

3

BARE ISLAND PLAN

KEY:

7 6

1. CABLE HOUSE 2. BARE ISLAND 3. ABORIGINAL MUSEUM OF MODERN ART 4. AQUATIC MUSEUM 5. FERRY TERMINAL 6. CABLE HOUSE BAR 7. FRENCH RESTAURANT

5

2

CABLE HOUSE PLAN 7


CABLE HOUSE BAR The Cable House Bar is situated in the north wing of the Old Cable House. It manipulates scale by taking full advantage of a double height ceiling and incorporating a mezzanine level which can be used for private functions or general use. The material palette and detailing connects the space to the precinct whole.

STAIR

DOWNLIGHT

BALUSTRADE

PENDANT BAR

8


BAR 9


ABORIGINAL MUSEUM OF MODERN ART The Aboriginal Museum of Modern Art is embedded within the land of the main land site. A tilted passage connects the embedded galleries and the existing structures. It becomes an aggressive element which cuts through the land. Gallery spaces use daylighting as the main source of illumination through skylights.

BALUSTRADE

WALL

ARTWORK DISPLAY

ARTWORK LIGHTING CIRCULATION

10


GALLERY 11


AQUATIC MUSEUM The Aquatic Museum is located on the basement floor level of Bare Island where it showcases the beauty of the Marine life of Botany Bay. This has been achieved by creating a live habitat which runs from the interior to the exterior of the museum. This is further accompanied by interactive displays which serve an educational purpose. The architecture uses and emphasises existing elements of the forte to create dramatic spaces.

STAIR/WALL JUNCTION

BALUSTRADE

DISPLAY/FLOOR JUNCTION

BALUSTRADE AQUATIC MUSEM EXTERIOR

12


AQUATIC MUSEM LIVE HABITAT 13


RETAIL + HOSPITALITY FRENCH BULL FLAGSHIP STORE 93 BATHURST ST. SYDNEY The proposed design for the French Bull flagship store in Sydney reflects upon the production of making melamine plates; the iconic product of the French Bull label. The production technique used is casting and, in the process, positive and negative influences come together to create an intermediate form.

FOURTH

The idea was to approach this thinking towards the way the spaces are arranged upon the site. Positive and negative space are both separate elements, however they work together and draw upon each other. Negative space is used as a neutral or contrasting background to draw attention to the main subject; the positive element. Here, the positive element becomes the French Bull retail outlet which is encased within, and the negative element becomes the second typology; the gallery which houses 1960’s pop art. The gallery is used in a way which enhances the real purpose of the building, creating a silhouette of the retail space. This idea of positive and negative was also transferred into the materiality approach where vertical and horizontal members are contrasted to each other.

THIRD

SECOND

FIRST

GROUND

ENTRY 14

POP ART GALLERY

BASEMENT


LONG SECTION

LONG LONG SECTION SECTION

SHORT SECTION

SHORT SHORT SECTION SECTION

15


18MM THICK ACRYLIC IN HIGH GLOSS WHITE. FIX TO EXISTING AWNING STRUCTURE

MIRROR TO BE FIXED TO UNDERSIDE OF CONCRETE STRUCTURE

18MM THICK HIGH GLOSS WHITE ACRYLIC. FIX TO TIMBER SUBSTRATE

18MM THICK ACRYLIC IN HIGH GLOSS BLACK. FIX TO EXISTING STRUCTURE

ENTRY ELEVATION

3000X100MM WIDE MANOEUVRABLE PIVOT GLASS DOORS IN 50MM THICK ALUMINIUM FRAME IN POWDER COATED MIDNIGHT BLACK GLOSS FINISH

EXISTING STRUCTURE 18MM THICK HIGH GLOSS BLACK ACRYLIC TO CONCEAL LED LIGHT FITTINGS. EXISTING CONCRETE SLAB

BATHROOM SECTION

LED LIGHTING STRIP TO PROVIDE DISPERSED LIGHTING TO THE POS/ DISPLAY COUNTER TOP 18MM THICK WHITE HIGH GLOSS ACRYLIC. ADHERE TO TIMBER SUBSTRATE 125KG HERCULES LOCKING DOOR SLIDERS. SCREW FIX TO TIMBER STRUCTURE

LED LIGHTING STRIP TO PROVIDE DISPERSED LIGHT TO THE RETAIL SPACE. ADHERE TO TIMBER STRUCTURE

18MM THICK BLACK HIGH GLOSS ACRYLIC. ADHERE TO TIMBER SUBSTRATE 18MM THICK BLACK HIGH GLOSS ACRYLIC KICK PLATE. ADHERE TO TIMBER STRUCTURE

PRODUCT DISPLAY AND STORAGE DETAIL

16

18MM THICK WHITE ACRYLIC IN HIGH GLOSS FINISH. FIX TO TIMBER SUBSTRATE 18MM THICK BLACK ACRYLIC IN HIGH GLOSS FINISH. FIX TO TIMBER SUBSTRATE

WALL DETAIL


SUSHI BAR

SEATING AREA

ENTRY 17


RESIDENTIAL MULTI-RES DEVELOPMENT 44 GREEVES ST FITZROY 44 Greeves st is designed for the single professional/student. It consists of 40 apartments with each 40m2 floor space. This high model of density was formed from an understanding that the location has the appropriate infrastructure and amenities as required for a large scale development. The complex features no garages for cars as car ownership is small in percentage in the area. Activating the existing lane way is an integral design feature. The site has been sunken to provide a vibrant public space which can be used for a variety of purposes including performances, theatre, markets, exhibitions, and busking. The bluestone pavement has been used to increase street continuity from the existing lane way. The orientation of the individual apartments has been manipulated to maximise access to north sunlight. The apartments are further separated from one another in order to maximise the comfort of the interiors; increasing daylight and allowing visual access to greenery. Consisting of two apartment types, the apartments are fitted with integrated hidden doors and curtains to increase flexibility. Timber Louvres allow for complete privacy from onlooking neighbours, whilst providing protection from harsh east and west sunlight. The idea of ‘timber to touch’ has been carried through in the detailing.

W

W GREEN WALL

N

N

WINTER SOLSTICE

E 1. IDENTIFY

18

E 2. MANIPULATE

3. COVER


APARTMENT TYPE B PLAN 1:50

APARTMENT TYPE A PLAN 1:50 APARTMENT TYPE A PLAN

APARTMENT TYPE A SECTION 1:50

APARTMENT TYPE A SECTION

APARTMENT TYPE A PLAN 1:50

BASEMENT

BASEMENT FLOOR PLAN 1:100

WEST ELEVATION WEST ELEVATION 1:100

GROUND

GROUND FLOOR PLAN 1:100

1:100

FOURTH

FOURTH FLOOR PLAN 1:100

FIFTH

FIFTH FLOOR PLAN 1:100

NORTH ELEVATION NORTH ELEVATION 1:100

SIXTH

SIXTH FLOOR PLAN 1:100

SOUTH ELEVATION SOUTH ELEVATION 1:100

METRES

1

2

3

4

5

APARTMENT TYPE A EXPLODED AXO

SHORT SECTION

LONG SECTION 1:100

APARTMENT TYPE B

GREEN WALL SECTION

19


CORRIDOR 20


UNDERCROFT 21


RESIDENTIAL SHADING DEVICE FITZROY This project was part of the elective, Digital Design Applications, which aimed at providing an understanding of generative computational design. The major project was to design a northwest facing canopy which acted as a solar shading device between the hours of 2 and 5pm in summer. A site in Fitzroy was chosen for the proposal. The base design was generated through grasshopper scripting whereby, using plug-ins, ladybug and kangaroo, summer solar vectors and physics simulation was used to create a base canopy shape which blocked out the sun as required. To allow for views out, this base design was then divided to create a pipe structure system which was used to support timber panels. By attracting the panel vectors to the low winter sun, winter sun was allowed to pass through the structure onto the facade of the building, which further blocked out almost all of the summer sun as required by the brief. The physical model was fabricated using steel rods cut to size, 3D printed plastic nodes to join the steel rods, and laser cut panels which were joined by 3D printed plastic clips connected to the steel rods.

22


lled towa rds sun vectors to block form pu physics Kangaroo

STEEL CONNECTION NODE

Infill panel midpoin

ts towards sun

SUMMER SOLSTICE 22/12

vectors

WINTER SOLSTICE 22/12

STEEL CONNECTION NODE

STEEL CLIP TO WRAP AROUND PIPE Ø60mm STEEL MATTE BLACK

PIPE

IN

MARINE-GRADE BIRCH PLY TIMBER INFILL PANEL. BOLT FIX TO STEEL CLIP

STEEL CLIP TO WRAP AROUND PIPE Ø60mm STEEL PIPE IN MATTE BLACK

STEEL BRACKET. BOLT FIX TO TIMBER PANELS

Infill panel midpoin

ts towards sun

vectors

MARINE-GRADE BIRCH PLY WINTER SOLSTICE 22/12

TIMBER INFILL PANEL. BOLT FIX TO STEEL CLIP

STEEL BRACKET. BOLT FIX TO TIMBER PANELS

SOLAR ACCESS FROM 2-6 IN WINTER SOLSTICE 22/06

SOLAR ACCESS FROM 2-6 IN WINTER SOLSTICE 22/06 23


CIVIC QUARRY REDEVELOPMENT BEECH FOREST Quarry aims at developing a connection between agriculture and tourism in the effort to benefit the local community. With Beech Forest positioned at the ‘foot’ of South-West Victoria’s agricultural hub, and within three tourism frameworks; The Great Ocean Road, The Otway Harvest trail, and the Beechy Rail Trail, it complements agricultural land use and employment. The proposal consists of two main architectural interventions, including a site lookout and a restaurant and amphitheatre. This uses a mining and agricultural inspired architecture, with a language of ‘an assembly of parts,’ evocative of the sites past use. These interventions are complimented by a CFA refuge centre, recreational activities, cropping fields and an extension of the Beechy Rail Trail which runs through the site. Although the Quarry was focused on for design intervention, this forms one part of a ColacOtway Shire intervention which consists of accommodation, an agricultural research and education centre, markets, childrens farm, pavilion, greenhouse and workshops/work spaces. Beechy Rail Trail

e-bike Hire Staion Colac 20m2

e-bike Hire Staion Beech Forest 20m2

Petting Zone

Restrooms 30m2

Stage Tiered TBC Seating Store TBC 20m2 Amphitheatre/ Showground 600m2 20,000 PAX

Community Cropping Childrens Farm 1000m2 20 PAX - Appropriate for families Staff Amenity 15m2

Restaurant 200m2

Store 10m2 Open Kitchen 40m2

Cold Store 10m2

Dining 80 PAX 60m2

- Entertainment - Evening program - Flexible to incorporate community e.g. showjumping - Customisable/flexible stage

Bar 10 PAX 15m2

Restrooms 20m2

Store 30m2

Pavillion 300m2 100 PAX

- Community Function - Dairying & husbandry - CFA Emeregncy assembly

Markets

Workshop/ workspace 100m2 5 PAX

Restrooms 30m2 - local produce/ products

Restrooms 20m2 Store 10m2

Lookout

Labs 60m2

Night Function Day & Night Function

Program Diagram

ENTIRE PROPOSAL DIAGRAM 24

Staff Restrooms Facilities 20m2 30m2

Office 40m2

- Agricultural research - Agricultural education

Visitor Foyer 50m2

Office & Control Centre 200m2

Staff Facilities Classrooms 60m2 30m2

Research and Education Centre 300m2

Day Function

- Sell local products - Making/Process

Restrooms 10m2

- Consume local produce - Evening program

12x Dorm 120m2 BathCommunal room Kitchen/ 30m2 Dining/ 6x Lounge Double/ 50m2 Twin Accomodation 180m2 300m2 60 PAX - School groups - ‘Farmstay’ - Research/Education Guests

Restrooms 10m2

Greenhouse 2000m2

Cropping Fields 1500m2

Packaging & Processing 100m2

Cold Store 10m2

Water Store 10m2 Dry Store 10m2

Dock 40m2

- Tourism harvest - Local food production - Jobs

SITE PLAN


LOOKOUT

RESTAURANT & AMPHITHEATRE

SOUTH VIEW AXO

WEST VIEW AXO

SECTION BB

SECTION DD

SECTION AA

SECTION CC 25


WALKWAY EXPLODED AXO

LOOKOUT

LOOKOUT EXPLODED AXO

PASSAGE EXPLODED AXO 26

WALKWAY


LOOKOUT EXPLODED AXO

BAR

BAR FRONT FACE EXPLODED AXO

RESTAURANT

STAIR EXPLODED AXO 27


CIVIC NGV-CONTEMPORARY CNR STURT ST & SOUTHBANK BLVD

CENTRAL LIFT CORE UP SINGLE CIRCULATION PATH FOR WHOLE EXPERIENCE

(NGV-C)ontemporary is a new gallery for contemporary art in Melbourne, located within the Melbourne Arts Precinct. Situated on the corner of Southbank Boulevard and Sturt St, the museum will be a cultural institution, meeting the demands of Melbourne’s expanding art scene. NGV-C positions itself in the art museum typology as a truly progressive building which has true civic identity, embodying the changing role of art and its housing within the contemporary city; it is socially, economically and culturally bound. Here, the NGV-C becomes part of the city and challenges the typical limits of the contemporary art museum.

CROSS PROGRAMMING

It is a response to the exclusivity which has been prevalent throughout the history of art; from the makers, their art and its viewers. This firm stance is expressed through the buildings form with the abolishment of the fortress art museum typology, as such seen in the NGVInternational. Further freed from impenetrable boundaries, NGV-C creates a true dialogue with the city through permeability and visual connectivity.

DOWN

ATRIUM CIRCULATION FOR AUTONOMY

CIRCULATION EXHIBITION B

EXHIBITION B

CENTRAL LIFT CORE UP

EXHIBITION A

SINGLE CIRCULATION PATH FOR WHOLE EXPERIENCE

It reinforces the shift to the people through a focus on learning and making. A library, reading room, object based gallery, and artist’s studio are intertwined with gallery spaces to become part of the NGV-C experience.

CROSS PROGRAMMING

DOWN

ATRIUM CIRCULATION FOR AUTONOMY

CENTRAL LIFT CORE UP SINGLE CIRCULATION PATH FOR WHOLE EXPERIENCE

EXHIBITION FLEXIBILITY

CROSS PROGRAMMING

EXHIBITION B DOWN

LATION PATH PERIENCE

ATRIUM CIRCULATION FOR EXHIBITION B AUTONOMY

EXHIBITION B

EXHIBITION A

VISUAL CONNECTIVITY

SS GRAMMING

TION FOR

SITE LOCATION 28

SITE ANALYSIS

PERMEABILITY

EXHIBITION B


EXHIBITION FLEXIBILITY

APPROACH

1. NGV

2. BREAK

3. OUTROSPECT & CONNECT

4. LIFT

5. REVEAL & PEEL

6. SUPPORT & ATTRACT 29


MEMBERS AREA EXISTING CARPARK

MEMBERS TERRACE

GREEN ROOF (INACCESSIBLE)

CARPARK

FIFTH FLOOR DOCK

VO

ID

SECTION A-A

OFFICE STORE

VIP & AMENITIES LOBBY TAPAS

CLOAK AND INFORMATION

CLOAK

INFORMATION/ TICKETS

LIGHTWELL

VO

ID

VO

ID

VO

ID

BE

LO

POS

W

GREEN ROOF (INACCESSIBLE)

OUTDOOR SCULPTURE

NGV LIGHTWELL

BOOKSHOP

R

BA CAFE

OUTDOOR SCULPTURE

FOURTH FLOOR

GROUND FLOOR PERMANENT GALLERY

PERMANENT GALLERY

1 CITY RD

SECTION B-B

LIGHTWELL

VO

ID

BE

LO

EE

W

FF

VO

ID

CO

WORKSHOP/ASSEMBLAGE

DRY STORE

LIGHTWELL TEMPORARY GALLERY

KITCHEN PREP FRIDGE TEMPORARY GALLERY

FREEZER

THIRD FLOOR

CLOAK & STORE LIBRARY BOH

INFORMATION/ TICKETS SCULPTURE

EXISTING CARPARK

LOBBY LIBRARY

AIRLOCK

BOOKS

OUTDOOR SCULPTURE

TEMPORARY GALLERY

STORE

PLANT

ANNEX

LIGHTWELL OBJECT GALLERY

VO

ID

BASEMENT ONE

ARTIST STUDIO

AMENITIES

LIGHTWELL

VOID

PERMANENT GALLERY

SECOND FLOOR PLANT

STORE

ARCHIVE

VOID

READING

DIGITAL MEDIA GALLERY PLANT

ID

VO

VIEWING KIDS LEARNING

AMENITIES DOWN

PERMANENT GALLERY

BASEMENT TWO 1:500 0

30

FIRST FLOOR 1:500

5

10

25

0

5

10

25

OUTDOOR SCULPTURE/ PUBLIC MEETING

LIGHTWELL

TEMPORARY GALLERY

FOYER


APPROACH 31


GALLERY

ATRIUM CIRCULATION 32

ATRIUM CIRCULATION


PERMANENT GALLERY

VO

ID

E PERMANENT GALLERY

E FF

LIGHTWELL

ID

CO

VO ID VO ID

WORKSHOP/ASSEMBLAGE

DRY STORE

EE

FF

VO ID

CO

KITCHEN PREP

FREEZER

TEMPORARY GALLERY

EE

FF

CO

VO ID

KITCHEN PREP

WORKSHOP/ASSEMBLAGE

FRIDGE DRY STORE

BE

1 CITY RD 1 CITY RD

LO

W

LIGHTWELL TEMPORARY GALLERY

TEMPORARY GALLERY

WORKSHOP/ASSEMBLAGE

FRIDGE DRY STORE

PERMANENT GALLERY

LO PERMANENT GALLERY W

BE

LIGHTWELL VO ID BE L LIGHTWELL OW VO ID BE LO W

TEMPORARY GALLERY

WORKSHOP/ASSEMBLAGE

DRY STORE

LIGHTWELL

E

FE

F CO

VO

LIGHTWELL TEMPORARY GALLERY

TEMPORARY GALLERY

FREEZER CLOAK & STORE

KITCHEN PREP FRIDGE

LIBRARY BOH

CLOAK & STORE

KITCHEN PREP LIBRARY BOH

FREEZER

TEMPORARY GALLERY

FRIDGE TEMPORARY GALLERY

FREEZER SCULPTURE SCULPTURE

BOOKS

LIBRARY BOH LIBRARY

INFORMATION/ TICKETS

CLOAK & STORE

INFORMATION/ TICKETS

AIRLOCK LOBBY

OUTDOOR SCULPTURE

INFORMATION/ TICKETS

LIBRARY BOOKS

INFORMATION/ TICKETS

LOBBY

LOBBY

BOOKS

OUTDOOR SCULPTURE

TEMPORARY GALLERY

AIRLOCK

STORE

OPERABLE STEEL WHITE PERFORATED MESH FIXED TO HINGE. OBJECT GALLERY OPERABLE FOR CLEANING.

OUTDOOR SCULPTURE

STORE

EXISTING CARPARK EXISTING CARPARK

TEMPORARY GALLERY

AIRLOCK

SCULPTURE LIBRARY

OUTDOOR SCULPTURE

AIRLOCK

BOOKS

SCULPTURE

EXISTING CARPARK EXISTING CARPARK

LOBBY CLOAK & STORE

LIBRARY BOH LIBRARY

PLANT PLANT

ANNEX

LIGHTWELL

TEMPORARY GALLERY ANNEX

LIGHTWELL

OBJECT GALLERY STORE

TEMPORARY GALLERY

HINGE FIXED TO CURTAIN WALL TRANSOM.

STORE

PLANT

ID

LIGHTWELL OBJECT GALLERY

PLANT

ARTIST STUDIO

AMENITIES

ANNEX

VO VO

ANNEX

ID

LIGHTWELL OBJECT GALLERY

AMENITIES

ARTIST STUDIO

BASEMENT

LIGHTWELL PERMANENT GALLERY

VO

ID

VO

PERMANENT GALLERY

AMENITIES

ARTIST STUDIO

LIGHTWELL

ID

ARTIST STUDIO

VOID

AMENITIES

VOID

LIGHTWELL PERMANENT GALLERY

LIGHTWELL

PERMANENT GALLERY

VOID

PLANT

VOID

PLANT

STORE PLANT

MESH 1 - BALUSTRADE

STORE PLANT ARCHIVE ARCHIVE

STORE

MESH 2 - SOUTH FACADE

STORE

VOID

READING

ARCHIVE

VOID

READING

ARCHIVE DIGITAL MEDIA GALLERY PLANT

MESH 3 - NORTH FACING FACADE EAST/WEST FACADE (x2)

DIGITAL MEDIA GALLERY

VOID

READING

PLANT

ID VO

READING

PLANT

VOID

ID VO

DIGITAL MEDIA GALLERY

KIDS LEARNING

VIEWING

AMENITIES

DIGITAL MEDIA GALLERY

DOWN

KIDS LEARNING

PLANT

LIGHTWELL

VO

VIEWING

ID

KIDS LEARNING

OUTDOOR SCULPTURE/ PUBLIC MEETING

LIGHTWELL

AMENITIES

DOWN

MESH DENSITIES DENSITIES MESH

OUTDOOR SCULPTURE/ PUBLIC MEETING

DOWN

ID

PERMANENT GALLERY

VO

PERMANENT GALLERY

KIDS LEARNING

VIEWING

AMENITIES

VIEWING

OUTDOOR SCULPTURE/ PUBLIC MEETING

AMENITIES PERMANENT GALLERY

PERMANENT GALLERY

LIGHTWELL

LIGHTWELL

DOWN

TEMPORARY GALLERY

OUTDOOR SCULPTURE/ PUBLIC MEETING

TEMPORARY GALLERY

BASEMENT ONE 1:500

1:500 0

5

10

25

1:500 0

TEMPORARY GALLERY

0

5

10

25

DETAIL SECTION

1:500 5

10

25

0

5

10

25

TEMPORARY GALLERY

1:20 0

ATRIUM CIRCULATION 1:500

0

250

500

1000 mm

FACADE SECTION

100

250

500

1000 mm

1:500

5

10

25

0

5

10

25

0

1:500 0

100

1:20 0

5

10

25

5

10

25

1:500

33


P

34

PROFESSIONAL PORTFOLIO


THE STAR, SYDNEY

PREMIER TOWER, MELBOURNE

PRIVATE RESIDENCE, SYDNEY

472 BOURKE ST, MELBOURNE

472 BOURKE ST, MELBOURNE

PREMIER TOWER, MELBOURNE

THE STAR, SYDNEY 35


HOSPITALITY THE DARLING HOTEL GOLD COAST The Darling Hotel was opened in 2018 as part of a redevelopment of Star Casino Gold Coast. Working alongside DBI Architecture and Interior Design, Steelman Partners Interior Design, MIM Interior Design, and HBA Interior Design, lighting design was completed for the project whole. This included a variety of spaces such as gaming floors, facade, hotel suites and guestrooms, food and beverage outlets, lobbies, porte cochere and supplementary spaces. My responsibilities for this project included updating low level and reflected ceiling lighting plans as required to suit architecture and interior design documentation changes, assisting senior designers in the documentation of custom decorative fittings, developing lighting integration details, assessing illuminance (lux) through dialux calculations to ensure appropriate lighting levels for gaming tables, performing load calculations for electrical engineer coordination, developing budgets for client, ensuring NCC J6 compliance, updating product specification as required, project coordination including RFI’s, documentation transmittals and general correspondences through Aconex, and supplier coordination.

Photos courtesy of Star Entertainment Group

LOBBY 36

HOTEL SUITE


HOTEL GUESTROOM

LEVEL 19 FOOD AND BEVERAGE

LEVEL 19 FOOD AND BEVERAGE 37


HOSPITALITY ST. REGIS HOTEL MELBOURNE The St Regis Hotel mock up room was part of a project wide lighting design for the Flinders Bank development to be completed in 2022. Working with Fender Katsalidis Architects and CHADA Interior Designers, this was the first scheme proposal, which focused on ambient and accent lighting to create mood and atmosphere. A combination of architectural lighting, including downlights and integrated linear LED, and custom decorative fittings, including wall lights and floor lights, were proposed. My responsibilities for this project included working in a collaborative team on the concept design, developing low level and reflected ceiling plans, detail drawings, liaising with suppliers and product specification, load schedules, budget estimates and ensuring NCC J6 compliance. GUESTROOM DETAILS

38

EN SUITE DETAILS


RECESSED WALL LIGHT FOR NIGHT LIGHTING LINEAR LED IN INDIRECT COVE FOR AMBIENT LIGHTING

JOINERY INTEGRATED DOWNLIGHT IN CUPBOARD LINEAR LED INTEGRATED IN ROBE JOINERY DETAIL TO ACCENT CLOTHING ON COAT RAIL

CEILING RECESSED ADJUSTABLE DOWNLIGHT TO ACCENT ARTWORK

DECORATIVE WALL LIGHT TO PROVIDE AMBIENT LIGHTING

CEILING RECESSED ADJUSTABLE DOWNLIGHT TO PROVIDE LIGHT AT ENTRY

JOINERY INTEGRATED PUK LIGHT TO HIGHLIGHT TOWELS PICTURE LIGHT TO ACCENT ARTWORK

CEILING RECESSED DOWNLIGHT TO ACCENT BASIN

JOINERY RECESSED ADJUSTABLE DOWNLIGHTS TO ACCENT BAR

LINEAR LED IN INDIRECT COVE FOR AMBIENT LIGHTING

LINEAR LED AROUND MIRROR TO CREATE HALO LIGHTING EFFECT

CEILING RECESSED ADJUSTABLE DOWNLIGHT TO HIGHLIGHT EDGE OF BATH

LINEAR LED UNDER SHOWER BENCH FOR AMBIENT LIGHTING LINEAR LED IN SHOWER NICHE CEILING RECESSED ADJUSTABLE DOWNLIGHT TO ACCENT DESK

DECORATIVE TABLE LIGHT FOR TASK LIGHTING TO DESK

CEILING RECESSED ADJUSTABLE MINI DOWNLIGHTS FOR NIGHT TIME READING CEILING RECESSED ADJUSTABLE DOWNLIGHT TO PROVIDE ACCENT LIGHTING TO ARTWORK

DECORATIVE FLOOR LIGHT TO PROVIDE AMBIENT LIGHTING TO BEDSIDE WITH MOTION TRIGGERED NIGHT LIGHT INTEGRATED TO REAR

LINEAR LED IN INDIRECT COVE TO PROVIDE AMBIENT LIGHTING CEILING RECESSED SURFACE MOUNTED DECORATIVE FITTING TO PROVIDE AMBIENT LIGHTING

DECORATIVE WALL LIGHT FOR AMBIENT LIGHTING CEILING RECESSED ADJUSTABLE DOWNLIGHT TO GRAZE CURTAIN STACKS

CEILING RECESSED ADJUSTABLE DOWNLIGHT TO LIGHT SEATING AREA

LOW LEVEL PLAN

REFLECTED CEILING PLAN 39



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