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LAMA 16145 Hart Street Van Nuys, CA 91406

Preview: September 17 - 29, 2018 10am–6pm (PT) Auction: Sunday, September 30, 2018 12pm (PT)


As LAMA focuses more on fine art, we still proudly

versa) and this auction has a wonderful assortment of

continue to source most of our offerings from local es-

our great local heroes, each of whom played a part in

tates and hidden private collections. Many of the works

advancing new ideas in contemporary art. A painting

offered herein have never been on the resale market or

by John McLaughlin which hasn’t been on public display

at least haven’t been seen in public for a generation or

since his retrospective at the Corcoran Gallery of Art in

more. In this auction we are exceptionally proud to offer

1969, is truly a great re-discovery. Ken Price’s Groota,

a group of vintage artworks from a special Southern Cal-

an iconic two-piece sculpture from 1985 epitomizes

ifornia collection created in the very early 1970’s. The

his ability to elevate the humble medium of clay to new

highlight of which is a superb example of the Brazilian

heights. Early graphics by Ed Ruscha also raised the bar

artist Sergio Camargo’s geometric relief period. Untilted

for what was possible in the medium of prints. A semi-

(Relief No. 261) was purchased from the venerable Gim-

nal painting by Vija Celmins, Untitled (Shoes), makes its

pel Fils Gallery in London shortly after it was construct-

public debut at LAMA and we are so proud to be devel-

ed and has been hanging in the same spot on a Southern

oping a reputation for presenting her early work from

California collector’s wall for nearly a half century.

her time in Los Angeles. And we are equally dedicated to

Other surprises from this collection include the scarce

presenting groundbreaking works by Joe Goode, Billy Al

stalactite dining table from Paul Evans, a rare sculpture

Bengston, Chuck Arnoldi, Mary Corse, Barbara Kruger,

by Jean Arp, and two ceramics by Pablo Picasso.

and Sam Francis, all of whom have also brought critical thought to the advancement of contemporary ideas in

From another long time local collection comes an im-

the arts.

pressive group of New York Pop school works hitting the block for the first time. Prints, drawings, and a unique

Of course, we are still just as enthusiastic about modern

collage on paper by Andy Warhol, leads the group that

and contemporary design, even if it is becoming increas-

also includes works by Roy Lichtenstein, Keith Haring,

ingly scarce. Special examples by Gertrud and Otto Nat-

and Jean-Michel Basquiat among several others. This

zler, George Nakashima, and the Campana brothers are

collection has been painstakingly constructed over

a few of the unique works that highlight our collection of

decades and was highly curated by a local passionate

classic decorative arts.

couple. As always, we hope you will come and experience all of Artists from Los Angeles have of course been a tre-

these works in person before they disappear from public

mendous part of LAMA’s growth (and perhaps vice

view once again. Peter Loughrey, Director


1 DAVID HOCKNEY

Hotel Acatlán: Second Day (from Moving Focus) 1984-1985 28-color lithograph on TGL handmade wove paper in two parts #2 of 4 trial proofs aside from the edition of 98 Published and printed by Tyler Graphics, Ltd., Mt. Kisco Signed and dated in graphite lower right margin beneath image; edition in Roman numerals lower left; retains Tyler Graphics blind stamp lower right corner; retains Martin Lawrence Galleries label verso Images each: 26.5" x 36.75" Sheets each: 28.75" x 38" Frame: 36" x 82.875" (Images each: 67 x 93 cm) P ROVENA NC E Private Collection, Los Angeles, California LITERATURE David Hockney Prints 1954-1995. 1996. #270.; Tyler Graphics Catalogue Raisonné, 1974-1985. K. Jacobson, ed. 1987. #283:DH70.

$30,000–50,000

2 DAVID HOCKNEY

Punchinellas fabric Celia Birtwell, London, designed

c. 1985 Retains printed inscription “Punchinellas designed by David Hockney Printed in England. for Celia Birtwell” 49" x 54" (124 x 137 cm)

$1,000–1,500


3 DAVID HOCKNEY

An Image of Gregory (from Moving Focus) 1984-1985 Lithograph and collage on TGL handmade paper in two parts in the artist’s original painted sculptural frames #70 of 75 Published by Tyler Graphics, Ltd., Mt. Kisco Signed and dated in graphite lower right edge of top sheet; edition lower left edge of top sheet; retains Tyler Graphics blind stamp to lower right edge of top sheet and lower right edge of bottom sheet; retains Martin Lawrence Galleries labels verso Top: Image/sheet: 31.75" x 25" Frame: 37.5" x 30.5" Bottom: Image/sheet: 45.5" x 35" Frame: 52" x 41" Overall: 87.875" x 41" (Overall: 223 x 104 cm) LIT E RAT URE David Hockney Prints 1954-1995. 1996. #276.; Tyler Graphics: Catalogue Raisonné: 1974-1985. K. Tyler. 1987. #285:DH72.

$15,000–20,000

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4 DAVID HOCKNEY

Sun (from Weather Series) 1973 8-color lithograph and screenprint on Arjomari paper #97 of 98 Published and printed by Gemini G.E.L., Los Angeles Signed and dated in red crayon lower right margin of sheet with Gemini G.E.L. blind stamp; edition lower left Gemini G.E.L. #23.6 Image: 30" x 25.125" Sheet (vis.): 33.875" x 29.375" Frame: 43.875" x 39.25" (Image: 76 x 64 cm) P ROVENA NC E Private Collection, Los Angeles, California LITERATURE David Hockney Prints 1954-1995. 1996. #127.

$10,000–15,000


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5 DAVID HOCKNEY

Mist (from Weather Series) 1973 5-color lithograph on Arjomari paper #75 of 98 Published and printed by Gemini G.E.L., Los Angeles Signed and dated in blue grease pencil lower right margin of sheet with Gemini G.E.L. blind stamp; edition lower left Gemini G.E.L. #23.9 Image: 29" x 24.75" Sheet (vis.): 36.375" x 31.625" Frame: 37.375" x 32.375" (Image: 74 x 63 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian LIT E RAT URE David Hockney Prints 1954-1995. 1996. #129.

$8,000–12,000


6 TOM WESSELMANN

Steel Drawing: Rosemary Lying on One Elbow 1989 Laser-cut steel with alkyd oil #15 of 45 Signed, titled, and dated with edition verso Composition: 9" x 14" Frame: 16.125" x 20.875" (Composition: 23 x 36 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian (acquired through Sotheby’s, London, United Kingdom, September 27, 2005, lot 413)

$12,000–18,000


9 7 TOM WESSELMANN

Claire Sitting with Robe Half Off (Vivienne) 1993 42-color screenprint on paper #5 of 90 Published by International Images, Inc., Putney; printed by Screened Images, Port Washington Signed with edition in graphite lower right margin beneath image; retains publisher and printer blind stamps lower left Image: 50.25" x 38" Sheet (vis.): 60.25" x 47.5" Frame: 63.75" x 51" (Image: 128 x 97 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Phillips, New York, New York, December 2, 2006, lot 199) LIT E RAT URE Tom Wesselmann: Works on Paper, Laser-Cut Steels and Screenprints. Samuel Vanhoegaerden Gallery exh. cat. 2008. #20.

$8,000–12,000


8 TOM WESSELMANN Cynthia Nude

1981 Color screenprint on Arches paper #34 of 100 Published by Multiples, Inc., New York Signed and dated with edition in graphite lower left margin beneath image; retains Hunter Museum of Art label verso Image: 22" x 28.125" Sheet (vis.): 24" x 34.125" Frame: 30.375" x 40.25" (Image: 56 x 71 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian

$4,000–6,000


9 TOM WESSELMANN Still Life

1988 Glazed porcelain relief #152 of 299 Published by Rosenthal, Selb Signed lower right; retains Rosenthal label with edition and facsimile signature mount verso Relief: 13.125" x 14.75" Mount: 18.75" x 20" (Relief: 33 x 37 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, New York, New York, November 7, 1995, lot 917)

$1,500–2,000

10 TOM WESSELMANN Frozen Tears...

1985 Glazed porcelain plate #1,075 of 3,000 Published by Rosenthal, Selb Retains facsimile signature with edition, date, and title verso Together with original box 1.25" x 10.25" diameter (3 x 26 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, New York, New York, February 8, 2007, lot 588)

$800–1,200

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11 ALEX KATZ

Ada with Sunglasses (from Alex and Ada portfolio) 1990 29-color screenprint on Arches Roll Stock Rag paper #9 of 30 artist’s proofs aside from the edition of 150 Published by Gaultney-Klineman Art, New York; printed by Styria Studios, Inc., New York Signed with edition in graphite lower left sheet in image Image/sheet: 36.125" x 24.125" Frame: 39.375" x 27.625" (Image/sheet: 92 x 61 cm)

$3,000–5,000

12 ALEX KATZ Sasha 1

2016 Archival pigment inks on Crane Museo Max 365 gsm fine art paper #79 of 90 Published by Lococo Fine Art Publisher, St. Louis Signed with edition in graphite lower left sheet in image Image/sheet: 31.75" x 15.625" Frame: 35.5." x 19.125" (Image/sheet: 81 x 40 cm)

$3,000–5,000

13 ALEX KATZ

Summer Flowers 2 2017 Archival pigment inks on Crane Museo Max 365 gsm fine art paper #18 of 20 artist’s proofs aside from the edition of 100 Published by Lococo Fine Art Publisher, St. Louis Signed with edition in graphite lower left sheet in image Image/sheet: 22.625" x 28.25" Frame: 26.125" x 31.875" (Image/sheet: 57 x 72 cm)

$4,000–6,000

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JIM DINE

JIM DINE

L.A. Eye Works 1982 Etching, aquatint, and carborundum on Velin Arches paper in four parts #57 of 70

A Girl and Her Dog I 1970; published 1971 Etching and aquatint on J. Green Mould Made paper #41 of 75

JIM DINE

The Tomato 1973 4-color lithograph and etching on German Etching paper #46 of 75 Published and printed by Petersburg Press, London

Signed and dated with edition in graphite lower right margin beneath image

Signed and dated with edition in graphite lower left margin beneath image; retains Petersburg Press blind stamp lower left; inscribed “3029” in graphite lower left edge of sheet

Image: 27" x 21.375" Sheet: 35.125" x 27.75" Frame: 35.75" x 28.75" (Image: 69 x 54 cm)

Image: 23.75" x 29.375" Sheet (vis.): 29.875" x 38.625" Frame: 31.125" x 39.75" (Image: 60 x 75 cm)

P ROV E NANC E The Estate of Gerard

P ROV E NANC E The Estate of Gerard

L. Cafesjian

L. Cafesjian

1985. E. G. D’Oench and J. E. Fein-

LIT E RAT URE Jim Dine, Prints: 1970-

LIT E RAT URE Jim Dine, Prints: 1970-

berg. 1986. #116.

77. T. Krens. 1977. #36.

77. T. Krens. 1977. #142.

$5,000–7,000

$1,500–2,000

$800–1,200

Published by Pace Editions, New York; printed by Kelpra Studio, London Signed and dated with edition in graphite lower right margin of bottom right sheet Images each: 21.625" x 18.625" Sheets each: 25.5" x 21.5" Frame: 54.25" x 47.5" (Images each: 55 x 47 cm) L I T E RAT U R E Jim Dine Prints 1977-

Published and printed by Petersburg Press, London


17 JIM DINE

Blue Haircut; Untitled (2) 1972; 1966 Etching with offset lithograph on J. Green Mould Made paper; lithograph on Italia handmade paper #3 of 75; #11 of 32 Blue Haircut: Published and printed by Petersburg Press, London; Untitled: Published by ULAE, West Islip Blue Haircut: Signed and dated with edition in graphite lower left margin beneath image; Untitled: Signed and dated with edition in graphite upper left edge of sheet; retains ULAE blind stamp upper right corner Blue Haircut: Image: 21.25" x 19.625" Sheet: 33.5" x 27.25" Frame: 35.625" x 29.125" Untitled: Image/sheet: 27.625" x 39.375" Frame: 30.375" x 42.5" (Blue Haircut: Image: 54 x 50 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, New York, New York, January 10, 2012, lot 96) LITERATURE Jim Dine, Prints: 197077. T. Krens. 1977. #151.; Jim Dine: Complete Graphics. W. von Bonin and M.S. Cullen. 1970. #40.

$1,500–2,500

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18 JIM DINE

Multicolored Robe for the Seoul Olympics 1988 Color lithograph on paper #116 of 300 Co-published by the Olympic Games Committee, Seoul and Lloyd Shin Gallery, Chicago and Seoul Signed and dated with edition in graphite lower left edge of sheet; retains Olympic Games Committee and Lloyd Shin Gallery blind stamp lower left edge of sheet Image/sheet: 35" x 27" Frame: 41.75" x 33.75" (Image/sheet: 89 x 69 cm)

$1,000–1,500


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19 PAUL EVANS Dining table

Directional, designed 1971 Initialed and dated 27.25" x 80" x 40" (69 x 102 x 203 cm)

$10,000–15,000


20 PAUL EVANS Door knocker

Studio, designed c. 1965 13.625" x 8.25" x 1.375" (35 x 3 x 21 cm) LIT E RAT URE Paul Evans: Crossing Boundaries and Crafting Modernism. C. Kimmerle, ed. 2014. #34 for a similar example illustrated.

$3,000–5,000

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21 DEL CAMPO Lamp

Studio, designed c. 1975 Inscribed “del campo Italy” to base 35.375" x 17.25" x 17.25" (including shade) (90 x 44 x 44 cm)

$1,500–2,000


22 GEORGE NAKASHIMA

Conoid dining chairs (8) Studio, executed 1965 Walnut Together with copy of Nakashima studio order card dated May 8, 1965 Each: 35.25" x 20.75" x 20" (90 x 51 x 53 cm) P ROVENA NC E Ruth and Leon Lowenstern, Vineland, New Jersey (acquired directly from the Nakashima studio, 1965); Thence by descent

$30,000–50,000


23 GEORGE NAKASHIMA Dining table

Studio, executed 1965 Walnut Together with copy of Nakashima studio order card dated May 8, 1965 28.875" x 90" x 41.75" (73 x 106 x 229 cm) P ROV E NANC E Ruth and Leon Lowenstern, Vineland, New Jersey (acquired directly from the Nakashima studio, 1965); Thence by descent

$20,000–30,000

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24 GEORGE NAKASHIMA Coffee table

Studio, designed 1968 Walnut Together with letter of authenticity from the Nakashima studio 15.25" x 56.25" x 43" (39 x 109 x 143 cm) P ROVENA N C E Ruth and Leon Lowenstern, Vineland, New Jersey

$25,000–35,000


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GEORGE NAKASHIMA

GEORGE NAKASHIMA

Studio, executed 1966 Walnut Frame signed “George Nakashima/ Sept. 1966” upper left

Studio, executed 1956 Walnut and pandanus cloth

Picture Frame I

Together with Ben Shahn print, “Song of Degrees” (1963) 30.25" x 41.75" (77 x 106 cm)

Hanging wall case with free edge

Together with copy of Nakashima studio order card dated December 5, 1956 and payment receipt 16.125" x 84" x 15.5" (41 x 39 x 213 cm) P ROV E NANC E Ruth and Leon Lowen-

Ben Shahn and George Nakashima were

stern, Vineland, New Jersey (acquired

close friends since their meeting in the

directly from the Nakashima studio,

late 1950s. George sold custom order

1956); Thence by descent

frames for Ben’s works from 1967 to 1969, during the time that his artwork was sold

$15,000–20,000

in the studio. PROVE N A N CE Private Collection, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, October 7, 2012, lot 196)

$3,000–5,000

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27 JUN’ICHIRO SEKINO Untitled (Rooftops)

1969 Color woodblock print on paper #56 of 98 Signed in white ink and stamped with artist’s red seal lower right in image; signed and dated in graphite lower right margin beneath image; edition lower left; inscribed in Japanese lower center edge of sheet Image: 32.125" x 21.75" Sheet (vis.): 33.75" x 22.75" Frame: 39.625" x 28.75" (Image: 79 x 55 cm)

$1,500–2,000

28 JUN’ICHIRO SEKINO Blue Rooftops

c. 1969 Color woodblock print on paper #29 of 128 Signed in white ink and stamped with artist’s red seal lower right in image; edition lower left Image: 27.375" x 18.375" Sheet (vis.): 28.75" x 19.375" Frame: 34.5" x 25.125" (Image: 70 x 47 cm)

$1,500–2,000

29 ISAMU NOGUCHI Coffee table

Herman Miller, designed 1944 Model no. IN 50 15.875" x 50.25" x 36" (40 x 91 x 128 cm) LIT E RAT URE Isamu Noguchi: Sculptural Design. Museo di Arte Moderna e Contemporanea di Trento e Rovereto exh. cat. 2003. 41.

$2,000–3,000

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30 LOUISE NEVELSON

Untitled (from Royal Tide Series) 1961 Painted wood construction Retains Hokin Gallery and Cindric Meyer Gallery labels verso 27.5" x 6.75" x 4.25" (70 x 11 x 17 cm) P ROVENA NC E Hokin Gallery, Palm Beach, Florida; Private Collection, Boca Raton, Florida; Cindric Meyer Gallery, Boca Raton, Florida; Private Collection, Detroit, Michigan; Private Collection, San Diego, California (acquired directly from the above, 2015)

$25,000–35,000


31 LOUISE BOURGEOIS

Crochet II (from Crochet Series) 1998 Mixografía print on handmade paper #45 of 50 Published and printed by Mixografía, Los Angeles Initialed in graphite lower right sheet; edition lower left Sheet: 28" x 33" Frame: 34.25" x 39.625" (Sheet: 71 x 84 cm)

$6,000–8,000

32 LOUISE BOURGEOIS Paris Review

1994 Aquatint and drypoint with white acrylic stencil additions on wove Somerset paper #53 of 65 Published by The Paris Review, New York; printed by Harlan & Weaver, New York Signed and dated in graphite lower right margin beneath image; edition lower left Image: 31.5" x 23.5" Sheet: 37" x 28" Frame: 39.5" x 30.75" (Image: 80 x 60 cm)

$3,000–5,000

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33 PETER SCHUYFF Untitled

1987 Acrylic on linen Retains Pat Hearn Gallery and Leo Castelli Gallery labels canvas stretcher verso 120.5" x 120" (306 x 305 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian (acquired through Phillips de Pury & Co., New York, New York, December 13, 2004, lot 537)

$10,000–15,000


34 MARK BRADFORD 631C-MB03

2003 Color lithograph on paper #23 of 45 Published by Cirrus Editions, Los Angeles Initialed and dated in graphite lower right edge of sheet; edition with Cirrus Editions blind stamp lower left Together with copy of invoice from Sragow Gallery dated August 12, 2015 Image/sheet: 32.5" x 32.75" Frame: 48.5" x 48.5" (Image/sheet: 83 x 83 cm) P ROV E NANC E Sragow Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2015)

$2,000–3,000

35 WILLIAM ANASTASI

Subway Drawing (Zwirner) 2012 Graphite on paper Signed in graphite lower right edge of sheet; dated and inscribed “2.12 David Zwirner” lower left Sheet: 7.5" x 11.25" Frame: 17.5" x 21.25" (Sheet: 19 x 29 cm) P ROV E NANC E Private Collection, New York, New York (acquired directly from the artist); Private Collection, San Diego, California (acquired directly from the above, 2013)

$3,000–5,000

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36 TIM BAVINGTON Kosmos

2011 Synthetic polymer on canvas

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Canvas: 84" x 64" Frame: 86.5" x 66.5" (Canvas: 213 x 163 cm)

You Can’t Take it With You

P ROV E NANC E Private Collection, San Diego, California (acquired directly from the artist, 2011) E XHIBIT E D “Tim Bavington: Changes,” Scott White Contemporary Art, San Diego, March 12-May 7, 2011

TIM BAVINGTON

2010 Synthetic polymer on canvas Signed, titled, and dated in black felt-tip pen to canvas overlap verso 50.125" x 84.125" (127 x 214 cm) P ROV E NANC E Private Collec-

ILLUST RAT E D Tim Bavington:

tion, Los Angeles, California (gifted

Changes. D. Pagel. 2011. N.pag.

directly by the artist, 2010)

$5,000–7,000

$5,000–7,000


38 UMBERTO MARIANI Untitled

2015 Vinyl and sand on lead sheet Signed, titled, dated, and inscribed “U. Mariani/5/2015/Senza titolo” in black felt-tip marker verso Together with copy of invoice from Opera Gallery dated June 16, 2016 47" x 32" x 3.5" (119 x 9 x 81 cm) P ROVENA NC E Opera Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2016) ILLUSTRAT E D Umberto Mariani. D. Rosenberg, ed. 2016. 38-39.

$10,000–15,000


39 DON SUGGS

Two Fridas (from Matrimony Series) (2) 2006 Oil on canvas in two parts Signed and dated in black felt-tip marker verso; retains L.A. Louver Gallery label verso Together with book Don Suggs One Man Group Show As illustrated: 69" x 85" (175 x 216 cm) P ROV E NANC E L.A. Louver Gallery, Venice, California; Private Collection, California (acquired directly from the above, July 2007); Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, October 11, 2015, lot 169) ILLUST RAT E D Don Suggs One Man Group Show. D. Harvey, et al. 2007. 34.

$7,000–10,000

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40 SAM GILLIAM Untitled

1969 Watercolor on paper Signed and dated lower right edge of sheet Composition/sheet: 14.125" x 18" (36 x 46 cm) P ROVENA NC E Darthea Speyer, Paris, France; The Estate of Gerard L. Cafesjian (acquired directly from the above through Christie’s, Paris, France, July 7, 2010, lot 303)

$3,000–5,000


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41 SAM GILLIAM Untitled

1970 Watercolor on paper Signed and dated lower right edge of sheet Composition/sheet: 14" x 17.75" (36 x 45 cm) P ROV E NANC E Darthea Speyer, Paris, France; The Estate of Gerard L. Cafesjian (acquired directly from the above through Christie’s, Paris, France, July 7, 2010, lot 303)

$3,000–5,000


42 A. M. MOXOB Blue Line

1990 Oil on canvas Signed, titled, and dated in Cyrillic verso Canvas: 84" x 15.75" Frame: 84.25" x 16.5" (Canvas: 213 x 40 cm)

$2,000–3,000


43 LESLIE THORNTON Argosy (2)

1970; 1969 Aluminum and enamel Signed, dated, and inscribed “L Thornton 1970 G7” to underside; initialed, dated, and inscribed “LT 69 G” to underside 25.875" x 10.25" x 8.5" 21.625" x 3.875" diameter (66 x 22 x 26 cm)

$1,000–1,500

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44 RICHARD JOHNSON Red Flasher

c. 1985 Acrylic and mixed-media on canvas Signed lower right; signed verso; retains Galerie 99 label verso Canvas: 48.25" x 60" Frame: 49.75" x 61.625" (Canvas: 123 x 152 cm) P ROV E NANC E Galerie 99, Bay Harbor Islands, Florida; Private Collection, Florida; The Estate of Gerard L. Cafesjian (acquired directly from the above through Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 27, 2011, lot 156)

$2,000–3,000


45 KARL WIRSUM

Tonto Disguised as the Lone Ranger 1977 Acrylic and papier machĂŠ Retains Weatherspoon Art Gallery exhibition label to underside Together with copy of original invoice from Phyllis Kind Gallery dated December 10, 1979 14.5" x 14" x 13" (37 x 33 x 36 cm) P ROVENA NC E Phyllis Kind Gallery, Chicago, Illinois; Private Collection, West Hollywood, California (acquired directly from the above, 1979)

$30,000–50,000


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47 46 FRANCIS BACON Triptych

1981 Etching and aquatint on Guarro paper H.C. aside from the edition of 99 Published and printed by Polígrafa, Barcelona Signed in graphite lower right margin beneath image; edition lower left Sheet (vis.): 24" x 43.625" Frame: 29.75" x 49.5" (Sheet: 61 x 111 cm)

HENRY MOORE

Six Reclining Figures 1973 Color lithograph on T.H. Saunders paper #82 of 100 Published by Los Angeles County Museum of Art, Los Angeles; printed by Curwen Prints Ltd., London Signed and dated in graphite lower right margin beneath image; edition lower left Image: 12.5" x 14.875" Sheet (vis.): 19.875" x 25.5" Frame: 23.25" x 29" (Image: 32 x 38 cm) L I T E RAT U R E Henry Moore: Cata-

LIT E RAT U RE Francis Bacon: Œuvre

logue of Graphic Work, 1973-1975. Vol.

Graphique. B. Sabatier. 2012. #4.

II. G. Cramer. 1976. #298.

$10,000–15,000

$1,000–1,500


48 IGOR GUSEV Elvis Returns 2010 Oil on canvas Signed lower right canvas 76.5" x 57" (194 x 145 cm) P ROVENA NC E Dymchuk Art Promotion, Odessa, Ukraine; The Estate of Gerard L. Cafesjian (acquired directly from the above through Phillips, London, United Kingdom, October 13, 2011, lot 301) EXHIBITE D “ART-KYIV Contemporary 2010,” Mystetskiy Arsenal, Kiev, November 9-November 14, 2010; “20 years of presence,” Modern Art Research Institute, Kiev, August 23 September 25, 2011

$10,000–15,000


49 JOHN BALDESSARI

Stonehenge (With Two Persons) Blue 2005 4-color Mixografía print on handmade 100% cotton paper #6 of 6 H.C. aside from the edition of 60 Published and printed by Mixografía, Los Angeles Signed and dated in graphite lower right margin beneath image; edition lower left; retains Douglas Roberts Gallery label verso Image: 26.75" x 29.75" Sheet: 28.75" x 31.75" Frame: 33.5" x 36.25" (Image: 68 x 76 cm) LIT E RAT URE John Baldessari: A Catalogue Raisonné of Prints and Multiples, 1971-2007. S. Coplan Hurowitz. 2009. #156.

$6,000–8,000

41 50 BRUCE NAUMAN Untitled

1969 2-color offset lithograph on 100 lb. Kromekote paper Unknown edition size Published by Leo Castelli Gallery, New York Signed in felt-tip pen lower right edge of sheet Image: 23" x 19" Sheet (vis.): 23.75" x 19.5" Frame: 33.5" x 25.625" (Image: 58 x 48 cm) Published in conjunction with the exhibition “Bruce Nauman: Holograms, Videotapes, and Other Works” at Leo Castelli Gallery, New York, May 24-June 14, 1969. P ROV E NANC E The Estate of Gerard L. Cafesjian LIT E RAT URE Bruce Nauman Prints 1970-89: A Catalogue Raisonné. C. Cordes. 1989. 130.; Made in LA: Prints of Cirrus Editions. B. Davis. 1995. 318.

$2,000–3,000


51 AFTER JEAN-MICHEL BASQUIAT Cabeza

1982-1984/2004 Screenprint on Saunders Hot Press watercolor paper #11 of 20 H.C. aside from the edition of 85 Published by David DeSanctis Contemporary Art, New York Edition lower left edge of sheet; signed and dated in graphite by Gerard Basquiat verso Together with original invoice from Silver Echo Gallery dated September 15, 2010 Image/sheet: 54" x 39.5" Frame: 67" x 52" (Image/sheet: 137 x 100 cm) P ROVENA NC E Silver Echo Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2010)

$15,000–20,000


52 GEORGE SEGAL Girl on a Chair

1970 Wood, enamel, and plaster assemblage #18 of 150 Published by Editions Alecto, London Signed and dated with edition on metal plaque verso 36" x 24" x 12.5" (91 x 32 x 61 cm)

$3,000–5,000

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53 CRASH (JOHN MATOS) The Ironman

1995 Acrylic on canvas in artist’s frame Signed, titled, and dated verso “The Ironman/Feb 1995/J. Crash/ Matos” Canvas: 14" x 11" Frame: 15" x 12" (Canvas: 36 x 28 cm)

$1,500–2,000


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54 TONY OURSLER

MARILYN MINTER Frostbite

2006 Chromogenic print

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Untitled (Eyes)

#6 of 25

2004 Acrylic and collage on paper

Published by Salon 94, New York

Brooch

Signed and dated in graphite lower right edge of sheet

Retains Salon 94 labels and handwritten note from artist affixed to verso

Composition/sheet: 28.5" x 22.5" Frame: 31.25" x 25.25" (Composition/sheet: 72 x 57 cm)

Image/sheet (vis.): 12.75" x 19.375" Frame: 25.5" x 32.125" (Image/sheet: 32 x 49 cm)

Studio, designed c. 1965 #4 of 20 Sterling silver and brass Signed with stamped edition verso

$3,000–5,000

$5,000–7,000

CAROL SUMMERS

1.125" x 2.375" x .125" (3 x 6 cm)

$1,000–1,500


57 ANTONY GORMLEY

Bodies in Space (Black) 2007 Lithograph on paper in two parts #31 of 40 Co-published by World House Editions, Middlebury and Edition Copenhagen Signed, titled, and dated with edition sheet verso Sheet: 91" x 30.75" Frame: 98.5" x 38.25" (Sheet: 231 x 78 cm)

$5,000–7,000


58 DIMITRY GERRMAN Circle of Time

1999 Patinated bronze Together with book Dimitry Gerrman: Poetry of Form Overall: 70" x 42" x 10" (including base) (178 x 25 x 107 cm) ILLUST RAT E D Dimitry Gerrman: Poetry of Form. N. Kolodzei, et al. 2009. #36.

$5,000–7,000

59 DANIEL GLUCK

Untitled (Four Figures) N.d. Bronze Signed 22" x 8.5" x 6.5" (56 x 17 x 22 cm)

$1,000–1,500

47


60 SIGMAR POLKE

Dr Pabscht het z’Schpiez s’Schpäckbschteck z’schpät bschteut. (For Parkett 30) 1980; published 1991 Digital print on vinyl #51 of 100 Published by Parkett Editions, Zürich Signed label with edition, date, and title verso 20" x 16" (51 x 41 cm) The title of this work is a tongue-twister in Swiss-German: “The pope ordered the bacon cutlery in Spiez too late.”

$2,000–3,000

61 JOE BRAINARD Untitled (2)

1975 Collage and gouaches on paper Each signed and dated lower right Composition/sheet (vis.): 6.75" x 4.75" Frame: 13.5" x 11.5" Composition: 3.75" x 2.5" Sheet (vis.): 4.5" x 3.25" Frame: 11.375" x 10" (Composition/sheet: 17 x 12 cm)

$3,000–5,000

ILLUSTRATED OPPOSITE PAGE

62 YAYOI KUSAMA Birds

1981 Acrylic and mixed-media collage on paper Signed and dated lower right edge of sheet; signed and dated with title inscribed in Japanese sheet verso Sheet: 26" x 20" Frame: 35.5" x 30" (Sheet: 66 x 51 cm) P ROVENA NC E Private Collection, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, October 7, 2012, lot 342)

$30,000–50,000


49


63 RICHARD NEUTRA

Presentation drawing of the McSorley House c. 1959 Pastel and graphite on paper 21.875" x 34.25" (56 x 87 cm) P ROVENA NC E Ila & Arthur F. McSorley; Thence by descent

$5,000–7,000

64 RICHARD NEUTRA

Presentation drawing of the McSorley House c. 1959 Pastel and graphite on paper Inscribed “H. Wise/Darcy 67860” lower left 22.625" x 34.25" (57 x 87 cm) P ROVENA NC E Ila & Arthur F. McSorley; Thence by descent

$5,000–7,000


51

65 RICHARD NEUTRA

Elevation drawings of the McSorley House (3) c. 1959 Pastel and graphite on paper 22.25" x 34.25" 21.625" x 34.75" 22.25" x 35.25" (57 x 87 cm) P ROV E NANC E Ila & Arthur F. McSorley; Thence by descent

$8,000–12,000


66 FLORENCE KNOLL Sofa

Knoll, designed 1954 Model no. 57 Retains Knoll upholstery tag 31" x 89.5" x 27.625" (79 x 70 x 227 cm) LITERATURE Knoll: A Modernist Universe. B. Lutz. 2010. 142.

$1,500–2,000

67 FLORENCE KNOLL

Lounge chair and coffee table (2) Knoll Associates, designed c. 1955 Model nos. 51 (chair) and 2514 (coffee table) Lounge chair: Retains Knoll upholstery tag; Coffee table: Retains manufacturer’s label to underside Lounge chair: 31.375" x 28.625" x 26" Coffee table: 17.125" x 27" x 27" (Lounge chair: 80 x 66 x 73 cm) LITERATURE Knoll: A Modernist Universe. B. Lutz. 2010. 142.; Knoll Furniture Price List. Manufacturer cat. June 1983. 188.

$500–1,000


68 LUDWIG MIES VAN DER ROHE Barcelona stools (2)

Knoll International, designed 1929; these examples produced later Model no. MR 251 Each retains manufacturer’s label and upholstery tag to underside Each: 14.5" x 24.5" x 22.5" (37 x 57 x 62 cm) LIT E RAT URE Objects and Furniture Design: Mies Van Der Rohe. S. Dachs, et al., eds. 2010. 80, 121.

$3,000–5,000

69 PIERRE JEANNERET

Round stools from Chandigarh (2) Studio, designed c. 1965 Model no. PJ-SI-22-A One marked “B.P./232”; other marked “B.P./24x” Each: 26" x 17" diameter (66 x 43 cm) P ROV E NANC E Private Collection, Beverly Hills, California; Private Collection, Los Angeles, California (acquired directly from the above) LIT E RAT URE Le Corbusier, Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture. G. Moreau and E. Touchaleaume. 2011. 560.

$3,000–5,000

53


70 PAUL MCCOBB Cabinet

Calvin, designed 1952 Model no. C8506 from the Irwin Collection Retains manufacturer’s brass label 49.125" x 71.125" x 14" (125 x 36 x 181 cm) LITERATURE The Irwin Collection: Contemporary Furniture Designed by Paul McCobb. Manufacturer cat. 1952. N.pag.

$3,000–5,000


71 CHARLES POLLOCK Armchairs (2)

Knoll Associates, designed 1960 Model no. 657 Each retains manufacturer’s label to underside Each: 28.125" x 25" x 25.75" (71 x 65 x 64 cm)

$2,500–3,500

72 CHARLES POLLOCK Armchairs (2)

Knoll Associates, designed 1960 Model no. 657 Each retains manufacturer’s label to underside Each: 28.125" x 25" x 25.75" (71 x 65 x 64 cm)

$2,500–3,500

55


73 ELAINE DE KOONING Bullfight

1961 Oil on canvas Signed lower right edge of canvas; inscribed “39” verso Canvas: 30" x 57" Frame: 30.625" x 57.625" (Canvas: 76 x 145 cm) P ROVENA NC E Private Collection, United States (acquired directly from the artist, 1961); Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, June 7, 2009, lot 138)

$40,000–60,000


74 WILLEM DE KOONING

Untitled (from Quatre Lithographies portfolio) 1986 Color lithograph on Arches paper #50 of 50 Published by Editions de la Différence, Paris; printed by Art Estampe, Paris Signed and dated in graphite lower right edge of sheet; edition in Roman numerals lower left; retains Martin Lawrence Galleries label verso There was also an edition of 100 numbered in Arabic numerals Image/sheet: 28.125" x 24.625" Frame: 39.875" x 36.25" (Image/sheet: 71 x 63 cm) P ROV E NANC E Private Collection, Los Angeles, California

$10,000–15,000

75 WILLEM DE KOONING For Lisa

1984 Color lithograph on paper #133 of 250 Published by Brand X Editions, New York Signed in graphite and retains Brand X Editions blind stamp lower left edge of sheet; edition lower right Image: 14.875" x 19" Sheet: 17.375" x 23" Frame: 19.875" x 25.375" (Image: 38 x 48 cm)

$2,500–3,500

57


76 ERNEST BRIGGS Untitled

1961 Oil on canvas Signed and dated lower right; signed and dated “4-61” canvas verso; retains Howard Wise Gallery label frame verso Canvas: 59.25" x 47.625" Frame: 60.75" x 48.75" (Canvas: 150 x 121 cm) P ROVENA NC E The Estate of Mr. and Mrs. John Murchison, Addison, Texas; Private Collection, Fort Worth, Texas (acquired directly from the above, c. 2009)

$10,000–15,000


MARKINGS DETAIL

77 MAX FINKELSTEIN Jacob’s Ladder

1958 Bronze, brass, and copper Signed, titled, and dated to base 37" x 16" x 6" (94 x 15 x 41 cm)

$2,000–3,000

78 MARK DI SUVERO Day Star

1987 Lithograph on paper #21 of 25 Published by Galerie Christian Cheneau, Paris Signed with edition lower right margin beneath image Image/sheet (vis.): 46.125" x 30.625" Frame: 47.75" x 32.25" (Image/sheet: 117 x 78 cm)

$800–1,200

59


ALTERNATE VIEW

79 CLAIRE FALKENSTEIN

Untitled (from Fire Series) c. 1967 Welded copper with applied patina 38.5" x 26" x 15" (90 x 66 x 38 cm) P ROVENA NC E Private Collection, New Mexico; Thence by descent; Private Collection, New York, New York

$25,000–35,000


80 LEE KRASNER

Untitled (from Peace Portfolio: “The Megaphones”) 1970 Lithograph on Arches paper #57 of 175 Published by the Academic and Professional Action Committee for a Responsive Congress, New York; printed by Mourlot Graphics, Ltd., New York Signed in graphite lower right edge of sheet; edition lower left Image/sheet: 20.75" x 25.875" Frame: 29.5" x 34.5" (Image/sheet: 53 x 66 cm) LIT E RAT URE Lee Krasner: A Catalogue Raisonné. E.G. Landau. 1995. #CR 536.

$1,000–1,500

81 MICHAEL GOLDBERG Untitled

1987 Mixed-media on paper Signed and dated in graphite lower right corner Composition/sheet: 13.75" x 13.5" Frame: 19" x 18.75" (Composition/sheet: 35 x 34 cm) P ROV E NANC E Private Collection, Santa Barbara, California; Private Collection, California (acquired directly from the above)

$3,000–4,000

61


82 JOHN FERREN Untitled

1960 Oil on canvas Signed lower right; signed, dated, and inscribed “To the Karen and Sandy Kaminskis” canvas verso Together with photograph of the artist Canvas (vis.): 23.635" x 15.75" Frame: 24.25" x 16.25" (Canvas: 60 x 40 cm) P ROVENA NC E Edward and Josefa Kaminski, Los Angeles, California (acquired directly from the artist); Thence by descent

$2,000–3,000


John Ferren As a young man, American abstract painter John Ferren studied under an Italian stonecutter in San Francisco. By 1929 he had grown restless in the then-stagnant West Coast art scene and so embarked on a tour of France and Italy to further enrich his practice. Though briefly returning to the States in 1930, Ferren became one of the few early American abstractionists to gain real traction in Paris. He attended several classes at the Sorbonne, the Académie de la Grande Chaumière, and the Académie Ranson, but resisted any formal course of training, saying that he "literally learned art around the café tables in Paris, knowing other artists and talking" extensively with them. Instead of immersing himself in the American expatriate art community, Ferren associated with the Abstraction-Création, a loose coalition of French and Spanish artists who combated the growing popularity of Surrealism. He soon began working with William Stanley Hayter’s Parisian Atelier 17, a print making workshop where artists such as Joan Miró, Marc Chagall, and Marcel Duchamp had gone to learn new techniques. During his stay in Europe, Ferren experienced firsthand the dynamism of the many interacting movements that defined pre-WWII art.

incorporated figurative elements, geometric abstraction, and an often sculptural quality that stemmed from his earliest training. Disregarding the restraints of post-war painting’s common stylistic adherence, Ferren’s works remained “eclectic and wide ranging.” Together, Source Fiesta (1949), Untitled (1960), and his collection of four drawings provide a small sample of the vast diversity of Ferren’s repertoire. The six pieces were originally gifts from Ferren to his neighbors, Edward and Josefa Kaminski, who were themselves artists.

“John Ferren (1905–1970).” Edited by Ruth R. Perlin, American Art at The Phillips Collection, The Phillips Collection, 2005, www.phillipscollection.org/research/ american_art/bios/ferren-bio.htm. “John Ferren.” Smithsonian American Art Museum, americanart.si.edu/artist/johnferren-1524.

Following the war, Ferren quickly established himself as a leading voice amongst New York Abstract Expressionists. In 1955 he served as president of The Club, an organization comprised of some of the leading Abstract Expressionist artists of the day. Unlike other major players of the movement, however, Ferren was “unwilling to rely on formalist rigidity.” It was at this point that he began exploring the Taoist and Zen Buddhist ideas that increasingly prompted his study of unity through form. His works freely

PORTRAIT OF THE ARTIST

63


83 JOHN FERREN Source Fiesta 1949 Oil on canvas Initialed upper left canvas; signed, titled, and dated canvas verso Together with photograph of the artist Canvas (vis.): 35.875" x 47.5" Frame: 37.125" x 48.875" (Canvas: 91 x 121 cm) P ROVENA NC E Edward and Josefa Kaminski, Los Angeles, California (acquired directly from the artist); Thence by descent

$4,000–6,000


84 JOHN FERREN Drawings (4)

A: N.d.; B, C: 1956; D: 1954-1956 A: Pastel and ink on paper mounted to board; B: Gouache and acrylic on paper; C: Ink on paper; D: Gouache on board B, C: Signed and dated lower right; D: Signed and dated board verso Comprised of A: Profile of a Woman; B: Untitled (Abstraction); C: Untitled (Face); D: Untitled A: Sheet: 25.875" x 19.75" Board (vis.): 26.375" x 20.125" Frame: 35.25" x 29.375" B, C: Sheet: 24" x 18" D: Board: 20" x 29.75" (A: Sheet: 66 x 50 cm) P ROV E NANC E Edward and Josefa Kaminski, Los Angeles, California (acquired directly from the artist); Thence by descent

$2,000–3,000

65


85 HELEN FRANKENTHALER Alaska

1989 Mixografía on white handmade paper #23 of 50 Published and printed by Mixografía, Los Angeles Signed and dated with edition lower right edge of sheet Image/sheet: 47" x 37" Frame: 51.125" x 41.125" (Image/sheet: 119 x 94 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian LITERATURE Frankenthaler: A Catalogue Raisonné: Prints, 1961-1994. P. Harrison. 1996. #165.

$6,000–8,000


86 HELEN FRANKENTHALER The Red Sea

1978-1982 8-color lithograph on pink HMP handmade paper #56 of 58 Published and printed by Tyler Graphics, Ltd., Bedford Village Signed and dated in graphite lower right margin beneath image; edition lower left; retains Tyler Graphics blind stamp lower right edge of sheet Image: 15.75" x 20.75" Sheet: 23.5" x 27.5" Frame: 26" x 30" (Image: 40 x 53 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian LIT E RAT URE Frankenthaler: A Catalogue Raisonné: Prints, 1961-1994. P. Harrison. 1996. #89.

$3,000–5,000

87 HELEN FRANKENTHALER

Reflections X (from Reflections Series) 1995 5-color lithograph on paper #22 of 30 Published and printed by Tyler Graphics, Ltd., Mt. Kisco Signed and dated in graphite lower right margin; edition lower left; retains Tyler Graphics blind stamp lower right edge of sheet; retains Pace Prints label verso Image: 14.625" x 11.75" Sheet: 19" x 16" Frame: 30" x 24" (Image: 37 x 30 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, New York, New York, February 9, 2007, lot 293)

$2,000–3,000

67


88 HELEN FRANKENTHALER Southern Exposure

2005 Color screenprint on Somerset paper #76 of 128 Published by the Lincoln Center/ List Print and Poster Program, New York; printed by Brand X Editions, New York Facsimile signature lower right edge of sheet; signed and dated with edition in graphite lower left Image/sheet: 30.5" x 37" Frame: 35" x 41.625" (Image/sheet: 77 x 94 cm) LITERATURE Art at Lincoln Center: The Public Art and List Print and Poster Collections. C. Riley. 2009. 201.

$6,000–8,000


69

89 HELEN FRANKENTHALER Round Robin

2000 Etching, aquatint, and mezzotint on white, wove handmade TGL paper #13 of 30 Published and printed by Tyler Graphics, Ltd., Mt. Kisco Signed and dated with edition and Tyler Graphics blind stamp lower right edge of sheet Image: 7" x 16.5" Sheet: 15" x 26.25" (Image: 18 x 42 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, New York, New York, February 8, 2005, lot 234)

$2,000–3,000


90 SAM FRANCIS

Untitled (Falling Star) (SF76-943) c. 1976 Acrylic on handmade rice paper Composition/sheet: 35.5" x 36" Frame: 46.5" x 47" (Composition/sheet: 90 x 91 cm) This work is identified with the interim identification number of SF76-943 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation. P ROVENA NC E The Sam Francis Estate; Manny Silverman Gallery, Los Angeles, California (acquired directly from the above, 1997); Martin Lawrence Gallery, Beverly Hills, California; Private Collection, Los Angeles, California (acquired directly from the above, c. 2004) EXHIBITE D "Sam Francis: Elementos y arquetipos," Fundación Caja de Madrid, Madrid, April 26-June 23, 1997; "Sam Francis: Remaking the World," Las Vegas Art Museum, Las Vegas, March 7-April 21, 2002 ILLUSTRAT E D Sam Francis: Elementos y arquetipos. Fundación Caja de Madrid exh. cat. 1997. 64.; Sam Francis: Remaking the World. Las Vegas Art Museum exh. cat. 2002. 50.; Sam Francis. P. Selz, et al. 1982. Pl. 158.

$18,000–25,000


91 SAM FRANCIS

Untitled (from Portfolio 9) 1967 3-color lithograph on Rives BFK paper #13 of 120 Published and printed by Hollander’s Workshop, New York Signed in graphite with Hollander’s Workshop blind stamp lower right edge of sheet; edition lower left Image/sheet: 17.125" x 22.125" Frame: 17.625" x 22.875" (Image/sheet: 43 x 56 cm) LIT E RAT URE The Prints of Sam Francis: A Catalogue Raisonné, 19601990. 1st ed. Vol. I. C. Lembark. 1992. #L87.

$1,500–2,000

92 SAM FRANCIS

Spun for James Kirsch 1972 7-color screenprint on Arches 88 paper #4 of 100 Published and printed by Gemini G.E.L., Los Angeles Signed in graphite with Gemini G.E.L. blind stamp lower right sheet in image; edition lower left Gemini G.E.L. #18.20 Image/sheet: 29.875" x 22.375" Frame: 35.125" x 27.25" (Image/sheet: 76 x 57 cm) LIT E RAT URE The Prints of Sam Francis: A Catalogue Raisonné, 19601990. 1st ed. Vol. II. C. Lembark. 1992. #S3.

$3,000–5,000

71


93 SAM FRANCIS King Corpse

1986 19-color screenprint on Arches Cover paper #7 of 14 artist’s proofs aside from the edition of 65 Published and printed by Gemini G.E.L., Los Angeles Signed in graphite lower right edge of sheet; edition lower left; retains Gemini G.E.L. blind stamp lower right corner in image Gemini G.E.L. #18.58 Image/sheet: 41.875" x 58.625" Frame: 51.5" x 68.25" (Image/sheet: 106 x 149 cm) LITERATURE The Prints of Sam Francis: A Catalogue Raisonné, 19601990. 1st ed. Vol. II. C. Lembark. 1992. #S16.

$8,000–12,000


94 SAM FRANCIS Untitled

1993 Color lithograph on PTI #120 Waterleaf paper #8 of 50 Published by The Litho Shop, Inc., Santa Monica Signed with edition in graphite and retains The Litho Shop, Inc. blind stamp lower left sheet Image/sheet: 46.125" x 30.25" Frame: 50.125" x 33.625" (Image/sheet: 117 x 77 cm)

$6,000–8,000

73

95 SAM FRANCIS Untitled Red

1992 Etching on paper #74 of 75 Published by The Litho Shop, Inc., Santa Monica Signed in graphite lower right margin beneath image; edition lower left Image: 19.375" x 28.5" Sheet (vis.): 20.5" x 29.5" Frame: 30.375" x 39.375" (Image: 49 x 72 cm)

$2,000–3,000


96 AFTER ALEXANDER CALDER Moon

1974 Handwoven jute maguey tapestry #67 of 100 BonArt Initials and date woven lower right; edition lower left 57.75" x 86" (147 x 218 cm)

$4,000–6,000


97 ALEXANDER CALDER

Pointing Out the Way of Life; The Kids Threw Stones at Me (from Sacrilege of Alan Kent) (2) 1976 Aquatints on Rives BFK paper From the edition of 60; #8 of 60 Published by Maeght Éditeur, Paris; printed by Morsang, Paris One signed in graphite lower right; edition lower left; each retains Martin Lawrence Galleries label verso Image/sheet: 15.625" x 35.625" Frame: 26" x 46" Image/sheet: 16.625" x 35.25" Frame: 26.875" x 45.75" (Image/sheet: 40 x 90 cm)

$3,000–5,000

98 ALEXANDER CALDER

Untitled (Blue background with red, yellow, and black circles) 1969 Lithograph on Arches paper #2 of 4 H.C. aside from the edition of 125 Signed in graphite lower right margin beneath image; edition in Roman numerals lower left Image: 19.5" x 22.625" Sheet (vis.): 21.5" x 27.75" Frame: 22.25" x 28.5" (Image: 50 x 57 cm)

$600–800

75


PARTIAL ILLUSTRATION

99 SONIA DELAUNAY

Juste Présent by Tristan Tzara 1961 The complete set of eight etchings on Rives BFK paper with title page, justification, and text #89 of 140 Published by La Rose Des Vents, Paris; printed by Lacourière - Frélaut, Paris and Féquet et Baudier, Paris Signed by the artist and Tristan Tzara in black ink with edition to justification Together with original printed paste board portfolio and slip case Sheets each: 14.875" x 11.125" Slip case: 16" x 11.875" x 1.75" (Sheets each: 38 x 28 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, London, United Kingdom, December 2, 2003, lot 130)

$3,000–5,000


100 SONIA DELAUNAY, ATTRIBUTED Patchwork robe

Manufacturer unknown, executed c. 1925 Dimensions variable P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, London, March 4, 2008, lot 335)

$600–800

101 SONIA DELAUNAY

Untitled #52; Untitled #338 (2) N.d. Gouaches on paper Untitled #52: Titled in black crayon lower right margin beneath composition; inscribed “M” in graphite lower right edge of sheet; retains Holly Solomon Gallery label verso; Untitled #338: Titled in black crayon lower right margin; inscribed “LQ39” in graphite lower right edge of sheet; stamped collector’s seal verso Untitled #52: Composition: 6.125" x 4.25" Sheet: 12" x 9.75" Frame: 21.5" x 18.375" Untitled #338: Composition: 3.375" x 3" Sheet: 10.5" x 8.375" (Untitled #52: Composition: 16 x 11 cm) P ROV E NANC E The Estate of Holly Solomon; The Estate of Gerard L. Cafesjian (acquired directly from the above through Bonhams & Butterfields, Los Angeles, California, April 30, 2006, lot 2120)

$4,000–6,000

77


MARKINGS DETAIL

102 NIKI DE SAINT PHALLE L’Oiseau Amoureux

2000 Painted polyester resin #35 of 150 Published by Plastiques d’art R. Haligon, Périgny-sur-Yerres Signed with edition on metal tag; stamped with R. Haligon foundry mark Together with copy of invoice from Soul of Asia, Co., Ltd. dated August 29, 2015 23.75" x 18.5" x 9" (60 x 23 x 47 cm) P ROVENA NC E Soul of Asia, Co., Ltd., Phuket, Thailand; Private Collection, Los Angeles, California (acquired directly from the above, 2015)

$20,000–30,000


79

103 NIKI DE SAINT PHALLE Nana (from Nana Power)

1970 Color screenprint on Arches paper #25 of 115 Published by Editions Esselier, Paris; printed by Michel Caza, Paris Signed in graphite lower right margin beneath image; edition lower left Image: 20.375" x 18" Sheet (vis.): 26" x 19.75" Frame: 31.25" x 25" (Image: 52 x 46 cm)

$500–700


104

105

PABLO PICASSO

PABLO PICASSO

1953 Turned pitcher of white earthenware clay, decoration in engobes, knife engraved, glaze inside

1951 Turned vase of white earthenware clay, decoration in oxides, knife engraved on white enamel

#42 of 100

From an edition of 300

Madoura

Madoura

Bears the inscription “Edition/ Picasso/No 42/100” with “Edition Picasso” and “Madoura Plein Feu” stamps to underside

Inscribed “Edition Picasso” with “Edition Picasso” and “Madoura Plein Feu” stamps to underside

Gothic pitcher with birds

Ramié #187 11.5" x 11.5" x 6" (29 x 15 x 29 cm)

Wood-owl with feathers

Ramié #122 11.75" x 8.5" x 5.25" (30 x 13 x 22 cm) L I T E RAT U R E Pablo Picasso: Cata-

LITERATURE Pablo Picasso: Cata-

logue of the Edited Ceramic Works

logue of the Edited Ceramic Works

1947-1971. A. Ramié. 1988. #122.

1947-1971. A. Ramié. 1988. #187.

$8,000–12,000

$6,000–8,000


106 AFTER PABLO PICASSO La Corrida

1956 Aquatint on Arches paper #139 of 200 Published by Atelier Lacourière, Paris; printed by Atelier Crommelynck, Paris Signed in graphite lower right margin beneath image; edition lower left Together with copy of invoice from Park West dated November 1, 2015 Image: 18.75" x 25.625" Sheet (vis.): 20.375" x 26.375" Frame: 36.375" x 42.375" (Image: 48 x 65 cm) P ROV E NANC E Park West, Beverly Hills, California; Private Collection, Los Angeles, California (acquired directly from the above, 2015)

$10,000–15,000

107 PABLO PICASSO

Owl, Glass and Flower 1956 6-color lithograph on paper From an edition of 2,000 Published by Galerie 65, Cannes; printed by Mourlot, Paris Retains facsimile signature lower center sheet Image/sheet: 27.125" x 19.125" (69 x 49 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, London, United Kingdom, November 22, 2007, lot 868) LIT E RAT URE Picasso: Catalogue of the Printed Graphic Work 1966-1969. Vol. II. G. Bloch. 1971. #1272.; Picasso Lithographs. F. Mourlot. 1970. #282.

$800–1,200

81


108 PABLO PICASSO Lysistrata Suite

1934 The complete suite of six etchings on Rives paper From an edition of 1,500 Published by Limited Editions Club, New York; printed by L’Atelier Lecourière, Paris Together with copy of invoice from Penrick Collections dated July 28, 2004 Sheets (vis.) each: 9.375" x 7" Frames each: 24.5" x 22.125" (Sheets each: 24 x 18 cm) P ROVENA NC E Penrick Collections, Peekskill, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2004) LITERATURE Picasso: Catalogue of the Printed Graphic Work 1966-1969. Vol. II. G. Bloch. 1971. #267-272.; Pablo Picasso: Druckgraphik. G. Bloch. 1972. #45-50.

$20,000–30,000


109 PABLO PICASSO Visage pendant

Studio, designed 1949 Gold Stamped “Madoura/Empreinte/Originale De/Picasso” verso 1.375" x 1.25" (3 x 3 cm) LIT E RAT URE Pablo Picasso: Catalogue of the Edited Ceramic Works 1947-1971. A. Ramié. 1988. #92 for ceramic version.

$7,000–9,000

83 110 PABLO PICASSO

Le picador II (from A los Toros avec Picasso) 1961 23-color lithograph on Arches paper Unknown edition size Published by André Sauret, Monte Carlo; printed by Mourlot, Paris Dated in plate twice lower left edge of sheet in image Together with copy of invoice from Penrick Collections dated July 28, 2004 Image/sheet (vis.): 8.75" x 11.125" Frame: 23.25" x 25.5" (Image/sheet: 22 x 28 cm) P ROV E NANC E Penrick Collections, Peekskill, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2004) LIT E RAT URE Picasso: Catalogue of the Printed Graphic Work, 1966-1969. Vol. II. G. Bloch. #1017.; Picasso Lithographs. F. Mourlot. 1970. #350.

$1,000–1,500


ILLUSTRATED PREVIOUS PAGE

111

112

113

ROGER BISSIÈRE

JOAN MIRÓ

JOAN MIRÓ

1969 Lithograph on Arches paper

1967 Lithograph on Arches paper

#42 of 100

From an edition of 75

Published by Pasadena Art Museum, Pasadena; printed by Mourlot, Paris

Published by XXe Siècle, Paris; printed by Arte Adrien Maeght, Paris

Signed in graphite lower right margin beneath image; edition lower left

Image/sheet (vis.): 11.5" x 8.625" Frame: 22.25" x 19.5" (Image/sheet: 29 x 22 cm)

Untitled

1964 Oil on particle board Signed lower right edge of panel; dated “19 Février 64” lower left; retains Galerie Jeanne Bucher label verso Board (vis.): 12" x 8.25" Frame: 17.625" x 13.75" (Board: 30 x 21 cm) E X H I B I T E D “Bissière: Journal en images 1962-1964,” Galerie Jeanne Bucher, Paris, September 11-October 8, 1964 I L LU ST RAT E D Bissière: Journal en images. Galerie Jeanne Bucher exh. cat. 1964. N.pag.

$5,000–7,000

Lithograph (for Pasadena Art Museum)

Image: 25.75" x 19" Sheet (vis.): 29.125" x 21.875" Frame: 36.25" x 29.25" (Image: 65 x 48 cm)

Page (from Oiseau Solaire, Oiseau Lunaire, Étincelles)

LIT E RAT URE Miró Litografo III: 19641969. J. Teixidor. 1977. #499.

$300–500

LIT E RAT URE Miró Litografo III: 19641969. J. Teixidor. 1977. #554.

$2,500–3,500

85


114 HENRI MATISSE

Nice: Travail et Joie 1948 10-color lithograph on paper From an edition of 10,000 Published by the Syndicat d’Initiative de Nice et l’Union Mediterranéenne pour l’Art Moderne, Paris; printed by Mourlot, Paris Signed and dated in plate Image/sheet (vis.): 38.875" x 24.25" Frame: 55.75" x 40.625" (Image/sheet: 99 x 62 cm) LITERATURE Twentieth Century Posters: Chagall, Braque, Picasso, Dufy, Matisse, Miró, Léger. F. Mourlot. 1989. 40.

$800–1,200


115 HENRI MATISSE

Figure accoudée devant paravent fleuri 1923 Lithograph on paper #43 of 60 Published by the artist; printed by M. Duchâtel, Paris Signed in graphite lower right margin beneath image; edition lower left Image: 7.25" x 10.25" Sheet (vis.): 8.5" x 11.625" Frame: 17" x 19.875" (Image: 18 x 26 cm) LIT E RAT URE Matisse Lithographs. S. Lambert. 1972. #17.

$6,000–8,000

87

116 MARY CASSATT

Sara Wearing Her Bonnet and Coat c. 1904 Transfer lithograph on Ingres d’Arches MBM laid paper Unknown edition size Printed by studio of Auguste Clot, Paris Signed in plate lower right Image/sheet (vis.): 19.875" x 16.375" Frame: 25.875" x 22.375" (Image/sheet: 50 x 42 cm) LIT E RAT URE Mary Cassatt: A Catalogue Raisonné of the Graphic Work. A. D. Breeskin. 1979. #198.

$3,000–5,000


89

ILLUSTRATED PREVIOUS PAGE

117 AFTER MARC CHAGALL (BY CHARLES SORLIER)

La Baie des Anges au Bouquet de Roses (from Nice et la Côte d’Azur) 1967 Color lithograph on Arches Vellum paper

118 MARC CHAGALL

Affiche d’Exposition

119

1967 Color lithograph on Arches paper

MARC CHAGALL

#33 of 75 Published by Fernand Mourlot, Paris

#10 of 150

Signed in graphite lower right margin beneath image; edition in Roman numerals lower left

Published by Maeght, Paris; printed by Mourlot, Paris

1971 1-color lithograph on Arches paper

Le Grand Cirque

#7 of 35

Signed in graphite lower right margin beneath image; edition lower left

Signed in graphite lower right margin beneath image; edition lower left

Image: 25" x 18.875" Sheet: 30" x 22.5" Frame: 37" x 29.5" (Image: 64 x 48 cm)

Image: 29.5" x 21.5" Sheet: 39.375" x 25.125" Frame: 39.75" x 29.375" (Image: 75 x 55 cm)

L I T E RAT U R E Marc Chagall: The Illus-

LIT E RAT URE Marc Chagall: The Lith-

LIT E RAT URE Marc Chagall: The Lith-

trated Books. C. Sorlier. 1990. 184.

ographs. U. Gauss, ed. 1998. #476.

ographs. U. Gauss, ed. 1998. #633.

$12,000–18,000

$7,000–10,000

$7,000–10,000

Image: 24" x 17.875" Sheet (vis.): 26.625" x 19.375" Frame: 36" x 28.25" (Image: 61 x 45 cm) PROVE N A N CE Private Collection, Los Angeles, California


121 JEAN LURÇAT Le Coq

c. 1946 Watercolor, gouache, and graphite on paper

120 JEAN LURÇAT Untitled

Signed lower left Composition/sheet (vis.): 12.5" x 7.25" Frame: 22.375" x 16.375" (Composition/sheet: 32 x 18 cm)

c. 1960 Print on fabric panel

This work is a preparatory drawing

Retains facsimile signature lower right

PROVE N A N CE The Estate of Gerard

50.25" x 79" (128 x 201 cm)

for a painting executed in 1946.

L. Cafesjian (acquired through Sotheby’s, London, United Kingdom, March 24, 2004, lot 170) L I T E RAT U R E L’Oeuvre Peint de

P ROVENA NC E The Estate of Gerard

Jean Lurçat Catalogue Raisonné:

L. Cafesjian (acquired through Chris-

1910-1965. G. Denizeau and S. Lurçat.

tie’s, London, United Kingdom, June

1998. #1946.3 for a similar example

29, 2011, lot 557)

from the period.

$800–1,200

$1,000–1,500


91

122 JEAN LURÇAT

Le Martin Blanc N.d. Wool tapestry Fabricated by Atelier Tabard Frères et Soeurs, Aubusson Facsimile signature lower right; retains manufacturer’s emblem lower left; titled, signed, and inscribed “2926” to manufacturer’s label verso 40.75" x 66" (104 x 168 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Sotheby’s, Paris, France, November 17, 2004, lot 139)

$2,000–3,000


123 SALVADOR DALÍ

The Twelve Tribes of Israel 1973 The complete suite of thirteen drypoint etchings with stencil on Japanese paper #18 of 35 Published by Transworld Art, New York; printed by Ateliers Rigal, Fontenay-aux-Roses Each signed in graphite lower right margin beneath image; edition in Roman numerals lower left Together with original presentation box and bound portfolio Images each: 20" x 14.5" Sheets each: 26" x 20" Frame: 28.25" x 21.75" (Images each: 51 x 37 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired through Los Angeles Modern Auctions, Van Nuys, California, May 23, 2010, lot 281) LITERATURE Salvador Dalí: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980. R. Michler and L. Löpsinger, eds. 1994. #618-630.

$10,000–15,000


DETAIL

93

124 SALVADOR DALÍ Costa Brava

c. 1965 Watercolor, gouache, and ink on paper Signed lower center edge of sheet Together with invoice from The Salvador Dalí Society dated November 10, 2010 and certificate of authenticity from Fundació Gala-Salvador Dalí Sheet (vis.): 16.75" x 11.75" Frame: 30" x 24.75" (Sheet: 43 x 30 cm) P ROV E NANC E The Salvador Dalí Society, Redondo Beach, California; Private Collection, Los Angeles, California (acquired directly from the above, 2010)

$40,000–60,000


125 JEAN (HANS) ARP Ombre d’Orient 1961 Patinated bronze #1 of 10 Cast by Clémenti Foundry, Meudon Retains etched signature and stamped edition to underside 6.25" x 3.375" x 3.5" (16 x 9 x 9 cm) LITERATURE Jean Arp Sculptures: A Critical Survey. A. Hartog, ed. 2012. #247.

$10,000–15,000


PARTIAL ILLUSTRATION

126 AFTER RENÉ MAGRITTE

Les Enfants Trouvés de Magritte 1968 The complete portfolio of twelve color lithographs on Arches paper, with title page, justification, and text #126 of 250 Published and printed by Fernand Mourlot, Paris Each signed by printer in graphite lower right margin beneath image; edition printed on justification page Sheets each: 17.5" x 23.5" Portfolio box: 18.25" x 24.5" x 1.25" (Sheets each: 44 x 60 cm)

$4,000–6,000

95

127 ROBERTO SEBASTIÁN MATTA Plate 6 (from Fog Gog Magog)

1971 6-color lithograph on Arches paper #62 of 100 Published by Editions London Arts Incorporated, London; printed by Atelier Guillard, London Signed in graphite lower right margin beneath image; edition and Editions London Arts Incorporated blind stamp lower left Image: 18" x 24.125" Sheet: 20.375" x 25.75" Frame: 29.24" x 34.375" (Image: 46 x 61 cm) LIT E RAT URE Matta: Catalogue Raisonné De L’Oeuvre Gravé (19431974). R. Sabatier. 1975. #256.

$700–900


ILLUSTRATED PREVIOUS PAGE

128 CAMILLE BOMBOIS

Park d’Ermenonville et le tombeau de J.J. Rousseau N.d. Oil on canvas Signed lower left; titled to canvas stretcher verso Canvas: 8.75" x 6.375" Frame: 16.375" x 14" (Canvas: 22 x 16 cm) P ROV E NANC E Private Collection, New York, New York; The Estate of Gerard L. Cafesjian (acquired directly from the above through Christie’s, New York, New York, June 19, 2013, lot 25)

$1,500–2,000

129 CAMILLE BOMBOIS

Maison au bord de la rivière N.d. Oil on canvas Signed lower left; retains Hammer Galleries stamp to canvas stretcher verso Canvas: 7.875" x 11" Frame: 12.625" x 15.75" (Canvas: 20 x 28 cm) P ROV E NANC E Hammer Galleries, New York, New York; Private Collection, New York, New York; The Estate of Gerard L. Cafesjian (acquired directly from the above through Christie’s, New York, New York, June 19, 2013, lot 1)

$2,000–3,000

130 CAMILLE BOMBOIS

Les bords de l’Armancon, Tonnerre, Yonne N.d. Oil on canvas Signed lower left edge of canvas; titled to canvas stretcher verso Canvas: 6.25" x 8.75" Frame: 11.5" x 13.625" (Canvas: 16 x 22 cm) P ROV E NANC E Private Collection, New York, New York; The Estate of Gerard L. Cafesjian (acquired directly from the above through Christie’s, New York, New York, June 19, 2013, lot 2)

$1,500–2,000

97


131 RUFINO TAMAYO

Eight plates (from the Tamayo 90 Aniversario Series) (9) 1989-1990 Lithographs on Arches paper A, B, D-I: #105 of 110; C: #36 of 110 Published by B/M Ediciones y Arte, Mexico City; printed by Kyron Ediciones Gráficas Limitadas, Mexico City Each signed lower right in image or lower right; edition lower left; each retains Kyron Studio blind stamp lower right edge of sheet; each stamped with serial number sheet verso; four retain stamp of provenance from Benavente-Kelly lower left edge of sheet; four retain copyright stamp from Rufino Tamayo studio center edge of sheet Comprised of A: Mujer Sonriente; B: La Pareja; C, D: Perro Herido (2); E: Luna Llena; F: El Ermitaño; G: Adán; H: Eva; I: La Coqueta Together with seven certificates Smallest: 24" x 30.5" Sheet: 30.75"x 38.125" Largest: 25" x 33" Sheet: 31.5"x 47.375" (Smallest: 61 x 77 cm) LITERATURE Rufino Tamayo: Catalogue Raisonné: Gráfica 1925-1991. J. Pereda. 2004. #339, #341, #343, #345, #347, #349-350, #353.

$8,000–12,000


99

132 CARLOS MÉRIDA Untitled N.d. Tapestry Woven signature lower right 74.25" x 38.125" (189 x 97 cm) P ROV E NANC E Private Collection, San Diego, California

$3,000–5,000


133 FRANCISCO ZÚÑIGA Seated Victoria 1969 Bronze From an edition of 28 Signed and dated 7.75" x 5.375" x 6.5" (including base) (20 x 17 x 14 cm) LITERATURE Francisco Zúñiga: Catalogo Razonado I Escultura, 1923-1993. F. Zúñiga. 1999. #568.

$7,000–9,000

134 ALBERTO DE LA VEGA

Untitled (Embracing Couple) 1967 Bronze #1 of 1 Signed and dated with edition 8.75" x 10.5" x 7" (22 x 18 x 27 cm)

$1,000–1,500


MARKINGS DETAIL

135 FELIPE CASTAÑEDA Untitled

1983 Patinated bronze #5 of 7 Incised signature and date with edition in Roman numerals near base 32.5" x 38" x 31" (83 x 79 x 97 cm)

$7,000–10,000

101


ALTERNATE VIEW

136 HANS J. WEGNER Flag Halyard chair

Getama, designed 1950 Model no. GE 225 29.875" x 41" x 48" (76 x 122 x 104 cm) LITERATURE Hans J. Wegner’s 100 Chairs. N. Oda. 2002. 46-47.

$10,000–15,000


137 HANS J. WEGNER Valet chair

Johannes Hansen, designed 1953 Model no. JH-540 Branded “Johannes Hansen/Copenhagen/Denmark” 37.5" x 19.625" x 15.5" (95 x 39 x 50 cm) LIT E RAT URE Danish Chairs. N. Oda. 1999. 116-117.

$6,000–9,000

103


138 ARNE JACOBSEN

Egg chair and stool (2) Fritz Hansen, designed 1958 Model nos. 3317 (chair) and 3127 (stool) Chair: 41.5" x 35" x 30" Stool: 17" x 21.75" x 16.25" (Chair: 105 x 76 x 89 cm) LITERATURE Fritz Hansen. Manufacturer cat. 1963. 70.

$4,000–6,000


139 FRITS HENNINGSEN Highback chair

Frits Henningsen, designed c. 1945 45.25" x 25.75" x 36" (115 x 91 x 65 cm) P ROV E NANC E Private Collection, Beverly Hills, California; Private Collection, Los Angeles, California (acquired directly from the above) LIT E RAT URE Sourcebook of Scandinavian Furniture. J. Gura. 2007. #I-007.

$20,000–30,000

105


140

141

ARNE VODDER

FINN JUHL

Sibast, designed c. 1965

France & Søn, designed c. 1960 Model no. FD-540

Sideboard

30.625" x 79" x 19.375" (78 x 49 x 201 cm)

$4,000–6,000

Dining table

28.5" x 72.75" x 39.625" (without leaves) 28.5" x 112.25" x 39.625" (with leaves) (72 x 101 x 185 cm)

$3,500–4,500


142 FINN JUHL

Armchairs (2) France & Søn, designed c. 1955 Model no. FD-133 Each retains manufacturer’s silver medallion to underside; each retains manufacturer’s mark and inscribed “Made in Denmark” to underside Each: 31.125" x 29.375" x 26" (79 x 66 x 75 cm) LIT E RAT URE Danish Chairs. N. Oda. 1999. 101.

$3,000–5,000

107

143 LISA LARSON Large lion

Gustavsberg, Sweden, designed 1965 Signed with impressed manufacturer’s mark to underside 15.25" x 13.5" x 15" (39 x 38 x 34 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Wright Auctions, Chicago, Illinois, November 15, 2012, lot 299)

$1,000–1,500


Sergio Camargo: Rhythms of Chaos and Order In 1948, after studying at the Academia Altamira in Buenos Aires, the Brazilian sculptor Sérgio Camargo spent two years in Paris pursuing philosophy at the Sorbonne. Through the brief mentorship of Constantin Brâncusi, Camargo began producing bronze female forms that erred toward abstraction. Upon returning to Rio de Janeiro in 1950, his figures became more explicitly abstract under the influence of Brazilian Constructivists who investigated geometric mass through concrete fabrications. Camargo returned to Paris in 1961 and began to associate with major figures from the Op art and kinetic art movements. In 1964, he participated in the ”Mouvement II“ show at the Galerie Denise René, which had attracted international fame for championing Op art a decade earlier when many other institutions disregarded the movement as a novelty. Denise René’s groundbreaking 1955 exhibition, “Le Mouvement,” featured monumental artists such as Victor Vasarely, Alexander Calder and Marcel Duchamp. It was during this period that Camargo first discovered the method for his iconic monochromatic relief sculptures, such as Untitled (Relief No. 261) (1969). While creating a traditional mold of his hand, Camargo was taken by the range of possibilities that lay on the outside of the plaster cast where his fingers protruded. Though typically discarded, it was the external plaster that offered the “rhythm of contraction and expansion” that he had been searching for. This breakthrough was followed by a similar revelation when he cut a slice out of an apple and noticed that the shadows elicited by the incision allowed the physicality of the object to continually change based on the many angles he could adopt while looking at the piece of fruit. He debuted the first relief resulting from these encounters at the Paris Biennale in 1963 and was awarded the International Sculpture Prize. At the same show, members of the Groupe de Recherche d’Art Visuel (GRAV) demonstrated their collective “environmental experience,” Primer Laberinto. Camargo began working with GRAV that same year. During his involvement with the group, Camargo continued to test the relationship between light and mass, using his original method as a “language” through which he could explore modes of artistic communication. While Camargo’s role in GRAV has been neglected by many sources, the evidence of his participation is clear in the ways that his works rely on the core philosophies developed by the group.

Victor Vasarely, Julio Le Parc, and François Morellet, among several others, started GRAV in 1960 with the goal of establishing a scientific method of sorts to challenge the cultural glorification of the artist as an individual. They connected this type of artistic elitism with popular complacency towards anti-democratic political practices. Though at the time “France was not hospitable to geometric abstraction,” some members were greatly motivated by their “study of concrete art in Brazil.” At the outset, GRAV rejected subjective authorship by creating art as a collective, describing themselves as “more a group of paintings than a group of painters.” In a more nuanced fashion, the formal qualities of their pieces displaced the one-way conversation that was expected in the traditional painting-viewer interaction. Instead of informing or instructing the viewer through their works, GRAV prioritized genuine dialogue with their audience. Their works included light installations, wall reliefs, and mobile elements that presented “games” to the viewer. This insistence on participatory practice distinguished not only GRAV, but Camargo, from the broader Op art movement. Like other GRAV members, Camargo’s solution to the time-old artistic question of space and movement was simply to create uncertainty. His works simultaneously present “fullness and emptiness, order and chaos.” According to one 1966 catalogue, Camargo’s reliefs offer a “process of [visual] reasoning” in their rhythms, disorienting enough to prompt the viewers themselves to take on “the act of choosing,” to take on “the creative act.” His white cylindrical forms mechanically filter “the way in which light and space enter the work,” but the actual content of the piece is a matter of highly “personal discovery.” Because like Camargo’s apple, the physical work is subject to innumerable perspectives, angles, and conditions, the relief’s output is as much a product of the viewer’s input as it is of the artist’s. Ades, Dawn. “Biographies.” Art in Latin America: The Modern Era, 1820-1980, edited by Guy Brett, Yale University Press, 1989, p. 341. Brett, Guy, and Michael Burke. Camargo. 1st ed., Signals London, 1966. Cornel de Rodriguez, Ana Maria, and Felix Angel. Brazilian Sculpture From 1920 to 1990: An Identity in Profile. The Cultural Center Inter-American Development Bank, 1997. Woodruff, Lily. "The Groupe De Recherche d'Art Visuel Against the Technocrats." Art Journal, vol. 73, no. 3, 2014, pp. 18-37.


MARKINGS DETAILS

109

144 SERGIO CAMARGO

Untitled (Relief No. 261) 1969 Oil on wood relief Signed, titled, and dated in felt-tip marker verso; retains Gimpel Fils Gallery label verso Together with certificate of authenticity from Galeria Raquel Arnaud and the Estate of Sergio Camargo and book Camargo (1966) 48.25" x 40" x 3.625" (123 x 9 x 102 cm) P ROV E NANC E Gimpel Fils Gallery, London, United Kingdom; Private Collection, Beverly Hills, California (acquired directly from the above, 1971) E XHIBIT E D “Gallery Choice,” Gimpel Fils Gallery, London, November 17-December 3, 1970

$500,000–700,000


145 VICTOR VASARELY Citineu

1973-1988 Oil on canvas Signed “Vasarely” lower center edge of canvas; signed, dated, and inscribed “PROTOTIPE DU No 1200 ‘CITINEU’ 225 x 225” canvas verso; inscribed “VAS356” to canvas stretcher verso; titled, dated, and inscribed “No 1200” to canvas overlap verso Canvas: 17.75" x 17.75" Frame: 22.125" x 22.125" (Canvas: 45 x 45 cm) P ROVENA NC E Omer Tiroche Contemporary Art, London, United Kingdom; Private Collection, Los Angeles, California

$35,000–45,000


146 VICTOR VASARELY

Kanta Zett Red/Grey 1971 Luran S plastic on aluminum #1 of 8 Published by Editions Pyra A.G., Zürich Signed “Vasarely” in white ink lower right; signed, dated, and inscribed “July 71” on Editions Pyra A.G. label verso Image/sheet: 39.375" x 39.5" Frame: 39.625" x 39.625" (Image/sheet: 100 x 100 cm)

$4,000–6,000

111

147 VICTOR VASARELY Sikra

c. 1966 Color lithograph on paper #148 of 150 Signed in graphite lower right margin beneath image; edition lower left Image: 19.5" x 19.5" Sheet (vis.): 21.5" x 21" Frame: 33.75" x 33.25" (Image: 50 x 50 cm)

$1,000–1,500


ALTERNATE VIEW

148 VICTOR VASARELY Egsin Ou Moulin 1990 Acrylic on wood #23 of 175 Signed “Vasarely” in black ink lower left corner; edition verso 27.375" x 13.25" x 2.875" (70 x 7 x 34 cm)

$5,000–7,000


113

149 VICTOR VASARELY Untitled (Oltar)

1971 Color lithograph on paper #1 of 15 aside from the edition of 150 Signed “Vasarely” in graphite lower right margin beneath image; edition in Roman numerals lower left Image: 29.625" x 16" Sheet: 32.875" x 19.25" Frame: 33.625" x 20" (Image: 75 x 41 cm)

$400–600


150 YAACOV AGAM

Untitled (Composition) 1976 Color screenprint on paper #25 of 99 Signed in graphite lower right margin beneath image Image: 12.25" x 26.25" Sheet: 27.5" x 40" Frame: 30.125" x 42.75" (Image: 31 x 67 cm)

$600–800

151 YAACOV AGAM

Untitled (British and American Flags) N.d. Double-sided color screenprint on paper, accordion folded, and mounted to acrylic base #42 of 60 Signed with edition in Roman numerals lower right 10.75" x 16" x 5" (including base) (27 x 13 x 41 cm)

$1,500–2,000

ALTERNATE VIEW


152 YAACOV AGAM Suite 3

1974 The complete set of three color screenprints on paper #130 of 140 Published by Transworld Art, Fribourg; printed by Atelier Arcay, Paris Each signed in colored ink lower right margin beneath image; edition lower left; each retains Transworld Art blind stamp lower left edge of sheet Comprised of Forme Lignes, Forme Couleur, and Rythme Ligne Forme Images each: 23.375" x 23" Sheets (vis.) each: 30.625" x 30.25" Frames each: 31" x 30.625" (Images each: 59 x 58 cm)

$1,500–2,000

115


153 MICHAEL EMMONS Revelation

1998 Painted stainless steel 65.75" x 56.125" x 9.375" (167 x 24 x 143 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian

$2,000–3,000


117

154 SOL LEWITT

Plate 3 and Plate 6 (from Lines In Color on Color From Corners Sides and Centers to Specific Points on a Grid) (2) 1978 Color screenprints on Arches 88 paper Each: #11 of 15 artist’s proofs aside from the edition of 25 Published by Multiples Inc., New York; printed by Jo Watanabe, New York Each signed with edition in graphite lower right edge of sheet Sol LeWitt Catalogue Raisonné #1978.02 Sheets each: 30" x 30" Frames each: 32.375" x 32.375" (Sheets each: 76 x 76 cm)

$3,000–5,000


VERSO DETAIL

ILLUSTRATED PREVIOUS PAGE

155 JOHN MCLAUGHLIN Untitled

1948 Oil on panel Signed lower left; signed, titled, and dated verso; retains remnants of exhibition label verso 23.875" x 27.875" (61 x 71 cm) PROVE N A N CE Nina V. Sims, Beverly Hills, California; Stanley & Joan Wilson, West Hollywood, California (gifted directly by the above, c. 1962); Thence by descent E X H I B I T E D “John McLaughlin: Retrospective Exhibition 1946-1967,” The Corcoran Gallery of Art, Washington, DC, November 16, 1968-January 5, 1969

156 JOHN MCLAUGHLIN Untitled

c. 1970-1974 Paper and tape collage with graphite on paper Retains Daniel Weinberg Gallery label verso Sheet: 15" x 12" Frame: 22.125" x 19.125" (Sheet: 38 x 30 cm)

L I T E RAT U R E John McLaughlin:

P ROV E NANC E Daniel Weinberg

Retrospective Exhibition, 1946-1967.

Gallery, Los Angeles, California;

The Corcoran Gallery of Art exh. cat.

Private Collection, Los Angeles,

1969. #10.

California

$80,000–120,000

$20,000–30,000

157 ARNOLD CHANIN John McLaughlin

1975 From an edition of 3 Gelatin silver archival print Signed lower right mount beneath image; titled and dated lower left Image/sheet: 9.875" x 8.875" Mount: 20" x 16" (Image/sheet: 25 x 23 cm)

$1,500–2,000

119


158 FREDERICK HAMMERSLEY Inside

#8, 1962 Oil on linen Retains Charlotte Jackson Fine Art, L.A. Louver Gallery, and artist’s labels frame verso Linen: 30" x 24" Frame: 30.75" x 24.75" (Linen: 76 x 61 cm) P ROVENA NC E Charlotte Jackson Fine Art, Santa Fe, New Mexico; Private Collection, Beverly Hills, California (acquired directly from the above)

$50,000–70,000

ARTIST LABEL


159 KARL BENJAMIN Untitled

1953 Oil on canvas Signed and dated lower right Canvas (vis.): 23.75" x 19.625" Frame: 26" x 22" (Canvas: 60 x 50 cm)

$7,000–9,000

121


ILLUSTRATED PREVIOUS PAGE

160 FLORENCE ARNOLD #6

1968 Oil on canvas Signed, titled, and dated to canvas stretcher verso Canvas: 29.875" x 24" Frame: 31.125" x 25.125" (Canvas: 76 x 61 cm)

$1,500–2,000

161 JOSEF ALBERS

I-S Va 6 (from Six Variants) 1969 Color screenprint on Arches wove paper #143 of 150 Published by Ives-Sillman, Inc., New Haven; printed by Sirocco Screenprints, New Haven Signed and dated lower right margin beneath image; titled with edition lower left; retains Ives-Sillman blind stamp lower right Image: 25" x 25.875" Sheet (vis.): 27.625" x 35.625" Frame: 28.25" x 36.25" (Image: 64 x 66 cm) LIT E RAT URE The Prints of Josef Albers: A Catalogue Raisonné, 19151976. 2nd ed. B. Danilowitz. 2010. #192.6.

$2,000–3,000

162 JOHN BARBOUR Untitled

c. 1961 Acrylic on panel Retains Cardwell Jimmerson Contemporary Art label verso 33.375" x 21.875" x 1.75" (85 x 4 x 56 cm)

$3,000–5,000

123


163 HELEN PASHGIAN Untitled

2002 Acrylic and resin Signed and dated verso 18" x 18" x 2.5" (46 x 6 x 46 cm) P ROVENA NC E Private Collection, Los Angeles, California (gifted directly by the artist, c. 2006)

$3,000–5,000


125

164 MARY CORSE Untitled

2000 Acrylic and glass microspheres on paper Signed and dated sheet verso Composition: 7.5" x 18.75" Sheet: 15" x 26.25" Frame: 16.5" x 27.75" (Composition: 19 x 48 cm) P ROV E NANC E Peter Blake Gallery, Laguna Beach, California; Private Collection, Palm Springs, California (acquired directly from the above, c. 2002)

$5,000–7,000


165 HANS BURKHARDT Interior

1951 Oil on canvas Signed and dated lower right edge of canvas; retains Esther Robles Gallery label verso Canvas (vis.): 35.125" x 45.125" Frame: 37.875" x 47.625" (Canvas: 89 x 115 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1980)

$10,000–15,000


HANS BURKHARDT IN HIS STUDIO PHOTO BY ARNOLD CHANIN

166 HANS BURKHARDT Artist Studios 1970 Oil on canvas Signed and dated center right edge of canvas Canvas (vis.): 31.125" x 41.125" Frame: 36.5" x 46.5" (Canvas: 79 x 104 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1980)

$12,000–15,000

127


167 HANS BURKHARDT The Balcony c. 1965 Oil on canvas Signed lower right edge of canvas; retains unknown label with printed title verso Canvas: 16" x 20" Frame: 16.25" x 20.375" (Canvas: 41 x 51 cm) P ROVENA NC E Private Collection, Laguna Beach, California; Thence by descent

$4,000–6,000

168 HANS BURKHARDT Untitled

1976 Pastel on paper Signed and dated in graphite lower right Sheet (vis.): 22.875" x 16.875" Frame: 29.875" x 23.875" (Sheet: 58 x 43 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1980)

$1,000–1,500


169 HANS BURKHARDT

Untitled; Gladiator (2) 1938; 1937 Charcoals on paper Untitled: Signed in graphite lower center in composition, dated in graphite lower right in composition; Gladiator: Signed and dated in graphite lower right in composition Untitled: Sheet (vis.): 22.5" x 12.5" Frame: 29.625" x 19.625" Gladiator: Sheet (vis.): 22.5" x 16.5" Frame: 29.625" x 23.625" (Untitled: Sheet: 57 x 32 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1980)

$5,000–7,000

170 ARSHILE GORKY Still Life

1936 Ink on paper Signed lower right; retains La Jolla Museum of Art label verso Together with graphite drawing (not illustrated) and letter from the Arshile Gorky Foundation Arshile Gorky Foundation Identification Number ML0565 Composition/sheet (vis.): 9.5" x 13.5" Frame: 17" x 21" (Composition/sheet: 24 x 34 cm) P ROV E NANC E Hans Burkhardt, Los Angeles, California (acquired directly from the artist); Fern Wallace, Los Angeles, California; Thence by descent

$15,000–20,000

129


171 OSKAR FISCHINGER Affinity

1960 Oil on canvas Signed lower right; dated with artist’s cipher lower left; retains Gallery 609 label frame verso Canvas (vis.): 13.625" x 17.625" Frame: 20" x 24" (Canvas: 35 x 45 cm) P ROVENA NC E Elfriede Fischinger, Los Angeles, California; Gordon Shwayder Rosenblum, Lakewood, Colorado (acquired directly from the above, c. 1982); Thence by descent

$3,000–5,000

172 OSKAR FISCHINGER Abstraction No. 25 1962 Oil on canvas Signed lower right; dated with artist’s cipher lower left; retains Gallery 609 label verso Canvas (vis.): 31.5" x 39.5" Frame: 33.75" x 41.75" (Canvas: 80 x 100 cm) P ROVENA NC E Elfriede Fischinger, Los Angeles, California; Gordon Shwayder Rosenblum, Lakewood, Colorado (acquired directly from the above, c. 1982); Thence by descent

$7,000–10,000


173 OSKAR FISCHINGER Way Out

1965 Oil on canvas board Signed, titled, and dated verso 19.75" x 16" (50 x 41 cm) P ROV E NANC E Mr. and Mrs. Harry Bertoia, Barto, Pennsylvania (acquired directly from the artist); Private Collection, Pennsylvania; Thence by descent

$3,000–5,000

131

174 OSKAR FISCHINGER Untitled

1963 Oil on paperboard Inscribed “Oskar Fischinger 1963” mat verso Paperboard: 8" x 6" Mat: 12.5" x 15.125" (Paperboard: 20 x 15 cm) P ROV E NANC E Mr. and Mrs. Harry Bertoia, Barto, Pennsylvania (acquired directly from the artist); Private Collection, Pennsylvania; Thence by descent

$1,500–2,000


175 EMERSON WOELFFER Untitled

1977 Torn Color-aid collage on paper Signed and dated in graphite lower left edge of sheet; retains Manny Silverman Gallery label frame verso Sheet: 46" x 33" Frame: 48.25" x 35.25" (Sheet: 117 x 84 cm) This work is being sold to raise funds for scholarships to the Otis College of Art and Design. P ROVENA NC E The estate of Emerson Woelffer

$5,000–7,000

176 EMERSON WOELFFER

Summer Poet Series #5 1978 Torn paper collage on paper Signed and dated in graphite lower left edge of sheet; retains Adler Gallery label verso Sheet: 7.875" x 5.875" Frame: 13.75" x 11.75" (Sheet: 20 x 15 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from artist, c. 1978); Thence by descent

$400–600


177 EMERSON WOELFFER UBU XII

1989 Oil stick, collage, and spray paint on paper Titled with artist’s blind stamp lower right; signed and dated lower left; retains Harcourts Modern and Contemporary Art and Manny Silverman Gallery labels verso Composition/sheet: 29.25" x 22" Frame: 32.5" x 25.125" (Composition/sheet: 74 x 56 cm) This work is being sold to raise funds for scholarships to the Otis College of Art and Design. P ROV E NANC E The estate of Emerson Woelffer

$2,500–3,500

178 EMERSON WOELFFER 3 Blues

1981 Collage on paper Signed and dated lower right sheet; signed, titled, and dated frame verso; retains Manny Silverman Gallery label frame verso Composition/sheet: 23.625" x 17.625" Frame: 31" x 25" (Composition/sheet: 60 x 45 cm) This work is being sold to raise funds for scholarships to the Otis College of Art and Design. P ROV E NANC E The estate of Emerson Woelffer

$2,500–3,500

133


179 YNEZ JOHNSTON

Untitled; Hidden Things of the Sea (2) c. 1975 Ink and watercolor on paper; drypoint on paper Untitled: Signed in black ink lower right edge of sheet; Hidden...: Signed in black ink lower right edge of sheet; titled lower left Untitled: Composition/sheet: 21.125" x 13" Frame: 27.5" x 18.5" Hidden...: Image/sheet: 10.875" x 5.625" Frame: 16.125" x 10.625" (Untitled: Composition/sheet: 54 x 33 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1975); Thence by descent

$2,000–3,000

180 LEE MULLICAN Bird

N.d. Bronze 17.5" x 7" x 5" (including base) (44 x 13 x 18 cm)

$2,000–3,000


182 181 GRETA MAGNUSSON GROSSMAN Tripod floor lamp

Ralph O. Smith, designed 1947-1948 Model no. 831 49.5" x 15" x 17" (126 x 43 x 38 cm)

CHARLES & RAY EAMES Wire mesh chair

Herman Miller, designed 1951-1953 Model no. DKW Retains Herman Miller upholstery tag 32" x 18.5" x 16.5" (81 x 42 x 47 cm) LIT E RAT URE Eames Design: The Work of

LIT E RAT URE Greta Grossman: A Car and

the Office of Charles and Ray Eames. J.

Some Shorts. K. Wærn. 2010. 32.

Neuhart. 1989. 150-153.

$3,000–5,000

$1,500–2,000

135


183 SAM MALOOF Rocking chair

Studio, executed 1970 Walnut and leather Retains metal tag 45" x 27.25" x 42" (114 x 107 x 69 cm)

$10,000–15,000


184 HAL FROMHOLD

Untitled (wall sculpture) c. 1975 Partially glazed ceramic mounted on rectangular wooden base Signed along lower left edge 21.5" x 35" x 7" (55 x 18 x 89 cm)

$1,500–2,000

137

MARKINGS DETAIL

185 JUNE SCHWARCZ & ARTHUR ESPENET CARPENTER Lidded box

Studio, executed c. 1965 Enameled brass mounted in a wooden box Etched signature on lid; signed, inscribed “June Schwarcz/Box by Espenet,” and labeled “#665” to underside 3.5" x 11" x 9.625" (9 x 24 x 28 cm) P ROV E NANC E Private Collection, Oak View, California

$3,000–5,000


SIGNATURE AND DATE DETAIL

186 GERTRUD & OTTO NATZLER Round closed form with short cylindrical neck

Studio, executed 1941 Glazed ceramic Signed and dated “G + O/Natzler/1941” LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work 11" x 11" diameter (28 x 28 cm)

$6,000–9,000


SIGNATURE AND LABEL DETAIL

187 GERTRUD & OTTO NATZLER Bowl

Studio, executed 1963 Ivory crystalline glazed ceramic Signed “natzler” and retains Natzler inventory label “M771” Natzler archives identification #M771 LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work 3.25" x 6.625" diameter (8 x 17 cm)

$3,000–5,000

139 SIGNATURE AND LABEL DETAIL

188 GERTRUD & OTTO NATZLER Round bottle with lip

Studio, executed 1960 Turquoise green matte glazed ceramic Signed “natzler” and retains Natzler inventory label “L139” Natzler archives identification #L139 LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work 7.5" x 5.625" diameter (19 x 14 cm)

$2,000–3,000


SIGNATURE AND LABEL DETAIL

189 GERTRUD & OTTO NATZLER

Massive bowl with indented rim Studio, executed 1957 Old turquoise glazed ceramic Signed “natzler” and retains Natzler inventory label “H980” Natzler archives identification #H980 LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work 2.875" x 6.5" diameter (7 x 17 cm)

$3,000–5,000

SIGNATURE AND LABEL DETAIL

190 GERTRUD & OTTO NATZLER Vase with in-turned lip

Studio, executed 1968 Peach blossom reduction glazed ceramic with iridescence Signed “natzler” and retains Natzler inventory label “O263” Natzler archives identification #O263 LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work 5.375" x 5" diameter (14 x 13 cm)

$2,500–3,500


SIGNATURE AND LABEL DETAIL

191 GERTRUD & OTTO NATZLER Bowl

Studio, executed 1965 Blue and sang reduction glazed ceramic Signed “natzler” and retains Natzler inventory label “N440” Natzler archives identification #N440 LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work 3.625" x 5.5" diameter (9 x 14 cm)

$2,500–3,500

141 SIGNATURE AND LABEL DETAIL

192 GERTRUD & OTTO NATZLER Cylindrical bowl with lip

Studio, executed 1966 Mustard hare’s fur glazed ceramic Signed “natzler” and retains Natzler inventory label “N768” Natzler archives identification #N768 LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work 3.625" x 4.75" diameter (9 x 12 cm)

$2,500–3,500


193 STAN BITTERS Untitled

Hans Sumpf, executed c. 1962 Porous low-fire clay 47.25" x 15.25" x 13" (120 x 33 x 39 cm)

$5,000–7,000


194 HARRISON MCINTOSH Sculptural form

Studio, executed c. 1975 Glazed stoneware Retains paper label “Hand Thrown Stoneware/Harrison McIntosh/Claremont California” and impressed with artist’s cipher 9.75" x 5" x 5" (including base) (25 x 13 x 13 cm)

$1,200–1,500

143 SIGNATURE DETAIL

195 BEATRICE WOOD Bowl

Studio, executed c. 1960 Glazed ceramic Inscribed “Beato” to underside 2.125" x 7" diameter (5 x 18 cm)

$1,000–1,500

196 KAREN KARNES Lidded pot

Studio, executed c. 1975 Partially glazed stoneware Impressed with artist’s cipher Together with photograph of artist with lidded pot (not illustrated) 6.375" x 4.25" diameter (16 x 11 cm)

$1,000–1,500


197 DAVID CRESSEY Massive planter

Architectural Pottery, designed c. 1965 Model no. 5008 from the Pro/Artisan series 31.5" x 38.5" diameter (80 x 98 cm) LITERATURE Architectural Pottery: Pro/Artisan Collection. Manufacturer cat. N.d. 3.

$2,500–3,500

198 DAVID CRESSEY Planter

Architectural Pottery, designed c. 1963 Model “Phoenix 2” from the Pro/ Artisan series Inscribed “2-28” to interior 23" x 23.5" diameter (58 x 60 cm) LITERATURE Architectural Pottery: Pro/Artisan Collection. Manufacturer cat. N.d. 3.

$2,000–3,000


199 WALTER LAMB Lounge set (5)

Brown-Jordan Co., designed c. 1950 Model nos. C-5700 (lounge chairs) and C-5706 (ottomans) Comprised of two lounge chairs, two ottomans, and a side table Chairs each: 30" x 24" x 28" Ottomans each: 20" x 23.5" x 18" Side table: 16" x 25.5" x 20" (Chairs each: 76 x 71 x 61 cm) LIT E RAT URE Walter Lamb. Manufacturer cat. 1954. N.pag.

$6,000–8,000

145


Ken Price Born in Los Angeles, Ken Price had a quintessential California childhood, spending most of his days surfing at the beach. As a teenager Price already identified as an artist, taking music lessons with the likes of jazz giant Chet Baker and art classes at the Chouinard Art Institute. After graduating with a B.F.A. from the University of Southern California in 1956, Price studied briefly at the Los Angeles County Art Institute (now the Otis College of Art and Design). As a graduate student at the Art Institute, Price’s artistic identity sprung from the revolutionary ideas of ceramic artist, Peter Voulkos. Price’s education leading up to that point had strictly enforced the boundaries of proper artistic mediums, but Voulkos fervently dissolved the established division between fine-art and craft. During this period, the young artist drew inspiration from the experimental zeitgeist of the 1950s in which Asian philosophies, free-form jazz, and Abstract Expressionism turned tradition on its head. Price often employed heavy lacquers and enamels used in industrial manufacturing to produce deeply gestural sculptures that would eventually provoke a revolution in sculpture as a whole.

working on in the mid-1980s. This series, which includes Groota, presents a significant shift in Price’s process as he began using acrylic paints instead of traditional glazing. This development allowed Price to further explore his growing interest in the power of color.

Price stretched the definition of sculpture by confronting the colonialist and often sexist prejudice that pigeonholed clay works as pure craft. When Price’s work began to attract significant attention from the art world, critics were quick to compare him to sculptors such as Picasso and Brâncusi, who experimented with the ‘lesser’ material. Defying their predictions, Price further aggravated purist sensibilities when he began to celebrate and adopt traditional Mexican pottery techniques, that had long been excluded from ‘artistic’ study.

Though many of his works explore “the damp undersides of things,” the series of geode-like works seem to modify Price’s formula. Rather than revealing the strangeness that might lay beneath a domesticated facade, the sculptures feature clean, sophisticated lines that emerge from the primal texture of an untamed shell. While Price resisted ascribing meaning to his works, the striking interaction in this composition reflects the quasi-political subtext of his career. He insisted that moving his slick geometry “to the inside” was not calculated or “strategic,” but nevertheless this departure proposes a compelling conceptual transition.

Though Price’s early series of ceramic cups represents a small episode in his greater body of work, he continued to explore the fundamentals of “the container” shape. Holland Cotter of the New York Times observed that “containment itself, put under psychological pressure, became a recurrent subject of Price’s.” The artist’s career-long investigation of the relationship between interiority and exteriority becomes particularly acute in works like Groota (1985). The tensions perfectly articulate art/craft and interior/exterior in the series of two-piece clay sculptures that Price began

Described as a “collision of raw and refined surfaces,” Price’s modernist geodes feature rough and organic, opalescent exteriors that are dramatically incised, exposing crisp and “highly polished” plains of pure, hyper-saturated color. Price admitted that even when he didn’t intend for them to be, his works are inherently carnal. In a 2007 interview he said, “my work has just evolved into these naturally erotic forms.” The sensuality of Groota is most compelling in the dialogue between the two elements of the sculpture. In addition to the male and female coding of the slender cylindrical piece and its larger vessel-like companion, the natural curve of each of the structures reflect one another. The pieces are almost magnetically drawn together by their complementary shapes.

Barron, Stephanie, and Laureen Bergman. Ken Price Sculpture: a Retrospective. Los Angeles County Museum of Art, 2012. Cotter, Holland. “Ken Price: Yes, the Ceramics Are Art.” The New York Times, The New York Times, 20 June 2013, www.nytimes.com/2013/06/21/arts/design/kenprice-yes-the-ceramics-are-art.html.


200 KEN PRICE Groota

1985 Acrylic and metallic paint on fired clay in two parts 9.5" x 5" x 4.5" 8" x 6.25" x 8" (24 x 11 x 13 cm) P ROV E NANC E Willard Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 1986) ILLUST RAT E D Ken Price Sculpture: A Retrospective. LACMA exh. cat. 2012. 238.

$75,000–100,000

147


SIGNATURE AND DATE DETAIL

201 PETER VOULKOS Charger

Studio, executed 1973 Stoneware with porcelain passthroughs and partial cobalt oxide slip/engobe and clear glaze Signed and dated to underside LAMA would like to thank Sam Jornlin of Voulkos & Co. for her assistance in cataloguing this work 4" x 19.75" diameter (10 x 50 cm)

$6,000–8,000


SIGNATURE DETAIL

202 PETER VOULKOS Platter

Studio, executed c. 1954 Glazed stoneware Signed to underside 2.25" x 14.75" diameter (6 x 37 cm) LAMA would like to thank Sam Jornlin of Voulkos & Co. for her assistance in cataloguing this work

$3,000–5,000

203 PAUL SOLDNER Teapot

Studio, executed c. 1965 Glazed stoneware 9.125" x 8.5" x 7.375" (23 x 19 x 22 cm) LIT E RAT URE Paul Soldner Ceramics: A Master Teacher at Work. R. Jenkins, ed. 2009. 27 for a similar example illustrated.

$800–1,200

149


204 ED RUSCHA Zoo

1969 2-color lithograph on calendered Rives BFK paper #13 of 20 Published and printed by Tamarind Lithography Workshop, Los Angeles Signed and dated in graphite lower right edge of sheet; edition lower left; retains Tamarind blind stamps lower right Image: 5" x 7" Sheet: 9.75" x 11.75" Frame: 12.625" x 14.625" (Image: 13 x 18 cm) LITERATURE Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol. II. S. Engberg and C. Phillpot. 1999. #23.

$15,000–20,000


151 205 ED RUSCHA

Fruit-Metrecal Hollywood 1971 3-color screenprint in grape and apricot jam and Metrecal soda on Copperplate Deluxe paper Artist’s proof aside from the edition of 85 Co-published by the artist and Bernard Jacobson, Ltd., London; printed by Cirrus Editions, Los Angeles Signed and dated with edition in graphite lower left margin beneath image Image: 10" x 37.5" Sheet: 14.5" x 42" Frame: 16.5" x 43.875" (Image: 25 x 95 cm) LIT E RAT U RE Made in LA: Prints of Cirrus Editions. B. Davis. 340.; Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol. II. S. Engberg and C. Phillpot. 1999. #53.

$8,000–12,000

206 ED RUSCHA It Is A Go

2009 Lithograph on Copperplate paper #16 of 50 Co-published by the Los Angeles County Museum of Art and Hamilton Press, Los Angeles; printed by Hamilton Press, Los Angeles Signed and dated in graphite lower right edge of sheet; edition lower left; retains Hamilton Press blind stamp lower left Image: 17.75" x 13.875" Sheet: 23.25" x 19" Frame: 28.75" x 24.5" (Image: 45 x 35 cm)

$4,000–6,000


VERSO DETAIL

207 BILLY AL BENGSTON Tom

1968 Lacquer and polyester resin on aluminum #16 of 50 Etched initials and edition verso; retains artist’s label verso 25" x 26" (64 x 66 cm)

$6,000–8,000


208 JOE GOODE Untitled

1971 Color lithograph and screenprint on wove paper #35 of 50 Published by Cirrus Editions, Los Angeles Signed and dated in graphite lower center sheet in image; edition lower left Image/sheet: 14" x 22.875" Frame: 16.25" x 25.25" (Image/sheet: 36 x 58 cm)

$1,000–1,500

209 JOE GOODE Untitled

1971 Color lithograph on paper Artist’s proof aside from the edition of 50 Published by Cirrus Editions, Los Angeles Signed and dated in graphite lower right margin beneath image; edition lower left Image: 17.375" x 23.5" Sheet: 18" x 24" Frame: 20.25" x 26.25" (Image: 44 x 60 cm)

$1,000–1,500

210 JOE GOODE Untitled

1971 Color lithograph on paper Artist’s proof aside from the edition of 50 Published by Cirrus Editions, Los Angeles Signed and dated in graphite lower center margin beneath image; edition lower left Image: 23.125" x 23.375" Sheet: 24" x 24" Frame: 26.25" x 26.25" (Image: 59 x 59 cm)

$1,000–1,500

153


211 VIJA CELMINS

Untitled (Shoes) 1964 Oil on canvas Signed and dated lower right edge of canvas Canvas: 16" x 18" Frame: 16.5" x 18.5" (Canvas: 41 x 46 cm) P ROVENA NC E Evelina Ondrups Parsch, Los Angeles, California (acquired directly from the artist, c. 1964); Thence by descent

$80,000–120,000


212 VIJA CELMINS

Untitled (Ocean with Cross #1) 2005 Screenprint on paper #36 of 108 Published by the Lincoln Center/ List Print and Poster Program, New York; printed by Brand X Editions, New York Signed in graphite lower right margin of sheet; edition lower left; blind stamp lower right edge of sheet Image: 17.5" x 22.5" Sheet: 24" x 28.5" Frame: 27.25" x 31.75" (Image: 44 x 57 cm) LIT E RAT URE Art at Lincoln Center: The Public Art and List Print and Poster Collections. C. Riley. 2009. 200.

$8,000–12,000

155


213 JOHN ALTOON

Untitled (from the Hyperion Series) 1965 Pastel and ink on illustration board Signed and dated lower right Composition/sheet (vis.): 29.75" x 39.625" Frame: 30.25" x 40.25" (Composition/sheet: 76 x 101 cm) P ROVENA NC E Ruth Braunstein Gallery, San Francisco, California; Private Collection, San Francisco, California; The Estate of Gerard L. Cafesjian (acquired directly from the above through Bonhams, Los Angeles, California, November 5, 2006, lot 167)

$5,000–7,000

214 JOHN ALTOON Untitled

c. 1960 Watercolor on paper Signed “Altoon” lower right Composition/sheet (irreg.): 11" x 10.75" Frame: 16.75" x 14.375" (Composition/sheet: 28 x 27 cm)

$2,000–3,000


215 JOHN ALTOON

Untitled (from Harper Series) 1966 Ink and watercolor on illustration board Signed and dated lower right edge of sheet; retains David Stuart Galleries label verso Composition/sheet: 30" x 40" Frame: 30.5" x 40.5" (Composition/sheet: 76 x 102 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Los Angeles Modern Auctions, Van Nuys, California, October 14, 2007, lot 322)

$3,000–5,000

216 JOHN ALTOON Untitled

c. 1968 Ink and airbrush on illustration board Signed and dated indistinctly lower right Sheet (vis.): 29.625" x 39.625" Frame: 31.375" x 41.25" (Sheet: 75 x 101 cm) P ROV E NANC E Private Collection, San Francisco, California; The Estate of Gerard L. Cafesjian (acquired directly from the above through Bonhams & Butterfields, San Francisco, California, May 2, 2004, lot 3058)

$3,000–5,000

157


217 ED MOSES

Down-Broz #1 2006 Acrylic on canvas Titled, signed “Moses y Branco,” and dated to canvas overlap verso Together with “Ed Moses: Paintings” gallery brochure 72" x 48" (183 x 122 cm) P ROVENA NC E Frank Lloyd Gallery, Santa Monica, California; Private Collection, Los Angeles, California (acquired directly from the above, 2007) EXHIBITE D “Ed Moses: Paintings,” Frank Lloyd Gallery and Bobbie Greenfield Gallery, Santa Monica, April 21-June 2, 2007

$20,000–30,000


159

219 GEORGE HERMS Trio Cans

218 LADDIE JOHN DILL Untitled

1978 Glass and mixed-media on wood Signed and dated verso 32" x 48" (81 x 122 cm)

$2,000–3,000

1999 Mixed-media on found wood Signed, titled, and dated in black ink to underside 5.375" x 25" x 7.375" (14 x 19 x 64 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1999); Thence by descent

$2,500–3,500


221

220 DETAIL

RON MIYASHIRO

PETER ALEXANDER

Back in Time #29

Coba IVI; Hermosa Flats II (2)

2002 Mixed-media on black paper panel

1988; 1986 Pastels on paper

Signed, titled, and dated in black ink panel verso

Coba IVI: Initialed and dated “3/30/88” in graphite lower right; retains Mark Moore Gallery label verso; Hermosa Flats II: Signed “Alexander,” dated, and titled in graphite lower right; retains Mark Moore Gallery label verso

19.25" x 49.875" x 4.625" (49 x 12 x 127 cm) P ROVENA N C E Cardwell Jimmerson Contemporary Art, Culver City, California; Private Collection, Santa Paula, California (acquired directly from the above, 2007)

$3,000–5,000

Coba IVI: Composition/sheet: 17.625" x 19.75" Frame: 25" x 26.5" Hermosa Flats II: Composition/sheet: 18" x 20" Frame: 25.375" x 27.25" (Coba IVI: Composition/sheet: 45 x 50 cm)

$3,000–5,000


UNTITLED #146

222 GRONK

Untitled #146; Untitled (2) 1990; 1976 Pen and ink on paper; Ink on brown paper Untitled #146: Signed and dated in black ink lower right edge of sheet; Untitled: Retains Daniel Saxon Gallery label verso Untitled #146: Composition/sheet: 8.5" x 11" Frame: 11.5" x 14.5" Untitled: Composition/sheet: 18.125" x 24" Frame: 23.125" x 29.25" (Untitled #146: Composition/sheet: 22 x 28 cm) P ROV E NANC E Daniel Saxon Gallery, Los Angeles, California; Private Collection, Vancouver, Canada (acquired directly from the above)

$1,000–1,500

223 ROBERT GRAHAM MOCA Torso

1992-1995 Patinated cast bronze From an edition of 3,500 Published by MOCA Editions, Los Angeles Signed “R. Graham” and bears the inscriptions “Carlos M” and “A. Guardado” 10.875" x 4.25" diameter (28 x 11 cm)

$2,500–3,500

161


224 CHARLES ARNOLDI Hobby

2006 Acrylic on canvas Signed, titled, and dated in black felt-tip marker verso Together with certificate of authenticity and copy of invoice from Bobbie Greenfield Gallery dated March 1, 2007 Canvas: 28" x 28" Frame: 28.75" x 28.75" (Canvas: 71 x 71 cm) P ROVENA NC E Bobbie Greenfield Gallery, Santa Monica, California; Private Collection, Los Angeles, California (acquired directly from the above, 2007); Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, October 11, 2015, lot 198)

$8,000–12,000


163

225 DON SORENSON Untitled (#984) 1984 Oil on canvas Signed, titled, and dated verso 57.25" x 96" (145 x 244 cm) P ROVE N A N C E Jen-Gen Gallery, Beverly Hills, California; Private Collection, Los Angeles, California (acquired directly from the above, March 1985); Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, October 13, 2013, lot 534)

$4,000–6,000

226 TONY BERLANT Untitled (House)

c. 1980 Metal collage on plywood with steel brads 7" x 6.25" x 5.25" (18 x 13 x 16 cm)

$3,000–5,000


227 ROY MCMAKIN New sofa

Domestic Furniture Co., designed c. 1988 Together with copy of invoice from Domestic Furniture Co. dated October 31, 1991 31.625" x 83" x 30.375" (80 x 77 x 211 cm)

$4,000–6,000

228 ROY MCMAKIN Wing back chair

Domestic Furniture Co., designed c. 1988 Together with copy of invoice from Domestic Furniture Co. dated October 31, 1991 34.5" x 36.625" x 34" (88 x 86 x 93 cm) LITERATURE Domestic Furniture Co. Manufacturer cat. 1988. N.pag.

$3,000–5,000


229 CEDRIC HARTMAN End tables (2)

Cedric Hartman, Inc., designed c. 1970 Each: 23.25" x 18" diameter (59 x 46 cm)

$4,000–6,000

165

230 SHERRILL BROUDY, ATTRIBUTED Coffee table

Manufacturer unknown, designed c. 1980 14" x 39.25" x 39.25" (36 x 100 x 100 cm) P ROV E NANC E Private Collection, Beverly Hills, California; Private Collection, Los Angeles, California (acquired directly from the above)

$1,500–2,000


231 ERIC ORR

Where Parme Notes? 1990 Oil on canvas in artist’s lead frame Incised title, date, signature, and inscription to lead overlap verso; inscribed “EO90.57” in felt-tip marker verso Canvas: 33" x 27.25" Frame: 36" x 29" (Canvas: 84 x 69 cm)

$4,000–6,000


232 ERIC ORR Time Gate

1985 Oil on canvas in artist’s lead frame Incised title, date, and signature to lead overlap verso Canvas: 25.5" x 22.5" Frame: 29" x 24" (Canvas: 65 x 57 cm)

$3,000–5,000

167

233 VASA (VELIZAR MIHICH) Triangle; Sphere (2) 1994; 1995 Laminated cast acrylic Triangle: Signed, dated, and inscribed “#1R.145 Vasa 1994”; Sphere: Signed, dated, and inscribed “Vasa 1995 TC” Triangle: 21.625" x 12" x 2.75" Sphere: 3.5" diameter (Triangle: 55 x 7 x 30 cm)

$2,000–3,000


234 JEFF KOONS Puppy (Vase)

1998 White glazed ceramic #234 of 3,000 Published by Art of this Century, New York and Paris Signed and dated with impressed edition and publisher and manufacturer’s stamps to underside 17.5" x 17.5" x 11.5" (44 x 29 x 44 cm)

$8,000–12,000


235 JEFF KOONS

Balloon Dog (Red) 1995 Cast porcelain with red reflective finish #18 of unknown edition size Published by VOICE: Venice Oakwood/Inner City Enterprise, Los Angeles Signed on VOICE label verso; edition and date verso Together with certificate of authenticity 10.75" diameter (27 cm)

$5,000–7,000

236 JEFF KOONS, STYLE Cracked Egg (Red) 2008 Anodized aluminum Unknown edition size Published by the Broad Contemporary Art Museum at LACMA, Los Angeles Together with original box 4.5" x 3.5" diameter (11 x 9 cm)

$1,500–2,000

169


237 DAMIEN HIRST

Cathedral Print: Santiago de Compostela 2007 Color screenprint with glazes and diamond dust on wove paper #5 of 50 Published by Other Criteria, London and New York Signed in black felt-tip marker lower right in image; edition lower left Sheet: 47.375" x 47.25" Frame: 52.875" x 52.75" (Sheet: 120 x 120 cm) P ROVENA NC E Private Collection, Los Angeles, California

$20,000–30,000


238 DAMIEN HIRST

She Walks in Beauty (from Love Poems) 2014 Photogravure and etching with lithographic overlay on 400 gsm Velin Arches paper #30 of 55 Published by Paragon Press, London Signed in graphite lower right margin beneath image; edition verso Image: 23.5" x 24" Sheet: 30.75" x 29.875" Frame: 34.25" x 33.375" (Image: 60 x 61 cm)

$8,000–12,000

171


Carole Feuerman Carole Feuerman’s signature bathers are often referred to as “everyday goddesses.” First debuting the series at the Basel art fair of 1979, Feuerman reimagined the classical image of Venus emerging from the sea in her hyperrealistic sculptures. Feuerman has come to be internationally regarded as a master of technique. The magnitude of her works is a direct result of her acute sensitivity to and control over her materials, ranging from steel, bronze, and resin, to more “unconventional media.” Despite establishing a successful career in commercial illustration, Feuerman was drawn to sculpture by the wider range of expression that the medium offered. Her work joins the figure sculpture tradition of hyperrealist pioneers such as Duane Hanson and John de Andrea, but yields a very different pathos. Rather than addressing broad social issues, Feuerman’s themes are highly personal and sentimental. Where the works of her predecessors are often “ironic or confrontational,” her portraits are “lightheartedly outreaching.” One scholar notes that she replaces the “simple gloss on American social behavior” and the “detached disdain” championed by so many of her contemporaries, with an intense admiration for her subjects. Feuerman’s bathers and swimmers are highly idealized but resist the voyeuristic invitations of traditional female representations. While de Andrea’s women are “more objects than subjects,” Feuerman’s women turn away from the male-gaze, closing “their eyes in introspective ecstasy.” Reflecting changing attitudes towards mental health and an increased cultural awareness of ‘total wellness,’ the idealized physicality of her figures serves as a metaphor for “strength, survival, and balance.” It’s not about how attractive the woman is, but about “how good she feels.” Again diverging

ALTERNATE VIEW

from the canon, Feuerman prioritizes the sensation of the moment that she captures rather than the ‘realness’ of its rendering. In this sense, she uses hyperrealism as a vehicle as opposed to an exhibition. Feuerman often names her bathers after islands. This not only characterizes them as independent, but further articulates the isolation of the exact instant that she chooses to “freeze.” As “the water beads up on the swimmer’s glowing arms and shoulders” there is a singular impression of cleansing and invigoration that arises as she breaks through the water. It’s precisely this treatment that preserves the agency of Feuerman’s subjects. By chasing the “tactile rather than visual,” Owen Findsen writes, Feuerman allows her characters to be “totally involved” in their own narrative; we share their “exuberance,” but “we do not invade [their] privacy.” While many of her sculptures are complete portraits, as is the case for Bibi on the Ball (2015), Feuerman also utilizes fragmented images. Sculptures like Little Islamorada (1997), reveal only the most essential parts of the entire picture. Feuerman welcomes the audience to fill in the rest of the story with their own imagination. She argues that a piece is most successful when the viewer is inspired to access their personal notion of the sensation and import their own details of the experience. This, Feuerman says, is “a way I can make people think for themselves.”

Munro, Eleanor. “The Sculpture of Carole A. Feuerman.” Carole Feuerman. Spike, John T. “By the Sea.” Carole Feuerman, 2007. Spike, John T. “In the Swim: Carole Feuerman’s Sculptures Stay in Shape.” Art & Antiques, May 2005.

MARKINGS DETAIL


239 CAROLE FEUERMAN Bibi on the Ball 2015 Oil on resin #1 of 6 Signed and dated with edition in felt-tip marker 55" x 33.5" x 50" (140 x 127 x 85 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, 2015)

$60,000–80,000

173

240 CAROLE FEUERMAN Little Islamorada 1997 Oil on resin #14 of 25 Signed and dated with edition verso 13.5" x 8.125" x 4.25" (34 x 11 x 21 cm) P ROV E NANC E Jaffe Baker Gallery, Boca Raton, Florida; The Estate of Gerard L. Cafesjian (acquired directly from the above, 1997)

$3,000–5,000


241 YOSHITOMO NARA Green Eyes

2002 7-color etching, aquatint, and drypoint on paper #6 of 35 Published and printed by KIDO Press, Inc., Tokyo Signed and dated in graphite lower right edge of sheet; edition lower left; retains Marianne Boesky Gallery label verso Image: 11.75" x 8.75" Sheet: 19.25" x 14.75" Frame: 21.5" x 17.25" (Image: 30 x 22 cm)

$10,000–15,000


175

242 YOSHITOMO NARA In the Cloud

2003 Color lithograph on Arches paper #23 of 150 Published and printed by KIDO Press, Inc., Tokyo Signed and dated in graphite lower right; edition lower left; retains KIDO Press blind stamp lower right edge of sheet Image: 12.25" x 9.375" Sheet: 16.75" x 12.875" Frame: 24.75" x 21" (Image: 31 x 24 cm)

$10,000–15,000


SIGNATURE AND DATE DETAIL

243 HIRO ANDO

Samurai Cat Monology Orange 2006 Mixed-media resin and pigment polychrome on fiberglass under acrylic cap with LED #6 of 8 Published by Crazy Noodles Studio, Tokyo Signed and inscribed “June 27 2006” in English and Japanese to underside Together with copy of invoice from Modern Art Machine dated November 9, 2015 20" x 13.5" x 8.5" 27.5" x 21.375" x 17.375" (including case) (51 x 22 x 34 cm) P ROVENA NC E Modern Art Machine, Paris, France; Private Collection, Los Angeles, California (acquired directly from the above, 2015)

$7,000–9,000


177

244 TAKASHI MURAKAMI Group (4)

2012 Color lithographs on paper A: #92 of 700; B: #95 of 700; C: #70 of 700; D: #75 of 700 Published by Takashi Murakami/ Kaikai Kiki Co., Ltd., Tokyo; printed by Toppan Printing Co. and Chuo Printing Co., Tokyo Each signed with edition lower right edge of sheet; each retains Martin Lawrence Galleries label verso Comprised of A: An Homage to Monogold 1960 C; B: An Homage to Monopink 1960 C; C: An Homage to Yves Klein Multicolor C; and D: An Homage to IKB 1957 C Image/sheets each: 29" x 21" Frames each: 41.375" x 33.375" (Image/sheets each: 74 x 53 cm)

$3,000–5,000


LABEL DETAIL

245 FERNANDO & HUMBERTO CAMPANA All Animals sofa

Estudio Campana, Brazil, designed 2003 Prototype Retains stitched label to underside “Campana/All Animals sofa/Prototype” Together with slip case and copy of certificate from Estudio Campana 36.5" x 73" x 41" (93 x 104 x 185 cm)

$40,000–60,000


ALTERNATE VIEW

246 FERNANDO & HUMBERTO CAMPANA Harumaki chair

Estudio Campana, Brazil, designed 2004 From the Sushi Collection 34.75" x 24" x 22" (88 x 56 x 61 cm) LIT E RAT URE The Campana Brothers: Complete Works (So Far). D. Alfred, et al. 2010. 270.

$6,000–8,000

247 FERNANDO & HUMBERTO CAMPANA Vermelha chair

Edra, designed 1998 30" x 31" x 24" (76 x 61 x 79 cm) LIT E RAT URE The Campana Brothers: Complete Works (So Far). D. Alfred, et al. 2010. 260.

$3,000–5,000

179


248 URS FISCHER

Sigh, Sigh, Sherlock! (For Parkett 72) 2004 Partially painted fiberglass-reinforced plaster cast #3 of 45 Published by Parkett Editions, ZĂźrich; fabricated by Kunstgiesserei Felix Lehner, St. Gall Retains signed plaque with stamped title, date, and edition to underside 36.5" x 13" x 13" (93 x 33 x 33 cm)

$8,000–12,000


249 LOS CARPINTEROS

Observatorio for Project Ciudad Transportable 2000 Watercolor on paper Signed and dated lower right; titled lower left; inscribed “Project ciudad transportable VIII Bienal de la Habana 2000” lower center Composition/sheet: 29.5" x 41.25" Frame: 32.625" x 44.875" (Composition/sheet: 75 x 105 cm)

$8,000–12,000

181

250 ALLEN RUPPERSBERG Quality Drink

2008 Screenprint and pencil on Museum Board Signed and dated sheet verso Sheet: 10" x 8" Frame: 19" x 16" (Sheet: 25 x 20 cm)

$3,000–5,000


251 PETER DOIG

Country Rock (from 100 Years Ago) 2000-2001 Color etching and aquatint on Hahnemühle paper #18 of 46 Published by Paragon Press, London Signed with edition lower right margin beneath image Image: 27.25" x 39.125" Sheet: 36.75" x 48" (Image: 69 x 99 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian (acquired through Sotheby’s, New York, New York, February 26, 2007, lot 236)

$5,000–7,000


252 PETER DOIG

Haus Der Bilder (from 100 Years Ago) 2000-2001 Color etching and aquatint on Hahnemühle paper #18 of 46 Published by Paragon Press, London Signed with edition lower right margin beneath image Image: 25.875" x 34.25" Sheet: 35.25" x 43" (Image: 66 x 87 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Sotheby’s, New York, New York, February 26, 2007, lot 236)

$4,000–6,000

253 PETER DOIG

Canoe - Island 2000 12-color screenprint on 300 gsm Somerset Tub Sized paper #262 of 300 Published by Counter Editions, London; printed by Coriander Studio, Isleworth Signed with edition in graphite sheet verso Image/sheet: 29" x 39.5" Frame: 37.25" x 47.75" (Image/sheet: 74 x 100 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian

$3,000–5,000

183


185 255 BARBARA KRUGER

We Will No Longer Be Seen and Not Heard

ILLUSTRATED PREVIOUS PAGE

254 NATE LOWMAN & LEO FITZPATRICK O.J.’s Can

2013 T-shirt and push pins on canvas Together with copy of invoice from Karma dated June 28, 2013, and certificate of authenticity from Karma signed by the artists Composition: 28.5" x 21.25" Frame: 32.875" x 24.875" (Composition: 72 x 54 cm)

1992 Color lithograph on aluminum foil adhered to Lana Gravure paper

256

#4 of 20 artist’s proofs aside from the edition of 125

MAURIZIO CATTELAN, ALI SUBOTNICK & MASSIMILIANO GIONI

Published by Geraldine Ferraro for U.S. Senate, New York; printed by Derrière l’Étoile Studios, Inc., New York

2006 Wood, brass, steel, aluminum, resin, plastic, glass, and electric lighting

Signed and dated in graphite lower right edge of sheet; edition lower left

The 1:6 Scale Wrong Gallery

#543 of 2,500 Published by Cerealart Multiples, Philadelphia

Image: 9.125" x 4" Sheet: 19.75" x 13" Frame: 32.75" x 26" (Image: 23 x 10 cm)

Retains copyright stamp inscribed “Cattelan/Subotnick/Gioni 2005” with edition to underside

P ROV E NANC E Derrière l’Étoile

Together with copy of the Wrong Gallery Times and original printed cardboard box

PROVE N A N CE Karma, New York,

Studios, Long Island City, New York;

New York; Private Collection, Los

Private Collection, Los Angeles, Cali-

Angeles, California (acquired directly

fornia (acquired directly from the

from the above, 2013)

above, 2015)

$10,000–15,000

$3,000–5,000

18.375" x 11.375" x 6.625" (47 x 17 x 29 cm)

$1,500–2,000


257 RAYMOND PETTIBON

The Smell of Burning Rubber…

ILLUSTRATED OPPOSITE PAGE

1989 Ink on paper

258

Signed and dated in black ink verso Composition: 9.75" x 15.75" Sheet: 11.25" x 17.5" Frame: 13.25" x 19.5" (Composition: 25 x 40 cm) P ROVENA NC E Richard/Bennett Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above); Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, May 22, 2016, lot 201)

$10,000–15,000

RAYMOND PETTIBON

No Title (I See Before Me...) 2002 Lithograph on paper #14 of 75 Published by Brooke Alexander Editions, New York; printed by Derrière l’Étoile Studios, New York Signed in graphite lower right in image; edition lower left Image/sheet: 19" x 14" Frame: 21.25" x 16.25" (Image/sheet: 48 x 36 cm)

$1,000–1,500


187


259 RAYMOND PETTIBON

No Title (The Creatures of Flesh...) 1990 Ink on paper Signed and dated verso Composition: 11" x 9" Sheet: 13.5" x 11" Frame: 16.175" x 13.175" (Composition: 28 x 23 cm)

$6,000–9,000


260 RAYMOND PETTIBON

No Title (What would you have me say ladies) 2002 Color screenprint on paper #97 of 100 Published by Brooke Alexander Editions, New York Signed in graphite lower right edge of sheet; edition lower left Image/sheet: 29.875" x 21.875" Frame: 33.625" x 25.5" (Image/sheet: 76 x 56 cm)

$1,500–2,000

189

261 RAYMOND PETTIBON

The Beautiful and the Damned 2003 Etching on Rives BFK paper #12 of 30 Published by Eisenberg Press, Los Angeles Signed in graphite lower right margin beneath image; edition lower left; retains Eisenberg Press blind stamp lower left edge of sheet Image: 10.75" x 15.375" Sheet: 15.125" x 22.25" (Image: 27 x 39 cm)

$800–1,200


262 SHIRIN NESHAT I am its Secret

1993; this example printed 1999 Chromogenic print on Fujicolor Crystal Archive paper From an unnumbered edition of 250 Co-published by the Museum of Contemporary Art, Los Angeles and Muse [X] Editions, Los Angeles Signed, titled, and dated “1993” sheet verso Image: 18.875" x 12.625" Sheet: 19.5" x 13.125" Frame: 23.75" x 17.25" (Image: 48 x 32 cm)

$5,000–7,000

263 GREGORY CREWDSON

Production Still (Library St.) 2003 Digital chromogenic print #20 of 20 Signed and dated in black ink lower right margin beneath image; retains Gagosian Gallery label verso Image: 12" x 16" Sheet (vis.): 13.875" x 17.75" Frame: 24.375" x 28.125" (Image: 30 x 41 cm)

$1,500–2,000


191

264 MARILYN MINTER

Pamela Anderson (For Parkett 79)

265 CINDY SHERMAN

P ROV E NAN CE Cynthia Green-

Untitled

wald, Los Angeles, California; California (acquired directly from

#37 of 60

1975; this example printed 1997 Gelatin silver print

Published by Parkett Editions, Zürich

Unlimited edition

LIT E RAT URE Cindy Sherman

Signed, titled, and dated with edition in felt-tip pen sheet verso

Signed and dated in black ink sheet verso

Catalogue Raisonné, The Early

Together wtih copy of invoice from Parkett dated June 8, 2007

Together with copy of invoice from Cynthia Greenwald dated September 9, 2015

2007 Chromogenic print

Image/sheet (vis.): 19.125" x 12.375" Frame: 27.375" x 19.625" (Image/sheet: 49 x 31 cm)

$3,000–5,000

Image: 7" x 5" Sheet: 9" x 6.875" Frame: 19.75" x 17.625" (Image: 18 x 13 cm)

Private Collection, Los Angeles, the above, 2015)

Works: 1975-1977. G. Schor. 2012. #14.

$3,000–5,000


266 WILLIAM WEGMAN

Golfer; Rain Ready (2) 2001; 2002 Photographs Each: #4 of 12 Each signed, titled, and dated with edition sheet verso Image/sheet (vis.): 7.125" x 7.125" Frame: 16.375" x 15.375" Image/sheet (vis.): 8.875" x 8.875" Frame: 19.375" x 19.5" (Image/sheet: 18 x 18 cm)

$2,000–3,000

267 WILLIAM WEGMAN

Hobos; Three for the Road (2) 2004; 2003 Photographs #6 of 12; #2 of 12 Each signed, titled, and dated with edition sheet verso Image/sheets (vis.) each: 8.625" x 8.625" Frames each: 17.25" x 16.25" (Image/sheets each: 22 x 22 cm)

$2,000–3,000


193

268 WILLIAM WEGMAN

Legs to Legs; Drumming (2) 2007 Photographs #11 of 12; #4 of 12 Legs to Legs: Signed, titled, and dated with edition sheet verso; Drumming: Signed and dated in graphite lower right margin beneath image; titled with edition lower left Legs to Legs: Image/sheet (vis.): 7.375" x 9.875" Frame: 16.25" x 18.75" Drumming: Image: 12.5" x 9.5" Sheet (vis.): 13.75" x 10.75" Frame: 20.375" x 17.25" (Legs to Legs: Image/sheet: 19 x 25 cm)

269 WILLIAM WEGMAN

Ying Yang; Cloud Buster (2) 2001 Chromogenic prints #4 of 12; #3 of 12 Each signed, titled, and dated with edition sheet verso; each retains Pace/Macgill Gallery label frame verso Image/sheets (vis.) each: 7.125" x 6.875" Frames each: 17.75" x 14.75" (Image/sheets: 18 x 17 cm)

$2,000–3,000 $2,000–3,000


270 The Shadow (from Myths)

Sheet: 38" x 38" Frame: 50.25" x 50.25" (Sheet: 97 x 97 cm)

1981 Screenprint on Lenox Museum Board

PROVE N A N CE Martin Lawrence

#192 of 200

Private Collection, Los Angeles, Cali-

ANDY WARHOL

Gallery, Beverly Hills, California;

Published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York

fornia (acquired directly from the

Signed with edition and printer’s blind stamp lower right edge of sheet

A Catalogue Raisonné. 4th ed. F.

F/S #II.267

above, 2004) L I T E RAT U R E Andy Warhol Prints: Feldman and J. Schellmann. 2003. #II.267.

$30,000–50,000


271 ANDY WARHOL Flowers

1964 Offset lithograph on paper From an edition of approximately 300 Published by Leo Castelli Gallery, New York; printed by Total Color, New York Signed and dated lower right margin beneath image F/S #II.6 Image: 22" x 22" Sheet: 23" x 23" Frame: 30.5" x 30.5" (Image: 56 x 56 cm) LIT E RAT URE Andy Warhol Prints: A Catalogue Raisonné. 4th ed. F. Feldman and J. Schellmann. 2003. #II.6.

$12,000–18,000

272 ANDY WARHOL

Marilyn (Castelli Graphics Invitation) 1981 Offset lithograph on paper Signed in black felt-tip marker along right edge of sheet Not in F/S Sheet (vis.): 11.75" x 11.75" Frame: 12.875" x 12.875" (Sheet: 30 x 30 cm) This is an announcement for the exhibition “Andy Warhol: A Print Retrospective 1963-1981,” held at Leo Castelli Gallery, New York. P ROV E NANC E Tere Tereba, Los Angeles, California (acquired directly from the artist, 1981)

$7,000–10,000

195


273 ANDY WARHOL

Superman (from Myths) 1981 Screenprint on Lenox Museum Board

F/S #II.260

#5 of 5 E.P. aside from the edition of 200

Sheet: 38" x 38" Frame: 51" x 51" (Sheet: 97 x 97 cm)

Published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York Signed with edition in graphite lower right edge of sheet; retains printer’s blind stamp lower left

L I T E RAT U R E Andy Warhol Prints: A Catalogue Raisonné. 4th ed. F. Feldman and J. Schellmann. 2003. #II.260.

$120,000–180,000


197

274 ANDY WARHOL Moonwalk

1987 Screenprint on Lenox Museum Board

F/S #II.404

#135 of 160

Sheet: 38" x 38" Frame: 51.75" x 51.75" (Sheet: 97 x 97 cm)

Published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York

A Catalogue Raisonné. 4th ed. F.

Signed with edition lower right edge of sheet; retains publisher and printer blind stamps lower left

LIT E RAT URE Andy Warhol Prints: Feldman and J. Schellmann. 2003. #II.404.

$80,000–120,000


275 ANDY WARHOL

Chanel (from Ads) 1985 Screenprint on Lenox Museum Board #5 of 5 E.P. aside from the edition of 190 Published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York Signed with edition in graphite lower left edge of sheet; retains publisher and printer blind stamps lower right

F/S #II.354 Image/sheet: 38" x 38" Frame: 48.75" x 48.75" (Image/sheet: 97 x 97 cm) L I T E RAT U R E Andy Warhol Prints: A Catalogue Raisonné. 4th ed. F. Feldman and J. Schellmann. 2003. #II.354.

$70,000–100,000


276 ANDY WARHOL

F/S #II.359

1985 Screenprint on Lenox Museum Board

Image/sheet: 38" x 38" Frame: 50.5" x 50.5" (Image/sheet: 97 x 97 cm)

Apple (from Ads)

#59 of 190 Published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York Signed with edition in graphite lower right edge of sheet; retains Martin Lawrence Gallery label frame verso Together with copy of invoice from Martin Lawrence Gallery dated April 22, 2006

P ROV E NANC E Martin Lawrence Gallery, Beverly Hills, California; Private Collection, Los Angeles, California (acquired directly from the above, 2006) LIT E RAT URE Andy Warhol Prints: A Catalogue Raisonné. 4th ed. F. Feldman and J. Schellmann. 2003. #II.359.

$40,000–60,000

199


277 ANDY WARHOL Turtle

1985 Screenprint on Lenox Museum Board #146 of 250 Published by CBS, Inc., Los Angeles; printed by Rupert Jasen Smith, New York Signed with edition in graphite lower right edge of sheet; retains printer’s blind stamp lower left

F/S #II.360A Image/sheet: 31.5" x 39.25" Frame: 44.5" x 52.25" (Image/sheet: 80 x 100 cm) L I T E RAT U R E Andy Warhol Prints: A Catalogue Raisonné. 4th ed. F. Feldman and J. Schellmann. 2003. #II.360A.

$20,000–30,000


278 ANDY WARHOL Cow

1971 Screenprint on wallpaper #21 of 150 signed and numbered copies aside from the unlimited edition Published by Factory Additions, New York; printed by Bill Miller’s Wallpaper Studio, Inc., New York Signed and dated “’73” with edition in ball point pen verso F/S #II.12 Image/sheet: 45.5" x 29.5" Frame: 51" x 35" (Image/sheet: 116 x 75 cm) P ROV E NANC E Jalallar Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2012) LIT E RAT URE Andy Warhol Prints: A Catalogue Raisonné. 4th ed. F. Feldman and J. Schellmann. 2003. #II.12.

$10,000–15,000

201


279 ANDY WARHOL Beatles

1980 Screenprint on paper collage mounted to board

PROVE N A N CE Hamilton-Selway

Retains “The Estate of Andy Warhol” and “Andy Warhol Foundation for the Visual Arts” ink stamps sheet verso; inscribed “UP” and “115.016” twice in graphite sheet verso

the above)

Image: 18" x 39.75" Sheet: 32" x 40" Frame: 45.125" x 53.125" (Image: 46 x 101 cm)

Fine Art, West Hollywood, California; Private Collection, Los Angeles, California (acquired directly from

E X H I B I T E D “Andy Warhol Popstars: Drawings and Collages,” Albertina, Vienna, November 23, 2006-February 18, 2007 I L LU ST RAT E D Andy Warhol Popstars: Drawings and Collages. Albertina exh. cat. 2006. #47.

$60,000–80,000


280 ANDY WARHOL Untitled

1954 Ink and gouache on paper Retains “The Estate of Andy Warhol” and “Andy Warhol Foundation for the Visual Arts” ink stamps verso; inscribed “UF” and “328.049” in graphite verso Together with copy of invoice from Hamilton-Selway Fine Art dated June 11, 2007 Sheet (vis.): 13.25" x 20.25" Frame: 22.375" x 29.375" (Sheet: 34 x 51 cm) P ROV E NANC E Hamilton-SelwayFine Art, West Hollywood, California; Private Collection, Los Angeles, California (acquired directly from the above, 2007)

$10,000–15,000

203


281 ANDY WARHOL

Birds and Flowers c. 1961 Ink and Dr. Martin’s Aniline Dye on ivory paper Retains “Estate of Andy Warhol” ink stamp sheet verso; retains Neal Meltzer Fine Art, Inc. label frame verso Sheet: 24" x 17.875" Frame: 31.25" x 25.25" (Sheet: 61 x 45 cm) P ROVENA NC E Private Collection, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auction, Van Nuys, California, October 13, 2013, lot 186)

$15,000–20,000


282 ANDY WARHOL

Plates from In the Bottom of My Garden (4) c. 1956 Offset lithographs and watercolors on paper Unknown edition size One retains DTR Modern Galleries label verso F/S #IV.90A-IV.92A and #IV.103A Sheets each: 8.5" x 11" Frames each: 15.5" x 18" (Sheets each: 22 x 28 cm) P ROV E NANC E DTR Modern Galleries, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2011) LIT E RAT URE Andy Warhol Prints: A Catalogue Raisonné. 4th ed. F. Feldman and J. Schellmann. 2003. #IV.90A-IV.92A and #IV.103A.

$4,000–6,000

205


283 ROY LICHTENSTEIN Shipboard Girl

1965 Offset lithograph on white wove paper Unknown edition size Published by Leo Castelli Gallery, New York Signed in graphite lower right margin beneath image Image: 26.125" x 19.125" Sheet: 27.125" x 20.25" Frame: 41.75" x 34.75" (Image: 66 x 49 cm) LITERATURE The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948-1993. 1st ed. M. Corlett. 1994. #II.6.

$30,000–50,000


284 ROY LICHTENSTEIN Sunrise

1965 Offset color lithograph on lightweight, white, wove paper Unknown edition size Published by Leo Castelli Gallery, New York; printed by Colorcraft, New York Signed in graphite lower right margin beneath image Image: 17.25" x 23.25" Sheet: 18.25" x 24.25" Frame: 29.875" x 36" (Image: 44 x 59 cm) LIT E RAT URE Roy Lichtenstein: Drawings and Prints. D. Waldman. 1969. #15.; The Prints of Roy Lichtenstein: A Catalogue Raisonné, 19481993. 1st ed. M. Corlett. 1994. #II.7.

$8,000–12,000

207


285 ROY LICHTENSTEIN

Tel Aviv Museum Print 1989 15-color lithograph on Rives BFK paper #33 of 60 Co-published by the artist and Tyler Graphics, Ltd., Mt. Kisco, for the benefit of American Friends of the Tel Aviv Museum of Art; printed by Tyler Graphics, Ltd., Mt. Kisco Signed and dated with edition in graphite lower right margin beneath image Image: 20.625" x 51.5" Sheet (vis.): 22.25" x 52.5" Frame: 30.5" x 60.875" (Image: 52 x 131 cm) LITERATURE The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948-1993. 1st ed. M. Corlett. 1994. #238.

$30,000–50,000


209

286 ROY LICHTENSTEIN

As I Opened Fire (Triptych) 1966 Offset lithographs on white wove paper From an edition of over 3,000 Published by Stedelijk Museum, Amsterdam; printed by Drukkerij Luii & Co., Amsterdam Retains Martin Lawrence Galleries label verso This is from one of several editions of over 3,000 printed from 1966 onward Images each: 24" x 19.625" Sheets (vis.) each: 24.25" x 20.125" Frame: 36.5" x 76.25" (Images each: 61 x 50 cm)

287 CLAES OLDENBURG

Tea Bag (from 4 on Plexiglas) 1966 Laminated vacuum-formed vinyl, screenprinted vinyl, felt, and Plexiglas with rayon cord #122 of 125 Published by Multiples Inc., New York; printed and fabricated by Knickerbocker Machine & Foundry, Inc., New York Signed with edition in graphite verso Image: 39" x 27.75" Frame: 39.625" x 28.375" (Image: 99 x 70 cm)

LIT E RAT U RE The Prints of Roy

L I T E RAT U R E Printed Stuff, Posters,

Lichtenstein: A Catalogue Raisonné,

and Ephemera by Claes Oldenburg: A

1948-1993. 1st ed. M. Corlett. 1994.

Catalogue Raisonné. R. Axsom and D.

App. 5.

Platzker. 1997. #36.

$1,500–2,000

$4,000–6,000


288 KEITH HARING

Statue of Liberty 1986 Screenprint on paper #8 of 10 printer’s proofs aside from the edition of 100 Printed by Rupert Jasen Smith, New York Signed and dated with edition in graphite along right lower edge of sheet Image: 36" x 26" Sheet (vis.): 37.25" x 28" Frame: 44.75" x 35.5" (Image: 91 x 66 cm) LITERATURE Keith Haring: Editions on Paper 1982-1990. K. Littmann, ed. 1993. 63.

$35,000–45,000


289 KEITH HARING Growing Suite

1988 The complete suite of five color screenprints on paper Each: #7 of 15 artist’s proofs aside from the edition of 100 Published by Martin Lawrence Limited Editions, New York; printed by Rupert Jasen Smith, New York Each signed and dated with edition in graphite along right edge of sheet; each retains Martin Lawrence Limited Edition and printer’s blind stamps lower left edge of sheet Sheets each: 30" x 40" (or alternate orientation) Frames each: 35.5" x 45.75" (or alternate orientation) (Sheets each: 76 x 102 cm) LIT E RAT URE Keith Haring: Editions on Paper 1982-1990. K. Littmann, ed. 1993. 88-91.

$80,000–120,000

211


290 JAMES ROSENQUIST

Sky Hole (from Welcome to the Water Planet) 1989 33-color pressed paper pulp work with lithography collage elements on white Rives BFK paper adhered to handmade white TGL paper #10 of 11 artist’s proofs aside from the edition of 56 Published and printed by Tyler Graphics, Ltd., Mt. Kisco Signed and dated in graphite lower right edge of sheet; titled with edition lower left Image/sheet: 103.25" x 59" Frame: 106.5" x 61.5" (Image/sheet: 262 x 150 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, New York, New York, November 1, 2006, lot 631) LITERATURE Time Dust: James Rosenquist Complete Graphics: 19621992. C. Glenn. 1993. #217.

$8,000–12,000


213

291

292

JAMES ROSENQUIST

JAMES ROSENQUIST

1974-1976 14-color lithograph with attached string and stone on 320 gram rolled white Arches Cover paper

1975 6-color lithograph and screenprint on Arches watercolor paper

Cold Rolled

#3 of 4 H.C. aside from the edition of 60 Published by Sidney Singer, New York; printed by Graphicstudio/U.S.F., Tampa

Time Stream Prix Nobel

#86 of 100 Published by Prix à Nobel, Stockholm; printed by Topaz Editions, Inc., Tampa

Signed and dated lower right edge of sheet; edition lower left

Signed and dated in graphite lower right edge of sheet; titled with Topaz Editions blind stamp lower center; edition lower left

Image/sheet: 33.875" x 73.5" Frame: 36.5" x 76.25" (Image/sheet: 86 x 187 cm)

Image/sheet: 29.75" x 21.875" Frame: 44.875" x 37" (Image/sheet: 76 x 56 cm)

LIT E RAT U R E Time Dust: James

LIT E RAT URE Time Dust: James

Rosenquist Complete Graphics: 1962-

Rosenquist Complete Graphics: 1962-

1992. C. Glenn. 1993. #86.

1992. C. Glenn. 1993. #87.

$3,000–5,000

$800–1,200


293 JAY PHILLIPS

Hancock Park; Beverly; and Melrose (from the Serrano Suite) (3) 1979 Screenprints, die-cut and folded in acrylic boxes #15 of 44 Two retain Marlborough Gallery labels verso; two titled with edition verso Each: 40.5" x 46.5" x 5.25" (103 x 13 x 118 cm)

$2,000–3,000


294 ROBERT INDIANA Chosen Love

Master Contemporary Original Artist Rugs, designed c. 1995 #2 of 300 Skein dyed hand-carved and hand-tufted archival New Zealand wool on stretched canvas with natural latex backing Signed in the weave “R. Indiana” lower right; retains manufacturer’s label with artist’s signature and edition verso 72" x 72" (183 x 183 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian

$3,000–5,000

295 BRUCE HOUSTON

Untitled (Mondrian Truck) 1986 Mixed-media sculpture Signed and dated to underside 12.625" x 14.5" x 2" (32 x 5 x 37 cm)

$3,000–5,000

215


296 FRANK STELLA

Spectralia (from Imaginary Places) 1994 45-color lithograph, screenprint, relief-printed etching, engraving, and aquatint on TGL handmade paper #17 of 75 Published and printed by Tyler Graphics, Ltd., Mt. Kisco Signed and dated with edition in graphite lower left sheet in image; retains Tyler Graphics, Ltd. blind stamp lower right Image/sheet: 26.875" x 32.625" Frame: 32.75" x 38.25" (Image/sheet: 68 x 83 cm) LITERATURE Frank Stella Prints: A Catalogue Raisonné. R. Axsom. 2016. #226.

$6,000–8,000

297 JASPER JOHNS

#3 (after ‘Untitled 1975’) 1976 11-color lithograph on Rives BFK newsprint gray paper #27 of 60 Published and printed by Gemini G.E.L., Los Angeles Signed in graphite lower right edge of sheet; edition lower left; retains Gemini G.E.L. blind stamps lower right Gemini G.E.L. #26.84 Sheet: 30.125" x 29.75" Frame: 37.125" x 36.875" (Sheet: 77 x 76 cm) LITERATURE The Prints of Jasper Johns 1960-1993: A Catalogue Raisonné. R. Field. 1994. #176.

$4,000–6,000


298 ELLSWORTH KELLY Red Yellow Blue

1999-2000 3-color lithograph on Rives BFK paper #20 of 40 Published and printed by Gemini G.E.L., Los Angeles Signed with edition in graphite lower left edge of sheet; Gemini G.E.L. blind stamps lower right Gemini G.E.L. #28.225 Image: 22.5" x 22.5" Sheet: 31" x 30.5" Frame: 33.25" x 32.75" (Image: 57 x 57 cm) LIT E RAT URE The Prints of Ellsworth Kelly: A Catalogue Raisonné. Vol. II. R. Axsom. 2012. #289.

$3,000–5,000

299 ELLSWORTH KELLY Yellow over Black

1964-1965 2-color lithograph on Rives BFK paper H.C. aside from the edition of 75 Published by Maeght Éditeur, Paris; printed by Marcel Durassier, Imprimerie Maeght, Levallois-Perret Signed in graphite lower right edge of sheet; edition lower left Sheet: 35.25" x 23.5" Frame: 38.5" x 26.75" (Sheet: 90 x 60 cm) LIT E RAT URE The Prints of Ellsworth Kelly: A Catalogue Raisonné, 19491985. R. Axsom. 1987. #23.

$4,000–6,000

217


300 ROBERT RAUSCHENBERG Signs

1970 Color screenprint on wove paper #34 of 250 Published by Castelli Graphics, New York Signed and dated with edition in graphite lower right Image: 34.875" x 26.75" Sheet (vis.): 37.25" x 28.75" Frame: 48.875" x 40.25" (Image: 89 x 68 cm) P ROVENA NC E Private Collection, Los Angeles, California

$12,000–15,000


301 ROBERT RAUSCHENBERG

Pre-Morocco (from Eight by Eight to Celebrate the Temporary Contemporary) 1983; published 1984 11-color lithograph on Rives BFK paper #120 of 250 Published by the Museum of Contemporary Art, Los Angeles; printed by ULAE, West Islip Signed and dated with edition in graphite lower left edge of sheet; retains ULAE blind stamp lower left corner; retains Martin Lawrence Galleries label verso Image: 33.875" x 23.625" Sheet: 41.875" x 29.625" Frame: 52.125" x 39.875" (Image: 86 x 60 cm)

$1,000–1,500

302 ROMARE BEARDEN Sorcerer’s Village

1976 Screenprint and lithograph on paper #103 of 125 Signed in graphite lower right margin beneath image; titled with edition lower left Image: 16.25" x 19.5" Sheet (vis.): 17.125" x 20.125" Frame: 25.25" x 28.25" (Image: 41 x 50 cm) LIT E RAT URE From Process to Print: Graphic Works by Romare Bearden. M. Corlett. 2009. #69.

$3,000–5,000

219


303 CHUCK CLOSE John

1998 126-color screenprint on paper B.A.T. aside from the edition of 80 Published by Pace Editions, Inc., New York; printed by Brand X Editions, New York Signed in graphite lower center edge of sheet; dated in graphite with Brand X Editions blind stamp lower right edge of sheet; edition lower left Image: 56.5" x 48.375" Sheet: 64.375" x 54.375" Frame: 70.75" x 60.75" (Image: 144 x 123 cm) P ROVENA NC E Private Collection, Los Angeles, California LITERATURE Chuck Close: Work. C. Finch. 2010. 248-249.

$10,000–15,000


304 JOAN HANLEY

American Hostage 1990 Acrylic on canvas Signed lower right; retains West Publishing Company exhibition label verso Canvas: 30.25" x 52.125" Frame: 30.75" x 52.75" (Canvas: 77 x 132 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian

$1,500–2,000

305 BARNABY FURNAS Tingling Couple 3

2001 Watercolor on paper Retains Marianne Boesky Gallery label verso Composition/sheet: 7.125" x 10.375" Frame: 14.125" x 17.375" (Composition/sheet: 18 x 26 cm)

$3,000–5,000

221


ILLUSTRATED PREVIOUS PAGE

306 SHIRO KURAMATA Flower Vase #2 (3)

Ishimaru Co., Ltd., designed 1989 Each: 8.375" x 4.375" x 4.375" (21 x 11 x 11 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian

$2,000–3,000

307 SHIRO KURAMATA

Floating Feather (2) Kuramata Design Office, designed 1990 Each retains sticker “Kuramata Design Office” Each: 5.5" x 3.75" x 3.125" (14 x 8 x 10 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian

$1,500–2,000

308 MICHEL DUCAROY TOGO sofa

Ligne Roset, designed 1973 Retains manufacturer’s label 29.625" x 68.75" x 40.375" (75 x 103 x 175 cm)

$1,500–2,000

223


309 JONATHAN DE PAS, DONATO D’URBINO & PAOLO LOMAZZI Joe chair

Poltronova, designed 1971 37" x 67" x 41" (94 x 104 x 170 cm) LITERAT U RE Sourcebook of Modern Furniture. 3rd ed. J. Habegger. 2005. 435.

$5,000–7,000


310 JOE COLOMBO Elda chair

Comfort, designed 1963 Model no. 1005 Retains Stendig label 38" x 40.25" x 38" (97 x 97 x 102 cm) LIT E RAT URE Joe Colombo: Inventing the Future. M. Kries. 2005. 144-145.; Joe Colombo and Italian Design of the Sixties. I. Favata. 1988. 36-37.

$2,000–3,000

311 GAETANO PESCE UP7 chair

B&B Italia, designed 1969; this example produced c. 1994 32.5" x 24" x 64" (83 x 163 x 61 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired through Los Angeles Modern Auctions, Van Nuys, California, May 19, 2013, lot 302) E XHIBIT E D “Gaetano Pesce: Pieces of a Larger Puzzle,” Instituto Italiano di Cultura, Los Angeles, July 7-August 31, 2010 ILLUST RAT E D Gaetano Pesce: Pieces of a Larger Puzzle. Instituto Italiano di Cultura exh. cat. 2010. 5, 28.

$2,000–3,000

225


312 GAETANO PESCE Door

Custom designed for TBWA\Chiat\Day, New York, 1991 82.75" x 33.5" (210 x 85 cm)

$3,000–5,000


313 JAN EKSELIUS Jan chair

Stendig, designed c. 1970 30.5" x 24.5" x 40.375" (77 x 103 x 62 cm) LIT E RAT URE 1000 Chairs. C. Fiell and P. Fiell. 1997. 528.

$1,500–2,000

314 PIERRE PAULIN

Lounge chairs (2) Artifort, designed 1966 Model no. F580 Each: 26.5" x 30" x 23" (67 x 58 x 76 cm) LIT E RAT URE 60s Decorative Arts. C. Fiell and P. Fiell. 2000. 252.

$2,000–3,000

315 DEL CAMPO Bowls (7)

Studio, designed c. 1965 Each inscribed “del campo Italy” Three: 1.625" x 4.75" diameter Two: 1" x 6.25" x 6.25" Two: 1.375" x 9" x 9" (Three: 4 x 12 cm)

$1,000–1,500

227


316 ROLAND PETERSEN

Girl with Picnic Table and Fields 1968 Oil on canvas Signed and dated upper left; signed and titled to canvas stretcher verso Canvas: 16.875" x 20" Frame: 17.5" x 20.75" (Canvas: 43 x 51 cm) P ROVENA NC E Private Collection, Sacramento, California; Private Collection, Sacramento, California (acquired directly from the above)

$10,000–15,000


317 RICHARD DIEBENKORN Tri-Color II

1981 Color aquatint with soft ground etching on paper #15 of 35 Published and printed by Crown Point Press, San Francisco Initialed and dated in graphite lower right margin of sheet beneath image; edition lower left; Crown Point Press blind stamp lower right sheet; retains McPherson/Luttrel Associates label frame verso Image: 18.75" x 17.75" Sheet: 37.5" x 30.75" Frame: 40" x 33.325" (Image: 48 x 45 cm)

$10,000–15,000

318 EDWARD CORBETT Provincetown No. 1 1962 Oil on canvas Retains San Francisco Museum of Art, Richmond Art Center, and Grace Borgenicht Gallery labels canvas stretcher verso Canvas: 40" x 50" Frame: 40.625" x 50.625" (Canvas: 102 x 127 cm) E XHIBIT E D “Edward Corbett: A Retrospective,” San Francisco Museum of Art, San Francisco, April 4-May 4, 1969; “Edward Corbett: A Retrospective,” Richmond Art Center, Richmond, September 23-November 18, 1990

$3,000–5,000

229


319 DAVID PARK

Nude Resting on Side (#257) c. 1955 Watercolor and graphite on paper Inscribed “257” lower left edge; retains Maxwell Galleries label and inscribed “257 certified/8-29-66” frame verso Together with copy of invoice from Butterfield & Butterfield dated October 31, 1990 Sheet (vis.): 16" x 12.25" Frame: 23.25" x 19.25" (Sheet: 41 x 31 cm) P ROVENA NC E Maxwell Galleries, San Francisco, California; Private Collection, Ventura, California; Private Collection, Sausalito, California (acquired directly from the above through Butterfield & Butterfield, San Francisco, California, October 25, 1990, lot 1509)

$4,000–6,000


320 DAVID PARK

Seated Female on Stool c. 1956 Pencil and charcoal on paper Inscribed “Work of David Park, my late husband/Lydia Park Moore 8-28-66” in blue ink verso Together with copy of invoice from Suzanne Zumbrink Strid dated March 18, 1991 Sheet (vis.): 14.875" x 10.375" Frame: 24.25" x 20.25" (Sheet: 38 x 26 cm) P ROV E NANC E Suzanne Zumbrink Strid, Carmel, California; Private Collection, Sausalito, California (acquired directly from the above, 1991)

$4,000–6,000

321 WILLIAM THEOPHILUS BROWN Untitled (Figure)

1961 Oil on illustration board Signed and dated in graphite lower right edge of sheet Composition/sheet: 10.5" x 8.25" Frame: 14.625" x 12.625" (Composition/sheet: 27 x 21 cm)

$2,000–3,000

322 JAMES JARVAISE

Untitled (from Hudson River Series) 1958 Oil on canvas Signed, titled, and dated lower left Canvas: 36" x 30" Frame: 37.375" x 31.5" (Canvas: 91 x 76 cm) P ROV E NANC E Stanley and Betty Warner Sheinbaum, Brentwood, California; Private Collection, California (acquired directly from the above)

$4,000–6,000

231


323 BRUCE COHEN Untitled

1982 Oil on canvas Signed and dated canvas verso; retains Asher Faure and The Solomon R. Guggenheim Museum exhibition labels canvas stretcher verso Canvas: 66" x 40" Frame: 66.75" x 40.75" (Canvas: 168 x 102 cm) P ROVENA NC E Asher Faure, Los Angeles, California; Private Collection, California (acquired directly from the above, 1983) EXHIBITE D “Bruce Cohen: New Paintings,” Asher Faure, Los Angeles, January 8-February 5, 1983; “New Perspectives in American Art: 1983 Exxon National Exhibition,” Solomon R. Guggenheim Museum, New York, September 30-November 27, 1983 ILLUSTRAT E D New Perspectives in American Art: 1983 Exxon National Exhibition. Solomon R. Guggenheim Museum exh. cat. 1983. #17.

$4,000–6,000


324 BRUCE BRAITHWAITE Beaded Lace 2011 Oil on canvas Signed lower right; signed, titled, and dated in black felt-tip marker canvas verso 24" x 30" (61 x 76 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 27, 2011, lot 60)

$3,000–5,000

325 BRUCE BRAITHWAITE

Grand Central Over 42nd 2011 Oil on canvas Signed lower right; signed, titled, and dated in black felt-tip marker canvas verso 24" x 30" (61 x 76 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 27, 2011, lot 59)

$3,000–5,000

326 BRUCE BRAITHWAITE Lexington Only 2011 Oil on canvas Signed lower right; signed, titled, and dated in black felt-tip marker canvas verso 18" x 24.125" (46 x 61 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 27, 2011, lot 176)

$2,000–3,000

233


327 DONALD SULTAN

Blues and Blacks, May 1, 2008 2008 Color screenprint with enamel inks, flocking, and tar-like texture on 4-ply museum board #1 of 4 H.C. aside from the edition of 25 Published by Lococo Fine Art Publisher, St. Louis Signed, titled, and dated in graphite along left edge of sheet; edition lower right margin beneath image Together with original invoice from Silver Echo Gallery dated September 15, 2010 Sheet: 52" x 76" Frame: 55.5" x 79.375" (Sheet: 132 x 193 cm) P ROVENA NC E Silver Echo Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2010)

$3,000–5,000


328 ROBERT LONGO Untitled (Rose)

2005 Digital pigment print on Crane Museo paper #44 of 75 Signed and dated in graphite lower right sheet; edition lower left Image/sheet (vis.): 13.5" x 13.5" Frame: 21.5" x 21.5" (Image/sheet: 34 x 34 cm)

$3,000–5,000

235

329 LOWELL NESBITT

Untitled (Red Poppy) 1974 Color lithograph on paper #11 of 50 artist’s proofs Signed and dated in graphite lower right margin beneath image; edition lower left Image: 30" x 30" Sheet (vis.): 34.75" x 34.625" Frame: 35.5" x 35.375" (Image: 76 x 76 cm)

$500–700


330 DONALD BAECHLER Repeat After Me #2

2004 Gouache, vinyl paint, dry pigment, and collage on handmade paper Signed sheet verso; retains Cheim & Read label frame verso Composition/sheet: 40" x 52.5" Frame: 48.375" x 60.875" (Composition/sheet: 102 x 133 cm)

$15,000–20,000


237

331 DONALD BAECHLER

Flowers III (from Flowers) 1990 8-color lithograph with relief printing on handmade Nepali paper B.A.T. aside from the edition of 35 Published by AC&T Corporation, Tokyo; printed by Edition Works, Tokyo Signed and dated in graphite lower right edge of sheet; edition lower left Image/sheet: 36" x 27.875" Frame: 40.75" x 32.625" (Image/sheet: 91 x 71 cm) ILLUST RAT E D Donald Baechler: New Prints 1990. 1990. #2.3.

$1,000–1,500


332 JENNIFER BARTLETT Homan-ji, Series I (3)

1993 Color screenprints with gold, silver, and platinum leaf on handmade Japanese paper Each: #80 of 90 Co-published by the artist and Simca Print Artists, Inc., New York; printed by Simca Print Artists, Inc., New York Each signed or initialed in graphite lower right; one dated lower right margin; each annotated sequentially (A-C) with edition in graphite lower left; each retains Simca Print blind stamp lower right A: Image: 17.625" x 18.25" Sheet: 19.375" x 19.375" B: Image: 17.375" x 17.375" Sheet: 19.375" x 19.375" C: Image: 17.25" x 17.25" Sheet: 19.25" x 19.25" (A: Image: 45 x 46 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian (acquired through Swann Auction Galleries, New York, New York, May 16, 2013, lot 197) LITERATURE Jennifer Bartlett: A Print Retrospective. M. D. Stelzer, ed. 1994. #27.

$1,500–2,500


333 JENNIFER BARTLETT Untitled (2)

N.d. Watercolors on paper 12.625" x 9.625" 12.5" x 9.25" (32 x 24 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, Paris, France, September 13, 2006, lot 1091)

$2,000–3,000

239

334 JENNIFER BARTLETT Untitled (2)

N.d. Watercolors on paper 13.25" x 9.375" 12.625" x 10.125" (34 x 24 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, Paris, France, September 13, 2006, lot 1090)

$2,000–3,000


335 WOLF KAHN Winter

1984 Oil on canvas Signed lower left; retains Jerald Melberg Gallery and AT&T Corporate Art Program labels verso Canvas: 60" x 96" Frame: 65.75" x 101.75" (Canvas: 152 x 244 cm) P ROVENA NC E Jerald Melberg Gallery, Charlotte, North Carolina; The Estate of Gerard L. Cafesjian (acquired directly from the above, 2005)

$35,000–45,000


336 WOLF KAHN

Winter in Northern New Hampshire 1984 Pastel and oil on paper Signed lower right; retains description tag verso Composition/sheet: 11.75" x 17.5" Frame: 18.875" x 24.875" (Composition/sheet: 30 x 44 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Christie’s, New York, New York, March 3, 2009, lot 66)

$2,000–3,000

337 WOLF KAHN

Vermont Landscape c. 1967 Pastel on paper Signed lower right; retains Ameringer Yohe Fine Art and Beadleston Gallery labels verso Composition/sheet: 11.5" x 17.25" Frame: 18.5"x 24.5" (Composition/sheet: 29 x 44 cm) P ROV E NANC E Beadleston Gallery, New York, New York; The Estate of Gerard L. Cafesjian (acquired through Sotheby’s, New York, New York, December 14, 2005, lot 253)

$3,000–5,000

241


Formalism and Feelings: Lisa Yuskavage The unique blend of sensuality and fantasy in Lisa Yuskavage’s characteristically surreal and cartoon-like portraits has become instantly recognizable, if not infamous. Yuskavage, a graduate of the Yale School of Art, has been the subject of six international solo exhibitions and is reported to be one of a handful of female artists whose works bring over a million dollars. Over the past three decades, the complexity of her figurative paintings has stirred much controversy. Critics and collectors alike are quick to toss in the word ‘soft-porn’ when discussing her work. Where some artists would rebuke this connotation and defend the sanctity of high art, Yuskavage savors the agitation. She says that “the taste” of her work is like smoked salmon, coffee, or cigarettes: “at first it's disgusting but then you can't get enough of the flavor.” A dedicated student of the ‘old masters,’ Yuskavage is captivated by “the binary pull of the sacred and the profane” within their tradition. She says that she was drawn to the female nude early in her career, because the subject “has played such a massive role in art since the start of art history” and yet “women don’t paint women, women don’t paint nudes.” In 2016, the Australian arts and culture magazine, Vault, was made to censor their cover featuring Yuskavage’s Brood (2005-2006). One journalist who covered the incident pointed out that if the magazine had used “Manet's famous nude, Olympia” no one “would bat an eyelid.” While Yuskavage’s subject matter challenges the male-dominated canon, many critics charge the artist with irresponsibly perpetuating conventions of exploitation. Some attempt to valorize her practice by projecting irony onto her characters, but Yuskavage refuses to engage in conversations on the merits of her feminism. Much to the chagrin of the current culture, which insists on art supplying “understanding and resolution,” Yuskavage “fights tooth and nail to keep things open, unresolved, [and] complicated.” Citing particular admiration for the films of Rainer Werner Fassbinder, Yuskavage says that she does not want to be “the kind of person or artist who proselytizes,” but instead, the type who reveals their own “myriad of internal conflicts.” If her works bring up questions of female representation, then it is only to explore the aspects of misogyny that she herself has absorbed as an active member of our current society.

From the time she was young girl, Yuskavage understood paintings as portals. “The work carries markers of the artist’s inner life,” she says, “art is a seance.” Yuskavage maintains a highly sophisticated notion of the art experience and imbues her practice with great philosophical depth, something Jarret Earnest refers to as her sincere “belief in art.” Yuskavage places her characters in fantastical scenarios and atmospheres that are always right on the cusp of existence but never quite accessible in the real world. The artist credits her affinity for the supernatural to her Catholic upbringing which countered the boredom of “brick and mortar” existence with a “handy” faith in “the things you can’t see and can’t prove.” She never seeks to represent a real person or a real place but rather to actually create them on the canvas; she wants the paintings themselves to be real. To execute this lofty phenomenon Yuskavage turns again to the old masters. She believes that “formalism and feelings have a perfect marriage.” While classical visual symbols are anchored to very specific times and places, Yuskavage argues that the masters’ formal codes can be understood by almost anyone. Color specifically, in her opinion, transcends context. She has become particularly enamoured with the 16th century technique known as cangiantismo, in which a rainbow effect is created under translucent shades of gray. The code has traditionally been used to communicate transcendence and divinity. For Yuskavage, it conveys all things supernatural. She refers to her colors as “characters” in her scenes, who consecrate the canvas. Yuskavage investigates a “painterly transubstantiation” in which her “imagination is made manifest...a promise [is] made flesh.”

“Interview with Lisa Yuskavage: Women Don't Paint Women, Women Don't Paint Nudes.” YouTube, 4 Sept. 2016. “Art Magazine Questions Censorship of Lisa Yuskavage Nude.” ABC News, Australian Broadcasting Corporation, 10 Aug. 2016. Walsh, Meeka. “Lisa Yuskavage: Musings of an Edge-of-Towner.” Border Crossings, Sept. 2017. Gould, Claudia. "Screwing It on Straight." Institute of Contemporary Art, University of Pennsylvania , 2008, Earnest, Jarret. “Lisa Yuskavage: In the Studio.” Art in America, Oct. 2015, pp. 142–150.


338 LISA YUSKAVAGE One, Two, Three

1999 Oil on canvas board Retains Marianne Boesky Gallery label verso Board: 12" x 9" Frame: 15.75" x 12.75" (Board: 30 x 23 cm)

$10,000–15,000

243

339 LISA YUSKAVAGE Babie

2004 Aquatint with spitbite and chine-collé on paper #1 of 40 Published by Burnet Editions, New York Signed, titled, and dated in graphite lower right margin beneath image; edition lower left; retains Burnet Editions blind stamp lower right edge of sheet Image: 10" x 7.375" Sheet: 19.125" x 14.75" Frame: 22.875" x 18.5" (Image: 25 x 19 cm)

$1,500–2,500


340 VICTORIA CHALMERS Fernando 1

1999 Oil on canvas 84.375" x 69.125" (214 x 176 cm) P ROVENA NC E Private Collection (acquired directly from the artist); The Estate of Gerard L. Cafesjian (acquired directly from the above through Sotheby’s, London, United Kingdom, February 9, 2006, lot 415)

$3,000–5,000


341 TILL FREIWALD RO3

2007 Watercolor on paper Together with copy of invoice from Jack Shainman Gallery dated July 20, 2007 Composition/sheet: 40.25" x 29.125" Frame: 49.5" x 38" (Composition/sheet: 102 x 74 cm) P ROV E NANC E Jack Shainman Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2007)

$3,000–5,000

245

342 HELEN GARBER Chops

1999 Oil on panel Signed lower right Panel (vis.): 47.5" x 35" Frame: 53.5" x 41.125" (Panel: 121 x 89 cm) P ROV E NANC E Bronwyn Keenan Gallery, New York, New York; Private Collection, New Jersey; The Estate of Gerard L. Cafesjian (acquired directly from the above through Rago Auctions, Lambertville, New Jersey, November 17, 2012, lot 771)

$2,000–3,000


343 VALAY SHENDE Dabbawala

c. 2015 Copper plated brass case, wrist watches, and gold plated fiberglass Together with copy of original invoice from Opera Gallery dated June 16, 2016 75" x 25" x 24.75" (including base) (191 x 63 x 64 cm) P ROVENA NC E Opera Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2016) LITERATURE Valay Shende: From Day To Day. Opera Gallery exh. cat. 2015. 2-3 for a similar example illustrated.

$30,000–50,000


344 ROY DE FOREST A Pug

2001 Acrylic with pastel on paper in artist’s frame Signed, titled, and dated upper center sheet in blue pencil Sheet: 22" x 29.5" Frame: 32" x 38" (Sheet: 56 x 75 cm) P ROV E NANC E Private Collection, Palm Desert, California (acquired directly from the artist); Private Collection, Los Angeles, California (acquired directly from the above through Los Angeles Modern Auctions, Van Nuys, California, October 9, 2016, lot 217)

$5,000–7,000

247

345 LEO SEWELL Untitled (2)

A: 1995; B: 1996 Mixed-media with assemblage Each with etched signature and dated Comprised of A: Untitled (Jockey) and B: Untitled (Dog) A: 40.5" x 14" x 16" B: 31" x 9" x 19" (A: 103 x 41 x 36 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired through Los Angeles Modern Auctions, Van Nuys, California, February 21, 2016, lot 386)

$5,000–7,000


Enzo Plazzotta

346 ENZO PLAZZOTTA Jilly Relaxing 1979 Bronze #4 of 12 Signed with edition 16.75" x 12" x 10" (43 x 25 x 30 cm) LITERATURE Enzo Plazzotta: A Catalogue Raisonné. C. Plazzotta and R. O’Conner. 1986. #299.

$2,000–3,000

Italian sculptor Enzo Plazzotta began attending the Accademia di Brera in Milan in the late 1930s. With the guidance of Francesco Messina and Giacomo Manzù, Plazzotta began investigating the power of movement and the human body through traditional bronze casting techniques. His studies were soon interrupted by his nation’s involvement in WWII. Upon returning from his first tour of service in North Africa, Plazzotta rejected the Fascist regime and joined the resistance. Though he was imprisoned and nearly transferred to the Mauthausen concentration camp, Plazzotta escaped to Switzerland where he continued to aid the Allies. Following the war he was commissioned by the Italian Committee for National Liberation to create a piece that represented “the spirit of rebellion.” In 1947, he presented the work to the British Special Forces in London, as a symbol of unity and cooperation. During this trip, Plazzotta grew very fond of London, and so decided to stay and open a commercial art agency specializing in Italian imports. It was not until the early 1960s that Plazzotta returned to sculpture with any consequence. Reigniting his early fascination with

movement, Plazzotta became well-known for his portraits of ballerinas, and modeled some of the 20th century’s most famous dancers including Nadia Nerina, David Wall, and Isadora Duncan. Throughout his career, Plazzotta remained committed to classical form and emulated Beaux-Arts figuration. While enjoying commercial popularity, he received much intellectual pushback due to his rejection of “the anti-representational conventions of modernity.” Despite this controversy, critics never questioned his technical accomplishments. His distinct ability to construct light, energized figures that seemingly defy the physical weight of their materials, has always been beyond reproach. Today, Plazzotta’s works are held in many internationally renowned collections including The Vatican, The Hermitage (Lausanne), and The Queensland Art Gallery.

Profile of Sculptor Enzo Plazzotta. Art Parks International, 19 Dec. 2017, enzo-plazzotta.artparks.co.uk/artpark_sculpture_sculptor_ details.php?artistID=843.


347 WALASSE TING Untitled

N.d. Watercolor and ink on paper Stamped with artist’s red seal lower right in image Composition/sheet: 7.625" x 10.875" Frame: 17.875" x 21" (Composition/sheet: 19 x 28 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Tajan, Paris, France, November 28, 2012, lot 93)

$2,000–3,000

348 WALASSE TING Untitled

N.d. Watercolor and ink on paper Stamped with artist’s red seal upper right in image Composition/sheet: 8.625" x 11.75" Frame: 18.5" x 21.75" (Composition/sheet: 22 x 30 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian (acquired through Tajan, Paris, France, April 24, 2012, lot 153)

$2,000–3,000

249


349 ANGEL BOTELLO Heads (2)

A: c. 1960; B: c. 1965 Bronzes Produced by Modern Art Foundry, New York A: Signed and inscribed “cast #1”; stamped “Modern Art F.D.R.Y. N.Y”; B: Signed and inscribed “cast #8” A: 19.25" x 7" x 7" (including base) B: 19" x 7" x 7" (including base) (A: 49 x 18 x 18 cm) P ROVENA NC E Private Collection, Sherman Oaks, California

$8,000–12,000


350 TRINI Gato

2000 Acrylic on canvas Signed and dated lower right Canvas: 39.375" x 39.5" Frame: 40.375" x 40.125" (Canvas: 100 x 100 cm) P ROV E NANC E Galeria Praxis Arte International, Mexico City, Mexico; The Estate of Gerard L. Cafesjian (acquired directly from the above, 2001)

$200–300

351 COSIMO CARLUCCI Untitled 1963 Brass Studio Signed and dated 11" x 13.5" x 8" (28 x 34 x 20 cm)

$800–1,200

251


352 RICHARD MCDERMOTT MILLER Three Girls Sitting 1966 Bronze #6 of 7 Stamped with artist’s signature, date, and edition along bottom edge 24.25" x 30" x 9.125" (62 x 23 x 76 cm) P ROVENA NC E The Estate of Gerard L. Cafesjian

$2,000–3,000

353 JULIO MARAGALL Sereni Serenado 1995 Bronze #2 of 3 artist’s proofs Retains etched artist’s cipher and edition 20.75" x 14.875" x 29.75" (53 x 76 x 38 cm) P ROVENA NC E Freites-Revilla Gallery, Coral Gables, Florida; The Estate of Gerard L. Cafesjian (acquired directly from the above, 2001)

$2,000–3,000


354 SARAH TARAB

La Caida; Untitled (2) 1980 Patinated bronzes Retains plaque “Sarah Tarab/1980” near base; signed “Sarah T.” near base 15" x 23" x 14.5" 49.25" x 18.25" x 10.25" (38 x 37 x 58 cm)

$1,000–2,000

253

355 MARY TAYLOR Reclining Nude 1991 Bronze From an edition of 15 5" x 15.125" x 8.375" (including base) (13 x 21 x 38 cm) P ROV E NANC E The Estate of Gerard L. Cafesjian

$600–800


TABLE TOP DETAIL

356 PHILIP & KELVIN LAVERNE Shang Ti occasional table

Philip LaVerne Collection, designed c. 1965 Etched “Philip + Kelvin/Laverne” 19.625" x 17.75" diameter (50 x 45 cm)

$6,000–9,000

357 T.H. ROBSJOHN-GIBBINGS Three-seat sofa

Custom, designed c. 1960 32" x 109" x 32.625" (81 x 83 x 277 cm)

$3,000–5,000


358

359

T.H. ROBSJOHN-GIBBINGS

T.H. ROBSJOHN-GIBBINGS

Custom, designed c. 1960

Custom, designed c. 1960

31.625" x 89.75" x 32.75" (80 x 83 x 228 cm)

32" x 90.375" x 32.625" (81 x 83 x 230 cm)

$3,000–5,000

$3,000–5,000

Three-seat sofa

Three-seat sofa

255


360 JIM WAID

Pond’s Edge 1999 Acrylic on canvas Signed, titled, and dated verso; retains Riva Yares Gallery label verso 68" x 64" (173 x 163 cm) P ROVENA NC E Riva Yares Gallery, Scottsdale, Arizona; The Estate of Gerard L. Cafesjian (acquired directly from the above, 1999)

$5,000–7,000

361 MICHAEL BRYAN Untitled

1983 Oil on canvas Signed lower right edge of canvas; signed and dated verso Canvas (vis.): 41.625" x 53.5" Frame: 44.5" x 56.5" (Canvas: 106 x 136 cm)

$4,000–6,000


362 PETER DECHAR Pears

1967 Oil on canvas Signed, titled, dated, and inscribed “#6716” canvas stretcher verso; retains The Museum of Modern Art label verso Canvas: 52" x 72.125" Frame: 53.125" x 73.125" (Canvas: 132 x 183 cm) P ROV E NANC E Cordier & Ekstrom, New York, New York; Albert A. and Vera List, New York, New York; Thence by descent; The Estate of Gerard L. Cafesjian (acquired directly from the above through Sotheby’s, New York, New York, June 21, 2005, lot 583) E XHIBIT E D “The Inflated Image,” The Museum of Modern Art, New York, 1968-1969

$2,000–3,000

363 JAMES B. MOORE

Three Buckets With Eggs 1992 Oil on linen Signed lower right; retains Schmidt Bingham Gallery label verso Canvas: 30.125" x 48.125" Frame: 30.75" x 48.625" (Canvas: 77 x 122 cm) P ROV E NANC E Schmidt Bingham Gallery, New York, New York; The Estate of Gerard L. Cafesjian (acquired directly from the above, 2000)

$1,000–1,500

364 CONSTANCE EVANS Taos Pueblas

1993 Acrylic on canvas Signed lower right Canvas: 23.75" x 36" Frame: 26.5" x 38.5" (Canvas: 60 x 91 cm) P ROV E NANC E Private Collection (acquired directly from the artist, 1993); The Estate of Gerard L. Cafesjian (acquired directly from the above through Christie’s, New York, New York, February 7, 2012, lot 169)

$800–1,200

257


365 ROBERT GEHRKE Evidence 1988 Bronze Retains West Publishing Company exhibition label verso 21.75" x 21.625" x 2.25" (55 x 6 x 55 cm) P ROVENA NC E Anderson & Anderson Gallery, Minneapolis, Minnesota; The Estate of Gerard L. Cafesjian (acquired directly from the above, 1994)

$800–1,200

366 RICHARD L. LARSON The Quixotic 1994 Oil on canvas Signed, dated, and titled in black crayon canvas verso; signed and dated in black ink to canvas stretcher verso; retains Riva Yares Gallery label verso Canvas: 95.75" x 84.125" Frame: 96.75" x 85.25" (Canvas: 243 x 214 cm) P ROVENA NC E Riva Yares Gallery, Scottsdale, Arizona; The Estate of Gerard L. Cafesjian (acquired directly from the above, 1994)

$1,000–1,500


367 LEONARDO NIERMAN Untitled

c. 1975 White onyx Signed 16.25" x 23.875" x 10" (including base) (41 x 25 x 61 cm)

$1,500–2,000

368 LEONARDO NIERMAN Untitled (Abstract) c. 1970 Acrylic on Masonite Signed lower right Board: 35.375" x 47.875" Frame: 43" x 55.625" (Board: 90 x 122 cm)

$2,000–3,000

259


AUCTION LINEUP: NOVEMBER 18, 2018

Now Accepting Consignments The Collector: Gerard L. Cafesjian

MARC CHAGALL La Fete a Saint Paul (1980-1982) Oil on canvas $300,000–500,000 DUANE HANSON Policeman (1992) Polychrome bronze with accesories $200,000–300,000 JOSEF ALBERS Study for Homage to the Square: Unhurried (1965) Oil on panel $250,000–350,000

PETER LOUGHREY, DIRECTOR | 16145 HART STREET, VAN NUYS, CA 91406 | 323-904-1950 | LAMODERN.COM


AUCTION LINEUP: FEBRUARY 17, 2019

Modern Art & Design

ANDY WARHOL Endangered Species Portfolio (1983) Complete portfolio of ten screenprints $400,000–600,000

PETER LOUGHREY, DIRECTOR | 16145 HART STREET, VAN NUYS, CA 91406 | 323-904-1950 | LAMODERN.COM


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16145 Hart Street, Van Nuys, CA 91406


Index A

Agam, Yaacov. . . . . . . . . . . . . . . . 150-152 Albers, Josef. . . . . . . . . . . . . . . . . . . . . 161 Alexander, Peter. . . . . . . . . . . . . . . . . . 221 Altoon, John . . . . . . . . . . . . . . . . . 213-216 Anastasi, William. . . . . . . . . . . . . . . . . . 35 Ando, Hiro . . . . . . . . . . . . . . . . . . . . . . 243 Arnold, Florence. . . . . . . . . . . . . . . . . . 160 Arnoldi, Charles . . . . . . . . . . . . . . . . . 224 Arp, Jean (Hans). . . . . . . . . . . . . . . . . . 125

B

Bacon, Francis. . . . . . . . . . . . . . . . . . . . 46 Baechler, Donald. . . . . . . . . . . . . . 330-331 Baldessari, John. . . . . . . . . . . . . . . . . . 49 Barbour, John. . . . . . . . . . . . . . . . . . . . 162 Bartlett, Jennifer . . . . . . . . . . . . 332-334 Basquiat, Jean-Michel. . . . . . . . . . . . . . 51 Bavington, Tim . . . . . . . . . . . . . . . . . 36-37 Bearden, Romare . . . . . . . . . . . . . . . . 302 Bengston, Billy Al. . . . . . . . . . . . . . . . 207 Benjamin, Karl. . . . . . . . . . . . . . . . . . . . 159 Berlant, Tony. . . . . . . . . . . . . . . . . . . . 226 Bissière, Roger . . . . . . . . . . . . . . . . . . . . 111 Bitters, Stan . . . . . . . . . . . . . . . . . . . . . 193 Bombois, Camille . . . . . . . . . . . . . 128-130 Botello, Angel . . . . . . . . . . . . . . . . . . . 349 Bourgeois, Louise. . . . . . . . . . . . . . . 31-32 Bradford, Mark . . . . . . . . . . . . . . . . . . . 34 Brainard, Joe. . . . . . . . . . . . . . . . . . . . . . 61 Braithwaite, Bruce . . . . . . . . . . . 324-326 Briggs, Ernest. . . . . . . . . . . . . . . . . . . . . 76 Broudy, Sherrill. . . . . . . . . . . . . . . . . . 230 Brown, William Theophilus . . . . . . . . . 321 Bryan, Michael. . . . . . . . . . . . . . . . . . . . 361 Burkhardt, Hans. . . . . . . . . . . . . . 165-169

C

Calder, Alexander. . . . . . . . . . . . . . 96-98 Camargo, Sergio. . . . . . . . . . . . . . . . . . 144 Campana, Fernando & Humberto.245-247 Carlucci, Cosimo. . . . . . . . . . . . . . . . . . 351 Cassatt, Mary . . . . . . . . . . . . . . . . . . . . 116 Castañeda, Felipe. . . . . . . . . . . . . . . . . 135 Cattelan, Maurizio. . . . . . . . . . . . . . . .256 Celmins, Vija . . . . . . . . . . . . . . . . . . 211-212 Chagall, Marc. . . . . . . . . . . . . . . . . . 117-119 Chalmers, Victoria . . . . . . . . . . . . . . . 340 Chanin, Arnold. . . . . . . . . . . . . . . . . . . . 157 Close, Chuck . . . . . . . . . . . . . . . . . . . . 303 Cohen, Bruce. . . . . . . . . . . . . . . . . . . . 323 Colombo, Joe. . . . . . . . . . . . . . . . . . . . . 310 Corbett, Edward . . . . . . . . . . . . . . . . . . 318 Corse, Mary. . . . . . . . . . . . . . . . . . . . . . 164 Crash (John Matos) . . . . . . . . . . . . . . . 53 Cressey, David. . . . . . . . . . . . . . . . 197-198 Crewdson, Gregory. . . . . . . . . . . . . . . 263

D

Dalí, Salvador . . . . . . . . . . . . . . . . 123-124 De Forest, Roy. . . . . . . . . . . . . . . . . . . 344 de Kooning, Elaine . . . . . . . . . . . . . . . . . 73 de Kooning, Willem. . . . . . . . . . . . . . 74-75 de la Vega, Alberto. . . . . . . . . . . . . . . . 134 de Pas, Jonathan . . . . . . . . . . . . . . . . 309 de Saint Phalle, Niki. . . . . . . . . . . 102-103 Dechar, Peter. . . . . . . . . . . . . . . . . . . . 362 del Campo . . . . . . . . . . . . . . . . . . . . 21, 315 Delaunay, Sonia . . . . . . . . . . . . . . . 99-101 di Suvero, Mark. . . . . . . . . . . . . . . . . . . 78 Diebenkorn, Richard. . . . . . . . . . . . . . . 317 Dill, Laddie John. . . . . . . . . . . . . . . . . . 218 Dine, Jim . . . . . . . . . . . . . . . . . . . . . . 14-18 Doig, Peter. . . . . . . . . . . . . . . . . . . 251-253 Ducaroy, Michel. . . . . . . . . . . . . . . . . . 308

E

Eames, Charles & Ray . . . . . . . . . . . . . 182 Ekselius, Jan. . . . . . . . . . . . . . . . . . . . . 313 Emmons, Michael. . . . . . . . . . . . . . . . . 153 Evans, Paul. . . . . . . . . . . . . . . . . . . . . 19-20 Evans, Constance. . . . . . . . . . . . . . . . 364

F

Falkenstein, Claire. . . . . . . . . . . . . . . . . 79 Ferren, John . . . . . . . . . . . . . . . . . . 82-84 Feuerman, Carole. . . . . . . . . . . . 239-240 Finkelstein, Max . . . . . . . . . . . . . . . . . . . 77

Fischer, Urs. . . . . . . . . . . . . . . . . . . . . 248 Fischinger, Oskar . . . . . . . . . . . . . . 171-174 Francis, Sam . . . . . . . . . . . . . . . . . . 90-95 Frankenthaler, Helen. . . . . . . . . . . .85-89 Freiwald, Till. . . . . . . . . . . . . . . . . . . . . . 341 Fromhold, Hal . . . . . . . . . . . . . . . . . . . . 184 Furnas, Barnaby . . . . . . . . . . . . . . . . . 305

G

Garber, Helen. . . . . . . . . . . . . . . . . . . . 342 Gehrke, Robert. . . . . . . . . . . . . . . . . . 365 Gerrman, Dimitry. . . . . . . . . . . . . . . . . 58 Gilliam, Sam. . . . . . . . . . . . . . . . . . . . 40-41 Gluck, Daniel. . . . . . . . . . . . . . . . . . . . . 59 Goldberg, Michael. . . . . . . . . . . . . . . . . . 81 Goode, Joe. . . . . . . . . . . . . . . . . . 208-210 Gorky, Arshile . . . . . . . . . . . . . . . . . . . . 170 Gormley, Antony. . . . . . . . . . . . . . . . . . 57 Graham, Robert. . . . . . . . . . . . . . . . . . 223 Gronk . . . . . . . . . . . . . . . . . . . . . . . . . . 222 Grossman, Greta. . . . . . . . . . . . . . . . . . 181 Gusev, Igor. . . . . . . . . . . . . . . . . . . . . . . 48

H

Hammersley, Frederick . . . . . . . . . . . . 158 Hanley, Joan. . . . . . . . . . . . . . . . . . . . 304 Haring, Keith. . . . . . . . . . . . . . . . 288-289 Hartman, Cedric. . . . . . . . . . . . . . . . . 229 Henningsen, Frits. . . . . . . . . . . . . . . . . 139 Herms, George . . . . . . . . . . . . . . . . . . . 219 Hirst, Damien. . . . . . . . . . . . . . . . 237-238 Hockney, David. . . . . . . . . . . . . . . . . . . 1-5 Houston, Bruce. . . . . . . . . . . . . . . . . . 295

Moore, James B. . . . . . . . . . . . . . . . . 363 Moses, Ed. . . . . . . . . . . . . . . . . . . . . . . . 217 Moxob, A. M. . . . . . . . . . . . . . . . . . . . . . 42 Mullican, Lee. . . . . . . . . . . . . . . . . . . . . 180 Murakami, Takashi . . . . . . . . . . . . . . . 244

N

Nakashima, George. . . . . . . . . . . . . . 22-26 Nara, Yoshitomo. . . . . . . . . . . . . . 241-242 Natzler, Gertrud & Otto. . . . . . . . 186-192 Nauman, Bruce. . . . . . . . . . . . . . . . . . . 50 Nesbitt, Lowell . . . . . . . . . . . . . . . . . . 329 Neshat, Shirin. . . . . . . . . . . . . . . . . . . 262 Neutra, Richard. . . . . . . . . . . . . . . . 63-65 Nevelson, Louise. . . . . . . . . . . . . . . . . . 30 Nierman, Leonardo. . . . . . . . . . . 367-368 Noguchi, Isamu. . . . . . . . . . . . . . . . . . . 29

O

Oldenburg, Claes. . . . . . . . . . . . . . . . . 287 Orr, Eric . . . . . . . . . . . . . . . . . . . . . 231-232 Oursler, Tony. . . . . . . . . . . . . . . . . . . . . 54

P

Indiana, Robert. . . . . . . . . . . . . . . . . . 294

Park, David. . . . . . . . . . . . . . . . . . . 319-320 Pashgian, Helen . . . . . . . . . . . . . . . . . . 163 Paulin, Pierre. . . . . . . . . . . . . . . . . . . . . 314 Pesce, Gaetano. . . . . . . . . . . . . . . . 311-312 Petersen, Roland. . . . . . . . . . . . . . . . . . 316 Pettibon, Raymond. . . . . . . . . . . . 257-261 Phillips, Jay. . . . . . . . . . . . . . . . . . . . . 293 Picasso, Pablo. . . . . . . . . . . . . . . . 104-110 Plazzotta, Enzo. . . . . . . . . . . . . . . . . . 346 Polke, Sigmar . . . . . . . . . . . . . . . . . . . . 60 Pollock, Charles . . . . . . . . . . . . . . . . 71-72 Price, Ken. . . . . . . . . . . . . . . . . . . . . . . 200

J

R

I

Jacobsen, Arne. . . . . . . . . . . . . . . . . . . 138 Jarvaise, James. . . . . . . . . . . . . . . . . 322 Jeanneret, Pierre. . . . . . . . . . . . . . . . . 69 Johns, Jasper. . . . . . . . . . . . . . . . . . . 297 Johnson, Richard. . . . . . . . . . . . . . . . . 44 Johnston, Ynez. . . . . . . . . . . . . . . . . . . 179 Juhl, Finn. . . . . . . . . . . . . . . . . . . . 141-142

K

Kahn, Wolf. . . . . . . . . . . . . . . . . . 335-337 Karnes, Karen. . . . . . . . . . . . . . . . . . . . 196 Katz, Alex. . . . . . . . . . . . . . . . . . . . . . . 11-13 Kelly, Ellsworth. . . . . . . . . . . . . . 298-299 Knoll, Florence . . . . . . . . . . . . . . . . 66-67 Koons, Jeff. . . . . . . . . . . . . . . . . . 234-236 Krasner, Lee. . . . . . . . . . . . . . . . . . . . . . 80 Kruger, Barbara. . . . . . . . . . . . . . . . . . 255 Kuramata, Shiro . . . . . . . . . . . . . 306-307 Kusama, Yayoi. . . . . . . . . . . . . . . . . . . . 62

L

Lamb, Walter. . . . . . . . . . . . . . . . . . . . . 199 Larson, Lisa. . . . . . . . . . . . . . . . . . . . . . 143 Larson, Richard. . . . . . . . . . . . . . . . . . 366 LaVerne, Philip & Kelvin. . . . . . . . . . . 356 LeWitt, Sol. . . . . . . . . . . . . . . . . . . . . . . 154 Lichtenstein, Roy . . . . . . . . . . . . 283-286 Longo, Robert. . . . . . . . . . . . . . . . . . . 328 Los Carpinteros. . . . . . . . . . . . . . . . . . 249 Lowman, Nate. . . . . . . . . . . . . . . . . . . 254 Lurçat, Jean . . . . . . . . . . . . . . . . . 120-122

M

Magritte, René. . . . . . . . . . . . . . . . . . . . 126 Maloof, Sam. . . . . . . . . . . . . . . . . . . . . . 183 Maragall, Julio. . . . . . . . . . . . . . . . . . . 353 Mariani, Umberto. . . . . . . . . . . . . . . . . 38 Matisse, Henri. . . . . . . . . . . . . . . . . 114-115 Matta, Roberto Sebastián. . . . . . . . . . 127 McCobb, Paul. . . . . . . . . . . . . . . . . . . . . 70 McIntosh, Harrison. . . . . . . . . . . . . . . . 194 McLaughlin, John. . . . . . . . . . . . . 155-156 McMakin, Roy . . . . . . . . . . . . . . . 227-228 Mérida, Carlos. . . . . . . . . . . . . . . . . . . . 132 Mies van der Rohe, Ludwig. . . . . . . . . 68 Miller, Richard McDermott. . . . . . . . . 352 Minter, Marilyn. . . . . . . . . . . . . . . 55, 264 Miró, Joan. . . . . . . . . . . . . . . . . . . . 112-113 Miyashiro, Ron . . . . . . . . . . . . . . . . . . 220 Moore, Henry. . . . . . . . . . . . . . . . . . . . . 47

Rauschenberg, Robert. . . . . . . . 300-301 Robsjohn-Gibbings, T.H.. . . . . . . 357-359 Rosenquist, James. . . . . . . . . . . 290-292 Ruppersberg, Allen. . . . . . . . . . . . . . . 250 Ruscha, Ed. . . . . . . . . . . . . . . . . . 204-206

S

Schuyff, Peter. . . . . . . . . . . . . . . . . . . . 33 Schwarcz, June. . . . . . . . . . . . . . . . . . . 185 Segal, George . . . . . . . . . . . . . . . . . . . . 52 Sekino, Jun’ichiro. . . . . . . . . . . . . . . 27-28 Sewell, Leo. . . . . . . . . . . . . . . . . . . . . . 345 Shende, Valay. . . . . . . . . . . . . . . . . . . 343 Sherman, Cindy. . . . . . . . . . . . . . . . . . 265 Soldner, Paul. . . . . . . . . . . . . . . . . . . . 203 Sorenson, Don. . . . . . . . . . . . . . . . . . . 225 Stella, Frank. . . . . . . . . . . . . . . . . . . . . 296 Suggs, Don. . . . . . . . . . . . . . . . . . . . . . . 39 Sultan, Donald. . . . . . . . . . . . . . . . . . . 327 Summers, Carol. . . . . . . . . . . . . . . . . . . 56

T

Tamayo, Rufino. . . . . . . . . . . . . . . . . . . 131 Tarab, Sarah. . . . . . . . . . . . . . . . . . . . . 354 Taylor, Mary. . . . . . . . . . . . . . . . . . . . . 355 Thornton, Leslie . . . . . . . . . . . . . . . . . . 43 Ting, Walasse. . . . . . . . . . . . . . . . 347-348 Trini. . . . . . . . . . . . . . . . . . . . . . . . . . . . 350

V

Vasa (Velizar Mihich). . . . . . . . . . . . . 233 Vasarely, Victor. . . . . . . . . . . . . . . 145-149 Vodder, Arne. . . . . . . . . . . . . . . . . . . . . 140 Voulkos, Peter. . . . . . . . . . . . . . . 201-202

W

Waid, Jim. . . . . . . . . . . . . . . . . . . . . . . 360 Warhol, Andy. . . . . . . . . . . . . . . . 270-282 Wegman, William. . . . . . . . . . . . . 266-269 Wegner, Hans. . . . . . . . . . . . . . . . . 136-137 Wesselmann, Tom. . . . . . . . . . . . . . . . 6-10 Wirsum, Karl . . . . . . . . . . . . . . . . . . . . . 45 Woelffer, Emerson. . . . . . . . . . . . . 175-178 Wood, Beatrice . . . . . . . . . . . . . . . . . . . 195

Y

Yuskavage, Lisa. . . . . . . . . . . . . . 338-339

Z

Zúñiga, Francisco. . . . . . . . . . . . . . . . . 133


INFORMATION

DIRECTIONS TO LAMA AUCTION & PREVIEW

Auction

STAFF Peter Loughrey

Sunday, September 30, 2018

From Hollywood

Director,

12pm (PT)

• Make your way to the 101 Freeway

Modern Art & Design

Proceed North on the 101 Preview

• Merge onto the 405 Freeway,

Shannon Loughrey

September 17 – 29, 2018

north

Managing Director

10am–6pm (PT)

• Take the 4th exit onto “Sherman Way, west”

Clo Pazera

Address

• Proceed west on Sherman Way

Specialist

16145 Hart Street

• Turn left at the 3rd light onto

Van Nuys, CA 91406

“Woodley”

Carolina Ivey

• Take the first right onto “Hart”

Client Services Manager

Telephone

street, which is a side street

323.904.1950

Jamie Shi From the Westside

Cataloguer

Website

• Take the 405 Freeway, north

LAModern.com

Continue past the Getty Muse-

David Jones

um and the 101 Interchange

Client Services

• Exit onto “Sherman Way, west”

Joe Alascano

(this is 4 exits North of the 101)

Jose Ramirez

• Proceed west on Sherman

Shipping

Way • Turn left at the 3rd light

Susan Einstein

onto “Woodley”

Robert Wedemeyer

• Take the first right onto

Photographers

“Hart” street, which is a side street

Kathryn Hanlon-Hall Writer

LAMA MAP VAN NUYS AIRPORT

SEPULVEDA BLVD

HART ST

405 FREEWAY

LAMA

WOODLEY AVE

VALJEAN AVE

SHERMAN WAY

101 FREEWAY WOODLAND HILLS HOLLYWOOD

N

GETTY MUSEUM

FSC logo


Profile for Los Angeles Modern Auctions

September 30, 2018 Modern Art and Design Auction  

Los Angeles Modern Auctions (LAMA) September 30, 2018 Modern Art and Design Auction

September 30, 2018 Modern Art and Design Auction  

Los Angeles Modern Auctions (LAMA) September 30, 2018 Modern Art and Design Auction

Profile for lamodern