Jasgo Serif Specimen

Page 1

Jasgo Serif



Jasgo Serif by Laura KrĂźger


Font Anatomy of the Source Font

For creating Jasgo Serif, DTL Albertina was used as a source font. DTL Albertina is a bracketed serif font with blunt terminals. There is a moderate contrast between thick and thin strokes.

ascender line cap line x-height

baseline

descender line

No A

B

A. bracketed serifs that are bilateral, symmetrical and cut blunt, slightly concave terminals B. pointed vertex C. slighty diagonal stress D. crossbar pointed (left side) and blunt (right side), tapered finial E. unilateral head serifs F. vertical stress, double-story

C


Font Anatomy of the Source Font

thing D

E

F


Uppercase Letters

ABCDE FGHIJK LMNOP QRSTU VWXYZ


Lowercase Letters

abcde fghijk lmnop qrstu vwxyz


Numerals

1 2 3 4 5 6 7 8 9 0


Diacritics, punctuation, signs and symbols

.,:;!? «»_*'‘’“„ @&#™©§ +-×÷=<> ~/\(){}[] %€


POWE segregation.


economy

life chances gender

poverty nationality

urban areas

wage

prestige

disparity

structual issues

R

development

rights

origin

homelessness discrrimination wealth


Font Evolution

h

taking the font DTL Albertina as a starting point for a new font

drawing the middle line of the source font letters

applying brushes to the strokes

adding the serifs to the letters

expanding the brushes and cutting shapes that are sticking out, then forming the final lettershape of Jasgo Serif


Brushes

For creating Jasgo Serif, the following four different brushes were used:

22째 66% 5pt

20째 50% 4pt

20째 40% 5pt

-20째 40% 5pt


Font Size in Use

EQUALITY INEQUALITY

“There is nothing more unequal than the equal treatment of unequal people.” - Thomas Jefferson 21pt/27pt


Font Size in Use

In her book 'Social Work and the City‘, Charlotte Williams critically explores ways of thinking about the city of the 21st century and what challenges our society is facing nowadays: increased segregation of the poor, the crisis of affordable housing, homelessness, gentrification, ageing, displacement as a result of migrations, and the breakdown of social support and care. 14pt/19,8pt Recent decades have witnessed rapid

and disasters (Beck 1992). As trends they

growth in cities but also apparent is the

impact diff erentially across the world,

rapid decline of cities worldwide, as glo-

producing global inequity and inequalities

bal economic shifts produce the waning

that prompts the mass movement of peo-

of centres once economically buoyant.

ples fl eeing poverty. The social costs of

These shifts, of both growth and decline,

these global shifts fall disproportionately

have human consequences. They produce

on the most vulnerable sections of society.

growing inequality and poverty, visible

The human impacts are apparent on city

immiseration, segregation and division,

streets, in city quarters and slums, in the

rampant crime and compromised secu-

dislocation of peoples within cityscapes, in

rity, urban sprawl and slum develop-

the diversity of peoples coming and going

ment (UN-Habitat 2012). Cities also des-

through forced or elective migrations,

troy

depleting

and in the emergence of new and more

water supplies and generating pollution

complex forms of need. (Williams, 2016)

natural

environments,

(UN-Habitat 2012). These factors are now indisputably linked to the generation of risk natural risk and human induced risk producing hazards, endangerment 10pt/15,4pt

Charlotte Williams is Professor and

practiced in rural and urban contexts. particularly in relation to the exclu-

Deputy Dean of Social Work at RMIT She has extensively theorised issues

sion of minoritised ethnic groups.

University, Melbourne, Australia. She of place, locality and nationhood as is a qualified social worker and has

they affect social welfare practice,

7pt/11pt


Typographic scale

50pt

Jasgo Serif

40pt

Jasgo Serif

32pt

Jasgo Serif

26pt

Jasgo Serif

22pt

Jasgo Serif

18pt

Jasgo Serif

14pt

Jasgo Serif

12pt

Jasgo Serif

10pt

8pt

6pt

Jasgo Serif

Jasgo Serif

Jasgo Serif


Typographic scale

“Segregation is the adultery of an illicit intercourse between injustice and immorality.“

22pt

“Segregation is the adultery of an illicit intercourse between injustice and immorality.“ Quote by Martin Luther King

18pt

“Segregation is the adultery of an illicit intercourse between injustice and immorality.“

14pt

“Segregation is the adultery of an illicit intercourse between injustice and immorality.“ Quote by Martin Luther King

12pt

“Segregation is the adultery of an illicit intercourse between injustice and immorality.“

9pt

“Segregation is the adultery of an illicit intercourse between injustice and immorality.“

8pt

“Segregation is the adultery of an illicit intercourse between injustice and immorality.“

6pt


Font anatomy

Jasgo Serif, is a serif font with unbracketed, asymmetric seifs. The font is characterised by delicate strokes. Compared to the high x-height, the ascender and descender are relatively short . The contrast between thin and thick strokes is light.

ascender line cap line x-height

baseline descender line

Margi A

B

C

D

A. unbracketed and tapered serifs that are bilateral but asymmetric B. unbracketed and tapered head serifs that are bilateral but strongly asymmetric as the focus lies on one side of the serif C. double-story D. double-story with a disconnected loop and blunt ear E. bilateral foot F. beak G. vertical stress H. tapered finial that is cut in an angle of 31° I. unilateral foot


Font anatomy

nalised E

F

G

H

I


Serifs Cap serif

A M C D

A, H, I, J, K, L, N, U, V, WW, X, Y

H

H, V, W, X, Y

M, N

M

M

C, E, F, G, S, T

Z

T, Z

d

d

D, E, F, P, R

Ascender serif

b

b, h, k, l


Serifs x-height serif

i s p

i, j, m, n, r,u,

s

p

v

v,w,y,

k

k, x

Descender serif

p

p, q, y

E z q v

E, F

z, a

q

v,w,y,


Serifs Baseline

A E B a

F, f, H, h, i, K, k, l, M, m, N, n, P, R, r, T, Y, V, v,

E, Z

B, b, D, E, L

A S d

A, H, M, V, v, W, w, X, x

S, s

d

a, u

The asymmetrical serifs are a special feature of the Jasgo Serif font. There are 9 unique serifs. A lot of them are rotated or mirrored. That leads to a total number of 20 different serifs, including head serifs, foot serifs and beaks.


g C t e WQ

Font characteristics

beak

special head serif

serif instead of vertex

disconnected loop

moderately open aperture

unique tail


j

M

g Y

x i

a

P

?! l m

Q

s

db

T


z

R

r

y w u e L o k S

f

B


Font relations

CG VA m P n BR h FE OQ same curve stroke and beaks

same upper bowl

same arms lenghts and positions

same crotch, rotated by 180°

same shoulder and head serifs

same round stroke


Font relations

V W u n bq

same crotch of uppercase letters

rotaded by 180째 , serifs vary

same bowl, rotated by 180째

y vw ce dp same crotch of lowercase letters

same curve stroke, terminal of 59째

same bowl, rotated by 180째


Font relations

d

180° rotation

p

Whereas the shape of the d and p as well as of b and q are identical, p and q carry the same descender serifs as well as b and d carry the same head serifs, only are they mirrored in the latter case.

b

180° rotation

q


„It is in your to create a

hands

better

world for all who

it.“

live in

- Nelson Mandela


Jo

S e r i f

aS

G



Typeface designed by Laura KrĂźger Prof. Antonino Benincasa Andreas Trenker Emilio Grazzi Font created with Illustrator & Fontself

f e g d h c i b a

Faculty of Design and Art Free University of Bolzano - Bozen WUP 2020/21


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