Jasgo Serif
Jasgo Serif by Laura KrĂźger
Font Anatomy of the Source Font
For creating Jasgo Serif, DTL Albertina was used as a source font. DTL Albertina is a bracketed serif font with blunt terminals. There is a moderate contrast between thick and thin strokes.
ascender line cap line x-height
baseline
descender line
No A
B
A. bracketed serifs that are bilateral, symmetrical and cut blunt, slightly concave terminals B. pointed vertex C. slighty diagonal stress D. crossbar pointed (left side) and blunt (right side), tapered finial E. unilateral head serifs F. vertical stress, double-story
C
Font Anatomy of the Source Font
thing D
E
F
Uppercase Letters
ABCDE FGHIJK LMNOP QRSTU VWXYZ
Lowercase Letters
abcde fghijk lmnop qrstu vwxyz
Numerals
1 2 3 4 5 6 7 8 9 0
Diacritics, punctuation, signs and symbols
.,:;!? «»_*'‘’“„ @&#™©§ +-×÷=<> ~/\(){}[] %€
POWE segregation.
economy
life chances gender
poverty nationality
urban areas
wage
prestige
disparity
structual issues
R
development
rights
origin
homelessness discrrimination wealth
Font Evolution
h
taking the font DTL Albertina as a starting point for a new font
drawing the middle line of the source font letters
applying brushes to the strokes
adding the serifs to the letters
expanding the brushes and cutting shapes that are sticking out, then forming the final lettershape of Jasgo Serif
Brushes
For creating Jasgo Serif, the following four different brushes were used:
22째 66% 5pt
20째 50% 4pt
20째 40% 5pt
-20째 40% 5pt
Font Size in Use
EQUALITY INEQUALITY
“There is nothing more unequal than the equal treatment of unequal people.” - Thomas Jefferson 21pt/27pt
Font Size in Use
In her book 'Social Work and the Cityâ&#x20AC;&#x2DC;, Charlotte Williams critically explores ways of thinking about the city of the 21st century and what challenges our society is facing nowadays: increased segregation of the poor, the crisis of affordable housing, homelessness, gentrification, ageing, displacement as a result of migrations, and the breakdown of social support and care. 14pt/19,8pt Recent decades have witnessed rapid
and disasters (Beck 1992). As trends they
growth in cities but also apparent is the
impact diff erentially across the world,
rapid decline of cities worldwide, as glo-
producing global inequity and inequalities
bal economic shifts produce the waning
that prompts the mass movement of peo-
of centres once economically buoyant.
ples fl eeing poverty. The social costs of
These shifts, of both growth and decline,
these global shifts fall disproportionately
have human consequences. They produce
on the most vulnerable sections of society.
growing inequality and poverty, visible
The human impacts are apparent on city
immiseration, segregation and division,
streets, in city quarters and slums, in the
rampant crime and compromised secu-
dislocation of peoples within cityscapes, in
rity, urban sprawl and slum develop-
the diversity of peoples coming and going
ment (UN-Habitat 2012). Cities also des-
through forced or elective migrations,
troy
depleting
and in the emergence of new and more
water supplies and generating pollution
complex forms of need. (Williams, 2016)
natural
environments,
(UN-Habitat 2012). These factors are now indisputably linked to the generation of risk natural risk and human induced risk producing hazards, endangerment 10pt/15,4pt
Charlotte Williams is Professor and
practiced in rural and urban contexts. particularly in relation to the exclu-
Deputy Dean of Social Work at RMIT She has extensively theorised issues
sion of minoritised ethnic groups.
University, Melbourne, Australia. She of place, locality and nationhood as is a qualified social worker and has
they affect social welfare practice,
7pt/11pt
Typographic scale
50pt
Jasgo Serif
40pt
Jasgo Serif
32pt
Jasgo Serif
26pt
Jasgo Serif
22pt
Jasgo Serif
18pt
Jasgo Serif
14pt
Jasgo Serif
12pt
Jasgo Serif
10pt
8pt
6pt
Jasgo Serif
Jasgo Serif
Jasgo Serif
Typographic scale
“Segregation is the adultery of an illicit intercourse between injustice and immorality.“
22pt
“Segregation is the adultery of an illicit intercourse between injustice and immorality.“ Quote by Martin Luther King
18pt
“Segregation is the adultery of an illicit intercourse between injustice and immorality.“
14pt
“Segregation is the adultery of an illicit intercourse between injustice and immorality.“ Quote by Martin Luther King
12pt
“Segregation is the adultery of an illicit intercourse between injustice and immorality.“
9pt
“Segregation is the adultery of an illicit intercourse between injustice and immorality.“
8pt
“Segregation is the adultery of an illicit intercourse between injustice and immorality.“
6pt
Font anatomy
Jasgo Serif, is a serif font with unbracketed, asymmetric seifs. The font is characterised by delicate strokes. Compared to the high x-height, the ascender and descender are relatively short . The contrast between thin and thick strokes is light.
ascender line cap line x-height
baseline descender line
Margi A
B
C
D
A. unbracketed and tapered serifs that are bilateral but asymmetric B. unbracketed and tapered head serifs that are bilateral but strongly asymmetric as the focus lies on one side of the serif C. double-story D. double-story with a disconnected loop and blunt ear E. bilateral foot F. beak G. vertical stress H. tapered finial that is cut in an angle of 31° I. unilateral foot
Font anatomy
nalised E
F
G
H
I
Serifs Cap serif
A M C D
A, H, I, J, K, L, N, U, V, WW, X, Y
H
H, V, W, X, Y
M, N
M
M
C, E, F, G, S, T
Z
T, Z
d
d
D, E, F, P, R
Ascender serif
b
b, h, k, l
Serifs x-height serif
i s p
i, j, m, n, r,u,
s
p
v
v,w,y,
k
k, x
Descender serif
p
p, q, y
E z q v
E, F
z, a
q
v,w,y,
Serifs Baseline
A E B a
F, f, H, h, i, K, k, l, M, m, N, n, P, R, r, T, Y, V, v,
E, Z
B, b, D, E, L
A S d
A, H, M, V, v, W, w, X, x
S, s
d
a, u
The asymmetrical serifs are a special feature of the Jasgo Serif font. There are 9 unique serifs. A lot of them are rotated or mirrored. That leads to a total number of 20 different serifs, including head serifs, foot serifs and beaks.
g C t e WQ
Font characteristics
beak
special head serif
serif instead of vertex
disconnected loop
moderately open aperture
unique tail
j
M
g Y
x i
a
P
?! l m
Q
s
db
T
z
R
r
y w u e L o k S
f
B
Font relations
CG VA m P n BR h FE OQ same curve stroke and beaks
same upper bowl
same arms lenghts and positions
same crotch, rotated by 180°
same shoulder and head serifs
same round stroke
Font relations
V W u n bq
same crotch of uppercase letters
rotaded by 180째 , serifs vary
same bowl, rotated by 180째
y vw ce dp same crotch of lowercase letters
same curve stroke, terminal of 59째
same bowl, rotated by 180째
Font relations
d
180° rotation
p
Whereas the shape of the d and p as well as of b and q are identical, p and q carry the same descender serifs as well as b and d carry the same head serifs, only are they mirrored in the latter case.
b
180° rotation
q
â&#x20AC;&#x17E;It is in your to create a
hands
better
world for all who
it.â&#x20AC;&#x153;
live in
- Nelson Mandela
Jo
S e r i f
aS
G
Typeface designed by Laura KrĂźger Prof. Antonino Benincasa Andreas Trenker Emilio Grazzi Font created with Illustrator & Fontself
f e g d h c i b a
Faculty of Design and Art Free University of Bolzano - Bozen WUP 2020/21