PORTFOLIO 2017 Anton Kรถhler
Lund School of Architecture
CV
EDUCATION 2015 - 2017
Bachelor of Architecture, Lund University
2014 - 2015
First year of Bachelor in Architecture University of Westminster
WORK EXPERIENCE 2017-
Intern, Wingårdh Arkitektkontor
2016-
Owner, Köhler Arkitektur
summer 2016
Intern, FOJAB Arkitekter
2013 - 2014
Salesman, Hemglass
2013
Model maker, Grontmij
AWARDS 2015
““Best design detail”, DETAIL Magazine
2013
“Team of the year”, Telenor Sales
MERITS IELTS NÄR-UMLN
Intern, Wingårdh Arkitektkontor Commited to the Student Union in Lund. Commited to the student organisation Malmö Nation.
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TABLE OF CONTENT 01 - INTERNSHIP AT WINGÅRDHS .................................... page 4-5 02 - KÖHLER ARKITEKTUR AB ............................................ page 6-7 03 - VILLA KARLSSON ......................................................... page 8-11 04 - VILLA DAHLBERG ........................................................ page 12-15 05 - THE CREMATORY ....................................................... page 16-27 06 - ALTONA 9 ................................................................. page 28-37 07 - MELLEMDAL .............................................................. page 38-41 08 - AIKAKERROKSET .................................................... page 42-49 09 - SKÅNELEDEN 2.0 .................................................... page 50-55 10 - OTHER PROJECTS AND INTERESTS ..................... page 56-63
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01 - INTERNSHIP AT WINGĂ…RDHS
WORKING AS AN INTERN To be apart of a tem of architects working on real projects is the best experience so far. Meeting challenges hard to simulate in University. Also for the first time really understand what all the time preparing in University means for our process, simply put working more efficiently. The team at WingĂĽrdhs are an inspiring team of young but experienced architects and engineers solving the challenges of modern architecture. Learning about regulations, economics, industry and society in general. If I thought architects played an important role in society before I have witnessed the need of good architects in our daily context.
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02 - KÖHLER ARKITEKTUR AB
STARTING A COMPANY Since I signed my registration papers for the company “Köhler Arkitektur AB” I have been scouting for projects. Sending emails to people I´ve never met desperately looking for clients. One day I heard from a friend of a friend looking for an architect to plan an extension of his summerhouse by the sea in one of southern Swedens most beautiful places, Beddingestrand. I was eager to help him out. After completeing my first drawings and getting the project approved by the planning office another project appeared. A project involving an old desserted house getting demolished to make space for a new one.
www.kohlerarkitektur.se
Hopefully I can manage to keep clients happy and furthermore plan more houses.
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03 - VILLA KARLSSON YEAR PLANNED .................................... 2017 TYPE OF PROJECT ............................... private TYPEOLOGY ....................................... residence LOCATION .................. Beddingestrand, Sweden
PLANNING MY FIRST HOUSE My first project, almost a pilot, was to help a family fulfill their dream of a larger summerhouse in Beddingestrand, Sweden. This family, just like other modern family situation, involved two new kids and a summerhouse lacking both social spaces, storage spaces and two bedrooms. The extension is planned like a T, working with both the front and the back of the old house. Towards the sea the new volume makes space for a large terrace while making space for a more obvious entrance in the back. The extension creates a visibility axis between both of the volumes, making the building more open and connects to it´s surrounding nature.
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03 - VILLA KARLSSON
WORKING WITH VARIANCE To create a new volume communicating with the old one without separating too much from it too much was my main goal. The pitched roof and wood cladding was something I took with me from the existing volume and developed further in the new, making the extension act a new layer of time. The two volumes are separated by a glass slit making both light and surroundings appear. Simply making the border between inside and outside fade away. Today Villa Karlsson is getting built and the foundation is alrady layed. It´s interesting and very educational to make drawings appear in scale, answer the challenges with an open mind.
04 - VILLA DAHLBERG YEAR PLANNED .................................... 2017 TYPE OF PROJECT ............................... Private TYPEOLOGY ....................................... Residence LOCATION .................. Beddingestrand, Sweden
SECOND IS THE CHARM After planning Villa Karlsson I got in touch with another client in Beddingestrand. This Client was planning a house for him and his wife at a site which he inherited as a youth. The existing building was abandonnend and full of mold. The Dahlberg family is looking for a house with all necessities needed to create a home for them during both summers and winter getaways. The main building is 120 squaremeters big and is planned with big social spaces but also a section for privacy. It´s complemented with a garage and sauna but also an orangery with afternoon sun light.
Plan 1:200
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Section 1:200
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04 - VILLA DAHLBERG
TAKING NATURE INSIDE This plot is surrounded by large trees and has a very intimate character. It was natural to work with a vertical direction in the wooden cladding to communicate with the tree trumks. The building is planned so that it in the future also can be used by the Dahlberg couple easliy even if they get older. That´s one of the reason to why it consists only of one level. The border between inside and outside is faded here as well. Making the surrounding trees apart of the furniture.
05 - THE CREMATORY YEAR PLANNED .................................... 2017 TYPE OF PROJECT ......................... University TYPEOLOGY ................................... Crematory LOCATION ........ Limhamns Kalkbrott, Sweden GROUP ............. Viktor Borg & Anton Kรถhler
DESIGNING FOR GRIEF The designprocess of a crematory became an interesting challenge. Understanding grief and routines regarding the process of death made me realise that there is a large paradox in a project like this. At one hand we are designing a crematory almost comparable with any sort of industry, demanding an order and a positive working environment for the staff. On the other side of the paradox we have to design emotional spaces for people in grieve, spaces which brings calm but in the same time show care.
Functional spaces and path
Emotional spaces and path
Curved roofs to dissolve volume
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Nature
Agriculture
Industry
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Nature reclaims
05 - THE CREMATORY
WORKING WITH LANDSCAPE The site of the program is situated in the
southwestern part of Malmö. “Limhamns
Kalkbrott” is an old limestone quarry with a history beginning in the 19th century as the
industry in Malmö was developed. Malmö is a city which grew stronger as an industrial hub
in the southern part of Sweden. Today Malmö
is branding itself as a city of knowledge, rather than industry. Our site in the quarry has also gone through transformations, just like it´s
surrounding society. We had an initial idea to work with the landscape in full respect of it´s
character, we wanted to enhance the character of the site for visitors. This idea followed us throughout the whole design process.
05 - THE CREMATORY
SITE STRATEGY Working with a concept of making the land-
scape accessible with our building gave us the
chance to work with the emotional path all the
way through the building down into the landscape. A landscape which we use as a colum-
barium. Whilst working out our design concept of dissolved rooms we pictured the mourners
journey through the building. In this journey it was important for us to work with certain
effects to make this building almost sacred in it´s design. We worked with the form concepts based on the journey for the mourners.Frame land-
scape with continous walls, frame selected parts
of nature with paths and frame light with high windows. All of these create the rules that we play with in the structure.
Frame landscape with continous walls
Frame selected parts of nature with paths
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Frame light with high windows
1. Entrance 2. Reception 3. Passage hall 4. Ceremonial foyer 5. Large ceremonial hall
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6. Small ceremonial room 7. Crematorium 8. Control room 9. Urns 10. Urn handling space
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11. Cold storeage 1 12. Cold storeage 2 13. Hall for receiving coffins 14. Covered car entrance 15. Changing room 16. Manager office 17. Waiting hall
Entrance floor 1:400
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05 - THE CREMATORY
THE PASSAGE The journey was something we worked hard to capture. Initially we discussed and sketched on
what feeling we wanted each room to represent. The overall concept of rooms fading into each other was something we could work with to
enhance different characters based on our form concept. The passage hall is a corridor creating
open rooms where light guides you towards the
ceremonial hall. Passages are rooms which normally just takes the visitors from A to B, this
corridor is different. Light and materiality is
supposed to represent carefulness towards both the context but also the feeling of grief. The
landscape is something that gets revieled step by step as the visitors walk through in their chosen pace.
05 - THE CREMATORY
THE FOYER As the final room before the path leads out into the landscape the ceremonial foyer is the room that connects both emotional and functional
spaces. After cremation and preparation of the urns this is where dependants get the ashes
delivered before the burial can take place in the columbarium. This foyer is also working as a
waiting room for people waiting to take apart in the ceremony in either the large ceremonial hall or the smaller ceremonial hall. Walking towards the ceremonial foyer the high brick
wall guides visitors as it is lit up by indirect
light from above. When the passage is dissolved the landscape unveils through large windows towards the columbarium.
Section AA 1:400
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Section CC 1:400
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05 - THE CREMATORY
THE CREMATION Emotional and functional spaces are separated but it´s important that none of them compro-
mise each other in terms of qualities as light and carefulness in materials. The decision of sepa-
rating functions is based on a program of which rooms needed to do what. By sanitary reasons,
due to technical equipment and waste but most importantly access with a herse the functional
spaces are along the back of the building. These
spaces have specific needs, such as turning radius for forklifts but also needs like cold storage for coffins. Cremation is the key moment of the
functions in this building and something that shouldn’t be done in a dark cellar. This room
shows the curved roof from the interior spaces
and how light and nature gets framed with the
help of high windows. Light and materiality of
brick, stainless steel, polished terazzo and bright plywood, is important in this space. It shows
how we pictured the functional spaces equally enjoyable as the emotional spaces. In the end
of the day the staff our the people spending the most time here.
06 - ALTONA 9 YEAR PLANNED .................................... 2017 TYPE OF PROJECT ......................... University TYPEOLOGY ......................................... Offices LOCATION ................... Central Lund, Sweden GROUP ............. Viktor Borg & Anton Köhler
CONCEPT & BRIEF Altona 9 is a project from a course called
“Sustainable design”. The brief was to create an office in central Lund with a strong sustainability horizon.
Today the plot is an abandoned parking area in a dense and beatifully planned block. We
wwnated this new office to communicate with
the surroundings through materiality but show how good sustainable design can look.
The concept is arranged from a large analysis
of context. We wanted to work with the court-
yards that each building in the block presented. The vision is a type of reinkarnation of the courtyard in smaller scale.
1. The site
2. Passage
3. The courtyard
4. Volumes
5. Roof
6. Views
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06 - ALTONA 9
FUNCTIONS OF SPACES Sustainable urban design is not just about
environmentally friendly materials and methods but also about economy and social aspects. We worked hard with the social aspects to
develope something we believe is the future of
workspaces. A flexible office able to change and integrate in the context of the city.
The functions naturally engaged around the
courtyard as the source of light. In the darker part of the building the shaft and technical rooms were placed.
Plan 2 and 3 became the heart of the building
with offices, meeting rooms and social spaces. In the top of the building you find the rooms for
representation such as events but also being able to use as an office.
Teknikutrymmen I markplan finns utrymmen för ventilation, förråd samt källsortering.
Restaurang
Representation Representation
På takvåningen ges förutsättningar för större möten, utställningar, catering eller annan form av representation. Här finns även en stor takterass som kan nyttjas.
I gatunivå finns restaurangverksamhet för att aktivera byggnaden och ge tillbaka till gaturummet.
Kontorsverksamhet Offices
Verksamheten på plan 3 är lik den på plan 2 med ett öppet kontorslandskap samt mötesrum. Här finns även en matsal samt pentry.
Kontorsverksamhet Offices
På plan 2 finns ett öppet kontorslandskap som kompletteras med mötesrum samt slutna kontor. Här finns även en reception.
Teknikutrymmen Techical rooms
I markplan finns utrymmen för ventilation, förråd samt källsortering.
Restaurant Restaurang
I gatunivå finns restaurangverksamhet för att aktivera byggnaden och ge tillbaka till gaturummet.
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06 - ALTONA 9
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Stora Grรฅbrรถdersgatan
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1. Cloakroom 2. HWC 3. Restaurant 4. Technical 5. Storage 32
6. Recycling 7. Bar 8. Kitchen 9. Cleaning 10. Cold room
11. Meetin room 12. HWC 13. Open offices 14. Print room 15. Closed offices
16. Kitchen 17. Dining area 18. Phone room 19. Events 20. Sedum roof
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Plan 2 1:200
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Penthouse 1:200
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06 - ALTONA 9
THE ATRIUM The courtyard becomes the heart of the building.
The heart which both acts as a peaceful place but also the source of light in Altona 9.
The courtyard is a tribute to the context. The
intimate character of the surrounding buildings depend on the variety in scale, soething we wanted our volume to embrace.
The courtyards in the surroundings at Stora
GrĂĽbrĂśdersgatan can not be seen from the street
but gets highlighted when you make an entry in one of the buildings.
06 - ALTONA 9
RICHNESS IN DETAIL The project has been formed around the context. At the same time the sustainability has been
a mayor focus. Our goal is a flexible building with spaces adabtable to future changes in occupations.
The buildings body is made out of wood and
cladded with brick. It was a key feature that the building should be able to get removed from the site easily, making the smallest ecological footprint as possible.
The walls have later got insulated with a cir-
cular cradle to cradle mindset. Materials have been chosen because of their environmental thinking. Se the detail on the right
Tegelplattor 528 x 170 x 37 Bärläkt 38 x 56 c/c 130 Ströläkt 25 x 50 + luftspalt Asfaltpapp U-plywood 19 Mineralull 300 Ångspärr cellulosaväv Installationsyta Plywood 15
5 mm Stålplåt Vattenavrinningsplåt
Tegelplattor 528 x 170 x 37 Bärläkt 38 x 56 c/c 130 Ströläkt 25 x 50 + luftspalt Asfaltpapp U-plywood 19 Mineralull 300 Ångspärr cellulosaväv Installationsyta Plywood 15
5 mm Stålplåt Vattenavrinningsplåt
10 mm Perforerad stålplåt
3-glas-fönster
5 mm Stålplåt
Mineralull Bottningslist Elastisk fog
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10 mm Perforerad stålplåt
3-glas-fönster
5 mm Stålplåt
Mineralull Bottningslist Elastisk fog
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O M G I VAN D E AN TAL V Å N I N G S P LAN
HUVUDSAKLIGA TRANSPORTMEDEL
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VARIERAD BEBYGGELSE HUVUDSAKLIGA AKTIVITETER
TRÅK 07 - SMELLEMDAL
STIGANDE VÅNINGSHÖJDER
GRÖNT
YEAR PLANNED .................................... 2016 2
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TYPE OF PROJECT ......................... University
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7+ HUVUDSAKLIGA TRANSPORTMEDEL
O M G I VAN D E AN TAL V Å N I N G S P LAN
VARIERAD BEBYGGELSE HUVUDSAKLIGA AKTIVITETER
KULTURHISTORISKA VÄRDEN GRÖNT
STRÅK
TYPEOLOGY ..............................T RCity Y G Gplanning AR E TRAF I K S ITUATI O N
STIGANDE VÅNINGSHÖJDER
LOCATION .................... Margaretedal, Sweden GROUP ............. Linus Hedrén, Anton Köhler
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KULTURHISTORISKA VÄRDEN
HUVUDSAKLIGA AKTIVITETER
HUVUDSAKLIGA TRANSPORTMEDEL
GRÖNT
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KULTURHISTORISKA VÄRDEN
HUVUDSAKLIGA AKTIVITETER
STIGANDE VÅNINGSHÖJDER
TRYG GAR E TRAF I K S ITUATI O N
STRÅK
STIGANDE VÅNINGSHÖJDER
TRYG GAR E TRAF I K S ITUATI O N
VISION Mellemdal is a project involving an important piece of the puzzle in Lund. The area is open
for a new city plan and transformation from
TRYG GAR E TRAF I K S ITUATI O N
KULTURHISTORISKA VÄRDEN
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industrial site to a living area of culture, activVARIERAD
O M G I VAN D E AN TAL V Å N I N G S P LAN
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ity and housing.
We made an extensive analysis of the context
and the site to make a proposal on how to plan 2
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the. We focused on people visiting the area
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O M G I VAN D E AN TAL V Å N I N G S P LAN
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walking or on a bicycle and therefor designed
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V A R I EH RU AD SK ET I V I T E T E R V UB D ES B AY KG L IGGEAL A
BEBYGGELSE
the border in a way to ensure the safety of people crossing the streets.
The area works as a shop window when you enter Lund from the south. The buildings in
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HUVUDSAKLIGA AKTIVITETER
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the south east corner therefor needs to make an impression.
Our project name is inspired by Jan Gehls
“Livet mellem husene” though we have used a GRÖNT STRÅK KULTURHISTORISKA VÄRDEN
STIGANDE VÅNINGSHÖJDER
TRYG GAR E TRAF I K S ITUATI O N
lot of his theories.
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Future vision of developement of Mellemdal
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07 - MELLEMDAL
THE MIXED CITY Planning a block was something new and ex-
iting for us. Thinking in a larger scale and not going in too much on the details was challenging.
Our own ideas about the city and how we used
it was part of the process. We wanted to build a
block that enhances the mix of usage in the city. How can one simply create integration? I believe throug a mix in usage between housing, Site plan
culture and activity. Making our site accessible and used a lot of the hours during the day to
enhance the feeling of a safe place to live, work and socialise. The place should represent a balance between peolp with different presumptions. 40
Roof terrace
Nature path
Tram plaza
Section through Mellemdal
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08 - AIKAKERROKSET YEAR PLANNED .................................... 2016 TYPE OF PROJECT ....................... Competition TYPEOLOGY ....................................... Housing LOCATION .......................... Helsinki, Finland GROUP .. Rasmus Rosenblad , Rickard Ramberg & Anton Kรถhler
LAYERS OF TIME Sveaborg is an Island with a strong historical character in Finland. With a 15 minute boat
ride from central Helsinki you can experience this peaceful and natural island.
The breif was to plan for housing on the island and we pictured a new approach of
sustainability and inspiring people to move out of the city.
The architecture of the place is dominated by
stone, Granite to be more exact. The old walls are layed stone by stone. These walls was one
of our main inspiration and connection to the
surrroundings. We planned housing on the concept of gabion boxes with granite.
Collage of buildings at Sveaborg
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08 - AIKAKERROKSET
OH RP JK/P OH MH RP K ET JK/P OH RP K
JK/P ET MH
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HOUSING CONCEPT K
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The concept is strongly connected to the history
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of the site. Mainly through the use of granite
and the roof being formed so the meadow of the surroundings can climb up.
The relationship with the sea is obvious in each
apartment. The apartments consist of sex apartments in two different sizes, 65 and 90 square
meters. The border between inside and outside is faded and nature reclaims the site through the meadow.
With a strong connection to the sea we hhave planned form a sailing club and a terrace for
sunbathing and swimming. This makes the site attractive for guests
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08 - AIKAKERROKSET
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1. Entrance 2. Bedroom 15 sqm 3. Bedroom 10 sqm 4. Bathroom 5. Kitchen 6. Living room 7. Terrace
10. Boat house 11. Bicycles 12. Storage 13. Storage 14. Recycling 15. Composte
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8. Swimming 9. Pier
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Ground plan 1:400
Section AA 1:400
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GI PS SK IV A HO 30 NK m m A FL X TU 20 UL 4m ET m US RA GA KO BI 10 ON 0m BO m X 20 0m m
08 - AIKAKERROKSET
GABION BOX 200 MM
LUFTSPALT 100 MM
HONKA FLX 204 MM
GIPSSKIVA 30 MM
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F Ö N STE R PARTI E R G R Ö NA TAK
Alla glaspartier består av tre olika mått, Samtliga fönster är av panoramakaraktär för att maximera utsiktsmöjligheter och ljusinsläpp.
Förslaget bygger på idéer om att bebyggelsen ska smälta in i sin omgivning och bli en del av den biologiska mångfalden. Taken är därför beväxta.
AVFALLSHANTERING Visionen om komposter och odlingsmöjligheter planerades vid sidan av soprummet i innergårdens ena hörn.
SEGELKLUBB
JOLLEFÖRRÅD
Segelklubben som planerats in i förslaget har en egen verksamhet längs den offentliga bryggan. De behöver plats för att förvara sina mindre segelbåtar samt en ramp för att kunna lasta i båtarna.
BAD P LAT S VINTERBAD Bakom bebyggelsen finns en stor bastuklubb som efterfrågade en vinterbadplats längs bryggorna. Badplatsen nås genom en rak promenad, utan att behöva passera de boendes innergård.
LAS T RAM P
BÅTBRYGGA
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09 - SKÅNELEDEN 2.0 YEAR PLANNED .................................... 2016 TYPE OF PROJECT .......................... University TYPEOLOGY .......................................... Shelter LOCATION ................................ Skåne, Sweden GROUP .......... Arvin Nadimi & Anton Köhler
BUILDING MODULES Skåne has a wondeful countryside and nature.
In this project we aimed to find a way for peo-
ple to addd a new dimension to their experience in nature.
Skåneleden is a walking path that guides
tourists and enthusiasts around Skåne. The
thougnt behind Skåneleden 2.0 was to give
shelter to these visitors and further develope the marketing of Skåne.
The shelter is sold as a module in pieces and gets transported out into the wild. Here you can
assemble it easily and adapt it to the nature below.
Transparency
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Spreading light
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09 - SKĂ…NELEDEN 2.0
TRANSPARENCY AND LIGHT To get that extra dimension while visiting
nature we aimed for a transparency without compromising the feeling of safety.
The wooden structure is clad with polycarbonate sheets that sprad the light from soures inside the structure. This makes other visitors aware of the shelters being occupied or not.
The project is completely based on model making in scale 1:10 to se challenges and making the dimensions realistic.
09 - SKÃ…NELEDEN 2.0
Users
Walking paths
Modular system
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Creating sequences
10 - OTHER PROJECTS INTERESTS ................................................ OTHER PROJECTS .....................................
EXPERIMENTING One of my favourit projects in Lund has been
to experiment with small buildings. We had an assignment to work with a plot in the size of 3x6 meters.
I have always found both theory and practise
very intresting and therefor I took the chance to apply a theory of a Swedish architect called Ola
Nylander. His theories are about what gives the user of spaces an extra sense of atmosphere.
I tried to work with his theories of axiality,
circulation and daylight but in a vertical way. I learned a lot about how to plan for the waste of space being at a minimum.
Daylight
Circulation
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Axiality
10 - OTHER PROJECTS INTERESTS ................................................ OTHER PROJECTS .....................................
BUILDING TO SCALE My first encounter with Lund University was
through our first project in 2015. The brief was to get inspired by a Rebel and design a piece of furniture linked to this Rebel.
I choose to design a tribute to one of the strongest and most inspiring women of the world, Rosa Parks.
Modelmaking has always been one of my
largest passions and I took the chance to build a bench based on the seat of the bus that Rosa Parks claimed. The seat that everyone had a right to sit on.
2005 Dog i Detroit, Michigan
1932 Gifter sig med en Barberare, fortsätter studier
1924
1943
1955
1992
Började studier på flickskola i Montgomery.
Försöker rösta men nekas av etniska skäl.
Arresteras för att hon sitter på fel plats i buss.
Publicerar boken: “Rosa Parks, my story”
1945 Får rösta på tredje försöket.
1996
1956
Erhåller frihetsmedalj av dåvarande president Bill Clinton
Uppdelning av etniska skäl på bussar upphör.
1913 Föddes i Tuskagee, Alabama
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10 - OTHER PROJECTS INTERESTS ................................................ OTHER PROJECTS .....................................
3D MODELLING Modern architecture requires a lot of use of computers and 3D-modelling.
In Lund we have had unique opportunities to
take time and actually learn the programs from skratch. This is something that has helped me a lot in my use of 3D-tools and digital fabrication.
My Bachelor’s project was made in a studio
with a focus on computerized modern design with the use of both grasshopper and Rhino.
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10 - OTHER PROJECTS INTERESTS ................................................ OTHER PROJECTS .....................................
STUDY TRIPS Studying arcchitecture involves a lot of
viewing at precedents and taking inspiration
from around the world. The benefits from study trips are extremely important in my design process.
Seeing new places, cultures and buildings is very enlightning.
The art of photography is aslo something I love
and try to get better at. Every architect needs to know a bit about how to find the right angles
and therefor the art of photography helsps a lot in our design work.
Good documentation also makes portfolios easier to understand.
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