Shadows of the Infinite (2008)

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1

Written one octave lower than sounding. Written one octave higher than sounding. 3 Two bows, or two bows and two sets of crotales will be needed, as both players will play the bowed crotales simultaneously. 4 Doubling the Harp is preferred, if possible 2

Score in C

Shadows of the Infinite

With Awe q = ca.65

Piccolo

    

1 Flutes 2







senza vib. 1.

ppp

p

 

Oboe 1

Oboe 2

Cor Anglais



 





 





   





f   

  p























 





 







 











with plunger

 (Full, Round, Dark)           2.  fsfz (Full, Round, Dark)     Bass Trombone    fsfz    Tuba        Bass Drum (hard mallets)       ffsfz

  

1.



 pp

 



 pp



 p

























  

(closed)





mf









pp



































































con sordino (straight mute)

 

     mp



     fsfz        









always resonant and with much pedal



P>



(keep down)

         fsfz        

D Cb B / E Fb G# Ab







Bowed Crotale



   

(change bow freely)

p



  



ppp



(change bow freely)

ff

f



































              mp



 pp

mf



 

(exaggerate swells to mf unless otherwise noted)



(exaggerate swells to mf unless otherwise noted)



(exaggerate swells to mf unless otherwise noted)

 

(exaggerate swells to mf unless otherwise noted)



 













 

 

 







 

  

p











norm.

......sul pont....





(change bow freely)

p

ff

p

       

 

p

(change bow freely)

pizz.

l.v.

p

   

ppp

 

p

(change bow freely)

ppp

 



p

(change bow freely)

   



(change bow freely)

  

ppp



pp



 

ppp







   

ppp





f

(change bow freely)

ppp



f

        



    ppp



pp

from nothing

With Awe q = ca.65

Contrabass





f

Violoncello







Large Tam-Tam

Viola

Bend tones (down 1/4/ tone)



(Change Bow as needed to sustain the note)

Bowed Crotales

Violin II



fsfz

1 Trombones 2

Violin I

     mf





pp

1.



 (stopped)      mf 3.  (stopped)      mf (open)   1.

Bend tones (down 1/4 tone)

p

 





 

Harp





norm.



pp





3 4

Piano

pp



p





Horns in F

Percussion 3







mp





Percussion 2

pp







Percussion 1



a2







Timpani



pp

f

  

Trumpet 3 in C

pp





1 2

Trumpet 2 in C





Horns in F

Trumpet 1 in C





pp

2. pp

 





mp





  

f senza vib.



f



   

pp





 

1 Bassoons 2 Contrabassoon



 

Bass Clarinet in Bb

2.



senza vib.

pp

1 2

flutter



1.

Clarinets in Bb

 



Geoff Knorr

(exaggerate swells to mf unless otherwise noted)



(exaggerate swells to mf unless otherwise noted)

 

(exaggerate swells to mf unless otherwise noted)









 

 

 







p





 Copyright © 2008 Geoff Knorr Music







8

 Picc. 

Fls.

ppp

p

       

Ob.2



   

1 Cls. 2

 

B. Cl.

pp



C Tpt.1

C Tpt.2

C Tpt.3

mp



 

 

 

4.

p

p





a2

3.





     mf

pp

        

     mf

pp

 

pp







 





     fsfz      

 





mp

p

 





ppp

p



   

pp

       mf



















pp

f

 

   

f



  f

p

f

 



mp

pp



l.v.





 





  

 

 

p







     

 

 

  



l.v.





Large Tam-Tam



l.v.

mp

 

  fsfz      

   fsfz

f

Ab

  

mp



   p

      

mp

 

 













  













*Dampen the strings to be played near bridge (inside the piano) with the right hand while playing the notes in the left hand (on the keys). The sound should be similar to cello pizzicato.

pp





ppp



mf

    mf

p

p

pp

ffsfz





fsfz

     4. p     

ppp

 

 

  





sfz



f      2.   p

mp



ppp



mp

 

   fsfz



   

  

fsfz

 

a2



      



A§



 



    mp

fsfz

l.v.

 

 







(exaggerate swells to mf unless otherwise noted)

p

 





  



pp

mf



 non div.



 



pp







    mf 3.        

pp





  

ppp







  

mf







ppp













ff



  



  

ppp









mp

  









1.







ppp

  Cb.  

mf









  











pp





Bowed Crotale

pp

f









pp



pp







mp

   



    







 

ppp





p

 

f





ppp





p







 

















mf

  

  





(damped*)

mp



p

      p mf

 





 



ppp





pp flutter

pp

pp











   



      



   fsfz      

   



ppp

Large Tam-Tam

mp



with plunger



ppp



ppp

mf



 

 





   

ppp



mf





ppp

Vc.

pp

con sordino (straight mute)

Vln. I

Vla.













pp





p



Bend tones (down 1/4 tone)

mf



ffsfz

Vln. II



a2



















Bend tones (down 1/4 tone)

pp

ppp

p

 





       

        



a2





senza vib.



    Perc.1 

Hp.





  

ppp

 

senza vib.

senza sord.

Timp.

Pno.

 







       



p





     

2. p

 

p



   

mp

 p

2. ppp senza vib.



   pp   1  Tbns.       2  fsfz     B.Tbn.    fsfz   Tba. 

Perc.3

 

 

fsfz

Perc.2



ppp



 



pp



2

3 4

senza vib.

Shadows of the Infinite







 1   Hns.

Hns.

1.

   

  

1 2







C. A.

Cbsn.



   

1 2

Ob.1

Bsns.



senza vib.



2

 mp



p

p

ppp

mp

  

fsfz

fsfz



  

  

 

non div.

ff



pp

sfz



1 2

     

p

   

mp





Ob.2

C. A.

Cls.













1 2





pp





Cbsn.







   p



 

Tba.

Timp.

Perc.1

Perc.3





 



 pp

  





sfp norm.

pp

sfp

pp

 











Hp.



  



  Vln. II





  

fsfz

 

fsfz

 mp

 mp

  



p

 

mf

   

pp



fsfz

mf

mp

p

  

sul pont.   



   



f



  









                  pp ppp



















 

f sul pont.

 

non div.



ff

  f

  

 

  f

    fsfz   

     







pp







l.v.

   

  

 

f

  

  

 

 

 

 

 







  

non div.

ff

 



 

pp

pp

 







f







 

 





sul pont.  





sul pont.  



 sul pont.      f

f

 

 

  



   ff  





f

 

pp

f





pp



norm.

norm.

pp

f



norm.

f

 

pp



norm.

f

f

   

                   f

norm.

f

 

      f  

  pp  

pp



    

sul pont.



   f  

  

pp

mp

fsfz

sul pont.

norm.

pp

l.v.

mp

sul pont.









sul pont.

norm.





  





  

  





 

norm.





sul pont.

f





p



norm.

p





 sul pont.     

pp

         p pp          p pp  

  



 

pp

pp

p



f



  

pp



mp

ffsfz

f

  



p

mp



  

  

pp



       





mf

f

      

   fsfz

l.v.

mp

     pp



 



 

pp

pp



fsfz



p

 

  



p



 

sul pont.   



pp pp



   fsfz   



fsfz

pp



l.v.

 

  

senza vib.

 









 



 

pp

ppp

l.v.









  



mf

mf





 

ffsfz





  p fsfz

sfp sfp

2. pp

p











mp







  

Vc.

  

 

         

pp

 mp

       fsfz     fsfz 

f



p





l.v.

               

  Vla.





  





pp

  

Cb.



   

  sfp  





mf

Vln. I

 

p

    mp   









Suspended Cymbal





sfp

sffz





p



f



pp

pp

   









 







pp

  sfp  





   

pp

 

p



flutter

 pp

       pp p          p pp   



norm.

 

 

       

 

f   

mf

    f

mp

 



       mp p       

4.



norm.

Pno.











2.



Perc.2







 

pp

 



p

 

pp pp





pp



f

 



mf





 

 





       

B.Tbn.

pp



ppp

1 Tbns. 2

mf



senza sord.



pp



pp

 



p

           pp   pp  3  Hns.  4     pp   C Tpt.1  

C Tpt.3



mp

1 Hns. 2

C Tpt.2



mp

 

1 2

   f



p

Bsns.



p f

 



mf



p



  

B. Cl.





    



pp

Bend tones (down 1/4 tone)

pp



pp



Bend tones (down 1/4 tone)

Ob.1





Fls.

   

3

Shadows of the Infinite



15   Picc. 

senza vib.

f sul pont.

  f

 

norm.

    



 

norm.

 

norm.



norm.

 

 





pp

4

Shadows of the Infinite 22

 Picc.  



p

Fls.

  

1 2

 ff



 

Ob.1

 



C. A.



Cls.

1 Bsns. 2

Cbsn.



(+/- 1/4 tone)







pp





 

a2

norm.

p







pp

 





 

pp

























 pp

ff

p





















        

   

    

 











3 Hns. 4

C Tpts.

1 2

C Tpt.3

Tbns.

1 2

           

    

ff

    

 

Tba.











  





 

p

 











     

con sord.

 

 

senza sord.





p



  

















 













  



  



Perc.2

Perc.3



pp

ff

ppp

ff

 ff





l.v.

 

Hp.









  Vln. I





  



 

  



  



      

p

p

p

  



mf

  

norm.

   pp





    





 

 

  



 

   sfz

sfz

   sfz

  sfz

 

sfz

    

 



 



 

ff



 



 



 

 

 

    

 

   

Tubular Bells (hardest mallets)



ff



ff P>

  

 



     



   

sfz

 

 





























    ff

    

D Cb B / E F# G# A§

ff



  





 



 

 

 

 



 







 











 





 

 

 

  





 



ff





ff











 







 



 

 





 



ff









ff 



C§ B# G§ Ab

 

ff







ff









l.v.



 



      

ff



p

sfz

 

l.v.



p

   sfz

 

ff

Suspended Cymbal

mp

mf





 l.v.   



   





ff

 



 

 

p

p

ff

Cb.

  

ff

   ff    



 



ff

Vc.

with soft pedal



ff

Vla.





        

ff

Vln. II

  

Large Tam-Tam

pp





 

pp

l.v.





  pp



  



  

ff

Pno.



 



gli s

Perc.1

 

 

 

ff

p

Timp.

  

 

  sfz

  

ff

p











ff

p



 







ff

 

fp

  sfz

ff

p



sfz

 

   

 

 

ff

p



B.Tbn.



 



s.

1 2

ff

  

ff

Hns.

mf



  

ff 

ff



  

    ff 

mf

    

norm.

  ff 





ff







ff







senza vib.

ff

pp





vib.  senza  



senza vib.

pp







norm.

p





B. Cl.



mp



  

1 2

pp





pp

exaggerated vibrato Ob.2



 



 



 

ff

ff arco div.

 

ff

                

     

    



 



 

 

   

 

5

Shadows of the Infinite 29   Picc. 



1 Fls. 2

1 Obs. 2

C. A.

       

  

 



B. Cl.



Hns.

1 2





   

3 4



Tba.

Timp.

Perc.1

Perc.2

Perc.3

Pno.

Hp.





  

Cb.

     

       



   

   



  

       

 





 

 





 

     



  



   

 

sfz

sfz

sfz

 

   sfz

 

sfz

   sfz

 

  sfz

   sfz

      

 

   sfz

 

 

 

 

 

   sfz





sfz

 





   



  

 

  

 

mp

ff

ff

mp





  

 





mp

  



              

  

 

 

 

 

sfz

ff



 ff



 

    





 

  



    

 



  

  



  

  

  



  

 



  

 



   



f

















 

     

     



ff

Db C# Gb A§

    



 



 

 





 



 













 



port.



 





port.





port.













port.





port.









 







 

 



 

 

   

      

 

   

 

   



D§

   

 



  







 





 



  

  



 



 



        

 



   

ff





    



 











   

    



 

  

 

P>

    

 

  



sfz

sfz

ff



     

 

   fp



   



sfz

sfz

  

   

D# Eb

sfz

 

     

  

sfz

 







  

ff

  

  

sfz

 

 

    







    

   

   sfz

 

  

    

 



unis.

Vc.

  

 

 

  

 



   sfz

    



     

ff

 

 



Vla.

     

mf





      

    







   





   sfz

 

mp ff

       

 



ff



 

   

 

  

ff

ff

  sfz





 

mf

            

    



 



Vln. II

  

         



 







 

 

   

Vln. I

    





 

    





  

B.Tbn.

mf

ff

 



    

 

1 2



    

sfz

 

1 2







mf







    

C Tpt.3

Tbns.

   

ff



      

sfz

C Tpts.





sfz

Hns.



  

1 2

Cbsn.

mf

 

       

1 Cls. 2

Bsns.



      

 

     

  

 

      

  

non div.

sul A,E  

    

   

6

Shadows of the Infinite

    36

Picc.

Fls.

Obs.



1 2

1 2

C. A.

Cls.

1 2

Bsns.

Hns.

Hns.

1 2

 





       

   







 

 

   

        

 



   

    

  

 

p

sfz

   sfz    

sfz

1 C Tpts. 2

C Tpt.3

B.Tbn.



Tba.



Timp.

Perc.1

Perc.2

Perc.3

Pno.

Hp.



  

Vln. II

Vla.

p

   





   

   

 

 

    

f

p

   

                        



      ffsfz     ffsfz       ffsfz   ffsfz  

ffsfz

 

     f



    



     

                  

 

      

    

         



pp

mf



  

 



 

  



   

 





 



  



mp

pp mp













pp

   



 

 







 

1.

con sord. (straight mute)



pp

  

 

 

mp



f

mp





p

l.v. pp



 

 





pp

mp

2. con sord.

pp



senza sord. pp



































 

 

    



   

 

mf

 



 

Large Suspended Cymbal

pp

    

 

 

   

 

mf

 

    

 

l.v.



 

pp

    

l.v.

pp







   





















    





















   

      













sul G

 













sul G

   

 

 

     

ff

1. with plunger 



non div.



pp



 



pp

f

 



 

f



 

 



 

mf



p

mp

p

pp

p

 



 

mf

    



pp pp

pp

 

    

pp



 

f

pp







 



  

p

mp



    

 

  

     



   Cb.    



f

  

ffsfz

Vc.





p

ffsfz

  

  

sfz



    Vln. I



  

  





p

  

   

    

ff

 



 

p

p

    sfz

1 Tbns. 2

 

ff

 

sfz



 





pp



 

mf







 







pp

mf



sfz

   

pp









 pp

p









ff

p

sfz





  

    sfz

3 4

  

    

     

1 2

Cbsn.





    



B. Cl.



 

intensely port.





intensely





 

port.







sul G







sul G

 







       

    

  



 





  





  

       





 

 

intensely

 port.  intensely

 port. port.







 port.

 port. 

 port.

   

sul G, D

   

      



non div.

sul G, D  non div.

  

intensely





port.

intensely



port.



 



port.



 

port.

 port.

























molto vib.



    

 





port.

norm.



  richly 

7

Shadows of the Infinite 43

 Picc. 

    

a2

 

1 Fls. 2

mf





C. A.





1 Cls. 2

 

1 Obs. 2



B. Cl.



Cbsn.







  



























ff



  

p

mf



mf



 

p

mf







a2

ff 1 Bsns. 2

pp





mf





f

















mp

    

 

ff

Hns.

mf

 

  

C Tpt.2

 

     mf

C Tpt.3

        pp

C Tpt.1

Tbns.

 

1 2



B.Tbn.

Tba.

Timp.

Perc.1



pp

f

mf



mp

   



   



mf

2.

 

mf



p



 



1.



f

f

pp

mp

f

pp

mp

   

 



p





mp



mf

  





mp

 



          mf 2.

 

mf

pp



mp

  4.

 

3.



  

pp

f



mp

3.

 





   





4.





norm.

 pp









 

  























senza sord.

  

mp

p







pp















 



















































 





 



















  

























mf





   f



 

    ff

Vln. I

   f  





   

 

   



 

mp



mf

 

mf

l.v.

  f

   f    







mf





mf

ff richly

   ff

richly

   ff

 

richly ff

Vla.

 

richly ff richly

  ff

Vc.

 

mf



 

mf

 

mf



 

ff

mf

  ff

 

 

 



ff

mf

mp

mp

mf

f

 



 



mf

 

mf

 

mf

mf

 

mf

mf

f



 



ff

 ff



mf

 

mf



 f





mf

 

f

  

ff

mf

f







pp



 

 









(change bow freely)



(change bow freely)









p

pp







port.



pp





  



port.

ppp











p

(change bow freely)





ppp

mp

 

pp

 port.

    

p

 

  

(change bow freely)





ppp

p

pp 

f

 

ff





ff

pp



 (change bow freely)

 p



f

mf

pp

pp

 

ff

mf





f

 

ff

ff

p

  



 



 

 





f

 

 

richly



l.v. l.v.



richly

  

Vln. II



mp

Large Tam-Tam

richly

Cb.







pp

f













 

Hp.

mp

ff

mf

 



pp



 

Pno.



  

 



mp







pp

f









Perc.2

Perc.3

 

ff

mf

  

3 4

 

 



 





(+/- 1/4 tone)

pp



(+/- 1/4 tone)

pp

pp

1 Hns. 2

exaggerated vibrato 1.

mp

pp

 

pp





pp exaggerated vibrato

a2









(+/- 1/4 tone)



pp

 

exaggerated vibrato >





(+/- 1/4 tone)

mp

 



exaggerated vibrato > a2





mf





 

Picc.

Fls.

    

1 2

 

Ob.1

 

Ob.2

C. A.

Cls.

1 2





 (+/- 1/4 tone)    f



pp

 





pp



Bsns.

Cbsn.

  



  

1 2

  

  pp

 

3 4

pp

  

 

C Tpt.1

C Tpts.

 

2 3

 



 



mp pp

mp

con sord. (straight mute) pp

 

pp

mf

  Perc.1  



Perc.2

 Perc.3   

Pno.

Hp.





   

with soft pedal



D# C# B§ E§ A#

  



pp

mp

  Vc.

 

 Cb.  

 

 







senza vib.







senza vib.



 

 

f





    pp

mp

 

 

 









pp

 

 f

pp pp

 

pp





    

 



pp





 

 

 

pp

pp

mf

 

pp

pp









































































 

  

 l.v. l.v.



pp





 

Large Suspended Cymbal

pp





 l.v.   

mp

   mf



Eb

 

  f







   

 

p

 

 

norm.    mf

 



norm.

senza vib. pp

p







senza vib.



p

pp

 senza  vib. pp

p



(put mutes on one-by-one)

p

A§



mf

pp

mf

pp

    

mf



l.v.







p

mf

  norm.



p

mf

mf









6



pp

port.

pp









  





 

6



port.

f









con sord.

molto legato

pp con sord. pp

molto legato

pp

     f

6

f

6

    

 



pp

f

 

(put mutes on one-by-one)



6

pp

mf





6

pp 

(put mutes on one-by-one)



mp

6

                      







6

f

con sord. molto legato



 



port.



  

pp

6

pp

(put mutes on one-by-one)



  



mf

  

 

6

                       pp

 

 

  

p

con sord. molto legato



mf

p mf norm.

senza vib.

pp

p

      



pp

pp



   

  





f

mp

p

port.

pp

 



port.    

 

 

mf





senza vib.

Vla.











mf mf

fpp

    

p



mf











pp



 

    

pp

mp

 



      

p

f

pp

pp

 



p



(+/- 1/4 tone)

  

senza vib.



pp

pp





     

 

 



pp

senza vib.

molto legato senza vib.



Vln. II



mp

1.

 

      



 

mp

P >



 



mp



 

   Vln. I



 

     





senza vib.

pp



pp







 

Bass Drum (Soft Mallets)



 





 

 



 

 



   

Timp.

pp

pp







 







 



mf

  



mf

fpp



 











 



Tba.



pp









 

pp





con sord. (straight mute)



B.Tbn.

a2

mf

  



1 2

p

mf

flutter

 

mp

 

Tbns.

 

senza vib.

mp exaggerated vibrato

pp

   

mp

pp

mp



 

   

pp

f

a2

 



f

  

mp

  



 



 

mp

mp



(+/- 1/4 tone)

f

(+/- 1/4 tone)



mp exaggerated vibrato >

 



pp

Hns.



pp

pp

Hns.

 f





pp



1 2

p

pp

 

exaggerated vibrato

 

pp

 

 

(+/- 1/4 tone)

mp





exaggerated vibrato >

pp

mp

norm.





(+/- 1/4 tone)

 

   

 



pp

mp



pp p exaggerated vibrato >

exaggerated vibrato



Shadows of the Infinite



p

 

pp

 

 

B. Cl.

 

senza vib.



50



8

pp

mf

pp

pp

mf

pp

 

9

Shadows of the Infinite

 

  Picc.  57

Fls.

f

 

1 2

pp

 

Ob.1

pp

  

norm.

f

Cls.

 

1 2

  

1.



Cbsn.



pp

pp

 

 3.        4.  f     

  

f

f

C Tpts.

 

2 3







   

pp

 pp

f f

 

3.

 

con sord. (straight mute)

f



pp



pp

 

 



pp

f



  



exaggerated vibrato >







(+/- 1/4 tone)

mp



f

 

pp pp

  



pp

   fp 

 pp



f

pp

  







  f 







 

 

 pp









 





































Perc.2

Perc.3

Pno.

Hp.

 

   

Vln. II

  Vla.



pp





ff

pp





Large Suspended Cymbal

 pp

ff

 

l.v.

































  





l.v.

Large Tam-Tam

mp



l.v.

6

3



l.v.

   

f

mf

6

6

6

6

                           f

pp



6

6

6

6

6

6

6

6

6

                                                            pp

f

f



pp



pp

 

Vc.



mf





f

ff

pp



Vln. I

pp

 con sord. (straight  mute) 



Perc.1



Timp.



pp













Tba.

fp

pp

pp

B.Tbn.



pp

f

 

pp

pp

 

pp





pp

 

pp



f

pp



 





f



pp



f     f   

pp senza vib.

 a2 senza  vib.

 

pp



pp

 

1 Tbns. 2



 





 



senza vib.

pp

 

f

    



senza vib. pp

 

f



   f 



f

  



 

pp

 

    f

(+/- 1/4 tone)

f

  



 

pp

exaggerated vibrato >

 





pp

pp

 

f

f norm.

  

1.

pp



pp

f

pp

f









pp



pp



 

pp

 pp

   f



f

   



pp senza vib.

f

f

pp

 



  f  



pp





pp f

C Tpt.1

1.

f

    1 Hns.  2    2.  3 Hns. 4

  



1.



f pp



 

pp

f







1 2

 



norm.

f

pp

Bsns.

 pp  f  





f

 

B. Cl.



norm.

pp

 

C. A.

 



senza vib.

 

Ob.2

 

senza vib.





6

3

6

f

6

6

6

pp

           6

6

pp

 



pp

 

pp

f

6

6

6

6

f



6

6

6

pp



pp

pp

f

6

6

f

6

6 pp

f

6

6

f

6

6

f

6

pp

6

pp

6

f

6

f

6

6

6

6

6

6

6

6

6

6

6

6

pp

                                                                          

 f

6

                                                                          

  

pp

f

f



6

                                                           

pp



          

 Cb.  

6

                           



 

6



pp

pp

pp

6

f

6

f





















 



pp

pp

f

f

pp

pp

 

pp

pp

10

Shadows of the Infinite 61

 Picc. 











   



 



 

pp

1 2

  

















Ob.1

 















 

Ob.2

 















C. A.

 



















 

































Fls.

1 Cls. 2

 

B. Cl.



p

mf



mf



p

1 Bsns. 2



Cbsn.

















1 2

 









Hns.

3 4





























 

pp

f

1 2















pp

f

B.Tbn.



 











 















C Tpts.

Tbns.

2 3

Tba.

Timp.

Perc.1





   

Triangle l.v.

Perc.2

p

pp





Pno.

Hp.





























 













 













































p 

Vln. I







p senza sord.









pizz.



l.v.





 







senza sord.

pizz.



   

Others

Cb.







senza sord.



1st Three Players

1.



 

mf

pizz.



mf

p

 

2.





  

pizz.

   mp

 

 

   

 3.



pizz.





mp

Vla.





mf







mf





mp

  3. 





1. 2. 3.

 



mf





l.v.



    

with soft pedal mf







    mp



    mp

pp







arco





arco









mp

mf



 

 



pp



 

(change bow freely)

mp









 













pp

 

pp



pp

 





1st Two Players

p





mf

 

arco





mf 







(change bow freely)

















mp





arco



p

 



Others

pp div.

1. 2.

f



p





f

Tubular Bells

mf

Vln. II

Vc.





















 







   













senza sord.



  





 

 





 













mf







p





mp

Perc.3



f









(+/- 1/4 tone)

  

 

pp









  p  

exaggerated vibrato

mf



Hns.

C Tpt.1

senza vib.

con sord.

 pp

arco



con sord.



 

 

Outside

(G# > Ab)

 



p

 

 

Inside div.



 



p



  

port.



  

68     Picc.  

Fls.

Obs.

1 2

1 2

C. A.

Cls.

1 2

B. Cl.

Bsns.

1 2

Cbsn.

Hns.

1 2



   

3 4

C Tpt.1

C Tpts.

Tbns.

2 3

1 2

B.Tbn.

Tba.

Timp.

Perc.1

Perc.2

 



pp

mf

  f





 





 



 



     

pp

pp

      

  

pp

mf



 











 

   





 

f

   p



































 

 





 

 



















































































 

 



 

   







  



 









ppp

p

pp

p

pp



 

mp

Large Tam-Tam

 





l.v.

mp

















 









 













pp





pp







 

pp



pp

 

mf

   

pp

mp

 





 

 

mp

pp

    

pp

mp



pp



mf



con sord. mf

mf



let vibrate >

   























P >





ppp



 

mf



con sord. senza vib.



1. 2. 3. 4.

 

(stagger bow changes)







mf

con sord. senza vib.





 

con sord. senza vib.





 

ppp















pp



(stagger bow changes)

con sord. senza vib.



   

 

 

pp

ppp

  

 

 to nothing



 

pppp

 



to nothing

pppp



molto legato

pp



 

ppp

 

molto legato

pp

 unis. 

p

mf

ppp molto legato



p

  



pp

Players 5.6.



p



(stagger bow changes)

1. 2. 3. 4.

molto legato 

(stagger bow changes)

ppp

pp







Players 1. - 4.



 

mp

mf

 

(change bow freely)

 







mf

with soft pedal

 

Players 5.6.









  

Players 1. - 4.

pp

   

  

pp





 



pp



 

 

 

 

mf

 

pp

pp

 

p





mf

 

  

(change bow freely)

Cb.



 

    

Vc.





Vln. I

Vla.





     

Vln. II



 

 

Hp.





 Perc.3   

Pno.





 

ppp



 



   



   

Bass Drum (Soft Mallets)

1.



 

senza sord.



   







pp



   



 



 





p

mf

 

   





mf

f

pp

mf

 











pp

senza vib.     ppp



mp



pp

  mf      





 

  



 



mf

Hns.



a2 senza vib.

 

11

Shadows of the Infinite

  

 



to nothing



pppp













 

12

Shadows of the Infinite 75

Picc.

Fls.

    

   

1 2







   





   



     

   

senza vib.

  

     

 

  

      

 

senza vib.    

  



ppp

 



1 2

















C. A.

















1 2

















B. Cl.

















1 2

































 













a2











a2

Obs.

Cls.

Bsns.

Cbsn.



    sfz









Hns.

1 2

Hns.

3 4





C Tpt.1













2 C Tpts. 3















1 2

















B.Tbn.

































 

































































Tbns.

Tba.

Timp.

Perc.1



Perc.2

Perc.3

Pno.

Hp.

1. 2. 3. 4.





 

  

 



 

 







































  mp 

 f

 

  f

   

 

 

pp

ppp

5. Vln. I 6.





Others







 

pp

 









ppp





ppp



 ppp

 

pp

ppp



    





ppp



ppp pp

pp

pp

pp





 

pp



 

 



pp



  

 

pp



 

 

pp

Vln. II 5. 6.



senza sord. with plunger





1. 2. 3. 4.

  

    sfz





(change bow freely)

con sord. ppp

 

 









pp

  





  





tutti



Vla.



Vc.

Cb.





senza sord.

senza sord. unis.































 

 ppp

fsfz

fsfz





13

Shadows of the Infinite

   Picc.    82

   



 

  

senza vib.

Fls.

1 2

2. pp

1 Obs. 2

C. A.











       

    

 

pp

 





1.



senza vib. 2. pp

 

pp

mf

 



senza vib.





f

       

 

pp pp





pp

pp

pp



f

p

2.

     

 





senza vib. f



      

 

pp senza vib.

 

 f        

      





   

senza vib.



 





pp



   

ppp 1.



 

1 2

   

mf

1.

Cls.

   





































 1 Hns. 2 





a2







a2

   















































































 













B. Cl.

1 Bsns. 2

Cbsn.

Hns.



3 4

C Tpt.1



mf

C Tpt.2

C Tpt.3

1 Tbns. 2



B.Tbn. Tba.





   Perc.1  Timp.



Perc.2

Perc.3

 

Pno.

Hp.

1. 2. 3. 4.

 













 

fsfz

with plunger

sfz            mp sfz          

   

pp

  

p

     mf





1.

with plunger pp



 



a2

  



a2

mp 3.

p

 mf



mf

 

 

ppp

 



a2

norm.



pp

   

norm.



sfp

pp





 

  

 



 





 

  mf

   

 

 





ppp

    

pp

  ppp



 

pp



 













 

 

 

 

 

 

 











Vln. II



Others

pp

pp



 ppp

pp









(change bow freely)



   

   

con sord.





ppp

mf



Vc.











Cb.













fsfz

ppp pp





fsfz







fsfz



   



fsfz



   



fsfz

port.

p

ppp

port.

p

pp

   





pp

pp



Vla.

ppp pp

ppp

 

5. 6.

pp



Others

ppp



 

 

pp



f

 





5. Vln. I 6.

1. 2. 3. 4.





f



  pp





p

ppp





 



 

  

    





with plunger







    

pp

   sfp



  

 





mp

f



pp

a2

f



 

 

 

f





pp



    





sfp



 

Bb

 















fsfz

  







fsfz

    fsfz







     fsfz

  

norm.

pp













   fsfz   

f

pp













14

Shadows of the Infinite 89

 Picc. 

        

1 Fls. 2

Obs.

1 2

C. A.

1 Cls. 2























Cbsn.









1 2

Bsns.

 







B. Cl.





p

1.

 

2.

exaggerated vibrato >



mp







mp pp



1 2

 







C Tpt.1

2 C Tpts. 3 Tbns.

B.Tbn.

Timp.

Perc.1



Perc.3

Pno.

Hp.

 

p

mf









































Large Tam-Tam





  











mp





l.v.

p







































 

pp

f



senza sord. pp

  

5. 6.

 

Others

 









Outside





Inside





Outside





Inside





Inside

pp





p 

pp









Outside

Inside



 



mp  p

mf





mf

 

(change bow freely)

mf

mp



mp

 

port.

 



mp

 



mp



 

   





pp



with Mallets



with soft pedal



mp

          let vibrate throughout > 3

3

3

p







pp P >







norm.





 







  

 







mf















senza vib.



p

pp

mp





pp

   



 

molto legato senza vib.

 

pp

D§ C§ Eb F§ G§

 



 



 



 

mp

   

 

Bass Drum (soft mallets)





















 









f

pp



l.v.

 

mp

mp

mf





f

mp pp



 





pp



   

 

 senza vib.



p

        

   

 





   

 

 

   

 

 









port.



   





 

 

pp



pp

mp

 mp

div.

(+/- 1/4 tone)









exaggerated vibrato >



pp

mp 

ppp

(change bow freely)





 



(change bow freely) senza sord.

(change bow freely)

port.



p

pp



ppp 

ppp





port.









pp

  









pp



pp

p

mf

 

senza sord.

senza sord.

f





 

f

mf



senza vib. solo

pp

 





senza sord.

mf

pp



Outside

f

(+/- 1/4 tone)



  



 f

1st Player Only



pp exaggerated vibrato





 



 

   



1. 2. 3. 4.







(+/- 1/4 tone)

 

con sord. (straight mute)  





 

Vc.

pp







Vla.

















  





Others

4.







mp







 

pp

   







Bowed Crotales



3.





5. Vln. I 6.

Cb.



mp

 

mp

   



  1. 2.  3. 4. 

Vln. II

mf

pp p exaggerated vibrato >

p

 







 

mp

mf



pp



 

Perc.2

 

 

3. p



pp

mp



pp

pp

f

1.







 

1 2

Tba.





3 4

pp



pp

    



mp

   mp



pp

pp



pp

  



pp



pp



(+/- 1/4 tone)

 

f

(+/- 1/4 tone)

p

Hns.

 



pp

Hns.

 



senza vib.

exaggerated vibrato

mp



pp

pp exaggerated vibrato





(+/- 1/4 tone)

 







  





exaggerated vibrato >

mf



 



a2 (+/- 1/4 tone)

f







 

p

p

 

  

 



    pp



mp

  

15

Shadows of the Infinite

    Picc.   96

Fls.

Obs.

1.

C Tpts.

a2

pp

Tbns.

 

Perc.1

Pno.

Hp.

f

ff

 

 

 







f

f



mp

f

mp

f

 

norm.



f

 



pp

f

norm.

mp

f





 

 





 



a2

pp

mf senza vib. mf







pp







senza vib.



mf pp

 

pp



pp

norm.

mp



pp

f



norm.























pp f

mp

f

mp

f

mp

f

mp

 



 

senza sord.



pp pp

 







pp

mf

f f

  mf

p

p

f

mp

f

mp

f

mp

f

mp

 

fsfz              



   sfz



   



 



  p 





a2

mp

fsfz

           fsfz

  

pp

f

 

 mf   2.

pp



mf

f p

p

p

fsfz

a2



mf

  1.

2.



pp

pp

f

f

sfp

      sfp 



2.

f

   

3

3

   

   

p molto legato

sfz

    



   

molto legato





  

   

pp

pp

 

   

3

3

  

   

   

mf

  

mf

3

  

   

   

   



















   



































 









  





  

pp

     3

3

   



  



 

 

 

 

 

norm.

p





 





   f





 



pp





norm.

p

pp

senza vib.



pp

pp

p

 senza  vib.

norm. pp

   

pp

  

pp

   

 

  

f

 

  

f

 

  

f

mp

  f

 

pp 

pp



pp

f

l.v. Tubular Bells (hard mallets)

  

f



 

f

 



mp























 

mp

f

mp

f

mp



 

 

f

mp

f

f

 f



 mp



f







mp

f







mp

f



f



mp

f





f

 l.v.  



mp







f



l.v.

f

 

mp

f

mp



f



 

Crash Cymbals

mp



 



f



 







mp

mp

f



 

mp

f



mp



 

mp

f



   pp

norm.

norm.

p

   Cb.  

norm.

l.v.

f

 

 

sfz

 

    

 

 



l.v.



Large Suspended Cymbal





f

f

 

mp

f

f





mp

f





f

 



f

 



 

mp



mp















































pp







 pp



 pp



 pp



 

 

 

 



pp









pp

f

f



pp



senza sord.



pp

pp

 





f

 

 

mp



mp

 

f

f





mp



mp

 

f







 

  

mp





     

3

   

 



  

   

3

3.

pp

mp

   

3



  





p

f



 

Vc.

mp

ff





  (+/- 1/4 tone)



norm.

mp

a2





pp



 

Vla.

ff



non vib.

Vln. II



mp

mp







  Solo   Vln. I

    mp  





Perc.2

Perc.3

ff



f norm.

 

B.Tbn.

Timp.





1.

ff



 

1 2

Tba.

pp

 



mp f exaggerated vibrato >

   

 

ff



  f 



pp

   

2 3

 





  

C Tpt.1

f

mp

  

3 4

mp

mp

mp

  1 Hns. 2    Hns.



pp

1 Bsns. 2



 

mp

mf

(+/- 1/4 tone)

  

B. Cl.



exaggerated vibrato >

  

1 2

f a2



  



p

pp

1 2

Cbsn.



pp

  

1 2

C. A.

Cls.

norm.

w/section again



16

Shadows of the Infinite 103

Picc.

Fls.

 



 

1 2









pp

mp

mp

1 2

  

C. A.

 

Obs.

pp



 

1 2

Bsns.

Hns.

Hns.

1 2





    

3 4

  

2 3



B.Tbn.

Tba.

Timp.

Perc.1

Pno.

Hp.

pp

mf



















pp

pp

pp



pp



   3

  

3

  



  

   3

  

3

  

  



  

p

   3

  

3

  

  

p





   3

  

3

  

  

p

    



   3

 

3

   

 

    3

con sord. p

 



 





























 





 

 

 

 

1.



3

  



pp

  

 

senza sord.





 

 







pp

pp

mf











senza sord.











 









 

 







   

   

pp





































































Vln. I

  

mp



port.



mf intensely



mf

intensely



pp



Vln. II

Vla.













port.



port.



 

  mf

port.

port.



 intensely



mf



port.



port.

  



  



  

norm.











Vc.















 

mp





mp

 































  





f

mp

(put mutes on one-by-one)





 

 

  

 (put mutes on one-by-one)

 

 



 

 



 unis. 

  



 

mp

mp

pp

(put mutes on one-by-one)



mp





mp











  



pp





pp



(put mutes on one-by-one)

p





mp

norm.

norm.



 

  







mp

norm.

pp



 





 



mp







 





 











 



 

pp











pp



intensely

 

 



  





pp







pp









mf







mp

 

p

  

 

mf





pp

mf



  

Cb.

 





pp

 









  

pp

 



mf





    

3





 

 



con sord.

 

mp

  





Perc.2

Perc.3

mp

mf

     

1 2

Tbns.



a2  

C Tpt.1

C Tpts.

mp

mp

1 2

Cbsn.



 

B. Cl.

senza vib. p



senza vib. mp

mp

Cls.

 

 

 

 

f

l.v.

17

Shadows of the Infinite 109

 Picc. 



























Obs.

1 2

1 2



   mf

senza vib.

p

   

senza vib.



mf

C. A.



senza vib.

p



B. Cl.

 6 6               6 f



 

1 Cls. 2

mf

f







 

pp

mp

1 2

Cbsn.

1 Hns. 2





pp





 3 6 6                  3 6

  

 

 

1. mp

3. mp



 

pp

C Tpt.1



2 3



1 2

 

C Tpts.

Tbns.

Timp.

Perc.1



 



 

1.

 



mf



mp



4. mp

p

 

p



 







  



pp

 6          6





pp

 

 

mp

 



2.

3

 

mp 6                3

mf



mp

 

mp





p















 

mf



 

 





 

 

 





























 





       







 D# B§ F#

 

  Vln. I

  



mp

con sord.

6

 

f con sord. 6

6

6

pp

f

6

6

                        pp





Vc.





pp





mp



pp

mp





pp

mp



 

f



pp

pp

pp

6

6

6

6

6

6

6

f con sord. 3

6

6

6

6

 

6

6

6





pp

mp





pp