BU I LDI NGS A N D THE GEN DER ED CITY
F I G U R E 38
Brassaï, Graffiti (n.d.)
[Breton]); the isolation of chance in photographic instantaneousness (e.g. arbitrary juxtapositions, anamorphic transformations); the hyperreality of photographic seeing (immobility, excess and precision of detail), which relate to Moholy-Nagy’s New Vision (exact seeing, rapid
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