“Sharp, unsentimental tales from a writer haunted by her past.” learning to talk
be tamed or killed is Bianca. The stakes escalate in a pattern as shocking as it is predictable until the unusually noisy climax and the interminable wind-down. Familiar thrills unartfully paced.
LEARNING TO TALK
Mantel, Hilary Henry Holt (176 pp.) $19.99 | June 21, 2022 978-1-250-86536-6
Reflections on an enigmatic childhood. In seven deftly crafted stories that she calls “autoscopic” rather than autobiographical, two-time Man Booker Prize winner Mantel takes a “distant, elevated perspective” on her life growing up in the English Midlands region. Organized chronologically, most of the stories are narrated by a woman evolving an increasingly astute perception of her own reality and the truths obscured by family myths and lies. “All the tales arose out of questions I asked myself about my early years,” Mantel writes in her preface. “I cannot say that by sliding my life into a fictional form I was solving puzzles—but at least I was pushing the pieces about.” They read, then, as lightly fictionalized memoir. In fact, the last story, “Giving Up the Ghost,” acknowledges the author’s memoir of the same title, published in 2003. Mantel’s family situation was peculiar: When she was about 7, her mother moved her lover into the house that she shared with her husband. For the next four years, Mantel lived with two fathers, aware of gossip about her mother’s scandalous behavior. Finally, her father left. In “Curved Is the Line of Beauty,” the lover is called Jack, with “sunburned skin and muscles beneath his shirt. He was your definition of a man, if a man was what caused alarm and shattered the peace.” Growing up was hardly peaceful: In “Learning To Talk” (“true save one or two real-life details”), the 13-year-old narrator is sent for elocution lessons, her provincial accent seen as a liability: “People were not supposed to worry about their accents, but they did worry, and tried to adapt their voices—otherwise they found themselves treated with a conscious cheeriness, as if they were bereaved or slightly deformed.” Mantel’s narrators are melancholy or resentful, misunderstood or ignored, vulnerable and cynical. “Mercy,” one observes, “was a theory that I had not seen in operation.” Sharp, unsentimental tales from a writer haunted by her past.
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15 april 2022
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fiction
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kirkus.com
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MERCURY PICTURES PRESENTS
Marra, Anthony Hogarth (432 pp.) $28.00 | July 19, 2022 978-0-451-49520-4
An ambitious young Italian woman makes her way among the émigrés of 1930s and ’40s Hollywood. Maria Lagana has come to Los Angeles after her father is sentenced to confino—internal exile—for his anti-fascist advocacy in Mussolini’s Italy. Living with her mother in the Italian American neighborhood of Lincoln Heights—also home to a trio of nononsense great-aunts forever dressed in black—Maria finds work as a typist at Mercury Pictures International, working in the office of studio head Artie Feldman, a fast-talking showman with a collection of toupées for every occasion. In time, the letters from her father stop, and Maria becomes an associate producer, Artie’s trusted right hand, as well as the secret lover of Eddie Lu, a Chinese American actor relegated to roles as Japanese villains. When a young Italian immigrant turns up at her door introducing himself as Vincent Cortese, Maria’s past—and the mystery of what happened to her father—crashes into her present. Like the author’s earlier novels, the award-winning A Constellation of Vital Phenomena (2013) and The Tsar of Love and Techno (2015), this one builds a discrete world and shows how its denizens are shaped—often warped—by circumstance. But the Hollywood setting feels overfamiliar and the characters curiously uninvolving. While the prose frequently sings, there are also ripely overwritten passages: At a party, the “thunking heels of lindy-hopping couples dimpled the boozy air”; fireworks are described as a “molten asterisk in the heavens to which the body on the ground is a footnote.” The World War II Hollywood setting is colorful, but it’s just a B picture.
POGUEMAHONE
McCabe, Patrick Biblioasis (600 pp.) $18.95 paper | May 3, 2022 978-1-7719-6473-9 A searing family drama and bittersweet evocation of nostalgia for lost youth. Irish novelist McCabe’s new work is a leap beyond his previous accomplishments in fiction; a sprawling, epic novel in verse, the book builds on the tradition of lyric poetry as a method of storytelling, shot through with a postmodern Beat sensibility. The tale begins in the present as narrator Dan Fogarty arrives at the nursing home where his sister, the mercurial Una Fogarty, lives. From there, the narrative quickly moves back in time to the early 1970s to a communal house in
