RISUKO A Kunoichi Tale
THIEVES NEVER STEAL IN THE RAIN
Kudler, David Stillpoint Digital Press (230 pp.) $26.99 | $12.99 paper | Jun. 15, 2016 978-1-938808-32-6 978-1-938808-34-0 paper
Labozzetta, Marisa Guernica Editions (198 pp.) $20.00 paper | Mar. 1, 2016 978-1-77183-050-8
In this YA historical novel set in Japan’s Sengoku period, a girl who adores climbing attends an unusual school. “Your mother sold you to me this morning.” With this, young Kano Murasaki, called Risuko (Squirrel) for her love of climbing, learns she’s to accompany imperious old Lady Chiyome’s palanquin. Risuko’s father was a samurai, a prestigious occupation in war-torn 16th-century Japan. After being disgraced, he had to find work as a scribe; he taught Risuko to read and write, but with him now dead, the family is near starving—and Risuko’s best option is to comply. The traveling party undergoes a cold and dangerous journey as it tries to dodge the fighting between rival warlords. Along the way, Risuko displays some of her abilities—not just climbing, but calligraphy, bird calls, and presence of mind when attacked. When they finally reach the Mochizuki compound, Risuko becomes a novice, believing that she’s being trained as a shrine attendant. There’s talk of initiates becoming kunoichi, which no one will explain: “you’ll just have to find out on your own.” At first, the novices perform only menial tasks, especially kitchen work, but they eventually receive lessons in music, singing, and dancing. But suspicion and intrigue (both political and romantic), plus attempted thievery and worse, tear apart the Mochizuki community, leading to a dramatic confrontation with the truth. Kudler (How Raven Brought Back the Light, 2014, etc.) draws on one of the most fascinating elements of Japan’s feudal period—the kunoichi, or female ninja. (Mochizuki Chiyome is a historical figure who trained young women as spies and assassins, using cover identities such as shrine attendants, servants, and prostitutes.) Also intriguing are the cultural details that Kudler weaves into his story, such as the Retreat, a small building where Mochizuki’s women stay during their periods. The characters are nicely varied and all the pieces fit into place deftly, such as how Risuko’s dance movements and kitchen skills can be used in fighting. A tight, exciting, and thoughtful first volume in what promises to be a fine series about a female ninja.
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15 march 2016
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indie
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kirkus.com
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A collection of short stories about the women in a tightknit family and the sometimes-supernatural difficulties they face. The Ficola women are the protagonists of this newest work by Labozzetta (Sometimes It Snows in America, 2013, etc.), featuring 10 stories that each explore a different challenge of marriage or motherhood. Joanna struggles to save her marriage after the death of her child, while Rosemary struggles to save herself after the death of her marriage. Nancy faces family-related illness and adoption simultaneously, Barbara works to redefine herself after her children grow up and move out, and Angie searches for confidence in her own body. Labozzetta gives each character her own quirks (Joanna is artistic, Barbara is a hoarder, and so on), though at times it seems they all share one indistinct narrative voice. Still, the author successfully weaves a web of interlocking stories, with each woman moving in and out of the lives of her family members. The best stories are those that the author imbues with an unsettling sense of the supernatural. In “Villa Foresta,” for example, Joanna becomes convinced that an Italian peasant girl is the reincarnation of her daughter, while her empirical husband begins to worry for her mental condition. The scenario itself is intriguing, but it’s the conflict between grieving husband and wife that drives the story forward. “The Birthing Room” is another supernatural standout, in which the author turns the story of a mother with an empty nest into a classic poltergeist story. Both tales reflect Labozzetta’s greatest strength: taking common material—parenthood, adultery, illness—and adding something slightly uncanny. At the same time, the formula also reflects some of the author’s weaker points. For example, her premises are often stronger than her prose; her dialogue, in particular, occasionally feels unvaried and overly explanatory. Nonetheless, the characters maintain a strong, distinctly female voice throughout. They’re world-weary and wiser for it, and readers will want to enter that world. Most of the 10 stories could stand alone, but they gradually coalesce into a comprehensive, compelling family portrait—a whole that’s greater than the sum of the parts. Warm, often engaging stories about the challenges of five women midway through their lives’ journeys.