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NOTES ART HISTORICAL RESEARCH 1. The will is kept in the Archives Nationales in Paris and was examined by ARRS in 2004. 2. Juliet Wilson-Bareau, Manet by Himself, London: Little Brown, 1995, p. 267. 3. For Fernand Lochard, see § 3.1, see page 30, Lochard’s Photographs. 4. Ronald Pickvance, Manet, Martigny: Fondation Pierre Gianadda, 1996, p. 230. 5. Ibidem, p. 249. 6. Ibidem, p. 249.Ibidem, p. 249-250. 7. Denis Rouart and Daniel Wildenstein, Manet Peintures: catalogue raisonné, vol. 1, Lausanne: Bibliothèque des Arts, 1975, p. 24. 8. Catalogue des Tableaux, Hôtel Drouot 1884, salles nr. 8 and 9. 9. In de Bottins du Commerce from the period 1930-1933, Pierre Blanc is listed as an art dealer. He had probably already been active for some time. 10. Several sources reveal that Maurice Matignane acted as an “Expert près le Tribunal de la Seine et la Cour d’Appel de Paris.” 11. The investigations in Paris and New York were conducted in 2005.
13. The water colour is a preliminary sketch for another (unfinished) painting. 14. Brooklyn Museum, New York, Manet archive, number 23.45. 15. Anne Coffin Hanson, Manet and the Modern Tradition, New Haven: Yale University Press, 1979, p. 55-56. 16. Beth Archer Brombert, Edouard Manet: Rebel in a Frock Coat, Chicago: Chicago University Press, 1997, p. 330. 17. French Nineteenth-Century Drawings and Watercolors at The Brooklyn Museum, New York: Hudson Hill Press, 1993, p. 96-97. 18. Email from James Knight of Bonham’s in London, 25 May 2007. 20. See § 2.1, pages 24-28: The Provenance of Jobarde. 21. Césaire Villatte, Parisismen, Gouda: Van Goor, 1895, p. 21. 22. Ibidem, p. 18. 23. See § 2.1, page 24-28: The Provenance of Jobarde. 24. Coffin Hanson, op. cit. (note 15), p. 73. 25. Rouart and Wildenstein, op. cit. (note 7), p. 270. 26. First published in 1932.
