SCRIPTY'S DAILY PROGRESS REPORT DATE: July 24, 2013 DAY 9 of 21 CREW CALL: 6:00 PM
PRODUCTION COMPANY: BMPHP, LLC TITLE: Higher Power DIRECTOR: Matthew Santoro SHOOT CALL LUNCH DINNER CAMERA WRAP
6:30 PM 12:00 AM n/a 5:41 AM
1ST SHOT 1ST SHOT 1ST SHOT SOUND WRAP
TOTAL SCRIPT ADDED DELETED CURRENT TOTAL SHOT PREVIOUS SHOT TODAY TOTAL TO DATE TO DO
PAGES 91 2/8 0 1/8 91 1/8 22 3 5/8 25 5/8 65 4/8
SCENES 283 0 1 282 62 12 74 208
7:21 PM 1:16:09 AM n/a 5:41 AM TIME ----0:10:08 0:03:17 0:13:25 --
SETUPS ----50 30 80 --
6, 131, 138, 138A-D, 147, 149, 149A-C, 145, 154, 135, 151, 150, 150A, 152, 152AE, 155, 155A-E SCENES COMPLETED 6, 138, 147, 149, 145, 154, 151, 150, 135, 137, 152, 155 PARTIAL SCENES 131 (credit 1/8, owe 5/8) 0 RETAKES 0 183 ADDED SCENES DELETED 0 WILD TRACKS A37-41, C23-24, B23 9 CAMERA ROLLS SOUND ROLLS SCHEDULED/NOT SHOT/NOT 0 0 SHOT INCLUDED Due to lack of time and rushed circumstances, we had no monitor or rehearsal for the driving sequences and post-lunch work on the street--so I am not too sure of exactly REMARKS what the camera saw, and hope that screen direction works, or can be reversed (if necessary), in post. SLATED NUMBERS
SCRIPT SUPERVISOR: Kelli Marino
kelli.marino@gmail.com; 970.978.9931
1
DAILY LOG TO THE EDITOR PAGE 1 of 4 DATE: July 24, 2013 DAY 9 of 21
PRODUCTION COMPANY: BMPHP, LLC TITLE: Higher Power DIRECTOR: Matthew Santoro SC. TAKE NO. 6
TIME
COMMENTS
CAMERA
LENS
SND.
Leaving house XOOFCL Leaving work from CL-R Leaving house CL-R
A37, C23
Zoom
9
1
20
-2x
13
-3x
12
131
1
10
TS
A37, C23
Zoom
9
138
1
12
2nd stix TS on C
A37, C23
40
9
2
15
TS on C
3
9
TS on C
1
48
C23
14
9
2 3
1:50 1:40
Magazine fell out of gun Too controlled Great
1
1:37
Lights in shot
2
2:13
Comp-some focus issues but mostly good
3
1:04
No 2nd "why are we here"
138C
1 -2x
1:13 12
Comp Insert gun
A38
50
9
138D
1
45
A38
50
9
-2x
1:07
-3x -4x
5 12
NG Comp-focus a bit soft T on cell J on bike
138A
138B
SHOT DESCRIPTION
A: Wide HA surveillance exiting door CR-L, C: HA Full shot J exiting door. TS on both
A: HA full J running out of door, C: HA over door of J running out of door A: J xs R to L on motorcycle C: HA surveillance footage J on motorcycle. There are lights and cables to beware of. His jacket was open here.
HA Surveillance footage
A37
40
9 OTS J to MCU T, then J at end
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
OTS J to CU T, then J at end CU J
PAGE 1 of 4
1
DAILY LOG TO THE EDITOR PRODUCTION COMPANY: BMPHP, LLC TITLE: Higher Power DIRECTOR: Matthew Santoro SC. TAKE TIME COMMENTS CAMERA LENS SND. NO. 147
No debris. People in shot and furni pad in crates at bottom Debris
1
23
2 -2x 3
10 12 12
1
19
Door not open enough
2
22
Great
149A
1
20
Comp
149B
1
42
-2x
26
149C
1
145
A38, C24
PAGE 2 of 4 DATE: July 24, 2013 DAY 9 of 21 SHOT DESCRIPTION
9
A: L/A N falling out of building, C: surveillance of N falling out of building. CG bike to be added CL for explosion
A: L/A J coming out of building, C: surveillance of J out of building.
Great Crates removed
A38, C24
40
9
A38, C24
40
9
Comp-sound in the bkgrd Remove person at beg. In bkgrd
A38
40
9
16
Comp
A38
40
9
1 -2x
23 24
With bike Without bike
A38
40
154
1
--
A38
40
9
CU N driving looking CL
135
1
--
Good-no slate
A39
40
9
Traveling neutral motorcycle
151
1 2
-20
No slate-NG No slate-Good
A39
40
Mos Nico car XIFCL-R then we lead then travel with as it passes.
150
1 -2x
34 34
Good Good
A40
40
Mos Nico runs L-R, car driving CRL
150A
1
15
Good
A40
40
Mos Nico car driving CR-L
149
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
A: L/A MF/sh J coming out of building, C: surveillance of J out of building. A: L/A CU J coming out of building
A: L/A Cov. Druggie
Mos Wide exterior of den of sin for VFX
PAGE 2 of 4
1
DAILY LOG TO THE EDITOR PRODUCTION COMPANY: BMPHP, LLC TITLE: Higher Power DIRECTOR: Matthew Santoro SC. TAKE TIME COMMENTS CAMERA NO. 152 1 14 Comp A40
PAGE 3 of 4 DATE: July 24, 2013 DAY 9 of 21 LENS
SND.
SHOT DESCRIPTION
40
9
Following Tracking J run into street face CR then go behind J as Nico car dives forward
2
14
Perfect
152A
1
17
Perfect
A40
40
9
MCU J tracking CR
152B
1
18
NG
A40
40
9
VFX Wide plate of J for car traveling up and over CR-L
-2x
14
Great
152C
1
14
Great
A40
40
9
VFX of CU J for car traveling up and over CR-L
152D
1
--
Last two options best
A40
40
9
VFX of L/A OTS for car traveling up and over J CR-L
152E
1
15
No slate-Car moves forward-Bogeys in back
A41
75
Mos
-2x
13
2
6
1
29
2
28
155A
1
29
Camera shadow on head at bend down
155B
1 -2x
4 6
155C
1 2
32 26
155
OTLS N to full through car windshield to J
Car moves backward No slate-Car moving toward Focus off at run, phone in shot Excellent
A41
40
9
A41
40
9
Ok Great
A41
40
9
Ok Great
A41
40
9
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
OTS Cops to Med and Full J
CU J
MCU J with cop in back to hit OTRS J to Cops
PAGE 3 of 4
1
DAILY LOG TO THE EDITOR PAGE 4 of 4 DATE: July 24, 2013 DAY 9 of 21
PRODUCTION COMPANY: BMPHP, LLC TITLE: Higher Power DIRECTOR: Matthew Santoro SC. TAKE NO.
TIME
COMMENTS
CAMERA LENS
SND.
SHOT DESCRIPTION
155D
1
5
Ok
B23
14
MOS J POV of cop hitting J
155E
1 2
15 10
Ok No slate
B23
14
MOS J POV of cop with Tazer
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
PAGE 4 of 4
1
TITLE: Higher Power DATE SC. # TAKE SHOT 7/24
6
1
TIME 20
12
-3x
13
-2x
COMMENTS Leaving house XOOFCL Leaving work from CL-R Leaving house CL-R
CAM. ROLL A37, C23
LENS/ FILTER Zoom
SND. ROLL 9
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
OPPOSING PAGE #4 SHOT DESCRIPTION AND ACTION A: Wide HA surveillance exiting door CR-L, C: HA Full shot J exiting door. TS on both
PAGE 1 of 1
1
HIGHER POWER Production Script 7/21/13 - Yellow Revisions
14
6.
INT. JOE’S APARTMENT - BATHROOM - NIGHT (HIDDEN CAMERAS)
14
14
Joe shaves in front of the mirror. Brushes teeth
CONTROL (V.O.) See notations on DNA records. He stares at himself.
Tries a smile.
He attempts to button his REDLOCK UNIFORM SHIRT, realizes a button’s missing. Frustration. 15
INT. JOE’S APARTMENT - NIGHT (HIDDEN CAMERA)
15
He looks through his closet, pulls out another REDLOCK UNIFORM SHIRT, holds it up. We see there’s a stain on it. He sighs. 16
INT. JOE’S APARTMENT - BATHROOM - NIGHT (HIDDEN CAMERAS)
16
Joe puts on a SECURITY GUARD’S TIE, carefully covers the missing button. Sitting on the ledge of the mirror is a PICTURE FRAME OF JOE’S FAMILY. BEACH STONES lay on the side of his sink. 17
INT. JOE’S APARTMENT - KITCHEN - NIGHT (HIDDEN CAMERAS) Joe makes himself PEANUT BUTTER AND JELLY. bottom of the JAR. Not enough to cover the whole sandwich.
18
EXT. PARKING LOT / INT. REDLOCK - NIGHT
*
17
Scrapes the
It’ll have to do. 18
TITLE: Higher Power DATE SC. # TAKE SHOT 7/24
131
1
TIME
10
COMMENTS
TS
CAM. ROLL A37, C23
LENS/ FILTER Zoom
SND. ROLL 9
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
OPPOSING PAGE #52 SHOT DESCRIPTION AND ACTION A: HA full J running out of door, C: HA over door of J running out of door
PAGE 1 of 1
1
52.
HIGHER POWER Production Script 7/21/13 - Yellow Revisions 126B
130
INT. JOE’S APARTMENT - BATHROOM - NIGHT 126C
POV: Joe stares at the PICTURE OF HIS FAMILY. Deep regret.
130 Deep love.
CONTROL (V.O.) She loves you Joe. You can do this. I can’t.
JOE
CONTROL NO, YOU CAN! AND get on your feet. minutes to get to location.
(V.O.) YOU WILL! Now You have 15 the next
Joe clenches his fists and slowly pushes himself up. Visibly muscling through the pain. It’s a weirdly awe-inspiring moment. CONTROL (V.O.) 15 minutes, Joe. You’ll need your gun. JOE Just point me in the right direction, you son of a bitch. 131
EXT. STREET NEAR JOE’S APARTMENT - NIGHT
131
131
Joe slams his door, heads to the street. My car!
JOE I don’t have a car!
CONTROL (V.O.) Electromagnetism, the power to attract and repel. 14 minutes. JOE What does that have to-Joe looks around, a MOTORCYCLIST is in the process of parking his MOTORCYCLE. Joe whips out his gun, starts stalking towards the Motorcyclist. Hey!
JOE (CONT’D)
TITLE: Higher Power DATE SC. # TAKE SHOT 7/24
138
7/24 138A
7/24 138B
1
TIME 12
48
1
9
3
15
2
1:37
1
1:50 1:40
2 3
45
1
7/24 138D
1:13 12
1 -2x
7/24 138C
1:04
3
2:13
2
7/24
135
--
1
5 12
-3x -4x
1:07
-2x
COMMENTS 2nd stix TS on C TS on C
CAM. ROLL A37, C23
LENS/ FILTER 40
SND. ROLL 9
TS on C
Magazine fell out of gun Too controlled Great Lights in shot
C23
14
OPPOSING PAGE #54 SHOT DESCRIPTION AND ACTION A: J xs R to L on motorcycle C: HA surveillance footage J on motorcycle. There are lights and cables to beware of. His jacket was open here.
9 HA Surveillance footage
A37
40
9
Comp-some focus issues but mostly good
OTS J to MCU T, then J at end
No 2nd "why are we here" Comp Insert gun NG Comp-focus a bit soft T on cell J on bike Good-no slate
A38
A38
A39
50
50
40
9
9
9
OTS J to CU T, then J at end CU J
Traveling neutral motorcycle
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
PAGE 1 of 1
1
HIGHER POWER Production Script 7/21/13 - Yellow Revisions
135
EXT. STREET NEAR DEN OF SIN - NIGHT 135
SHUT UP!
54. 135
JOE
Behind Joe’s motorcycle, STREETLIGHTS SHATTER and CAR ALARMS START BLARING. 136
INT. CONTROL’S ROOM - NIGHT
136
The computer monitors show SPIKES IN JOE’S HEART RATE. Control smiles. CONTROL (to himself) Pain. Fear of Loss. (To Joe) Take a left down this alley. 137
EXT. STREET NEAR DEN OF SIN - NIGHT
137
138
Joe turns the motorcycle into the parking lot and approaches the-138
EXT. DEN OF SIN - NIGHT Stop. 138A
138B-C
138
CONTROL (V.O.) 138D
Joe comes to a skidding stop.
Joe gets off the motorcycle.
CONTROL (V.O.) What made Rhea attracted to the life that repelled Zoey? 4 minutes, Joe. Entrance is to your left. JOE What’s here? CONTROL (V.O.) Rhea’s world. Joe BUZZES the door. JOE OPEN THE FUCKING DOOR! TELE, a SEVEN-FOOT-TALL BOUNCER, opens the door. Joe doesn’t know how to process this. 138A
138B-C
138D
*
HIGHER POWER Production Script 7/21/13 - Yellow Revisions 138A 138B-C 138D
55.
TELE You better back it up, homes!
* *
JOE Why are we here?! Tele brandishes his GUN tucked into his belt.
*
TELE I said BACK IT UP!
*
Joe pulls out his gun and aims it at Tele. gun and TOSSES IT ASIDE.
Joe grabs Jele’s
* *
JOE YOU BACK IT UP! Tele raises his hands. Whoa!
*
TELE Whoa! Relax!
*
JOE DON’T TELL ME TO RELAX!! Move. Move!
2 minutes.
CONTROL (V.O.)
TELE Bro, you’re making a big mistake. Joe backs Tele out of the door and locks him out. out his CELL PHONE and dials. 139
INT. DEN OF SIN - STAIRCASE - NIGHT
* Tele takes
*
139
Joe heads down the staircase, gun brandished. 140
INT. DEN OF SIN - NIGHT Dark, skanky.
GIRLS on their last legs.
140 Joe hears giggling.
As he goes in further he sees beds, MORE GIRLS drugged out behind cages. ONE GIRL IS TIED UP WITH ROPE IN JAPANESE SHIBARI FASHION. A VHS camera tapes one of them. It’s disturbing, manipulative. Joe heads deeper in. JOE WHAT AM I DOING HERE?!
* *
TITLE: Higher Power DATE SC. # TAKE SHOT 7/24
145
1 -2x
TIME 23 24
COMMENTS With bike Without bike
CAM. ROLL A38
LENS/ FILTER 40
SND. ROLL
OPPOSING PAGE #59 SHOT DESCRIPTION AND ACTION
Mos Wide exterior of den of sin for VFX
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
PAGE 1 of 1
1
HIGHER POWER Production Script 7/21/13 - Yellow Revisions
144
INT. DEN OF SIN - NICO’S ROOM - NIGHT (PRESENT)
59. 144
Nico grabs Joe by the neck. NICO That’s your daughter, hero. She comes here because this is where she belongs. Stop!
JOE You sick son of a bitch!
NICO You come here for revenge, you don’t even know what the fuck you’re fighting for. Nico laughs and moves to the other end of the room, snorts some more blow off his knife. Joe is screaming in rage. JOE AAAAHHHHHHHH! WE SEE JOE BEGIN TO LIGHT UP. NICO Scream all you want, nobody can hear you! THE GLOW IN THE ROOM GROWS BRIGHTER. Joe looks down. His arms are COVERED IN LIGHT. ROPES BREAKING OFF HIM. SUDDENLY145
EXT. DEN OF SIN - NIGHT
145
145
THE BUILDING SHAKES, GLASS SHATTERS. There is a CONCUSSION BLAST. distance.
CAR ALARMS go off in the
ALL THE CAMERAS GO TO STATIC. 146
INT. DEN OF SIN - NICO’S ROOM - NIGHT (SECONDS LATER)
146
The ENTIRE ROOM HAS BEEN DESTROYED. Small FIRES light the outskirts. Nico lies where he was thrown to the ground. He staggers up to his feet. NICO What the FUCK?!
TITLE: Higher Power DATE SC. # TAKE SHOT
149
7/24
147
7/24
1
TIME
23
19
1
12
3
10 12
2 -2x
1
7/24 149B
20
1
7/24 149A
22
2
7/24 149C 7/24
150
7/24 150A
42
16
1
26
-2x
15
1
34 34
1 -2x
COMMENTS No debris. People in shot and furni pad in crates at bottom
CAM. ROLL A38, C24
LENS/ FILTER 40
SND. ROLL 9
Debris Great Crates removed Door not open enough
A38, C24
40
9
Great
Comp
Comp-sound in the bkgrd
40
A38
40
A38, C24
9
OPPOSING PAGE #61 SHOT DESCRIPTION AND ACTION
A: L/A N falling out of building, C: surveillance of N falling out of building. CG bike to be added CL for explosion
A: L/A J coming out of building, C: surveillance of J out of building. A: L/A MF/sh J coming out of building, C: surveillance of J out of building.
9 A: L/A CU J coming out of building
Remove person at beg. In bkgrd Comp
Good Good Good
A38 A40
A40
40 40
40
9
A: L/A Cov. Druggie
Mos Nico runs L-R, car driving CR-L Mos Nico car driving CR-L
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
PAGE 1 of 1
1
HIGHER POWER Production Script 7/21/13 - Yellow Revisions
61.
The guy’s eyes widen, that last moment of surprise before death, then: HIS HEAD BEGINS TO GLOW. KA-BOOOOOM! 147
EXT. DEN OF SIN - NIGHT
147
147
We see Nico THROWN out of the doorway and into the alley by the CONCUSSIVE BLAST. Nico stumbles away, fearful. ALARMS ARE BLARING all over the place. We hear SIRENS. He races around the corner. 148
INT. DEN OF SIN - NIGHT
148
The PLACE IS BURNING DOWN around Joe. He’s crawling, trying to make his way out of the thick smoke. He sees a DRUGGEDOUT GIRL crushed under the weight of debris. No! No! fault!
JOE I’m sorry!
It’s not my
CONTROL (V.O.) It’s HIS fault for sinking his hooks into her life. Keep moving Joe or you will lose him.
* *
Joe keeps pushing forward and he sees another DRUGGY GIRL. Still alive, barely. He grabs her but her leg is caught. Joe tries to pull her out but he can’t. He places his hands on the chunk of wall crushing her leg. 149
EXT. DEN OF SIN - NIGHT (MOMENTS LATER)
149
149, 149A-C
Joe appears, Druggy Girl staggering beside him. JOE (to Control) Where is he?! TELL ME! 150
EXT. DEN OF SIN - GATED LOT - NIGHT 150 150A
150
Nico runs past a fence, fumbles with his KEYS as he gets to his car.
TITLE: Higher Power DATE SC. # TAKE SHOT
152
7/24
151
7/24
154
7/24
1 1
TIME
COMMENTS
---
14
1
20
2
155
7/24
1
152E
7/24
1
7/24 152D
14
1
7/24 152C
18 14
1 -2x
7/24 152B
17
1
7/24 152A
14
2
--
15
29
1
6
2
13
-2x
1 2
7/24 155C
29
1
7/24 155A
28
2
32 26
CAM. ROLL A38
No slate-NG
A39
LENS/ FILTER 40 40
No slate-Good Comp
A40
40
SND. ROLL 9
A40 A40
A40
A40
Last two options best
40 40
40
40
75
OPPOSING PAGE #62 SHOT DESCRIPTION AND ACTION CU N driving looking CL
Mos Nico car XIFCL-R then we lead then travel with as it passes. 9
Perfect Perfect NG Great Great
A41
No slate-Car moves forwardBogeys in back
9 9
9
9
Following Tracking J run into street face CR then go behind J as Nico car dives forward
MCU J tracking CR VFX Wide plate of J for car traveling up and over CR-L VFX of CU J for car traveling up and over CR-L VFX of L/A OTS for car traveling up/over J CR-L
Mos OTLS N to full through car windshield to J
Car moves backward No slate-Car moving toward Focus off at run, phone in shot Excellent Camera shadow on head at bend down Ok Great
A41
A41
A41
40
40
40
9
9
9
OTS Cops to Med and Full J
Cops to CU J
OTRS J to Cops
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
PAGE 1 of 1
1
HIGHER POWER Production Script 7/21/13 - Yellow Revisions 150A
151
EXT. DEN OF SIN - GATED LOT - NIGHT (SURVEIL. FOOTAGE)
62. 151
151
DRONE POV of the car fleeing down the alleyway, CRASHING THROUGH A GATE. 152
EXT. STREET NEAR DEN OF SIN - NIGHT 152
152
152E
152A
Joe runs out of the alley and into the street, sees Nico’s car approaching. Joe lifts up his gun, FIRES. Runs out of bullets. THE SURVEILLANCE FOOTAGE FLICKERS again. 153
INT. CONTROL’S ROOM / INT. MS. SABI’S ROOM - NIGHT
153
THE VISUAL OF THE BODY SWIRLS WITH COLOR. My god. 154
MS. SABI Look at it.
EXT. STREET NEAR DEN OF SIN - NIGHT
154
154
The car BARRELS TOWARDS HIM. NOOOOO!
JOE
152B, 152D 152C
And a GIGANTIC BLUE ARC OF ENERGY FLIES FROM JOE, and WRAPS AROUND THE CAR. THE CAR LIFTS UP INTO THE AIR. A BIZARRE SOUND, and the car CRUMPLES from the force. Turning into a DENSE PERFECTLY ROUNDED SPHERE OF COMPACTED METAL. PLUNK, it smashes into the concrete. Joe backs up. He’s breathing heavily. kicking in. He flees down the street. 155
EXT. ALLEY NEAR DRUG DEN - NIGHT 155, 155A
155C
Joe runs through an alley, frantic.
Reality starts
155
TITLE: Higher Power DATE SC. # TAKE SHOT
TIME
1 2
155E
5
1
7/24 155D
4 6
1 -2x
7/24 155B
7/24
15 10
COMMENTS Ok Great Ok Ok No slate
CAM. ROLL A41
B23 B23
LENS/ FILTER 40
14 14
SND. ROLL 9
OPPOSING PAGE #63 SHOT DESCRIPTION AND ACTION MCU J with cop in back to hit
MOS J POV of cop hitting J MOS J POV of cop with Tazer
SCRIPT SUPERVISOR: Kelli Marino kelli.marino@gmail.com; 970.978.9931
PAGE 1 of 1
1
HIGHER POWER Production Script 7/21/13 - Yellow Revisions 155, 155A
63.
155C
CONTROL (V.O.) You have company. Joe turns left and sees COP CAR LIGHTS. Turns right, and sees MORE COP CAR LIGHTS. THREE COPS approach. CONTROL (V.O.) I suggest you run. COP 1 Drop your weapon and lay on the ground! Joe drops his weapon. JOE I don’t want anyone else to get hurt! The cops take up position. JOE (CONT’D) Please, DON’T GET ANY CLOSER! COP 2 PUT YOUR HANDS ON YOUR HEAD! JOE GET AWAY FROM ME!
155E
Cop 1 TASERS him. It strikes, and Joe screams as the current REVERSES and explodes the taser! 155B
155D
BILLY CLUB COP uses the momentary distraction to BILLY CLUB Joe in the head. Darkness. 156
I/E. POLICE CRUISER - BACK SEAT - NIGHT
156
156
JOE’S POV BLURRY SHOT SWELLS INTO FOCUS. Through the cage from the back seat of a police car, TWO OFFICERS BARELY IN FOCUS. 157
INT. POLICE STATION - NIGHT 157
Series of quick POV shots: FLASH - CLOSE ON FINGERS being fingerprinted. FLASH - Mug shot being taken. FLASH - Bars closing to a cell.
157