Justice League
Coco
MPAA Rating: PG-13 Overall: B Violence: CSexual Content: B+ Profanity: BAlcohol / Drug Use: C The MPAA has rated The Justice League PG-13 for sci-fi violence and action. Since the credits rolled on Batman v Superman: Dawn of Justice, the Caped Crusader has softened, even if he still isn’t sure of his deceased colleague’s motives. However, the time for mourning quickly concludes when yet another antagonist shows up on the blue planet. Following the comic genre template, an extended backstory sequence explains Steppenwolf (Ciarán Hinds). He is this episode’s villain, and one who initiated a huge battle on Earth many years ago. Fortunately he was sent packing, but neglected to take his baggage with him: three glowing “Mother Boxes” that, if placed together, will destroy the world... maybe even the universe. He discovers one of the boxes is stashed on the island of Themyscira, also the home of Wonder Woman (Gal Gadot). His violent visit, joined by a swarm of CGI flying somethings, motivates WW aka Diana Prince to team up with Batman to send the prehistoric predator on his way once more. The pair also recruit to their cause Aquaman, Cyborg and The Flash. Teen audiences wanting to see these DC Comic conquerors duke it out will enjoy the many battle sequences of these titans, though there is little blood or gore. Perhaps the most disappointing issue with this film is a subtle decision in the wardrobe department. Wonder Woman is already the singular member of the Justice League to be stuck going to work in awkward swimwear. Parents may want to take this opportunity to illustrate the entrainment industry’s incessant need to continually define women as “eye candy”.
MPAA Rating: PG Overall: B+ Violence: BSexual Content: AProfanity: AAlcohol / Drug Use: B The MPAA has rated Coco PG for thematic elements. Miguel (voice of Anthony Gonzalez) comes from a cursed family. It all began when his great-great-grandfather decided to pursue a career as a songwriter and abandoned his wife Imelda and their young daughter Coco. She banned her descendants from having anything to do with music. Even though that was four generations ago, Miguel is still suffering the effects of her edict. Then comes Dia de los Muertos - the Day of the Dead. While his parents, Abuelita (grandmother) and great grandmother Coco are preparing for the celebration that honors deceased ancestors, the twelve-year-old attempts to sneak out with the hope of entering a talent contest being held in the town square. But everyone’s plans are disrupted when the stringed instrument is destroyed. The unfortunate incident does have one fortunate result – it provides a clue to Miguel’s heritage. Armed with this information, the boy breaks into the mausoleum of Ernesto De La Cruz to steal his famous guitar that is on display there. Although his intentions are just to show his closed-minded relatives that they should let him play music, the theft has unexpected and supernatural results. Much of the story takes place in Land of the Dead which may be frightening for young viewers, especially when much of the comedy comes from literal portrayals of characters losing their heads, dropping their jaws, or having their eyes pop out. Along with these somewhat ghoulish images, the plot features a dark villain with murderous intentions. Despite this, Coco offers a heartwarming tale best shared with older children rather than the little tikes.
The Star
Wonder
MPAA Rating: PG Overall: B Violence: B+ Sexual Content: AProfanity: A Alcohol / Drug Use: A The MPAA has rated The Star PG for some thematic elements. The Star portrays the events leading up to the birth of Jesus Christ through colorful animation with a good dose of artistic flexibility... meaning the tale starts with a talking rodent. Abby (voice of Kristin Chenoweth) is our “mouse on the wall” that allows us to meet young Mary (voice of Gina Rodriguez) when she is visited by an angel. When the young woman is told she will give birth to the Son of God, Mary is more than willing to accept the assignment. Fortunately, within the context of this movie, everyone demonstrates great faith in Mary’s announcement, including her chosen man. His biggest concern is capacity live up to the responsibilities of being the father of Jesus. That’s when the next heavenly communication takes place, giving Joseph the assurance he’s up to the task. Definitely created to keep the attention of children, The Star’s main attraction is Bo the donkey (voice of Steven Yeun). Desperate to escape his servitude for a miller’, which means walking in circles to grind grain, Bo’s greatest desire is to provide transportation to a king. Although the biblical story’s sequence of events is somewhat shuffled and the Good Book’s narrative didn’t include three “wise” cracking camels (voices of Tracy Morgan, Tyler Perry and Oprah Winfrey) or other supportive farm animals, the spirit of the occasion still shines through. And that may make this movie a worthwhile reminder of the “reason for the season”.
MPAA Rating: PG Overall: A Violence: B+ Sexual Content: AProfanity: AAlcohol / Drug Use: BThe MPAA has rated Wonder PG for thematic elements including bullying, and some mild language. It’s as plain as the nose on your face that Auggie Pullman (played by Jacob Tremblay) is no ordinary ten-year-old. Born with a genetic defect (that is never clearly identified in the film), the boy has undergone 27 surgeries in his short life and still has a face only a mother could love. Consequently, the youngster has been sheltered from the outside world and home schooled – until now. Auggie’s mother (Julia Roberts) has decided that he should attend a real institution as he begins the first year of middle school. She logics that most of the other students will be new too, so it should ease the transition. Despite all the pep talks, and the support of his father (Owen Wilson) and sister Via (Izabela Vidovic), the whole family is secretly quite concerned about how Auggie’s facial deformities will be seen by his peers. Much of this movie follows the quiet child as he tries to establish himself in a new environment that is less hospitable than the walls of his of own home. Watching Aggie navigate the challenges of his situation would provide enough material for a good plot, yet this thoughtful script (which is based on a novel by R.J. Palacio) takes the story into unexpected territory by examining the feelings of jealousy, neglect and isolation as the perspectives of his sister and other friends are shared. In a subtle way, it exposes the fact that we all carry scars – even if they aren’t as visible as the nose on Auggie’s face. And it demonstrates the power that’s unleashed when ordinary people doing kind things.
Auburn Opelika Parents I December 2017
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